There are 1489 objects for which Decoration contains → in ←

11.10.12	Ribbon handle with projecting ends. Inside is black with two red bands at centre. On turned-in rim, one black band (level with the bottom of the handle) and one red band. The body is decorated with black lanceolate leaves bordered on the outside by five lines alternating black and red, on inner by two lines and band in black. The foot is decorated with black band and, on the base, a wide red band, two thin black bands, two central bands and a dot.
11.10.13	Black on buff, there are leaves around the inside and outside of the rim. Below the rim on the outside is a band of horizontal v shapes. On the main area of the fragment are three redish/black bands, the middle thicker than the other two. On the broad black band, Greek key pattern in applied white paint is still visible. On the lower edge of the fragment is the edge of a black circle. The back of the fragment, except for the rim, is red.
11.10.19	Shoulder: frieze of bars at base of neck; below, five palmettes, consisting of a central group of three, the middle one inverted, and one at each side with its stem on the side away from the handle. The lower branch of each stem curls into a spiral from the end of which a leaf grows. There are dots in the field. Body: black except for a pair of red lines around the top.
11.10.3	Squatting satyr, with large phallus, hands across stomach. Whitish/pale yellow clay, with traces of pinkish-red slip all over. Back not moulded. Resting surface curved in a horseshoe shape. Facial features mostly distinguishable. Satyr wears an angry expression.
11.10.6	Cup mouth with deep flange with six bands in two groups of three. Side band is continued across top of handle but otherwise it is plain. Three warriors, heads left, feet right. Spears slope left and shields are red in centre but have a black rim with white dots. The six band pattern is in two groups of three again on the base.
114.9.45	Pale buff ground. In handle zone, continuous zigzag, black. Below, two broad bands, the upper red. Bottom reserved, except black foot-ring; slightly raised central disk. Inside streaky black. Black on handles.
12.10.1	Mask of woman in high relief with wig-like mass of hair with lightly incised zigzags. Projecting ornament. Perhaps decoration from a portable brazier or perhaps a fireplace decoration.
13.10.11.4	Three parallel lines of incisions in diamond shapes on the surface of the bead
13.10.11.5	Incisions and dots on the surface. Pattern is such that the dots are in between two parallel, vertical lines. Incision around the girth too.
13.10.12	Decorated with three groups of horizontal lines around the body, rays on shoulder, a wavy line round neck. The handle is painted on either edge with a black stripe and a wavy one on its surface. all in black. Edge lip painted in black.
13.10.14	Naked standing female in relief. The figure has short hair, fastened up, broad shoulders, arms close to her sides, and legs together.
13.10.17	The interior of the lip has a thick black line about 1.0 cm from the top, with black painted on the rim. The neck is painted with alternating red and black thick lines. The handle appears to have been painted in black on the top and sides, but reserved underneath. Around the middle, vertically to the handle there is a pattern of black cross-hatched lozenges. The rest of the body has a pattern of thin black and thick red concentric bands, ending in a circle with a black Maltese cross on either side of the vase.
13.10.26	Exterior colour quite pale with several large white patches and ridges, interior coated in brown paint.
13.10.38	Right hand side has lock of hair, lost on left. May have been painted in read wash, although no other paint remains.
13.10.4A-B	The mirror (A) is decorated on the underside with six concentric circles, arranged in three pairs, and a raised boss at the centre, pierced at the centrepoint.
13.10.7	Fired black in patches. Incised decoration: groups of zig-zags and intersecting straight lines which stop at base without meeting.
13.10.9	Part of handle missing. White slip, with straight and wavy linear patterns in black. Cross in circle on base.
14.9.103	Exterior: 8 petals of a palmette in Six's technique; interior: brush strokes in a dilute glaze.
14.9.108	Inside and outside is black glaze. Curved foot is black on outside. Resting surface is reserved. Inside foot ring is black. Base, from middle to outside, has central dot and circle in thinned glaze and broad band in black, then a reserved band.
14.9.109	Exterior and interior black glazed, turning to red in places (especially around complete handle). Underside of foot reserved with one black band.
14.9.11	Painted decoration in dull black on both sides in rectangles with lines inside with cross hatching on the underside. Part of two bored holes at the same end but slightly apart, perhaps for suspension. No finished edges.
14.9.110B	Feeder but with no lid or strainer. Body is black inside and out. The side of the foot ring is grooved and black in patches. The base is flat and reserved around the edge but reddened in the most part with an irregular brown ring in the centre.
14.9.113	Moulded foot-ring with reserved groove in the wall of the vase immediately above it. Whole of foot ring black, including resting surface; base black with two reserved grooved bands and reserved centre. Inside, two concentric zones of incised tongues which have degenerated into hooks.
14.9.116	A festoon of lanceolate leaves in thinned clay hanging by means of small carelessly incised arcs from a white fillet. Inside black with a narrow band of unintentional red just inside the rim.
14.9.118	Dressed in long chiton, wearing necklace, earrings and a veil covering her head. Stumplike arms and her lack of feet suggest she may have formed part of a ring of dancers originally on a plinth.
14.9.12	Creamy white throughout. Patterns in dull black. Rectangular patterns with lines inside with a right-angled crossings on outside and similar rectangle design inside but curved.
14.9.13	Creamy-white clay. Patterns in dull black on pinkish ground, rectangles and lines on the outside and a curved pattern inside. Small section of rim (?)
14.9.14	The ground of the clay is pinkish inside and creamy outside. No finished edges. Patterns in dull black, curvilinear, on both sides. The pattern is curved on both surfaces.
14.9.15	Part of base and side of vessel with a white core. The interior surface is pink. Exterior surface is white with horizontal stripes on right half in red, and red line at base of side all on a white slip. What is the base is apparently reserved.
14.9.17	Red core with both surfaces covered in white. The fragment is curved in two directions suggesting it is part of the neck of a vessel. Convex curve white and the concave curve is white with a red zigzag. No finished edges.
14.9.2	Painted black, fired in places to red. Relief bands round neck.
14.9.20	No finished edges. Red core and red interior. White on outside with dark brown / red detail in a triangular shape.
14.9.21	Two fragments joined. Core is reddish-brown. Inside is white with two wavy lines in red. Outside is white as well with two thick and two thin straight lines in red. Curves as though it may have been part of the neck of the vessel.
14.9.28	Fragment of coarse Neolithic pottery, pink with grey core, traces of decoration in red on outside and reserved inside.
14.9.29	Pink surface with white slip on each side. Linear decoration in red. Outside is horizontally striped and inside is half red with half the surface with white diagonal stripes. The fragment is a middle piece as there are no finished edges.
14.9.32	Fragment with part of handle, probably belonging to a large vase. Interior is coarse and coloured red although undecorated. The exterior surface has a design of dull black with bands of white. There is a heavy white band round base of handle. Handle round in section. Surfaces are most uneven.
14.9.4	One-handled jug, black and blue background. Mouth very small, with a thick lip to which the black handle joins. The neck is very short and black. The shoulder is predominantly black with suggestions of circles around the circumference in black and blue bands. The body has a thick black band overlapping from the shoulder, but the rest is deep blue colour and undecorated. The foot is small and undecorated.
14.9.42	Pinkish-buff clay. Exterior surface has poor, dull black paint in a pattern of three linked spirals between broad bands. Interior surface is reserved except for an irregular streak of red top to bottom. No finished edges.
14.9.45	Bottom of false neck has a broad red band. Shoulder has two broad red bands with several narrower bands in between them. The body is squat, with same pattern as the shoulder. Decoration is brick-red on pinkish-buff ground. Smaller band of red near and on the edge of the base, which is undecorated and slightly convex in shape (?). Blackening around hole where true neck has broken off suggests usage as a lamp.
14.9.46	Black decoration on the outer side of the handle finishing in a V shape at the false lid. The lowest part of the false neck also is decorated with black paint which has discoloured in fierinf process. False lid has a black disk surrounded by three concentric circles with reserved areas separating them.
14.9.47	Panel decoration. Broken wave band on neck; below this the end of a broad band and the beginning of a thinner vertical line bordering the panel on the right; within this frame a network composed of papyrus motives, horizontal and facing left with circles in the blank spaces. Inside a broad band extends from the top of the fragment (and presumably from the top of the vase) to the level fo the top of the band on the outside, the rest reserved.
14.9.49	Brick red paint on pinkish-buff clay. On the exterior surface is a band around the rim and one just below, but broader. Design is a little unclear but perhaps shows the heads and shoulders of two men (perhaps in a chariot ?) wearing clothing patterned with dots. On the underside is a red band around rim leaving the rest reserved.
14.9.50	Shiny red-brown paint on pale buff clay. On outside is a broad band under rim with a loop with cross-piece in centre hanging from it. Both parts have transverse bars. Below and along fracture is a curved line. The interior surface is reserved in the lower part but has as broad band covering rim at the top.
14.9.52	Black paint has faded to brownish-orange. Between two pairs of painted bands on the lower-side of the top band and the upper-side of the lower band there is a three tiered fish-scale design. In between there are painted circles that are surrounded with little dots. A band of faded black paint frames the place where the handle might have been.
14.9.53	Brown, in places very pale, on buff. Scale pattern above three broad bands.
14.9.56	Brownish black paint on buff clay. Design of connected spirals, with chevrons in the spaces between. Underside is reserved.
14.9.57	Central circular knob with painted black cross and sides filled with lines. Side has bars and the stem of the handle is black. Three black bands, two roes of staggered bars, black bands, diagonal lines with dots above and below, black bands, horizontal bars in two rows but are entwined, black bands. Inside is reserved and with a rim so it sits inside the base section.
14.9.6	Geometric patterns including crosshatching and diamond patterns in black paint on white slip. Short black lines on rim and interior of lip.
14.9.68	Hind leg of animal (poss. goat) in black with slightly redder edges and incised lines over hindquarters, standing on 2 thin red lines. 2 black rosettes divided into 8 with incised lines, one more faded to red than the other. Background buff. Inside painted black.
14.9.73	Pale slip; interior: black, with added red band lined in white; exterior: animal frieze decoration consisting of two goats grazing to left (one hind leg with added red of one and head with antlers, neck with added red, and forelegs of second remaining); crosses, stars, and pinwheel rosette as filling ornament; below, black band above band in added red.
14.9.74	Interior: glazed black with traces of narrow bands in added white; exterior: from top, part of wide vertical black band between pairs of dilute lines; two dilute lines; guilloche pattern; at right, two narrow vertical black bands flanking black handle root; below; wide black band between two narrow dilute bands; part of meander frieze.
14.9.75	At the top is a triangle of black, with a smaller triangle below leading to a dark brown line. There is a similar line parallel to this one on the left. Both lines are at right angles to a braoder dark brown line. Nestled between two faint brown lines are five white circles with black circles in the centre. There is just a small area of dark brown/black on the bottom right hand corner. Other side is reserved.
14.9.76	exterior: from left, painted black handle zone; black figure decoration consisting of cloaked woman (only back, tresses and part of cloak in added white remaining), to right.
14.9.77	exterior: black-figure decoration consisting of swan confronting siren (only traces swan's head, neck, breast and right wing outstretched, to right; siren's face and neck in added white and breast in added red, to left); the chests of the creatures overlap each other.
14.9.78	exterior: black-figure decoration consisting of part of possibly deer or boar (only hind leg remaining), to left; at right, painted streaky black handle zone; below, one narrow band above a wider black and a band in added red;
14.9.8	Core red. Red surface with linear decor in dull black on both sides. The underside appears to have a zigzag pattern above a more dense and busy pattern of lines and zigzags. No finished edges.
14.9.80	exterior: top and right, black frame or panel; in panel black-figure decoration consisting of horse (only part of mane with added red and part of right ear remaining), to right. The other side is reserved.
14.9.82	Head and part of body of woman and siren, both facing left. Shapeless rosettes in field. Red for hair, breast and base of wing of siren and large spot of breast of woman. On top of the rim there are two uneven rows of black dots. The interior is black with a red band along the bottom half of the fragment.
14.9.83	Interior black, with two concentric red circles; flat rim is decorated with three uneven rows of black dots; exterior decorated with a black band, just below rim; in figural zone, two confronting sirens with rosettes in field; below, two horizontal lines, above rays. Red for breast and base of wing of both and for streak across body of siren on left. Incisions.
14.9.86	Interior black as is handle on top although it is reserved underneath. The design appears to the right of existing handle, and is of a satyr, facing right, with horn in thinned paint. To his right is an eye pattern. Detail is incised.
14.9.87	Black above and below. In reserved area a swan left, wings raised. To left, a pseudo-inscription.
14.9.89	Two figures, facing, holding hands. Vines with leaves in the background. Unidentified figure (cloth?) in upper right-hand corner.
14.9.9	Core red. Surface red, with linear decoration in black on both sides. No finished edges.
14.9.90	Female figure, clad in himation, with head turned to left. Has arms outstretched, as though holding hands in a circle. Vine with leaves in the field.
19.53.86	Head of female with her head tilted to the left. Hair in a sakkos with ringlets dropping in front of her ears to the sides of her face.
2003.3.37	Interior, 2 bands in added red. Exterior, vertical lines above a horizonatal line at rim, with band and line below all in added red. Additional patches of added red are visible below, probably forming a pattern
2003.7.15	Piece of fragment made of red clay with pattern both sides. Fragment is slightly curved, with a small rim at the top suggesting it could be part of a decorative plate or bowl. Side A, which is possible the interior, has a broad black line at the bottom - possibly this was the colour of the interior, with five rough circles in a row, alternating black and red from the left hand side, painted on top of a white background. Side B has a similar broad black line at the bottom, with a broad white line painted at the top and several faded black vertical lines painted over the white. The shape of the fragment is rectangular, and it slopes to a point at the right hand side.
2003.7.16	Curved fragment with rim and stump of handle suggests it was a bowl or cup due to how it open it appears as a shape. The interior is painted entirely in black, with a hint of red (fading?) near the top. The exterior has two black bands, one on the rim and one below the rim which also covers the handle stump. Beneath the handle there is a strip of faded white paint, followed by a red/dark brown stripe, then the rest is white with a thin horizontal black line and possible a thicker vertical black line dividing the white decoration in half.
2003.7.17	Base of a pot/bowl/cup. Interior is decorated in black. Exterior has signs of vertical black stripes on the body, and narrow black circular bands painted on the base.
2003.7.18	Part of a base of a bowl/jar. Interior is painted in bla, Exterior: bottom of body, side of rim on base and inside of rim on base is painted in black. Then the underside has a broad band of white, and an inner circle of red/dark brown paint.
2003.7.19	Possibly part of rim and body of a bowl/jar, due to the smoothness of the top of the fragment. Side is shows indication of being the interior, due to the plain black colour painted on. The exterior, side B, has been painted in white with a narrow area of black at the bottom. There is indication of two parallel lines of small black dots, in between which are two narrow parallel black bands with squares of black between them.
2003.7.20	Fragment of rim, body and stump of handle of a bowl/jar. Interior is painted in black. Exterior has the rim painted in a broad band of white, with signs of parallel lines of black dots at the edge of the white. There are also indications of two narrow parallel lines, with black squares in between them. The body/shoulder and handle are painted in black.
2003.7.21	Single rim fragment of an open vessel. The interior is black. Exterior: rim white, between two rows of black dots; two black lines in the middle, with black squares between them.
2003.7.22	Possibly top part of a bowl/jug due to smooth edge of rim and the way it curves half way down. The interior side is painted in black. The exterior has the top half painted in white, with two lines of small black dots parellel to each other at the edges of the white paint. There are two dark brown/faded blakc parellel lines which have two black squares at either end of them. There is a narrow red line beneath the white, with a black area beneath that. The clay is quite smooth.
2003.7.24	Possibly the top of a jar/bowl due to the smooth edge at the top and way it is curved at the middle. The interior is painted black, with a smooth surface similar to the exterior. The exterior is half painted in white, with narrow, parellel lines of black dots or bands, and a black square inbetween two black lines. There is a line of dark red below this, followed by an overlap of white then a black area.
2003.7.25	Very small fragment, interior (side a) is painted black. The exterior, side b, has a narrow red band at the top, with a white background beneath it and two narrow black bands, a strip of small black dots and a black filled in shape at the bottom.
2003.7.26	Probably part of a jar due to the way the bottom of the fragment juts out at an angle - possibly the body of the jar. The interior is painted black/dark red, although most has rubbed off. The top half of the exterior has been painted white (barely visible), with parallel lines of small black dots, and black squares in between these two lines. The rest of the fragment is painted black.
2003.7.27	Small fragment, possibly part of a jar. Interior (side a) is painted black and curves slightly at the top - possibly a rim? The rest of the fragment has been painted in white, with four black narrow parallel lines, and a black square nestled inbetween the first two lines. There is also a dark red line at the bottom of the fragment.
2003.7.77	On the outside trace of a groundline in black glaze followed by a narrow line in reserve, a stripe of 0.5 cm in black glaze, another narrow line in reserve and black glaze for the remaining surface. Inside is unadorned with 3 horizontal wheel marks.
2003.8.28	Picture of two black men in the desert.
2003.8.30	"Room in the Cataract Hotel"
2004.11.2	Picture of river with reeds on both sides. Two men in small boat on river.
2004.5.1	The face is moulded, with ringlets at forehead, beaded hair at sides, and wavy locks as a beard, tongue protruding from mouth. The face is encircled in a u-shaped element terminating in volutes; petals on the outside. The face and other decoration are painted brown; a painted band beneath the face indicates the top of the dress.
2004.8.3	Nine, black palmettes in a fan arrangement, with unidentified black object to the right, which has a reversed 'z' incision. The reverse side is black in colour.
2004.8.4	The rim is decorated with a thin black band, with a reserved band below and another black band below this. Two youths (black in colour) stand facing each other, with the figure on the right presenting a white cock, of which, elements remain (painted over the figure). Behind each figure the tail and part of a sphinx can be seen. The sphinx behind the right figure has incised lines dividing the wing feathers. The centre of the sphinx's wing appears purple in colour. There are faint, incised lines that give the outline of the youths' heads (where paint has been worn away). The reverse of the fragment is black with a reserved circle on top of the rim.
2004.8.5	Eleven, black palmettes in fan arrangement, two of which are joined at the stems. Left of the palmettes there is a verticle black line with a series of small black dots, parallel, either side (ten left of the line and eight right of the line) which is believed to be a branch of a tree. Right of the palmettes there is a solid, thin black line (L. 3.8).
2005.2.3	Covered in black glaze, applied in a streaky spiral on the underside.
2005.3.12	Three dots, band and head of a figure in a head-dress(?) in black
2005.3.25A-C	A: foot and base reserved, stem and exterior of kylix black, with reserved band. A second band has floral ornament with a chain-like band below. Interior is black except for a reserved circle in the middle, two small black circular bands mark the centre. B: Floral ornament on this fragment joins up with fragment A, pattern as before, interior and rim/lip black. C: interior, rim, lip and majority of exterior black, patterned floral band as before
2005.3.28A-B	A: Whitish slip with bands of decoration, zigzags in added red and straight lines in brown. Interior has a wide band of red at rim, rest is white slip, possibilty of an interior ornament, circular shape in red visible at edge of fragment. B: exterior and interior same as A.
2005.3.29	Band of vertical lines with horizontal line below in added red, band of added red visible on interior, rim has lines and a band of red
2005.3.31	Rim is black, below leaf shaped spots in black, another black section is visible at the edge of the fragment
2005.3.32	lines in added red
2005.3.34	exterior: lines, bands and triangles in added red. interior also has a section of added red
2005.3.36	White slip, zigzag and line in added red, possible bands on interior
2005.3.38	Interior, band of added red, exterior, white slip with vertical line above a horizontal line at rim and lines below all in added red
2005.3.39	Band on interior and vertical lines on exterior in black
2005.3.40	Band on interior and lines and spirals on exterior in black
2005.3.41	Circular bands on interior and exterior in added red, Handles are partially painted in red
2005.5.99	Woman's head in added white
2005.6.1	Incision pattern into exterior, reddish-black figure image in horn shape
2005.6.2	Incision in flower shape, reddish-brown-black figure circular motions
2005.7.1	Foliate design with canthares in red-blue wool and a yellow wool central circle.
2005.7.12	Band of geometric design flanked by wave-crest border. Executed in linen threads
2005.7.13	Geometric decoration principally in linen with small area of wool
2005.7.2	Stylized tree ('Tree of Life'?) design in central roundel, surrounded by solid circular band.
2005.7.6	Vine-scroll design in wool
2005.7.7	Pearl border and (obscure) central design executed in floating weft
2005.7.9	Tapestry band of geometric design in wool and linen
2006.12.12	On the inner surface shallow and thick black/red-brown lines with thick section of black paint. On outer surface there are spiral patterns in between two sets of lines in brown.
2006.12.120	BLack paint on innser surface; unevenly shaped black lines running in different decorations on outer surface; worn.
2006.12.122	Rough black lines in geometric pattern; faded.
2006.12.15	One half of outside is grey lines on a white surface, in an unidentifiable pattern; Other half is hatched grey lines on white paint with brown spots in centre and red band just visible at very edge of fragment; all decoration appear faded
2006.12.19	Dots of black paint heavily worn with small bits of black paint in other places, suggesting a heavily worn decoration
2006.12.29	Black, white and red pattern in bands and blocks, inner surface painted white
2006.12.34	Inner side likely painted black, although is now mostly gone. Outer side has black ring in center with concentric white ring. Black rays extend out from white circle.
2006.12.35	Inner side painted black, outer side has unpainted raised bands with black paints in between
2006.12.5	Two parallel lines and key design in orange-brown on a white painted background, slightly worn
2006.12.66	Eroded black paint in some parts, other parts probablt not decorated
2006.12.78	Zig-zag design in black paint; heavily worn
2006.12.87	Raised circle with dot in centre
2006.5.1	Print of photograph of the Punic Port at Carthage, ca. 1910s. Photograph shot by Mr. Stafford's father; framed in black wood.
2006.6.1	Coin of Alexander the Great, Obv: Head of youthful Heracles, wearing a lion-scalp headdress. Rev: Zeus seated on a throne to left, with eagle perched on right hand and sceptre in upraised left hand. Kantharos (or amphora?) under throne.
2007.1.10.20	Hercules holding a lion skin with captured Cerberus in tow
2007.1.10.32	Possibly Hercules holding a dagger sitting on lion skin, to the left of him there are some letters in Greek, possibly a mini sphinx by his left foot
2007.1.10.38	A profile of head of a man with curly hair and beard in front of a profile of a head of a woman both looking right, to the right is some Greek letters
2007.1.10.39	Naked man sitting on lion skin seducing a naked woman standing in front of him
2007.1.10.42	A man sitting on the ground with a woman sitting behind him rubbing his back, cupid in the air to the left of him, lion skin in front of man
2007.1.10.43	The head and shoulders of a bearded man wearing a cloak and holding a stick in his left hand
2007.1.10.46	Portrait in profile facing left of man with lion's skin on his head.
2007.1.10.47	Portrait in profile of man facing right, with lion's skin on his head
2007.1.10.50	Portrait in profile of man facing right, with lion's skin on his head
2007.1.10.52	Portrait in profile of man facing to the right, slightly raised, with lion's skin on his head.
2007.1.10.53	Portrait in profile of man facing to the left, wearing head dress.
2007.1.10.54	Portrait in profile of man facing right, with lion's skin on his head.
2007.1.10.55	Portrait in profile of man facing left, with lion's skin on his head.
2007.1.10.56	Portrait in profile of man facing right, with lion's skin on his head.
2007.1.10.57	Portrait in profile of man facing right, with lion's skin on his head.
2007.1.10.58	Portrait in profile of man facing right, with lion's skin on his head
2007.1.10.59	Portrait in profile of man facing right, baring his arms, his left hand is holding part of the loin's skin draped from his head. His right hand is holding a club.
2007.10.1.17	Man fighting big animal (possibly horse) with tree in background (on right hand side) Cast Number 81
2007.10.1.18	Man fighting large dog (with head between man's legs)with tree in background. Cast number 82
2007.10.1.2	Naked man with helmet holding a club in the right hand and a snake in the left
2007.10.1.20	Man standing with stick in his right hand and an animal like a scorpion in his left. Cast Number 84
2007.10.1.23	Three figures, one naked, two clothed and with head dresses. animals in the background.
2007.10.1.26	Naked man holding possibly cloth in both arms. A small winged child behind him (on the left) Cast number 90
2007.10.1.28	Naked bearded man with short curly hair kneeling on left knee facing the left of the image. He's holding a stick in his left hand and has a winged boy on his back. Cast number 92
2007.10.2.10	Man on left with staff waving, short old man in centre grabbing clothes of falling down woman with cupid in background.
2007.10.2.100	Bearded male head in profile facing right. He is wearing a helmet and to his left is a small naked female figure.
2007.10.2.101	Head in profile facing right.
2007.10.2.102	Naked male figure leaning on a column to his right. In his hand he carries a bow and on the floor is a lyre leaning against the column.
2007.10.2.104	Naked male figure facing left. He is carrying something, possibly a small child, in his arms.
2007.10.2.105	2 male heads in profile facing left.
2007.10.2.106	Head of a bearded male in profile facing left. He is wearing a hat.
2007.10.2.107	Male figure holding a bow. To his right is a column with the bottom half in the shape of a female.
2007.10.2.11	Portrait in profile of bearded man facing left
2007.10.2.115	Satyr holding something in his arms, possibly a baby.
2007.10.2.126	Male nude. Profile facing left. The man is sitting down and resting his head on his right hand. He his carrying a sward. On the left side there is an inscription in Greek letters.
2007.10.2.130	Ox facing right. There is an inscription in Greek caracters above the figure.
2007.10.2.14	Man holding a bowl in his right hand and a feather in his left, with something by his feet. Partially clothed
2007.10.2.140	Male, sitting down, bare chested, caring a cornucopia in one hand and a branch with leaves (possibly olive), iconography suggests figure is a god.
2007.10.2.149	Bearded male seated figure in front of a pillar, half naked, learning towards a young male figure emerging from a vase.
2007.10.2.15	Athletic man seated with woman standing over him, seducing, holding something in right hand
2007.10.2.150	Two warriors, naked with helmets. The first is facing left and carries a sward in one hand and a shield in the other; he is on his knees. The second is facing right and he seems to be holding back something with his spear.
2007.10.2.151	Young male trying to push away an enormous rock on the left. His cape is risen by the air revealing his naked body tense in the muscular effort.
2007.10.2.152	Three figures. A man, visibly fatter and older than the others, is bound to a tree. A second man is standing in front of him and has a small vessel in his left hand (offering it to the other man?). Finally a woman is sensually reclining in the foreground, showing her naked back to the audience.
2007.10.2.153	Three figures. A man, naked, is sitting on the floor. Behind him a woman (naked as well?) is sitting on a chair touching his shoulders with one hand and carrying something in the other. Above the man's head a winged-child is pouring water from a vase.
2007.10.2.157	"Trinacria". Symbol of Sicily representing the head of a Medusa-like woman with three legs in a running position.
2007.10.2.158	Young male standing in profile. He wears only a cape and carries a stick in one hand and a woman's head in the other. At his feet there is a sort of small container open.
2007.10.2.16	Woman riding two hippocamps with cupid in the far left
2007.10.2.160	Marriage scene. The young wife, wearing a veil over her head, gives her hand to a young man standing in front of her. An older woman, her mother, is accompanying her.
2007.10.2.164	A type of feline, head forward face, body in profile
2007.10.2.165	A pregnant lioness (?), indicated by the teets. In profile, walking facing right
2007.10.2.166	Male soldier, holding a shield, wearing a shield, sitting down, facing a shield (?). Another figure in the background.
2007.10.2.167	Bottom half of a female head, in profile facing left.
2007.10.2.18	Portrait in profile of Hermes facing right
2007.10.2.181	A naked, male, child-like figure, with a robe draped around his back and arm stretched out in front of him. Sitting on top of a small laurel wreathed plinth.
2007.10.2.190	Older man, bold and overweight, standing with the help of a staff. He is in front of a boy who is pouring water on his feet. The man only has a cloth draped around his legs and the boy is naked.
2007.10.2.193	Naked man standing up, leaning on a tree. Another figure sitting down. A bird in the background.
2007.10.2.196	Cupid carrying a feather in his right hand, and something else in his left hand.
2007.10.2.197	A God, possibly Zeus, pondering. A bull is in the background
2007.10.2.198	Europa being abducted by the bull (Zeus) the image is cut in half
2007.10.2.20	Man with hairy legs kneeling at someones feet, with buildings in background
2007.10.2.211	The outine of the front of a temple, depicting a pediment resting on two columns. A female figure covering most of the space in between holds a bow.
2007.10.2.212	A female bust in profile facing right.
2007.10.2.218	Head of female in profile facing to the right. Hair tied up. Possibly wearing ear-rings. Face turned downwards, possibly representing modesty.
2007.10.2.220	Bust of female in profile facing to the left.
2007.10.2.222	Bust of male in profile facing the right wearing a helmet. Helmet decorated with an animal, possibly a big cat (lion etc).
2007.10.2.224	Bust of figure facing to the right wearing what appears to be a 'Phrygian Cap' or possibly a helmet. Clothing suggests that the figure might be female (possibly Athena if the head dress is in fact a helmet). Not enough of hair-style visible to conclusively decide gender.
2007.10.2.229	A naked male figure carrying a club in his right hand and a bow in the left hand, (possibly Heracles)
2007.10.2.236	A powerfully built male figure kneeling with one arm (right) raised, his hand making a fist. The other arm is lowered and appears to bound (possibly) behind his back. His head is bowed. The figure appears to have a small winged figure upon his back. It is not clear if he is carrying the second figure or if there is some sort of struggle in process.
2007.10.2.237	A group of figures. The centre of the cast is a male figure who appears to be dressed in armour (helmet, shield, and cuirass). He appears to be standing on the deck of a ship. The figure is presenting or showing the head of a bull to a second figure (female) who appears to standing on the quay of a harbour. On the far right of the cast (behind the central male figure) is a second soldier. The scene possibly portrays an encounter between Theseus and Ariadne after the killing of the Minotaur.
2007.10.2.238	Naked male figure (athlete) holding a discuss. He has his left arm raised with the discuss held low in his right hand. Presumably he is in the process of throwing the discuss.
2007.10.2.239	Bust of young female figure facing to the right. Her hair is gathered in a pony tail.
2007.10.2.24	Portrait in profile of a bearded man wearing a head dress facing right
2007.10.2.241	Single figure of a young winged (male) child holding a bow and club in his left hand, the club rests over his shoulder. His quivver is possibly depicted on the ground at his feet. The figure is presumably Eros or Cupid, although the club is an unusual addition (possibly indicating the imitation of Herakles, as in examples found at Pompeii).
2007.10.2.244	A female figure in short knee-length dress is depicted resting against something in the background of the scene, however, it is unclear whether it is vegetation or a structure. The figure appears to have a quivver on her shoulder, possibly identifying her as Artemis.
2007.10.2.245	A bearded, muscular, and semi-naked seated figure. His clothing is possibly an animal skin (paws seem to be apparent). He appears to be resting as his right arm rests on his knee and his right hand supports his bowed head. He is also holding an unidentified object in his right hand which also rests against his leg. His other hand appears to be holding a further (unidentified) object which rests across his lap. A club rests against his left thigh in the foreground of the scene. There is either a bull or cow depicted by the figure's right leg at the bottom-left of the scene. The figure shown is almost certainly Herakles, possibly resting after one his labours (herding the cattle of Geryon?).
2007.10.2.247	A bearded, extremely muscular, and semi-naked male figure standing and facing to the left. He has a cloak tied at the neck and carries a club in his left hand. His right arm is raised and he is holding an (unidentified) object in his right hand. The figure is almost certainly Herakles.
2007.10.2.248	A slender female figure is depicted playing a lyre. She faces to the right and is clothed in a long flowing dress.
2007.10.2.252	The bust of what appears to be a woman in rear 3/4 aspect with her head turned back and to the right so that her face is presented in profile.
2007.10.2.253	Two figures are depicted. The figure to the left of the scene is a seated semi-naked female. Her dress or cloak lays across her lap and is gathered up in her left hand. Her head is bowed slightly. In the centre of the foreground is a semi-circle which crosses the female figure's left ankle or calf. It is unclear what this might represent. The second figure (to the right) is a smaller winged male facing to the left and the larger figure. He appears to be carrying a bow and stands under a tree. The two figures are almost certainly Aphrodite and Eros.
2007.10.2.254	Bust of an older male figure in high relief. He has a philosopher's beard and curly hair. His high forehead might indicate that he is balding. Clothing is evident draped over his left shoulder.
2007.10.2.261	Two figures, one is a naked and bearded man standing, the other is a female sitting down. He is holding what looks like a staff or club, which could identify him as Heracles and she is balancing something on her knee. There are trees and vines in the background.
2007.10.2.262	A naked man sits in front of and is looking at, a small statue.
2007.10.2.264	Two figures, a half-nude female seated, with her hand outstretched toward Eros, who is half hovering in the air before her, his arms outstretched towards her hand as if reaching for her. She is possibly Aphrodite.
2007.10.2.265	Three male figures positioned under a tree, two sitting and the one in the middle who appears to be younger is standing on a rock. They are possibly shepherds as one is holding a staff.
2007.10.2.268	A male head, with lots of curly, wild hair covering the face. In the top right there is what appears to be a pointed ear or a horn, it could possibly be the god Pan or a faun.
2007.10.2.28	Portrait of man with wavy hair in relief
2007.10.2.284	A naked male figure sitting down with the inscription of "Nicolas" in ancient Greek written beside him.
2007.10.2.286	Eros, mid-flight with the shape of the number '8' in the background.
2007.10.2.288	In the foreground there are two horses leading a man on a chariot, in the background there are another two horses most probably pulling another chariot.
2007.10.2.289	Two, decorated griffin-like creatures, leading a chariot. Eros is holding onto the one in the foreground.
2007.10.2.29	Two cherubs with birds and a column in the middle, one of the cherubs is holding a feather
2007.10.2.293	A man standing, in one hand there is a pile of cloth and in the other is some sort of long stick.
2007.10.2.295	Naked male figure facing into the scene of the cast, his back to the 'viewer'. The figure appears to be holding a staff which is mostly obscured behind his body. The attention of the figure is on something in the bottom left of the scene; however, the detail is not clear enough to reliably identify what it is.
2007.10.2.3	A man with a beard, legs look snake-like possibly a giant. It's difficult to see the image in the lower part
2007.10.2.300	Standing frontal image of a clothed male figure. The figure appears to be holding something in each hand; however, damage to the surface makes it impossible to identify the items.
2007.10.2.304	A male figure wearing a skin (possibly a lion skin) struggles with a bull. The bull's head is lowered perhaps indicating that it is charging. Behind the bull, to the right of the cast, there is what appears to be a statue (possibly of female form) with two faces in profile, one facing left and the other right. The animal skin (if it is lion) perhaps identifies the male as Herakles. The scene might be a representation of one of Herakles tasks (yoking of the bulls).
2007.10.2.305	A male figure stands over another figure, prostrate on the ground. The standing figure (probably male) is dressed in a cloak and tunic and holds a blade or scythe in his right hand. The standing figure appears to be holding the decapitated head of the second figure in his left hand. Behind the figure prostrate on the ground is an ox whose front legs are raised from the ground. To the right of the cast a tree or bush is depicted with a large bird (possibly a peacock) perched on one of its branches. At the centre of the cast there is what appears to be a standard or post with two serpents coiled about it. The serpent's heads face each other at the top of the post.
2007.10.2.307	A bearded male figure crouches before a large handled urn. The urn is decorated with a simple line pattern. The figure appears to be holding a small hammer in his right hand, which he is possibly in the process of using (his gaze/concentration appears fixed upon it). To the far right of cast a tree is depicted, perhaps to simply denote the scene is an exterior one (rural rather than urban might also be suggested).
2007.10.2.309	Bust of a figure (male?) in profile facing right. The figure has long hair and wears a wreath (which type is not clear). He is dressed in a tunic which is fastened at the right shoulder, although the right side of the chest is revealed and appears quite muscular. There is some vague detail at both his back and chest. These appear to be a quivver and a bow, which would almost certainly identify the figure as Apollo.
2007.10.2.310	A bearded male crouches in front of a large handled urn. He appears to be holding a small hammer in his right hand which he is possibly using (gaze/concentration are directed towards it). The urn is decorated with what is possibly a sphynx. Very similar image to cast no.597.
2007.10.2.311	A large female figure reclines in the centre of the scene. She is dressed in robes and is wearing either a helmet or a cap (Phyrigian cap?). Her left arm is resting on a disembodied (bearded male) head and her left hand holds a staff which rests against her upper-arm or shoulder. Beneath the large female figure and to the left of the male head are two shapes which possibly represent boats or ships. These shapes might indicate that the portion of the scene below the female figure is in fact a river or the sea. In turn this might suggest that the disembodied head is emerging from the water (possibly identifying it as a river god). To the left of the scene a very small figure appears to be presenting the large female figure with something, possibly a basket or urn. A slightly larger figure, leaning on a stick, looks on from beneath a tree. Above the very small figures head are two animals (presumably intended to appear to be further off in the background). One at least of these animals is certainly a horse. To the right of the large female figure's head there is a representation of a stag. At the top of the scene in a central position are three shapes. It is unclear exactly what these are (possibly huts or houses of some description?).
2007.10.2.313	Man lying down, with a jug by his side, two deer and a tree in the background.
2007.10.2.318	Possibly the image on a shield. With a chariot and horses in the inner circle and on the outer circle are images of the horoscope star signs.
2007.10.2.321	Possibly of a tomb with a sarcophogus in the foreground and weapons in the background.
2007.10.2.322	Man holding a goat by the head, he is possibly a shepherd. There is a tree in the background.
2007.10.2.329	A male figure fallen in the foreground with a chariot with two horses with front legs reared in the background.
2007.10.2.331	Two male figures fighting over a woman who has fallen in-between them. One has a dagger, the other could possibly be protecting her. Both men are wearing helmets and armour. There are vases and decoration in the background.
2007.10.2.342	A woman wearing a chiton, in one hand she is holding a stick and in the other potentially a leafy branch.
2007.10.2.343	A naked soldier wearing a helmet raised on his head so his face is visible and he is carrying a shield and a spear. He is reaching for a statue of a woman in armour, possibly Athena.
2007.10.2.346	At first sight, what appears to be a dual profile of a bearded man and an elephant with their heads attached but facing in opposite directions. At the tip of the elephant's trunk there is a scorpion. When the cast is turned 90 degrees anti-clockwise, there appears to be a second male profile, facing to the right and wearing a hat.
2007.10.2.348	Two figures, one sitting and one standing, in front of them is a skeleton and nearby is Eros who appears to be holding a torch.
2007.10.2.35	Portrait head in relief of bearded man with long wavy hair and crown
2007.10.2.357	A sea monster with the torso and head of a woman and many legs, possibly in the form of snakes, with wild beasts emerging from her body. She's carrying an oar like a weapon. There's a person tangled in her tentacle-like legs. She could be a representation of Scylla.
2007.10.2.359	A centaur wearing a lion's skin, balancing a big pot on his shoulders. In his left hand he is holding a staff.
2007.10.2.36	Portrait of man with wavy hair in relief
2007.10.2.361	Hephaistos, Aphrodite and Eros. Hephaistos is using an anvil and Aphrodite is in the middle holding a trident and Eros is holding her other hand. By Aphrodite's side is a shield with a face protruding out of it.
2007.10.2.39	Robed woman holding small staff and something esle in other raised hand, column in background
2007.10.2.4	Side profile of a woman wearing robes and holding up a bunch of grapes with her left arm and holding a bowl in her right hand
2007.10.2.42	Profile portrait of bearded man with vines in his hair, maybe Dionysis
2007.10.2.45	Three women, Left hand one is poking a stick in a tree, centre one is seated, right hand one is catching babies that fall out of tree from poking.
2007.10.2.46	Naked man holding a vase in one hand and a robe and curved stick in other
2007.10.2.47	Portrait in profile of man wearing cap facing left
2007.10.2.495	Right profile of a figures body, with a long robe flowing behind, possibly wearing a small headress, holding a piece of material in frount of itself.
2007.10.2.496	Semi naked man, his head facing to his right (our left), leaning on what is possibly a harp on his left hand side. A smaller figure is situated at his right, a possible statue possibly wearing a helmet and holding a spear in its right hand.
2007.10.2.500	Cast is very worn, figure appears to be half man and half of the sea, holding a trumpet in his left and and a net in his right. Posiibly Posiedon
2007.10.2.501	Kneeling man, facing right, with something possibly around his neck, from facial expression seems to be in pain
2007.10.2.502	Cast is made concave, has the image of possibly outline of a temples fround, with wreath at the top of the arch. There is a figure inside, holding a bow in its left hand and possibly reaching for an arrow from its back with its right hand. This is possibly Apollo.
2007.10.2.51	Profile protrait of a woman facing right with flowers in her hair and a stick with orb on top in background
2007.10.2.52	Profile portrait of a woman with leaves in her hair facing right, some greek lettering by her face
2007.10.2.53	Profile portrait of a woman with leaves in her hair, facing left, staff with orb behind her, greek lettering by her face
2007.10.2.54	Male head in profile facing right.
2007.10.2.55	Bearded male head facing forward. Below the head appears to be two flaming torches. Four cherubs (?) frame the hair, with the top two looking like they're putting a crown on the head. There is an inscription, in Greek, on either side of the head.
2007.10.2.58	Female torso in profile facing left. She appears to be putting on lipstick and holding a cosmetics pot. Her hair is tied up.
2007.10.2.59	Male (?) head in profile facing right. He has a wreath of leaves in his hair.
2007.10.2.60	Naked male figure dancing. He appears to be holding some sort of percussive instrument in his hands.
2007.10.2.61	6 figures - 5 standing and 1 seated. The seated male appears to be crying with his head in his hands. 3 women stand to his left while another naked man and a warrior stand to his right.
2007.10.2.62	Naked male figure, probably a child. He looks to be holding something in his hand above his head.
2007.10.2.65	3 winged infants working in some sort of workshop. There are objects hanging on the wall, possibly either weapons or musical instruments.
2007.10.2.69	A discobolus (discus thrower) with an inscription in Greek to his left.
2007.10.2.7	Portrait in profile of man (possibly Zeus) facing right
2007.10.2.71	A winged infant holding a butterfly in 1 hand and some sort of stick in the other.
2007.10.2.74	Winged infant carring something over his sholder and something in 1 hand.
2007.10.2.75	2 figures - 1 seated female and a naked male standing. There is a statue in the background.
2007.10.2.83	Female bust in profile facing left. She has a quiver (arrow holder) on her back. Likely to be Artemis.
2007.10.2.85	Winged female figure holding a plate in 1 hand and some sort of fruit (?) in the other. Possibly Nike.
2007.10.2.88	Male bust in profile facing right. He rests his chin upon his hand.
2007.10.2.91	Female torso facing forwards. In her hair is a wreath and she clasps her hands together under her breasts. To her right appears to be hanging a bunch of fruit.
2007.10.2.92	Bearded male sitting on a grand looking chair, possibly a throne. He holds a tall stick in one hand and some sort of disk in the other. By his feet is an animal.
2007.10.2.96	Naked male figure sitting/leaning against an inscribed chest. In one hand he holds a small pointed stick/dagger and in the other he holds what looks to be a model warrior. Over his arm is draped a cloak.
2007.10.2.98	3 male heads in profile facing left.
2007.2.114	Half of one side is covered in a plain black glaze.
2007.2.127	Both sides are decorated in an orange glaze.
2007.2.141	Both side of the fragment are decorated in a light brown glaze. No distinctive pattern.
2007.2.154	One side of fragment covered in a plain black glaze.
2007.2.80	One side is decorated with three bands of a dark orange glaze; one a thick straight band, then two thin parallel bands that curve in the opposite direction to the large band.
2007.2.93	One side is decorated with a series of parallel lines. In the centre of the fragment is a thick black line with a thinner one present above it. Underneath this lines of a light brown colour that increase in darkness.
2007.4.11	Darker grey painted striped, in a curved fashion.
2007.4.126	Black paint on inside; outside has lines of faded brown on a white background in both parallel line designs and chevrons; heavily worn
2007.4.134	Very faded, but evidence of red paint on one side, painted in circles
2007.4.154	Black lines drawn in concentric circles on one side
2007.4.183	Hard to distinguish;coloured in black on inside; some black lines on outside
2007.4.208	Two parallel white lines with a white arc in corner
2007.4.219	Cross hatch painted on in black, with dots in the centre of each square
2007.4.223	One corner painted completely red, the other two covered with dark red diagonal lines. In the centre of the shard a square has been painted, broken up into a lot more little squares
2007.4.77	Red, orange and brown lines in parallel, with lines from a ore complicated looking design perpendicular to them at edge of fragment
2007.7.1A-S	Rim (A-D) has tongues on the top, a design with dots and traigular shapes on the sides, with palmettes below; Side A (H-K) shows a symposion, with a bearded man (Dionysos?) and possibly the hoof of a satyr; Side B (L-N) shows a battle. A, B, C: Rim with tongues, side design and palmettes below; D: Rim with tongues and side design, no palmettes below; E: Fragment from just below the rim with the palmette design; F: Fragment from below the rim, all black with part of a palmette on the lower left; G: Black on both sides; H: Head and shoulders of a bearded man(Dionysos?) with the circle and triangular motif running vertically on the right; I: Arm and torso of the bearded man on the upper part, on the lower part there is another object which could be his couch; J: Left half is black, right half contains an unclear section of the symposion scene; K: Drapery, most likely from the symposion scene, with a drinking horn in the lower right corner and possibly the hoof of a satyr; L: Top half of the battle scene, with a nude man holding a spear, and probably a tree running vertically along the left side. The scene is bounded by the circle and triangle design; M: Lower half of L, with the lower body of the nude man, drapery on the left side; N: Leg of the nude man, with the lower part of the tree running vertically on the left; O-P: Plain black; Q: Black, with part of the circle and triangle design; R: Black, with part of a design on the top; S: Base, tongue design
2007.9.1.105	Displays a lion sitting back on its hind legs, tail in the air, surrounded by a single line border.
2007.9.1.113	Displays a crown with two rows of ostrich feathers emerging from it, and a bird's leg and foot emerging from between them. Enclosed in a collar with the Latin motto of the Order of the Bath.
2007.9.1.14	Displaying two naked male figures, the kneeling man on the left removing something from the out-stretched foot of the man in pain seated on the right.
2007.9.1.18	Displaying three figures, in the foreground a naked man with a shield pulling the hair of a fallen, half-naked woman, and behind them a man raising a spear.
2007.9.1.30	Displays an eagle in flight over what appears to be a dead animal on an altar or podium.
2007.9.1.33	Displays a very fine image of a half naked woman, her lower half draped in cloth, standing next to a pedestal and carrying a spherical object.
2007.9.1.36	Displays a chariot with two riders being pulled by two horses rearing up, one rider controlling the horses and the other in armour holding a spear.
2007.9.1.50	Displays the figure of a man carrying a stick standing behind a cow. A small tree can be seen in the background.
2007.9.1.54	Displays a seated human figure, facing left, possibly an image of Athena Parthenos holding Victory in one hand and a shield in the other.
2007.9.1.56	Displays a very thin human figure in a walking pose, facing right. There is a large, unidentifiable shape behind the figure, but this may be due to a fault with the plaster cast or the original gem.
2007.9.1.57	Displays four pigs, one on all fours facing right in the foreground, the other three are in the background on their hind legs facing upwards.
2007.9.1.61	Displays a large animal, possibly a panther, with a staff visible in the background, possibly piercing the animal.
2007.9.1.63	Displays a dolphin holding a trident in its mouth.
2007.9.1.66	Displays the figure of an eagle holding a wreath in its claws.
2007.9.1.78	Displays a winged human figure, facing left, holding a thin, curled object in his left hand, with a dog lying down at his feet.
2007.9.1.8	Displaying three men in armour on horses, the one in the foreground with a shield, all facing left.
2007.9.1.80	Displays a human figure, facing left, holding one long, thin object in each hand.
2007.9.1.92	Displays a human figure, facing left, seated on a sphere with their head bowed and holding a staff in their right hand.
2007.9.2.1	Displays a winged woman in flight, holding flowers in her hands, and carrying a naked child on her back who is holding a torch aloft in his right hand. (Box Index = Personification of Morning/Day). Tray 5, Layer 1, Gem 1
2007.9.2.10	Displays a man, wearing armour and a wreath and carrying a spear, and a winged woman who is leaning forward, riding in a four-horse chariot. All horses are rearing up. Surrounded by a leafy border. Layer 5, Layer 1, Gem 10
2007.9.2.11	Displays a naked man with fairly long hair reclining in his seat, whilst a smaller winged figure of indeterminate gender stands in front of him, holding a bowl up to their mouth. (Box Index = Bacchus giving a drink to Love). Tray 5, layer 1, Gem 11
2007.9.2.12	Displays a young woman with her head covered, apparently airborne without wings, and holding a cross in her left hand, whilst a cherub in the lower right corner leans on his trumpet. (Box Index = A happy soul flying to the sky). Tray 5, Layer 1, Gem 12
2007.9.2.17	Displays a seated woman sitting in front of a column topped by the bust of a man, upon which her left hand rests, whilst in her right hand she holds a pen. (Box Index = Goddess Happiness with the portrait of His Excellence Prince Zizindorph).
2007.9.2.19	Displays a seated woman, bent over, her head resting on her right hand. A bird with a long beak is visible in the background. (Box Index = Goddess of Friendship crying for the dead friend).
2007.9.2.2	Displays the seated figures of a man and a woman on the left hand side, with a shield bearing the image of two arrows in the foreground, whilst a mostly naked soldier weraing a helmet and cloak and carrying a spear stands on the right hand side. (Box Index = Hektor reprimanding Paris). Tray 5, Layer 1, Gem 2
2007.9.2.20	Displays a woman, standing on tip-toes, with her finger held to her face in a thinking gesture. (Described in box index as 'Ballerina').
2007.9.2.25	Displaying a naked man with a cloak draped over one arm, holding a large pole in one hand, and a sphere topped with a small figure in the other. (Box Index = Figure of Napoleon).
2007.9.2.26	Displays the head of a woman with an elaborate, bound-up hairstyle, profile facing right. (Box Index = Head of "Beneficenza" in the deposit of St. Maria Cristina in Vienna).
2007.9.2.29	Displays a half naked woman, her right arm held up, obscuring most of her head, holding a small jug in the same hand, and a cup in the left. (Box Index = Head of Hebe).
2007.9.2.3	Displays a winged woman in flight, her head bowed, and carrying two naked children in her arms who appear to be asleep. (Box Index = Personification of Night). Tray 5, layer 1, Gem 3
2007.9.2.31	Displays a woman, her back to us and her head looking right, standing next to a small pillar and holding a lyre in her left hand. (Box Index = A Muse).
2007.9.2.32	Displays the front view of a naked man, standing by what may be a tree stump, holding a tall, thin object in his right hand. Some Greek writing around the outside. (Box Index = Palamede).
2007.9.2.34	Displays a soldier wearing only a crested helmet, holding a club in the air, his other hand around the throat of a centaur, who is lying nearly defeated on the ground, his upper body bent backwards. (Box Index = Theseus killing a Centaur).
2007.9.2.5	Displays four human figures. From left to right: a man with his head bowed and a hammer raised in his right hand, whilst holding a spear or an arrow in his left; a seated woman, her head turned away to the right, holding an arrow in her right hand, pointed down into a bowl she is holding in her left; a cherub, holding a long pole, his left arm outstretched and looking upwards at the figure behind him; a naked man wearing a helmet and holding a bundle of cloth and an arrow, and looking down at the cherub. (Box Index = Vulcan, Venus, Cupid, and Mars).Tray 5, Layer 1, gem 5
2007.9.2.6	Displays a mostly naked woman, her lower half draped in cloth, who is seated and holding the right arm of a cherub standing in front of her. A small flowering plant, a bee and two birds are also visible. (Box Index = Venus with crying Cupid who has been stung by a bee). Tray 5, Layer 1, Gem 6
2007.9.2.7	Displays a winged man, crouching down on one knee, a quiver of arrows on his back and a bow at his feet are visible, whilst a woman reclines on the ground, only her lower half covered in cloth, resting her upper body agaist his knee. (Box Index = Amore e Psiche or Love and Psyche). Box 5, Layer 1, Gem 7
2007.9.2.8	Displays a seated naked man, one hand resting on the handle of a club, the other holding a bowl, whilst a woman stands in front of him, holding a small jug in her raised right hand. (Box Index = Hercules and Hebe). Tray 5, Layer 1, Gem 8
2007.9.2.9	Displays three cherubs in flight with their arms around one another. (Box Index = Group of Cupids). Box 5, layer 1, Gem 9
2007.9.3.10	Displays two winged human figures in a boat that is being pulled by four dolphins.
2007.9.3.101	Head of winged female in profile facing right.
2007.9.3.103	Bust of bearded male in profile facing right. Probably Asclepius as he holds a staff with a snake wound around it.
2007.9.3.104	Two male heads in profile facing right. The male in the foreground is older and bearded while the male behind is younger and beardless with wild hair.
2007.9.3.105	Head of bearded male figure in profile facing left. He wears a crown.
2007.9.3.106	Head of male figure in profile facing right. He has a wreath of leaves in his long hair.
2007.9.3.107	Male head in profile facing right.
2007.9.3.108	Male head in profile facing right.
2007.9.3.109	Child's head in profile facing right. He's wearing a bulla (a charm worn around the neck to protect the child in their youth).
2007.9.3.11	Displays a dog sitting on its hind legs in front of a small shrine.
2007.9.3.110	Male bust in profile facing right. He has a comic mask to his right, implying association with the theatre.
2007.9.3.111	Male head in profile facing right. He has a wreath of leaves in his hair.
2007.9.3.112	Male head in profile facing right.
2007.9.3.113	Male head in profile facing right. The cast is missing the neck of the man.
2007.9.3.114	Female head in profile facing right. She has her hair in a bun, implying that she is a respectable woman.
2007.9.3.116	Head of male youth in profile facing right.
2007.9.3.118	Male head in profile facing right. The cast is missing the neck of the man.
2007.9.3.119	Male bust in profile facing left. He wears a cape with a broach.
2007.9.3.120	Male bust in profile facing right. He is wearing a helmet.
2007.9.3.121	Male head in profile facing right. He appears to be wearing a hat.
2007.9.3.123	Male head in profile facing right. He has a wreath around his head.
2007.9.3.125	Male head in profile facing right. He has a wreath around his head.
2007.9.3.126	Female head in profile facing right. Her hair is tied up.
2007.9.3.127	Male bust in profile facing right. He is wearing armour and has a wreath in his hair.
2007.9.3.128	Male head in profile facing right. His long hair is tied up.
2007.9.3.129	Male head in profile facing right. He has a wreath in his hair.
2007.9.3.131	Male head in profile facing right. He is bearded and wears a cloak. Probably uniform of the army.
2007.9.3.132	Male head in profile facing left. He is bearded and wears a cloak. Probably uniform of the army.
2007.9.3.135	Male head in profile facing right. He has a wreath tied round his head. Possibly Augustus.
2007.9.3.136	Male head in profile facing right.
2007.9.3.137	Male head in profile facing right. Probably Augustus.
2007.9.3.138	Male head in profile facing right.
2007.9.3.139	Male head in profile facing right.
2007.9.3.140	Female head in profile facing right. Her hair is tied back.
2007.9.3.141	Female head in profile facing left. Her hair is tied back.
2007.9.3.142	Female head in profile facing left. Her hair is tied back.
2007.9.3.143	Male head in profile facing left.
2007.9.3.144	Female head in profile facing right.
2007.9.3.145	Female head in profile facing right. Her hair is tied up.
2007.9.3.146	Female head in profile facing right.
2007.9.3.147	Female head in profile facing left. Her hair is worn loose.
2007.9.3.148	Female bust in profile facing right.
2007.9.3.149	Male head in profile facing right.
2007.9.3.150	Male head in profile facing left. He is a mature man with a beard.
2007.9.3.151	Male head in profile facing left. He looks to have a lion's skin on his head. Possibly Hercules.
2007.9.3.152	Bust of a mature male in profile facing right. He has a wreath round his head.
2007.9.3.153	Female bust in profile facing right. Her hair is tied up.
2007.9.3.154	Male head in profile facing right. He is a mature, bearded man.
2007.9.3.155	Male head in profile facing left.
2007.9.3.156	Male head in profile facing left.
2007.9.3.157	Female bust facing forward. Her hair is worn loose. There is a column in the background.
2007.9.3.158	Male head in profile facing left.
2007.9.3.159	Female bust in profile. She appears to be holding something in her arms.
2007.9.3.160	Head of a bearded male in profile facing left.
2007.9.3.161	Two heads in profile facing right. Figure in foreground is male, figure in background is female.
2007.9.3.18	Displays a seated woman, cloth covering only her lower body, her hand up under her chin in a pose that suggests thinking.
2007.9.3.20	Displays a centaur sitting on his hind legs, his arms around a man standing next to him, whilst another figure in the background plays a pipe.
2007.9.3.23	Displays a chariot race in very small, fine detail.
2007.9.3.25	Displays a man crouching down in front of a tree.
2007.9.3.26	Displays a cherub standing in a large shell, which he appears to be steering by way of a rudder.
2007.9.3.29	Female head wearing a helmet, in profile to the left. Possibly Athena.
2007.9.3.3	Displays a seated man, head bowed slightly, holding a dagger in his right hand.
2007.9.3.35	Elderly man's head in profile facing right. He has curly hair and a beard.
2007.9.3.36	Youthful male figure standing facing right, holding something in his hands. Some sort of plant to his left.
2007.9.3.38	Profile of male to the right. He is resting his chin on his hand, in a thoughtful looking pose.
2007.9.3.39	Bust of Athena in profile facing left. She is wearing her characteristic armour, including her aegis.
2007.9.3.41	Male bust in profile facing right. He looks to be wearing a helmet tied under the chin.
2007.9.3.42	Female bust in 3/4 profile, facing right. She has short/tied up hair and her breasts are exposed.
2007.9.3.47	Naked male figure - an athlete carrying a discus in his right hand.
2007.9.3.56	Female head in profile, facing right. Her head is covered and complex hairstyle indicates she's a women of the upper class.
2007.9.3.58	Seated female holding bowl in her hand from which she is feeding a lizard.
2007.9.3.60	Sphinx in a circle. Looks like the cavern of the Sphinx with a man entering.
2007.9.3.62	Elderly male head facing forward. Face shown in great detail.
2007.9.3.63	Male head in profile to the right, with a band tied around his head. Underneath is the word 'STRATO'.
2007.9.3.70	Male head in profile facing left. Doesn't appear to look very young but is beardless.
2007.9.3.71	Female head in profile facing left. Her hair is tied up.
2007.9.3.72	Male head in profile facing right. He has curly hair.
2007.9.3.73	Male head in profile facing right. He has curly hair and a beard.
2007.9.3.74	Male head in profile facing left.
2007.9.3.76	Male bust in profile facing right. He has a wreath of leaves on his head.
2007.9.3.77	Male head in profile facing right. He has a wreath of leaves in his hair.
2007.9.3.78	Male head in profile facing left. He has curly hair and a beard. He has some sort of covering on his head.
2007.9.3.79	Male head in profile facing right. He is beardless.
2007.9.3.80	Female bust in profile facing left. Her hair is tied up. She looks to be wearing some sort of headband.
2007.9.3.81	Male head in profile facing left.
2007.9.3.82	Male head in profile facing left. There looks to be a band tied around his head.
2007.9.3.83	Male head in profile facing right. He is beardless but wrinkly.
2007.9.3.85	Male head in profile facing right.
2007.9.3.86	Male head in profile facing left.
2007.9.3.87	Female head in profile facing right. Her hair is tied up with plaits.
2007.9.3.88	Young female bust in profile facing right. Her hair is up and she appears to be wearing some sort of crown.
2007.9.3.89	Male bust in profile facing left.
2007.9.3.9	Displays the head of a woman, her hair tied in a bun, below which is the image of what may be a bird.
2007.9.3.91	Two male heads in profile facing left. The male in the foreground is a mature man while the male behind him looks to be younger. Both men are beardless.
2007.9.3.92	Head of a mature bearded male in profile facing right.
2007.9.3.93	Head of a male youth in profile facing right.
2007.9.3.94	Head of bearded male in profile facing right.
2007.9.3.97	Head of male youth in profile facing left.
2007.9.3.98	Head of Cleopatra in profile facing right.
2007.9.3.99	Head of male in profile looking left. He has some sort of head-dress on.
2008.2.1.1	Female head in 3/4 profile facing left.
2008.2.1.10	Head ofZeus in profile facing right.
2008.2.1.11	Male figure standing with a bird by his feet. He holds something above his head in one hand.
2008.2.1.12	Male figure standing with a staff in one hand.
2008.2.1.13	Eagle, wings spread, holding a wreath (?) in beak.
2008.2.1.14	Female figure standing in profile facing right. She's holding some sort of stick.
2008.2.1.15	Head in profile facing right.
2008.2.1.16	Female head in profile facing left. Looks to be a lyre at the bottom of the cast.
2008.2.1.17	Male bust in 3/4 profile facing right.
2008.2.1.22	Female head in profile facing left.
2008.2.1.24	Male head in profile facing right.
2008.2.1.25	Male head in profile facing left. He has a wreath in his hair.
2008.2.1.26	Bearded male head in 3/4 profile facing right.
2008.2.1.27	Male head in profile facing right. Looks to have a lions skin on his head, so possibly Hercules.
2008.2.1.31	Two figures in profile facing right. In front is a bearded male and behind, a woman.
2008.2.1.38	Semi-naked female figure kneeling on a plinth and facing away from the 'viewer'. The figure is struggling with two snakes,and her head is thrown back perhaps indicating pain. There is a third snake at her feet to the left of the scene, and a vase with flowers in it at her feet to the right.
2008.2.1.39	Frontal depiction of a small winged male figure with wings spread. The figure is holding what appears to be a container in his left hand. The figure seems to be dangling what is possibly a bunch of grapes over a bird (possibly a goose).
2008.2.1.41	A small naked and winged male figure in frontal aspect facing slightly to the right. The figure is holding a bow and a club (which is resting upon his left shoulder)in his left hand. At the feet of the figure on the right side of the cast is a quivver.
2008.2.1.44	The profile of a young woman, from the waist up. She has a band around her head and her hair is tied up. She appears to be looking at a small bouquet of flowers which she holds in her left hand.
2008.2.1.49	Clothed woman walking amoung naked men, some of whom are bending over either to pick up or put down flowers behind her, and one of which stands in front of her handing her flowers. Tree in the background.
2008.2.1.5	Two figures. A bearded male stands. He is winged. A younger male sits hunched over in front of him, holding a club (?) in his hand.
2008.2.1.50	Clothed boy holding a tall plant in one hand while cutting it with a small knife held in the other hand
2008.2.1.51	Large group gathering with some offerings which they are placing at a statue in front of a building, possibly a temple.
2008.2.1.52	Seated robed woman focused on something in her left hand, possibly reading a piece of parchment. Her right hand is held upright.
2008.2.1.56	Seated chubby male figure facing forward holding a long stick in each hand. Figure is naked and is either sitting on a cloth and wearing a faint crown or has the horns and tail of a satyr.
2008.2.1.58	A male figure standing on one leg, possibly dancing. His arms are outstretched, over his right arm there is an animal skin and in his left hand he is holding an elaborate staff. His head is thrown back against his left shoulder.
2008.2.1.59	Profile of a female facing to the right, her hair is tied up in an elaborate style.
2008.2.1.6	Male figure walking, holding a circular object in his hand.
2008.2.1.61	There are a large group of 10 figures, 5 are standing and 5 are seated. They are engaged in festivities; the second and third figures from the left are holding bowls and appear to be offering them. Behind the seated figures are two standing women who appear to be balancing baskets of fruit on their heads. The two figures on the far right of the scene appear to be playing musical instruments. The scene is framed by two trees, with their branches intertwined above the group of figures. Above the figures there are two small winged figures, possibly cupids.
2008.2.1.63	There are seven figures depicted, one the far right there appears to be a winged figure possible Eros. The male figure on the right next to the winged figure is sitting naked on a donkey, he is holding his right arm in the air above his head possibly in celebration. On the far left there is a male and a female figure possibly dancing, the female figure is holding what appears to be a cup. The third figure on the left is sitting on the floor and appears to be eating or drinking from a cup or bowl. The fourth figure from the left is playing a flute, on the right to this figure there is a woman holding a cup up in the air in her right hand and in her left hand she is holding a staff. They appear to be engaging in a celebration, possibly a drunken procession. The naked male figure riding the donkey is possibly identified as Dionysus.
2008.2.1.65	A group of six figures. In the centre of the image are three figures, an older male figure who is seated; there is a female figure to either side of him. The female figure to the left is embracing the seated male. To the left of this central group is a young man holding the reins of a horse, which is on the extreme left of the image. To the extreme right of the image are two elderly male figures standing in the background. There is a temple in the background.
2008.2.1.73	At the center of the scene two horses pull a chariot one figure drives the chariot whilst another figure wearing armour holding a spear and shield stands in the chariot. Another figure is depicted up-side-down next to the chariot possibly knocked over the chariot or fallen out of the chariot. In the bottom right of the scene another figure depicting leaning on a shield. In the center at the top of the scene a figure is shown with their hands aloft possibly celebrating. to the right of this central figure is another clad in armour, it is unclear what this figure is doing.
2008.2.1.74	To the left of the scene is a semi-naked male figure appears to be sitting upon a table, there is a second male figure on his knees in front of the other fully clothes and bearded he seems to be much elder than the first. This figure is grasping the seated figures knees possibly in an act of supplication. Behind these figures two further male figures on look, one of these throws his hand out, he's mouth is open suggesting he is surprised or angry. The background setting is heavily draped so is perhaps the interior of a tent.
2008.2.1.75	The image depicts two male figures fighting. the figure on the right stands nude with sword raised with his left hand he is pulling the head of the second figure back. The second figure is facing away from the first figure, on his left knee. In his left hand is a shield. His right hand is held back over his head. He appears to be trying to break the hold the right-hand figure is trying to hold.
2008.2.1.77	Bust of a clothed older male figure. The figure is bearded with a band tied in his hair.
2008.2.1.8	Male head in profile facing right. Ram's horn in head indicates this is Apollo Karneois, the ram god.
2008.2.1.89	On the right there is a standing woman holding a spear in her right hand and a shield on the ground with her left. She is wearing a type of headdress (possibly a helmet) and could either be robed or naked. to her right there is a standing animal, possibly a sheep, on top of whom is standing a winged cherub holding a bow and arrow, possibly cupid. On the far left of the cast there is a large stalk of corn.
2008.2.1.9	Head of a bearded male in profile facing left.
2008.2.1.92	Profile of a female facing right possibly wearing a type of decorated cap. The hair can be seen in a bun at the nape of the neck. The top of a dress or robe can be seen around her shoulders.
2008.2.1.93	Profile of a young male looking right with short curly hair and a band around his head that is tied in the back. The top of his robes can be seen at the base of the neck.
2008.2.1.95	An active scene with at least 9 discernible male figures. There are two figures on a raised platform on the far left, one standing wearing armour and the other seated wearing robes. In front of them is a gathering of men, some wearing armour, some only wearing the lower half of their armour, and one, possibly two, who is naked carrying a shield. There appears to be a robed shorter figure among them, possibly a child or adolescent. In the background the outline of a columned building can be seen.
2008.2.1.96	Profile view of a woman sitting in a chair facing left. She is wearing robes and has long hair that is possibly braided and pulled back. At her feet is a vase on a pedestal. Under the illustration is an unreadable inscription.
2008.2.1.99	Profile view of a bald man facing right. He is wearing some kind of fabric around his neck that ties or hangs in the front.
2008.7.101	Surface slipped with red-orange wash. Strap handle sloping inwards; black glazed on the outside; inside in reserve. Row of uniform parallel black lines at the junction of the shoulder and neck. On the shoulder, five black palmettes, the central one inverted, with black tendrils and dots in between. On the body, black glaze misfired with two red parallel lines just below the junction of the shoulder and body.
2008.7.105	Interior: black wash. Exterior: Greyish-black wash. Very faint traces of a possible horizontal stripe overpainted in a darker colour.
2008.7.11	Bands of orange glaze smoe outlined in darker glaze on exterior
2008.7.115	Covered in a brown glaze/wash
2008.7.126	Exterior: reddish-brown wash. Fairly wide horizontal ridge across top of fragment a dip in the middle.
2008.7.145	Interior: cream wash with 4 parallel horizontal lines overpainted in greyish-black creating 2 bands of pattern, one twice the width of the other. The narrower band contains 5 semi-circles, and the narrower a more irregular pattern of intersecting curved and straight lines. Exterior: Cream wash with narrow, evenly-spaced parallel horizontal lines overpainted in greyish-black. Patches of brownish glaze remain.
2008.7.157	Interior: grey-black wash. Exterior: greyish-black wash with a brassy-coloured metallic sheen overpainted. 11 smallish oval shapes in a horizontal line engraved across the middle of the fragment.
2008.7.158	Interior: 3 yellowish-brown horizontal parallel stripes towards upper edgde. Exterior: small handle towards righthand corner at 90 degrees to fragment. Underneath this, three parallel horizontal stripes overpainted in brown.
2008.7.159	Interior: reddish-brown wash. Exterior: 8 narrowly-spaced parallel horizontal lines overpainted in same reddish-brown colour.
2008.7.198	Interior: black overpaint; Exterior: remnants of some black overpainted dots. One larger dot in the centre of the fragment, and smaller dots under what could possibly be the rim of the fragment.
2008.7.20	Exterior light-brown glaze. Overpainted by eleven dark-brown (black?) vertical lines that end in two parallel brown lines. There are six further brown horizontal lines parallel to these. All of the lines are of roughly the same thickness (ca. 0.2). Interior is reddish-brown glazed.
2008.7.23	Exterior: beige slip overpainted by two parallel horizontal thick (0.6) brown lines outlined in black, two thick curved brown figures outlined in black, one small egg-shaped black mark. Interior: bottom third dark-brown to black, upper two thirds probably reddish-brown but heavily chipped and worn.
2008.7.25	Exterior beige glaze overpainted by two black lines and one brown line (darker in the middle). Interior glazed black.
2008.7.54	Exterior: sigular line of black overpaint at top of fragment, parallel to this line but towards the base of the fragment are a further two parallel lines (closer together) in black overpaint.
2008.7.62	Interior: black wash. Exterior: thin parallel lines faintly visible at top and bottom of fragment. Between these, patches of overpainting in cream, black and brown remain.
2008.7.65	Exterior: 2 narrow, horizontal, parallel bands with triangular pattern between them overpainted in black towards rim. Traces of horizontal bands and geometrical patterns in same colour below.
2008.7.66	Interior: reddish-browm wash. Exterior: checked pattern created by rectangular shapes and horizontal parallel lines overpainted in reddish-brown. 2 thin horizontal bands run parallel to this.
2008.7.67	Exterior: rectangles forming checked pattern overpainted in black. Running parallel to this, 4 thin horizontal parallel lines and above this a pattern of 5 short vertical lines in same colour.
2008.7.68	Interior: reddish-brown wash. Exterior: Horizontal band overpainted in greyish-brown. Above this, a pattern of waved lines and short vertical lines. Below, 2 lines of similar colour run parallel.
2008.7.69	Exterior: 10 narrowly-spaced parallel horizontal lines overpainted in brown. below this 9 small circular grey dots in a horizontal band with a zig-zag pattern below in brown.
2008.7.70	Interior: reddish-brown wash. Exterior: rectangles overpainted in reddish-brown forming checked pattern at one end, with 2 thin lines running parallel above, next to a band containing a diamond-shaped pattern overpainted in same colour.
2008.7.71	Exterior: horizontal pattern of 11 narrowly-spaced parallel zig-zags overpainted in brown.
2008.7.72	Exterior: 10 thin, narrowly-spaced, parallel, horizontal lines overpainted in brown.
2008.7.73	Interior: black overpaint; exterior: two horizontal parallel black overpaint lines across centre of fragment with three spots of black overpaint in between them, either side of the parallel lines are small parellel lines of black overpainted dots
2008.7.77	Exterior: Thin, narrowly-spaced, horizontal parallel lines overpainted in light brown.
2008.7.78	Interior: greyish-black wash. Exterior: Parallel lines overpainted. Thick strip of dark-red colour in middle. One thin stripe of a geyish-black colour either side and one thicker greyish-black stripe either side of these.
2008.7.80	Interior: black overpaint; exterior: along one side of fragment are parallel black lines of overpaint with a spot of black overpaint between them in the centre, on one side of the parallel lines is a parallel line of overpainted black dots
2008.7.82	Interior: Greyish-black wash. Exterior: Cream wash. Fairly thick parallel horizontal bands towards one end overpainted in Reddish-brown and grey. Below this, the tips of horizontal triangular shapes overpainted in grey forming zig-zag pattern.
2008.7.86	Interior: cream wash with stripe of grey overpainted towards one end. Exterior: Cream wash with two widely-spaced parallel bands overpainted in greyish-black. Traces of another diagonal line of a similar colour and thickness joining these.
2008.7.87	Interior: greyish-black wash. Exterior: cream wash with horizontal parallel lines overpainted in brownish-red. 1 thick and 2 thin lines towards top. Curved pattern overpainted below in same colour.
2008.9.12	Interior: greyish-black wash. Exterior: 1 fairly thick, slightly uneven, horizontal line overpainted in black accross centre of fragment, parallel to edges. Diagonally from this, above and below are shorter teardrop-shaped marks - 7 above and 9 below - forming a horizontal band, and greating a stem and leaf-like effect.
2008.9.13	Interior: greyish-black wash. Exterior: wide greyish-black band overpainted, taking up roughly half the exterior. Above this is a narrower parallel strip of unfinished terracotta containing 14 small dots in a horizontal line towards the top if it. And above this, half of another parallel band overpainted in greyish-black is present.
2008.9.14	Interior: greyish-black wash. Exterior: one horizontal line overpainted in brownish-black along longest edge of fragment. Underneath this are 4 solid figure-eight marks, forming a parallel line, overpainted in the same colour.
2008.9.15	Interior: greyish-black wash with a band of unfinished terracotta running parallel to longest edge of fragment. Several narrowly and irregularly spaced parallel horizontal lines overpainted on the wash and unfinished section. Exterior: greyish-black wash overpainted, covering roughly half of exterior of fragment. Next to this is a band of unfinished terracotta bordered above and below by parallel lines overpained in a brownish-red colour.
2008.9.16	Interior: greyish-black streaked wash. Exterior: horizontal line overpainted in greyish-black. Underneath is a semi-circular line with a solid circle attached to its interior and a small diamond-shape underneath this. there is another curved line along the left-hand edge.
2008.9.17	Interior: brownish-red wash with a narrow band of unfinished terracotta parallel to one edge of the fragment with a thin parallel line of a darker red within this. Exterior: 2 widely spaced horizontal parallel lines overpainted in redish-brown.
2008.9.18	Interior: traces of a pinkish wash. 1 short diagonal line overpainted in brown remains. Exterior: narrow horizontal raised lip across longest edge of fragment with a narrow parallel line overpainted in brown below this. Several narrow vertical parallel lines join onto this and there are traces of a redish-brown wash.
2008.9.19	Exterior: 5 parallel horizontal lines of differing thicknesses are overpainted accross one corner of the fragment. The bottom three are narrower and overpained in brownish-grey, above these is a pinkish-red wider line and above this another greyish-brown line.
2008.9.20	Interior: greyish-black wash fading to a reddish-brown colour, leaving a small section of unfinished terracotta across one corner of fragment. Exterior: greyish-black wash with a narrow band of unfinished terracotta parallel to one edge, with 7 small dots overpainted in the same greayish black colour within it.
2008.9.21	Interior: greyish-black wash. Exterior: several narrow parallel horizontal bands overpainted in a pinkish-red and greyish-brown across fragment, interspersed by a band of unfinished terracotta and another similar band above.
2008.9.22	Interior: reddish-black wash with a narrow strip of unfinished terracotta across longest edge. Same colour overpainted in the top of the rim. Exterior: 1 thick horizontal band overpainted in a reddish-black colour just underneath the rim.The space below this is left unfinished.
2008.9.23	Interior: reddish-black wash. Exterior: redish-black wash with a raised lip of unfinished terracotta along one edge, containing three fairly thick diagonal brush-stroke marks overpainted in a redish-black colour.
2008.9.24	Interior: greyish-black wash, top of rim overpainted in same greyish-black colour. Exterior: Greyish black wash, interspersed by 2 horizontal bands of unfinished terracotta, the lower band wider than the upper. The lower band has 7 smaller dots overpainted within it.
2008.9.25	Exterior: 1 fairly wide curved raised ridge running across centre of fragment. 5 short vertical lines overpainted in a pinkish-colour faintly visible upon this ridge. A small patch of brownish-grey remains below.
2008.9.26	Interior: greyish-black wash. Exterior: 3 thin narrowly-spaced lines run parallel to one of the edges of the fragment. The upper of these is overpainted in a greayish-black colour, the 2 lower are a redish-brown. Below these lines are three greyish-black dots interspersed by vertical thick greyish black and thinner redish-brown lines.
2008.9.27	Interior: greyish-black wash. Exterior: 2 curved narrow parralel lines run along one edge of fragment, the upper overpainted in greyish-black and the lower in brown. Below these are 3 solid crescent shapes overpainted in greyish-black.
2008.9.4	Exterior: 2 front legs of an animal, joining onto a body is overpainted in greysh-black. 5 short vertical lines are etched across the body and a few other etched lines define the back legs and chest of the animal. 2 back legs and a tail are partially present. A thick horizontal band and below a thinner band run parallel to the bottom-edge of the fragment. The animal appears to be standing on the thinner band, and there are 2 circle between the front and back legs, and two circles to the right of it.
2008.9.7	Exterior: Three parallel horizontal curved lines overpainted in reddish-brown. 2 of them narrowly-spaced and 1 further apart.
2009.10.1.10	A naked woman sits while an eagle feeds from a bowl in her lap, probably Hebe and Zeus as an eagle. Cast Number - 957
2009.10.1.12	Zeus seated and half clothed, wearing a helmet or sun rays, holding a staff in his right hand and a club in his left. Cast Number - 959
2009.10.2.101	Five figures of women holding hands in a circle. Number 33
2009.10.2.105	Portrait of two women in profile, one in front of the other. Number 37.
2009.10.2.106	Figure leaning on a harp, in the background another very small figure stands on a podium holding a sceptre, with star above head. Number 38.
2009.10.2.107	Portrait of a woman in profile, turning to the right. Her hair is tied back. Number 39.
2009.10.2.108	Portrait of a woman in profile turning to the left, with a quiver across her back. Number 40
2009.10.2.109	Portrait of a woman in profile turning to the right, with a quiver across her back, hair tied back. Number 41.
2009.10.2.110	Portrait of a woman in profile turned to the right, with a quiver across her back. Wearing headband. Number 42.
2009.10.2.115	Artemisn seated, holding a spear a deer in the background. Number 47.
2009.10.2.12	Figure of a man with a beard walking, holding a wreath in his left hand and pointing to it with his right.
2009.10.2.126	Diana of Ephesus pictured in a temple. Number 58.
2009.10.2.128	Figure of a naked man holding a cloth behind him. Moon symbol in the bottom corner. Number 60.
2009.10.2.129	portrait of woman in profile, wearing a headband. Number 1
2009.10.2.13	figure of a man walking, holding a sickle in his right hand and holding a cloth to his mouth with the other. He is unclothed. Number 13
2009.10.2.130	Portrait of a woman in profile, wearing a headband and a bow (Artemis) Number 2
2009.10.2.131	Woman in profile, holding a bunch of wheat (Demeter) Number 3
2009.10.2.132	Woman in profile, holding a bunch of wheat (Demeter). Number 4
2009.10.2.133	Woman in profile holding a bunch of wheat (Demeter) Number 5
2009.10.2.134	A woman in profile to the left, holding an object (wheat) Number 6.
2009.10.2.14	Figure of a man walking with a staff in one hand and a dead scorpian in the other. Number 14
2009.10.2.143	Portrait in right profile of man in flat helmet (appears to be Hermes). Number 15.
2009.10.2.145	Figure of Hermes leaning on pillar, holding cloth in right hand and a caduceuse in his left. Number 17.
2009.10.2.146	Figure of Hermes holding sceptre upside down in right hand and a reed or feather in this left. A small animal is at his feet. Number 18.
2009.10.2.149	Naked figure of Hermes in a cloak with caduceus. On his right the initals M A and on his left G F. Number 21.
2009.10.2.150	Naked figure of a man in cloak with scepter. Number 22.
2009.10.2.151	Figure of a cloaked man holding an object in his left hand and wearing a hat. Number 23
2009.10.2.154	Naked man with cloak around his shoulders holding object in his left hand. Number 26.
2009.10.2.155	Naked Hermes wearing a helmet and winged sandals and holding a caduceus in one hand and another object in his other. Number 27
2009.10.2.161	Naked Hermes with cloak behind him holding a caduceus and another object and wearing a hat and winged sandals, in a running position. Number 33
2009.10.2.17	A goat suckling a child (zeus) being watched over by a woman seated and wearing a crown and two large men in capes and hats, holding rocks over the the child. Number 17.
2009.10.2.173	Hermes holding caduceus and shepherding a sheep and woman in the background.
2009.10.2.175	Hermes seated in a chariot, pulled by 2 birds with people bellow.
2009.10.2.179	Bird with a feather in its mouth standing next to a caduceus.
2009.10.2.18	Woman in crown sitting on a lion, with scepter in left hand and a scroll in right. Probably Cybele.
2009.10.2.180	A figure standing in a temple. Probably this is a cult statue between two columns.
2009.10.2.182	3 woman starring on a baby in the floor who is holding staff and is haloed. Roman inscription.
2009.10.2.195	A naked man holding a spear and wearing a cloak stands in a pose. Number 67
2009.10.2.196	A naked man with a flowing cloak stands in a pose. Number 68
2009.10.2.197	Figure on a chariot being pulled by another male figure with a shepherd's crook, with two sheep one on either side. star in the top center. Number 69
2009.10.2.2	Man in armour, sacrificing an animal (a lamb), surrounded by small pictures of a man and woman in profile, and other animals including a snake, a crab and a bird. Number 2.
2009.10.2.20	Portrait of woman in crown
2009.10.2.210	Depiction of a man, with a smaller figure behind his shoulder, a face or a mask in the foreground, on the bottom right. Number 82.
2009.10.2.214	Aphrodite leaning on a wall looking around her shoulder from behind. Cupid is in the left hand corner. Number 4
2009.10.2.216	Figure of aphrodite crouching facing left, holding a cloth above her head with a pot in front of her. Number 6
2009.10.2.217	Figure of Aphrodite crouching to her left with a bowl in front of her. Number 7
2009.10.2.22	Ornate woman sitting on throne wearing crown and holding scepter . In the background there is a symbol of an S, perhaps delta. Number 22
2009.10.2.222	Clothed female figure standing in front of a hippocampus.
2009.10.2.227	Nude female figure (? Artemis) leaning on a pillar and holding a bow in her left hand and an arrow in her right hand. Number 17
2009.10.2.229	Semi-nude female figure seated on a chair with drapery over her lap, holding an object in her right hand. Number 19
2009.10.2.230	Semi-nude female figure with drapery around her waist leaning on a pillar holding an object in her right hand Number 20
2009.10.2.232	Semi-nude female figure with drapery around her waist, seated on a rock with a basket and two winged children, holding a ? fishing rod in her right hand with an inscription Number 22
2009.10.2.234	Nude female (? Aphrodite) ciewed from behind, leaning on a shield covered in drapery with a spear leaning on her left shoulder holding an object in her right hand. Accompanied by winged Eros handing her a helmet Number 24
2009.10.2.235	Nude female figure with drapery over her shoulders, holding an arrow in her right hand, accompanied by winged Eros and an animal, possibly standing on a snake Number 25
2009.10.2.237	Female figure holding a branch in her right hand, accompanied by a winged child holding an object Number 27
2009.10.2.239	Clothed female figure, walking with flowing drapery holding plants in her left hand and a bow and arrow in her right. Accompanied by a winged Eros holding an arrow and with a quiver. Number 29
2009.10.2.243	Standing female figure leaning on a pillar, atop of which is a herm, holding a torch in her right hand. Accompanied by a butterfly and a winged Eros Number 33
2009.10.2.244	Nude Aphrodite with drapery across her shoulders, holding an arrow in her right hand, accompanied by winged Eros on the right and a quiver of arrows on the left. Number 34
2009.10.2.245	Nude Aphrodite leaning on a pillar and holding a small object in her right hand, accompanied by a winged Eros carrying a torch and offering a wreath to Aphrodite. Number 35
2009.10.2.249	Winged Eros at a flaming altar in front of a temple, with a statue of a nude Aphrodite inside, and a tree behind Number 39
2009.10.2.250	Hare inside a large ring centrally, figure in a chariot drawn by two birds above and a butterfly on the right hand side. ? flaming torches on either side and inscription below Number 40
2009.10.2.251	Hare inside a large ring centrally, figure in a four-horse chariot above, helmeted head on the left with an inscription, shiled on the right and a ? grasshpopper at the bottom Number 41
2009.10.2.253	Nude three graces standing holding small objects in their hands, with a vase of water on the left and a pillar with a jug pouring out water on the right Number 43
2009.10.2.256	Reclining nude Aprhodite with drapery under a tree with a bird in it, accompanied by one winged child playing a lyre, another fanning her and a third figure under the tree. Number 46
2009.10.2.26	Sarapis with greek letters in background ( Delta, Rho, Gamma, Eplison) on left (Pi, Nu, Delta, Omicron) on right. Number 26.
2009.10.2.261	Nude male standing holding a spear in his left hand, leaning against a pillar and accompanied by a dog Number 51
2009.10.2.262	Nude male wearing a cloak and holding a spear in his right hand, accompanied by a dog and flying winged child holding an object Number 52
2009.10.2.263	Nude male figure leaning against a pillar holding a spear in his left hand and accompanied by a dog. Inscription down the left hand side Number 53
2009.10.2.264	Central figure of nude Aphrodite holding an arrow in her right hand and holding a winged Eros' hand in her left, a shield with a face leaning against her left leg and armour on the floor. Winged Eros holding a bow on the right, and kneeling nude Hephaestus on the left with a hammer held above his head and an anvil in front of him. Number 54
2009.10.2.265	Central figure of nude Aphrodite wearing a cloak holding arrows in her left hand, with sitting Hephaestus in front of an anvil on the left holding a hammer above his head,and winged Eros holding a bow on the right. Number 55
2009.10.2.266	Nude standing Aphrodite holding a torch and another object, with a satyr on the right holding an object, and Eros with a bow and a seated Hephaestus on the left holding a hammer above his head with an anvil in front of him. Number 56
2009.10.2.267	Nude Ares and Aphrodite embracing on a bed to the right, with Hephaestus standing over them and casting a net over them, and a fourth figure (?) reclining in the left corner. Number 57
2009.10.2.268	Standing nude youth wearing a helmet and holding a spear in his left hand and a shield in his right. Number 58
2009.10.2.270	Armoured male in a two-horse chariot, holding a spear and a shield, accompanied by a dog and a scorpion. Number 60
2009.10.2.273	Nude male figure holding a large shield in his left hand, with armour at his feet, accompanied by a semi-nude female figure wearing a cloak or necklace and holding a bow in her right hand. Number 63
2009.10.2.276	Standing nude male figure wearing a helmet and a cloak, holding a spear in his right hand and embracing a semi-nude female figure with his left. Female figure has drapery over her legs and is resting her right foot on a ball. Number 66
2009.10.2.277	Armed Athena wearing an aegis and helmet, holding a spear in her right hand and a shield emblazoned with Medusa's head in her left. Number 67
2009.10.2.278	Two male heads facing each other in profile, with a star above each head. Number 68
2009.10.2.280	Two nude male youths mirroring each other, both holding a spear in one hand and a sceptre and drapery in the other with a star above each of their heads. Number 70
2009.10.2.283	Kneeling female figure holding a staff-like object and another object in her hands. Number 73
2009.10.2.292	Left profile view of a Herakles with a decorative wreath in his hair and lionskin around his neck. Number - 7
2009.10.2.31	Front view of a gem cast showing the pantheistic head has the ram's horns of Jupiter Ammon, the modius headdress of Serapis, and the rays of Sol Invictus. In background very faint merperson or fish holding trident with tail and two letters L and Z. Number 31
2009.10.2.310	A scene showing Herakles facing left. In his right hand he carries his club and the head of the nemean lion. The lion's skin is draped over his back
2009.10.2.312	A Scene showing Herakles facing away, club in hand.
2009.10.2.315	A scene depicting Herakles facing left. In his left hand he holds his club and in his right he has a bowl (possibly the one given to him by Helios, the sun god)
2009.10.2.318	A scene showing Herakles, club and bow in hand, standing victorious over a giant.
2009.10.2.321	A scene showing Herakles standing over Nessus, the centaur in a warlike pose.
2009.10.2.367	Male figure covered with drapery, holding object in his right hand and drapery in his left. His foot is resting on a rock. number 23
2009.10.2.372	Nude Aphrodite with drapery over her legs, holding object in her hand. There is a tree in the background and a helmet and shield at her feet. One foot is resting on a stone. Number 28
2009.10.2.375	Sitting sphinx with a head/skull in her left paw. Number 31
2009.10.2.379	Male figure wearing a hat leaning over a sphinx. He is holding the head of the sphinx with his right hand, with a knife in his left hand held at the sphinx' head. Number 35
2009.10.2.382	Seated bearded male figure holding an object in his right hand with a raised left hand, instructing a standing nude male youth wearing a cloak and leaning on a spear. Number 38
2009.10.2.383	Nude male figure lying on a couch or bed in front of four horses and a smaller standing figure on the right, holding an object in their right hand, and a tree on the left. Number 39
2009.10.2.384	Front view of a gem cast showing Medea driving her chariot pulled my her drakones, and there is a male figure in front of them . Number 40
2009.10.2.385	Figure in a chariot drawn by two large serpents, with a nude male figure holding drapery and a shield in the foreground. Number 41
2009.10.2.392	kneeling nude male figure wearing a cloak and carrying an unconscious nude female in his arms, with a club at his feet and his cloak flying out behind him. Number 48
2009.10.2.394	Figure of a half-man, half-bull Minotaur in the centre of a maze. Number 50
2009.10.2.395	Standing nude male figure seen from behind, holding a staff and facing a figure emerging from a hole in a wall. Number 51
2009.10.2.399	Walking bearded male centaur holding a horn in his right hand and carrying a branch over his left shoulder. Number 55
2009.10.2.4	Ceres in Chariot Pulled by Two Serpents. Number 4
2009.10.2.40	A portrait in profile of a man with a beard and a headband. Number 40.
2009.10.2.407	Figure in a tower on the left reaching out to a male figure in the sea. Number 63
2009.10.2.408	Figure in a tower on the right reaching out to a nude male figure in the sea, above whom is a flying Cupid holding a torch, with two heads blowing the winds on the left. Number 64
2009.10.2.41	A Portrait of a man in profile. Number 41
2009.10.2.412	Nude female figure holding a staff entwined with (?) snakes and drapery behind her, walking in front of a nude male wearing a helmet and travellers boots and carrying a staff over his left shoulder. Number 68
2009.10.2.42	A portrait in profile of a man with a beard and headband. Number 42
2009.10.2.52	Jupiter Serapis sitting on throne holding sceptre in left hand and round object in right. Eagle standing on his right hand side. Number 52
2009.10.2.532	In center, a kneeling warrior, holding a sword and shield, also wearing a helmet. either side stand two male figures wearing helmets, possibly capturing the central figure (?)
2009.10.2.533	Dead male warrior, stabbed in the neck (?)
2009.10.2.55	Figure of Jupiter (?) with staff and other object in left hand, a large bird. some greek lettersby his legs. Number 55
2009.10.2.58	Figure of a Jupiter standing with a sceptre, holding lightning in his left hand. Number 58
2009.10.2.60	Figure of a naked man with ram's head, holding a sceptre in his left hand and grain in his right hand. Number 60
2009.10.2.64	This cast portrays Zeus, with the scepter in his left hand and the thunderbolt in his right one, in the act of driving a chariot and thunderstriking two Giants with snakes for legs, prostrate on the ground, one of whom is brandishing a torch (?).
2009.10.2.68	Depiction of an eagle with a wreath in its beak. Number 68
2009.10.2.7	Figure of a man wearing a hat (maybe Hermes or Paris) holding a staff in right hand and small round object in left. Number 7
2009.10.2.8	Figure of a man wearing a hat and a cape, holding a round object in right hand. By his feet are two pictures, the left is perhaps a scroll and the right an animal. Number 8
2009.10.2.89	Man sitting playing a harp, with a temple in the background to his left. Gem cast number - 21
2009.10.2.9	Small figure wearing a hat with a staff in right hand and with a small winged person balancing on the left hand.
2009.10.2.90	A view of the left side of a naked man sitting and holding a stick in his right hand. Gem cast number - 22
2009.10.2.93	Naked man standing with a harp, on the right of which there is a small child at his feet, next to whom there is a man who is sitting in front of a tree. There is an inscription: "LAVRAIED" Gem cast number - 25
2009.10.2.94	Naked man standing with a harp, on the right of which there is a small child at his feet, next to whom there is a man who is sitting in front of a tree. Gem cast number - 26
2009.2.1.91	Profile of a female facing the right with a scarf knotted at the front. Her hair is held back in a type of band.
2009.8.100	Profile of a man with a beard and wreath in his curly hair. The top of a cloak can be seen. Cast number: 44
2009.8.107	Profile of a man with a beard and a helmet. Situated in nature. Cast number: 51
2009.8.121	Profile of a man, looking right. Top of his clothes can be seen. At the bottom are three symbols: the one in the middle: two hands shaking; the one on the left could be a bird, the one on the right a flower. Cast number: 65
2009.8.127	Profile of a man with a beard and ram horns in his hair. Cast number: 73
2009.8.128	Winged child with a trident fights of a sea serpent. A figure on a pole in the background. Cast number: 74
2009.8.129	A serpent winded around a tree, an axe in the foreground. Cast number: 75
2009.8.139	A young man dancing, holding a cup in his hands. Caduceus on the right side. Probably Hermes. Cast number: first one in the last row
2009.8.14	Aphrodite wearing a cloak around her waist. Cupid is standing under a tree with a bow in his hand. There is an inscription next to Aphrodite. Cast number: 3
2009.8.141	Profile of a man with a beard and short hair, looking left. Cast number: third one in the last row
2009.8.142	Satyr holding a baby wearing a fur. Probably Silenos with baby Dionysos. Cast number: forth gem in the last row
2009.8.143	Profile of a child with wings, maybe Eros, looking right. Cast number: fifth gem in the last row
2009.8.144	Profile of a woman wearing a hat, looking right. Cast number: sixth gem in the last row
2009.8.145	Profile of a man with a beard and wavy hair wearing a wreath, looking right. Cast number: seventh gem in the last row.
2009.8.146	Profile of a man with short hair, looking left. Cast number: last gem in that row.
2009.8.147	A satyr putting himself on a stick, talking to a woman holding a twig in her hand. Cast number: 1
2009.8.15	Woman wearing a dress, carrying something in her arm. One hand put on a tree. Cast number: 4
2009.8.158	A young woman closed in by a swan. Zeus and Leda. Cast number: 12
2009.8.16	A naked man wearing a hat, sitting on a turtoise. Holding branches in his hands. Probably Hermes. Cast number: 5
2009.8.166	A woman wearing a dress with a stick and holding/offering a ball or apple to the young man. He is naked also holding a stick and a ball or apple in his hand. Beneath her a scorpion, beneath him a crab. Cast number: 20
2009.8.169	A woman with a torch sitting on an eagle, holding a head (?) in her other hand. Eagle probably Zeus. Cast number: 23
2009.8.17	A hooded woman in the middle holding the hand of a young man with a bare chest. A second man behind the woman, putting one hand on her shoulder. Cast number: 6
2009.8.173	Profile of a man with a beard and a ribbon in his wavy hair, looking right. Cast number: 27
2009.8.174	Bare torso of a man with a beard and a wreath in his hair, looking right. Cast number: 28
2009.8.175	A man with a beard and a wreath in his hair. Holding a trident in one hand, a fish (?) in the other. Probably Poseidon. Cast number: 29
2009.8.176	A naked man with a beard and a trident in his hand, putting his foot on a rock. Poseidon. Cast number: 30
2009.8.177	A naked man with a beard and a trident in his hand, putting one foot on a rock. Probably Poseidon. Cast number: 31
2009.8.178	A naked man with a beard and a cloak around his shoulders, holding a ball in one hand and a trident in the other. Probably Poseidon. Cast number: 32
2009.8.179	Poseidon, naked and with a beard, riding on a chariot pulled by four horses, holding a trident in one hand. His cloak is blowing in the wind. Cast number: 33
2009.8.181	Poseidon, naked with a beard and a cloak, riding on a dolphin on the water holding a trident in his hand. Cast number: 35
2009.8.182	A naked man with a trident behind a woman also holding a trident, riding on a horse. Maybe Poseidon and Amphitrite. In front of the horse Eros. Cast number: 36
2009.8.183	A naked man with a beard holding a stick and putting one foot on a rock. There is a tree in the middle. On the other side of it a woman wearing a dress and a helmet. There is a serpent at her feet and another one behind her. Maybe Athena and Hercules.
2009.8.184	A man with a stick in his hand and a wreath in his wavy hair, meeting a man with a horse. Cast number: 38
2009.8.185	Profile of a man with a beard and curly hair, in capite velato, looking right. Cast number: 39
2009.8.186	A naked man with a trident and a woman on a chariot pulled by four horses. Probably Poseidon and Amphitrite. In front on the horses a child, probably Eros. Cast number: 40
2009.8.199	Athena Parthenos with a shield and a spear in one hand and a little Nike in the other. Resembling the statue made by Phidias. Cast number: 53
2009.8.200	Athena Parthenos holding a shield and a spear in one hand, in the other a little Nike. Resembling the statue made by Phidias. Cast number: 54
2009.8.204	A woman in a dress holding a spear, leaning against a pole with a shield to her feet. Probably Athena. Cast number: 58
2009.8.205	Athena wearing a helmet, holding a spear in one hand and her shield in the other. Cast number: 59
2009.8.206	A woman in a a dress, wearing a helmet, holding a spear in one hand and a shield in the other. Probably Athena. Cast number: 60
2009.8.207	Athena in a chariot pulled by two owls, wearing a helmet, holding her shield and a spear. Cast number: 61
2009.8.208	A temple with 4 columns, in the middle the statue of a god or goddess wearing a helmet and holding something in her hand. Next to the temple is a tree. Cast number: 62
2009.8.21	Four male profiles with wavy hair. Two looking left, the other two looking right. They look at each other. The ones in the front is concealing a bit of the ones in the back. Cast number: 10
2009.8.210	Profile of a man with a wreath in his hair. Close to his head a star. Inscription on his left side. Cast number: 1
2009.8.211	Profile of a man with a wreath in his hair and a star next to his head, looking right. The top of his cloak can be seen. Cast number: 2
2009.8.212	Profile of a man with a wreath in his hair and a star in front of his head, looking right. The top of his cloak, probably a paludamentum. Cast number: 3
2009.8.214	Profile of a man and a woman. He has rather thick face with a small mouth and a double chin, maybe Nero. She has a ribbon or wreath in her hair, the top of her dress or cloak can be seen. They are both looking right. Cast number: 5
2009.8.217	Profile of a man with a wreath in his hair and a prominent chin, looking right. Cast number: 8
2009.8.220	On the left side, an eagle sitting on the head of a cow, holding a twig in his hand. Probably referring to Jupiter. On the right side, profile of a man with a wreath in his wavy hair, looking right. Cast number: 11
2009.8.221	Profile of a man with a wreath in his hair, looking right. Inscription on the ride side. Cast number: 12
2009.8.223	Profile of a man with a wreath in his hair and profile of a woman, the top of her clothes can be seen. They are looking left. Cast number: 14
2009.8.224	Profile of a woman in capite velato and a wreath in her hair, looking right. Inscription on the right side. Cast number: 15
2009.8.225	Profile of a woman in capite velato with a tiara in her hair, looking right. Cast number: 16
2009.8.226	Profile of a man with a wreath in his hair and a prominent chin, looking right. Cast number: 17
2009.8.227	Profile of a man with a wreath in his hair and a prominent chin, looking left. Cast number: 18
2009.8.234	Profile of a man with a wreath in his hair and a slightly prominent chin, looking right. Cast number: 25
2009.8.235	Profile of a man with a wreath in his hair and a prominent chin, looking right. Cast number: 26
2009.8.236	Profile of a man and a woman, looking right. He has a wreath in his hair and a prominent chin. She wears a tiara and the top of her dress can be seen. Probably Augustus and his wife Livia. Cast number: 27
2009.8.24	A dancing woman with a bare chest. Cloak or dress around her waist. Holding a timbrel in her hands above her head. There is also an inscription. Cast number: 34
2009.8.251	Profile of a man and a woman, looking right. He has a wreath in his hair and the top of his cloak, probably a paludamentum can be seen. Cast number: 42
2009.8.256	Profile of a woman with a lavish hairstyle, looking right. The top of her dress can be seen. In front of her are two ears of wheat. Cast number: 47
2009.8.260	Profile of a man with short wavy hair in a lavish style and a beard wearing a wreath, looking right. Probably Nero. Cast number: 51
2009.8.261	Profile of a man with wavy hair in a lavish style and a beard, wearing a wreath, looking right. Rather chubby face. Probably Nero. Cast number: 52
2009.8.265	Profile of a man with a wreath in his hair and a rather chubby face, looking left. Cast number: 56
2009.8.271	Two naked men on the left and on the right side, only wearing a cloak on their shoulders, hanging up a garland. In the middle, a man with a beard and fully dressed, holding something in his hand. Cast number: 2
2009.8.273	Two naked man, holding a stick, each standing on one side. In the middle a horse, above it a crescent moon. Cast number: 4
2009.8.275	A cow and a naked woman with a crown, holding a vessel, sitting on a flower, are in a barque which has a lion's head on the left end and a ram's head on the right end. Cast number: 6
2009.8.31	A man with a beard sitting on a rock and a lion's fur, holding a club in his hand. Probably Hercules. There is also an inscription. Cast number: sn
2009.8.34	A woman with wings, holding a twig in one hand. A snake is curled up to her feet. Probably Nike. There is an inscription on the bottom. Cast number: 97
2009.8.36	A woman holding a stick in one hand, the other holds the hand of a young boy who is nacked apart from the cloak around his neck. She is probably a goddess. Cast number: 128
2009.8.37	A muscular man holding something in one hand. The other arm is outstretched above his head. Probably an athlete. There is also an inscription on the bottom. Cast number: 69
2009.8.38	Cupid and Psyche. A young man in a tight embrace with a young woman. Inscription on the left side. Cast number: 13
2009.8.39	A young man naked except for his cloak. Holding a dagger in one hand. Inscription on the right side. Cast number: 43
2009.8.42	A young woman standing next to a pole, one hand put on it holding somthing in her hand. Cast number: 61
2009.8.48	A young nacked woman with wavy hair and a ribbon, sitting on a rock holding a ball in her hand, the other put on her knee. Inscription on the bottom. Cast number: 153
2009.8.51	A young muscular man, shown in contrapposto. Probably an athlete. Inscription on the right side. Cast number: 16
2009.8.56	Athena wearing the aegis and a helmet, holding a cup in her hand. A snake is curved around her arm. Inscription on the left side. Cast number: 94
2009.8.58	A woman in the middle. On her left a profile of a young man wearing a helmet, looking right. On her right side a profile of a man with a beard and curly hair, looking left. Cast number: 157
2009.8.60	An old man with a beard holding a role of parchment in one hand. Maybe a philosopher. Cast number: 56
2009.8.63	A man with a beard and wavy hair kneeling in front of an altar, holding a snake. Behind him, stading a young woman. On the other side of the altar, a tree with a ram head. On a pole is a mask. Inscription on the bottom. Cast number: 116
2009.8.77	Profile of a young woman, ribbons in her hair, holding a flower in her hand, with the other picking one end of her dress. Inscription on the left side. Probably Psyche. Cast number: 21
2009.8.79	Profile of a young woman with ribbons in her hair, looking right. Inscription on the left side. Cast number: 23
2009.8.81	Profile of a young woman with wavy hear and one breast exposed, holding something in her hand, looking left. Cast number: 25
2009.8.82	A young woman leaning against a pole, holding two roles of parchment in her hand. Cast number: 26
2009.8.87	A muscular man sitting in the middle on a fur. On his right side a naked woman, on the left a child. Cast number: 31
2009.8.88	Profile of a young woman with a wreath in her hair, looking right. Cast number: 32
2009.8.92	An eagle with a wreath in its beak, one claw standing on a twig. Cast number: 36
2009.8.96	Profile of a young man with wings in his wavy hair. Cast number: 40
2009.8.99	A young warrior with a helmet and a sword sitting on a rock balancing a staff in his hand. There is a shield on the bottom. Cast number: 43
2009.9.100	A naked winged young man holding a bow in one hand, with the other he's holding a shield or wheel. Cast number: 33
2009.9.101	A naked winged child sitting on the floor. In the background on the right side the entrance to a cave (?). Cast number: 34
2009.9.102	A naked winged child sitting in some kind of vessel, a quiver is hanging from his back. Cast number: 35
2009.9.108	A naked man holding a caduceus in his left hand and a cornucopia in his right hand, leaning against a pole. Maybe Hermes. Cast number: 41
2009.9.109	A naked winged child holding some fruits in his hand, a quiver is lying to his feet. Cast number: 42
2009.9.112	A naked winged child is sitting in front of a warrior who is fully armed. Cast number: 45
2009.9.12	Four column temple with a pointed gable. In the middle is a statue of a naked man leaning against a tree or pole. Cast number: 26
2009.9.120	Two naked children wearing cloaks. The one on the left side is winged and holding a snake (?) in his hand. The other one holds some kind of scepter or a cornucopia. Cast number: 53
2009.9.121	Three naked winged children with robes around their waists gathered around a goat in the middle. Cast number: 55
2009.9.122	A naked winged child holding a stick in his hand, riding on a lion which is playing with a goat's head. Cast number: 56
2009.9.123	One figure sitting on a bear holding a stick and wearing a cloak around the shoulders. Another is standing in front of the animal. Cast number: 57
2009.9.124	One child sitting on a bear, another with wings standing in front of them, he is aiming with his bow at the animal. Cast number: 58
2009.9.125	One naked child sitting on a bear or a boar holding a whip or a stick, wearing a cloak. Another child is sitting in front of the animal, pulling its tongue and holding a torch in his hand. Cast number: 59
2009.9.127	A naked winged child covering a boar. In the background a tree. Cast number: 61
2009.9.13	A man in a robe wearing some kind of crown, looking left and holding a scepter. Cast number: 27
2009.9.131	A naked winged child standing in a chariot, holding the reins and a whip, pulled by a lion and a goat. Cast number: 65
2009.9.133	A naked winged child standing in a chariot pulled by two horses. Beneath the horses is a dog. Cast number: 67
2009.9.134	A naked winged child holding a whip standing in a chariot pulled by four horses. Cast number: 68
2009.9.136	A naked winged child sitting in a barque. Cast number: 70
2009.9.139	A naked winged child and a mermaid (?) are sitting in a barque. Cast number: 73
2009.9.14	A naked man putting one finger to his mouth, holding a club and standing in a skiff, looking left. Cast number: 28
2009.9.140	Two naked winged children sitting in a barque pulled by four dolphins. Cast number: 74
2009.9.141	Two naked winged children are fighting over / holding some kind of vessel or flower. A third naked winged child is riding a dolphin in the water. Cast number: 75
2009.9.148	A winged child wearing a robe covering parts of his body holding grapes in one hand. Cast number: 82
2009.9.149	A naked man with wings wearnig a robe, holding grapes in one hand and a basket of fruit on his head with the other hand. Cast number: 83
2009.9.150	A man wrapped in a robe, grimaced in pain, standing on two human hands is poked by a naked winged child. Cast number: 84
2009.9.153	A naked boy with wings standing in front of a tree, hands behind his back. Cast number: 87
2009.9.156	Three naked children with wings playing around a tree or gathering fruits. One is sitting in the tree, the others are on the right and left side of the stem. Cast number: 90
2009.9.157	Three naked children playing around a tree or gathering the fruits. One is sitting in the tree, the others standing on the left and right side of the stem. Cast number: 91
2009.9.158	Profile of a young woman with a ribbon in her hair. One hand is playing with her dress, the other holding a twig. Looking left. Cast number: 92
2009.9.168	A naked young man wearing a cloak around his shoulders, holding a sword in one hand and in the other a human head, behind his back. Maybe Perseus. Cast number: 3
2009.9.169	A naked young man with a cloak and club (?) in his right hand, with the other he touches the shield which lays on a pile of arms. On the shield is the head of the gorgo Medusa. Maybe Perseus. Cast number: 4
2009.9.170	A young naked man holding a cloak in the right hand and with the other he touches a shield lying on a rock with the head of the gorgon Medusa. On his right side, there is a pile of arms. Maybe Perseus. Cast number: 5
2009.9.171	A naked young man with a cloak around his shoulders, holding a sword in his left hand and a human head in the other. Next to his feet, a shield. Cast number: 6
2009.9.172	A naked man wearing a cloak, holding a club or sword in his right hand and a human head in his left. Cast number: 7
2009.9.173	A naked man wearing a cloak, holding a sword or club in the left hand and a human head in the right. Cast number: 8
2009.9.174	A young woman leaning on a rock, touching a young man's face. The young man is touching her arm and putting one hand behind his back in which he is holding a human head. Maybe referring to Perseus and Andromeda. Cast number: 9
2009.9.179	Profile of a young man with wings in his hair, looking right. The top of his cloak can be seen. Maybe Perseus. Cast number: 14
2009.9.18	A woman sitting on a flower chair, holding a scepter, wearing some kind of flower crown or feather, sitting in a skiff, looking left. Inscription in Greek letters around her. Cast number: 32
2009.9.183	Profile of a young man with wings in his curly hair, looking right. The top of his clothes can be seen. Cast number: 18
2009.9.19	A woman holding a scepter sitting in a flower. Cast number: 33
2009.9.193	A fighting scene. The man in the middle is rising his sword to kill the man in front of him who is already falling down. The man on the right side is holding up his shield. There is a crescent moon on the left side above the dying man. Cast number: 28
2009.9.195	A man sitting on a stool holding a hammer in his hand, making a helmet or a pair of wings (?). Cast number: 30
2009.9.2	A man wearing a crown on top of ram antlers, holding a stick in his left hand and the anch-symbol in his right. Cast number: 16
2009.9.20	A woman sitting on a flower chair holding a scepter and point her hand to her mouth. Opposite her an animal, looking like a lion on standing on its hind legs, streching its front legs out to the woman. They are both in a skiff which has a ram's head on its left end. Cast number: 34
2009.9.201	A warrior in armour sitting on a rock holding his weapon, his shield lying to his feet. He is struck by lighting or caught in a web. Cast number: 36
2009.9.202	Three men fighting. The two men on the left and on the right are bigger than the one in the middle. They seem to hold a vessel and are naked except for their cloaks around their shoulders. Cast number: 37
2009.9.207	Profile of a woman with a wreath in her hair, looking right. The top of her clothes can be seen. Cast number: 42
2009.9.216	A man in armour holding a shield, standing on a barque. There is crane on his left and on his right side. Cast number: 51
2009.9.217	A bird sitting in the crown of a tree looking towards the sun. Cast number: 52
2009.9.218	A creature half woman, half bird playing the lyre. In the left corner, there is a star. Cast number: 53
2009.9.219	A creature with a human's torso and a bird's body, dressed in full armour, wings attached on the back, holding a sword in one hand. Cast number: 54
2009.9.229	Profile of a rather chubby man with a wreath in his hair, looking left. Cast number: 69
2009.9.23	A figure with a jackal's or dog's head wearing a robe, holding a twig in his left hand and a caduceus in his right hand, looking left. Cast number: 37
2009.9.231	A bearded man sitting on a stool playing the lyre in front of a herme of a young man with an erect penis. Cast number: 71
2009.9.24	A woman wearing a dress, holding a spear and a cornucopia on the left side. A woman in the middle holding two vessels. A human figure with a dog's or jackal's head on the right side, holding a twig. Cast number: 38
2009.9.242	Profile of a woman with a wreath in her hair, looking right. The top of her dress can be seen. Cast number: 82
2009.9.246	Profile of a man with a wreath in his hair and a beard, looking right. The top of his cloak can be seen. Cast number: 86
2009.9.254	Profile of a man with a wreath in his long wavy hair, looking right at a bust of a man with a feather (?) in his hair. Cast number: 94
2009.9.255	Profile of a man with a larger nose and short hair, looking right. Inscriptions in Greek letters on both sides. Cast number: 95
2009.9.256	Profile of a man with a wreath in his hair, looking right. The top of his cloak can be seen. There is a letter on each side of him, in front of his face a twig.
2009.9.259	Profile of a woman with a ribbon in her hair, looking right. The top of her dress can be seen. Cast number: 99
2009.9.263	Profile of a woman with ribbons in her hair, looking left. Cast number: 1
2009.9.264	Profile of a woman wearing a wreath in her hair, looking left. The top of her dress can be seen. Cast number: 2
2009.9.273	Profile of a young man with a ribbon or wreath in his wavy hair, looking right. Cast number: 11
2009.9.275	Profile of a young man with a ribbon in his wavy hair and a ram's horn behind his ear, looking right.Probably Alexander the Great. Cast number: 13
2009.9.276	Profile of a young man with a ribbon in his wavy hair and a ram's horn behind his ear, looking right. Probably Alexander the Great.Cast number: 14
2009.9.279	Profile of a man with a beard and a ribbon in his curly hair, looking left. The top of his cloak can be seen. Cast number: 17
2009.9.280	A woman with wings, maybe Nike, and a bearded man wearing a helmet standing in a chariot pulled by two horses. A second woman walking behind the horses. Inscription beneath the chariot. Cast number: 18
2009.9.281	A bearded man in full armour holding a spear, putting one hand on a ball or globe carried by a man or child sitting next to his feet. A winged creature is standing on the bearded man's hand, maybe Nike. Cast number: 19
2009.9.282	A warrior in full armour holding a spear and a shield receiving a wreath from a small woman with wings, probably Nike, flying above a lion. Cast number: 20
2009.9.284	Profile of a young man with a ribbon in his wavy hair, looking right. Cast number: 22
2009.9.285	Profile of a man with a ribbon in his short wavy hair, looking right. The top of his cloak can be seen. Cast number: 23
2009.9.286	Profiles of a couple, looking left. The woman is in the foreground wearing a ribbon and a hood and the top of her dress can be seen. The man is behind her, has wavy hair and a ribbon. On the right side behind the heads a cornucopia can be seen. Cast number: 24
2009.9.287	Profile of a young man with a ribbon in his wavy hair, looking right. Cast number: 25
2009.9.288	Profile of a young man with a ribbon in his wavy hair, looking right. Cast number: 26
2009.9.289	Profile of a young man with a beard and a ribbon in his wavy hair, looking right. Cast number: 27
2009.9.290	Profile of a young man with a rope or ribbon in his curly hair with a knot on his forehead, looking right. Cast number: 28
2009.9.291	Profile of a young man with a ribbon in his curly hair, looking right. Cast number: 30
2009.9.292	A naked young woman wearing a cloak around her shoulders and a ribbon in her hair holding a vessel. Cast number: 31
2009.9.293	A naked woman wearing a cloak and a ribbon in her hair, holding a vessel in her hands. On the right side a rooster or bird can be seen, on the left side a spider (?). Cast number: 32
2009.9.3	A girl holding a stick with a jackal sitting on it in her right hand, and a chrysalis in the other. She is wearing a crown and is surrounded by stars. Cast number: 17
2009.9.30	A man with a rooster's head, holding a basket in one hand, on the other hand the fingers look like feathers. Beside him lays a head of a bearded man. The monster is standing on a box on which are Greek letters. Cast number: 44
2009.9.33	A naked man with wings and a crown, holding two spears in his right hand. There are two stars on his right side and a half moon on his upper left side. He is standing in a skiff. Cast number: 47
2009.9.37	A ball or a globe from which two grow two serpent heads. On the head on the left side stands a man turning to the monster in the middle, on the head on the right side stands a woman also facing the monster. The monster in the middle has a male human body but two dog's heads, one facing the woman, the other the man. The scenery is enclosed by a serpent biting in its own tail. There are letters on the serpent heads. Cast number: 51
2009.9.39	On the right side an ibis, in the middle a monster with a lion's head and a serpent's body (Chnoubis) and on the left side a bird. Cast number: 53
2009.9.42	A monster with a female human head and the body of a spider, holding a cobra in each hand. Cast number: 56
2009.9.43	A man holding a tambourine (?) in his left hand and a sistrum in his right hand. He is naked except for the cloth around his waist. Cast number: 57
2009.9.45	A naked man holding some kind of vessel in his left hand and two ears of cereal in his right hand. On his left side is a naked child or a small woman holding a cornucopia. Cast number: 59
2009.9.53	A lioness in the middle, maybe representing Sekhmet. On her right side a man's head with a beard, on her left side, some kind of figure. Cast number: 67
2009.9.55	A bird, maybe a hawk, holding a spear or stick in its beak poking in a vessel. Behind the hawk there is the profile of a man with an aureole. Cast number: 69
2009.9.59	A creature with an animal head, maybe a cat, and a male human body, kneeling down, holding a vessel in its left hand. Cast number: 73
2009.9.6	A two column temple with a portrait of a woman wearing a crown in the middle. There is a disc surrounded by snakes and wings in the gable. Cast number: 20
2009.9.67	A snake biting its own tail with what looks like Roman numbers in the circle. Cast number: 81
2009.9.70	A herme with the torso of a satyr with an erect penis, an ecstatically dancing half naked woman holding a puppet or little man playing the flute in a hand. On her right side a small man sitting in some kind of basket playing another musical instrument. Cast number: 3
2009.9.74	A naked child with wings holding something in its left hand. Maybe Cupid. Cast number: 7
2009.9.76	A naked man with wings holding a ball in one hand and a cane in the other. Cast number: 9
2009.9.77	A naked winged child leaning against a rock holding a torch in his hand, maybe Cupid. Cast number: 10
2009.9.78	A naked winged man sitting on a rock, holding a ball in his hand. Cast number: 11
2009.9.8	A woman holding a basket in her left hand, offering some kind of vessel to the naked winged child in the middle or the man on the right. The man and the woman are wearing what looks like a crown. The man is offering a ball or a fruit to the woman and holding a stick in his left hand. Cast number: 22
2009.9.80	A naked winged child holding a torch and/or a flower in his hand. Cast number: 13
2009.9.81	A naked winged young man holding some kind of insect (?) in his hand. Cast number: 14
2009.9.84	A herme of a young naked winged man holding an insect, maybe a butterfly in one hand and some kind of scepter in the other. Cast number: 17
2009.9.85	A naked young man with wings holding a spear or a stick in his hand aiming at an insect sitting in a tree. Cast number: 18
2009.9.87	A boy holding grapes in his hand, beside him is a goose or duck trying to reach for them. Might be referring to Dionysus. Cast number: 20
2009.9.88	A naked winged child wearing a robe around his shoulders, standing in front of a goose or duck. Cast number: 21
2009.9.90	A young winged boy holding grapes in his left hand, teasing the goose/duck standing next to him. Holding a vessel or a quiver in his other hand. Cast number: 23
2009.9.91	A winged child holding a stick in his hand riding a goose or swan. Cast number: 24
2009.9.92	A winged naked child standing next to a pole holding some kind of animal in his hand. Cast number: 25
2009.9.98	A naked winged child poking a bird sitting in a tree with a stick or spear. Cast number: 31
2009.9.99	A herme of a man with beard and an erect penis. Opposite him a naked winged child holding a rope or a twig in his hands. Cast number: 32
2016.3.1	Moulded ring around the discus; there is a moulded decoration of a corpulent bearded male figure (satyr), riding a goat, on the discus. The satyr is grasping the animal's horn with the right and the tail with the left hand. Scene is depicted in left side view. Three punched dots decorate the shoulder in the section of the nozzle. Incised ring around the base with Greek inscription at centre.
2019.5.1	Made in the likeness of Percy N. Ure in the 1940's
2020.8.1	Simple profile cartoon drawing of Paolo Orsi, slightly balding, bespectacled, with moustache & pointed beard; wearing a suit & tie. Signed "W.R. Lawson / Siracusa.1929. / 'Deus sit vobiscum'". Framed behind glass, in a simple black frame, with "P. Orsi / Syracuse April 1929" in pencil on the wooden back. Gummed label on back identifying framer: "From J.P. Ballard, Reading Fine Art Gallery, 21, Cross Street, Reading. / Printseller, Mount Cutter, Gilder and Picture Frame Manufacturer. / Dept for Windsor & Newton's Specialties./ For Repeat Orders please quote No. 4492" (4492 written in pencil).
22.3.1	A: Between sphinxes, both facing right, Athena attacking a giant. Branches and grape clusters in the field. B: Similar, but mainly missing. Under each handle is the tail of a sphinx. Interior, reserved band at lip. Medallion very worn, but seems to depict a figure. Added white.
22.3.17	Knee of figure in leimation, stele, part of tendril.
22.3.19	Standing youth in himation facing right, behind him part of an uncertain object; tablets hanging on a wall. Outline of hair reserved; relief contour for lower part of the back of the himation.
22.3.22	There is a red line on the joining point of the rim and body (the bit of rim that is preserved is reserved). In the middle of the scene, there is a draped youth facing part of a second draped figure (on the right), who is holding a walking-stick. The details of the drapery are rendered with thick and thin lines. In the left bottom corner of the fragment there is the lowest right part of a palmette or tendril. There is also a double-meander pattern beneath, with a saltive square (cross with dots) and the rest of the fragment is black. The interior is also black.
22.3.23	Figural scenes are separated by tendril patterns. A: woman seated on ground, holding tray. B: Eros kneeling on one knee holding tympanum and mirror. Circular incised patterns in field. Brown for womans girdle and border of himation. White (now lost) for some detail. Underside of lid is black. Central knob handle has circular tendril pattern with a black band around.
22.3.24	Clay greyish. Inside, with reserved circle, woman running with tray in one hand, uncertain object in other. Rocky ground shown by black spots on reserved surface. Around the inside rim of the kylix are heart and flower shape patterns attached to long flowing lines.Added white, sometimes touched with yellow. On deep rim, ivy beneath. Outside A: two men facing each other holding different uncetain objects there are three circular objects around them, two with a dot in the middle and the other with a cross. Three palmette patterns surround each of the men, but as some of the kylix is missing these patterns are not all complete, the patterns also change slightly when under the handle. The lower quarter of presumably similar picture of the men can also be seen.
22.3.25	Rim has black wave design. Two female heads separated by palmettes. Knob has whole palmette design. And white, and yellow residue colouring around the whole of the pyxis. Central knob with rays and circle in middle. Inside and outside of rim on knob is black but top is reserved. Underside is reserved.
22.3.26	The edge of the rim bears short, thick black lines. The interior of the plate is decorated with two rows of white lotus leaves (heraldic), separated by a reserved, thin line. Next, there is, a black, thick line, followed by a wave pattern around a reserved line that contours the central scene of a female head,in profile, facing left with a head dress (kalyptra) showing white details and her hair in a bun. Above her head, there are two ivy leaves and behind her is a tendril and small, fan-shaped palmette. In front of her there is a circular motif divided in four parts. The exterior is black apart from the edge of the rim , which is reserved and the lowest part of the body snd short stem. The foot (interior and exterior) is also black, with the exception of the reserved resting surface. The concave area is reserved, but bears a large, black round motif on the centre.
22.3.27	Black inside. Wave pattern around rim. Outside shows winged Eros on his knees (all above his waist is missing), garland in right hand, ribbon in left. Added yellow and white. At each handle is a palmette flanked by tendrils. Attached to tendril on left is a serrated leaf. Foot has ruddled band, black side and inside and a ruddled, flat base.
22.3.28	Youth walking right, holding ribboned ball. White on youth's foot. Edge of robe and part of foot of figure right. Above, rectangular object in white, white handle. Below, tray(?) edged with white dots. Line of white dots along ground level. White for bracelet and necklace.
22.3.29	Youth looking back right, heading left. Cloak on left arm, holding flowering stem in right hand. Stem and spots white, leaves red; white garland. Part of tendril to left.
22.3.31	On the exterior of the object, a series of wave like patterns can be found upon the upper section of the fragment. Beneath this pattern are a series of other decorations consisting of several relatively large lines, and in between these are numerous thin lines with moderately large dots above them. The interior of the fragment has no decorations however.
22.3.33	The fragment bears the depiction of a youth in three-quarter face, while drawing a bow. What is illustrated is the face, except for part of the hair (left side), part of an himation over his left shoulder, the arms (the right one before the hands, the left one before the forearm), the chest and the left side of the abdominals?, behind which emerges the ending of the himation. The cheek and the back have been executed with relief contour, whereas thinned brown glaze has been used for part of the hair. The interior is black, with a reserved band ca. 1 cm wide.
22.3.34	Upper part of neck and handle dipped in black. On lower part of neck are 16 narrow tongues and these are repeated on base of handle. Handle is enclosed in a heavy black loop. Egg and dot pattern on shoulder between thin bands. Enire body covered with net pattern with white dots in intersections. Heavy black band above and around the foot, with a reserved band in between. Resting surface and base are reserved and slightly convex.
22.3.35	Upper part possesses a unique pattern that could be intended to mimic a type of plant, consisting of a single white dot in the centre with six triangular shapes surrounding it, each with a white spot upon them, and a white line on each of their ends; both above and below this pattern are two straight lines, brown of colour. At the bottom is another unique pattern consisting of three white dots above what could be a type of pot drawing, with several straight lines upon it. Both these unique decorations are likely part of a larger pattern upon the original artefact's exterior.
22.3.36	The exterior possesses several images of what appear to be flower like decorations, consisting of a large white spot with eight slightly smaller white dots scattered around them. These flowers are in alignment and stretch across the middle section of the object. Beneath these flowers are a series of smaller dots that form a line stretching from one side of the artefact to the other. The interior of the object possesses countless lines connecting one part of the pot to the other, and vary in shades of brown.
22.3.37	Around the middle there is a painting of what appears to be a sort of vine, with numerous flowers pods protruding out of it, and several other flowers that have blossomed. At the bottom there is a small part of what appears to be from a larger pattern upon the original artefact. The exterior of object in which the paintings are upon is itself painted black.
22.3.4	Glaze fired partly to red and partly to greyish-black. Inside is reserved. Two high, curved handles black on top and reserved below. Under handles are crosses between pairs of vertical lines. On each side are four palmettes standing on four larger, inverted palmettes all joined with a chian and half a palmette at each end. In some areas are groups of very short incised vertical grooves. Below pattern are three bands and then black (faded to red) to foot and including top and side of foot. Resting surface is reserved as is base.
22.3.41	Painted exterior decoration in dark brown and dark red on a cream ground. Below a broad brown band is a red band, between two white lines, and then another brown band. The lower body is decorated with a series of vertical brown lines, between pairs of red and brown bands, all between two curvilinear patterns each comprised of two concentric circles around a single dot. This entire motif is enclosed in a lens-shaped space, between dark brown patches, underlined by more red bands between white lines. The flat bottom is decorated with a curvilinear diamond crossing a cross, both in dark brown, inscribed in a dark brown circle.
22.3.6	Black inside and out. Two superimposed red lines just below level of handles. Painted black on the outside and inside is left reserved. Just above foot is left resereved with black vertical lines serving as rays. Outer foot ring is black, as is resting surface. Base is red with two bands in centre.
22.3.7	Stamped in the centre is a single palmette, surrounded by ring of eight palmettes at irregular intervals, outside an incised circle, and beyond that a similar ring of sixteen palmettes outside another incised cirlcle. Foot ring is black inside and out as is resting surface. Base is flat and ruddled with central black dot.
22.9.1	Black lines decorate the body in geometric patterns. Front, from bottom to top: vertical rays, two horizontal bands, 7 vertical rays; two horizontal bands; 6 vertical zigzags; 2 horizontal bands; 12 or 13 short rays; one horizontal band (across maximum width, where 'arms' are extended); necklace consisting of horizontal band with pendant (disk with line extending from bottom). Head decoration is limited to wavy hair (5 vertical zigzags all around), 7 rays on the polos, 3 horizontal bands on the coil; and two eyes, on either side of the 'nose'. Otherwise reserved.
22.9.16	Fragment is decorated with a series of stripes. Stripes are not uniform in size, all vary in thickness.
22.9.19	Decorated with a series of light brown/orange stripes. All stripes vary in thickness.
22.9.7	Black, mostly fired to orange-red, on buff ground. Possible added colour (white?) in groups of stripes. Mouth: broad band between two narrow bands. On the exterior of the mouth, band; shoulder: tongues. Body: three bands at top; deep painted zone divided vertically by incised lines (two parallel) dissecting into segments; four bands below. Base reserved. The exterior of the ring foot painted.
22.9.8	Horse and rider - man (?monkey). Solid. Clay pinkish, decorated in black stripes, both vertical and horizontal on horse. Man has a band round waist, arms and back. The top of his head is black.
23.11.31B	Warrior shown in profile to the left, holidng a shield, spear, and helmet. Prominent, wide lege emerge from beneath the shield.
23.11.31J	It is unclear which side is meant to be the front and whether the figure is intened to be in profile. The shield has an ornate bike spokes pattern. Lead is off-colour brown-grey.
23.4.1	Black inside, with 8 ivy leaves reserved on rim joined by a stem and with groups of white berries. At the base of the inside is a stamped pattern of 5 linked palmettes around a horse shoe pattern with ovules inside, and there are ovules around the outside between bands. Side A is a youth with discus and athlete holding aryballos and side B is an athlete and youth with a discus hanging on the wall. Below each handle is a group of three palmettes. Moulded ridge above foot, which is black all over. Base is reserved in centre with three black bands, two broad and one narrow.
25.4.2	Black and red on creamy buff. Main zone flying birds in panels between chevron-panels. Red for middle band of three above main zone, and vertical lines of herringbone panels, and mid band below main zone. Bands on handles. On the inside are three thick black bands interspersed with reserved bands and a reserved circle in the middle.
25.6.2	Black on the inside except for a reserved disk in the centre approx 6.0 cm diam. Small handles moving straight out from side, black underneath but reserved on top. On the main zone; A and B. Man leaning on stick listens to a seated lyre player. Handle palmette behind musician has lotus attached to it on left. Between listener and other handle palmette a tall thin lotus bud. Beneath each handle is a small clover leaf. Beneath the main zone is a black disk leading down the stem to the foot. The rim and base of the foot are reserved except for a black band on the base.
25.6.3	Top of neck, back on handle, base of body, top of foot and edge of lower step of foot all black but have a streaky glaze. Rim of mouth reserved. Shoulder design is two rows of bars, the first shorter than the second. Body from top to bottom is three rows of black dots separated by lines. Symposium: Man reclining, woman lyre-player seated at foot of couch. At each side, woman on animal (perhaps mule [looks like llama]). Incised detail on drapery (black robes) and on lyre. Below are reserved bands on black glaze. Foot black on top and on lower edge, reserved in the middle. Base reserved.
25.8.2	Paint fired red. The rim of the bowl is red. Inside has an eight pointed cross whose spokes reach from the rim to the base. Outside has a red band around rim and a main design of seven long-necked birds facing right with dot rosettes in the field. On bottom is an uneven, eight-spoked wheel with two holes pierced in bottom, one opposite the other.
25.8.4	On top of mouth is a daisy pattern and there is one band on the side. In upper animal zone, ram facing lion (?) with head turned back. In lower, hare between two dogs. Centred circles in field. Bottom daisy pattern round small sunk centre. Zones separated by thin parallel bands.
25.8.6	Lip inside and outside black. Shoulder: five lotus buds separated by spots, body- probably a runner facing left between youthfull onlookers; the figures in the center and on the left completely repainted. Below, thick black band. Rim of foot missing, but remainder is reserved.
25.9.1	Inside is black with a reserved band below where mouth begins to flare. The mouth is wide and flares outwards. On the exterior surface at the top is a patterned band of two rows of 'cccc' shapes, one row above the other. Two handles, one each side are black and it is hard to distinguish what is on the body behind the handle (maybe a panel with dots?). On side A, Eros flies towards a woman who retreats towards youth seated naked on a folding garment and holding alabastron. Side B shows 2 youths, clothed, the one on the right holding a stick. Brown for feathers at top of Eros' wing. White garland, neckless, bracelet of woman and fillet held by Eros. Below them is a reserved panle with egg shapes with dits in between. Stem and top of foot black, reserved band at top of foot. Base reserved.
25.9.3	The vessel bears impressed (stamped) decoration and is black inside, as well as outside. There is a rope-shaped plastic motif above the shoulder of the vessel and the body is ribbed (long, tongue-shaped motives). Below the handle there are ten impressed palmettes (voluted with narrow divisions), arranged in an inverted triangle. The resting surface bears traces of a red line, its shallow inner side bears a black band, the central part is red and there is a black circle with a dot at the centre.
25.9.4	Body, shoulder and neck white ground. Cup mouth is black. Handle black on the back and cream ground underneath. On shoulder are two rows of radiating bars. Body design is an ivy-spray, with circles of dots and heart shaped leaves, between bands of grille pattern, at front only and all in black. Three wet-incised lines below. Side and base of foot heavily ruddled. Footring reserved.
26.12.10	Inside black with reserved line at top. Two handles are balck on top but reserved underneath. Outer surface top to bottom, black band on offset rim, ivy leaves, black line, inverted ivy leaves, black band, thin band, main design, three black bands, alternating red and black tongues, red ridge, black foot. Main design is similar both sides and shows a wedded pair in chariot with many onlookers or attendants of both genders. On far side of chariot is a bearded man between two women. Onlookers appear to be mostly in pairs. Women originally had white painted flesh. Clothing detail is incised. Foot is black on top but lowest point of side is reserved. Inner foot ring is black and base is reserved except for a black band in the centre.
26.12.11	Inside black with reserved line round lip and reserved disk with one black circle in the bottom. Handle is black on top and reserved underneath. Outer surface, from top to bottom has black band, ivy leaves, black band, inverted ivy leaves, two black bands, main design, three black bands, broad black band, three narrow bands, red and black alternating bars, black band, red ridge, black foot. The main design is similar both sides of Amazons fleeing a quadriga (four horse chariot). Four sphinxes, facing handles, one each side. Horses are black with detail in red and white. Lower part of side of foot reserved, as is resting surface. Inner foot ring black with base reserved except for a central dot and two rings in black.
26.12.12	Inside is black with reserved line at lip. The rim isblack on the outside. The object is reserved apart from the design of two boxers between two seated men who are facing them. On each side of the scene are the tips of the wings of sphinxes, who were presumably facing the handles. Red is used for hair and folds in garments. Detail is incised.
26.12.13	Lip, handle, neck and back of body all black. Reserved panel in front with main design and two sets of parallel, vertical black lines either side of a double row of dots. Horizontal row of tongues at top. Main design of Amazon on horseback with pelta (shield) and two spears, wearing helmet. At the bottom of the panel, running all the way around is a painted red line, now hardly visible. Foot is black on top and side but reserved on resting surface and underside.
26.12.14	Lip, handle, neck and back of body all black. Horizontal row of nine tongues at top, just below neck, above main, reserved panel, with two parallel, vertical black lines either side of panel (shields ?). Main design of warrior facing right, with helmet, shield, and spear. Ivy leaves on stems in field. Foot is black on top and side, but reserved on resting surface.
26.12.15	Inside is black with a reserved line halfway down rim and a reserved centre circle with a black band and a central dot. The rim is vertical and offset slightly. Two handles are black all over. Outside design, from top to bottom is, black rim, lotus bud and dots linked with chain, black band with narrower bands either side, alternating buds and dots slighlty diagonal, black band with narrower bands either side, rays. At top is a red ridge that then leads to a ribbed and reserved stem. The lower half is black as is the top of the foot and the side. The foot has a thicker ridge around the edge resulting in a channel effect going all the way around it. The resting surface and conical base are reserved apart from the inner ring of the foot which is black.
26.12.16	Probably Kleinmeister type. Forepart of horse?, woman to right in mantle decorated with purple, white and incisions, facing man to left in black mantle. Lower part only of figures preserved. Below a black band. Interior is black.
26.12.17	Inside is black except for a reserved rim and a medallion at the center with a dancing woman inside and with bands around the edge. Two handles, black on top and reserved underneath. Side A is a charioteer mounting quadriga, beside horses is a lyre player and at handles is a satyr pursuing woman. Side B is similar, but woman and satyr have changed places. Dots and branches with dots along in the field. Under each handle is a single ivy leaf. Black band, then black stem to foot. Top of foot is black but side is reserved as is the base which is flat except for a central concave black circle.
26.12.18	Inside is black with reserved rim and central medallion outlined with bands and has a picture of a man with a staff. Figures in black with incised detail. Two handles, one on each side, are black on the top and reserved underneath. Below each handle is a single ivy leaf. The outer surface has a similar picture both sides of a satyr attacking a maenad between two palmettes. Branches with fruit in the field.
26.12.19	Handle black on outside and reserved underneath. Shoulder: rays and long, thin lotus buds; black band at join with body. Top of bod: two rows black dots bordered by smaller white dots. Body: ram in cauldron set on tripod over a fire, flanked by two females holding wreaths on either side. Below is a broad black band with a thin band between reserved bands either side. Lower step of foot black; base reserved. This is probably the scene in which Medea tricked the daughters of Peleus: she killed an old ram, cut up its body and threw it in a boiling cauldron. Medea, a sorceress, restored the ram's life and made it young. Whereupon Pelias' daughters kill Pelias and toss his body into the cauldron. Medea did not, however, restore Pelias' life and was driven out of Iolcus.
26.12.23	Outside, a dozen daubs of paint irregularly placed. Inside, uneven band round rim and black daub in centre.
26.12.24A-B	Lid: The knob of the handle is flat and circular, the top of which is black, with a small reserved well in the centre. The rim and a band below it is reserved, but the rest of the stem and a thick band surrounding it is black. A reserved zone on the upper surface depicts six palmettes, with an ivy flower after each three. The outer rim of the lid is also black, as is the inside. Lekanis: The resting surface for the lid is black. The two horizontal handles are decorated around the edge with vertical bars. On either side of each handle is a small protrusion, with a black line on each side. The walls, in the handle zone, are decorated with vertical wavy lines. The lower part of the body is black, as is in the interior. The base of the ring foot is reserved.
26.12.26	The vessel bears an uneven black glaze, but it is partly fired red. There is a wide groove at the rim and two more at the upper part of the neck, from which seem to be hanging seven, double, semi-circular, white lines, each one flanked by vertical ones. There are also two grooves that contour the upper part of the vessel's shoulder. The latter bears decoration in white, of a branch with double-leaved (teardropped) motives. There is one last groove below that pattern.
26.12.28	Clay pale buff. Decoration streaky brownish-black, in parts fired to red. On shoulder, two wave bands between two straight. Rest of vase black. Bars across handle, black line round lip. Side of foot and bottom reserved.
26.12.2A-B	Two handles, round with projections. Base has concave sides. Red band on rim. In handle zone are black zigzags, on body black and red bands. Flat base reserved. Inside is a black band below rim and then a black band in the base. Lid: Central circular knob with bands on top and down lid itself; rim set back to allow the lid to sit in pyxis.
26.12.3	Handle with hole for suspension. On top of mouth are three concentric circles. On side is a band. Neck has daisy petal pattern. Body: bands above and below the main design of a man attacking a lion. At back large black circle with black centre. In field rosettes with incisions intersecting at centre and dots. Added red for decoration. Many bands on base.
26.12.32	Pale clay; greyish glaze, uneven reserved patches between handles (at join with body), inside of handles also reserved, reserved band above footring (possibly unintentional). Footring black with narrow reserved resting surface. Base reserved with large black disk in centre.
26.12.4	Top of mouth, bands; side, dots. On shoulder, daisy pattern. Between bands, two above and four below, four komasts in red chitons. Rosettes and dots in field. Bottom, large cetral spot and one thick circle.
26.12.5	On top of mouth, very broad band between two thin ones and a band on the side. Shoulder design is radiating lines with a band below, double row of dots, another band. Body: Lotus-palmette design (with traces of red/purple) flanked by two ducks whose tails overlap. Rosettes, one with double incised circle at centre, others with cross incisions in field. Below design are bands. Foot is black and base has three bands.
26.12.7	Lip decorated with black vertical lines. Interior: Three concentric bands of red, each approximately 1.3 wide. There are three narrower concentric red bands at centre. Four small, round handles, arranged symetricaly, are decorated with the same vertical lines as on the rim. The body is decorated on with three bands: (1) vertical lines in red; (2) triangles filled in with cross-hatching alternating with small loops, each made up of three concentric semi-circles around a dot; (3) triangles inscribed with smaller triangles. Each band of decoration is separated by a triglyph compased of two thin red bands on either side of a thicker red band. There is a thicker red band towards the bottom of the foot. The edge of the foot is decorated with red vertical lines. Inside the flat resting surface are two concentric red bands.
26.12.8	Handle has black glaze on the outside. Shoulder: broad band at base of neck. Between two dolphins a crossed rosette with white dots round edge. White also for line at back of head of dolphins. Body: two panthers facing, necks red. Three shapeless blobs in field. Below main zone, thick black band onto top of foot. Resting surface of foot reserved.
26.12.9	Lip black. Exterior of handle balck and interior reserved. Shoulder: broad band at base of neck, from which hang bars with a white dot at bottom of each. Body: six ivy leaves above six lotuses, buds alternating with flowers with white outer petals painted directly on the clay. Remander of the body and the foot in black. Resting surface and base reserved.
26.2.10	interior glazed black; exterior: from top: part of black lip band; black-figure decoration consisting of lotus flower with added red at end of long wavy stalk emerging from handle root; glazed zone with band in added white;
26.2.100	interior black; exterior black with garland of leaves around neck in added white and yellow; below at right, part of undetermined pendent motif in added white; below modelled junction of neck and shoulder, traces of undetermined decoration in added white.
26.2.11	pale slip; interior: black with red band lined in white; exterior: top of rim glazed; pinwheel rosette preserved in zone below;
26.2.15	black band over top of lip; interior: reserved band at top of lip, rest of interior glazed black (fired brown in places); exterior: lip and handle zone reserved with broad band between; glazed on wall below and at handle root;
26.2.16	interior: concentric wide and narrow glazed (fired red) bands; exterior: glazed (fired reddish in places); reserved underside of bowl with inscription.
26.2.18	In the top zone, oblique palmette, wild goat to right with head turned back (only tip of beard preserved), added red on black and haunch, reserved line on belly, in field dot rosette, crossed dumb-bell ornament, dotted double spiral; black zone with bands white-red-white superimposed; rays (tip of one preserved). Inside black with a reserved band a little below rim and two groups of bands, white-red-white, roughly on a level with the top and bottom of the broad black band outside.
26.2.19	pale slip; interior: reserved at top of rim; black below, with band in added red lined in white; exterior: frieze of vertical black bars with added red at rim; below, black band above black-figure animal frieze: at left, part of lion or sphinx (rump and tail remaining) to left; on the right, part of large palmette with added red; dashes, star, and dots as filling ornament.
26.2.2	interior: glazed black; exterior: part of interlaced stems of lotus chain decoration in handle zone; below, series of narrow and wide bands, mostly painted black but three in added red;
26.2.20	white slip; interior: black with added red band lined in white; exterior: black-figure decoration consisting of lion with added red on neck and belly (head, legs, and part of tail missing) to left; pinwheel rosette, dots, and dashes as filling ornament.
26.2.21	white slip; interior: black; exterior: at left, a part of springing goat (only underbelly remaining) to left; decorative motif consisting of half pin-wheel rosette and part of one spoked rosette and a cross as filling ornament; below, frieze of dots between two wide black bands with added red band lined in white.
26.2.22	white slip; interior black with added red band lined in white; exterior: black-figure decoration consisting of feline (hind claw, belly, and right forleg joint remaining) to right; half pinwheel rosette and one splinter rosette as filling ornament; below, maeander frieze between wide black bands; at bottom of sherd, tips of possible tongues or dot frieze. Rough drill hole.
26.2.23	white slip; interior glazed black with part of three bands in added white; exterior: black maeander pattern above two wide black bands;
26.2.24A-B	Interlaced black lotuses and palmettes with details in red and incision, bordered above and below by two lines of thinned black less than a half centimeter apart, on yellowish buff ground. Underneith the second red line on the bottom there are three .1 width lines, with the bottom line bleeding into a broad black zone which contains two 2 thin .5 width red bands .5 apart from each other, the first starting immediately under the last of the three small black lines, while everything underneith and between the red lines is black. Inside black.
26.2.25	pale slip; interior black with added red band lined in white; exterior: narrow metopal frieze of crosses, diagonal dashes and squares between two wide red-fired zones.
26.2.26	pale slip; wide black band with added red line on top of rim; interior: set of petals in black and added red ; to the centre, two wide black bands, each with band in added red lined in white; exterior: four blackbands;
26.2.27	pale slip; interior: black band on short up-turned rim, extending slightly inside; on floor, from outside, key maeander frieze; black band with added red band lined in white; large black dot rosette; further similar band; exterior: accidental black line extending from rim; four narrow black bands and wide band;
26.2.28	Brownish buff ground. The underside has three evenly sized and spaced bands. The parts between are reserved. The topside has red band around rim, with bands of white-red-white on black below with a meander pattern in red followed by another set of red and white bands on black. There are the tips of tongues at the fracture coloured black and red.
26.2.30	Outside, a band below the rim, three lower down, faded black on greyish-buff clay. Inside, on a thin pale slip, large dots on the flat rim, a broad black band with thinner bands of red (and white?) superimposed, and what might be the top of a horse's head to left, showing the beginning of the eye on the extreme left, the ear in the centre, and the main impinging on the framing broad band.
26.2.34	pale slip; interior: frieze framed by bands with added red bands lined in white; three concentric circles with central dot, flanked to left by triple horizontal lines with petals either side, part of frieze; exterior: three black bands.
26.2.35	No finished edges. The underside has broad streaky black bands on pale buff slip with slightly raised moulding that must have encircled top of stem with a thin and feint band around it. Inside the dish, on pale buff slip, from top to bottom is the lower part of animal zone showing two hooved feet and grass. Below is a red zigzag between two white-red-white on black bands. Below and in centre of dish (now missing) is a rosette made of leaves with dots and spokes bewteen.
26.2.36	No finished edges. The underside is reserved but there is a small trace of a band in the lowest corner. The topside has possible traces of creamy slip. In the centre are six red on black alternating tongues and these are between two stalked and dotted rosettes. Above is the remains of a band with superimposed white and red on black and a similar band is below.
26.2.37	Underside has two red (for black) bands on creamy slipped ground, framed by foot-ring in brownish black. Upper side, on same ground, slight remains of figured zone with incisions, broad band with white-red-white on black, key pattern, broad band with slight raised moulding on inner circumference.
26.2.38	Glaze fired brown; pale slip; interior: from outside, part undetermined black fire decoration; black band; maeander frieze between two wide black bands with added red bands lined in white; exterior: ring foot glazed; on underside, two narrow bands.
26.2.40	Underside, black, turning to red within the double foot-ring; resting surface reserved. Upper side, winged feline (with incisions and applied red markings in the shape of inverted commas on soulder and down foreleg) to right with left paw raised above what may be the tail of a sitting bird or siren, red and incisions on field ornaments. Cream slip. Bands of red and white superimposed on black.
26.2.45	pale slip; exterior: from top, frieze of short tongues; below, part of large palmette and tendril decoration with part of spoked rosette and small crosses as filling ornament; below, three bands (one black, one in added white and one in added red)
26.2.46	pale slip; exterior: from top, part of frieze of tongues; below from left, black-figure decoration consisting of possibly part of a wing with added red; to right, part of large palmette with pinwheel and dot rosettes and dashes as filling ornament; below, black band with superimposed band in added white;
26.2.47	glaze fired orange-brown; pale slip; from top, black figure decoration, possibly a duck; maeander frieze between wide bands with traces of bands in added white and red; glazed area;
26.2.48	pale slip; exterior, from top: frieze with black-figure decoration consisting of breast and right foreleg of crounching feline to right; on right, possible blob rosette as filling ornament; below, wide black band with traces of bands in added white and red; below, animal procession to left in silhouette style (rump, tail, and part of hind legs of possible goat remaining); part two rosettes and dashes as filling ornament.
26.2.50	white slip; exterior: below shoulder and neck join, frieze of tongues with added red; black zone at right below handle; below, wide black band with band in added white; frieze below in black-figure consisting of feline to left (part of back, rump, left hind leg and right hind thigh and tail remaining); dots and incised splinter rosettes as filling ornament; below, part of wide black band with bands in added white and red;
26.2.51	pale slip; exterior, from top: traces of undetermined decoration; band with added red and white lines; black-figure frieze of sphinxes (one with face and forelegs missing, and face, chest and forelegs of second remaining) to left; splinter rosettes and dots as filling ornament; below, second band, then frieze with animal procession in silhouette style consisting of goat grazing to left (horn, shoulders and back remaining); short vertical bars, dot, and maeander cross as filling ornament;
26.2.56	white slip; interior: black at top with traces of two narrow bands in added white; on top of rim, maeander frieze; on edge of rim, short vertical bars; exterior: neck glazed; below ridge at shoulder and neck join frieze of short vertical tongues above black-figure frieze consisting of winged creature (only tip of wing remaining) to left; part of incised splinter rosette as filling ornament;
26.2.59	white slip; interior: reserved band at rim, glazed streaky black below; below, part of floral pattern in added white; exterior: below rim, Z band between pairs of bands; dipinto inscription on exterior.
26.2.6	Interior: black with added white and red bands; exterior: top of lip black; one dotted rosette preserved in lip zone, above wide black (fired red) band; outside of handle black;
26.2.60	pale slip; interior: reserved band at rim, glazed streaky black below, with lotus flower in added white and added red; exterior: band of short diagonal strokes between black (fired brown) band; below, top of undetermined motif.
26.2.61	white slip; interior: reserved band at rim, glazed streaky black below with part of lotus flower in added white and added red; top of lip glazed; exterior reserved;
26.2.62	white slip; interior: glazed streaky black (fired yellowish brown) with traces of single band in added white; exterior: painted decoration consisting of seated sphinx (part of belly and hind leg remaining), to left; below, pair of narrow glaze (fired brown) bands; below, in handle zone doble saw-edged metope pattern; at right, group of five vertical strokes; part of ancient repair hole on right edge of sherd.
26.2.63	exterior: group of vertical strokes in handle zone; at bottom of sherd, traces of black band.
26.2.65	yellowish white slip; interior: glazed black; near top of sherd, part of lotus flower in added white; below, part of two narrow white bands; exterior reserved.
26.2.67	white slip; interior glazed (fired greenish brown) with band in added red framed by added white lines; similar banding below, around floor motif of tongues interspersed with red dots, around white rings (centre lost); exterior: alternating bands in black and red.
26.2.69	pale slip; interior: glazed vlack with part of two bands in added white above part of rosette with red and white petals; exterior reserved.;
26.2.7	pale slip; interior black with band in added red, lined in white; top of rim black; exterior: left and bit of right eye with triangular brow;
26.2.70	white slip; interior: reserved band at rim, glazed black below; band of added white dots above frieze of petals in black and red lined in white; exterior reserved with one probably unintentional unslipped band.
26.2.71	whitish yellow slip; interior: reserved band at rim, glazed black below; dot frieze in added white between pairs of white lines; below, part of lotus bud in white and red; exterior: dot frieze (fired brown) at rim between narrow bands.
26.2.72	Clay the usual grey, but the white ground of the outside is more stony and less milky than normal. Outside, back hair in three tresses and a spiral curl and part of wing of sphinx. Inside streaky black with one band of better preserved black due to disappearance of superimposed red or white.
26.2.73	white slip; interior glazed streaky black with wide band in added red lined in white below rim; below, band in white above one in red; top of rim glazed; exterior: frieze of vertical black strokes at rim, some in added red; below, two narrow black bands; below, from left, part of possibly dot rosette; vertical band of dots between narrow vertical bands; painted decoration consisting of part of pendent lotus bud and part of lotus flower petal; dot rosette as filling ornament;
26.2.74-75	Part of both panels preserved together with handle zone; at top of shoulder, frieze of tongues in black and red between narrow black bands; below part of panel with red object, part of Nereus's tail fin, overlapping handle zone.
26.2.76	exterior: frieze of vertical tongues painted in black and in added red; below, black-figure decoration consisting of Herakles (top of head remaining) to left;
26.2.77	exterior: from left, painted black handle zone; two vertical tongues, one in black and one in added red and part of another red tongue.
26.2.78	interior: neck painted black, reserved below; exterior: black (fired red) on neck; narrow band in added red at turn to shoulder; four framed tongues preserved of frieze above panel below; handle zone to right painted;
26.2.8	Buff Slip, inside in centre, a six-rayed star, red for black.
26.2.80	dull black paint inside; traces of band in added white; frieze of tongues with incised outline on top of rim, alternating black, added white, and added red; second similar frieze on shoulder.
26.2.81	interior: glazed at least at top (worn); exterior: glazed with frieze of tongues, alternating added white, black, and added red; below, lines in added white and red;
26.2.84	exterior: bands in black and added red above and below triple ridge handle; painted black on upper portion of handle.
26.2.85	exterior: black-figure decoration consisting of animal (one hind leg of goat or deer remaining) to right; incised blob and splinter rosettes as filling ornament; below, band in added red and black band;
26.2.92	pale red slip; interior glazed black; exterior: black-figure decoration consisting of animal frieze to left (hindlegs and part of belly of one deer or horse and legs and feet of winged creature); below, wide painted black band with added red band lined in white; cruciform rosette as filling ornament.
26.2.95	interior glazed black; exterior: black-figure decoration consisting of possible warrior scene (left thigh and right leg of warrior lunging to left; one hind leg and part of hoof from foreleg of horse in the foreground, to right).
26.2.96	exterior: black-figure decoration consisting of shield with octopus blazon at centre in added white; edge of shield in added red;
26.4.1A-B	Lid are palmettes and tendrils, three ridges painted black and bars to edge which is slightly raised. Underside is black around edge and reserved in the centre. Body is black inside and on outer rim. Design on sides comprised of alternating palmettes and lotuses (three of each) joined by tendrils. Below is a broad black band, ridge with red either sid eand rays. Inset tripod foot which is black at top and red on outside but black inside feet. Base ruddled
26.4.2	The rim on the outside has a thick black band round it, which stops at the top of the handles. On both sides of the handle, the same images are repeated, showing the figure of a bird in between two palmettes with stems ending in a curling ventril with a pendant pointing down towards the foot. Beneath each handle is an ivy leaf with a curled stem. Below these images, is a thin black band, and then a thick one that also encompasses the top side of the foot. The edge of the foot is grooved and reserved, as is the outer rim of the base of the foot. On the base of the foot, there is a well approx 3.8cm wide and 1.5cm deep. The inside of this well and a rim around the edge is fired black, but is mostly red. The inside of the Kylix shows a thin black band that has been extended from the outside. Then there is a thin reserved band, the rest of the inside entirely glazed, except for a small reserved circle in the centre.
26.4.4	The rim of the mouth has a thin redish band round it, below is reserved, and then there is another thin reddish band. The handles begin just below this band, but rise above the mouth of the pot. The outside of the handles are black, the inside reserved. On either side of each handle are small blunt spurs (four in total). The main zone of the body is decorated, on either side, with lotuses between palmettes. Between the spurs and the handles are ivy leaves (three with stems, one without). Beneath each handle, there is a palmette. Below the main zone are three red bands, a thin one on either side of a thick one. There is then a reserved space, before another thin band, below which is a thick one. The molded foot has reserved ridges on either side of a reddish-black one. The base of the foot is also reserved. The inside of the pot is red.
26.4.5	On the flat top of the knob, there is a 16 rayed astar in black. On the stem of the lid, are four seperate bands. On the lid, there is an ivy wreath with a faint red stem running through the middle, in between two thin black bands. Outside this, there is a band of leaves and then a plain outer band that reaches the rim. The underneath of the lid is reserved and has a ridge about 1.5cm in.
26.5.1	Inside black apart from a reserved band around rim and disk in bottom. The Handles are black on top and reserved underneath. Both sides are the same, with a bird (duck/swan) on each side between palmette with curling stem. Under one handle is an ivy leaf on a stem. Below are bands. Red band around top of foot.
26.5.2	Inside is reserved except for two bands in centre. On top is a double row of black dots between red lines. Below are three black bands. Turned in rim is black on inside. Foot ring is black. On bottom is a central dot and two circles. Black but largely fired red. Handle is reserved.
26.7.1	Handles have a mixed pattern of horizontal lines at the top and bottom with vertical lines in the middle with the underneath reserved. Inside is almost ribbed in texture and painted black/brown with convex circle at centre. Outside is reserved apart from pattern which is similar both sides. Central design is a four-spoked wheel within two circles flanked by two horizontal patterns of crossed lines and three vertical lines. Below is two bands then brown almost to bottom except for a thin reserved band at base. Underneath is flat and reserved.
26.7.10	Woman in cloak, playing tympanum(beathing rympareum(?)). Head missing. Clay brownish-pink. White slip. Hollow, and oval hole in back.
26.7.15	On main zone, both A and B show a spray of leaves in applied white. There is a long stem leading down to the foot, the base of which has a thin wash of glaze on it.
26.7.2	The interior of the vessel is streaky black (uneven) except for the tondo (reddish brown), that depicts a (shadow of a) man, in a short chiton, facing right and advancing. He is holding a (thorny) club with his right hand and his himation with the left one (using it as a shield?), while his sword is visible at his right side. Exterior: The lip bears a thin, black line. The surface of the body is reserved (up to the point where the scene ends) but bears decoration in black. The scene is repeated on both sides; the myth of Heracles and the Bull. Herakles has captured the Bull from the head. Hanging in the background (above them) there are Herakles' club, cloak and quiver. The scene is flanked (left and right) by fan-shaped palmettes (voluted at the bottom with long, narrow divisions). The lower part of the handles' external surface is black and under either of them there is an ivy leaf (heart-shaped). Below the scene, there is a streaky black line and, after a reserved, thin band, the vessel is (streaky) black up to the end of the foot, whose side surface is reserved, though. The base is reserved but bears a red thin band at the center of the resting surface. No incisions or added colour have been used.
26.7.3	Covered in white slip with traces of red on right arm and polos.
26.7.4	Top of mouth one thick and four thin bands. Dots appear on side. Four horizontal lines appear on the handle. Daisy pattern on shoulder and below that three bands. Three warriors marching right in snowstorm, spears sloping forwards. Shield of central warrior blazoned with flying bird, other two divided vertically, one half red and the other brown. All figures and shields are incised. Six bands down to base.
26.7.5	On top of mouth are four equal width bands and on the side are dots. Horizontal bands appear on the handle. Daisy pattern on shoulder. Three warriors marching right in snowstorm; spears sloping forwards. Shields divided vertically by three incised lines; some added red paint. Below, three narrow bands, three wider and small inverted base. Large area left plain in the 'white style'.
26.8.2	Top of mouth broad band between two pairs of lines with two bands on side. Grazing goat to right, body framed in dots. Added red on hindquarters. Field rosettes with incised circle at centre. Below goat three bands with the middle one broader. Behind goat is a heart shape within a circle. Large area left blank in the 'white style' on opposite face to goat. On base is three bands with a dot in the centre.
26.8.3	Mouth black inside and out with a reserved rim. Shoulder bars at base of neck, lower buds which have almost degenerated into rays. At top of body is a debased checker board in three rows. Main design is of Athena attacking a giant who is beaten to his knees, between trees. Below are reserved bands and rest of body is black. Top of foot is black as is lower step. Base has traces of black paint.
27.10.1	Reddish-brown on pale buff ground. On shoulder, five groups of concentric arcs, three based on outer circumference, one sideways, one base towards neck. Eight black narrow band are nestled between two broad black bands. The pattern repeats itself on the body and base three times, with a variation after the first group where there are three reddish-brown narrow bands in the buff area. The base is buff, with an overlap of a broad black band.
27.3.10	On shoulder two dogs running to left. On body, below four lines, three dogs running to right, then four lines and three bands. Base reserved; well-marked foot-ring and protrusion in the center.
27.3.2	Pale cream ground, paint brownish-black. In handle zone vertical bars, rest horizontal bands. Inside brown for black.
27.3.3	Fine thin fabric of pinkish-buff ground. Inside is purple/black with traces of red bands. Rim flares out and on it is a black band with two thin red bands. Below this are vertical bars in two groups, some longer. One broad black band then three narrow red bands. Five pronged triangular lines radiating from base. Two bands on foot and three on base.
27.3.6	On rim, four concentric circles. On handle, three horizontal bars (bottom two somewhat slanted). On shoulder three dot rosettes comprised of seven dots each. From top to bottom; two lines, three rows of dots, twelve lines, and finally a band of six rays. The base is only slightly concave, with a slight protrusion in the middle, and is circumscribed with two black bands.
27.3.8	On lip, rays. On handle, two horizontal bands. Shoulder decoration consists of a repeated inverted comma pattern. On body a line, a band, six narrow lines, and, in the main zone, two lions (with traces of a third lion between them), with rosettes between their tails. Four thick black bands, each with thin red bands superimposed. Band of five rays rising from base. Two bands around foot and base coloured black.
27.4.1	Glazed black on the interior, except for a reserved band within 0.4 cm of the top edge. Exterior black glazed except, in the handle zone, a frieze decorated on each side with a pair of eyes between 5-petalled palmettes, above another reserved band. Each palmette is joined to the corresponding handle by a tendril. Each eye consists of a white circle within a black eye shape, surmounted by a black eyebrow decorated with white dots, and above a plain black curving line that mirrors the shape of the eyebrow. Between each pair of eyes is a straight vertical band, indicative of a nose, decorated with a row of white dots. Between the handle attachments and below each handle is a set of four sloppy spots arranged in a diamond form.
27.4.11	The interior is black, but reserved at the bottom of the bowl. There is a red line around the lip. The body is decorated with figural scenes. A: Two sphinxes. B: A female figure (Artemis or 'Mistress of animals'?) between two lions (alternate stripes of white and red indicate the ribs and hindquarters of the lions). Beneath each handle stands a water bird (swan?) facing to the right. Rosettes and rows of dots in the field. Below the figural zone are two red lines, then a black band, a frieze of narrow black rays (slightly overlapping the black band above). The ring foot is black on the exterior and resting surface. The central part of the underside is decorated with a black dot at centre, surrounded by a black dircle and, farther out, a red circle. White is used on parts of the lions, necks and breasts of sphinxes and woman, and parts of the wings of birds.
27.4.12	Rim decorated with black lines/petals. Inside of bowl, there is a thick band and then two smaller circles, accentuated by thin black bands. The outer circle contains small black dots, the inner circle, a star shape made out of seven lines with a black dot in the middle. Underside of the rim, shows same line/petal motif as other side, but then there is only a thin band. Inside this is an alternating swastika and dot rosette pattern, and then another thin band. A thick black band is around the neck of the foot, the rim and base of which are not glazed. The foot has a thin black band just inside the rim.
27.4.14	Clay pale and rough. Three rough ovals on shoulder and top of body. upper part filled in with black.
27.4.6	The bowl shows linear decoration in black (fired orange-red) and (purple) red on buff. Groups of four bars on rim and inside, a thin band just underneath the lip. Large red/orange disk in centre of bowl. Outside of bowl features a pattern of wave-like pattern beginning underneath the handles, with one thin band either side. Below this, more plain bands are evident, one thick, the rest thin until the base. Foot contains one thin band right at the top, and then a thick one on the inside.
27.4.8	Interior: lion, with red and white details, in a tondo framed by a red circle. Exterior: ivy leaves with short, curling stems, separated by chevrons (above) and dot rosettes (below). Black ring foot with reserved resting surface. Underside reserved also within foot, and decorated with three concentric circles: red, black, red.
28.6.1	Handle all black, as is neck and back of body. At the front on shoulder is an inverted swirl / wave pattern, consisting of four waves. Below is the main design of an athlete (naked) with a discus standing between two clothed youths, the left of them holding a discus. Robe detail is picked out in black paint. No relief contour. There is an reserved line incised above foot. Foot is black on the top and side but the underneath is reserved and flat.
28.6.2	Mouth, handle, neck and back of body are all black. Main design is of a woman dancing, facing right and standing beside a box. Her right hand has the fingers bent in an ungainly manner. Pair of krotala hanging on wall. Reserved line beneath the picture. Foot is moulded and black on the top and reserved on the side and underneath.
28.6.5	On top, the helmeted head of Athena Parthenos in relief, very worn. Body grooved around the relief. Handle grooved and rises above body. Piece is black glazed throughout, including base. Surface pitted with a good deal of flaking of the glaze.
28.9.1	Black inside rim but reserved in body. Neck is black. Shoulder is reasonably flat and has red and black tongues above a combat scene of seven warriors. Incised white and added red detail. Two horizontal handles all black, as is back of body. Front has panel belween two rows of ivy leaves. Scene is of horses and warriors facing right. Warriors are not mounted on horses but stood behind. Below this is a panel showing a lion facing a boar between palmettes. Bands above and below this. Black band to rays at foot. Side of foot is black half way with bottom half reserved. Base reserved.
29.11.11	Female mask or protome; suspension hole in top. Clay brown, covered with white slip.
29.11.4	Inside black with reserved disk within one black circle in bottom. Reserved band at lip, just inside. Offset rim is black on outside. Two handles are black on the top and reserved underneath. Main design is similar on both sides and shows a seated man between standing women and youths, and a sphinx facing away from the group on eiach side. All the standing figures are facing the seated one: this is perhaps Zeus at the centre of the Pantheon of gods. Footring is black inside and out and the resting surface and lower third of outer edge is reserved. Base within footring is reserved and convex.
29.11.6	The vessel is divided in three horizontal zones by lines of unequal width. There are also very thin, vertical lines at the sides of and beneath the handles. A (above): A youth (servant?), making a gesture as if offering something (perhaps a branch, which extends from the servant's wrist) to a bearded, draped man (possibly Dionysos), at centre. He holds a large kantharos and leans against a rock. Behind him is another youth, who is perhaps supporting the rock. On either side of the scene there are palmettes that seem to have sprung from the handles. B (above): Similar to side A, except that the man reclines on a couch, and the vessel is offered to him by a (servant?) woman in front of him. The youth behind him looks to the left. The scene is framed vertically on both sides by a series of dots as well as the same palmettes as on side A. A-B (below): A band of palmettes, every second one inverted; two lines; a band of of tongues; reserved band. Base black, with black concentric circles on the underside. Interior: reserved band within lip. At centre, tondo decorated with the winged horse, Pegasus, advancing to the right.
29.11.7	The rim turns sharply out and has a thick black band round it, below which is a thick reserved band. The interior is mostly black with a well (approx 3.7 cm) in the centre of the dish that has a thin reserved band just outside it, and a small reserved disk in the centre. The handles are rounded at the far end, and have black tips. On the main zone; A: Curling tendril and leaf between upright palmettes. B to A, with addition of vertical wavy line between palmette on right and handle. Below is a thin coloured band, a reserved band, and then colour down to and including the stem of the foot. The edge of the foot has two ridges on it, the lower of which is black, the upper one reserved. The base of the rim is also reserved. The base of the foot slopes inwards, the walls of the slope are red, then the centre is reserved except for a thin red band and a red dot in the centre.
29.11.8	Dipped black glaze throughout, although perhaps not on the resting surface (unclear in the current state of preservation).
29.2.1	Brownish-black on pale buff ground. On top of lip groups of chevrons. in handle zone, warts ringed with dots; beside one of the handles a pattern of dots resembling grape clusters. On body, bands.
29.5.1	Black inside and out with a red rim. Handle is black on top and reserved underneath. Red line, drawn unevenly around base of neck. Shoulder has five-leaved palmette (red and black alternating) between two onlookers dressed in black but holding red objects. Body has a hoplite between two pairs of onlookers. Red for hair, folds of himatia, helmet and greaves. White for shield device which is of a leaf and spots (now faded) on palmette. Bands beneath picture, black to foot and on top of foot. Resting surface and base are reserved.
29.5.2	The outer edge of the rim has a thick black band. Below this, is the main zone and the handles. The handles finish above the height of the kylix, and are black on the outside, reserved on the inside. On the main zone: A. Nike flying with garland; B. Pegasus. Either side of each figure, are palmettes which end in a curling vendril with a pendant. Below this is a thin black band, then a reserved one. The rest of the body is black, until two thirds of the way down the edge of the foot. The lower ridge of the foot is reserved. On the base of the foot, the edge is reserved. Most of the base is black except for a thin reserved band near the ridge and two bands on the inside of the well in the foot. Except for a reserved band around the inside rim, inside the body is entirely black.
29.5.5	Outside, thirteen palmettes separated by dot rosettes above and single large dots below; coarse incised line across heart of each. In handle zone zigzags. Inside and outside foot-ring and base within foot-ring black. Top of rim black. Inside black with reserved band, then black band, than reserved circle with image of Sphinx inside it.
29.6.1	Plaster cast of the “Ludovisi Throne” (Original in Museo Nazionale Romano di Palazzo Altemps). Central panel: Aphrodite (Roman Venus) rises from the sea assisted by two Horae (Seasons) on the shore who clothe the lower part of her body.The scene probably represents the birth of the goddess. Alternative interpretations: Persephone’s return from the Hades or Hera emerging from the Kanathos waters (Hera Parthenos). Left panel: Seated naked female figure (hetaira?)wearing a sakkos (hairnet) plays the double aulos. Right panel: Seated crouched veiled woman with a pyxis in her left hand in front of an incense burner (thymiaterion)
30.11.1	On mouth, daisy pattern between two pairs of circles; cross-hatching on one edge of rim. Daisy petals on neck. Main zone: In front large lotus cross with incised outline, small field rosettes, at back large rosettes with single or double incised circles at centre. Above and below main zone, seven thin bands with double row of vertical line patterns in the middle. On the base, band of leaves and a dot in the very centre, which is indented.
30.11.2	Handles turn outwards and end in small knob where they join body. Inside from top to bottom, vertical lines in groups, circular pattern of brown with some red showing through. Sides concave and decorated with groups of straight or wavy lines in four rows between bands of two or three. Base is plain.
30.11.4	Interior surface has horizontal bands around rim and then black bands to centre . The space in between is reserved. Two horizontal handles, one on each side, are semi-circular with projections and each has a black line running along topside. On exterior surface from handles to base is a row of dots linked by lines, three black bands, leaves with lines inside, black bands, dots around shallow foot. Base is flat and has four triangles with hatching, four leaves in a cruciform shape attached to a central band and dot.
31.6.1	Inside is black with a reserved band around rim and a central reserved circle with a black band and a black dot in the centre. Two rounded handles, black on the top and reserved underneath. Offset rim, is black and a small ridge separates this from the first bands of lotus and palmettes linked by chains with dots between. Below this is a band with group of narrow bands either side. Next band has animals (panther and horse / deer / goat / boar) some standing, some sitting and some appear to be fighting. Finally there is a red band with a group of black bands either side. Final band has rays, alternately oblique and outlined. Bands then red band around top of stem and black foot on top and side. Resting surface is reserved and the base is conical with a black band around rim.
33.4.1	Four handles, three with decoration, one without. Decoration black (mostly fired red) and red (purple) on creamy-buff. Zones of pattern: vertical bars (which go up onto the rim and three handles); zigzag; dotted lozenges; triangles separated by hanging loops or dot rosettes. Red used for thin bands dividing each zone. Stem and foot have five redish/black bands round them. Rim of foot edged with small vertical lines. Foot and stem decorated with two more bands. Inside kylix, two black bands round outside, then three smaller in the middle.
33.4.2	Black, often fired to brick-red, and purple-red decoration on creamy-buff. On top of rim and handles groups of bars. Main zone, palmettes in panels (divided by vertical herring-bone bands). Stem has two bands at top, two at bottom. Inside bowl, three broad bands. Rim and base of foot reserved.
33.4.3	The mouth, neck, and handle are black, with some reddish patches. There are two reddish brown lines above the shoulder carination and two below it. The body scene depicts a naked youth in profile to the right, offering a bird (duck?) to Charon (the ferryman who conducts souls to Hades). The latter, standing on his half-moon shaped boat, wearing reddish-brown clothing and a dotted ovaloid headdress, is accepting the offer. Below, there is a reddish brown line on a reserved (but glazed) area. The rest of the vessel is black, with the exception of a red line on the upper part of the foot and its reserved (but glazed) vertical element.
34.10.1	Top of mouth four even bands, side one band. Three warriors on one side of body. On opposite side, right to left, two vertical leaves / bars, a squat cross, a large circle with dot in centre, a smaller squat cross, with incisions. Shields divided by incisions. Four bands around base with a dot in the centre.
34.10.10	Around the base of the neck is a string of tiny round impressions. Below handle are twenty-one stamped eggs arranged in an inverted triangle. Body is ribbed vertically. Moulded groove around foot. Object is black all over, although top half of body is lighter, almost brown.
34.10.18	Satyr, seated in chair. Completely hollow from bottom. Back slightly curved, traces of white slip. Front, red on white. Paper no. 22 on back.
34.10.20	Squatting youth; entirely hollow. Right leg drawn up, hand on knee, left leg bent round in front, left hand on ground. Clay deep orange. Trace of pink on body, red at back of head.
34.10.21	Standing woman with high polos. White slip with traces of red / orange. Hollow, large rectangular opening in back. No relief sculpture on reverse side.
34.10.24	Standing female (Leda), left leg slightly bent. Naked with cloak over left leg and held up behind by left hand; swan, with neck stretched upwards, held against right hip. Clay light brown. White slip, blue on cloak. Large rectangular opening in back. On the back of the base is a piece of paper with the number 140 written on it.
34.10.9	Glaze fired red except around mouth and in patches on body. Two grooves below lip. One each side of moulding at base of neck and two round top of body, with glaze rubbed off. On shoulder incised horse shoes. Below shoulder on body two groves.
34.2.1	Rim and inside black, except for reserved disk in centre. On the outside, a black band which stops at the top of the handles. Main zone shows palmettes and lotus buds standing on degenerate cable. Palmette, or degenerate lotus, of three leaves under each handle. Tall stem to the foot and band around it is black, with thin reserved band around it. Side of the foot and resting surface is reserved; on bottom of foot, broad black band. Well is also reserved.
34.8.1	Originally black inside, outside and on rim, as was handle and neck. Small ridge at base of neck. Back of lekythos is black and the design on the front is reserved and is of Nike (winged victory), flying with her hands outstretched presumably holding a wreath which is now lost. In front and below her is a swirling tendril. The detail on her clothing is drawn out in black. The foot is black on the top and reserved on the side and underneath, which is flat in the centre.
34.8.12	The vase is black, both on the inside and the outside, with the exception of few, red lines. A sloping rim allows the lid to sit over the aperture. There is a reserved line on topside of the body, a red, carved circle and a groove around. There are also two, concentric carvings, one in the middle of the body's upper surface and the other one at its side. At the level where the body is divided in two areas there is a reserved line, while another one is apparent at the point where the body is narrower, above the point where it connects with the stem. The latter is divided in two areas by two, plastic, thin, red rings. Below, there are vertical ridges, one third the way down, wider towards the upper surface of the foot, whose larger part they cover with their moulded, tongue-shaped terminations. There is also a carved circle, surrounding these terminations. The foot is grooved and reserved in places. The surface underneath is irregularly painted black, with the central part reserved.
34.8.14	Green glaze shabti, black pigment detail. There is a head-dress and the figure appears to be holding something in each hand which is depicted as a straight line going to each shoulder and meeting around the back of the neck.
34.8.3	Black mouth (despite flat reserved rim), exterior of handle, lower part of body, and top of foot. Neck reserved, as is underside of the handle. Two bands of tongues on shoulder. Body covered with firm white slip with Greek 'key' / meander to right at top of body, between two pairs of lines; single line. Side of foot reserved in groove at top.
34.8.5	Mouth black on inside and out but with a reserved rim. Neck and underside of single handle are reserved. Shoulder design is of rays and long, thin buds. Body, from top to bottom, double row of dots joined by zig-zags on white background, black bands, main design, 'key' pattern on white background, black bands and black stem. Main design is, from left to right, a chariot being driven right, a woman facing right, four horses facing right with attendant behind, seated figure facing left, holding a spear. Detail is incised and some parts are picked out in white. Foot is black on top and half the side is black, the rest reserved. The base is reserved.
34.8.6	Lip reserved. Inside is black. Single curved handle is black on top and reserved underneath. Shoulder has bars at base of neck with lotus buds at edge. Main zone of body is drawn on cream ground. Part of the way around the body is a double row of black dots. Charioteer driving four (?) horses to right at speed with a person (possibly Athena ?)running beside in the background. Below are black bands. Foot steps down twice and the lower step is black. Base is reserved and concave in the center.
35.4.2	Black on mouth and neck. Lower part of neck has vertical black lines which are thicker at the bottom. Palmette design on body with chevron heart framed in tendrils and with dots in groups of three either side of central leaf. Right and left a cluster of leaves and beyond, on either side of handle, similar cluster reversed. Beneath handle, cluster of leaves. Black band at bottom of base and foot. Base reserved.
35.4.3	The top of the rim is reserved with a black line round the edge. The outside is decorated with two vertical bars between two horizontal lines; below which there is a line of black dots. The pot slopes inwards towards the foot and shows a black band. The rim of the foot itself, also has a thin black band round it, which is repeated on the inside of the rim. In the middle of the base of the foot is a roughly drawn black circle. The inside of the pot is completely black.
35.4.5	The interior of the rim is reserved except for a black band; lip is black. A band of black vertical leaves decorates the underside of the rim. Front: the profile to the left of a woman's face, she wears a sakkos with two ringlets of hair falling in front of her ear. Back: a large palmette. Reserved circles with black dots in field on both sides. The handles are black with a red ring where they join the body. Beneath each handle is an ivy leaf. The base is black with red concentric bands.
35.5.15-19	Inside, 20b, meander border broken by cross, small piece of drapery. Outside, 19, two males in himatia facing, standing by a cushioned stool; hanging on the wall a shield and sheathed sword; 20a, tendril and corner of drapery; 21, tendril and part of himation; 22 and 23, bits of himation. No relief contour; brown for border of himation on 12 and 22, markings on seat of stool, cushion, and sword sheath.
35.5.20-22	Inside, 21, 22, meander border broken by square (rubbed and indistinct). Outside, 20, arm and part of body of woman dancing, the sleeve of her chiton pulled down over her hand; watching her a male in himation with stick, behind him a dropping lotus; 21, legs of male in himation with stick; 22, palmette. No relief contour; brown for bottom edge of himation.
35.5.23-26	Inside black with no reserved line at the rim; 27b, meander border. Outside, 17a, ivy leaf springing from handle base, foot, and lower part of himation; 28, corner of drapery, fillet hanging on wall; 29, head of male wrapped in himation, halter hanging on wal; 30, part of body of male tightly wrapped in himation. No relief contour; brown for bottom edge of himation on 27a.
35.5.27-29	(27) Interior, remnants of black background, geometric border at the bottom. Exterior, clothes of a human, possibly male to the left, with signs of another human beside the person to the right. (28) Interior is reserved, with a line around the rim. Exterior, head and shoulder of youth; tablets hanging on wall, strings in added red; also a head of another youth. (29) Interior black, with signs of a border in red at the bottom left. Exterior, pattern of swirls and leaves iin red - covers entire fragment.
35.5.34	Inside, reserved line around the rim; in a medallion framed by a key pattern broken by a chequered square, a male in himation leaning on a stick in conversation with an athlete (legs only). Outside, between palmettes an athlete with his arm resting on a pillar over which his cloak falls; on his right a man with a stick, on his left another male (face missing). Relief contour for pillar, walking sticks, and back of neck of all the figures. Hair contour reserved. Added colour, probably red, for fillet of bearded man, white for garland of the clothed figure in the medallion.
35.5.34A-Q	(a) fragment, three joins. Decoration on both sides. Band of geometric pattern above which is person's foot and bottom of leg standing to the right, wearing a hymation. On the opposite side: floral pattern to the left of bottom half of a person and to the right of this person the hand and lower body of another. (b) curved, palmette on other side black. (c) large roughened patch to the top right where possibly a handle was attached, floral pattern around this. (d) small fragment, on one side band of geometric pattern, on the opposite side floral pattern. (e) large piece, three fragments joined. Bearded man in the centre facing to the right, left arm raised and holding a long stick, right arm tucked into hymation. To the right of the man, the arm of another person and to the left a floral pattern, inside black. (f) Very similar to fragment a. three pieces joined together. On one side in centre bottom half of a person, feet and lower legs facing left and wearing a hymation, to the right floral pattern. Opposite side, band with geometric pattern. (g) On one side to left part of a hymation, to right an arm. Opposite side band with geometric pattern. (h) On one side the feet and legs of a person standing on a platform with the bottom of a stick he/she is possibly holding to the left, in the right hand corner the edge of a geometric pattern. On the opposite side the feet of someone facing to the left wearing a hymation dropping behind them, to the right of them a floral pattern. (i) Small piece of two fragments joined together. Chest of a male with right arm extending, his hymation drapped over his right arm. (j) Head of a male facing left with hymation over his shoulder and part of large palmette to his right. (k) Small frgment, part of hymation. (l) Small fragment part of hymation (m) Small fragment part of hymation. (n,o,p) small fragments with no detail.
35.5.8-9	12, part of body of male in himation to right leaning on a stick; 13, upper part of body of a figure in himation. Relief contour for stick of 12.
37.11.1	Black, partly fired to brick-red, on brownish-buff. On mouth and shoulder daisy pattern; on handle three bands of vertical zigzags. Main zone: scales, drawn with parallel incised lines with red teardrops occupying angle in alternate rows. Two bands below, then tongues. Base shows one band and a dot in the centre.
37.11.5	Black gloss covers the entire vessel, except for the underside of the foot. The gloss is not lustrous and on the exterior towards the foot is fired brownish. Inside the bottom of bowl, a brownish band caused by foot of another vase fired within it in the kiln. Inside is stamped design of four palmettes outside two concentric circles with an egg and dot pattern attached to the second one. Red paint is applied on the underside of the foot. It is decorated with a wide black band and a black dot at the centre. Between them, two thin concentric circles of almost invisible thinned glaze.
37.11.8	The decoration is executed in a colour varying from dull black to brown, on pale buff ground. Rim: Concentric circles on the upper surface and spots (tongues) on the side one (stephane). At the joining point of rim and neck there is a band and at the upper part of the neck a horizontal row of spots. Central handle: Decorated with short, thick, leaning lines. Neck: An olive wreath, the ends of which meet at the front where there is a cluster of olives (?) (dots). Shoulder: There is another horizontal row of dots immediately below neck that seem to be hanging from a line. At the join of shoulder and body, there is a broad band in the middle of two thin, concentric lines. Body: In the front, between the two handles, an olive-tree branch, framed by (left and right) a vertical motif of a row of dots, a line, two rows of larger, ovaloid dots and another line. This motif can also be found at the other side of the handles, used to frame a linear pattern (from a short line appear to be emerging three longer ones. On either side a vertical line, which leans slightly towards the motif in the middle. From the centre of this line emerges a long, wavy line. Below: there are two, concentric bands and three more that are not very obvious(?). The handles are ornamented with large dots. The foot is black, but the colour looks uneven. Interior of neck: Two concentric circles.
37.7.1	On mouth, very broad band between two thin bands. Red oval pattern around neck with three red bands below Siren with outspread wings to left; on back a duck. Rosettes in field. Incision. Black, red in places. Purple for face and most of Siren, middle, part of wings, spots on upper part of wings.
37.7.2	On mouth three bands, middle one broad; on handle horizontal bands at top and bottom. Daisy petal pattern on shoulder. with three brown bands beneath. Bearded siren with outspread wings to left. In field dots and rough rosettes, one incised with parallel lines. Back left plain in the 'white style'. Bands around foot and two on base.
37.7.3	Long horizontal handles curved and twisted and painted black higher than the rim, which is offset. All black except reserved groove on body just above foot and another in the resting surface. Inside are four stamped palmettes, off centre, in an unusually thin rouletted ring. Base is concave and black.
37.7.4	Reserved resting surface and reserved and ruddled band around outside of foot. The interior of the bowl is black with four stamped palmettes set roughly crosswise in centre with rouletted ring.
37.7.5	Black inside and on top and sides of handles. Underside of handles and the body in between is reserved. Lip on outer surface is black with a reserved groove incised below. Two handles, horizontal and one either side curve slightly upwards. Below each is an ivy leaf with three long petals below and on either side of both handles is a horizontal palmette with grapes (?) attached. Both sides have a similar design of a satyr pursuing a woman (possibly a maenad), whose flesh is white. Dot rosette on peplos of A with red tunic and skirt and satyrs tail, beard and hair. Below design is black band, separated from black foot by a reserved band. Foot has black sides, inside and out but reserved resting surface.
38.4.2	Reddish-brown on pale buff ground. The false neck is decorated predominantly in a black band, with a narrow and broad black circular band in the centre of the false neck. The underside appears to be reserved, with a single thick black line at the base on the false neck. The true neck has a faded broad back band around and overlapping the lp. There is a broad black band at the base of the neck, and also a black blob on the side facing the false neck. On the shoulder there are six groups of narrow black lines painted horizontally. There is one group of either side of the true neck, both have eight horizontal lines, the one on the left has two rings of black to either side of it. The groups of lines on the other side, if faced with the true neck at the top, have groups of 6, 7, 9. 8 horizontal lines, all with a small ring of black in between them. The shoulder is outlined with a broad ring of black. The body has four broad black lines, which have faded to a reddish brown. Adjacent are narrow red rings; four above the first band, two within the first band, two within the second band, two or three below the second band. The fourth band does not overlap the base, which is slightly concave in shape, and has the suggestion of a foot ring.
38.4.3	Black detail faded to brown on pale buff background. Interior of mouth has faded remains of a 0.6 cm thick black circular band. The rest of the interior is reserved. The lip has indications of one, possible two extremely narrow black bands around the circumference. The neck shows signs of either having a very thick black band or several narrow black bands painted closely together. On the shoulder there are two narrow bland bands, then an 1.5 cm area of cross hatching which is surrounded on both sides by a broad black band. The handles appear to have been painted in black on the top and side, and reserved underneath. The main body of the pyxis consists of two narrow brown bands separated by the reserve, then a black band, the pattern is repeated once to the base. The base itself has a black band which overlaps from the body, then two groups of concentric rings, three in the inner circle, and four in the outer circle.
38.4.6	Two holes pierced in horizontal rim for suspension. The rim is slightly lower than the top of the shoulder and is reserved. The shoulder is black, herring-bone between four bands, thick, hatched meander, herring-bone between four bands, black to bottom of cone. Inside is reserved.
38.4.7	Inside is reserved with black rim inside and with crosses on the outside. Handle has horizontal bars and crosses. On neck, grazing horse with degenerate long-legged bird between each pair of legs. From shoulder to base bands, lozenge and other ornaments in the field, flanked by vertical lines, slanting bars and horizontal zigzags. Horizontal handles, attached halfway down body, decorated with vertical bars. Lower part of base is black to foot. Base is concave and reserved.
38.4.9	Blackglaze except for white decoration and reserved base of the foot. A: grotesque bearded god with large head reclining on ground; bird perched on right hand, budding stick as sceptre in left. B. Hermes wearing petasos and short chiton leaning on stick; caduccus in field behind him. Retrograde inscription; letters shown look like W,H,I,O...
39.8.1	A. Athlete with strigil and youth, B: 2 athletes, one holding fillet, the other strigil, beneath each handle, palmette with side tendrils. Relief contour for face and neck, white fillets, surface almost disappeared from figures on B, inside 6 stamped palmettes framed in incised circles. Foot-ring black, resting surface reserved, underneath reserved with on ebroad and two fine rings in black; possibly another ring nearer the centre, where the surface has worn.
39.8.3	Inside in frame of two reserved lines, one foot of figure astride a pointed amphora seen from the side and wreathed in ivy, inscription in red, retrograde, XAIP[E]. Relief contour; relief lines for ankle, handle stem of ivy. Exterior black, with small part of reserved pattern.
39.8.4	Inside, framed by reserved line, part of male head with fillet tied in bow over forehead, hair contour reserved, curls: black relief dots on black ground, fillet red.
39.9.1	Short narrow neck of jug is glazed black. Handle begins at top of neck and carries on to top of the body. The part of the jug joining the neck and the body, has a palmette design on it, in a circle. This circle is broken for the black part of the handle. There is a large palmatee decoration underneath the handle, where it ends on the body of the jug. Body of jug has red-figures on it. Starting from right-hand side of the handle, going from left to right: First figure looks like a women in traditional Greek clothing, kneeling down. She is facing right. The figure to the right of her looks like a naked man with wings. He is standing on one leg and facing right. He is reaching one of his arms out. Underneath that arm there appears to be a duck. To the right-hand side of the duck, there is a man sitting on a stool. He is in traditional Greek cloting and is holding a large box. This figure is also facing right.Underneath the box there seems to be another object, but it is unclear. Perhaps it is a head? Or perhaps it is where the black glaze has been rubbed away, to reveal a patch which looks like decoration on the jug. He has a winged man kneeling in front of him. This man is facing left, towards the sitting figure. The next figure looks like a women in traditional Greek clothing, kneeling down. She appears to be holding something in her hand, perhaps a mirror. She is facing right. Inbetween her and the next figure there is a bird, facing right. The next figure looks like another women in traditional Greek clothing. She is standing on one leg, with her right arm reaching out. She is facing left. Behind her is a 'T' shaped object, perhaps a stool?. Rim of the base is a red/terracotta colour. underside of base is slightly concaved, with many black rings inside. There is a black dot in the centre of the bottom of the base.
39.9.2	Inside is reserved in body but black fired to red on rim with a reserved band near top. Two handles with vertical grooves to make three section - black on top and reserved underneath. Neck has two rows of palmettes (lower inverted) and lotus buds on cable. Shoulder has framed tongues with ivy leaf and dot at each join. Body has similar scene either side. Side A shows combat of three warriors, with white detail on spear, helmet, shield and armour. Side B is similar but there are no spears, instead they appear to only have shields. Below is a broad band with narrower ones either side. Rays to foot. Foot is black and moulded with a reserved band around side. Base is reserved and conical.
39.9.3	Black exterior, except the inner side and beneath handles. Black interior, with gorgoneion framed with red line. The hair of the Gorgon is black and red alternate and the tongue is red. Stem has a red band around it. Foot is reserved on outside with a black band on inside. Base is raised and reserved with black dot and circle in centre.
39.9.4	Small hole on extend piece beside neck, presumably for suspension of object. Orange-quartering effect produced by double-incised lines running top to bottom. Quarterings in sequence repeated three times: black, black with white dots, black, black with superimposed red. Bottom flattened.
39.9.5	Double-incision orange-quaterings on mouth and body. Small circular depression on bottom. On body, every fourth/fifth quartering superimposed red. Traces of white/yellow in some sections(now brownish).
39.9.6	Ground varies from cream to buff. Inside is coloured black. The mouth is red. Two handles are placed vertically on top of shoulder and under each is a goose (?) From top to bottom there is a band with the shoulder design below. Pictures are of a stag and a panther facing right (A) and panther and a goat (?) facing each other (B). Separating this from the main design are two rows of dots between bands. Main zone: Griffin-bird between two panthers (A) and two panthers facing a pattern of a palmette complex(B). Various incised rosettes and dots in field. Below main zone is seven bands and a red base.
39.9.7	Underneath, between palmettes; A: Two satyrs around an amphora (oxypythmenos), the left satyr leaning towards and pushing the amphora, while the right satyr, also leaning towards the amphora, rests his hands on his left thigh; B: Two satyrs advancing to the right, the one in the rear holding either a branch with a heart-shaped ending, or a rhyton. The right satyr's stance makes him appear to be running. The rest of the vessel's body is black. The interior is also black with a reserved disk, 8.5 in diameter, containing a central dot and two concentric circles, the one close to the dot and broader than the other, which is closer to the edge of the reserved disk. Underneath, part of the base's hollow, conical surface of the stem is painted with a broad circular band.
42.9.1	The rim (stephane) is decorated with a double horizontal bulleted strap. The neck of side A has a broad band ornamented with elleipsoid lines with lotus leaf-shaped endings. Body: Side A: Dionysos holding leafless vine branch and kantharos between 2 dancing maenads, one of whom wears a spotted skin over her drapery. The scene is surrounded (left and right) by vertical, bulleted zones in the form of antae that seem to support a horizontal band with tongues over the heads of the figures, making the scene look as if under a building. B: 3 youths (but with beards?) wrapped in himatia, with a pair of halteres hanging between the second and third youths, relief contour on A none on B, outline of hair (and beards?) reserved. The same decoration surrounds the 3.
44.1.1	Rim: There are black tongues around the aperture and dots on the side surface of the rim. On the back of the handle there is a row of dots, framed by two, vertical lines. The neck and the surface below the handle is left reserved. At the base of the neck there are black, petal-shaped spots. Top surface: The aperture in the centre of the ring is black with additional concentric, black lines between reserved areas and a row of dots. Some of the lines have incised diagonal lines across. The reverse side bears a similar decoration but without the row of dots. Side surface of body: The main design is of an Ibex and Lion facing a central rock, made of horizontal bands. Added red is used for some parts of the ibex's body as well as for the some of the bands of the rock.
44.4.1	Mouth and handle are black and beneath it is a palmette flanked by tendrils with campanula flower. Neck has long, black tongues. Main design is a bird with outspread wings and in the field are reserved disks with a black dot. Below this is an uneven reserved band. Side of foot-ring is black and grooved. Base is reserved and depressed.
44.6.1	Clay and surface of vase ferruginous buff, black glaze fired in parts to a pale orange brown. Inside is black with traces of red bands and there are red bands on the inner rim. The upper surface has circular patterns of dots (lotuses?) alternating with vertical rows of dots. Below these and above the handle are three bands, red between two black. Below handles are two bands and another around foot. Three bands on base with central dot.
45.10.1	Entirely black, except reserved on the underside, and the resting surface. Red figure decoration begins at the lower part of the neck, with a band of rays, in imitation of ribbing. The shoulder has palmettes, rosettes and circles with central dots with added white. Wave on rim. Body decorated with white: chevrons between dot rosettes. Red band on lowest part of body, above foot.
45.10.11	Offset rim is black inside and out and the handle that originally existed just below rim appears also to have been black. Exterior walls are black as is interior except for the main design which is reserved. This picture is of a youth reclining, seen from behind. Detail is picked out in black paint and the figure is painted inside a circle. On the underside, there was originally a stem which was also black.
45.10.13	(i) There is a small part of a motif (partially covered with plaster) that consists of wavy lines. Below it, there are two lines and underneath there are parts of two inverted, palmettes (voluted with petal-shaped divisions) that flank a three-pointed flower with two dots to represent pollen. ii) Between two pairs of lines there is a guilloche (fillets with teardropped terminations interwoven together) with dots among the lines. Below, there is a broad black band, which seems to be interrupted at the right side. (iii) At the left, three parts of vertical, black bands and incisions create part of an object (garment hanging from chair or couch?) In the middle, there is an object- as if it was a grave-stele with a cross-shaped ? ending above which spring two heraldic, white, voluted palmettes (now fadded away), a chiastic motif with dots and horizontal lines on top- but inverted (leg of a bed or couch?). Next to that, there are a figure's part of thighs, knees and calves, close to part of a palmette. (iv) A bearded satyr (seilinos) plays a chorded instrument (lyre), while his himation is hanging in the background. Next to him there is a draped female figure (Demeter?), holding a wreath (black circle) and branches with dots on both sides that surround her. The details on her drapery have been executed with added red and so are those for her head-dress. There are also traces of added white on her neck. On top of the fragment there is part of a motif of tongues contoured with ellipsoid lines and a line that encircles this pattern. v) On the left, there is part of the satyr's lower legs (above the knees towards the feet) and the lower end of his himation. Next to him there is the termination of the female figure's branch, close to a similar inverted grave-stele? and part of an object that resembles an animal paw (lion-shaped foot of chair or couch) . Below these, there is a line on which they seem to step on. Next, a guilloche between two pairs of lines and at the bottom part of a radial-shaped motif with a line that contours it on top. vi) A line and black, teardropped spot. vii) There is a line on whose right top side stands a rectangular object with a rectangular surface in the middle being reserved. Below, part of two lines on top of part of the guilloche. viii) Small part of shoulder and neck: there is a black spot, a thin band, a red line on top of a plastic ring (joining point of neck and shoulder) and part of a tongue-shaped pattern contoured by a line on the shoulder. There is also a part of two lines in the interior. ix) Part of the guilloche, the two lines underneath and the radial-shaped motif at the bottom. x) Tiny bit of the guilloche and the two lines below it and part of the radial-shaped motif. xi) Part of voluted palmette and tongue-shaped motif. xii) Part of the floral motif (of a three-pointed flower)? with lines that form a rhombus with a dot in the middle. xiii) Part of the shoulder and the spring of a handle. On the top there is the tongue-shaped motif, encicled by a line and below it an inverted palmette. The spring of the handle is black and next to it there are short, diagonal incisions. There is also a tiny spot of black colour in the interior. xiv) On the left, part of leaf-shaped (heart-like) motives (part of thyrsos?), close to a band of black colour, of undecipherable shape. Next to that, there is the lower part of a female draped figure, with small crosses on it. At the right side there is black and white colour that forms ovaloid shapes (?). xv) A black band and on the left part of the female drapery.
45.10.14.1	Interior: Black, apart from a thin band at the joining point of the rim and neck, and the top surface of the rim, which are reserved. Exterior: The rim is black and there is a thin reddish brown line below it. Neck: There is a thin, black line. Below, there is a fan-shaped palmette (three divisions, a central rectangular part, and the details have been rendered with incisions), between two parts of motifs. The left one may be a palmette (a petal-shaped division in the middle and below, two round? or voluted? motifs almost faded away. The right one could be part of a similar motif.
45.10.16	Originally covered in a black slip. The top of the mouth is a darker brown, the inside and outside of the walls of the mouth are a darker colour.
45.10.20	i) Part of a voluted palmette with petal-shaped divisions seems to be connected to part of a three-pointed floral motif by a thick, black, curving line. On the left there is another, identical three-pointed flower, only bigger and illustrated inverted and vertically and at the left end of the fragment another curving line. Below these, there is part of a perpetual meander pattern and the upper part of continuous, teardropped motives. Some form of greyish (light) brown plaster has been applied to the surface around the voluted palmette. ii) Small part of guilloche (thin fillets with tongue-shaped endings interwoven together) with dots among the lines. Below, there are traces of thin, black lines (but not visible because of burning). Underneath, radial-shaped motif. iii) Underneath two thin lines there is a meander pattern. iv) Part of the upper ending of a radial-shaped motif. v) larger part of a radial- shaped motif. There is part of a thin, horizontal line on the top of one of the divisions and more to the left there is a circle with a dot in the middle and two vertical lines (part of the guilloche). vi) Small part of the guilloche and radial-shaped motif below that.
45.10.22	a: The upper surface of the rim is reserved, although glazed. However, the side surfaces (internal and external) are black (apart from a reserved area that would not have been visible if the handle was not missing). The neck is also black on the inside, however, there is a perpetual motif of palmettes on the external surface. These are double palmettes (5 narrow divisions upwards and 5 similar ones downwards) that look as if chained together by a horizontal row of small rings and each such palmette is separated from the other by a vertical line with wider endings, while thin, curved lines (above and below) frame each palmette. The sides of the handle bear a black band each and there is also a thin line underneath them that contours the end of the neck. On the carination that divides the neck from the shoulder there is a thin line with added red colour. The shoulder bears a motif of tongues, divided by vertical lines, while a line underneath contours them. The motif does not appear under the surface of the handle. At some point underneath this pattern there is the beginning of another motif (black with 3 dots of added red and scale-like incisions). The interior of the rest of the vessel is reserved, since it is an amphora. b: It bears exactly the same motif as the previous neck bit. c: From the branch of a three-peaked floral motif there emerge two curved lines that are downwards and upwards, each forming an ellipsoid-shaped frame from whose lower (in the case of the curved line that goes downwards) or upper (in the case of the other line) endings form one floral motif each. The left one is a voluted palmette with 5 petal shaped divisions and the right one is a three-pointed flower, similar to the central floral motif, but bigger. Although the upper part of this pattern is not preserved apart from the starting point of the motives, it is certain that this would have been the heraldic motif depicted. Underneath this area there is a thin, black line and below that, a pattern of guilloche ( branches with tear dropped endings interwoven together) with a row of dots, framed (above and below) by two pairs of concentric lines. Towards the end of the fragment (which is also towards the end of the vessel) there is a radial-shaped motif, two lines and the rest of the surface is black. d: It is a part of the body's area that bears the guilloche pattern and the radial-shaped motif underneath, but one third of it is not preserved. e: On the left there is the upper part of probably a palmette (two endings of petal-shaped divisions). Next to that there is the depiction of a draped lower body part. The drapery is formed by the incisions on a black surface. There are diagonal incisions and wavy endings to denote the folds of an himation, as well as the lower termination of the chiton, which is suggested by two almost horizontal incisions, a wavy line and another horizontal incision. the drawing is detailed and clear. f: The part between the surface above the knees and a bit below the calf of a male figure that wears a short chiton (incised, wavy folds are visible above the knee), as well as grieves with out curving terminations (Hermes?) of added red colour, now fadded away. On his left there is the upper part of a palmette and on his left there is a diagonal line, with rows of dots on either side (characteristic of Dionysus). Very clear drawing. g: Half of the three-peaked flower, a bit of a black line and two petal-shaped motives. On the side, there is part of the dotted branch and what appears to be part of a figure's drapery (upper right body part ?), with some incisions used to render details. h: Between the lower body part of two figures there is part of the dotted branch. What is preserved from the right figure is incised lines and circles on a black surface. The left figure's drapery (peplos and himation ?) is preserved (below the waist), consisting of incised diagonal and wavy lines to denote the folds. i: A central male figure's (Dionysus) body from shoulder to legs is visible and surrounded by a dotted branch. He is standing between two figures. The male figure (there is part of beard with added red) on the left holds part of the branch with his palm (upper body without the head is preserved). The only visible part of the draped figure on the right is part of the legs. Incisions are used to render details. j: Apollo playing his lyre (kithara). The head (in profile, facing right), right hand and part of the god's front side of the body is visible, as well as the largest part of the lyre. Part of a dotted branch exists in the background. Incisions have been used to render the chords of the lyre as well as for the eye, contour of hair, ear and contour of the god's body, while a taenia (fillet) on his head is in added black colour. k: Only part of a thin, black line is preserved. l: two broad black bands that overlap at some point. Incisions and the ending of a dotted branch (part of draped figure?). H & J on display in symposium
45.10.24.3	Large portion of fragment covered in plain black glaze. Two thin parallel black stripes decorate the same side.
45.10.24.5	Large portion decorated in a plain black glaze. Small area appears to be part of a depiction. In-between these two areas is a stripe of brown glaze.
45.10.29	Fragments that join 45.10.23: a)The handle's back is black. On the shoulder there is a voluted palmette with petal-shaped divisions between two male draped figures that are facing it, holding their himatia? with their left hands. b) There is part of a thin line that contours the lower part of the shoulder. c) The upper part of a warrior, wearing a red helmet and carrying a shield. Behind him , there is part of an object? in added red. d) The right part bears the left part of the previous warrior's shield. The left part of the fragment depicts the upper part of another draped male figure holding a spear.
45.10.3	Upper part of bowl decorated with roller-stamped frieze, with three ridges above and one below. High stem, ridge moulding under top and bottom. Wide flaring foot. Stamp (apparently): figure seated to right in high-backed chair, standing female with win
45.10.30	exterior: the red surface is decorated in the upper part with a black band, then there is a key decoration running left, under the key there is a thin, horizontal, black line, below that there is the head of an Amazon in profile facing left, wearing helmet. The head of the Amazon is painted in white.
45.10.4	Inside and outside of rim is black and there are five dots inside. Main design is two pairs of female heads all wearing head-dresses, facing one another. Detail painted in black. On outer rim are rough dots. Underside of lid is black.
45.10.5	Interior surface is black with a medallion, with meander pattern around the edge and two youths facing each other in the centre. The handles are missing from the exterior surface but there are palmette patterns on opposite sides, suggesting this is where the handles were originally. On one side is a stele with a youth either side, the left with his hands outstretched and the other holding a cloth and a strigil. The other side shows remains of a very similar picture.
45.10.7A-B	Lid: The top surface bears part of a central medallion (dots contoured by double, semi-spherical line), encircled by a black line, a red band, a broader black band and a red line. There is also an ivy spray between the last red line and a similar one. At the rim there is a rather careless tongue pattern, with inner dots (identical to the one of the central medallion, only frammed by thin, black lines). Sides: There is the representation of women pursued by the winged Eros. The naked Eros is flying and his himation with white spots on its top is falling over his forearm. At the level of his face there is an inscription, with white colour KALOS and underneath, KALH, above a bent fillet with thin, short, white lines emerging from its endings. The first of the women is headed right, having extended her right? hand towards Eros and holding and raising slightly her drapery (in order to run faster). Her head is missing, but she is probably looking backwards, to see the advancing Eros. The scene is reproduced again: Anoher Eros pursues another woman, who is running towards an altar? (rectangular, altar-shaped constuction, higher than the figures with a decoration of a large cross and dots in between). Among them there is again the inscribed KALOS, KALH. Many fragments have not survived, however this woman's head is not missing. She is looking backwards and wears a diadema, made of white lines. At the other side of the altar? there is another woman approaching it, having escaped the first Eros, but looking back to see him. She wears a white diadema and the same inscription is between her and the Eros. The scene is framed by two red, concentric lines (above and below the figures). The bottom surface is left reserved. Body: There is decoration of laurel stems and berries around the outer surface with details made of added white. This motif is framed (above and below with red, thick lines). The interior of both pieces is black. The feet have a black band on the side (ca 2 cm below their joining part to the body) and the rest of the surface is left reserved, apart from a black line at the rim. Half way up the inside surface of the feet there is a thin, black band. The base's central part is decorated with a broad black, circular band between thin black lines.
45.10.9	A: Draped youth playing pipes and draped man holding a branch; B: group, probably in a procession, including a draped youth with a staff and a draped man with a branch. The interior is reserved. The details that form the folds of the figure(s) drapery are rendered with thin, black and red lines. a) Black with part of a tongue motif on the top (tongues flanked by thin lines, on a reserved but glazed band). b) Part of a draped male figure's neck, shoulder and bust. c) Part of the figure's himation folds. d) Lower part of a male figure's drapery folds and part of feet? (carelessly rendered). e) Part of a draped figure's folds, next to a black area. f) Part of a draped figure's folds. g) Part of a figure's arm, forearm and hand, with the largest part of a flute. h) On the right side there is part of a figure's drapery folds. On a black area on the left side there is a figure's hand that holds a komos or sprig with added white, short diagonal lines around it. i) On top of a meander pattern with a black line on top there is part of a red band with traces of thin, black lines (a figure's foot?). j) On the left, there is part of a figure's drapery folds and part of his walking-stick. On the right side there is part of another figure's folds?
45.3.1	Decorated on top of mouth and neck with black tongues. Handle with two dots (rows?). Body decorated with two figural zones with plain bands framing and between. Top: two facing cocks and a long-billed bird to the right; incised rosettes in field. Bottom: two panthers facing a long-billed bird; incised rosettes in field. Incised details on birds and rosettes (divided into four, six, or eight sections). Traces of purple on all animals. Bottom: small ring inside two concentric bands.
45.6.1	Pale buff ground. Inside is black and red in places. Main design: five women with long plaited hair dancing in a ring, holding wreaths between them. In field are large rosettes with concentric circles at centre and round objects with horizontal incisions between bands of vertical incisions. At base are elongated vertical lines and the foot is coloured red. Five bands on base.
45.6.12	Inside has black bands and a central black dot. Outside has a rim with dotted rosettes in handle zone. Black band above main design of 9 inverted swans with red bodies and black necks. Groups of dashes in the field. Black band below design with vertical rays to foot. Foot is black on top, reserved on resting surface, black badn and reserved centre, which is convex.
45.6.13	Handles: black on top and reserved underneath. Inside and outside of mouth is black but the top is reserved, with accidental smears of paint. Neck is reserved and there are black tongues on the shoulder. Side A shows 3 mantled onlookers separated by objects like long leaves tapering downwards. Two are facing left and one is facing right. On side B is a runner holding an indistinguishable object. Ivy leaf under one handle and leaves in the field. Below picture is black to foot which is reserved on the side and underneath.
45.6.17	Black mouth, black inside, reserved lip. Single curved handle black outside and reserved underneath. Bars at base of neck and lotus buds. At top of body are two rows of dots alternating black and white between black bands. Main design is of man reclining between two seated women. On couch beside him is a naked hetaira. Remains of branches with white fruit just visible. Figures are robed and detail is in white. Two reserved bands below on black glaze. Foot is stepped, side of both steps reserved. Base is reserved.
45.6.18	Mouth, handle and the upper part of the neck have been dipped in a brownish, lustreless, uneven glaze. Neck has five vertical, black tongues. The body is patterned in coarse-meshed net which occasionally overlaps onto foot, which is small but uneven. Base flat and reserved.
45.6.2	Brownish-buff ground. Inside is black with traces of red lines. Outside from top to bottom, vertical black (now red) wavy lines, two red, one black, two narrow black, wide red, two narrow black, wide black, two narrow black bands. Foot is brown and base has four concentric circles. iddle thick band red, rest of decoration brownish-black. Worms in handle zone, then two thin bands.
45.6.20	Top decorated with black concentric band around double palmette (each palmette comprised of 5 petals), symmetrically arranged, with a line of black dots in between (three on either side). Black on sides, black band around underside; hastily glazed neck, black below.
45.6.21	Shallow, flat interior with a hole in the centre and two black concentric bands around the hole in the centre. Rim flat and reserved. Body neck and foot black glaze. High foot andon circular base which is sloping and broken.
45.6.22	Black circle where knob would have been followed by incised groove. Around rim black dots on reserved ground. Ivy wreath, leaves reserved and outlined in white, stems incised, with clusters of berries painted in white. Underside is reserved.
45.6.24	Small pointed knob on top in centre from which to hold and lift the lid with, one groove at bottom from which rim, (edge of the lid) extends outwards, rim is narrow. Flat resting surface to connect with vessel, interior reserved.
45.6.25	On brown ground is painted the remains of leaves and flowers in white, with dark red and blue-black. Small central knob handle. Rim flares upwards slighlty.
45.6.31	Mouth black although inside is reserved; both sides of neck decorated with three branches of (faded) white leaves on incised stems. Stem and foot underneath reserved although there is a stroke of black in the reserved area; side of foot black.
45.6.34	Patchy brownish-black glaze fired red in places.
45.6.36	Trefoil lip, ribbon handle attachedfrom lip to middle of body. Ovaloid body and flat base. Two incised concentric circles in base.
45.6.37	Streaky black glaze applied through dipping, so that a reserved band remains in the middle of the body. Reserved also on resting surface, interior face of foot, and underside. Streaky appearance and reserved section of belly suggest the presence of kiln supports during firing, as found on the example in Toronto (see discussion of dating, below). Black on the interior of the mouth.
45.6.38	Slightly iridescent greyish-black glaze. Lip imprinted with horseshoe shapes (24 on the lip and 5 in the centre). The foot is flat underneath, heavily ruddled, except for a small hollow cone at centre, which is black.
45.6.4	Brownish-grey in colour, apparently from burnt deposit. Shape is of a normal Corinthian kothon except that the handle is abnormally thick with no side projections. Inside, black bands in center. Turned in rim has black bands as does the top surface with four bands alternating thick and thin. Band near to foot. Base is raised and has two central circles.
45.6.40	Narrowly flarred lip, shallow with flat surface in the interior. Red circle at centre of interior. Flat resting surface, raised base, reserved.
45.6.49	Small and shallow bowl, with narrow body. Flat interior with a slight indentation in the centre. Short foot, base conical with flat resting surface.
45.6.5	Handle painted black. On the upper surface are four black bands and below handle is a single band. Kothon has a shallow foot-ring, black on both sides. Base is raised and has two black bands in center. Inside is a broad black band.
45.6.58	Long narrow neck, pear shaped body. Grooves on body in alternating horizontal and vertical lines, short narrow foot with flat base.
45.6.64	Small circular knob in centre to left the lid with. Top surface slightly sloped downwards. Rim flat and circular. Interior flat.
45.6.65	Tall cylindrical knob in the center of a concave surface.
45.6.66	Black Glaze over exterior and interior, even on the inside of the tube in the centre of the reservoir the top of this tube is reserved, base is reserved but has some black markings.
45.6.72	Mouth is red on top and black down neck until a moulded ridge when there are rays down to black square blocks on shoulder. Band of vine leaves. Handle is black and below it is a palmette complex with tendrils either side joining to two more palmette designs. On front, is head and shoulders of a woman facing left, wearing tight-fitting black cap, with hair emerging in two curls at top. Serrated leaf and rosettes in field.
45.6.8	In handle zone, two rows of black blobs (? leaves) in light brown ground. Inside black.
45.6.9	In handle zone double row of roughly painted ivy leaves, black on light brown. Inside black with reserved line at top of rim. Foot reserved.
45.8.1	The rim (interior) bears two, concentric circles, the first at the edge and the second at the curve between the neck and the body, where traces of white colour can be found. The neck of the vessel is ornamented with a continuous floral motif (branch bearing two long leafs; laurels?) that covers the whole of the surface. A: Scene of a symposium of four, reclining, male figures; 2 men and 2 youths (in turns), in pairs looking at one another. All of them wear their himatia, loose around their waists, a fact that leaves the upper part of their bodies naked, and are crowned with identical three-pointed diadems, made of added, yellowish and white colour. They also have identical hairstyles. The youth on the left side makes a gesture, pointing left with his right hand, but facing the man on his right who touches his chest with his right hand. The third person looks as if holding a white thread with his right-hand fingers, while the man on his right is trying to put a white, spotted garland on the third figure with his right hand. They all recline on a horizontal sort of bed, supported by three feet, of equal distance between them, but of unequal width. However, the lower parts of the three feet are similar; rectangular and vertical to the stem. Under this construction, in the surface between the two gaps that are left between the feet of the bed, there are two tables, that carry food(?) (fruit and bread ?), painted with added white colour. Both of the tables bear two, broad, black, bands around their edges, the left ones being larger than the right ones. As regards the endings of the tables' feet, they give the impression of a vague rendering of animal paws. B: A youth in the centre of the scene looks at his right, while in either of his sides, another youth is looking at him. All of them are fully-clad with himatia. The left one is holding a strigil (stleggis) with his right hand, while the one at the right side of the scene makes a gesture with his feast. The spring of the handles bears part of a circle (it stops, leaving the surface between the beginning of the two handles undecorated), with small, semi-cercular patterns. Beneath each handle there is a large, complex palmette. A band with maeander-shaped patterns runs through the vessel under the main scenes. The base is in the form of a disk, with a high foot, separated from the disk-shaped surface by a carved, reserved circle, as well as an also circle at the lowest end of the base's foot.
45.8.2	Mouth and rim all black and black inside down to base of rim, then reserved. Two handles, one each side, all black. Both sides have a wave pattern above scene. Between tall tendrils: Side A a youth running with a rosette in the field. Side B is a woman running with garland in hand and a fillet hanging up. Black background carelessly applied, overlapping parts of pattern. Reserved band under scene. Foot black on outside, the rest of the underneath is reserved and flat.
45.9.1	Mouth black inside and outside. Reserved rim. Handles painted black on top and reserved underneath. Each handle has two lines down the back dividing it into three sections and a dolphin (?) painted in black below each one. The neck has two rows of ivy leaves separated by a band of dots. Ridge at base of neck and petals around shoulder. Both sides have a similar design of a warrior setting out between two onlookers. Detail is incised. Below is a double row of staggered dots and rays. Foot is black on top and side, but reserved on resting surface and base.
46.9.1	Mouth coloured black inside, outside, neck red. Handle black on outside and reserved underneath. On shoulder, black rays below fine ridge at base of neck, then lotus flowers - white outer petals alternating with black buds. Body has a silvery black glaze with two red lines at top, another just under the figure scene and another just in the junction with the base. In added white, bearded charioteer with two galloping horses. They are in profile to the left. He is holding the reigns of the horses. Naked with fillet on hair and belt, both shown incised. Row of white dots above the scene. Details of man's body and horses' incised. Disk foot has reserved edge, base is reserved.
46.9.2	Ivy wreath on rim, dots on ridge below. Decoration on main body consists of an ivy wreath with dots in between ivy leaves. Below: one band of horse shoes, one band of dots, and one band of curved lines. Below is black to the foot, which has one reserved line. Base reserved but with two thin black concentric lines around a small circle in the centre.
47.10.1	On the mouth, small daisy petals between bands; on side, row of dots between bands. Zigzag on handle. Monkey-faced horseman riding left. Behind him a star with incised lines crossing at centre. In front large ring enclosing a cross with incised lines crossing at centre. Circular painting on base with four radiating lines from centre.
47.10.2	Clay reddish, glaze thin and streaky. In upper part two pairs of vertical bands; in lower a broad horizontal band. Inside black to depth of 2.0cm from lip, rest reserved. Handles black on outside. Foot reserved.
47.10.3A-B	Lid: glazed black, except for the underside. At the middle of the lid are two purlish-red narrow bands; a third narrow band surrounds the rim of the lid. Lekanis: glazed black, except for the underside. Interior decorated with a purplish-red band high up the outer wall, and two red bands in the bowl; exterior decorated also with three purplish-red bands, two higher up and one lower on the outer wall.
47.2.1	Black gloss, with a greenish band around body towards base. Reddened resting surface and underside, with a central black dot within a faint circle in diluted gloss, and the interior of the footring black.
47.2.29	Red tinge to body, suggesting originally covered in red wash. Black horizontal stripes across body and above left arm. Vertical black stripes on lower body. Black on back of head.
47.2.35	Standing female figure. Wheelmade body, moulded head. Woman in veil. Holding at breast level an object now broken off. Traces of black on head and eyes, red on face and clothes. Clay orange.
47.2.4	The vessel's tondo is ornated with impressed (stamped) decoration, of thirteen ellipsoid motives (eggs, some not fully formed) that seem to be hanging from an impressed circle, on whose border rest thirteen palmettes (voluted with narrow divisions) on stalks. There is a reserved, but glazed line at the lowest part of the body and the concave area of the base is reserved, but glazed, apart from two, concentric, reddish brown lines with a dot in the centre.
47.2.6	Black gloss except reserved resting surface and underside, decorated with a black dot at the centres, surrounded by two black concentric thin bands and a broaded black band. Reserved band on the junction of the ring foot and the body. Stamped decoration in the centre of the bowl, comprised of seven palmettes between two concentric bands of stamped eggs framed by parallel grooves.
47.6.1	The Gorgon Medusa, in both shoulder panels. Area under handles is black. Side A: Achilles on black horse, alongside a red horse with an attendant riding on black horse behind. Troilos lies on ground. Side B: Achilles carrying Troilos toward alter made of bricks with incised lines (the altar might also be interpreted as a fountainhouse). Shrub in front of altar (fountainhouse) Pictures are in red, black, white with detail incised. Below shoulder zone are red and black chevron-palmettes; below this, animal frieze with goats, panther, winged creature and lion. Triangles radiating from base, foot is black and base reserved. Zones separated by bands.
47.6.2A-B	Lid: Straight sides and a moulded rim at the top and bottom, both red. The plastic ring at the top of the lid black. The top is decorated with a depiction of a male figure, perhaps Dionysus (Ure) or Pan (Boardman) with horns springing from his head. He wears an animal skin (brownish dots) over his shoulders, with a hoof dangling. He seems to be stepping or sitting on another animal skin. In raised left hand he holds an indeterminate instrument (Ure: handleless fork; Boardman: syrinx) and he rests his right hand, brought before his body, on an oar-shaped object (trumpet; Ure: winnowing fan; Boardman: 'lagobolon'). To his left is the forepart of a pig (or dog?), and to his right, a basket with three corn stalks. There is also a red, thin line at the joining point of the plastic ring and the lid. The decoration of the side surface of the lid is a motif of vertical, hanging, wavy tongues, between reddish brown bands. There is also one inverted heart-shaped motif at some point between the tongues. Body: There is a red line at the rim and another one at half the way up the body, both on the inside and the outside. On the interior there are two, concentric, reddish-brown circles. Exterior: There is also a red line at the bottom of the body, while the disk-shaped ring is reddish-brown. Wide rim at base. Underside is reserved and central section flat.
47.6.3	Dull brownish-black glaze all over. Ribbed handles with bearded masks instead of spurs, handles divided in two between mask and body. In handle zone, incised band of tendrils on straight stalk. White dots (v. worn) above and below. Round top of lower band some evidence of what was a wavy pattern. Lower band black as is base and the rest of the vessel.
47.7.2	Round, flat body with vertical spout at one end with a flared mouth. Single curved handle stretches from the rim of the mouth to the back of the body. All black apart from two designs. One one side is a panther, with detail picked out in black paint and whose face is in an odd perspective. On the other side is a dog, with black and brown paint used for detail. Reserved line runs asround the body below the animals. The base is red and flat.
47.7.3	Outer rim has round pattern. Beneath each handle, palmette with side tendrils. A: Woman's head in hankerchief with hair out the back. B: Woman's head uncovered. Around foot is a broad black band then a reserved zone with a thin black band in the middle. Base is black and depressed in centre.
47.8.1	Inside is reserved except for picture of Heracles in a black corselet over spotted chiton with flame borders. Club in his right hand and bow and arrow in his left. Originally only red for framing circle inside the black band around rim but much has faded to red that was black. Two handles, one either side have been dipped. Outside are dots around rim with band below. Reserved then to resting surface and inner foot-ring which are red. Base is concave and reserved except for small red circle at center.
48.12.10	Interior of the mouth and exterior of the handle black. Neck is reserved, as is the underside of the handle. Shoulder has two rows of rays radiating from neck. Body is cream ground and, from top to bottom, has two parallel horizontal black lines, meander 'key' pattern, three rows of grille and black line. In centre are three horizontal palmettes with a line, four row grille and black band. The pattern only covers the front of the pot and the back is left cream. Below this are three incised bands. Top of foot black. Reserved band on the foot. Underside reserved.
48.12.12	Flared cup mouth, single handle, neck and back of body are all black. The front design is a palmette framed in a triangular panel. Foot is black on the top and side but the resting surface and the raised base are reserved.
48.12.2	Black decoration. Interior: uneven band round rim; ring in base with ill-made join. Exterior: uneven band at rim; beneath it is a wavy line (decoration ceases temporarily above handles); paint thinner in places. Black band where the body tapers to the base, and another band around the foot. Base reserved.
48.12.3	Interior black glaze, except a reserved band just inside rim. Upper body reserved with darker red and black decoration; Three horizontal brown lines around the outside rim, six sets of five vertical lines spaced evenly around the upper body alternating with four occurrences of three concentric circles surrounding a central dot. Three horizontal lines below it separate this section from the lower body which is black except for one reserved band in the middle. Handles are a darker reddish brown (2.5YR 4/6). There is an incised cross on the inside of one handle only. The slightly flared foot is also black with a reserved resting surface and underside.
48.12.9	The jug is decorated with black glaze, turning to red in places, on the upper half but is otherwise reserved.
48.2.1	The interior is glazed black. There are two zones of decoration. Top (A): water bird, horseman with dog, lion; top (B): lion, horseman, waterbird. Bottom: seven swans, three decorated with incisions, above a ray base. A few rosettes and a dotted rhombus in the field. The base and rim of the foot are reserved.
48.4.1	The rim of the mouth has leaves all round it. The outside of the rim has a thick black band. On the main zone are pairs of ivy leaves (one pointing up the other down), joined by their vines. In between these are pairs of dot flowers. All of this lies between two pairs of horizontal lines. The slight slope towards the foot is black. The top of the foot is reserved but appears to have once been black. The base of the foot is reserved except for a thin black band on the inside of the rim, another about halfway in, and then a small dot in the centre of the base. The inside of the pot is completely black.
48.5.1	Inside: Central part reserved and decorated with black band in the centre surrounded by three black concertic bands. The rest is black, superimposed with two red and white bands. The top of the rim is decorated with a band of two rows of dots framed by thin black bands. The incurving rim is decorated with back and red thin bands. A: Swan facing to the left with spread wings. Incised rosettes and dots in field. B: bird (owl?) facing to the right goat to the left coloured partly in red; Incised rosettes in the field C: Bird (goose?)partly coloured purple and facing grazing goat(?) to the left but very faded. Below, broad black band with superimposed white-red-white at top and bottom. Triangular rays on a black baseline extend from the base. Narrow black band around middle of foot. Black band with superimposed white on inside of footring. On base, two black bands and a central dot. Exterior and interior of ring foot black
48.5.2	The interior of the mouth is reserved except for a black band on its top. On the mouth, three horizontal parallel lines. On the neck, zig-zag pattern. Shoulder: A:goose/swan and B: panther. Incised rosettes and dots for the filling. Four black bands. Body: deer flanked by panthers whose tails almost meet. In field: rosettes with spoke incisions, and some with circular centres; also dots. Some added purple on animals. Scene rests on a broad black band framed by two narrow black bands. Triangular spokes point upwards from the base to the lower black band. Foot is black, but base is reserved.
49.1.2	The vessel is covered in black except for decorative bands at the lower part of the neck (red with black vertical lines) and the shoulder (egg-and-dot), the figural scene in the body zone, a frieze (stopt maeanders alternating with cross squares) below the figural zone, narrow bands at the join of body and foot as well as on each step of the foot, and the underside. The scene depicts a nude youth standing in a relaxed pose, 3/4-view to the right. He holds drapery, bunched up, under his left arm, and seems to converse with a drapped woman seated to the left on an undulating rock. She holds a mirror in her right hand. Both are diademed. A small, winged Eros flutters above them, and he has crowned the youth. A single branch emerges from behind the rock. Next comes an older Eros (depicted as an adolescent) seated near profile to the left (the seat is no longer visible), holding an opened box (the type that was used to house alabastra such as that which he decorates, according to Trendall and Cambitoglou 2.605). In the upper left field there is a rectangular motif with a short, black, vertical band on it (perhaps a window), and in the upper right field (behind Eros) a four-part rosette (rodakas) next to a strigil. Below, there is more vegetation. Relief dots detail xxx and added white has been used for xxx.
49.12.1	Black glazed all over, but fired red in places, especially on the underside.
49.4.1	The mouth is black inside and out with a reserved rim. The back of the handle is also black. The neck and underside of the handle are ruddled, as is the shoulder which has black dots and radial-shaped motif. There is a white band at the upper body surface with a yellow meander pattern, between yellow lines. The main design is that of a flying Nike facing right with a mirror in her left hand and a globular object in her right. She wears a kalyptra (head dress) and she is draped. Additionally, thinned glaze and black paint has been used for detail. Below the scene there is a similar meander pattern on a white band. The rest of the vessel is black.
49.4.2	Woman with a fan and a ball, seated in a naiskos; kalathos on either side. The inner side of the rim bears a broad band (in the middle of the surface). The top surface bears traces of carelessly applied red colour. The edge is also black and its side surface bears a reserved line and a black line underneath, from which seem to be hanging short, vertical lines. The upper part of the neck is reserved, but bears a black band on its lower part. The rest of the neck is decorated with black colour, on top of which there is a tongue pattern in yellow (faded away) that contours the vessel (long, pointed on the bottom tongues). Below, there is a reserved line. Side A: The main scene depicts a female figure seated in a naiskos (monument with pediment, from whose upper part emerge palmettes and tendrils, epistylion, an ionic column on either side an top of a stylobates or crepis, the latter represented with a perpetual pattern of voluted motives and dots in between, framed by white lines, thin, black bands and white bands), on a diphros okladias. The woman is facing left, she is wearing a peplos, holding a fan with her right hand and a round object with the left one, below which there is a row of dots. She also wears a kalyptra and has her hair in a bun, from which emerge two wavy lines with round terminations. Behind her, at the level of her head, there is a window (square object with the middle part riddled). The naiskos is flanked by a kalathos on either side, decorated with black and yellow horizontal lines, tendrils and branches, as well as yellow tongues and yellow meander pattern. There is a row of yellow dots below each kalathos and a rosette on top. Below the row of dots underneath the left kalathos there is another rosette, whereas underneath the row of dots below the right kalathos there is a phiale. The details are executed with added yellow. The handles are black. The reverse is decorated with floral motifs: the area underneath the vertical handle is black, with an H-shaped black motif divided in two by a vertical line, on a round, brown background. The surface below the vertical handle depicts two fan-shaped palmettes, from which emerge elaborate, voluted floral patterns that expand to the surface below the horizontal handles. The lower part of the body is contoured by a wavy-like pattern on a brown background. The area below is black, although streaky on some areas, while the lowest part of the body is reserved but glazed. The foot is black, with a reserved resting surface.
49.8.1	Handle in two pieces and entwined in knot and extending out to sides along rim. Mouth is wide and has small rim with moulding around edge. Neck is black and smooth with a ridge at juncture with body. The body has shallow vertical ribs, with a cross incised under handle. Horizontal groove halfway down body. Stem is ruddled above foot and reserved, decorated with a black bad. Upper and lower edge of foot reserved. Foot is conical with reserved resting surface and base, except for a black band inside of foot.
49.8.10	Trefoil lip with black glossed rim, three narrow black glossed bands below. Three ducks in profile moving to the right. Underneath, broad black and red glossed striped band (approx. 1.5 cm wide); wings painted with black brush strokes on a red gloss, red beaks and black heads. Narrow black band on the junction of the foot with the body. Exterior of foot glazed black. Brown resting surface but reserved underside with white deposits. Blobs on the handle.
49.8.3	Interior: black with a central red dot. The underside of the rim has a leftwards laurel leaf pattern above a single red band. Palmette and tendril decoration below both handles. Side A: warrior with shield dressed in hoplite attire (but perhaps an Arimaspian, according to Schauenburg; cf. Hdt. 3.116), facing and fighting a griffin with traces of white on tail and mane. Rosettes in field. Side B: three robed women with yellow necklaces and hair decorations, facing left. Rhomboids with central crosses in field. Below the figures is a wave pattern. Stem, foot and base are black.
49.8.7	Inside is black with a reserved ring in centre (around hole) and a reserved band on the junction of the offset rim with the body. Rim is black outside and there is a moulded, reserved ridge above handles on the junction of the rim with the body. Two handles, one on each side are black on top and reserved underneath. Below the shoudler ridge is a band of lotus buds with dots all joined by a chain below, black band, band of eight inverted birds (cockerels and hens (?) one smudged) with a dot rosette. The figure zone is framed by thinly painted brown lines, two on each end. Black band follows and three thin brown lines which encircle the black rays rising out from the root of the stem.
49.8.8	Inside and outside of mouth and handle is black as is neck and back of body. At base of neck is a key / meander design between two moulded ridges and only appears on the front. On the body, metope bearing the figure decoration. On the top of the metope. black tongues.Main design is in a panel showing a Quadriga moving to the left. Horses' heads turned towards different directions. One to the left, other three run their heads to the centre facng each other. On the quadriga, hoplites in profile either side both facing right, holding shields and spears and wearing helmets. One of the shields is decorated with a feline picked out in white, only the back part of which can be seen. Behind the quadriga, a hoplite in profile to the right. He is holding his spear and seems ready to attack. He has a shield decorated with three dots with added white, he wears a short chiton, a cuirass and a Corinthian helmet. In front of the chariot, hoplite in profile, moving to the left, having his head turned backwards. He is wearing cuirass, short chiton, a helmet. He is holding his shield and two spears. Added red-purple on reins of horses and headbands and tunic of warriors, as well as contours of the shields. Added white on lion of the shield and decoration of the shield of the second hoplite which is not clear, the edge of the sword of the first hoplite, the dots on the shiled and a band on the body of the last hoplite. Red band at base of panel running all around the vase's body and foot is black on top, but reserved on side. Resting surface reserved.
50.10.4	The mouth is black inside and out with a reserved rim. The neck and underside of handle are also reserved, while the top of the handle is black. The shoulder is decorated with short lines and four palmettes (of which one is upside down) linked with tendrils. The back of the body is black and the front bears the representation of a draped woman in an unnaturalistic posture. She is facing right with her head and chest turned back to her left. She is holding a case (kiste? with drawers?) in her right hand and extends out her left (the gesture is as if holding a phiale). There is reserved line under her feet and the woman looks as if she stepps on it. Additionally, the foot's upper surface is black. There is also a small, concave section at the centre of the base.
50.10.6	Front: in handle zone, white eggs, with incised line above; then, between pairs of incised lines, wavy white line; below this, row of white dots. Red vine branch with dendant grape-clusters, leaves and tendrils. Incised line all round below. Back: pair of lines of white dots with double incised line in between tapering to single line. Incised line continued from below decoration on side A. Handles and interior black. Bottom portion of body and top of footring red with single black band near top. Side of footring black, underside reserved.
50.12.1	A thick clay fragment showing below the rim and in line with the area of the handle zone; a pattern of joined arc-shaped bands and immediatly before the handle a vertical line joining the horizontal lines that surround the arc motif. On top of rim there is a single narrower curved painted band.
50.12.15	Interior is mainly unpainted with a black line (faded to orange) directly on rim, another slightly lower. Exterior has a series of straight and curved lines to left of centre there are two parallel vertical lines and far left two horizontal parallel scalloped lines. To the right a single curved line and at the bottom a small semi-circle adjoining the lower end of the vertical lines with an larged dot in the middle.
50.12.17	Painted brown for black. Interior brown. Exterior: Has curved pattern down the middle in brown
50.12.18	Fragment of fine clay cup or open dish. Exterior: series of five thin parallel curved lines, cut through by a broader vertical band. The curved lines have faded to orange while the more densely painted horizontal line has faded to dark brown. Interior: three thin parallel curved lines that have faded almost completely in parts. .
50.12.19	Exterior: decoration in black, comprised of three black curved lines above and a thin (faded) horozontal line below; to the right a tiny black mark. Interior: reserved
50.12.21	Interior: in a rondo, part of flying bird, rosette in field.
50.12.25	Exterior: white slip decorated with net pattern in brown; interior: reserved.
50.12.35	paint brownish black; interior reserved with one black band 0.8 cm wide, exterior black band 1.5 cm wide painted over a groove, below it, painted in black.
50.12.37	White clay fragment slightly curved and the exterior shows detail of a pattern; parallel lines curve accross the fragment to the left there is part of a feather pattern that has a single scroll at the top. On the bottom right the the pattern may be bulb shaped and six curved lines across it. The black paintwork is faded in part while some is still dark. The interior has been painted black while the area below the top has been completely worn.
50.12.4	Inside streaky black, worn. Outside, dull black with a horizontal band 3 mm wide in the top third of the fragment.
50.12.43	Exterior decorated with concentric circles. In the centre there is a solid painted circle. The painted lines are more densely painted at the top. The lines at the bottom of the circle are painted further apart. The inside is brownish-black.
50.12.45	Exterior: brown band at the top, with two parallel lines at a slant to the band. At the bottom are part of two brown circles or semi-circles, with a dot or two in the centre, and dots around the circumference. Interior reserved.
50.12.51	Brown/black designs around top and bottom, with black/brown dot in the middle on each side.
50.3.1	Red rim, mouth black inside but lower half reserved. Handles are black on top and reserved underneath. In neck zone are palmettes with dots joined by chain. Bars on shoulder. Side A; Dionysos holding wine cup, between two dancing maenads with ivy vines in the field. Side B; two warriors fighting over fallen man with spears and a shield with a leg motif and red details. Palmettes in field are attached to tendrils under the handles. Below are dots joined by zigzags with rays below. Moulded red ridge then black foot with uneven reserved band at base. Base is reserved.
50.4.11	Black glaze is rather silvered. Rim offset outside and inside. Two oblong, horizontal handles bending upwards, one higher than the other. Resting surface and underside of the base are reserved with a dot and black painted band around it. Foot is moulded in ridges.
50.4.19	Cup mouth with slightly out-turned rim and flat lip; narrow neck, bulbous body, broad raised base, and strap handle rising from the top of the neck, extending to the top of the body in a near right-angled shape. A slight ridge marks the join of neck and body. The body is decorated with 9 pairs of vertical grooves giving the appearance of a 'segmented orange'. Black glazed except on base, which is reserved and treated with red wash.
50.4.20	Exterior and interior of neck in black glaze, base is reserved. Fourteen, unevenly spaced vertical incisions around the lower body. From above, the lip and handle appear to form a grape leaf shape.
50.4.5	Interior of the neck until almost the beginning of the shoulder black. The rest of the interior reserved. On the exterior, neck and handle black. The lower part of the neck is decorated with a row of eggs. The lower part of the handle, at the height of the shoulder bears part of the decoration of a palmette the rest of which covers the body and is hown upside down. The body is decorated in black figure with a palmette-lotus frieze below with double-chevron palmette heart. The lower part of the body remains black fired brownish.
50.4.7	The exterior and interior of the mouth, as well as exterior of handle are painted black. The top of the mouth and the underside of the handle reserved. Shoulder decorated with two rows of blakc painted rays. Those of the upper row are short. The body is decorated in the white-ground technique. Decoration on front of body; at top a band with geometric meander pattern, framed by thin black bands. In a square framed by thin black bands, net pattern. The lower of the body, the small stem and the upper part of the base are black. On the lower part of the body, the glae has not been applied carefully leaving thin lines on the colour of the clay. The exterior of the foot and the underisde are reserved.
50.4.8	Black gloss on mouth, neck, shoulder, and handle (dipped). On shoulder, three rows of white spots: seven (tear-shaped) above, five (larger tear-shaped) in the middle, and below, five groups of three dots in a triangular pattern. The body is decorated with a diagonal net pattern of thin black lines with thin white spots inside the lozenges. Thick irregular black band at bottom of body, reserved stem, black foot, including resting surface, but otherwise reserved underside, with a spiral pattern etched at the centre. White paint dots added and traces of red wash over body.
50.4.9	Entirely covered in black glaze.
50.5.1	Reserved on interior, starting ca. 5 cm below rim; otherwise black glazed, with some (modern?) white overpaint: traces of white vertical strokes around lip; two white bands around neck above groove; body pattern is in (modern) white flower motif inside oblong block pattern.
50.5.2	The interior and rim are black, except for two red bands just inside the rim. The underside of the rim is decorated with a leaf-like band of design. The spaces between the attachment points of the handles are reserved. Palmettes occupy the spaces beneath each handle. On either side the figural scene is bordered right and left with tendrils spouting two quarter palmettes from volutes. Side A: A nude youth, standing profile to the right, with his left leg stepping on a rock, holds a stemmed plate in his upraised right hand (supported by his left hand). He faces a satyr, standing in 3/4-view to the left, who holds a bell in his right hand and a thrysos in his left; a himation is draped over his left shoulder and arm. Side B: Two standing, draped youths with walking sticks face each other. A reserved band, a reserved line, and a band of waves appear below the figural zones. The lower part of the body and base are black. Added white and yellow are used for details on both sides.
50.5.4	Shows partial body of youth, dressed in himation and headband, with arm outstretched. Unidentified shape in upper right corner.
50.5.5	The interior is black, as is the exterior, except for a band of waves under the rim, the figural decoration in the body zone, and wide reserved bands around the handle zone. Both sides portray a female head facing left. Side A: Laurel wreath encircling head; groups of three white dots in the field and on the back of the head; beaded necklace. Single thick leaves rise from the base on either side of the head. Side B: Plain band encircling head; groups of three white dots in the field and on the back of the head; two beaded necklaces. Single thick leaves (of different sizes) rise from the base on either side of the head. Disk in lower left field. White for hair ornaments and on the upper necklace on side B. Beneath each handle is a palmette beneath circles surrounding dots.
51.1.2	Interior and exterior of the mouth, neck exterior of handles black, fired mostly reddish brown. The underside of the rim has a reserved band. Underside of the handles reserved. The body is all black apart from the metope carryint the figure decoration and a reserved band decorated with radial-shaped motif beofre the black foot, decorated with two red concentric bands. Resting surface, underside of the foot. The top surface of the rim is decorated with two, concentric, red lines. Another marks the junction of the neck with the shoulder. The neck is black (reddish brown on the reverse side). The main scene begins from the top of the shoulder (under a red line), down the main part of the body. There are two confronted bulls with their heads bent downwards. Added red on partsof their bodies. Between them, there is an ivy leaf (heart-shaped). They step on a thin, black line, which separates the shoulder zone from the body metope. On the body, two warriors attack other two. All warriors have spears with teardroped terminations (three terminations are visible, the fourth is on a missing area) and wear helmets with coverings for the cheeks (only the right pair's are visible) with details (dots for the first and fillet for the second warrior) in added white (now fadded away). They all held shields as well. All are round, except for one. The right pair's episemata on the shields are visible (upper part of seated lion / tripod, rendered with added white that has fadded away), while the other pair's shields' interior is visible and so the porpax (handle) can be seen on the left warrior. Additionally, they all wear greaves. Added red on the contour of the shields, the interior of the shileds, helmest, one hoplite's greaves. Between the pairs there is an eight-pointed star. There are also two horizontal red lines below running around the body of the vase. Two horizontal red lines frame the reserved lower zone decorated with the linear motif. The foot is black, with two red horizontal lines. The base is reserved.
51.4.10	Offset rim and interior is glazed black but streaky allowing red to show through. The two handles are also black on the top and reserved underneath. Beneath each handle is an ivy leaf on a long curling stalk. The main design on both sides is flanked by eyes, which have red centres and white incised bands around them, superimposed onto black. Side A is a seated youth in profile to the rightin chiton and himation (?. Added white on stool and red on chimation and fillet on his head. Side B is a tree (?) with detail added in red-purple . No substantial foot, but a reserved, flat base.
51.4.11	Glaze is dark brown, sometimes with a reddish hue. Glazed on rim, neck (interior and exterior), handles, at junction of body and stand, and on exterior of foot. Cartoon-ish black-figure scenes on body and stand, with incised detail. Body, side A: Legless horseman, with arms spread on either side, to right on a horse held by a bearded man in a short tunic, with a dagger at his right side, who stands to his left. Behind him stands another bearded man wearing a short tunic, who holds a branch in his outstretched right hand, and bends his left arm at his side. Body, side B: Another legless horseman advances to the right, also with arms outstretched, on a horse, galloping towards a bearded, male figure, wearing a long tunic, who stands profile to the left. Stand, side A: Two confronting water birds, with 3 flecks behind the right water bird. Stand, side B: Two male figures in profile to the right, with a dagger at his left side; the second figure, who is shorter, seems to be bound.
51.4.3	Rim: There is a meander pattern at the side. Neck: There is the procession of two chariots. On the left chariot 3 horses are visible, however they must have been four (four pairs of legs). In front of them there is a charioteer wearing a chiton (the added white has faded away) and the largest part of the chariot as well as some of the horse's feet and tails are visible. The details have been rendered with added red and incisions (especially for the tails and mane of the horses). There is also a black line below the figures, in order to denote the ground. The body of the vessel is black, as is the interior, apart from the top surface of the rim that is reserved (but glossed) and a red, thin band on the upper neck.
51.4.5	Decoration in black and purplish-brown over a pale slip, with incised decoration on the back. At the top of the body is a broad band between two pairs of narrow bands. Above this is some evidence of a frieze of vertical bars. Below is a figural frieze, decorated at front with a geometricising bird flying profile to the right, holding a wavy line in his beak. He is surrounded by two crosses and two clusters of 8 dots (rudimentary rosettes) in the field. A floral decoration at the back is comprised of four interlocking palmettes, with purplish-brown petals and brownish-black hearts separated by incisions, with tendrils terminating in volutes emanating from either side of each sideways palmette. The lower part of the body is decorated with a thick black band between a pair of thin bands, above, and a thin band, below.
51.4.8	Neck and mouth, inside and outside, are black. Decoration in a panel. The top of th epanel is decorated with small balck tongues. Under them,lotus buds and flowers, purple patch on each flower, with a row of black dots above them. Cock to the right faces swan to the left, with extended wings. Added purple on wings. Above cock, dots and small line, ramines of an unidentified decorative pattern as background decoration? The rest of the body and three handles are black. The resting surface and interior of vessel are reserved. The glazed interior of the neck is decorated with 3 thin purple bands. Under the decorated panel, two thin purple bands, running all around the body of the vessel. Underside of the handles reserved.
51.4.9	The rim is black, both on the inside and on the outside. The back of the handle is also black, but the underside is reserved. The neck is reserved, but glazed apart from a thick purple band on its lower part. On the sloping junction of the neck with the shoulder, black tongues. Both interrupted at the joining point of the handle to the neck. The shoulder is covered with a guilloche (pattern of interwoven fillets) with teardropped terminations. In the middle of two upper and two lower black lines there are two rows of black dots that begin on the edge of the second left figure of the main scene and stop at the edge of the last person. In the centre of the scene, a male figure in profile to the right with as short mantle, a quiver on his back (Herakles) is attacking a kneeling Amazon. With his left hand, he is gradding her from the air and with the right he is holding a sword, with which he is ready to kill her. The Amazon, in profile to the left, is wearing a helmet, holding a very long spear with her arm and her shiled with the left. From his waist, her sword is hanging. This scene is flanked by two other battle scenes. On the left side, an Amazon is attacking a Greek. He is wearing a cuirass, helmet, he is hloding his spear and his shield and he is shown ready to fall down. Tha Amazon has atteacked him with her spear. She is wearing a helmet and a short chiton. On the right, an Amazon and a Greek are shown in profile running towards the left, projecting their spears. The Amazon is wearing a ahsort chiton and a helmet. She is holding her shield, covering large part of her body. A frontal head of a lion decorates the shield. A sword hanging from her waist. The male warrior wears a short chiton and has a shield and a helmet. The Amazons have long hair and wear helmets with longer and bigger crests. Incisions and added red are used for details. Added red: parts of the chitons of the warriors anad the Amazons, hair of the warrior in the middle, fillets on Amazon's heads and the frame of the shield of the running Amazon. Below the scene, there are two lines (not evenly formed at all in their length) and a band of added red. Below that, the vessel is black, with two concentric circles on the surface of the foot. The resting surface is reserved.
51.7.10	Inside is black and red, very thin and streaky in a swirl pattern. Handles are painted black. Around outside, between handles are vertical bars. The rest of the surface is black with some traces of red bands, except stem which is reserved. Side of footring is black, base is concave and reserved.
51.7.11	The interior and rim are black, except for two reserved bands on the interior, at the top and bottom of the lip. Just under the rim is a laurel wreath, facing to the right. A palmette fills the space beneath each black handle; a series of dots mark each handle zone. The scene on each side is bordered by two tendrils that emerge from the ground, in most cases flanked by two smaller tendrils; at the centre of each large tendril is a volute, from which spring two demi-palmettes. Side A: Wreathed, draped Apollo stands in 3/4-view to the right, holding a laurel branch in his right hand and a phiale and fillet in his upraised left hand. He faces a white-haired, bearded Papposilen, who stands in profile to the left. The Papposilen wears a taenia on his head, an animal skin (nebris) over a shaggy-white body suit, and slippers. He holds a mirror in his upraised left hand and a lyre and a fillet in his lowered left hand. Above him is bust of a goddess, probably Hera (or Leto, or Cyllene?), with her face in profile to the right, enclosed within a window, outlined in white. She wears a high crown and jewellry and holds a sceptre in front of her left shoulder. There are ivy leaves in the field. Side B: Two standing, draped youths, facing each other and wearing wreaths. The left figure has a 'V' drape on his chest and his left hand is barely visible; the right hand of the right figure emerges from his himation; he holds a branch out to his companion. Beneath the scenes is a band of right-facing waves. The lower body and foot are black, except for a reserved band on a groove at the top of the vertical surface of the foot, and the reserved underside.
51.7.12	Originally two handles, now only one remains, but they were both black, as are the interior walls. Exterior design shows a similar picture on both sides of a youth wrapped in leimation. Beneath each handle is a palmette with spiraling tendrils and serrated leaf below. Bottom of body below decoration black. Reserved ring on top of foot. Footring black inside and out, base is reserved with central dot and two circles drawn by hand.
51.7.13	The mouth is black at the top of the interior and the lip is reserved; the handles are black as is the body where they are attached, and the foot, except for the underside. The neck is decorated with a six-leaf palmette on each side. On the shoulder, beneath two reserved bands, are tongues that suggest the effect of ribbing. A white fillet has been painted over the 'ribbing' on both sides. Two thick, black lines (carelessly rendered) encircle the shoulder. A large palmette fills the space beneath each handle. A female head, shown in profile to the left, is shown on each side. Each women wear a kekryphylon or kalyptra and has her hair tied in a knot. Strands of added white (ribbons?) emerge from the hair. There are also thin lines (carelessly rendered) beneath the main scenes. Beneath the main scenes the vessel is black, except for the reserved stem and underside. The stem and the resting surface have been treated with a darker red wash. Red sections are streaky and dull, and some of the 'black' became red through misfiring.
51.7.15	Reserved except for black glaze on the interior hollow and geometricising decoration: on one side, within two black bands, branches arranged in a radiate fashion; on the other side, within two black bands, radiate bands, some at various angles, intersecting; on the exterior 10 horizontal lines, each intersected by 7 short vertical bars.
51.7.4	Small stamnos handle in heavy bronze. Each attachment point decorated with a palmette beneath a garland, in relief.
51.7.5	Interior reserved; black glaze on mouth and upper half of neck, as well as upper half of handle; lower part of neck decorated with tongues that suggest ribbing; shoulder decorated (except under handle) with an egg-and-dot frieze between two black lines; reserved space at lower part of handle and handle attachment (interior) suggest that the mouth and neck were dipped. Body decorated with a frieze consisting of 7 clusters of three white dots at the top of a figural scene (arranged in upside down triangle shapes): a female figure, standing in 3/4-view to the left, in a relaxed posture with her left leg crossing her right, and her left elbow resting on a pillar (the curvy element in added white suggests that this is meant to represent natural rock). She wears a hairband and kekrphylon on her head, triple-dot earrings, two or three necklaces (two strands of white beads beneath a black line), two white bracelets on each wrist; a belted sleeveless chiton, and white slippers. She holds, in her upraised right hand, a mirror surrounded by white dots, and, in her left hand, a phiale that is surrounded by white beads, as well as a beaded sash. A large palmette, with a white dot on the heart and white dots on each volute, fills the space beneath the handle. From each volute emerges tendrils and floral decoration that frame the image of the woman. A 6-petal rosette fills the space to the right of the woman; to her left are a window and a dotted circle (cog-wheel?) in the upper left field, and an olive branch in the lower left field. On the body, beneath the figural scene, are a single reserved band and a thicker black band. The foot is reserved on the top element, and glazed black on the ridge and lower element; the underside and resting surface are reserved.
51.7.7	Black glaze, except for the reserved underside and a rough band on the resting surface. Decoration on both sides in superposed orange, red-washed. Side A: vertical bars, line, detached waves rightward, line, palmettes, line, waves rightward. Side B: vertical bars, line, chevrons leftward, line, simple key leftward, two lines, dotted waves rightward.
51.7.9	Tapering body to wide splayed foot. Traces of black paint. Many bands of brown/yellow around body. Vine pattern (?) or leaves on stem (?) still surviving around middle in dark brown. Dark brown band just above the base.
52.3.1	Mouth black inside and out, apart from flat exterior. Handles are black on top and sides but reserved underneath. Palmette and swirl pattern in black on neck. Small ridge at base of neck and vertical black tongues on shoulder. Side A: Heracles and Triton or Nereus (both equally possible as monster has tail and old man with staff associated with Nereus, but is unclothed as associated with Triton) with one male draped onlooker in profile to the left carrying a stick. The opposite side (B) is of a warrior (shield emblem chariot body painted in white) between two male draped onlookers carrying sticks. Added red on onlookers mantles, Nereus beard, and white on the shield. Below figures is a double row of large dots, bewteen two narrow bands with rays below to foot.Undr the handles, lotus and palmette . The foot is black and has two steps. Resting surface and conical base are both reserved.
52.3.2	Flared, cup mouth, black in and out and on rim. Neck is black, as is handle, except for a palmette pattern at base. Intricate tongue pattern around base of neck with a circular palmette pattern below. Main design, from left to right, shows Eutychia (EUTUXIA) standing to the right, holding a box in her left hand, with a string of embossed flowers (?) hanging down from her right hand. Beside her is a diphros with a cushion. Aphrodite ([A]FRODITH) sits, profile to left, in the centre and to left is small Himeros (IMEROS) in white, holding a wreath. To her right is a standing Makaria ([MAK]ARIA). Black egg pattern beneath main design. Moulded foot ring with grooves around the side. Black on top but reserved underneath.
52.3.3	Inside is black on neck and rim but reserved inside the body apart from numerous black splatters of paint. Diamond pattern with dots on rim, rays and palmettes on rim above each handle. Side has dots and two rows of wavy lines. Handles are black as is the neck between them. Neck design same as on rim. Row of tongues on shoulder. Scene similar on both sides. Each side is flanked by a vertical line of hearts/ivy leaves with dots between lines. Side A: three youths, robed, one with a staff, two facing left and one facing right. Side B: three youths, robed, around a stele (?), two facing left and one facing right. Figures are ruddled and detail picked out in black. Below is a band of ivy leaves. Foot is black and ridged. Base is reserved and conical inside foot.
52.3.4	Interior: black spots on lip; alternating black and reserved bands on interior (restored), surrounding a tondo decorated with sphinx, profile to the right. Exterior: Rim decorated with a band of zigzags, slanted to the right; body decorated with an animal frieze, above two thick black bands; exterior of handles and foot glazed black (restored). The animal frieze shows (from under the preserved handle): a water bird, left wing outspread, profile to the right; billy-goats (4) grazing profile to left, alternating with panthers (3), profile to the right, each with left forepaw raised and head frontal; spots of varying sizes in the field.
53.8.1	Glazed black except for a reddish band around the omphalos. Relief decoration encircling the omphalos consists of (from centre out) eight raised dots; two ridges, a figural frieze, and a vine wreath. The figural frieze depicts the apotheosis of Herakles (procession to Mount Olympos). Four quadrigae (four-horse chariots) are driven in 3/4-view to the left by winged victories, each with a different passenger: (1) Athena, (2) Herakles, (3) Ares and (4) Dionysos (?). Small flying Erotes hover behind each chariot.
53.8.3	Lip and interior glazed black, except a ram protome, profile to right, at the centre of a reserved tondo, outlined with an orange band. Exterior: lotus petals on the rim, interrupted only by the glazed handles and lugs, above a a thin glazed band at the carination (mostly orange-red), an invertedanimal frieze on the body or bowl, above a pair of thin bands above a thick band; bands decorating the foot on exterior and interior vertical surfaces; underside decorated with concentric circles (black between two lighter orange circles, enclosed by two darker orange circles). The animal frieze shows (from just above the black handle): a panther advancing to the right, head frontal, licking the horns of a grazing deer, profile to the left, between two pinecones, with a dotted line above his back; a panther advancing to the left, head turned frontal, a dotted lozenge, a lion advancing to the right, tongue licking the horns of a deer grazing profile to the left, with a row of chevrons above; a dotted lozenge. Below each creature is a dotted bull's eye (comprised of central dot, surrounded by a band, surrounded by a circle of dots). Additional ornaments, including dots and chevrons, in the field.
53.8.4	Molded, downturned rim with a flange (for lid); incurved horizontal round handles; deep body with nearly vertical sides that are slightly concave above the handles and convex below, curving sharply at the bottom into a broad, short stem, on top of a molded disc foot, recessed underneath in two degrees. Black gloss with red figure decoration. Side A: a female head profile to left, with small dotted circles in the upper field on either side; side B: palmette. Interior: a reserved band within the rim. Exterior: a band of vertical bars under the rim (with applied red wash); a reserved band around each handle attachment (also with red wash); a stemless ivy beneath each handle; narrow reserved band beneath figural scene; reserved band on the upper part of the foot; underside of foot is reserved and stained with red wash.
54.2.1	Interior red for black. On outer surface are horizontal parallel bands of brownish black, increasing in width from neck downwards. Rim is slighlty outturned.
54.2.2	Reserved except for thin red band at rim, thick red band at neck, and medium red band at shoulder with thin streaky bands below it, level to the bottom of the handle. In between the bands there seems to be a pale white wash (?). The external face of the handle is also painted red with a small tail-like extension of paint.
54.2.3	Upper part of the outside is buff whereas the lower part and the entire inside are both pink. On the outside buff section, are coarsely incised groups of lines in groups of three. Some are vertical and others are inclined. Pink foot and resting surface and base. Base has central convex section.
54.8.1	Inside has a ribbed texture and is reserved apart from thin bands around rim with vertical bars overlapping the rim. Single ribbon handle which is unevenly bent, has horizontal lines down back and is reserved underneath. Procession of seven mourning women, in profile all facing right, framed by wavy lines, with two bands above and below and three vertical lines at right and left of panel. In front of the sevnth woman there ae three loop patterns, with dots. The women are wearing long garments, have long hair and ftech one arm over their head, as a mourning gesture. Face drawn in outline. No use of incision for any details. Below 'SSSS' pattern, then horizontal lines. Moulded ridge and groove below around foot. Base is flat and reserved.
55.1.1	Covered in lustrous black glaze, except for a red band at the rim.
56.8.1	Reserved inside. Paint on outside is black, lustreless and largely worn towards base of body. Two handles painted black on top but reserved underneath. In handle zone, within a panel framed with bands of dots is an ivy spray (on both sides). Lower band of dots carried round below handles. Bottom of object is black until reserved band just above foot. Flaring foot, black on top and reserved and conical underneath.
56.8.4	Black inside and out except for an egg-and-dot band framed by two black lines at the front of the base of the neck, the figural design, and the reserved underside. Body: A satyr seated between two similar palmettes (the left one larger; each is comprised of a flower in the middle of two volutes framed by a short half-heart-shaped pattern on either side). The satyr is seated in 3/4-view to the left on a rocky mass that is spotted (perhaps it is covered with an animal skin). He looks profile to the left and he wears a taenia or band on his head, as well as a long, beaded necklace over his left shoulder and across his chest. He holds a phiale (its rim is marked with yellowish dots) in his left hand and a fillet in his right hand. The fillet is purple. The taenia, necklace, and rim of the phiale are coloured white with yellow wash. On the back a drip of (probably accidental) white paint.
56.8.5	Black pointed knob with moulded purple ridge at base, in centre of lid. Three black bands, tongues alternating black and purple, three bands, broad black band with superimposed purple line on each edge, three black lines and then a ridge. The rim is lower after ridge and has a chain of interlaced black lotus buds with dots between each one. Underside is reserved with a rim for top to sit in lid. Centre is concave with a hole in the middle below knob handle.
56.8.8	On the exterior of the rim, S pattern. A fight of three warriors between onlookers; on the left, an onlooker between two runners, on the right, a runner between two onlookers and at the back a floral motif (lotus-palmette cross?): Two semi-spherical palmettes chained in the middle by circular bands, dotted in the centre, and held on a columnar motif with similar (only more conical) palmettes as endings (top and bottom) by black strips. Many of the figures appear to be holding spears (in the case of warriors) or have in front of them the same attribute (long, thin, vertical or diagonal lines). There are variations in the rendering of armour, hairstyles and drapery, mostly executed by incisions. The scene is framed by bands, top and bottom. Above the top band is a reserved circle, a thin, red, circular band and then the vessel is black up to the base where there is another red circular band. The interior of the footring is black. The broad, reserved base has a black circle inside a black band in the centre. Additionally, there are six dots (four are bigger) placed randomly on the reserved area of the bottom. Interior: The surface is black from the rim to the tondo, except for two, red, concentric bands approximately 1 cm within the carination, and a similar red band framing the tondo. Inside the tondo is a representaion of a cock in profile to the right with a flower-bud emerging in the background. Red paint: tail, wings. Moreover, incised over the red ring surrounding the tondo there is a mercantile graffito (?). The handles are black but reserved within. The underside of the foot decorated with black dot at the centre, surrounded by black band and 6 black dots around it, uncanonically placed
57.3.1	Clay pale, paint greyish brown: large closed vessel, interior unpainted. Exterior broad black line, and part of a circular spiral in black. One small faded black line in middle of fragment, a section of a semi circle to the left of the broad black line.
57.3.15	Middle part of draped female figure, seated on throne(?) Left hand emerging from draping, and left lef with knee bent. Clay pink. Pierced hole in extension on right side. Mould-made, with flat back, probably.
57.3.16	Lower part of boy. Two legs and one arm wrapped in cloak. Clay orange. Traces of red on legs. Apparently seated. Mould-made, probably with flat back.
57.7.9	High, curved handle attached to triangular mouth. Traces of black paint. Many bands of brown/yellow around body. Vine pattern (?) or leaves on stem (?) still surviving around middle in dark brown. Dark brown band just above the base.
58.2.2	Brown paint on lip, one line halfway down neck, two round edge of shoulder. Incised lines around body. Small depression in centre of base. Small metallic particles in clay.
58.2.4	The lip of the jug is decorated with black lines compartmentalising the area; within every other compartment there is a design of lines of black dots. This design is carried on part way into the interior of the vase and onto the spur. The underneath of the rim is delineated with a black line. The neck is decorated with three compartments of decoration of unequal size. The compartments are divided by two black lines which enclose crosses surrounded by diamonds. Within two of the compartments there is decoration consisting of lines of vertical dots hemmed in by horizontal lines on either side; underneath are crosses with dots in each section and above is a mixture of crosshatching, lines and dots. The third section is undecorated apart from six groups of three diagonal lines, which form a vertical stripe of decoration under the handle. The body has decoration of long and short double lines containing cross-hatching reaching for the base (within the gaps there is a cross with dots in each section), below two such lines enclosing a string of continuous horizontal diamonds. The base is decorated on both faces with lines and circles. The handle is also decorated with black lines.
58.2.6	Brown clay(?), blackened greatly in places. No pattern can be distinguished.
59.2.1	incised amulet in the shape of a lion with suspension hole on top
59.6.1	Glazed black on interior, except for a reserved concentric band in the middle of the bowl. Exterior: Black-glazed rim, exterior of handles, lowest part of body, stem, and upper part of foot. The lower part of the body is decorated with a floral frieze, consisting of (on either side) three palmettes. On side A, and the right palmette on side B, each palmette is dotted on either side of the central petal. The right-most palmette on side A has a vertical band (drip?) to its right. The left-most palmette on side B has a vertical worm on either side of it. Under each handle is an upright ivy leaf. Below this frieze are two narrow black bands.
59.6.2	Cylindrical with small circular hole in the middle. Made from a pale orangey yellow clay.
60.1.1	Bird; three dots in triangle above tail. On either side two markings. Beneath handle palmette flanked by two markings. Neck (upper part), mouth, and top of handle black; also lower part of body and foot. Base underneath reserved.
60.1.4A-B	The rim is painted black. On receptacle laurel spray / leftward chevrons, beneath it broad streaky black band not reaching as far as foot and running up into laurel fringe where the brush in taken off. Ring foot and underside reserved. Edge of lid decorated with evenly spaced black dots. It is framed with 2 black bands. The zone towards the knob is decorated with eggs. Black band defines the zone and the transition to the knob, whose neck is reserved. The upper surface of the knob is black.
60.8.1	Reserved bands on lip and handle zones, heavy black line on lip and dividing the two zones. Handles reserved underneath. Interior black except for a reserved disk in the bottom with two concentric reddish circles inside, then two purple circles applied over black about half-way up, then another single circle just below lip. Reserved thin band on the top of the rim, in the interior. Exterior black beneath the two reserved bands, exterior of footring black, base reserved.
60.8.2	Decoration in panel, shoulder: Two black lotus flowers (fired red) with white sepals alternating with buds (purple). Body: mantled woman in profile standing to right holding wreath between two mantled male figures. Black dots decorate part of their garments. The rest of the body is very patchy and is both red and black. Base is reserved.
61.6.1.7	Rough reddish-pink fabric, fired grey on the surface. Parallel ridges in pairs on neck and shoulder.
62.10.1	Black-glazed inside of rim and lip; broad black band at top of shoulder, above the handles; between the handles, on either side, a frieze of thin rays, a line of fine dots, and a simple maeander. Around the body two broad black bands, and black-glazed upper element of exterior of foot, but otherwise reserved. A faint rouletting marks the junction of the body and foot. Handle zones reserved but handles dipped in black-glaze, which drips from the left side of one handle. Under each handle a design comprised of a vertical band (?) above a series of four chevrons.
62.5.1	Decoration is dark (brownish-black fading to red) on a light ground. The interior is decorated with bands around the rim and in the bowl (with an ill-made join). The exterior is decorated with a band around the rim, brown fading to red on the exterior of the handle, and another band where the cup tapers to the base, beneath which six narrow bands in dilute glaze are evenly spaced to the foot, the exterior of which is red.
64.7.1	Black band on the interior of the rim, underneath of which a red line. On the interior, bust of a female figure drawn in outline and shown in profile to the left. She has a freckled face (six spots rather than the usual three found on faces in the Sam Wide Group). Her hair is bound up with a spotted kekryphylon (scarf) tied over her forehead. She wears a pine-cone shaped earring and a beaded necklace. Her drapery is clumsily rendered: a himation decorated with a banded (tongues?) border (shown on her left shoulder) over a thin dark chiton (shown on her right shoulder). She holds a thymiaterion (incense burner) out of which streams some smoke (six strands in diluted glaze). The remaining handle is dipped black on the side. On the exterior of the rim, a frieze of black tongues below the rim, with a thin line below. The foot is reserved, except for the interior of the sloping ring.
65.6.2	Head and shoulders of a Neolithic deity. Square head and oblong arms. The top part has three holes bored through down either side and two partly bored holes near the top representing eyes and three partly bored holes representing the mouth in a horizontal line above 'neck'. Single partially bored hole on neck and one just above the break. Bored hole at the end of each arm. The other side is flatter than the side with the visible holes. Very smooth and highly polished object, creamy-yellow colour with naturally formed pattern.
67.6.3	Standing woman, left arm akimbo, holding palm leaf far in right hand. Wearing head dress and robes. Possibly portrayed as pregnant (?).
67.7.1	Standing male youth, nude. Grey, apparently from burnt grave; small depression in base. Traces of white slip, colour lost, but probably once red. Standing with arms by sides, elbows pressed back, legs apart, right knee slightly bent. Rectangular base. Paper slip marked 'Thebes' on back.
67.7.3	Long aulos (probably the right half of a double aulos, a wind instrument played through [missing] reeds) which appears to have an inner surface of wood (?) with a bronze sheath and silver mounting (in four sections). Mouth is silver and has two grooves towards rim. Neck has small hole below mouth and no silver. Bulbous section to neck with bronze section between two silver sections below. Four holes down the length of the body, one apart from the lower three with a fifth on the reverse side in the gap. The hole of the reverse has a small thumb plate around it. Bronze section below which may have originally been silver, with a grooved silver section flaring slightly to end. Hollow inside.
68.12.2	Decorated with streaky black glaze, which becomes dark red in placces. Knob black glazed on exterior of two recesses, side, and underside, as well as stem and inner part of domed top. Beyond this a frieze of 9-leaf palmettes alternating with water birds, profile to the left, with intervening spots between palmettes and swan. This frieze is surrounded by a band of vertical bars between two glazed bands. The underside is reserved.
69.7.1	The inside of the mouth is black and the aperture is marked by a thin, black line. The lip is decorated with black tongues, with intervening white dots. There is also a zig-zag band on the vertical surface of the rim. The neck is black. The back of the handle is decorated with a voluted palmette (incised) with tongues (black and reddish) on the top. From the ankle, just below the neck, emerge alternating black and red tongues (contoured with black lines). The foot itself is entirely covered in a thonged sandal that ties at the front with a ring-shaped knot. The sandal is indicated with relief straps that are painted in reddish-brown colour. The edge of the sole (crepis) is decorated with two rows of black dots. The base is reserved.
70.3.2	Interior unpainted. Exterior decorated in one corner with small brownish-black spiral motif encircled by a line of tiny dots.
70.3.3	Applied red wash except lower body, foot and base, which are reserved. Black glaze is applied to the interior in a swirl and the rim is also black. Handles and large semicircular spaces under each handle were also treated with black glaze. Both sides depict an owl flanked by olive sprays.
71.12.1	The interior and the exterior of the mouth as well as the handle glazed. On the exterior, the black is fired brown. At base of neck, ridge in place of drip-ring painted purple. Shoulder: ivy leaves on each side of central purple line(six above, seven below); on body five inverted opening lotus flowers with central petals white. Above them row of white dots. Lower half of body and exterior of the foot glazed black (turning red in places). Resting surface and the underside of the foot reserved.
71.12.2	Circular with flared edges which are fanned. There are concentric circles around the central carved dot of the vessel: A small, incised one, two larger, that seem to be in low relief and one that contours the others, incised. There is also a carved line that separates the rim from the body (exterior), which becomes double at some point. In the centre one small hole, on the surface of the bronze two incised grooves and four smaller holes positioned symetrically around the bigger hole in the centre. Inscised petal decoration around the centre hole. Four fine grooves around the centre decoration and then twelve further holes around the edge the same size as the four smaller holes. Edges fanned with large grooves.
71.6.3	Inside is streaky black showing red through. Handles and outside are also black. Side A: A woman standing with her back to a chair, holding out a fillet in her right hand. Side B: A youth in himation holding two spears (?) of which heads are not visible, being too tall for space avaliable. The detail on both figures is picked out in black paint. Two ruddled bands run around base of pot below figures. Foot is black on top and side and inside foot ring; resting surface and underside reserved. Base is ruddled and has three black bands and a central black dot.
73.6.3	Black figure painting consisting mainly of two large straight lights, one at the bottom, and the other in the middle. There are several patterns on the upper part, though it is challenging to fully make out what they are, though it is likely they are forming part of a story portrayed across the rest of the pot.
73.6.4	On the outside surface is a figure zone, on the left edge of which appears to be the edge of a square. To the right of this is the lower half of what appears to be a swastika and below, a dot rosette. A vertical palmette is figured in the middle of the surface, to the right of which is the tail end of a bird, the head and neck missing. Below all of this, is a curved black line, and then the edge of what could be a circle. The inside is covered in black gloss.
73.6.5	Decoration is minimal, though on one side it is shaded in gray, and on the other is more its natural colour, with the top part of it having the gray shade.
73.9.1	Short, broad spreading foot. A+B(?) broad fleshy lotus between palmettes, under handle ivy leaf, all connected by snaky tendril. Interior black with reserved disk in shallow well. Reserved band c.3 mm wide round lip.
73.9.10	one side covered in a plain black glaze, reverse side decorated with small patterns
73.9.16	One side is covered in a plain black glaze. Reverse side is decorated with three lines of black glaze.
73.9.23	Fragment with both red and black on it. On the surface (depending which way up you hold it!?)On the left there is the edge of a curve with two black dots inside it, to the right of this is a vertical line. To the right of this line are what could be the edge of two big petals or leaves., in the centre of the first there is a dot and a line. Underneath all of these shapes is the edge of what seems to be a big circle in a red coloured gloss. The back of the fragment is covered in a black glaze that has come out as red in patches(?)
73.9.24	Plain black glaze on one side with some areas worn away. reverse side covered in floral pattern made from black glaze.
73.9.29	One side covered in a plain black glaze. Other side is decorated with a thin-banded striped pattern around the lip. Main body is decorated with a floral design.
73.9.38	Concaved side covered in a plain black glaze. Convexed side decorated with a solid black stripe and circular decoration.
73.9.6	A small fragment with possible figure of bird (front part and head missing) and above this, a circle design with a dot in the centre. The back of the fragment is covered in black glaze.
73.9.7	The inside is black with a reserved band around the inside of the rim and again roughly half way down the inside. In the centre is the remains of a brown disk. On the outside, only part of the rim and main zone of skyphos remains, as well as one handle. The handle is mostly black, but reserved on the inside. The main zone shows: parts of three palmettes, one upright, one reversed, then another upright in black. A thick black band runs round the outside of the rim, a thin one underneath the main zone. The stem is black as is the upper ridge of rim of the foot. The lower ridge is reserved, as is the base of the foot, except for a band of red/brown about half a cm in. The inside of the foot is hollow and reserved, except for a very thin red/brown band, and a dot in the centre.
74.7.2	Completely reserved plate. Inside at centre is a stamped design of six leaves, with vein detail, in a circle inside three grooved bands. More grooves towards sides of plate and on rim. Flat base with incised grooves on bottom.
74.7.5	Female protome, burnt. Brown clay, covered with white slip. Suspension hole in top. Label on back 'Thebes' in P.N. Ure's writing.
77.5.1.1-17	The interior is reserved (although covered with plaster on most of the fragments), apart from the upper parts of 13, 14 and 15, that are black (unevenly applied). 1) On the left, there is part of a naked male figure (thighs to toe), facing right and next to him there is the lowest part of another similar figure facing right. Below them, there is part of a black band. 2) There is part of the right part of the previous figure (chest to toe). On the right side of the fragment, there is a figure's forearms (projected to the left, the right hand holding a round object) and part of the right knee. 3) Part of a naked male figure, leaning to the left. Details with incisions and added red. 4) Part of a lions's paws and below it part of a broad, black band. 5) A male figure's thighs and part of a bird? (executed with incisions and added red). 6) The right part of the previous bird? and the right tibia of a male figure , facing left. 7) The thighs of a male figure facing right. On the left side of the fragment there is part of a black and red motif? 8) The upper part (chest to thighs) of a naked male figure, facing right. 9) Part of a male figure's thighs, facing right. 10) The previous figures lower part of legs and part of a black band. 11) The biggest part of a bird, executed with black, added red and incisions. 12) On the left, there is the rest of the previous bird. Next there is the lower part of a lion, executed with black, addeed red and incisions. Behind the lion, there is the lower part of another male figure (chest to feet), facing left and behind him there is part of a bird. 13) The upper part of a satyr (head to thighs), facing right. His hair and beard have been rendered in added red. 14) The lower part of the satyr, chasing a maenad on the right (her right leg is only visible). The details of her drapery are in red and her tibia is white. 15) The left left of the running maenad. On the right, another satyr chasing a maenad (lower part of the figures is visible). 16) Part of a broad, black band. 17. Bit of plaster.
77.9.1	About half foot and side to H. of c.1.5 cm, of small cup. Clay pink. Red for black inside and out, with res about 1 cm wide running diagonally across side and foot. Underneath, broad purple ring in centre, and groove near edge. Outside, two narrow pu
78.12.12	Moulded rings around the edge of the discus, in the centre stands an eagle with outstretched wings and head turned to his left. Single volutes on both sides of the nozzle. Red wash inside and out.
78.12.19	Shoulder is decorated with a moulded pattern of a vine, on the discus is a standing figure orientated with head towards the nozzle, holding a hydra in right hand and to the left is an amphora. Above the figures head, on the decline of the discus is a pattern of rays. Pale yellow wash.
78.12.22	Moulded ring around discus, within is a "Throx" gladiator in relief standing on base-line; helmet, shield, sword, top of greaves distinguishable. Moulded single volutes on either side of the nozzle shaft, at their termination are raised marks towards the base. A faint raised line next to the gladiator on the right. Red slip all over.
79.1.1	Black glaze on exterior and interior, red in parts.
79.1.13	Black glaze all over, redish in places probably due to firing.
79.1.16	Two bands of laurel leavess with berries on either shoulder between the handle and nozzle, discus decorated in raised moulded relief of a fourteen petal warped rosette. Two very small circles are placed at the body end of the nozzle, on either ridge of its top. Moulded line along the crest of the handle with two small lines either side of it at the front of the handle. The back side of the body, under the handle are three lines; the central is straight and terminates at the base with a bud either side, the other two terminate in volutes. Red wash all over.
80.7.1	Interior glazed black, except a reserved band around the bottom of the bowl. Lip, lugs and exterior of handles also glazed black. Exterior: a band of lotus leaves on the rim, and a figural frieze on the body, with black bands above and below it; another black band just above the foot; the exterior and interior sides of the foot ring are black, while the resting surface is reserved; the underside is reserved, except for a black dot with black and red circles (one each) around it. The figural frieze shows: two confronting sirens, in profile, on either side of an inverse lotus bud; a water bird, profile to the left, turning its head profile to the right, back over its bod; two confronting panthers, both turning their heads to the front, on either side of an inverse lotus bud; another water bird, similar to the first except its beak touches its back. A 6-pointed star decorates the field beneath each creature.
83.10.1	Standing female figure in cloak, with halo-shaped hat (or hair style). Rectangular hole in back. Hollow. Right leg bent, right arm across breast. White slip on clothes and face, pink on head, and shoulders of garment.
83.11.1	Torso of seated female figurine, and legs to just below knees. Right arm (articulated). Blobs representing (?) jewlery arranged in a saltine cross over front of body, and horizontal row at waist. Tow incised lines on left thigh. Clay orange pink.
83.11.5	Part of leg of horse. Painted with horizontal stripes in reddish-brown.
83.11.7	Front part of female head from figurine. Hair waved on top, ringlet down side on right side. Earrings. Clay dark orange, coarse, and bown in patterns.
83.11.8	Head of female figurine, veiled, archaic features. Clay bright yellow-orange. Veil closely drawn in at sides.
83.2.4	Small horned shaped peice of terracotta in a pale yellow clay.
83.2.5	Short horn shaped piece of terracotta in a pale yellow clay. On one side are several brown/red coloured lines, likely part of a larger pattern originally from the item the horn was broken off from. They appear to have been worn away over time.
83.5.1	Fragment of base of cup-skyphos (or possibly stemless kylix). Arrowhead graffiti underneath. Red splotch inside when another vase rested in kiln. Inside base, black bands and central spot.
83.9.13	One side is decorated with black glaze in a circular pattern; consisting of a thicker and thinner stripe. Other side decorated with an imprinted pattern.
83.9.14	the surface is decorated with a layer of black and opaque paint, in the middle of the dish there is a small hollow
83.9.30	One side of fragment has two patches of black, which continue off the piece. This side has a reserved patch in between the black and two small back dots. The other side is black and appears to have two small flowers on it. Also there is a third half of a flower, which continues off piece.
83.9.32	On one side of fragment it is mostly terracotta with a small patch of black gloss, located on the end which is squared off. In, almost, the centre of this side there is a small, black circle with a tiny, black dot in the middle. On the other side of this fragment it is glazed black with a palmette design on. The flower pattern has a circle around half of it. This circle has 'U' shapes on it and appears as if it would have continued around the pot, from which the fragment came.
83.9.33	One side of this fragment is black glazed with four flowers on it. The flowers seem to be separated off into pairs, as in between them there is a line with up-side-down 'U' shapes inside it. The other side of this fragment seems to have the remains of what would have, perhaps, been a rim. The rim has black strips on either edge and a strip of terracotta on the top. This 'rim' has more fragment on each of it's sides, which are glazed black.
83.9.5	Flat, black, open bowl with moulded foot. Base of foot is reserved, with black inner ring and a tiny black dot in the middle of the inner ring. Outside the reserved area is a thick black ring outlining base of foot. Above the black ring there is a thin red line around the bottom of the body.
83.9.6	An almost round, single fragment of a foot to a pot. Base of foot is reserved, with a black indented inner ring; inside this are three more reserved rings, surrounded by thin black circles. In the middle of the rings is a tiny black dot. There is a thick black band all the way round the sides of the foot. The side of this fragment which would have been the inside of the pot, is black and details four flowers grouped together.
83.9.9	The underside has a circular striped pattern an additional spot on the outer ring of stripes. The upper surface has a series of three rings of different imprinted patterns. The middle pattern of outer rings appears to be repeated in the center of the rings.
84.8.2	Amphora stamp. Stamp is rectangular and letters are in relief and takes up most of the handle. There is a small hole in the break of the handle.
84.8.3	Amphora stamp. Stamp rectangular and takes up most part of the handle. Letters are still visible but worn. Small hole in break of handle.
84.8.4	Amphora stamp. Round circular stamp, with words around the outside of the circle and a picture or symbol which is difficult to make out in the centre. Stamp is on lower part of handle. There is a small hole on the break of the handle.
91.11.3	Shape similar to 91.11.1, but bottom flare more cushion-shaped. Mouth slightly flared out, narrow flat rim, off centre. Lengthwise striations in glass, some becoming riven. Iridescent transparent glass, some blackening near top of neck. Slight incrustation.
91.11.4	Top broken, mouth partly preserved. Flares v. gradually from 4 cm below mouth, bottom curved like alabastron. Mouth flared. Transparent glass, bluish iridescence. Slight encrustation. Some striations in glass.
91.12.1	Moulded design incised on top: rough circle ca. 6.2 cm in diameter, containing a dotted star. See notecard for drawing.
91.12.2	Small indented circle in centre of weight. Two more indented circles around that smaller circle.
E.23.1	Below a cornice, sunk within a square frame, figure of deceased (in Roman clothing), stood frontal between Anubis (stood) and Osiris (seated). Red pigment preserved on lower part of Anubis.
E.23.11	Straight base below a trapezoid shape (slightly better defined than E.23.10). Now grey in colour all over.
E.23.17	Face comprises top third of piece, angular. Detail on face uses black pigment (beard. eyebrows and what may be hair). Face and clothing in light coloured pigment, green is used around the eyes, the upper body decoration consists of a large red band, a smaller black band of dashes, a blank band, a light blue band, another black dash band, a thick black band, another dash band, another thick red band, another dash band, another blank band, another thin dash band, and finally a thick band made of black tear shaped vertical stripes. There is also some black pigment on what appears to have represented the shoulders.
E.23.19	Coarse red fabric, burnished. Stylized ships painted, one on either side, in dark red pigment, with details such as oars, sails, and 's' shapes representing the sea.
E.23.2	Funerary stele with vulture wings surrounding the solar disk, common during the time period. Below the wings is the text of the stele, surviving intact. Two men are depicted adoring the god Re-Horakhty, whose presence is indicated not only by the uraeus and sun disk but also his name inscribed in the text. It has been suggested that the dress of the figures indicates that they are Nubians; this is confirmed by the oddity of their personal names. The sky is depicted above the winged disk, each end being supported by the symbol of the west (on the left, only the top of the feather survives) and the east (on the right, more or less complete). A signature, possibly belonging to Flinders Petrie has been found above the head of the right hand figure. There is only one viable interpretation possible, when one combines the depictions with the details found within the text. The stele depicts the man Serep and his son Tkr-Irt-Hrw, not as has been assumed Serep with his Ka. A personal Ka has no need of the title m33 khrw, which is a title of the deceased, thus two deceased are depicted. There is no question that Serep is a man as he is depicted in male dress and has the male symbol after his name. There is enough evidence to show that the stele was once painted. Red pigment on the sun disk of the god is the most apparent, though a similar (if not the same) is found in several of the hieroglyphics and on the deceased as well as faint traces on the column to the right. A yellow stain remains in the first two columns, which could be remains of the paint used to fill in the columns. The combination of colours matches well with the red pigment found in the glyphs.
E.23.3	Model of Nile boat, with six rowers with six oars and a steersman standing and steering with paddle. Another figure standing in front of steersman, by mast, and a final figure sitting behind the rowers. Figures are painted with brown pigment for skin, black pigment for hair. There is a faint red pigment on the 'deck', going from top to bottom and then several horizontal lines. It is unlikely that all of the figures are originally from this boat. The number 886 (988) is visable on the boat, which likely the tomb number.
E.23.32	Jar perhaps coloured with a white wash. There is a purplish-brown band in the shape of a 2 x 2 grid around the shoulder and also in two bands around the neck. There are marks in this pigment elsewhere on the body, particularly around one of the handles. There are also concentric incisions, perhaps wheel marks.
E.23.38	The Djed sign, a sign of stability, which was held in one of hands crossed on the breast. This probably represents a lopped cedar or four pillars in perspective.
E.23.41.1-25	Beads in varying shades of blue-green.
E.23.43.1	Long cylindrical bead, light blue in colour.
E.23.43.3	Cylindrical bead, blue glaze. The bead is shaped somewhat like a bone in that the ends are bulbous either side of a thinner middle.
E.23.43.4	Short, cylindrical bead, light blue in colour.
E.23.43.5	Short, cylindrical bead, light blue in colour.
E.23.43.7	Short, blue bead, light blue in colour.
E.23.43.8	Flat, circular bead with a hole for threading through the middle. Light blue in colour.
E.23.43.9	Flat, circular bead, light blue in colour. The hole for threading is slightly off centre.
E.23.44	Glazed blue amulet in the shape of a head wearing a crown. The head is vaguely reminiscent of that of the dwarf god Bes. The top of the crown has been threaded for a string for wearing. The eyebrows are large triangles, above the sacred eyes which are joined. The nose is snout-like in between two puffed out cheeks. The mouth is thin lipped and small verticle lines indicate a beard.
E.23.48	The internal beads are sewed in a diamond form. The ones on the outside frame the bead net. There's a sacred scarab in the upper area of the net. Beneath it, there are 4 ornaments/amulets, that appear to be the four sons of Horus.
E.23.49.1	Tapers from a flat edge to a point. Serrated edge, other two sides. Brown in colour. Has word knife written on flat underside.
E.23.49.2	Very light brown in colur. Slightly curved and rectangular in shape, shorter inside edge serrated. Flat underside with 'Kn' written on it.
E.23.49.3	Tapering to a point at both ends, not serrated. Light brown in colour, flat underside with '843' written here, word 'Knife is written on the other side,
E.23.49.4	Notch at end possibly a handle, serrated on cutting (bottom) edge. Grey in colour, one flat side with the word scraper written on it.
E.23.49.5	Triangular, serrated on longest edge; right angle where held, slight notch for gripping. Underside flat, word 'Scraper'written on otherside, light brown in colour.
E.23.50	Cylindrical bead in blue glaze
E.23.51	A long flat beadm the top in rounded, the underside is flat and the edges appear to have been bluntly serrated. Turquoise in colour.
E.23.53	Originally green in colour although little remains. The shabti is decorated in black pigment the details being a hieroglyph inscription up/down the legs, a crook, a basket (both denoting work and being'held' by the figure) and some kind of head decoration.
E.23.54	Green shabti, arms folded, shoulders are indicated by the drawing of the figure 'A' on either side of the upper body, there is an inscription in hieroglyphs. The figure is carrying a sack indicating that it is a worker, this is painted on the back of the right shoulder in black.
E.23.55	Light green in colour, arms crossed, details painted in black: eyes, the shoulders ('A' shapes), a basket indicating a worker on the back of the right shoulder, an inscription vertically down/up the front of the body.
E.23.56	Light green in colour, arms crossed, black pigment gives the details of the eyes, the shoulders ('A' shapes). a basket on the back of the right shoulder indicating a workman, an inscription running up/down the centre of the body.
E.23.57	Light green in colour. Black pigment gives the details of the eyes, the shoulders ('A' shapes). a basket on the back of the right shoulder indicates that this represents a workman.
E.23.58	Of white in colour, the beetle sits on a flat base. The base has hieroglyph inscriptions on the bottom.
E.23.60	The beads are varying in colour but the prominant colour is green. The string the beads are on is actually too long for the beads so it likely not the original string suggesting that these beads were probably not all worn together.
E.23.61	Sacred eye amulet, blue with the eye detail painted in black. A hole has been drilled through the amulet to enable wearing.
E.23.9	Wide mouth with pronounced lip, slightly rounded shoulders, very flat base. Small wavy handles on either side (rudimentary, perhaps only for decoration). Buff coloured, except for a wavy design in a darker colour, which suggests that the material is sand-based.
E.47.1	On three quarters of the shoulder a wreath surrounding the discus, the other quarter is sections by two ridges and a small lanceolate relief points to the wick hole. Red colouring still apparent in very small amounts on the relief and a small section on the base of the nozzle.
E.62.11	Carved piece from open work rail of furniture, representing the hes vase. The top of the artefact has a carved peg on it while the foot has a lip carve in it, clearly these were used to attatch the artefact to a larger body, there is no pigment.
E.62.14	Decoration in mauve pigment, consisting of two curved lines below five triangles that originate from the edge of the fragment.
E.62.16	A cubic dice, white in colour with numerical symbols etched on and then painted in black. On all bar one side the symbols are made up of one dot surrounded by two concentric circles, the number of these represents the value of that side. On two sides there are five, on two there are four and six on the fifth. The final side has twelve dots although on this side one symbol consists of one dot and one circle rather than two, also the dots are depicted in groups of twos.
E.62.21	Ellisoid offering plate or tray with raised lip, pinkish in colour with appearance of dulled granite. Five models of food offerings on tray (e.g. ox head, bread, vegetables). Channels for drink offerings in T-shape, in one third of tray. These trays were placed the tomb to offer food for the deceased.
E.62.23	Triangular shaped fragment of white limestone, with inscription in relief as well as a bull in the bottom right corner.
E.62.27	Coptic cross in bronze, probably early Christian usage. The cross consists of 4 inverted triangles pointing to a similar centre. The top point, two side points and the centre appear to once have had gemstones stuck to them, since there are remnants of the solder that held them on. On top of the cross is circular clasp to enable wearing.
E.62.3	Fragment of Memphite stele with figure worshipping and offering to Ptah, god of Memphis. The God can only be seen in the form of an arm and the crook he holds. The offering table between them holds a vase and two loaves. The underside of the frament appears to have rough inscriptions like some kind of practice work.
E.62.33	For grinding malachite, gelena and other cosmetics. Double-bird design; each head has hole for missing inaly eye. Spiked decoration between heads. Hole for threading in top centre.
E.62.35	Text in black ink. Lightly coloured.
E.62.36	Text in black ink. Lightly coloured.
E.62.37	Wide mouth, no neck tapering to a very slightly flat base. Very shallow rivets form concentric around the bowl, almost as if the potter has lightly brushed around the pot with his fingers during its creation. The surface is course and it is dark red in colour.
E.62.4	A small limestone tablet with the image of a monkey holding its young. It is square in shape although this appears to because the adult monkey's head has been removed. There is a hole in the centre at the top of the artefact presumably so it could be hung up. The adult monkey is bending it's knees to reduce its height which also gives the idea of closeness between the two creatures. The underside of the artefact has the same image only in reverse and with less detail. There is red pigment remaining on both sides around the feet particularly.
E.62.40	Lid is white, naturally occuring wavy pattern on top and bottom. Ring is more yellow in colour than lid and with less patterning. Base is yellower than the other two pieces and with the same wave pattern as the lid on one side. Heavy object.
E.62.48	Vertical lines of hieroglyphic inscription in black ink. Vertical lines of red pigment used to separate sections of text.
E.62.49	Painted with scenes and inscriptions. Vivid yellow pigment used for background. Female figure painted in red outline. Inscriptions use blue, red and green pigments. Figure is "singer of Amun". The right hand side appears to have a wooden peg going through this part of the coofin, like this was part construction of the original coffin.
E.62.52	Beetle is painted with black pigment and some brown on thorax. Wing bars are painted brown and feathers in black pigment. The underside is highly blackened.
E.62.53	One of four hawks from corners of a sarcophagus. Disk on head is missing. The minat (counterpoise) hangs at back of collar. Painted all over in dark red pigment; traces of white pigment on face and breast.
E.62.57	Shallow greywacke bowl in two pieces (evidence of further joins). Incomplete with middle section missing.
E.62.60	Undulating lines around the mouth and in three concentric semi-circular shapes, then three groups of four solid triangles; all in a purple/brown paint.
E.62.8	Incised band two thirds of the way down toward centre of inside. At centre are two pairs of two incised lines with a single circle and a sunken dot incised in centre.
E.63.3	Light green figurine of the dwarf god Bes, dancing in a lion's skin with a feather head-dress. There is a hole for threading on the back/base of the head-dress. Although the figure is dancing it appears quite somber.
E.63.4	Light green figurine, partner of Reading E.63.3. It is the dwarf god Bes, dancing in a lion's skin with feather head-dress. There is a hole to enable threading at base/back of the head-dress. The figure stands on a flat base.
E.63.8	A miniature blue figure of the gods Isis and Horus, Horus as her child is sat on her lap. The detail is not clear and there is a hole in the crown of Isis presumably so the necklace could be strung for wearing.
E.63.9	Light green pendant. The image is the goddess of Hathor, goddess of music and dance. Here she is depicted in the form of a highly stylized cow. At the top of the pendant is a loop for threading. The pendant is flat and has the cow-head engraved in the centre with an arch of concentric lines above the head Below the head on either side are parallel vertical lines divided by one horizontal line on both sides.
E.65.13	Fragment of glased faience inlay, blue in colour, rectangular in shape, slightly serrated on one edge.
E.65.14	Fragement of galzed faience inlay, mauve in colour, flat underside, shape representing the hes vase.
E.65.15	Fragment of glazed faience inlay, blue in colour, flat underside, shape unclear although detail suggests scaraboid or serpertine.
E.65.16	Minute figure of a deity, identity unclear. The figure is light blue in colour although one area of dark blue pigment remains.
E.79.2	Such an offering plate was placed in a tomb to provide food for the deceased after death. The plate is oval in shape made with clay and a red slip. Offered here are two loaves of bread, a trussed bull and a leg of beef. The cross channel on the plate allowed the water that was ritually placed in the bowl to drain away down the hole. The water was placed there to moisten the food and provide a kind of magical soup for the deceased.
L.2005.7.15	Obv: Bust of Artemis wearing stephane; bow and quiver at shoulder. Rev: Nude Apollo standing on maeander pattern, holding in right hand a branch and resting left elbow against tripod; all within laurel wreath.
L.2005.7.5	Obv: Youth restraining bull. Rev: Bridled horse galloping, in incuse square.
L.2011.1.10	Terracotta fragment coated in a black glaze.
L.2011.1.13	Leaf Green, covered in pearly iridescence
L.2011.1.22	Evidence of pearlescent blue glaze in the upper part, golden in the lower part; white sediments all over.
L.2011.1.36	Image of a winged Eros holding a shell in left hand and an object in the right hand (alabastron?). Volute patterning between body and nozzle.
L.2011.1.37	On the shoulder a herring-bone pattern in relief; in the central discus a figure in relief, possibly part of a chi-rho monogram.
L.2011.1.38	High mouldings around the central discus and the nozzle. Two moulded projections on the edge of shoulders. Channel incised on the length of the nozzle, with two circular mouldings around the filling-hole. Circular dip in the nozzle, near the hole.
L.2011.1.41	In a lowered band on the edge of the body there is a hearth in low-relief.
L.2011.1.42	Decorative pattern in low-relief on the edge of the body (floral, with two six-foils alternated to little plaints, and another one inscribed in a square); decoration in low-relief on the central discus.
L.2011.1.43	On the shoulder floral pattern (quatrefoil figures). In the central discus part of a cross symbol, possibly a chi-rho monogram.
L.2011.1.44	In a lowered band on the shoulder there is a hearth in low-relief, with concentric grooves inside; a piece of a second hearth is on the other side of the bulge. Other decorations in low-relief on the central discus (reversed monogrammed cross?).
L.2011.1.48	In the central discus one reclining figure recumbent on its right side; right leg bent, left leg outstretched. Behind the legs a fish tail. At the back of the figure a drapery, like a semi-circular frame around the head. (possibly a Nereid riding a sea-bull?). On the edge parallel lines in low-relief. On the underneath inscription and a small half-moon shaped stamp.
L.2011.1.49	Three grooves creating two mouldings in the lower part; five incised lines on the flat tip of the knob. In the underneath concentric mouldings.
L.2011.1.53	Red glaze. Two figures in low-relief: on the right a human figure with legs outturned, on the left a human face (mask) with a sort of base or plate on the head; above the plate two legs of an incomplete human figure. On the sides of this composition two vertical patterns, composed by short horizontal signs with below a six-ends star.
L.2011.1.56	Raised frontal image of a bearded man in a short tunic and hat, holding a rectangular shield in his left hand and leaning on a (?) club with his right, and with a wheel on his left hand side
L.2011.1.64	Pale green, grey, pale blue and dark blue/purple tesserae on a white mortar. Grey and green tesserae are in the background; darker colours (blue/purple) create a circular shape, with lighter colours in the middle (pale blue and green).
L.2013.10.3	Details of the scarab body is incised, but now faded. Base damaged especially in the top right hand corner. Hieroglyphic inscription damaged and illegible.
L.2016.3.10	Exterior: Moulded face and front section of the hair. Rounded features in profile, either because of the worn surface or it was intentionally rounded mould made. The whole object is coarsely worked out.
REDMG:1926.99.52	Daisy pattern on upper surface of rim; vertical bars on lip; crouching sphinx, profile to the left, on the body, with her feet curled down to the base, which is decorated with a 8 'pointed' star, surrounded by four 8-quadrant rosettes (five similar rosettes also in the field). Added colour (red) on the chest, wing, and underside of body. Incisions on figure and rosettes.
REDMG:1926.99.54	Mouth black interior and exterior; reserved neck; black on exterior of handle; band of black vertical bars above white band decorated black rays on shoulder, extending to carination. Body, top: white band decorated with two rows of black dots joined by a thin black zigzag (at front, only), above two black lines; figural scene (front only); white band; black band between two black lines; black to foot and on top of foot; otherwise reserved. Figural scene is of a chariot behind which stand three draped female figures (two women, standing profile to right, towards a third figure, standing profile to left. A fourth female figure sits profile to left, in front of the chariot. All four figures are draped, wreathed (with red bands), and have white faces.
REDMG:1935.87.1	Black glaze except for reserved band at join with foot and underside, including resting surface. At the front of the body, the shoulder is decorated with an incised ovolo grieze between two incised lines; this frieze is accentuated with white inscribing the eggs and white dots between the eggs. Beneath is another pair of incised lines between two rows of white dots. The body is decorated with a red band from which emerges, above and below, (ivy) sprays, in added white ‘gilded’ with yellow; two clusters of grapes (again white ‘gilded’ with yellow) hang from this band. Some clusters of three red dots on lower part of body.
REDMG:1935.87.11	Exterior decorated with vertical black/brown bands. Both handles are coloured brown on the outer parts, but reserved inside. The base is decorated with a black band on its exterior. On the interior of the rim is a broad black band, then a red band. The design in the tondo shows two ears of grain on either side of a red rosebud on a stem (or a lotos, according to the authors of Corinth 15.3).
REDMG:1935.87.14	Black rim. On shoulder Z-pattern between red bands; below, a pair of bands; much lower, three bands and then one, all in brownish-black on creamy-buff ground. Underside reserved except for line of black on resting surface.
REDMG:1935.87.16	Handles painted black on the top and reserved underneath. Reserved thin line inside lip and on outer side and bottom of footring. Ring foot is black although underneath is ruddled, except for black centre and one small black ring. Streaky glaze in places.
REDMG:1935.87.19	Traces of four (?) bands on mouth and three lines on handle. Tongues on shoulder with two bands below. Main design (starting from below handle going left to right) a human (?) figure on a horse facing right, a lion biting the foot of a warrior who is defending himself with shield, a large creature (possibly a panther), and a man. These pictures are all incised. Dots and rosettes incised with asterisks in field. Five bands around base.
REDMG:1935.87.21	Mouth: broad band between two narrow bands; handle: horizontal bars; shoulder: daisy pattern; body: band above and below zone of incised scale pattern on black, with incised dot in each scale; below: daisy pattern emerging from narrow band just above base.
REDMG:1935.87.23	Handles all black. Mouth has wide rim, inside is all black but streaky. Reserved band under rim. Design is similar both sides and shows a woman's head facing left with ornate head dress and jewellry on in white and yellow added paint. Under handles on body is a red block between white lines with dots down originally. Stem is long and has a moulded band around centre. Foot has three steps all black (faded to red). Base is also stepped inside but reserved.
REDMG:1935.87.24	There is a reserved ridge on top of the foot, while the side of the foot is also reserved and rounded. The surface underneath is ruddled with broad black band just within a resting surface. Lastly, a steep, narrow cone is formated inside the stem. The ellipsoid body is supported by a slim stem, which ends in a disk-shaped base, with concentric, incised circles.
REDMG:1935.87.25	Black except for the figural design, with friezes above and below it; reserved but ruddled resting surface. A. Horizontal friezes on neck and below figural scene, consist of two vertical bars alternating with circles, reserved bands above and below. Scene: nude satyr, standing profile to right, with his left foot raised on a rock, faces a draped woman, seated 3/4-view to right, with her head turned profile to left. He raises his right hand towards her, and rests his left arm on his knee. She holds a mirror in her upraised left hand. Five ivy leaves in field between them. B. Horizontal friezes on neck and below figural scene consist of chevrons to left, between reserved bands. Scene: Two draped youths in conversation, face each other on either side of a stele. Yellow and white details: white fillet on satyr, bracelets and necklace on woman, and spots on the mirroron Red wash on reserved areas suggests imitation of Attic red figure. A pair of incised lines run horizontally across side A, and another line runs horizontally across side B; further incised lines around the upper body of the woman indicate that these might be an artist’s guidelines.
REDMG:1935.87.27	Two handles, partially painted black. Inside is a red rim, then black with two red bands superimposed. Outside (from top to bottom) are two thin bands, three rows of uneven dots, middle row red, three bands, two rows of small dots, three bands, broad area left clear, three bands around foot, foot red. Highly ornate base with dots, red band (repeated) and in centre is a cross with four dots around it. The base has moulded ridges for added decoration.
REDMG:1935.87.28	Inside black, reserved line at lip. Two kylix handles, black on the top and reserved underrneath. Main picture is in handle zone and is similar on both sides. Shows Dionysos seated, flanked by palmettes with vines running either side of him. Detail picked out in red and white. Foot rind reserved outside, black inside. Base reserved with central dot, small ring in dripped glaze, thick black ring and near circumference also fire circles in thinned glaze.
REDMG:1935.87.29	Heavy fabric. Black all over except underside which is reserved and ruddled. Two handles, one either side are black all over. Stamped inside with four palmettes set crosswise, standing up in relief with an impressed frame.
REDMG:1935.87.3	Black inside, outside and rim. Handle is black all over as is top half of neck. Lower half of neck has an umbrella pattern with 12 tongues on top. Large palmette with tendrils under handle on body and tendrils either side of scene. Scene is a woman standing, facing right, holding mirror in right hand and a box in left looking at seated Eros who is holding a mirror in his right hand. Added yellow over white, and white on Eros's wings, mirrors, box and headresses. Traces of miltos. Reserved band beneath scene. Black foot but reserved resting surface and base. (Modern) red cross drawn on base.
REDMG:1935.87.31A	Red rim; two handles, coloured black. In the handle zone pomegranate pattern in three rows, the middle row red; below, one red line between two black; a broad black band with a pair of superimposed red lines at top and bottom; one red line an done black immediately above foot. Foot-ring black outside, two black rings on resting surface; inside of foot-ring red; on the bottom a central dot and pair of small thin rings, near the circumference a broad ring, all black. The edge of the flange supporting the lid, red. Handles black. Inside of bowl originally black with traces of one pair of red circles.
REDMG:1935.87.31B	Lid: on the rim of the knob, black silhouetted triangles pointing outwards; below teh knob, black rays; four circles, the second and fourth red; round the edge below the animal zone a black band between two black lines; on the vertical rim a red band, and again a black band between lines. In the animal zone, on one side a palmette-lotus complex, flanked by a pair of sirens; on the other a siren flanked by a panther on the left and a lion on the right. Small incised circles on the body of teh panther, incisions on the lion. Field ornaments include rings of dots with or without a circle at the centre, scattered dots, amorphous and cruciform rosettes with incisions crossing at centre, rosettes with incisions forming small arcs facing away from the center. Some remains of added red on neck, breast, and tail of sphinxes, heart of palmette and petals of lotus. Inside of lid reserved.
REDMG:1935.87.33	Rim has terracotta concentric circle around the centre, leading to with a continous olive leaf pattern underneath. A: Satyr in diadem and shoes, carrying flaming torch and situle, follows woman carrying barrel of grapes and ornamented box (cista). Goats skull and rosettes in field. B: two youths with sticks in conversation. Three rosettes can be found on either side of the youth. Palmette design can be found under each handle and a dash pattern circles around every handle. Yellow and white colour can be found added to the pieces especially the picture of the satyr. Underneath each figure is a continous wave pattern which continues around the base of the krater.
REDMG:1935.87.34	Inside is reserved except for inside of mouth. Top of mouth is red with black wave. Black palmettes on top of handles protrusions. Handles are made of two bars with large square at top. Black between handles and all down body. Side A has an arrow pattern on rim, ivy leaf and dot rosette pattern on lower half of neck, black tongues, warrior in the centre leading two prisoners. Warrior has shield helmet. Rosettes and fillet in field. Double row of dots either side and wave pattern underneath. Side B has an 'SSS' pattern with dots on rim, lower half of neck has ivy leaves with dot rosettes, black band, black tongues, scene of three youths in conversation with crossed circles in field, double row of dots either side and 'SSS' pattern with dots at bottom. Black body, reserved stem, black foot with reserved groove, resevred band at base. Reserved conical base.
REDMG:1935.87.4	Mouth is black just inside rim but interior walls are reserved. The handle is black all over as is back of neck and back of body. On neck at the front is a wave pattern which forms the horizontal part of a reserved outline to the picture. Within this box is a woman with flowing robes, facing to the right holding a wreath in her right hand and a plate / tray in her left. Tendril pattern to her right at bottom of picture and a rosette in the field. Added white to bracelets, head dress and rosette. Foot was originally black outside with reserved resting surface and flat base.
REDMG:1935.87.6	Black glaze on interior and ends of handles (dipped) as well as vertical surface of the rim, the lower body, and the lower element of the foot, as well as the interior side wall of the foot. Otherwise reserved, except for vertical bars in handle zone, on either side.
REDMG:1935.87.7	Mouth is blacked just inside rim, leaving interior walls reserved. Handle, back of neck, and back of body are all black. Wave pattern on neck forms upper part of a reserved frame around a figural scene. This scene depicts a horned youth, running to right but facing profile to left, with cloak over his left arm, carrying a tray in his right hand. Tendrils each side of him emerge from the base and four rosettes and one fillet are in the field. Added white and yellow on horns, rosettes, tray and head dress. Foot is black on outside and the base is reserved.
REDMG:1935.87.9	Band cup with chain of palmettes and lotus buds. Traces of white dots in cable and white on upper parts of buds. Inside reserved band at lip and reserved disk 0.065 m in diameter with two small concentric circles at centre.
REDMG:1947.13.1	Black mouth inside and out, otherwise reserved inside. Below the rim, on the lip, is a white laurel wreath, to right. On neck, between black handles, a 9-leaf palmette, with a black dot for heart and black dot on either side of central petal; black ridge between two black lines; frieze of vertical bars beneath each handle; beneath each handle a large palmette above a pair of volutes, from which emerge vegetal ornament. A: Attenuated ovolo frieze between two black lines; white ribbing (painted); two reserved bands; floral frieze with white head, to left, at centre, emerging from a calyx from which emerge also tendrils, berries, volutes, and blossoms; reserved frieze; scene. B: Continuous maeander to right, between two pairs of lines; black ribbing (painted) between two black lines; flanked by vegetal ornament, from which emerges quarter palmettes and volutes, a female head, profile to left, wearing white stephane, and white sakkos, from which emerges curly black hair, at front and black; white drop earring on an inverted triangle. Below the body zone, around the entire vase, is a decorative band consisting of dotted cross squares (1) alternating with stopt maeanders to left (3) between two reserved bands; black below. Scene, A: A woman, standing in 3/4-view to the right, with head profile to right, hair emerging from the back, a sleeveless, belted chiton, a himation draped over her left arm, a pair of white slippers, holds a palmette fan, with white detail, in her upraised left hand, and a branch (similar to a thyrsos) in her left hand, at a diagonal. She also wears a white stephane and a sakkos with black and white detail, from the back of which emerges a tuft of hair, a white beaded necklace between two thin chains (rendered by black lines), and white snake bracelets on each arm. She faces a naiskos enclosure, decorated in gilded white, with thin Corinthian columns and a black pediment, on a podium decorated with a simple continuous maeander to right, between a two pairs of white lines. Enclosed within the naiskos is a warrior, rendered in white with yellow details, seated in 3/4-view to the left, on a himation, with his legs crossed, and his left elbow resting on the back of his seat. He holds a crested helmet in 3/4-view to the right, at which he stares, and a diagonal spear in his left hand. On the ground below him is a small shield. To the right is a nude youth, standing in a reclining pose, 3/4-view to the left, wearing a white fillet in his hair, and white slippers. He holds a himation, bundled up around his left arm, and an opened box as well as a dotted, fringed sash, in his right hand. A thin rectangular element, perhaps a dagger, emerges from the opened box. A (heart shaped) ivy leaf hangs in the field above him. White dotted lines indicate the groundline between all figures. Details on the shoulder rays and, ornaments in the field, and all figural scenes are rendered in added white, sometimes 'gilded' with yellow wash.
REDMG:1950.25.1	Black interior to bottom of rim. Laurel wreath, to right, on neck, above a row of widely spaced dots. Body decorated with egg-and-dot frieze, between reserved bands, which stops short of the handle on either side; figural zone except beneath handle (palmette with floral blossom at centre, three vertical lines at heart, vegetal ornament and flowing tendrils on either side); inverted waves, to right. Exterior surface of foot is ruddled on the upper part. Reserved resting surface and underside except for black circle at centre, surrounded by broad ruddled band, and black on inner foot ring. The figural scene shows a female figure, dressed in a belted, sleeveless chiton, reclining on her front, profile to right, reaching towards a phiale held by Eros, who advances profile to left, crouched and holding a wreath in his lowered right hand and a phiale in his upraised left hand. Both wear their hair identically: spike stephanai, sakkoi, and pony tails. Behind Eros a bird, profile to the right, on a perirrhanterion (pedestal basin). Added white, ‘gilded’ with yellow, on floral and vegetal ornament, headdresses, wings, and basin.
REDMG:1951.130.1	Black band on interior, reaching to ca. 1.0 cm. below the lip; black neck and handle. Shoulder: reserved tongues, alternatively red and black at centre, on a black band (tongues extend partly over the upper ridge, on the right side). Body: komos comprised of eight nude male dancers with purple hair and incisions delineating hair, eyes, muscular and other bodily details; under handle, black column krater (decorated with two incised lines on shoulder, purple band and incised rays band between incised lines on body); in field between dancers, seven rosettes with single or double incised central circle and incised petals. Below, broad black band between two black lines; black rays emerge from base. Foot black on exterior, otherwise reserved.
REDMG:1951.131.1	Black rim and neck, except for a thin reserved band just above the join with the body; body decorated with three reserved bands above an egg-and-dot band and another reserved band; row of white dots at top of figural scene. Below, band comprised of stopt maeanders (3) alternating with cross-in-square (1), between two reserved bands; broad reserved band at join of body and foot; reserved band on lowest ridge of foot as well as resting surface and underside. A: A draped woman runs in 3/4-view to the right but looks back, profile the left. She holds in her lowered right hand a wreath from which a garland hangs and in her upraised left hand a box (decorated with bands, chevrons, and zigzags, as well as white dots above the box), while drapery falls over her left arm. She wears a stephane and a kekryphylon with dangling ribbons, beaded earrings and double necklace (indicated by white dots), double bracelets on each wrist, a belted, sleeveless chiton, and slippers. In the field are a fillet (upper left), a rosette with five white dotted petals and a yellow centre (upper right), and a shrub with berries (lower centre), as well as a white dotted groundline rising slightly to the right. B: Eros, holding a beaded necklace in his extended right hand, is seated in 3/4-view to the left on a flower. The leaves and buds of the same plant elaborately fill the field beneath and around him. He wears attributes that are similar to those of the woman on A: stephane, kekryphylon, earring, double beaded necklace, double bracelets, and slippers. He also wears a beaded baldric diagonally across his chest and ankle bracelets (3 on each ankle) and a baldric comprised of a row of white dots arranged diagonally across his chest, over his left shoulder. Added white is used for details of Eros' wings as well as the jewelry, box decoration, slippers, vegetation and groundlines, as well as the centre parts of the eggs on the egg-and-dot band.
REDMG:1951.132.1	Metallic black gloss on entire surface (dipped) except for reserved (and ruddled) upper part of foot and underside, including resting surface. In addition to moulded mask, and ribbed shoulder decoration (see above), incised (although glazed) cross under spout.
REDMG:1951.133.1	The surface is treated with a metallic black glaze, applied more casually (streaky) on the lower part of the body; reserved band just above foot and reserved (matte grey) underside except for a black concentric circle. There is a single incised concentric circle in the tondo. The iridescence and matte grey areas suggest that the lower part of the vase was (inadvertently?) exposed to (too much) heat, either in the factory or afterwards.
REDMG:1951.134.1	Black interior and handle; beneath each handle a palmette, flanked by tendrils; on each side a wave band, to right, above a woman's head, profile to left, surrounded by tendrils. Banded decoration below is comprised of a reserved band just below the figural scene, a pair of red bands above the foot, a red band on the upper surface of the foot, and reserved area at the centre of the underside. The common use of red stain to effect a red (ruddled) surface on reserved areas is highlighted in this example by the almost complete loss of black glaze towards the foot, where the ruddled intervening bands strongly contrast with the buff/reserved (formerly black glazed) areas.
REDMG:1951.136.1	Upper surface of knob decorated with reserved (and reddened) band, black band on inset, cog-wheel on inset circle; lower part of knob and stem black except for a reserved (and reddened) band at the upper part of stem, and a reserved band where the stem meets the lid. The lid is decorated with two female heads, profile to left, between two palmettes. The females each wear a spiked stephane and a kekryphylon, earrings, and beaded necklace; cluster of three white dots in the field in front of each. Enclosed palmettes highlighted with white arcs at centre and white dots on either side of top leaf. Black wave around lip. Added colour (yellow on white) for details of jewelry. The underside is reserved.
REDMG:1951.137.1	Inset circle of knob decorated with a cross with chevrons in the angles. Bars on rim of knob. Black stem, reserved band at attachment to lid, which is decorated with a figural scene. Bird (partridge or pigeon) standing profile to right, towards a female head (Aphrodite), profile to left, wearing dotted spiked stephane, sakkos, and a pony tail, as well as white hoop earrings and a dotted necklace. Two dotted four-petal rosettes in field behind her. Scene flanked by two sets of tendrils from which emerge lotus buds, on either side of a palmette from the top of which emerges a lotus bud. Added colour (yellow on white) for details of bird, stephane, jewelry, and flowers. Flange on edge and underside of lid are reserved.
REDMG:1951.138.1	Black band around upper part of knob, around rounded part of knob, and around middle of stem, as well as bottom of stem. Lid decorated with two women's heads, profile to left, between palmettes enclosed in triangles. Each woman wears a spiked stephane and a sakkos on her hair, as well as beaded earrings and necklaces and head. Added colour (yellow on white) for details of headdresses and jewelery. Reserved areas reddened.
REDMG:1951.140.1	Upper surface of rim reserved, black ridge, and outer edge of lip decorated with a wave pattern to right; black below lip, on neck and on handles except forward handle attachments (on horizontal handles) decorated with rays; reserved patches beneath horizontal handles. Lower part of neck decorated at front with a short laurel wreath, to left, between two narrow reserved bands. Beneath the figural scene is a groundline comprised of a frieze of alternating maeanders (three) and saltire squares (one). Narrow reserved line at join with base, bottom edge of base, and underside. The figural scene is framed between a tendril, above the left handle, and a larger vegetal ornament, from which emerges a lotus bud. A Youth stands in 3/4-view to the right. He is nude, except for drapery slung over his bent right arm and held in his lowered left hand, and a white taenia on his head. He also holds a staff in his slightly upraised right hand. At centre is a bird (crane), seated in a perirhanterion (basin), supported by a fluted, tapered column, with a dotted capital, on a two-stepped base. The steps are decorated with small black spots and thin diagonal lines that suggest a marbled appearance. On the other side of the perirhanterion stands a woman, in 3/4-view to the left, with her weight on her right leg and her left leg relaxed. She wears a belted, sleeveless chiton, double bracelets on each wrist, a beaded necklace, and a spiked stephane, as well as a short pony tail. She extends her right hand to the bird and holds a box, decorated on the sides with black spots and lines, and three white spots on top, in her slightly upraised right hand. Above the bird is a rectangular frame (sometimes called a window but perhaps a votive plaque); above the box is a cogwheel. Most of the reserved areas are darkened with red wash, and the jewelry and other details in added white.
REDMG:1951.141	Black on interior except for a reserved band just below the lip. Black on exterior, except for a frieze of tongues underneath the rim on both sides, but not above handles; figural scenes on body. A: Partridge profile to the left; tendrils in lower left field; circle and tendrils in upper right field. B: Satyr head, profile to left; tendrils in lower left and right fields; quarter palmette in upper left field; single palm leaf in upper right field. Although female heads are more popular in such contexts, the large red element in place of the ear is probably a horn and indicates that this is a representation of a satyr. The decoration in the lower left field of the B side indicates the addition of a second layer of black glaze, in a manner than changes the image (from a large tendril to a small tendril below an L-shaped element.
REDMG:1951.142.1	Black except for body scene (ruddled), and reserved resting surface and underside. Scene depicts a female figure, profile to left, between tendrils from which emerge flower buds; a bull’s eye in the lower left field. The woman wears a veil over her head and across her shoulders; some curly hair emerges from the edge of the veil.
REDMG:1951.143.1	Shoulder decorated with yellow ivy wreath from which dangles an actor's mask at centre: white face to left with yellowish-brown hair, head and features. On either side, a pair of purple-red fillets with white dots and white strings at the bottom, inside long yellow dotted branches. White line around shoulder, above vertical ribbing. Otherwise black glazed except for reserved areas in uneven band around join of at bottom of ribbing, foot and underside.
REDMG:1951.144.1	Exterior black glaze with red figure decoration all over; underside reserved, except for broad black band at curve from plate to stem, black on exterior and interior vertical surfaces of foot, and broad black band around pointed centre of plate. 12-petal rosette in central well, surrounded by red band, wave pattern to left, and black and red bands; figural scene showing three different types of fish (bream in profile, xxx and cuttle fish, shown from above) advancing to the left. Mussel and 6-petal rosette in field, on either side of the xxx. Rim decorated with red band above a laurel band to left floral motif. Red parts of decorative bands ruddled, whereas streaky brown has been used for artistic effect (shading to render a three-dimensional impression) on the fish. Some details on central rosettes and fish rendered with added white and yellow.
REDMG:1951.145	Large black dot in centre of inset top, surrounded by concentric bands/lines: one black band, one black line, one red band, one black line; frieze of alternating/interlocking 'L' shapes; two black lines and then the red flange. Walls decorated with red band between two pairs of black bands, with intervening black lines. Red rim. Interior reserved, except for (accidental) red smear just beyond rim.
REDMG:1951.147.1	Entirely black, except reserved on the inside of the spout and the underside including resting surface, and red figure decoration: line at middle of neck; ray band at lowest part of neck, above dots; figural scene between two sideways palmettes, enclosed, from the outside bottom of each emerges tendrils; short ray band at interior of lower handle attachment; 10-leaf palmette at exterior of lower handle attachment; flange decorated with egg-and-dot band, beneath a black line; the sides are decorated with an ivy design, effected through incision (tendrils) and added white (leaves). Reserved line band just below join of body and foot. The figural scene on the shoulder depicts seated youth seated profile to the right, facing a woman, seated profile to the right, but turning profile to the left. The youth, nude except for a hairband, sits on drapery, alongside which he hangs his left arm, and reaches a wreath, held in his left hand, towards the woman; she, wearing a crenellated stephane and a belted chiton, is seated perhaps on a cushion (comprised of dots), helds her right arm, slightly lowered, towards the wreath, and holds a box in her slightly raised left hand. A four-petal rosette is beneath her right arm.
REDMG:1951.148	Black interior, handles, neck and body except for decoration in panels (black figure in neck panels; red figure in body panels). Upper surface of rim decorated with ivy spray, with 3-dot clusters between ivy leaves; palmettes on tops of handles; ivy spray on lip, with palmettes at tops of handles; wave pattern to right on overhanging lip. Neck panels decorated with double ivy spray, on which 8-dot clusters alternate with leaves. Body panels bordered by rays (above), double rows of dots between black lines (sides), and band of stopt meander (4) alternating with dotted cross-in-square (1) (below). A: Youth wearing hairband, short-sleeved, belted chiton, and mid-calf boots, stands in 3/4-view to the right; he holds a pair of spears upright in his right hand and a wreath in his left hand, held slightly ahead of him; a chlamys is draped over his bent left arm. A warrior is seated 3/4-view to left, on a curvilinear seat (stones?). He is dressed identically to the youth, although with a plumed conical helmet. He holds a large phiale in his outstretched right hand, and his pair of spears in his upraised left hand. Behind him stands a woman in 3/4-view to the left. She wears a belted, sleeveless chiton, a kekryphylon (hair), pearl earrings, a beaded necklace, two bracelets on each wrist, and holds a fillet in her outstretched right hand and a situla in her lowered left hand. In the field above the figures are a four-petal rosette between two boucrania. B: Three draped youths in conversation, the middle one, standing profile to left, leans on a staff with his outstretched right hand; the other two youths face him. Halteres in upper left field and and bull’s-eye in upper right field. Much of the interior and side B are misfired orange.
REDMG:1951.149.1	Wide flared mouth. Black inside with two reserved bands either end of rim. Outer surface has a laurel band around rim. Handles, all black, at the base of the body extend upwards. Side A shows seated woman (skin painted white) and Eros next to her with a satyr seated and holding a thysseus and pointing on Eros' left. Tendrils above and plants in field. Side B shows a woman standing, draped, facing right, between two satyrs, one reaching to a box the other dancing with a box above him to the right. Egg and dot pattern below both scenes. Black to top of foot which has a reserved band at top and bottom of side. Base is concave and reserved.
REDMG:1951.150.1	Black except for decorative bands and figural scene on either side, and reserved band at lowest part of foot, as well as reserved underside. Neck decorated on either side with a laurel band, between two reserved bands. Beneath figural scenes are decorative bands, comprised of stopt maeanders (3) alternating with saltire squares (1). A: A female figure, juggling 8 eggs and advancing profile to right, faces a youth, advancing in 3/4-view to the right, but turning his head profile to the left. The woman, wearing a sakkos, tear-drop earring, beaded necklace, belted, sleeveless chiton, and two bracelets on each arm. The youth, nude except for a wreath around his head and a chlamys slung over his left arm, holds a large palm frond in his left hand and a phiale, at waist level, in his right hand. Above the phiale are 7 eggs (slightly smaller than those juggled by the woman). Bull’s eye (above) and tendril (below) in field between them. B: Two draped youths, face each other in conversation; between them a window (above) and a stele (below); the figure on the right supports himself on a staff that he holds in his right hand. Added white and goldish-yellow on side A, for jewelry, balls, phiale, wreath, and vegetation. The saltire square have short lines in place of dots. The right-most saltire square on A is replaced with a box of vertical lines.
REDMG:1951.151.1	Black glaze all over, except for red rim, two superimposed decorative friezes at the base of the neck (ribbing between two black lines, egg-and-dots between two black lines, yellow dots below); figural frieze between tendrils; beneath handle one palmette sits atop a second palmette enclosed in tendrils that terminate above in volutes from which emerge further tendrils, ending in volutes, that sprout yet another set of tendrils; egg frieze between two reserved bands encircles the entire body and serves as a groundline for the figures; reserved underside. The scene depicts a youth, nude except for two bands in his hair and a chlamys draped over his bent left arm, advancing (dancing?) in 3/4-view to the right, following two maenads, all advancing in 3/4-view to the right, although the last two maenads turn their heads profile to the left. All three maenads wear two bands in their hair (the last, however, appears as a single thick band), beaded necklaces, belted, sleeveless chitons, and snake bracelets on their left arms (the first maenad has a similar bracelet on her right arm). The youth and the first two maenads hold thyrsoi in their left hands. The third maenad holds a wreath in her lowered left hand. All red surfaces are ruddled, except for the underside, including resting surface. Some added white and yellow highlight details on heads, jewelery and thyrsoi.
REDMG:1951.152	Rim and neck covered in black glaze; circumscribed palmette frieze on shoulder, with intervening triangles above and below (where two are outlined but not filled in); main body (white ground) decorated with net pattern between narrow reddish-black lines; the upper black band is decorated with white dots. Black glazed on lower part of body and foot, except for reserved underside, including resting surface.
REDMG:1951.153.1	Decorated with geometric designs in medium brown paint: stripes in two directions on the head; two horizontal bands around neck, above vertical bands; scalloped designs on chest of bird; wings delineated with two bands on either side, filled with s-pattern; horizontal bands on neck; bands on either side of an ‘x’ behind the handle; top of tail filled with tall zigzags. Reddened inside mouth and around the neck
REDMG:1951.155	Brownish-black band on inside of mouth; purplish-red band on top of lip; black band on rim; three black dots in a vertical row, on and just below handle. Purple tongues extend over shoulder; main body zone, comprised of hare-hound chase (one hare, two hounds, profile to right) bordered framed by two sets of purplish-red bands between black band.
REDMG:1951.156.1	Mouth black inside and out, with a reserved lip; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body, top: black line at top of body. Body (at front, only): three rows of black dots between four black lines; black lines above and below figural scene; below, simple maeander to right, above a black line. Body, below: two black lines, thick black band, two thinner black bands, black to foot. Figural scene depicts a goddess mounting a quadriga, profile to right. Behind the horses are a seated (?) female figure, also profile to right, and a standing male (?) figure, from whom emerge, to either side, dotted branches; in front of the horses is a lyre player, seated profile to the left. All figures are heavily draped.
REDMG:1951.157.1	Entirely black except for reserved line around edge of rim, ‘ribbed’ zone (comprised of five vertical lines in panel) at front of neck, and figural scene on the front of the body, and reserved underside at front half of lekythos (similarly the front half of the interior is reserved). Scene: double tendril, with a blossom emerging from the larger tendril; female head, profile to left; rosette in upper right field; small tendril in lower left field. The female wears her hair in a sakkos, tied at the back, from which emerges a tuft of curly hair around the ear. The reserved areas are ruddled, except on the underside. Some of the glaze beneath the handle has fired red.
REDMG:1951.158.1	Black except for the underside and an oblong panel at front, which encloses a palmette with a chevron heart and a raindrop in the field on either side. A row of14 black dots fills the top frame. Reserved areas ruddled, except for the underside.
REDMG:1951.159.1	On neck, between black handles, an enclosed palmette (11 petals on A and 9 petals on B; with two concentric arcs for heart on A, black dot for heart on B), black dot on either side of central petal, and black dot in the upper corners; black ridge below black line; frieze of vertical bars below each handle attachment; beneath each handle two superimposed palmettes, with a pair of volutes between, from which emerge tendrils, sprouting quarter palmettes. A: egg-and-dot frieze, between two black lines; white ribbing (painted); two reserved bands; floral frieze on shoulder (four volutes from which emerge flowers, tendrils and secondary volutes) emerging from the lower right; two reserved bands; scene. B: Continuous maeander to right, between two black lines; black ribbing (painted) between two pairs of black lines; a female head, profile to left, wearing a sakkos, from which emerges curly black hair, at front and back. Below the body zone, around the entire vase, is a decorative band consisting of dotted broken stopt maeanders to left (pattern doesn’t match up on side B, to the left) between two reserved bands; black below. Scene, A: A naiskos comprised of two Corinthian columns supporting a tapered epistyle and black pediment, on top of a podium (white maeander on a brown background, between alternating black and white horizontal bands). Two white female figures stand within the naiskos. The figure at left, standing in 3/4-view to the right, wears a himation over her left arm and hips, over a peplos (decorated with two vertical purple bands on the chest). Her hair is bound in a sakkos from which emerges hair at front and back; her jewelry includes a beaded necklace and two bracelets on each wrist. She holds a fan in her raised left hand as well as a wreath in her lowered right hand. She faces another woman (probably the deceased) who is seated in 3/4-view to the left on a stool (diphros) and rests her feet on a footrest (hypopodion). She wears a short sleeved chiton and a purple himation that she holds above her right shoulder in an unveiling gesture (anakalypteria). Her hair too is bound in a sakkos, from which emerges hair at the back; she wears two necklaces, one beaded, and two bracelets on each arm. A small ornament (or pures) hovers in the field between the two women. On either side of the naiskos is a kalathos (basket), below a rosette (red with added yellow and white), above a pair of white balls interspersed with clusters of three white dots, and above a double line of white dots. Each basket (both are identical) is decorated with a cross-square with intervening triangles (top) and alternating bands of zigzags, and white and black lines, as well as a band of vertical bars.
REDMG:1951.160.1	within. Interior and mouth glazed black with two reserved bands at top and bottom of rim. On exterior, below rim, a frieze of tendrils, with lotus buds above and below. Black handles, with reserved bands between attachments, and enclosed half palmettes below, from the sides of which emerge tendrils with volutes that encroach in the figural scenes. Below the figural scenes is a band of slanted ‘z’s, between two reserved bands. Black below, except for the recessed element at the top of the foot, which is reserved, a narrow band at the bottom of the foot on the exterior, and the reserved underside. The reserved parts of the volute frieze and figural scenes are reddened. Scene, A: A woman standing in 3/4-view to the right, wears a black beaded necklace, a sleeveless belted chiton, and two black bracelets on each wrist. Her hair is tied in a ponytail. She holds a torch in her advanced left hand, while her right hand, downturned, is also slightly raised. She faces a youth, nude except for a chlamys draped over his left arm and slippers, who stands in 3/4 view to the left, reaching toward the woman with his right hand. Between the figures, in the upper field, is a window frame, while a large tendril, with volute, emerges from the ground, between them. In the field behind him is a leaf. B: Two robed youths, standing profile, with their right legs advanced, face eachother across a narrow stele. Above them is a circle with a black line vertically through the centre and an 'H' drawn on top (probably halteres).
REDMG:1951.161.1	Black interior, except for two reserved bands, at the top and bottom of the everted lip. Under the rim is a laurel wreath, to left, between two reserved bands. Beneath the figural scenes and surrounding the lower part of the vase, is a decorative band, comprised of stopt maeanders (3) alternating with saltire squares (1), between two reserved bands. The handle zones are reserved, and ray bands decorate each handle attachment; beneath each handle is a palmette, between two tendrils. Reserved bands decorate the base, on the groove at the top, and on the bottom; the underside is reserved. A: A woman and a youth advance in 3/4-view to the right. She wears a stephane, a kekryphylon with ribbons, a beaded earring and beaded necklace, double braceless, a sleeveless, belted chiton, and slippers. She holds a tympanon (drum) in her upraised right hand and a kantharos, in her upraised left hand, which she lifts from a tray held by the youth, in his right hand. There are three white dots on top of the tray. He is nude except for a yellowed fillet, a thick white necklace, and a robe draped over his right hand. He turns his head profile to the left, to face the woman, and also holds a fillet in his outstretched left hand. There is a grape cluster in the upper right field. Added colour (white with yellow) is used for the jewelry and slippers. B: Two robed youths in conversation, stand profile towards each other, each with his weight on his left leg. Both are enveloped in their himatia except for their right hands; the left-most figure holds a staff in his advanced right hand, while the other figure gestures to him, with his upturned right hand. There is a bull’s eye in the field between them.
REDMG:1953.25.106	Large fragment of coloured relief from a larger work (building or fireplace for example). Flat upper surface. Decoration, from top to bottom: red line; band of red with semi-circular patterns with leaf patterns; band divided into blocks painted into different colours (blue, red, green from left to right). Inside the red panel is a drawing in white of a four legged animal with a tail, possibly a bull.
REDMG:1953.25.20	Black glazed (but fired red in places) except for reserved underside including resting surface. Shoulder: six narrow red bands between two pairs of narrow white bands. On widest part of body, two red bands between white lines, with an intervening white line. Broad red band on exterior of foot.
REDMG:1953.25.21	Trefoil mouth with thickened rim and flattened lip; broad neck joining bulbous body in a continuous curve (except for a slight ridge around base of neck [CHECK]), down to the low ring foot. A vertical strap handle slopes down slightly from the mouth and turns at a right angle back to rejoin the broadest part of the body. Black gloss except on underside.
REDMG:1953.25.22	Mouth black inside and out, with a reserved lip; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body, top: black line. Body (at front, only): black line; two rows of black dots alternating with white dots; two black lines; figural scene. Body, below: two black lines, black band, black line, black to foot and on top of foot; black on torus; otherwise reserved. Figural scene depicts a charioteer, dressed in a white tunic, driving a quadriga profile to right; the horses raise their forelegs as they pass a white meta (post). Another figure, possibly Athena, with helmet and spear, runs alongside the horses, so that (s)he is obscured by them.
REDMG:1953.25.25	Reserved neck; band of black vertical bars above a band of black rays on shoulder, extending to carination. Body: maeander to right (only at front), between two pairs of black lines; figural scene (front only); black band; black to foot and on top of foot, and top half of vertical surface of foot; otherwise reserved. Figural scene is of four seated figures, seemingly two women profile to right, the second playing a lyre, face a man reclining in 3/4-view to left on a kline (couch), with another female figure, profile to left, at his right. Dotted branches extend from the male figure (perhaps Dionysos) on either side. Added white for female flesh (faces) and fruit; incisions for drapery and fillets.
REDMG:1953.25.32	Interior and handles black, as are the lower part of the body, stem, and upper surface of foot. Reserved band around rim, interrupted on either side by handles. Reserved vertical band in each handle zone; on each side a female head, profile to the left, between two white vertical bands, each crowned by a circle near the top of the band; red diagonal surface of foot; reserved underside including resting surface. Each female wears a stephane and a sakkos from which emerges a bundle of hair, also tied with a white ribbon; earring comprised of triangular element (missing from side B) beneath hoop; beaded necklace The figure on side B has a fleur-de-lys in the lower left field. The surface is ruddled on both heads and the exterior of the foot; added yellow, in places ‘gilded’ with yellow, for details of hair ornament, jewelry, and fleur-de-lys.
REDMG:1953.25.34	A standing male figure in front of a kneeling female
REDMG:1953.25.39	Black glaze on interior, rim, and most of handles (dipped) as well as vertical surface of the rim, the lower body, and the lower element of the foot. Otherwise reserved, except for vertical bars in handle zone, on either side.
REDMG:1953.25.44	Interior: black line above reserved band on rim, below which entire surface is glazed black. Exterior: black line and reserved band at rim; black line at top of body; reserved band in handle zone; indications of black glaze at outer parts of handles (dipped?); glazed black below (glaze is thin in sections).
REDMG:1953.25.50	Black glaze, fired red in places. Red band on lower part of lip; traces of white palmette, with tendrils, on shoulder; red line between two white lines at shoulder; red band just below middle of body. Underside reserved.
REDMG:1953.25.51	Black glaze inside mouth and on entire exterior (fired red in parts), except for reserved lower part of foot and underside.
REDMG:1953.25.59	Black glaze fired red in places; ghost of a palmette from the bottom of which emerge two volutes, in added white on shoulder at front; red band between two white lines on shoulder, just below handle attachment; red band on widest part of body; underside reserved except some black glaze overlapping from the sides.
REDMG:1953.25.61	Glaze fired red in places, now changed to brown, through secondary burning.
REDMG:1953.25.63	Interior reserved. Thin neck and lipped mouth. Dipped in black gloss, but lower part of body and flaring foot are reserved.
REDMG:1953.25.65	Black band on mouth; upper surface of lip decorated with purple band above black band; neck reserved except for black band above ridge; body: alternating black, purple and orangey-brown bands, some applied in thin gloss; base reserved.
REDMG:1953.25.68	Black glaze on exterior except for a reserved band inscribing the top of the knob, two reserved bands in the middle of the top, two reserved bands at the join with the flange, and one reserved band at the rim. Interior reserved.
REDMG:1953.25.7	Rounded rim, slightly everted, below which emerge two horizontal handles, round in section, approximating triangular shape, canted slightly up. Side walls, slightly concave, narrow and become slightly convex towards the join spreading, lipped torus ring foot.
REDMG:1953.25.77	Ovoid or tongue mouldings on the shoulder, not no the areas covered by the nozzle volutes or the area of the handle. Discus is surrounded by four concentric moulded rings, the filling hole is surrounded by three concentric moulded rings. The nozzles have on their outer edges large volutes, these terminate at the body with horse heads instead of the usual ? the termination by the tip is in the usual form. Within the base are three concentric moulded rings with a small nodule at the centre. Red glaze all over
REDMG:1953.25.79	Dark brown wash all over inner and outer surface, darker in patches. Wire cutting marks on the base.
REDMG:1953.25.81	The piece consists of half of a foot, which is broken about halfway down its length. The half remaining includes all five toes, with slightly curling little toes and a rather stumpy big toe. The foot sits upon a thick sandal. Under this is a chunk of unworked marble, presumably part of the original base of the statue, which takes up about the same amount of mass as the carved foot does. This underside is rough and worn. The break halfway through the foot in fairly clean, leaving a rough, but planar surface.
REDMG:1953.25.83	Small female head wearing a fillet. The hair is made of riveted plaits tapering to a flat, wide ponytail. All facial details in proportion (including a rather large nose).
REDMG:1953.25.85	Top is flat and squared off. Groove below rim then the rim is diagonal, rounded ridge at base. Large flat section with design sculpted on top of it so it is in relief. Scene is of a griffin, a winged creature with bird head and lion-like paws. The ribs are clearly visible as are the lines in the wings. Front left paw is raised above a stick with snakes (?) curled around or a decorative branch (?). Below is a higher moulded ridge with raised egg and dot pattern beneath, before another moulded ridge. Bottom is flat but has diagonal scratches carved in - perhaps to help this section adhere to whatever it was originally part of. Many inclusions in material.
REDMG:1953.25.87	Mounted horseman to right. Horses legs moulded onto flat background. Brown clay. Hollow with a hole in flat, unmoulded back, possibly for hanging.
REDMG:1953.25.90	Upper half of female in pointed cap carrying child in similar cap on left arm. Solid with back flat.
REDMG:1953.41.1	Decorated entirely in black glaze except for the decorated tondo, the reserved resting surface (and perhaps also reserved handle zones which are, however, unclear because it is obscured by deposits). The centre of the bowl is decorated with a reserved circle in which is seated an abstracted human figure, perhaps a Scythian (wearing a mitra), holding a drinking horn.
REDMG:1958.19.1	Tip of the spout is painted black. Black-painted horizontal stripes around the base of the neck and around the centre of the body. Black-painted diagonal stripes and triangle patterns around the upper half of the body. Set of black vertical and horizontal stripes that cross each other in the centre on the lower body.
REDMG:1958.61.1	Handle of a bronze oinochoe, decorated at the upper end with a woman's head, hair tied back, in the round and at the lower end a face of satyr, in relief.
REDMG:1964.1154.1	The interior and the rim are coated with a black glaze. On the exterior of the lip, a band of vertical bars, interrupted in each handle zone, where the surface is reserved. Each handle is glazed black on the exterior; under each handle is a palmette with 13 leaves (14 on right side), outlined, with a dotted hemicircle at its heart. Each palmette is flanked by a tendril from which emerges a lotus blossom. On each side a female head, profile to left: stephanai with 6 white spikes, grape-cluster earring, beaded necklace; kekryphylon. The woman on A has a Roman nose; on B has a ski-jump nose.
REDMG:1964.1603.1	Traces of a black wash left in places
REDMG:1964.1604.1	Orange-red slip, grey in places, especially on the interior.
REDMG:1964.1605.1	Red wash all over, slightly lighter in places. Wire cutting marks on base.
REDMG:1964.1611.1	Three concentric bands of dots on the shoulder, two moulded lines on the crest of the handle. Covered in red wash.
REDMG:1964.1614.1	Thin moulded line starting on either side of the handle and following the crest of the shoulder along to the nozzle where they both deviate towards the wick hole converging and terminate in a point, either side is a volute pattern. Crest of handle has two decorative lines. Red-orange wash all over.
REDMG:1964.1615.1	Moulded decoration around the shoulder from outside in; a depressed ring, three bands of raised dots, (all three disturbed by the handle, one disturbed by the nozzle) a raised moulding of sets of three lines radiating in a band, a moulded ring surrounding the discus. Handle has two lines on its crest extending to the base. The base has lines delineating the base, but also has two small circular indentations along the handle nozzle axis. Dark red wash all over.
REDMG:1964.1628	Dipped (black glaze). Interior: black glaze with red band on rim. Exterior: black (fired red in places) on upper 2/3, but reserved below.
REDMG:1964.1630	Traces of glaze indicate that the entire surface was glazed black, but fired red in places, especially towards the bottom.
REDMG:1964.1638	Artefact is completely grey in colour with no decoration.
REDMG:1964.1664.1	Wide-mouthed cup which narrows in centre and widens again before tapering to foot. Foot flares out and base is flat. Originally had two handles on opposite sides, starting on widest part of body and stretching to rim. Black inside and out.
REDMG:1964.1683.1	Rim and handle of cup. Fragment is completely reserved. Handle is small and pinched in a triangular shape. Handle is attached to a lower rim, suggesting that a lid was once present which would sit outside this rim. The higher rim is almost to the top of handle. Towards bottom of fragment, the slope becomes steeper as it gets nearer to base.
REDMG:1964.1685.1	Flat section of handle which slightly bends. Incised line runs down both surfaces of the handle in the middle. Reserved.
REDMG:1964.1688.1	Slightly curved from left to right and curved from top to bottom, becoming steeper towards bottom of fragment. This suggests that the fragment may have belonged to a cup of some description which has straight rim and a sloping body (?) Fragment has the rim of the object. The rim is black and flat on the top. On the interior surface is a black band below rim, red, broad band, thin black band and red again. The exterior surface appears to have been black all over but faded to red. The material is thick and dark in colour.
REDMG:1964.1702.1	Reserved. Smooth material. Mouth has curved lip. Long neck with remains of the handle at the top and the rest on the shoulder. Body is widest at shoulder and narrows towards base which is raised and convesx in centre.
REDMG:1997.209.4	Mouth black on inside, with reserved lip, black exterior; outer part of handle black but otherwise reserved; shoulder reserved with band of dots above a band of rays reaching to the carination. Body: band of fat palmettes, decorated with slender white lines arcing over the the palmettes, and incisions, alternating with long lotus petals, above a 'cable'; black band; reserved band; black zone in lowest part of body and upper part of foot; lower part of foot and underside reserved.
REDMG:2004.95.1	Interior of mouth black; lip reserved; exterior of mouth black, as is handle (repainted); vertical bars at the bottom of the neck; lotus-dot chain on the shoulder; Dionysos riding on a mule, between two satyrs, one holding a maenad. Below the figural scene is a black band, a reserved band, and then a black zone extending to the foot, which is black on the top, reserved on the convex surface and the underside. Figural scene: A nude satyr (in a crouching pose) runs profile to the right, holding a maenad on his shoulder; the maenad, who turns her head profile to the left, stretches her arms to either side and holds a rhyton in her slightly upraised left hand. She wears a kekryphylon (red), necklace (incised) and himation. Dionysos, seated on a mule, rides profile to the right; the god, wearing a red and blck ivy wreath and a himation decorated with red dots, holds a red keras (horn of plenty) from which emerge ivy tendrils that serve as a backdrop for the entire scene. Leading the mule (through use of a white rein, of which a ghost remains) is another nude satyr, running profile to the right, while he turns his head profile to the left. Other details include red on the beards and tails of satyrs and a red fringe for the foremost satyr. Incision is used extensively for anatomy and drapery. An unusual effect is created through the use of incision for the forearm of the leading satyr, which he lays across his torso, which is not incised save for two small circles to indicate his nipples.
REDMG:2004.96.1	Decorated in black glaze except: narrow reserved band on interior, just within rim; tondo, reserved except for two concentric black circles at the centre; reserved interior of handles and handle zones; decorative frieze comprised of palmettes above chain, on both sides; narrow reserved band in lower part of bowl; reserved resting surface and interior of stem. Added white dots superposed on chain, at the centre of each link. Misfiring has rendered the lower part of the bowl, stem, and foot on one side streaky red.
RM.87.35.22	Decoration on the whole body, handle, mouth and beneath the aryballos. On the body you can see warriors marching right, carrying shields. On the underside and on the mouth, a floral design is visible (leafs). The handle has a zig-zag line design, with dots in the middle.
TEMP.2002.7.1	Bowl with two handles, the rim has a black band around the top which goes both inside and outside the bowl. Below this on the inside, is a very thick black band that stops to leave an empty circle in the centre of the bowl. The handles begin about an inch below the rim on the outside of the bowl, but curve up and out to finish roughly on level with the rim. They are painted with black glaze only on the underside. Above the base of the handles there is a subtle ridge, below which there are three lines of pattern, which look like petals. Below these, there is a thin black band, a small space, and then a thick black band which goes down to the ridge of the foot. The foot itself appears to consist of two flattish disks, the lower with a black band round it. On the bottom of the foot, there is another black band part way in, and then a smaller one with a black dot in the middle.
TEMP.2002.9.2	Larger piece (1) is made of three fragments and shows the top of the front panel with a pattern of horizontal palmettes with dots in field above a scene of a woman, with head covered, facing a youth wearing a long tunic and holding a long stick (?). The vertical panel pattern on the left hand side is of two dots, staggered and joined by a line. Detail picked out in watery glaze and black. The inside surface of both pieces is almost ribbed and the glaze is streaky. The smaller piece (2) has remains of a thick handle with a palmette pattern below it. The design on the front has the same horizontal and vertical panels as the other piece but has an old (bearded) man facing left also in long tunic. Both pieces bend upwards to what would have been the mouth and there is a possibility this would have been trefoil shaped.
TEMP.2002.9.3	Inner surface is reserved. Outer surface has part of a man in robes holding a lyre in his left hand. Detail is in black paint.
TEMP.2002.9.30	Fragment comprising the entire foot, completely reserved underneath. Red band on top with a rosettes in the centre, black to red.
TEMP.2003.6.14	The two fragments bear part of the same decoration, apart from the parts of two lines in added red on top of a (which is preserved higher than b). There is a large black area below which there are two lines in added red. Underneath, there is the upper part of a radial-shaped motif on a reserved, but glazed, surface.
TEMP.2003.6.24	Fragment of pot, including slight buldge where handle begins. Exterior, black lines on white background. At the right edge of the top there is a triangluar bit of black that looks like it originally belonged to a square surrounded on both verticle sides by twin sets of thin brown verticle lines. Less than 1 from the top there are two brown lines that follow the curve of the jug horizontally spaced .3 apart. Under these lines on the left is a large2.5 hieght figure eight pattern made up of three lines that swirl around to create the eight, with little v's on the outside of the eight pointed away from where the figure eight lines cross. On the right side, two bworn/black lines curve around where the handle would have begun. The handle section is all black, although chipped. Under the figure eight is a .6 thick black lines running horizontally around the pot, broken by a thin pink line a little below the middle. there are two other thin pink lines equidistant from this first one, one above and one below it by about .4, the top pink line being right above the top of the black line. Underneith the bottom pink line is a segment of a different pattern. Interior is black over pink and white, which is worn away enough in many parts to see the pink and white colors. two thin and faded white lines form bands near the top.
TEMP.2003.6.25	Fragment of the middle segment of a plate(?) chalice(?) with the stem that would have held it up broken off. Exterior, white, interior black with two slightly faded relatively thin white lines that would have made a circle, with a white blob (part of an X?) and a red dot on and in between the lines of the possible X within the circles.
TEMP.2003.6.6	The interior is black, but there is a reserved band on the fragments that come from the vessel's rim (a, b, c, d), which also bear a reserved band on the upper internal side of the rim. a) The black colour appears streaky (it varies from reddish brown to brown) on the rim (interior and exterior), as well as on the handle. The colour of the decoration appears brown and reddish brown on some areas. There is a broad band that bears two palmettes (one on either side of the double handle), while the surface between the two springs is reserved. On the left side of the fragment there is the right part of a motif (front legs of horses?). Below, there is part of a black line. b) The rim is black. Below, there is the upper part of a charioteer, riding a chariot with four horses (part of them is preserved). Details of the horses have been rendered with incisions. c) The rim is black, however the black colour is uneven and leaves part of the right edge of the fragment's rim reserved. Underneath a thin, reserved line, there is a palmette and next to it part of the line that contoured the spring of the handle. d) The rim is black. Below, there is a female figure's head and in front of her (at the level of her face) there is part of a curving branch, with dots on either side (part of wreath?). e) Part of a palmette, a black line and a black band. f) There is a dot in the middle of the resting surface, contoured by a circle. There is also part of a wide, band, between thin lines, above which, there is a graffito? in the shape of X.
TEMP.2003.6.9	Rim section of a bowl. Exterior white with a band consisting of twin brown lines with alternating black and white rectangles interior along the top .3. There are two small blueish sploches marring the otherwise well preserved surface. Interior is black over white. The white shows through in a line along the edge for about .2 and then there is a brown line, and under this the rest of the background is black. Near the top of this black section is a set of white lines with white dots set in between them at regular intervals. Under this pattern is another thin white line. Under this is on part of a triangle pattern consising of a white outlined triangle with a white line forming a second triangle within the first and a red dot at the center of the triangle.
TEMP.2003.7.2	Interior white with a pattern of brown waves set in between sets of two thin yellow lines which begin .2 below the rim. There is a small bit of brown that seems to be part of some other pattern at the bottom of the fragment. Interior is brown/black with remnants of a white fan or floral pattern, which is heavily worn. A good deal of the interior is worn down to the original terracotta.
TEMP.2003.7.3	Exterior white with brown patterns. Following one edge abour 1.0 down is a set of faded brown lines. Between the edge and these brown lines on one side are five brown lines perpendicular to the two lines, while on the other is a single parallel brown line with 5 short perpendicular lines crossing. Below the two brown lines is a brown blob that looks like it may have once been a horses leg, but is nothing in particular now. Interior is brown.
TEMP.2003.7.34	Interior painted in black. Exterior has a black and purple decoration in the centre. The purple is in the shape of a cemi-circle, with black around it which has small incisions. The black at the top is almost in a knot-like shape. The clay is a red-brown.
TEMP.2003.7.38	Side b, interior, is black, with part of a geometric border in the left half, with a small area of red to the far left. Side a, the exterior is covered in circular and oval shapes, presumably part of a larger design.
TEMP.2003.7.44	One broad band with horse shoe pattern, beneath diamond to the right with rope pattern in the centre, to either side, floral pattern-leaf.
TEMP.2003.7.53A-B	a) Animal head (perhaps a bull); b) wave pattern above lines arranged in a triangle
TEMP.2003.7.6	On the exterior is a light brown line, followed by a cream line, and another brown one, followed by a lighter brown one and brown dots on a cream background. Then another light brown line and more cream until a dark brown circular shape (unclear because the fragment ends here). On the other side the background is dark brown, almost black, with white lines, almost like petals, with light brown dots in them.
TEMP.2003.7.60	Fragment is made up of six smaller fragments, which have been rejoined, comprising the base of a pot. Interior and exterior are glazed black. Just above rim of base is a strip of red with a black line in the middle. Top and underside of base rim is red. Side of rim is black. Underside of base is concaved, with a red center. The red center, under the base, has a black circle around.
TEMP.2003.7.61	One side glazed black. Other side glazed black, with a strip of red in one of the corners.
TEMP.2003.7.64	Fragment from the neck of a closed shape, with a flat, thick rim (1.4cm). Flat, top of rim seems to have been painted white. The side of the rim has a pattern around it. The pattern has a thin, black line parting small 'U' shapes. The top half of the pattern has 'U' shapes in it, which have tiny, verticle, red lines inside them. The bottom half is the same, however the 'U' shapes are up-side-down. The neck and small piece of the body, on the fragment, is glazed black and appears to have once had white paint on it. The fragment has a small piece of the pot's body on either side of the neck. One of the sides of the fragment of the body has the top of two figures on it. The right hand side figure is the top of a head but its features are unclear. The left-hand-side figure appears to be a women, with her left arm raised. The underside of fragment is terracotta colour. The inside of rim is glazed black and the inside of the pot appears to have been left terracotta.
TEMP.2003.7.73	Interior decorated in dark brown with a thin light brown stripe along the inside lip. The exterior is light brown with dark brown stripes along the top and bottom part of the lip, and along the bottom part of the fragment.
TEMP.2003.7.8	Rim of a plate. Exterior, plate body plain, underside of rim black. Interior black over brown paint worn through in places. The rim itself is serated on this side.
TEMP.2003.8.1	(a)Part of the rim of an open jug of some sort. The inside segment of the rim is painted black, with numerous small bits having been chipped off. Moving outwards, the rim consists of the inside of the pot wall, which then splays out in a flat top rim, and then falls down again in a second wall that is left dangling from the outer rim. So, moving from the inside outwards on the underside, there is a valley of about 1.0 wide and 1.5 deep until the top of the second rim (which is peaked) is reached. The outward facing side of this downward pointed rim consists of alternating lines of black dots and thin black lines which run around the entire outer diameter of the rim. There are two rows of dots and two lines, alternating which each other, all of which are heavily worn. The top part of the rim, which would be facing upwards if the pot were complete, is about 2.2 wide and flat, marked with black raised lines that repeat about every .3 and which start at the outer edge and are 1.7 long, and painted black. These lines are heavily worn. There are also two significant chips in the top of this rim, each about 2 long. (b)Another part of the same rim to the same vessel. The same dot and line pattern runs around the outer diameter. On top the lines which are thicker at the end pointing into the pot are repeated, a palmette decorates the larger flat area of the handle region.
TEMP.2003.8.11	Black glaze in the left corner some fine black lines on a red background possibly part of a himation.
TEMP.2003.8.64	Head of a woman in relief. Plaque is square in shape. On either side of the woman's hair at the top are two wings. Long flowing hair on either side of her face. Features are carved and she is wearing something around her neck. Small hole in the centre at the top.
TEMP.2003.8.65	Within a frame, a man's bust facing right. The man has a large nose, is veiled and wears a robe over his shoulders. The frame is decorated with incised horizontal lines on either side of the man, small flowers in each corner, a curtian above, and a circle in the centre.
TEMP.2005.1.8	black glaze all over however worn away in areas. No distinct pattern visible.
TEMP.2005.8.1	Decoration in relief: On lower part of wall is a frieze including two tall birds (cranes?), the first in 3/4-view to left with wings outspread and head turned to the right, the second advancing profile to the left. They are enclosed in a rectangle outlined with relief dots. Below a row of relief dots, on lower part of body, is a floral frieze, consisting of inverted lotus buds, tendrils, and rising acanthus leaves.
TEMP.2007.3.50	Obverse:head of Drusus Caesar, encircled by words; Reverse: SC in centre with text surrounding
TEMP.2007.3.56	Obverse: figure/athlete?; Reverse: SC in centre
TEMP.2007.3.57	Obverse: head of Saturn Reverse: Venus in biga
TEMP.2007.3.59	Obverse: head with cloth headress and moustache Reverse: male in toga with people behind, at an altar?
TEMP.2007.3.84a-f	a- winged female kneeling b-pegasus c-soldier's head d-torch e-pegasus f-cross with unidentified shapes in
TEMP.2014.9.19	No decoration, no incised lines or stamps. Grey residue on the interior. Section missing from lip. Evidence of use of a pottery wheel in making.
TEMP.2014.9.20	Blackened base of interior. Two incised rings, one near foot and the other near the lip. interior and above top incised line is smooth. Lower exterior, textured/coarse, grit. Evidence of use of a pottery wheel in making.