| 11.10.19
|
Shoulder: frieze of bars at base of neck; below, five palmettes, consisting of a central group of three, the middle one inverted, and one at each side with its stem on the side away from the handle. The lower branch of each stem curls into a spiral from the end of which a leaf grows. There are dots in the field. Body: black except for a pair of red lines around the top.
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| 11.10.2
|
Cup mouth originally black inside and out with lip reserved. Shoulder had rays and lotus buds. On back, long verticle smear of paint below handle. Main zone is palmettes and lotus buds on cable, perhaps with white outer continuous lines. Bottom of body was orignally black, as is top of foot. Side of foot is reserved as is base.
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| 11.10.20
|
Quatrefoil, hatchings and wavy pattern (cf. Reading 11.10.11). Top of mouth: one very broad band between two narrow. Bottom flattened.
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| 11.10.21
|
Black glaze covers the interior. Exterior of the rim black; black ground line at bottom of figural scene; black on lower part of body and exterior of foot, except for two reserved grooved lines on the top and lower part of foot. Reserved resting surface. Underside decorated with black circle at the center, surrounded by a thin black band. Interior of the foot black . Scene is similar on both sides: between palmettes a charioteer driving a quadriga, or two-horse chariot, to the right. Incised detail on all figures. Careless design, no details.
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| 11.10.4
|
Wide mouth with flat rim with one band followed by two thin bands. Single handle with one horizontal bar. On the shoulder is a thin daisy pattern. Body has eight bands, the fifth from top is broad. On bottom are two small circles.
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| 11.10.6
|
Cup mouth with deep flange with six bands in two groups of three. Side band is continued across top of handle but otherwise it is plain. Three warriors, heads left, feet right. Spears slope left and shields are red in centre but have a black rim with white dots. The six band pattern is in two groups of three again on the base.
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| 13.10.11.16
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Parallel zigzag lines incised on both the bottom and top sides of the bead as well as an incision of one line around the girth of the bead and around each end of the piercing.
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| 13.10.11.9
|
Triangular incisions either side of the girth. At the top and the bottom of the bead there are incisions as well as around the girth.
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| 13.10.17
|
The interior of the lip has a thick black line about 1.0 cm from the top, with black painted on the rim. The neck is painted with alternating red and black thick lines. The handle appears to have been painted in black on the top and sides, but reserved underneath. Around the middle, vertically to the handle there is a pattern of black cross-hatched lozenges. The rest of the body has a pattern of thin black and thick red concentric bands, ending in a circle with a black Maltese cross on either side of the vase.
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| 13.10.18
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Interior: halfway down, a series of uneven thin black concentric lines between two thick black lines; at base two concentric black circles. Exterior (from top to bottom): two black concentric lines, uneven thin black lines inside two thick black lines, one wide red band, black line, black line around footring and three concentric black lines on base.
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| 13.10.25
|
Pinkish clay, undecorated. Circular indention at top of shoulder. Circular indentation on base, (chipped ?)
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| 14.9.114
|
Small areas of white at the top of the right thigh, and to the left of feet, suggest that the figure was coverd with white slip (painted?).
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| 14.9.42
|
Pinkish-buff clay. Exterior surface has poor, dull black paint in a pattern of three linked spirals between broad bands. Interior surface is reserved except for an irregular streak of red top to bottom. No finished edges.
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| 14.9.44
|
Top edge of rim is painted black. Buff clay with black paint. Outer surface has a ripple pattern based on horizontal band. Inside has similar but the ripple pattern does not extend below the rim, and sits on two bands inside bowl.
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| 14.9.47
|
Panel decoration. Broken wave band on neck; below this the end of a broad band and the beginning of a thinner vertical line bordering the panel on the right; within this frame a network composed of papyrus motives, horizontal and facing left with circles in the blank spaces. Inside a broad band extends from the top of the fragment (and presumably from the top of the vase) to the level fo the top of the band on the outside, the rest reserved.
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| 14.9.48
|
Brick red paint on pinkish buff clay. Interior surface has Two red bands, on on top of rim and one just below. Main scene is a chariot with three passengers facing to right. The broad band below rim has practically obliterated the heads and shoulders. On outer surface is a red band just below rim.
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| 14.9.5
|
Inside of mouth and rim are black but remainder of interior is reserved. Handles, black on top and reserved underneath. Slight lip to mouth with black band below and then another at base of neck (white spots superimposed on front only). At base of handles are wavy lines and below is a decoration of three black bands. Base is reserved. Graeco-Phoenician.
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| 14.9.50
|
Shiny red-brown paint on pale buff clay. On outside is a broad band under rim with a loop with cross-piece in centre hanging from it. Both parts have transverse bars. Below and along fracture is a curved line. The interior surface is reserved in the lower part but has as broad band covering rim at the top.
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| 14.9.51
|
Underside is reserved. Chocolate brown on whitish-buff. The topside has the lower part of a bird including a leg and foot at top with two broad bands below. The bird may be a duck or the like and appears to be running to the right.
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| 14.9.52
|
Black paint has faded to brownish-orange. Between two pairs of painted bands on the lower-side of the top band and the upper-side of the lower band there is a three tiered fish-scale design. In between there are painted circles that are surrounded with little dots. A band of faded black paint frames the place where the handle might have been.
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| 14.9.59
|
Series of banded sections on pale buff background. Top section plain painted band faded to brown, followed by band of small black dots between two lines, then thick black band and 2 thin black lines then another black band that has faded to red and finally a thin black line with one further band that covers the corner and is visible on the bottom. The rest of the bottom is the pale buff of the clay. Inside has traces of brown paint particularly near the top.
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| 14.9.61
|
Outer edge has row of dark brown dots. On top, first band is same dark brown colour which is followed by 3 redder bands, a row of dots the same colour and 3 more reddish bands. All the bands are approx. the same width.Background is pale buff. Underside is reserved.
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| 14.9.69
|
Black painted design. 2 thick lines diverging from medium-sized black section. 1 curves round, the other is straight with a subsidary line curving away. Over the top of the main black region is a largely worn away blob of red paint and there is wavy incised line through the bottom. More incised lines cross the black lines with most falling on the curved one. Pale buff Background. Inside painted black
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| 14.9.74
|
Interior: glazed black with traces of narrow bands in added white; exterior: from top, part of wide vertical black band between pairs of dilute lines; two dilute lines; guilloche pattern; at right, two narrow vertical black bands flanking black handle root; below; wide black band between two narrow dilute bands; part of meander frieze.
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| 14.9.75
|
At the top is a triangle of black, with a smaller triangle below leading to a dark brown line. There is a similar line parallel to this one on the left. Both lines are at right angles to a braoder dark brown line. Nestled between two faint brown lines are five white circles with black circles in the centre. There is just a small area of dark brown/black on the bottom right hand corner. Other side is reserved.
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| 14.9.80
|
exterior: top and right, black frame or panel; in panel black-figure decoration consisting of horse (only part of mane with added red and part of right ear remaining), to right. The other side is reserved.
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| 14.9.82
|
Head and part of body of woman and siren, both facing left. Shapeless rosettes in field. Red for hair, breast and base of wing of siren and large spot of breast of woman. On top of the rim there are two uneven rows of black dots. The interior is black with a red band along the bottom half of the fragment.
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| 14.9.85
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Interior black and glazed. Exterior is black above the scene of a youth riding a horse. Only top third of horse is visible. Added red on hair, horses mane, tail and flank.
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| 14.9.86
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Interior black as is handle on top although it is reserved underneath. The design appears to the right of existing handle, and is of a satyr, facing right, with horn in thinned paint. To his right is an eye pattern. Detail is incised.
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| 2002.9.4
|
A reconstruction of a barbiton comprised of a heart shaped wooden frame with a horizontal bar at the top to which the seven strings are attached. The strings are arranged vertically and are attached at the bottom where there is a tortoise shell with some sort of drum skin drawn taught across the top. A red ribbon has been added for decoration to the left at the bottom.
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| 2002.9.5
|
A reconstruction of a kithara. Similarly to the barbitos, wooden frame with a horizontal bar resting across the top to which the seven strings are attached. Ornate carving and curls down each side. The lower part is a thicker section of wood with a bridge (as on our stringed instruments of today) to hold the strings taught. Zig zag carving at base for decoration and a red ribbon for the musician to hold attached to bottom right.
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| 2003.7.15
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Piece of fragment made of red clay with pattern both sides. Fragment is slightly curved, with a small rim at the top suggesting it could be part of a decorative plate or bowl. Side A, which is possible the interior, has a broad black line at the bottom - possibly this was the colour of the interior, with five rough circles in a row, alternating black and red from the left hand side, painted on top of a white background. Side B has a similar broad black line at the bottom, with a broad white line painted at the top and several faded black vertical lines painted over the white. The shape of the fragment is rectangular, and it slopes to a point at the right hand side.
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| 2003.7.16
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Curved fragment with rim and stump of handle suggests it was a bowl or cup due to how it open it appears as a shape. The interior is painted entirely in black, with a hint of red (fading?) near the top. The exterior has two black bands, one on the rim and one below the rim which also covers the handle stump. Beneath the handle there is a strip of faded white paint, followed by a red/dark brown stripe, then the rest is white with a thin horizontal black line and possible a thicker vertical black line dividing the white decoration in half.
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| 2003.7.19
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Possibly part of rim and body of a bowl/jar, due to the smoothness of the top of the fragment. Side is shows indication of being the interior, due to the plain black colour painted on. The exterior, side B, has been painted in white with a narrow area of black at the bottom. There is indication of two parallel lines of small black dots, in between which are two narrow parallel black bands with squares of black between them.
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| 2003.7.22
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Possibly top part of a bowl/jug due to smooth edge of rim and the way it curves half way down. The interior side is painted in black. The exterior has the top half painted in white, with two lines of small black dots parellel to each other at the edges of the white paint. There are two dark brown/faded blakc parellel lines which have two black squares at either end of them. There is a narrow red line beneath the white, with a black area beneath that. The clay is quite smooth.
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| 2003.7.23
|
Possibly part of the top of a bowl/jar due to the smooth edge at the top. The interior is painted black, and has a smooth texture like the exterior. The exterior has a wide band of white painted on, with a few black marks painted on which are possibly horizontal lines and small blacks squares - similar to other Laconian fragments. Underneath the white is a narrow band of dark red, then an area of black.
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| 2003.7.24
|
Possibly the top of a jar/bowl due to the smooth edge at the top and way it is curved at the middle. The interior is painted black, with a smooth surface similar to the exterior. The exterior is half painted in white, with narrow, parellel lines of black dots or bands, and a black square inbetween two black lines. There is a line of dark red below this, followed by an overlap of white then a black area.
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| 2003.7.25
|
Very small fragment, interior (side a) is painted black. The exterior, side b, has a narrow red band at the top, with a white background beneath it and two narrow black bands, a strip of small black dots and a black filled in shape at the bottom.
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| 2003.7.26
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Probably part of a jar due to the way the bottom of the fragment juts out at an angle - possibly the body of the jar. The interior is painted black/dark red, although most has rubbed off. The top half of the exterior has been painted white (barely visible), with parallel lines of small black dots, and black squares in between these two lines. The rest of the fragment is painted black.
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| 2003.7.27
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Small fragment, possibly part of a jar. Interior (side a) is painted black and curves slightly at the top - possibly a rim? The rest of the fragment has been painted in white, with four black narrow parallel lines, and a black square nestled inbetween the first two lines. There is also a dark red line at the bottom of the fragment.
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| 2003.7.28
|
The interior is painted a solid black. The exterior has a black band at the top. There is a white background painted on, with three black parallel lines. Between the first two lines is a row of small black dots, the second and third line has a black circle lodged between them and there is a small black dot at the very tip of the fragment.
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| 2003.8.51
|
Wide flared rim overlaping body. A broad black band encircles the fragment at the top of the body.
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| 2004.5.1
|
The face is moulded, with ringlets at forehead, beaded hair at sides, and wavy locks as a beard, tongue protruding from mouth. The face is encircled in a u-shaped element terminating in volutes; petals on the outside. The face and other decoration are painted brown; a painted band beneath the face indicates the top of the dress.
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| 2004.8.4
|
The rim is decorated with a thin black band, with a reserved band below and another black band below this. Two youths (black in colour) stand facing each other, with the figure on the right presenting a white cock, of which, elements remain (painted over the figure). Behind each figure the tail and part of a sphinx can be seen. The sphinx behind the right figure has incised lines dividing the wing feathers. The centre of the sphinx's wing appears purple in colour. There are faint, incised lines that give the outline of the youths' heads (where paint has been worn away). The reverse of the fragment is black with a reserved circle on top of the rim.
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| 2006.12.126
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Head shape with features entirely worn away apart from crown/hair engraved at top.
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| 2006.12.22
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Unpainted areas crossed by thick bands of grey-blue, with thinner grey lines on top. Looks faded all over
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| 2006.12.38
|
Painted bands of brown, white and red. Top band has brown wavy line on it
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| 2007.10.2.118
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Figure of a naked man touching the skull of an animal which is sitting on top of a column.
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| 2007.10.2.120
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Temple at the top of the cast with steps leading down to a building at the bottom.
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| 2007.10.2.181
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A naked, male, child-like figure, with a robe draped around his back and arm stretched out in front of him. Sitting on top of a small laurel wreathed plinth.
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| 2007.10.2.249
|
The large profile of a bearded male face. Much of the top and back of the head is cut-off by the edge of the cast. To the left of the face is what appears to be a pole with a snake coiled around it.
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| 2007.10.2.268
|
A male head, with lots of curly, wild hair covering the face. In the top right there is what appears to be a pointed ear or a horn, it could possibly be the god Pan or a faun.
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| 2007.10.2.290
|
A man, possibly a soldier, with a shield and a helmet on, he is standing next to what appears to be a pillar with a snake coiled around it, at the foot of the pillar is a lamb and perched on top of the pillar is a bird.
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| 2007.10.2.305
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A male figure stands over another figure, prostrate on the ground. The standing figure (probably male) is dressed in a cloak and tunic and holds a blade or scythe in his right hand. The standing figure appears to be holding the decapitated head of the second figure in his left hand. Behind the figure prostrate on the ground is an ox whose front legs are raised from the ground. To the right of the cast a tree or bush is depicted with a large bird (possibly a peacock) perched on one of its branches. At the centre of the cast there is what appears to be a standard or post with two serpents coiled about it. The serpent's heads face each other at the top of the post.
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| 2007.10.2.311
|
A large female figure reclines in the centre of the scene. She is dressed in robes and is wearing either a helmet or a cap (Phyrigian cap?). Her left arm is resting on a disembodied (bearded male) head and her left hand holds a staff which rests against her upper-arm or shoulder. Beneath the large female figure and to the left of the male head are two shapes which possibly represent boats or ships. These shapes might indicate that the portion of the scene below the female figure is in fact a river or the sea. In turn this might suggest that the disembodied head is emerging from the water (possibly identifying it as a river god). To the left of the scene a very small figure appears to be presenting the large female figure with something, possibly a basket or urn. A slightly larger figure, leaning on a stick, looks on from beneath a tree. Above the very small figures head are two animals (presumably intended to appear to be further off in the background). One at least of these animals is certainly a horse. To the right of the large female figure's head there is a representation of a stag. At the top of the scene in a central position are three shapes. It is unclear exactly what these are (possibly huts or houses of some description?).
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| 2007.10.2.34
|
Robed man holding staff with something on top of it, facing right
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| 2007.10.2.502
|
Cast is made concave, has the image of possibly outline of a temples fround, with wreath at the top of the arch. There is a figure inside, holding a bow in its left hand and possibly reaching for an arrow from its back with its right hand. This is possibly Apollo.
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| 2007.10.2.51
|
Profile protrait of a woman facing right with flowers in her hair and a stick with orb on top in background
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| 2007.10.2.55
|
Bearded male head facing forward. Below the head appears to be two flaming torches. Four cherubs (?) frame the hair, with the top two looking like they're putting a crown on the head. There is an inscription, in Greek, on either side of the head.
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| 2007.4.146
|
Red painted pattern on one side, starting at the top with pale red line, followed by a section of darker red block colour, then red zigzags going down, then another section of red block colour and finally orangey red stripes
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| 2007.4.148
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Painted orange on one side, with a red wave over the top, very faded
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| 2007.4.215
|
A thick band of dark red across the top, with three verticle red stripes desending from it. Below the thick band are two thin stripes, going horizontally around the vessel
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| 2007.4.37
|
Black glaze, ridge around top
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|
| 2007.7.1A-S
|
Rim (A-D) has tongues on the top, a design with dots and traigular shapes on the sides, with palmettes below; Side A (H-K) shows a symposion, with a bearded man (Dionysos?) and possibly the hoof of a satyr; Side B (L-N) shows a battle. A, B, C: Rim with tongues, side design and palmettes below; D: Rim with tongues and side design, no palmettes below; E: Fragment from just below the rim with the palmette design; F: Fragment from below the rim, all black with part of a palmette on the lower left; G: Black on both sides; H: Head and shoulders of a bearded man(Dionysos?) with the circle and triangular motif running vertically on the right; I: Arm and torso of the bearded man on the upper part, on the lower part there is another object which could be his couch; J: Left half is black, right half contains an unclear section of the symposion scene; K: Drapery, most likely from the symposion scene, with a drinking horn in the lower right corner and possibly the hoof of a satyr; L: Top half of the battle scene, with a nude man holding a spear, and probably a tree running vertically along the left side. The scene is bounded by the circle and triangle design; M: Lower half of L, with the lower body of the nude man, drapery on the left side; N: Leg of the nude man, with the lower part of the tree running vertically on the left; O-P: Plain black; Q: Black, with part of the circle and triangle design; R: Black, with part of a design on the top; S: Base, tongue design
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| 2007.9.1.102
|
Displays a long, thin indentation on the left, hieroglyphs on the right and three raised dots on the top and on the bottom.
|
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| 2007.9.1.110
|
Displays a modern style lion on its hind legs (although only the top half is visible) holding a cross with a large crown above its head. Surrounded by a simple lined border.
|
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| 2007.9.1.88
|
Displays the front view of four horses, with the top half of a human figure appearing above them, altogether possibly representing a four-horse chariot.
|
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| 2007.9.1.95
|
Displays the front view of two horses, with the top half of a human figure above them, altogether showing a two-horse chariot.
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| 2007.9.3.46
|
An L-shaped structure with a man falling from the top. To the left it looks like there are 2 ladders.
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| 2008.2.1.54
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Robed woman standing next to a pillar. Her right hand is resting on the pillar and is holding two long, straight objects connected near the top, possibly a scroll.
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| 2008.2.1.73
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At the center of the scene two horses pull a chariot one figure drives the chariot whilst another figure wearing armour holding a spear and shield stands in the chariot. Another figure is depicted up-side-down next to the chariot possibly knocked over the chariot or fallen out of the chariot. In the bottom right of the scene another figure depicting leaning on a shield. In the center at the top of the scene a figure is shown with their hands aloft possibly celebrating. to the right of this central figure is another clad in armour, it is unclear what this figure is doing.
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| 2008.2.1.89
|
On the right there is a standing woman holding a spear in her right hand and a shield on the ground with her left. She is wearing a type of headdress (possibly a helmet) and could either be robed or naked. to her right there is a standing animal, possibly a sheep, on top of whom is standing a winged cherub holding a bow and arrow, possibly cupid. On the far left of the cast there is a large stalk of corn.
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| 2008.2.1.92
|
Profile of a female facing right possibly wearing a type of decorated cap. The hair can be seen in a bun at the nape of the neck. The top of a dress or robe can be seen around her shoulders.
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| 2008.2.1.93
|
Profile of a young male looking right with short curly hair and a band around his head that is tied in the back. The top of his robes can be seen at the base of the neck.
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| 2008.7.126
|
Exterior: reddish-brown wash. Fairly wide horizontal ridge across top of fragment a dip in the middle.
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| 2008.7.139
|
Interior: small spots of a darker colour are over painted. Exterior: 6 diagonal lines, forming a diamond pattern are etched. A narrow horizontal groove forming a lip is etched towards top of fragment.
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| 2008.7.140
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Exterior: One horzontal line with 4 short vertical lines at 90 degrees to it are etched on top edge of thwe rim.
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| 2008.7.143
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Exterior: greyish wash, 3 narrow, non-parallel ridges towards top half of fragment.
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| 2008.7.152
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Exterior: two horizontal parallel lines etched towards top of fragment. Below this, 3 vertical, non-parallel ridges, with narrower ridges coming off at shallow angles towards the bottom of them.
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| 2008.7.35
|
Exterior: one horizontal dark brown line running along the approximate intersection of shoulder and body. Just below this are two small dark brown dots of similar but different sizes. Above the line is a thick, wavy, erratic, dark brown line that dominates the fragment from the line up utn il just under the rim. Interior: two horizontal parallel dark brown lines. The top one is right up on the edge of the rim, the other slightly removed below it.
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| 2008.7.39
|
Exterior: Base - 4 parallel red/brown lines. Top - single red/brown line parallel to lines on base, but set further up than base lines.
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|
| 2008.7.42
|
Exterior: base has an area of black overpaint, which is followed by 3 thick lines of black overpaint towards the top of fragment; Interior patchy area of black overpaint
|
|
| 2008.7.47
|
Exterior: single line of black overpaint at top of fragment, spot of black overpaint at base of fragment
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|
| 2008.7.54
|
Exterior: sigular line of black overpaint at top of fragment, parallel to this line but towards the base of the fragment are a further two parallel lines (closer together) in black overpaint.
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| 2008.7.62
|
Interior: black wash. Exterior: thin parallel lines faintly visible at top and bottom of fragment. Between these, patches of overpainting in cream, black and brown remain.
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|
| 2008.7.87
|
Interior: greyish-black wash. Exterior: cream wash with horizontal parallel lines overpainted in brownish-red. 1 thick and 2 thin lines towards top. Curved pattern overpainted below in same colour.
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|
| 2008.7.89
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Interior and top of rim: greyish-black wash. Exterior: traces of reddish-brown colour overpainted.
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| 2008.9.13
|
Interior: greyish-black wash. Exterior: wide greyish-black band overpainted, taking up roughly half the exterior. Above this is a narrower parallel strip of unfinished terracotta containing 14 small dots in a horizontal line towards the top if it. And above this, half of another parallel band overpainted in greyish-black is present.
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| 2008.9.22
|
Interior: reddish-black wash with a narrow strip of unfinished terracotta across longest edge. Same colour overpainted in the top of the rim. Exterior: 1 thick horizontal band overpainted in a reddish-black colour just underneath the rim.The space below this is left unfinished.
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| 2008.9.24
|
Interior: greyish-black wash, top of rim overpainted in same greyish-black colour. Exterior: Greyish black wash, interspersed by 2 horizontal bands of unfinished terracotta, the lower band wider than the upper. The lower band has 7 smaller dots overpainted within it.
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| 2009.10.2.169
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Naked Hermes with caduceus lie down on top of the sheep.
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| 2009.10.2.183
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Left to right: woman seating on a tree, an other one holding a baby on top of a dog and picking something from the tree. Man holding something. Latin insription.
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| 2009.10.2.197
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Figure on a chariot being pulled by another male figure with a shepherd's crook, with two sheep one on either side. star in the top center. Number 69
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| 2009.10.2.368
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Male figure wearing a cloak and helmet, standing near a pillar with a bird on top. There is also a snake wrapped around the pillar and a dog at his feet. There is a Latin inscription 'POTITI'
number 24
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| 2009.10.2.370
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Male figure wearing a cloak and helmet, holding a bow and arrow. He is standing near a pillar with a bird on top and a snake wrapped around it. A also dog stands at his feet. Number 26
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| 2009.10.2.374
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Male figure is lying on the floor, a sphinx is on top of him, male figure is being attacked (?) Possibly attacking the people of Thebes (?). Number 30
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| 2009.10.2.51
|
An eagle on top of a mountain of rocks with cresent moon and star. Writing at bottom.
Number 51.
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| 2009.10.2.79
|
Right profile view of a man with curly hair and wearing a head garland. You can see the top part of his clothes. Number - 11
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| 2009.7.99
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Exterior: black wash reamains along top edge.
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| 2009.8.100
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Profile of a man with a beard and wreath in his curly hair. The top of a cloak can be seen. Cast number: 44
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| 2009.8.101
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Frontal portrait of a man with a beard. The top of a cloak can be seen. Cast number: 45
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|
| 2009.8.105
|
Profile of an older man with short hair. The top of his cloak can be seen. Inscription on the bottom. Cast number: 49
|
|
| 2009.8.108
|
Two coats of arm. Inscription on top and on the bottom. Cast number: 52
|
|
| 2009.8.112
|
Profile of a man with short hair and a wreath. The top of a cloak can be seen. Cast number: 56
|
|
| 2009.8.113
|
Profile of a man with short hair, top of his cloak can be seen, looking left. Cast number: 57
|
|
| 2009.8.119
|
Profile of a man with wavy hair, looking right. Top of his cloak can be seen. Cast number: 63
|
|
| 2009.8.121
|
Profile of a man, looking right. Top of his clothes can be seen. At the bottom are three symbols: the one in the middle: two hands shaking; the one on the left could be a bird, the one on the right a flower. Cast number: 65
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|
| 2009.8.159
|
A woman lying on her back with a swan on top of her. Leda and Zeus. On the swan Eros. Cast number: 13
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|
| 2009.8.161
|
A woman lying on her side with a swan on top of her. Leda and Zeus. Cast number: 15
|
|
| 2009.8.162
|
A young woman lying on her back on a rock with a swan on top of her. Leda and Zeus. Cast number: 16
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|
| 2009.8.211
|
Profile of a man with a wreath in his hair and a star next to his head, looking right. The top of his cloak can be seen. Cast number: 2
|
|
| 2009.8.212
|
Profile of a man with a wreath in his hair and a star in front of his head, looking right. The top of his cloak, probably a paludamentum. Cast number: 3
|
|
| 2009.8.214
|
Profile of a man and a woman. He has rather thick face with a small mouth and a double chin, maybe Nero. She has a ribbon or wreath in her hair, the top of her dress or cloak can be seen. They are both looking right. Cast number: 5
|
|
| 2009.8.223
|
Profile of a man with a wreath in his hair and profile of a woman, the top of her clothes can be seen. They are looking left. Cast number: 14
|
|
| 2009.8.228
|
Profile of a woman with wavy hair, looking left. The top of her dress can be seen. Inscriptions on the left side. Could be referring either to Julia, the sister of Julius Caesar or Julia, the daughter of Augustus. Cast number: 19
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|
| 2009.8.229
|
Profiles of two young men, one looking right, the other looking left. There are inscriptions on the top and on the bottom. Cast number: 20
|
|
| 2009.8.233
|
Profile of a man with short hair, looking left. Top of his cloak, probably a paludamentum, can be seen. Cast number: 24
|
|
| 2009.8.236
|
Profile of a man and a woman, looking right. He has a wreath in his hair and a prominent chin. She wears a tiara and the top of her dress can be seen. Probably Augustus and his wife Livia. Cast number: 27
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|
| 2009.8.247
|
Profile of a man and a woman, looking right. The top of her cloak can be seen. Cast number: 38
|
|
| 2009.8.249
|
Profile of a woman with a lavish hairstyle, looking left. The top of her dress can be seen. Cast number: 40
|
|
| 2009.8.250
|
Profile of a man with short wavy hair and a wreath, looking right. The top of his cloak, probably a paludamentum can be seen. Cast number: 41
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|
| 2009.8.251
|
Profile of a man and a woman, looking right. He has a wreath in his hair and the top of his cloak, probably a paludamentum can be seen. Cast number: 42
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|
| 2009.8.252
|
Profile of a woman with a lavish hairstyle and a tiara, looking right. The top of her dress can be seen. Cast number: 43
|
|
| 2009.8.256
|
Profile of a woman with a lavish hairstyle, looking right. The top of her dress can be seen. In front of her are two ears of wheat. Cast number: 47
|
|
| 2009.8.257
|
Profile of a woman with a lavish hairstyle, looking left. The top of her dress can be seen. Cast number: 48
|
|
| 2009.8.258
|
Profile of a man with short wavy hair, looking right. The top of his cloak, probably a paludamentum, can be seen. Cast number: 49
|
|
| 2009.8.262
|
Profile of a woman with slightly lavish hairstyle and a rather chubby face, looking right. The top of her dress can be seen. Maybe Livia. Cast number: 53
|
|
| 2009.8.263
|
Profile of a woman with a lavish hairstyle, looking right. The top of her dress can be seen. Cast number: 54
|
|
| 2009.8.264
|
Profile of a woman with a lavish hairstyle, looking right. The top of her dress can be seen. Cast number: 55
|
|
| 2009.8.266
|
Profile of a man with short hair wearing a wreath and a crooked nose and a prominent chin. The top of his cloak, probably a paludamentum, can be seen. Cast number: 57
|
|
| 2009.8.267
|
Profile of a man wearing a wreath with a prominent chin and a rather chubby face. The top of his cloak, probably a paludamentum, can be seen. Cast number: 58
|
|
| 2009.8.278
|
Profile of a woman with a lavish hairstyle wearing a wreath or tiara, looking left. The top of her clothes can be seen. Cast number: 9
|
|
| 2009.8.279
|
Profile of a woman with a slightly lavish hairstyle, looking right. The top of her clothes can be seen. There is a symbol on her right side. Cast number: 10
|
|
| 2009.8.280
|
Profile of a woman with a lavish hairstyle, maybe a tiara, looking right. A necklace or top of her clothes can be seen. Cast number: 11
|
|
| 2009.8.281
|
Profile of a woman with a lavish hairstyle, maybe a tiara, looking left. The top of her clothes can be seen. There is a symbol or some kind of musical instrument on her left side. Cast number: 12
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|
| 2009.8.3
|
Profile of a man with a beard and wavy hair looking right. Top of a cloak can be seen.
Cast number: BB.1
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| 2009.8.4
|
Profile of a woman with wavy hair looking right. The top of a cloak can be seen. Cast number: BB.n
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| 2009.8.83
|
Potrait of a man with wavy hair and a big ear. Top of his cloak can be seen, looking right. Cast number: 27
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|
| 2009.9.166
|
Profile of a young man wearing a helmet with a griffin and holding a shield with the head of the gorgon Medusa,looking right. Behind his shoulder the top of a spear or lance can be seen. Maybe referring to Perseus. Cast number: 1
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|
| 2009.9.179
|
Profile of a young man with wings in his hair, looking right. The top of his cloak can be seen. Maybe Perseus. Cast number: 14
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| 2009.9.183
|
Profile of a young man with wings in his curly hair, looking right. The top of his clothes can be seen. Cast number: 18
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|
| 2009.9.2
|
A man wearing a crown on top of ram antlers, holding a stick in his left hand and the anch-symbol in his right. Cast number: 16
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|
| 2009.9.207
|
Profile of a woman with a wreath in her hair, looking right. The top of her clothes can be seen. Cast number: 42
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| 2009.9.211
|
Profile of a woman with wavy hair looking right. The top of her clothes can be seen. Cast number: 46
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|
| 2009.9.213
|
A female griffin with one claw on a wheel. Inscription on top and on the bottom. Cast number: 48
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|
| 2009.9.220
|
A young naked man holding a torch, riding a chariot pulled by four horses. Beneath them lies a man with a beard turning to a woman holding a vessel. Probably Phaeton shortly before his downfall. Inscription on top. Cast number: 55
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|
| 2009.9.223
|
Profile of a man with culry hair and a beard, looking right. The top of his cloak can be seen. Cast number: 63
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|
| 2009.9.224
|
Portrait of a man with wavy hair and beard. The top of his cloak can be seen. Cast number: 64
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|
| 2009.9.234
|
Profile of a man with wavy hair and a beard, looking right. The top of his cloak can be seen. Cast number: 74
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|
| 2009.9.235
|
Portrait of a young man with wavy hair, looking slightly to the left. The top of his cloak can be seen. Cast number: 75
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|
| 2009.9.236
|
Profile of a man with wavy hair and a beard, looking right. The top of his cloak can be seen. Cast number: 76
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|
| 2009.9.238
|
Profile of a man with a beard and straight hair, looking right. The top of his cloak can be seen. Cast number: 78
|
|
| 2009.9.239
|
Portrait of a man with wavy hair and a beard. The top of his cloak can be seen. Cast number: 79
|
|
| 2009.9.240
|
Profile of a man with a beard, looking right. The top of his cloak as well as one of his hands can be seen. Cast number: 80
|
|
| 2009.9.242
|
Profile of a woman with a wreath in her hair, looking right. The top of her dress can be seen. Cast number: 82
|
|
| 2009.9.243
|
Profile of a woman wearing a cloth, looking right. The top of her dress can be seen. Cast number: 83
|
|
| 2009.9.244
|
Profile of a woman wearing a cloth, looking right. The top of her dress can be seen. There is a tendril surrounding her. Cast number: 84
|
|
| 2009.9.245
|
Profile of a woman wearing a wreath, looking right. The top of her dress can be seen. Cast number: 85
|
|
| 2009.9.246
|
Profile of a man with a wreath in his hair and a beard, looking right. The top of his cloak can be seen. Cast number: 86
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|
| 2009.9.25
|
Profile of a man wearing an aureole and some kind of wear. The top of his cloak can be seen, looking right. There is a "C" or a half moon on the right side. Cast number: 39
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|
| 2009.9.252
|
Profile of a man with short straight hair, looking right. The top of his cloak can be seen. One letter on the left side and one on the right. Cast number: 92
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|
| 2009.9.256
|
Profile of a man with a wreath in his hair, looking right. The top of his cloak can be seen. There is a letter on each side of him, in front of his face a twig.
|
|
| 2009.9.257
|
Portrait of a man with a beard. The top of his cloak can be seen. Cast number: 97
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|
| 2009.9.259
|
Profile of a woman with a ribbon in her hair, looking right. The top of her dress can be seen. Cast number: 99
|
|
| 2009.9.261
|
Profile of a man with wavy hair and beard, looking right. The top of his cloak can be seen. Cast number: 101
|
|
| 2009.9.262
|
Profile of a man with short wavy hair, looking right. The top of his cloak can be seen. Cast number: 102
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|
| 2009.9.264
|
Profile of a woman wearing a wreath in her hair, looking left. The top of her dress can be seen. Cast number: 2
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|
| 2009.9.265
|
Profile of a woman wearing a wreath, looking left. The top of her dress can be seen. Cast number: 3
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|
| 2009.9.268
|
Profile of a man with wavy hair wearing a helmet, looking right. The top of his cloak can be seen. Cast number: 6
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|
| 2009.9.277
|
Profile of a man with wavy hair and a lions fur on his head, looking right. The top of his cloak can be seen. Probably Alexander the Great. Cast number: 15
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|
| 2009.9.278
|
Portrait of a man with a beard wearing a helmet. The top of his cloak can be seen. Cast number: 16
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|
| 2009.9.279
|
Profile of a man with a beard and a ribbon in his curly hair, looking left. The top of his cloak can be seen. Cast number: 17
|
|
| 2009.9.285
|
Profile of a man with a ribbon in his short wavy hair, looking right. The top of his cloak can be seen. Cast number: 23
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|
| 2009.9.286
|
Profiles of a couple, looking left. The woman is in the foreground wearing a ribbon and a hood and the top of her dress can be seen. The man is behind her, has wavy hair and a ribbon. On the right side behind the heads a cornucopia can be seen. Cast number: 24
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| 2009.9.34
|
A naked winged man with sticks and a crown and a bird's tail. Inscription on the top and on the right side. Cast number: 48
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|
| 2009.9.44
|
Portrait of a man wearing an egyptian crown looking left. The top of his clothes can be seen. Inscription on the right side. Cast number: 58
|
|
| 22.11.1
|
Handles and flase lid are red and there is a band around the top and bottom of spout. Red decoration on body is broad and narrow bands.
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| 22.3.2
|
Inside is black apart from reserved rim. Two oblong handles, black on top and reserved underneath. Black rim runs around outside of the rim which is slightly offset. Main design is a satyr and maenad with tree between flanked by palmettes. Thin black band and black stem. Foot is black on top and reserved side. Resting surface is reserved and inside is half black and half reserved. Small central dot and circle.
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| 22.3.25
|
Rim has black wave design. Two female heads separated by palmettes. Knob has whole palmette design. And white, and yellow residue colouring around the whole of the pyxis. Central knob with rays and circle in middle. Inside and outside of rim on knob is black but top is reserved. Underside is reserved.
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| 22.3.39
|
Black glaze but slightly silvery front and back. Bands of decoration from top to bottom; white 'v' shapes and dots, two thin bands, white 's' shapes facing right, two narrow bands, blocks of red and white, two bands, white dots with swirls and circular leaf pattern, red band, indistinguishable circular pattern due to break.
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| 22.3.4
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Glaze fired partly to red and partly to greyish-black. Inside is reserved. Two high, curved handles black on top and reserved below. Under handles are crosses between pairs of vertical lines. On each side are four palmettes standing on four larger, inverted palmettes all joined with a chian and half a palmette at each end. In some areas are groups of very short incised vertical grooves. Below pattern are three bands and then black (faded to red) to foot and including top and side of foot. Resting surface is reserved as is base.
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| 22.3.5A-B
|
Glaze fired red throughout. On the body below flanged rim, is key below a broad band, on reserved base an incised spiral. Inside is reserved with a broad band immediately inside the rim and a line below it, at the centre are two concentric circles. Lid: around the rim the pattern consists of leaves surroundered by parallel lines. A broad band separates another pattern of palmettes and decorative tendrils. Another broad band of concentric circles leading up to an acorn shaped knob with ridge at its base. Knob is red around bottom but reserved at top. There are also areas of white and black deposits on knob and inside on the underside of the lid and at base.
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| 22.9.1
|
Black lines decorate the body in geometric patterns. Front, from bottom to top: vertical rays, two horizontal bands, 7 vertical rays; two horizontal bands; 6 vertical zigzags; 2 horizontal bands; 12 or 13 short rays; one horizontal band (across maximum width, where 'arms' are extended); necklace consisting of horizontal band with pendant (disk with line extending from bottom). Head decoration is limited to wavy hair (5 vertical zigzags all around), 7 rays on the polos, 3 horizontal bands on the coil; and two eyes, on either side of the 'nose'. Otherwise reserved.
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| 22.9.4
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Top half of cup glazed black; bottom half and inside red. Inside has 2 discoloured patches.
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| 22.9.7
|
Black, mostly fired to orange-red, on buff ground. Possible added colour (white?) in groups of stripes. Mouth: broad band between two narrow bands. On the exterior of the mouth, band; shoulder: tongues. Body: three bands at top; deep painted zone divided vertically by incised lines (two parallel) dissecting into segments; four bands below. Base reserved. The exterior of the ring foot painted.
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| 22.9.8
|
Horse and rider - man (?monkey). Solid. Clay pinkish, decorated in black stripes, both vertical and horizontal on horse. Man has a band round waist, arms and back. The top of his head is black.
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| 23.11.28
|
Long narrow rounded nail, blunt end. Rounded flat top.
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| 23.11.29
|
Large rounded top, rounded and thicker at the top of the nail and thinner and sqaure at the bottom with a slight bend at the top and the bottom.
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| 23.11.30
|
Long nail, rounded top, thicker and rounded at top than at bottom, bottom sqaured.
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|
| 25.6.2
|
Black on the inside except for a reserved disk in the centre approx 6.0 cm diam. Small handles moving straight out from side, black underneath but reserved on top. On the main zone; A and B. Man leaning on stick listens to a seated lyre player. Handle palmette behind musician has lotus attached to it on left. Between listener and other handle palmette a tall thin lotus bud. Beneath each handle is a small clover leaf. Beneath the main zone is a black disk leading down the stem to the foot. The rim and base of the foot are reserved except for a black band on the base.
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| 25.6.3
|
Top of neck, back on handle, base of body, top of foot and edge of lower step of foot all black but have a streaky glaze. Rim of mouth reserved. Shoulder design is two rows of bars, the first shorter than the second. Body from top to bottom is three rows of black dots separated by lines. Symposium: Man reclining, woman lyre-player seated at foot of couch. At each side, woman on animal (perhaps mule [looks like llama]). Incised detail on drapery (black robes) and on lyre. Below are reserved bands on black glaze. Foot black on top and on lower edge, reserved in the middle. Base reserved.
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| 25.6.7
|
2 black bands across top of handle now mainly faded to red. Knob on handle also black. Inside painted streaky black. Rest reserved.
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| 25.8.1
|
Black inside and out but lip reserved. Neck is reserved as is underside of handle. Top of handle was once black with a ridge running down the centre. Shoulder has short bars at base of neck above a lotus bud chain with interlaced stems above a black band. Body shows a hoplite putting on greaves, facing right to a woman holding spear and shield. Two onlookers left and one on right, all facing him. Colour worn but corselet originally red and possibly hair too. Below is black to base, including top of foot, but not side, which is reserved. Base is reserved and concave.
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| 25.8.4
|
On top of mouth is a daisy pattern and there is one band on the side. In upper animal zone, ram facing lion (?) with head turned back. In lower, hare between two dogs. Centred circles in field. Bottom daisy pattern round small sunk centre. Zones separated by thin parallel bands.
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| 25.9.1
|
Inside is black with a reserved band below where mouth begins to flare. The mouth is wide and flares outwards. On the exterior surface at the top is a patterned band of two rows of 'cccc' shapes, one row above the other. Two handles, one each side are black and it is hard to distinguish what is on the body behind the handle (maybe a panel with dots?). On side A, Eros flies towards a woman who retreats towards youth seated naked on a folding garment and holding alabastron. Side B shows 2 youths, clothed, the one on the right holding a stick. Brown for feathers at top of Eros' wing. White garland, neckless, bracelet of woman and fillet held by Eros. Below them is a reserved panle with egg shapes with dits in between. Stem and top of foot black, reserved band at top of foot. Base reserved.
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| 26.12.10
|
Inside black with reserved line at top. Two handles are balck on top but reserved underneath. Outer surface top to bottom, black band on offset rim, ivy leaves, black line, inverted ivy leaves, black band, thin band, main design, three black bands, alternating red and black tongues, red ridge, black foot. Main design is similar both sides and shows a wedded pair in chariot with many onlookers or attendants of both genders. On far side of chariot is a bearded man between two women. Onlookers appear to be mostly in pairs. Women originally had white painted flesh. Clothing detail is incised. Foot is black on top but lowest point of side is reserved. Inner foot ring is black and base is reserved except for a black band in the centre.
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| 26.12.11
|
Inside black with reserved line round lip and reserved disk with one black circle in the bottom. Handle is black on top and reserved underneath. Outer surface, from top to bottom has black band, ivy leaves, black band, inverted ivy leaves, two black bands, main design, three black bands, broad black band, three narrow bands, red and black alternating bars, black band, red ridge, black foot. The main design is similar both sides of Amazons fleeing a quadriga (four horse chariot). Four sphinxes, facing handles, one each side. Horses are black with detail in red and white. Lower part of side of foot reserved, as is resting surface. Inner foot ring black with base reserved except for a central dot and two rings in black.
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| 26.12.13
|
Lip, handle, neck and back of body all black. Reserved panel in front with main design and two sets of parallel, vertical black lines either side of a double row of dots. Horizontal row of tongues at top. Main design of Amazon on horseback with pelta (shield) and two spears, wearing helmet. At the bottom of the panel, running all the way around is a painted red line, now hardly visible. Foot is black on top and side but reserved on resting surface and underside.
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| 26.12.14
|
Lip, handle, neck and back of body all black. Horizontal row of nine tongues at top, just below neck, above main, reserved panel, with two parallel, vertical black lines either side of panel (shields ?). Main design of warrior facing right, with helmet, shield, and spear. Ivy leaves on stems in field. Foot is black on top and side, but reserved on resting surface.
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| 26.12.15
|
Inside is black with a reserved line halfway down rim and a reserved centre circle with a black band and a central dot. The rim is vertical and offset slightly. Two handles are black all over. Outside design, from top to bottom is, black rim, lotus bud and dots linked with chain, black band with narrower bands either side, alternating buds and dots slighlty diagonal, black band with narrower bands either side, rays. At top is a red ridge that then leads to a ribbed and reserved stem. The lower half is black as is the top of the foot and the side. The foot has a thicker ridge around the edge resulting in a channel effect going all the way around it. The resting surface and conical base are reserved apart from the inner ring of the foot which is black.
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|
| 26.12.17
|
Inside is black except for a reserved rim and a medallion at the center with a dancing woman inside and with bands around the edge. Two handles, black on top and reserved underneath. Side A is a charioteer mounting quadriga, beside horses is a lyre player and at handles is a satyr pursuing woman. Side B is similar, but woman and satyr have changed places. Dots and branches with dots along in the field. Under each handle is a single ivy leaf. Black band, then black stem to foot. Top of foot is black but side is reserved as is the base which is flat except for a central concave black circle.
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| 26.12.18
|
Inside is black with reserved rim and central medallion outlined with bands and has a picture of a man with a staff. Figures in black with incised detail. Two handles, one on each side, are black on the top and reserved underneath. Below each handle is a single ivy leaf. The outer surface has a similar picture both sides of a satyr attacking a maenad between two palmettes. Branches with fruit in the field.
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| 26.12.19
|
Handle black on outside and reserved underneath. Shoulder: rays and long, thin lotus buds; black band at join with body. Top of bod: two rows black dots bordered by smaller white dots. Body: ram in cauldron set on tripod over a fire, flanked by two females holding wreaths on either side. Below is a broad black band with a thin band between reserved bands either side. Lower step of foot black; base reserved.
This is probably the scene in which Medea tricked the daughters of Peleus: she killed an old ram, cut up its body and threw it in a boiling cauldron. Medea, a sorceress, restored the ram's life and made it young. Whereupon Pelias' daughters kill Pelias and toss his body into the cauldron. Medea did not, however, restore Pelias' life and was driven out of Iolcus.
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| 26.12.20
|
Heavy fabric. Cup mouth (with vertical sides) and neck are black. The shoulder is decorated with a ring of dots. Below the rim, is a frieze of radiating leaves. Body zone is covered with a white ground and is decorated with diagonal lines criss-crossing one another (net pattern), with thin bands at the top and bottom. Below where the handle would have been the body is reserved. Below is black, except for the reserved foot.
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|
| 26.12.24A-B
|
Lid: The knob of the handle is flat and circular, the top of which is black, with a small reserved well in the centre. The rim and a band below it is reserved, but the rest of the stem and a thick band surrounding it is black. A reserved zone on the upper surface depicts six palmettes, with an ivy flower after each three. The outer rim of the lid is also black, as is the inside.
Lekanis: The resting surface for the lid is black. The two horizontal handles are decorated around the edge with vertical bars. On either side of each handle is a small protrusion, with a black line on each side. The walls, in the handle zone, are decorated with vertical wavy lines. The lower part of the body is black, as is in the interior. The base of the ring foot is reserved.
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| 26.12.25
|
Top reserved with seven, hand drawn black spirals. The rest of the object is black with the exception of the base which is reserved.
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| 26.12.27
|
The inside is streaky black, the outside is unpainted except the ledge at the bottom of the body which is streaky black. The flange supports the lid. The lid fits over the body to rest on the flange. The top of the lid is also flanged. From the middle of this flange rises a cut-off, grooved cone. The main surface of the lid is decorated with a streaky glaze with a repetitive pattern: two reserved vertical lines followed by a reserved oval. This seems to have been repeated around the whole body but one half of the glaze/pattern is missing.
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|
| 26.12.2A-B
|
Two handles, round with projections. Base has concave sides. Red band on rim. In handle zone are black zigzags, on body black and red bands. Flat base reserved. Inside is a black band below rim and then a black band in the base. Lid: Central circular knob with bands on top and down lid itself; rim set back to allow the lid to sit in pyxis.
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| 26.12.3
|
Handle with hole for suspension. On top of mouth are three concentric circles. On side is a band. Neck has daisy petal pattern. Body: bands above and below the main design of a man attacking a lion. At back large black circle with black centre. In field rosettes with incisions intersecting at centre and dots. Added red for decoration. Many bands on base.
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|
| 26.12.4
|
Top of mouth, bands; side, dots. On shoulder, daisy pattern. Between bands, two above and four below, four komasts in red chitons. Rosettes and dots in field. Bottom, large cetral spot and one thick circle.
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|
| 26.12.5
|
On top of mouth, very broad band between two thin ones and a band on the side. Shoulder design is radiating lines with a band below, double row of dots, another band. Body: Lotus-palmette design (with traces of red/purple) flanked by two ducks whose tails overlap. Rosettes, one with double incised circle at centre, others with cross incisions in field. Below design are bands. Foot is black and base has three bands.
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| 26.12.8
|
Handle has black glaze on the outside. Shoulder: broad band at base of neck. Between two dolphins a crossed rosette with white dots round edge. White also for line at back of head of dolphins. Body: two panthers facing, necks red. Three shapeless blobs in field. Below main zone, thick black band onto top of foot. Resting surface of foot reserved.
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| 26.2.10
|
interior glazed black; exterior: from top: part of black lip band; black-figure decoration consisting of lotus flower with added red at end of long wavy stalk emerging from handle root; glazed zone with band in added white;
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|
| 26.2.11
|
pale slip; interior: black with red band lined in white; exterior: top of rim glazed; pinwheel rosette preserved in zone below;
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| 26.2.12
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interior: reserved band at top of lip, glazed black (fired red) below; top of lip glazed; exterior: lip and handle zone reserved, with black between; glazed below; black around handle root.
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| 26.2.13
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interior: on rim, three black lines; wall glazed; top of rim glazed; exterior: lip and handle zone reserved, with band between; glazed below; inscription on exterior.
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| 26.2.14
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pale slip; interior: reserved band at top of lip; below, black; top of lip glazed; exterior: lip and handle zone reserved, with black line between; lower wall glazed; black around root of handle; at right of sherd, part of inscription;
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| 26.2.15
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black band over top of lip; interior: reserved band at top of lip, rest of interior glazed black (fired brown in places); exterior: lip and handle zone reserved with broad band between; glazed on wall below and at handle root;
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| 26.2.18
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In the top zone, oblique palmette, wild goat to right with head turned back (only tip of beard preserved), added red on black and haunch, reserved line on belly, in field dot rosette, crossed dumb-bell ornament, dotted double spiral; black zone with bands white-red-white superimposed; rays (tip of one preserved). Inside black with a reserved band a little below rim and two groups of bands, white-red-white, roughly on a level with the top and bottom of the broad black band outside.
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| 26.2.19
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pale slip; interior: reserved at top of rim; black below, with band in added red lined in white; exterior: frieze of vertical black bars with added red at rim; below, black band above black-figure animal frieze: at left, part of lion or sphinx (rump and tail remaining) to left; on the right, part of large palmette with added red; dashes, star, and dots as filling ornament.
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| 26.2.26
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pale slip; wide black band with added red line on top of rim; interior: set of petals in black and added red ; to the centre, two wide black bands, each with band in added red lined in white; exterior: four blackbands;
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| 26.2.30
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Outside, a band below the rim, three lower down, faded black on greyish-buff clay. Inside, on a thin pale slip, large dots on the flat rim, a broad black band with thinner bands of red (and white?) superimposed, and what might be the top of a horse's head to left, showing the beginning of the eye on the extreme left, the ear in the centre, and the main impinging on the framing broad band.
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| 26.2.32
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Red painted designs on cream-buff slip on orange red clay. On the underside on the rim there are four .5 wide dashes at one side and a 2 horizontal bar at the other while on the underside body there are four red bands following the contours of the dish all between 1 and 3 apart. On the topside, from top to bottom are four verticle bars alternating with 9 dot rosettes on rim, of which survive from left to right two verticle lines, nine dots, four verticle lines, and nine dots before the fragment ends. On the top of the face of the dish itself is a ca. 1.5 broad red band and below this is a zone of lotus flowers and buds with a final 1 broad band below.
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| 26.2.35
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No finished edges. The underside has broad streaky black bands on pale buff slip with slightly raised moulding that must have encircled top of stem with a thin and feint band around it. Inside the dish, on pale buff slip, from top to bottom is the lower part of animal zone showing two hooved feet and grass. Below is a red zigzag between two white-red-white on black bands. Below and in centre of dish (now missing) is a rosette made of leaves with dots and spokes bewteen.
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| 26.2.4
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On top of mouth frieze of dots between narrow black bands; dots on edge; horizontal strokes between narrow black bands down outside of handle; ring hole painted black; around ring hole, wide and narrow black bands with incision lines; around edge, black-figure decoration;consisting of horse riders (only incision marks of horse's head and traces of black remaining) to left;
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| 26.2.45
|
pale slip; exterior: from top, frieze of short tongues; below, part of large palmette and tendril decoration with part of spoked rosette and small crosses as filling ornament; below, three bands (one black, one in added white and one in added red)
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| 26.2.46
|
pale slip; exterior: from top, part of frieze of tongues; below from left, black-figure decoration consisting of possibly part of a wing with added red; to right, part of large palmette with pinwheel and dot rosettes and dashes as filling ornament; below, black band with superimposed band in added white;
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| 26.2.47
|
glaze fired orange-brown; pale slip; from top, black figure decoration, possibly a duck; maeander frieze between wide bands with traces of bands in added white and red; glazed area;
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| 26.2.48
|
pale slip; exterior, from top: frieze with black-figure decoration consisting of breast and right foreleg of crounching feline to right; on right, possible blob rosette as filling ornament; below, wide black band with traces of bands in added white and red; below, animal procession to left in silhouette style (rump, tail, and part of hind legs of possible goat remaining); part two rosettes and dashes as filling ornament.
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| 26.2.5
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pale slip; interior: painted streaky black; exterior: top of lip black; two dot rosettes preserved below, above triple band;
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| 26.2.51
|
pale slip; exterior, from top: traces of undetermined decoration; band with added red and white lines; black-figure frieze of sphinxes (one with face and forelegs missing, and face, chest and forelegs of second remaining) to left; splinter rosettes and dots as filling ornament; below, second band, then frieze with animal procession in silhouette style consisting of goat grazing to left (horn, shoulders and back remaining); short vertical bars, dot, and maeander cross as filling ornament;
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| 26.2.52
|
white slip; from top, frieze of tongues; narrow band (fired brown); black-figure decoration consisting of goat to left (rump with added red, one hind leg with added red, and part of tail remaining); large incised shaded rosettes as filling ornament.
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| 26.2.56
|
white slip; interior: black at top with traces of two narrow bands in added white; on top of rim, maeander frieze; on edge of rim, short vertical bars; exterior: neck glazed; below ridge at shoulder and neck join frieze of short vertical tongues above black-figure frieze consisting of winged creature (only tip of wing remaining) to left; part of incised splinter rosette as filling ornament;
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| 26.2.57
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cream slip; on top of plate, two tendrils with buds separated by three horizontal bars; on rim, two narrow bands and tips of rays; edge of plate black; reserved on underside ; exterior of handle black;
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| 26.2.58
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pale slip; interior: black band at top of wall, reserved below; stepped maeander frieze on top of rim, edge glazed; black band below neck and shoulder join; on shoulder, large floral/star pattern at left; maeander or square pattern at right;
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| 26.2.6
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Interior: black with added white and red bands; exterior: top of lip black; one dotted rosette preserved in lip zone, above wide black (fired red) band; outside of handle black;
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| 26.2.60
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pale slip; interior: reserved band at rim, glazed streaky black below, with lotus flower in added white and added red; exterior: band of short diagonal strokes between black (fired brown) band; below, top of undetermined motif.
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| 26.2.61
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white slip; interior: reserved band at rim, glazed streaky black below with part of lotus flower in added white and added red; top of lip glazed; exterior reserved;
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| 26.2.65
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yellowish white slip; interior: glazed black; near top of sherd, part of lotus flower in added white; below, part of two narrow white bands; exterior reserved.
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| 26.2.68
|
Exterior white with one small red/brown section of a pattern at the highest point and one thick almost 1 red/brown line abour half way from the top. Interior is black/brown with a pair(?) of thin faded white lines 0.5 cm from the top edge; below, a repeating pattern of black teardrops, and below that a pattern of white lotus buds interspliced with red dots.
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| 26.2.7
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pale slip; interior black with band in added red, lined in white; top of rim black; exterior: left and bit of right eye with triangular brow;
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| 26.2.73
|
white slip; interior glazed streaky black with wide band in added red lined in white below rim; below, band in white above one in red; top of rim glazed; exterior: frieze of vertical black strokes at rim, some in added red; below, two narrow black bands; below, from left, part of possibly dot rosette; vertical band of dots between narrow vertical bands; painted decoration consisting of part of pendent lotus bud and part of lotus flower petal; dot rosette as filling ornament;
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| 26.2.74-75
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Part of both panels preserved together with handle zone; at top of shoulder, frieze of tongues in black and red between narrow black bands; below part of panel with red object, part of Nereus's tail fin, overlapping handle zone.
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| 26.2.76
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exterior: frieze of vertical tongues painted in black and in added red; below, black-figure decoration consisting of Herakles (top of head remaining) to left;
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| 26.2.79
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interior and top of rim black; exterior of rim slipped creamy white; from top: frieze of black triangles above large broken maeander band between rows of black dots; neck glazed.
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| 26.2.80
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dull black paint inside; traces of band in added white; frieze of tongues with incised outline on top of rim, alternating black, added white, and added red; second similar frieze on shoulder.
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| 26.2.81
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interior: glazed at least at top (worn); exterior: glazed with frieze of tongues, alternating added white, black, and added red; below, lines in added white and red;
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| 26.2.83
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pale slip; interior: black-figure decoration consisting of part of Gorgoneion's head and hair with added red; exterior: from outside, parts of frieze of short verticals; black band; two narrow dilute bands; broad black band with added red and white bands on top; three dilute bands; dot frieze;
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| 26.2.88
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exterior: painted black inside mouth; on top of mouth four bands, on edge two; neck reserved;
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| 26.2.89
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on top, black figure decoration consisting of dolphin (back, dorsal fin, and part of tail missing) to left; incised splinter rosette as filling ornament; black around edges with band of added red; black with traces of red on underside;
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| 26.2.90
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glaze mostly fired red-brown; interior: glazed with traces of one band of added red; on top of rim, chain of incised lotuses and palmettes; on handle-plate, black-figure decoration consisting of winged creature (rump feathers remaining) to left; on edge of rim, frieze of stepped zigzags; traces of painted band at junction of rim and shoulder; reserved shoulder.
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| 26.2.97
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exterior: on shoulder, trace of tendril decoration; below junction of shoulder and body, triple dot band between pairs of narrow black bands; below, black-figure decoration consisting of horse (top of head with ear and mane with added red remaining) to right.
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| 26.4.1A-B
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Lid are palmettes and tendrils, three ridges painted black and bars to edge which is slightly raised. Underside is black around edge and reserved in the centre. Body is black inside and on outer rim. Design on sides comprised of alternating palmettes and lotuses (three of each) joined by tendrils. Below is a broad black band, ridge with red either sid eand rays. Inset tripod foot which is black at top and red on outside but black inside feet. Base ruddled
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| 26.4.2
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The rim on the outside has a thick black band round it, which stops at the top of the handles. On both sides of the handle, the same images are repeated, showing the figure of a bird in between two palmettes with stems ending in a curling ventril with a pendant pointing down towards the foot. Beneath each handle is an ivy leaf with a curled stem. Below these images, is a thin black band, and then a thick one that also encompasses the top side of the foot. The edge of the foot is grooved and reserved, as is the outer rim of the base of the foot. On the base of the foot, there is a well approx 3.8cm wide and 1.5cm deep. The inside of this well and a rim around the edge is fired black, but is mostly red. The inside of the Kylix shows a thin black band that has been extended from the outside. Then there is a thin reserved band, the rest of the inside entirely glazed, except for a small reserved circle in the centre.
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| 26.4.5
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On the flat top of the knob, there is a 16 rayed astar in black. On the stem of the lid, are four seperate bands. On the lid, there is an ivy wreath with a faint red stem running through the middle, in between two thin black bands. Outside this, there is a band of leaves and then a plain outer band that reaches the rim. The underneath of the lid is reserved and has a ridge about 1.5cm in.
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| 26.5.1
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Inside black apart from a reserved band around rim and disk in bottom. The Handles are black on top and reserved underneath. Both sides are the same, with a bird (duck/swan) on each side between palmette with curling stem. Under one handle is an ivy leaf on a stem. Below are bands. Red band around top of foot.
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| 26.5.2
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Inside is reserved except for two bands in centre. On top is a double row of black dots between red lines. Below are three black bands. Turned in rim is black on inside. Foot ring is black. On bottom is a central dot and two circles. Black but largely fired red. Handle is reserved.
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| 26.7.1
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Handles have a mixed pattern of horizontal lines at the top and bottom with vertical lines in the middle with the underneath reserved. Inside is almost ribbed in texture and painted black/brown with convex circle at centre. Outside is reserved apart from pattern which is similar both sides. Central design is a four-spoked wheel within two circles flanked by two horizontal patterns of crossed lines and three vertical lines. Below is two bands then brown almost to bottom except for a thin reserved band at base. Underneath is flat and reserved.
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| 26.7.11
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Spot painted on the top. Otherwise reserved except for two black bands around the main zone.
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| 26.7.14
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Fragment. The top of the fragment has a black line around it, below which is a handle. Shape of the handle is completely round, with a flick on one side. To the right of the handle are two lines of dots that run one above the other. Below the handle are two parallel lines. The inside of the fragment is black, fired red.
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| 26.7.4
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Top of mouth one thick and four thin bands. Dots appear on side. Four horizontal lines appear on the handle. Daisy pattern on shoulder and below that three bands. Three warriors marching right in snowstorm, spears sloping forwards. Shield of central warrior blazoned with flying bird, other two divided vertically, one half red and the other brown. All figures and shields are incised. Six bands down to base.
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| 26.7.5
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On top of mouth are four equal width bands and on the side are dots. Horizontal bands appear on the handle. Daisy pattern on shoulder. Three warriors marching right in snowstorm; spears sloping forwards. Shields divided vertically by three incised lines; some added red paint. Below, three narrow bands, three wider and small inverted base. Large area left plain in the 'white style'.
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| 26.7.6
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On top of mouth three bands and on the side are dots. Two vertical lines border the back of the handle. On shoulder is a daisy pattern. Main design is of three grazing deer, facing right, with three bands framing them above and below. On bottom small circle and round sunk centre.
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| 26.8.2
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Top of mouth broad band between two pairs of lines with two bands on side. Grazing goat to right, body framed in dots. Added red on hindquarters. Field rosettes with incised circle at centre. Below goat three bands with the middle one broader. Behind goat is a heart shape within a circle. Large area left blank in the 'white style' on opposite face to goat. On base is three bands with a dot in the centre.
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| 26.8.3
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Mouth black inside and out with a reserved rim. Shoulder bars at base of neck, lower buds which have almost degenerated into rays. At top of body is a debased checker board in three rows. Main design is of Athena attacking a giant who is beaten to his knees, between trees. Below are reserved bands and rest of body is black. Top of foot is black as is lower step. Base has traces of black paint.
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| 27.3.1
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Greenish ground. Inside is purple/red band then brown paint inside. Outside from top to bottom; black, white, red, white, brown, white, red. Eight black rays radiating from bottom. On base are three concentric black circles, the outermost is the broadest.
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| 27.3.4
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Flat lip with two black bands. Three horizontal lines on handle. On body, from top to bottom, shoulder bare, black band, group of seven thin lines, five thicker bands coloured black but often fading into brick-red. Base reserved, slightly concave.
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| 27.3.6
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On rim, four concentric circles. On handle, three horizontal bars (bottom two somewhat slanted). On shoulder three dot rosettes comprised of seven dots each. From top to bottom; two lines, three rows of dots, twelve lines, and finally a band of six rays. The base is only slightly concave, with a slight protrusion in the middle, and is circumscribed with two black bands.
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| 27.3.7
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On lip rays and a circle around the outer edge. Rays on shoulder. Five broad reddish-purple bands on the body, each with two thin black lines superimposed. Between bands there are double rows of black scales. Triangular rays radiate from bottom upwards. Slightly concave base. Object is top heavy.
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| 27.3.9
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The decoration above the shoulder is unclear. A fish is probably depicted on the shoulder. On the body, black bands of varying thicknesses, range from top to bottom. The base is reserved and almost flat. Shallow groove between slight footing and central flat disk.
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| 27.4.1
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Glazed black on the interior, except for a reserved band within 0.4 cm of the top edge. Exterior black glazed except, in the handle zone, a frieze decorated on each side with a pair of eyes between 5-petalled palmettes, above another reserved band. Each palmette is joined to the corresponding handle by a tendril. Each eye consists of a white circle within a black eye shape, surmounted by a black eyebrow decorated with white dots, and above a plain black curving line that mirrors the shape of the eyebrow. Between each pair of eyes is a straight vertical band, indicative of a nose, decorated with a row of white dots. Between the handle attachments and below each handle is a set of four sloppy spots arranged in a diamond form.
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| 27.4.14
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Clay pale and rough. Three rough ovals on shoulder and top of body. upper part filled in with black.
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| 27.4.15
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Pale clay, paint fired red. Trefoil lip. On neck, a central panel with bird (?), flanked on either side by two vertical lines, panel of zigzag (?) or oblique lines, three more vertical lines. Top and bottom of body broad band; thin bands filling space
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| 27.4.4
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Paint is red-brown. Single handle with incised line down back creating two halves. Trefoil mouth with short bars around, leading to long straight neck. On neck are two parallel bands at the top, above four groups of three tongues with a red bar across top. Three bands separate neck design from shoulder design of three grazing deer facing right with zig-zag fill ornaments above shoulders and a small bird (?) on extreme left. On body is one zone of checks and then bands to base. Base is flat and reserved.
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| 27.4.6
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The bowl shows linear decoration in black (fired orange-red) and (purple) red on buff. Groups of four bars on rim and inside, a thin band just underneath the lip. Large red/orange disk in centre of bowl. Outside of bowl features a pattern of wave-like pattern beginning underneath the handles, with one thin band either side. Below this, more plain bands are evident, one thick, the rest thin until the base. Foot contains one thin band right at the top, and then a thick one on the inside.
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| 27.6.75
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Fragment, showing the very top of a man's head. Has a thin stripe around the edge and the main picture is curved inwards, both suggesting that the fragment is part of a plate or similar item. Some writing is visible around the inside of the stripe. The other side is also black, with lots of small chips
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| 28.6.1
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Handle all black, as is neck and back of body. At the front on shoulder is an inverted swirl / wave pattern, consisting of four waves. Below is the main design of an athlete (naked) with a discus standing between two clothed youths, the left of them holding a discus. Robe detail is picked out in black paint. No relief contour. There is an reserved line incised above foot. Foot is black on the top and side but the underneath is reserved and flat.
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| 28.6.2
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Mouth, handle, neck and back of body are all black. Main design is of a woman dancing, facing right and standing beside a box. Her right hand has the fingers bent in an ungainly manner. Pair of krotala hanging on wall. Reserved line beneath the picture. Foot is moulded and black on the top and reserved on the side and underneath.
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| 28.6.5
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On top, the helmeted head of Athena Parthenos in relief, very worn. Body grooved around the relief. Handle grooved and rises above body. Piece is black glazed throughout, including base. Surface pitted with a good deal of flaking of the glaze.
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| 29.11.1
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Mouth black inside and out with a reserved rim. Neck and underside of single curved handle are reserved. Shoulder has bars at base of neck with a ring of lotus buds on edge - circular mistake between rows. Thin black band around edge of shoulder. Body design has two men each leading a horse to right. Both wear cloaks, first helmet, second petasos. Red for beards, manes, tails and peytrels. White on helmet and design on horses, but badly faded. Black band followed by reserved band, then black stem. Disk foot is black on top but reserved on the edge with a flat, reserved base with a central circular concave section.
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| 29.11.11
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Female mask or protome; suspension hole in top. Clay brown, covered with white slip.
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| 29.11.2
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Main zone of body cream ground. Mouth black inside and out, lip reserved. Handle black underneath reserved. Shoulder is decorated with two rows of rays or buds (the lower row is slanted to the right). The body is decorated with a symposium scene: a man reclines and a seated woman plays the lyre, framed by two seated women and branches. Above the panel are two irregular rows of dots. Below the main scene are two uneven black bands, then the bottom of the body and top of the foot are black. Side and base of foot reserved.
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| 29.11.4
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Inside black with reserved disk within one black circle in bottom. Reserved band at lip, just inside. Offset rim is black on outside. Two handles are black on the top and reserved underneath. Main design is similar on both sides and shows a seated man between standing women and youths, and a sphinx facing away from the group on eiach side. All the standing figures are facing the seated one: this is perhaps Zeus at the centre of the Pantheon of gods. Footring is black inside and out and the resting surface and lower third of outer edge is reserved. Base within footring is reserved and convex.
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| 29.11.5
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Inside is black, as is the outer rim and the outside of the two oblong handles, although the inside is reserved. Thin red band runs under black rim on outside of pot. The main design is the same on both sides and is of two cattle (bulls ?) one grazing between palmettes. Possible traces of coloured bands on black portion. Black band beneath and then the stem is also black. The foot is black on top, side, resting surface and part of underneath, although centre is reserved.
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| 29.2.1
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Brownish-black on pale buff ground. On top of lip groups of chevrons. in handle zone, warts ringed with dots; beside one of the handles a pattern of dots resembling grape clusters. On body, bands.
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| 29.4.1
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Black glaze; purple stripe outside; purple top
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| 29.5.1
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Black inside and out with a red rim. Handle is black on top and reserved underneath. Red line, drawn unevenly around base of neck. Shoulder has five-leaved palmette (red and black alternating) between two onlookers dressed in black but holding red objects. Body has a hoplite between two pairs of onlookers. Red for hair, folds of himatia, helmet and greaves. White for shield device which is of a leaf and spots (now faded) on palmette. Bands beneath picture, black to foot and on top of foot. Resting surface and base are reserved.
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| 29.5.3
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The decoration is executed with red colour and incisions. Rim: There are petal-shaped tongues on the top surface and dots at the side one. The back of the handle bears three, almost vertical (the central one is wavy) lines. Below the handle on the body there are five (the one smaller) rosettes (leaved rodakes), with incisions intersecting at the centre. The main design is a swan with outspread wings, facing right. Details are incised and there is some added red on its wings and tail. The swan appears to step on a row of petal-shaped spots that contours the sunk centre of the vessel, serving as a base.
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| 29.5.4
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Two bands on top of mouth and one on side. On the handle are five horizontal bars. Shoulder and bottom have a daisy/tongue pattern. On the body are four broad bands, alternating red for black and purple. All other areas are reserved. Base has small central concave circle.
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| 29.5.5
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Outside, thirteen palmettes separated by dot rosettes above and single large dots below; coarse incised line across heart of each. In handle zone zigzags. Inside and outside foot-ring and base within foot-ring black. Top of rim black. Inside black with reserved band, then black band, than reserved circle with image of Sphinx inside it.
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| 30.11.2
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Handles turn outwards and end in small knob where they join body. Inside from top to bottom, vertical lines in groups, circular pattern of brown with some red showing through. Sides concave and decorated with groups of straight or wavy lines in four rows between bands of two or three. Base is plain.
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| 30.4.1
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Clay buff, coarse. Decoration: brick-red to brown on creamy buff. Zones of pattern: Step pattern between handles, chevron and dot under handle; bands; zig-zag; bands; wave pattern; bands; thick black band to foot. Underside of foot reserved except for three thin bands. Top side of handles has band pattern on then. Inside body, seven thin bands on a reserved backing. Leaf pattern on rim.
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| 30.4.2
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On top of mouth thin fields between two groups of circles; side, row of small dots between bands. Three horizontal lines on handles. Bearded goat to left, head erect, added red on neck and stomach. Field rosettes mainly cruciform with diagonal incisions crossing at centre. Below goat, three bands around base with a gap before four more circles meeting at centre of base. Partly white style, where a large area remains free of design.
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| 31.6.1
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Inside is black with a reserved band around rim and a central reserved circle with a black band and a black dot in the centre. Two rounded handles, black on the top and reserved underneath. Offset rim, is black and a small ridge separates this from the first bands of lotus and palmettes linked by chains with dots between. Below this is a band with group of narrow bands either side. Next band has animals (panther and horse / deer / goat / boar) some standing, some sitting and some appear to be fighting. Finally there is a red band with a group of black bands either side. Final band has rays, alternately oblique and outlined. Bands then red band around top of stem and black foot on top and side. Resting surface is reserved and the base is conical with a black band around rim.
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| 33.4.2
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Black, often fired to brick-red, and purple-red decoration on creamy-buff. On top of rim and handles groups of bars. Main zone, palmettes in panels (divided by vertical herring-bone bands). Stem has two bands at top, two at bottom. Inside bowl, three broad bands. Rim and base of foot reserved.
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| 34.10.1
|
Top of mouth four even bands, side one band. Three warriors on one side of body. On opposite side, right to left, two vertical leaves / bars, a squat cross, a large circle with dot in centre, a smaller squat cross, with incisions. Shields divided by incisions. Four bands around base with a dot in the centre.
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| 34.10.10
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Around the base of the neck is a string of tiny round impressions. Below handle are twenty-one stamped eggs arranged in an inverted triangle. Body is ribbed vertically. Moulded groove around foot. Object is black all over, although top half of body is lighter, almost brown.
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| 34.10.22
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Pointed stephane with traces of blue; red band round top of tall base. Clay deep pink but flesh red.
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| 34.10.3
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On top of mouth are five bands, one broad. On side of (unflanged) mouth are dots. On handle are two horizontal bars. Quatrefoil, with hatching on body which extends to bottom of object with red petal shapes.
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| 34.10.5
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Inside, is black but partly misfired red around the rim. Outside, from top to bottom, red and black depending on how it was fired. Traces of two red bands, blank band with leaning vertical lines down to base. Red foot and on base black, red, black lines.
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| 34.10.8
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Dipped black glaze on top of lid, stem, and knob, spilling over with some drips on the underside.
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| 34.10.9
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Glaze fired red except around mouth and in patches on body. Two grooves below lip. One each side of moulding at base of neck and two round top of body, with glaze rubbed off. On shoulder incised horse shoes. Below shoulder on body two groves.
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| 34.2.1
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Rim and inside black, except for reserved disk in centre. On the outside, a black band which stops at the top of the handles. Main zone shows palmettes and lotus buds standing on degenerate cable. Palmette, or degenerate lotus, of three leaves under each handle. Tall stem to the foot and band around it is black, with thin reserved band around it. Side of the foot and resting surface is reserved; on bottom of foot, broad black band. Well is also reserved.
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| 34.8.1
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Originally black inside, outside and on rim, as was handle and neck. Small ridge at base of neck. Back of lekythos is black and the design on the front is reserved and is of Nike (winged victory), flying with her hands outstretched presumably holding a wreath which is now lost. In front and below her is a swirling tendril. The detail on her clothing is drawn out in black. The foot is black on the top and reserved on the side and underneath, which is flat in the centre.
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| 34.8.3
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Black mouth (despite flat reserved rim), exterior of handle, lower part of body, and top of foot. Neck reserved, as is underside of the handle. Two bands of tongues on shoulder. Body covered with firm white slip with Greek 'key' / meander to right at top of body, between two pairs of lines; single line. Side of foot reserved in groove at top.
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| 34.8.4
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Lip reserved. The neck, side and base of foot are coloured with red. Shoulder has two rows of radiating bars, the first row are shorter. On front of body only are bands of decoration, separated with a single black line, alternating with black grille, black key, grille, key, grille, black 'zzzzz'. Three reserved bands on black to base. Foot is black on top.
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| 34.8.5
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Mouth black on inside and out but with a reserved rim. Neck and underside of single handle are reserved. Shoulder design is of rays and long, thin buds. Body, from top to bottom, double row of dots joined by zig-zags on white background, black bands, main design, 'key' pattern on white background, black bands and black stem. Main design is, from left to right, a chariot being driven right, a woman facing right, four horses facing right with attendant behind, seated figure facing left, holding a spear. Detail is incised and some parts are picked out in white. Foot is black on top and half the side is black, the rest reserved. The base is reserved.
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| 34.8.6
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Lip reserved. Inside is black. Single curved handle is black on top and reserved underneath. Shoulder has bars at base of neck with lotus buds at edge. Main zone of body is drawn on cream ground. Part of the way around the body is a double row of black dots. Charioteer driving four (?) horses to right at speed with a person (possibly Athena ?)running beside in the background. Below are black bands. Foot steps down twice and the lower step is black. Base is reserved and concave in the center.
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| 34.8.7
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Cup mouth black inside and out and reserved on the rim. Single handle is black on outside and reserved underneath. Shoulder has inner ring of spots and outer ring of rays. Body has two rows of dots at top above the main design of a chariot with horses galloping right (heads of two horses, five hind legs). Beyond horses is Athena running left. Added white for Athena's flesh and helmet. Bands below and bottom of body os black. Foot is stepped with the side of the lower step reserved. Base reserved.
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| 34.8.8
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Mouth red on inside and outside, with lip reserved. Single handle which is red on top and reserved underneath, as is neck. Shoulder design is a cockrel with red on is facing right between stemmed ivy leaves. Black band around shoulder, faded to red. Body design is, from left to right, a standing man facing right, a seated man facing right, a standing man with robes draped over shoulder, facing left, a man standing facing left. All men have spears. Men are balck faded to red but eith red headbands. Detail is incised. Irregular black band then balck stem. Foot is balck on top and reserved on side and base which has central concave circle.
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| 34.8.9
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Quatrefoil with side hatching and central zigzag. Below, three petals below zigzag. Six-pointed star on back (very faint). On top of mouth four bands, the second from edge is broader. Dark brown patterning and yellow-buff clay.
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| 35.4.1
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Inside is black with a reserved band below offset rim and a reserved circle at the centre. On the outside is black rim, band of lotus buds and dots linked by a chain, two narrow bands, thick black band, another two narrow black bands, wave pattern with dots between bands, black band, rays. The top part of stem is reserved and the bottom is black; the top of the foot is black as is the side. The resting surface is reserved as is the conical base. The inside of the footring is black.
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| 35.4.3
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The top of the rim is reserved with a black line round the edge. The outside is decorated with two vertical bars between two horizontal lines; below which there is a line of black dots. The pot slopes inwards towards the foot and shows a black band. The rim of the foot itself, also has a thin black band round it, which is repeated on the inside of the rim. In the middle of the base of the foot is a roughly drawn black circle. The inside of the pot is completely black.
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| 35.5.34A-Q
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(a) fragment, three joins. Decoration on both sides. Band of geometric pattern above which is person's foot and bottom of leg standing to the right, wearing a hymation. On the opposite side: floral pattern to the left of bottom half of a person and to the right of this person the hand and lower body of another. (b) curved, palmette on other side black. (c) large roughened patch to the top right where possibly a handle was attached, floral pattern around this. (d) small fragment, on one side band of geometric pattern, on the opposite side floral pattern. (e) large piece, three fragments joined. Bearded man in the centre facing to the right, left arm raised and holding a long stick, right arm tucked into hymation. To the right of the man, the arm of another person and to the left a floral pattern, inside black. (f) Very similar to fragment a. three pieces joined together. On one side in centre bottom half of a person, feet and lower legs facing left and wearing a hymation, to the right floral pattern. Opposite side, band with geometric pattern. (g) On one side to left part of a hymation, to right an arm. Opposite side band with geometric pattern. (h) On one side the feet and legs of a person standing on a platform with the bottom of a stick he/she is possibly holding to the left, in the right hand corner the edge of a geometric pattern. On the opposite side the feet of someone facing to the left wearing a hymation dropping behind them, to the right of them a floral pattern. (i) Small piece of two fragments joined together. Chest of a male with right arm extending, his hymation drapped over his right arm. (j) Head of a male facing left with hymation over his shoulder and part of large palmette to his right. (k) Small frgment, part of hymation. (l) Small fragment part of hymation (m) Small fragment part of hymation. (n,o,p) small fragments with no detail.
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| 37.11.2
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Top of mouth has one thick then one thin band. The handle has vertical zigzag (much worn) between bars. The shoulder has a daisy pattern above three bands. Bottom four circles round central spot. Over front of whole vase and covering part of bands is a large double palmette shape with projecting lines and groups of dots at one end and a circular pattern with dot at the other. Random dots over back area of body. Bands around base.
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| 37.7.2
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On mouth three bands, middle one broad; on handle horizontal bands at top and bottom. Daisy petal pattern on shoulder. with three brown bands beneath. Bearded siren with outspread wings to left. In field dots and rough rosettes, one incised with parallel lines. Back left plain in the 'white style'. Bands around foot and two on base.
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| 37.7.5
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Black inside and on top and sides of handles. Underside of handles and the body in between is reserved. Lip on outer surface is black with a reserved groove incised below. Two handles, horizontal and one either side curve slightly upwards. Below each is an ivy leaf with three long petals below and on either side of both handles is a horizontal palmette with grapes (?) attached. Both sides have a similar design of a satyr pursuing a woman (possibly a maenad), whose flesh is white. Dot rosette on peplos of A with red tunic and skirt and satyrs tail, beard and hair. Below design is black band, separated from black foot by a reserved band. Foot has black sides, inside and out but reserved resting surface.
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| 38.4.2
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Reddish-brown on pale buff ground. The false neck is decorated predominantly in a black band, with a narrow and broad black circular band in the centre of the false neck. The underside appears to be reserved, with a single thick black line at the base on the false neck. The true neck has a faded broad back band around and overlapping the lp. There is a broad black band at the base of the neck, and also a black blob on the side facing the false neck. On the shoulder there are six groups of narrow black lines painted horizontally. There is one group of either side of the true neck, both have eight horizontal lines, the one on the left has two rings of black to either side of it. The groups of lines on the other side, if faced with the true neck at the top, have groups of 6, 7, 9. 8 horizontal lines, all with a small ring of black in between them. The shoulder is outlined with a broad ring of black. The body has four broad black lines, which have faded to a reddish brown. Adjacent are narrow red rings; four above the first band, two within the first band, two within the second band, two or three below the second band. The fourth band does not overlap the base, which is slightly concave in shape, and has the suggestion of a foot ring.
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| 38.4.3
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Black detail faded to brown on pale buff background. Interior of mouth has faded remains of a 0.6 cm thick black circular band. The rest of the interior is reserved. The lip has indications of one, possible two extremely narrow black bands around the circumference. The neck shows signs of either having a very thick black band or several narrow black bands painted closely together. On the shoulder there are two narrow bland bands, then an 1.5 cm area of cross hatching which is surrounded on both sides by a broad black band. The handles appear to have been painted in black on the top and side, and reserved underneath. The main body of the pyxis consists of two narrow brown bands separated by the reserve, then a black band, the pattern is repeated once to the base. The base itself has a black band which overlaps from the body, then two groups of concentric rings, three in the inner circle, and four in the outer circle.
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| 38.4.6
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Two holes pierced in horizontal rim for suspension. The rim is slightly lower than the top of the shoulder and is reserved. The shoulder is black, herring-bone between four bands, thick, hatched meander, herring-bone between four bands, black to bottom of cone. Inside is reserved.
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| 38.4.6A
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Top of lid has eight, black rings on it. There are two small rings on knob of lid. Top, flat surface of lid has six rings on it. Going from the knob to the rim of base; inbetween the third and fourth ring there is a pattern. This pattern seems to be lots of small 'y' shapes, which have been joined together. Going from knob to rim of base; there are two small holes on the fifth ring, opposite eachother.
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| 38.4.8
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Mouth black inside and out with red lip. Shoulder has ivy leaf at front upright between two inverted lotus flowers. Body has a siren between two draped (male) onlookers, the right one holding a spear upright. No added colour, no incisions. Beneath figural zone is a horizontal band and then solid back to the top of the foot. Side of foot and underside reserved.
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| 39.8.2
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Picture inside is of a bearded satyr, with his left hand on his side and his 4th and 5th figures bent under. He is stooping and reaching forward with his right hand. His long ear reaches well above the top of his bald head.
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| 39.9.1
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Short narrow neck of jug is glazed black. Handle begins at top of neck and carries on to top of the body. The part of the jug joining the neck and the body, has a palmette design on it, in a circle. This circle is broken for the black part of the handle. There is a large palmatee decoration underneath the handle, where it ends on the body of the jug. Body of jug has red-figures on it. Starting from right-hand side of the handle, going from left to right: First figure looks like a women in traditional Greek clothing, kneeling down. She is facing right. The figure to the right of her looks like a naked man with wings. He is standing on one leg and facing right. He is reaching one of his arms out. Underneath that arm there appears to be a duck. To the right-hand side of the duck, there is a man sitting on a stool. He is in traditional Greek cloting and is holding a large box. This figure is also facing right.Underneath the box there seems to be another object, but it is unclear. Perhaps it is a head? Or perhaps it is where the black glaze has been rubbed away, to reveal a patch which looks like decoration on the jug. He has a winged man kneeling in front of him. This man is facing left, towards the sitting figure. The next figure looks like a women in traditional Greek clothing, kneeling down. She appears to be holding something in her hand, perhaps a mirror. She is facing right. Inbetween her and the next figure there is a bird, facing right. The next figure looks like another women in traditional Greek clothing. She is standing on one leg, with her right arm reaching out. She is facing left. Behind her is a 'T' shaped object, perhaps a stool?. Rim of the base is a red/terracotta colour. underside of base is slightly concaved, with many black rings inside. There is a black dot in the centre of the bottom of the base.
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| 39.9.2
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Inside is reserved in body but black fired to red on rim with a reserved band near top. Two handles with vertical grooves to make three section - black on top and reserved underneath. Neck has two rows of palmettes (lower inverted) and lotus buds on cable. Shoulder has framed tongues with ivy leaf and dot at each join. Body has similar scene either side. Side A shows combat of three warriors, with white detail on spear, helmet, shield and armour. Side B is similar but there are no spears, instead they appear to only have shields. Below is a broad band with narrower ones either side. Rays to foot. Foot is black and moulded with a reserved band around side. Base is reserved and conical.
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| 39.9.4
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Small hole on extend piece beside neck, presumably for suspension of object. Orange-quartering effect produced by double-incised lines running top to bottom. Quarterings in sequence repeated three times: black, black with white dots, black, black with superimposed red. Bottom flattened.
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| 39.9.6
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Ground varies from cream to buff. Inside is coloured black. The mouth is red. Two handles are placed vertically on top of shoulder and under each is a goose (?) From top to bottom there is a band with the shoulder design below. Pictures are of a stag and a panther facing right (A) and panther and a goat (?) facing each other (B). Separating this from the main design are two rows of dots between bands. Main zone: Griffin-bird between two panthers (A) and two panthers facing a pattern of a palmette complex(B). Various incised rosettes and dots in field. Below main zone is seven bands and a red base.
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| 44.1.1
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Rim: There are black tongues around the aperture and dots on the side surface of the rim. On the back of the handle there is a row of dots, framed by two, vertical lines. The neck and the surface below the handle is left reserved. At the base of the neck there are black, petal-shaped spots. Top surface: The aperture in the centre of the ring is black with additional concentric, black lines between reserved areas and a row of dots. Some of the lines have incised diagonal lines across. The reverse side bears a similar decoration but without the row of dots. Side surface of body: The main design is of an Ibex and Lion facing a central rock, made of horizontal bands. Added red is used for some parts of the ibex's body as well as for the some of the bands of the rock.
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| 44.1.2
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Black lip above reserved neck which has black tongues below fine ridge at base. Single handle is black on top and reserved underneath. Black lotus flowers with white outer petals alternating with black buds border the flat shoulder. The body has shiny black glaze with two red lines at top and another just above bottom of body. Disk foot is reserved around edge. Base reserved.
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| 44.6.2
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Glazed black on interior and top half of exterior.
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| 45.10.10
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The interior of the vessel is black apart from the lowest part of o, whose lower part bears a reserved but glazed line. Exterior: a) On the right side, there is the upper part of a seated woman (part below her waist is missing). She is draped and wears a stephane (fillet) on her head. On the left side there is a floral motif whose stem is a wavy line that expands to the left. b) There is the back side of another seated draped female figure. c) The front side of the previous female figure. She is holding an alabastron with both her hands. d) On the lower left part there is the largest part of a voluted palmette with petal shaped divisions, connected with a tendril. The area next to the spring of the one part of the handle is reserved. e) On the bottom right there is the rest of the previous palmette, also connected with a tendril. f) On the bottom right there is the upper part of a palmette and on the upper left there is part of a tendril's volute. The area on the left of teh one spring of the handle is reserved, but glazed (plaster on top). g) Uneven black surface. h) A small part of the volute of the tendril of f and the stalk of a flower. i) Part of an inverted palmette, connceted with (part of ) a tendril, with (occasional) leaves on its sides. j) Small line, part of a tendril. k) Part of a tendril's volute. l) A figure's projected forearm and hand (figure's depicted on n?). m) On the right side, there is the stalk and part of the stem of a flower and a line that seems to be part of a tendril. There is also the spring of a handle. n) Part (head missing, neck and shoulder are scraped off, area below the knees missing) of a draped standing figure that has the left hand around the waist. o) The lowest part of a figure's drapery. p) Base. Inside tondo: seated woman with septre and standing woman holding out box. Exterior: part of floral ornament under handle. Outer and inner side of footring black, resting surface and underside reserved except for central black dot surrounded by three concentric bands. Moulded circle c.1.0 wide houses thickest, central black band.
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| 45.10.13
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(i) There is a small part of a motif (partially covered with plaster) that consists of wavy lines. Below it, there are two lines and underneath there are parts of two inverted, palmettes (voluted with petal-shaped divisions) that flank a three-pointed flower with two dots to represent pollen. ii) Between two pairs of lines there is a guilloche (fillets with teardropped terminations interwoven together) with dots among the lines. Below, there is a broad black band, which seems to be interrupted at the right side. (iii) At the left, three parts of vertical, black bands and incisions create part of an object (garment hanging from chair or couch?) In the middle, there is an object- as if it was a grave-stele with a cross-shaped ? ending above which spring two heraldic, white, voluted palmettes (now fadded away), a chiastic motif with dots and horizontal lines on top- but inverted (leg of a bed or couch?). Next to that, there are a figure's part of thighs, knees and calves, close to part of a palmette. (iv) A bearded satyr (seilinos) plays a chorded instrument (lyre), while his himation is hanging in the background. Next to him there is a draped female figure (Demeter?), holding a wreath (black circle) and branches with dots on both sides that surround her. The details on her drapery have been executed with added red and so are those for her head-dress. There are also traces of added white on her neck. On top of the fragment there is part of a motif of tongues contoured with ellipsoid lines and a line that encircles this pattern. v) On the left, there is part of the satyr's lower legs (above the knees towards the feet) and the lower end of his himation. Next to him there is the termination of the female figure's branch, close to a similar inverted grave-stele? and part of an object that resembles an animal paw (lion-shaped foot of chair or couch) . Below these, there is a line on which they seem to step on. Next, a guilloche between two pairs of lines and at the bottom part of a radial-shaped motif with a line that contours it on top. vi) A line and black, teardropped spot. vii) There is a line on whose right top side stands a rectangular object with a rectangular surface in the middle being reserved. Below, part of two lines on top of part of the guilloche. viii) Small part of shoulder and neck: there is a black spot, a thin band, a red line on top of a plastic ring (joining point of neck and shoulder) and part of a tongue-shaped pattern contoured by a line on the shoulder. There is also a part of two lines in the interior. ix) Part of the guilloche, the two lines underneath and the radial-shaped motif at the bottom. x) Tiny bit of the guilloche and the two lines below it and part of the radial-shaped motif. xi) Part of voluted palmette and tongue-shaped motif. xii) Part of the floral motif (of a three-pointed flower)? with lines that form a rhombus with a dot in the middle. xiii) Part of the shoulder and the spring of a handle. On the top there is the tongue-shaped motif, encicled by a line and below it an inverted palmette. The spring of the handle is black and next to it there are short, diagonal incisions. There is also a tiny spot of black colour in the interior. xiv) On the left, part of leaf-shaped (heart-like) motives (part of thyrsos?), close to a band of black colour, of undecipherable shape. Next to that, there is the lower part of a female draped figure, with small crosses on it. At the right side there is black and white colour that forms ovaloid shapes (?). xv) A black band and on the left part of the female drapery.
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| 45.10.14.1
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Interior: Black, apart from a thin band at the joining point of the rim and neck, and the top surface of the rim, which are reserved. Exterior: The rim is black and there is a thin reddish brown line below it. Neck: There is a thin, black line. Below, there is a fan-shaped palmette (three divisions, a central rectangular part, and the details have been rendered with incisions), between two parts of motifs. The left one may be a palmette (a petal-shaped division in the middle and below, two round? or voluted? motifs almost faded away. The right one could be part of a similar motif.
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| 45.10.16
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Originally covered in a black slip. The top of the mouth is a darker brown, the inside and outside of the walls of the mouth are a darker colour.
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| 45.10.20
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i) Part of a voluted palmette with petal-shaped divisions seems to be connected to part of a three-pointed floral motif by a thick, black, curving line. On the left there is another, identical three-pointed flower, only bigger and illustrated inverted and vertically and at the left end of the fragment another curving line. Below these, there is part of a perpetual meander pattern and the upper part of continuous, teardropped motives. Some form of greyish (light) brown plaster has been applied to the surface around the voluted palmette. ii) Small part of guilloche (thin fillets with tongue-shaped endings interwoven together) with dots among the lines. Below, there are traces of thin, black lines (but not visible because of burning). Underneath, radial-shaped motif. iii) Underneath two thin lines there is a meander pattern. iv) Part of the upper ending of a radial-shaped motif. v) larger part of a radial- shaped motif. There is part of a thin, horizontal line on the top of one of the divisions and more to the left there is a circle with a dot in the middle and two vertical lines (part of the guilloche). vi) Small part of the guilloche and radial-shaped motif below that.
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| 45.10.3
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Upper part of bowl decorated with roller-stamped frieze, with three ridges above and one below. High stem, ridge moulding under top and bottom. Wide flaring foot. Stamp (apparently): figure seated to right in high-backed chair, standing female with win
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| 45.10.7A-B
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Lid: The top surface bears part of a central medallion (dots contoured by double, semi-spherical line), encircled by a black line, a red band, a broader black band and a red line. There is also an ivy spray between the last red line and a similar one. At the rim there is a rather careless tongue pattern, with inner dots (identical to the one of the central medallion, only frammed by thin, black lines). Sides: There is the representation of women pursued by the winged Eros. The naked Eros is flying and his himation with white spots on its top is falling over his forearm. At the level of his face there is an inscription, with white colour KALOS and underneath, KALH, above a bent fillet with thin, short, white lines emerging from its endings. The first of the women is headed right, having extended her right? hand towards Eros and holding and raising slightly her drapery (in order to run faster). Her head is missing, but she is probably looking backwards, to see the advancing Eros. The scene is reproduced again: Anoher Eros pursues another woman, who is running towards an altar? (rectangular, altar-shaped constuction, higher than the figures with a decoration of a large cross and dots in between). Among them there is again the inscribed KALOS, KALH. Many fragments have not survived, however this woman's head is not missing. She is looking backwards and wears a diadema, made of white lines. At the other side of the altar? there is another woman approaching it, having escaped the first Eros, but looking back to see him. She wears a white diadema and the same inscription is between her and the Eros. The scene is framed by two red, concentric lines (above and below the figures). The bottom surface is left reserved. Body: There is decoration of laurel stems and berries around the outer surface with details made of added white. This motif is framed (above and below with red, thick lines). The interior of both pieces is black. The feet have a black band on the side (ca 2 cm below their joining part to the body) and the rest of the surface is left reserved, apart from a black line at the rim. Half way up the inside surface of the feet there is a thin, black band. The base's central part is decorated with a broad black, circular band between thin black lines.
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| 45.10.9
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A: Draped youth playing pipes and draped man holding a branch; B: group, probably in a procession, including a draped youth with a staff and a draped man with a branch. The interior is reserved. The details that form the folds of the figure(s) drapery are rendered with thin, black and red lines. a) Black with part of a tongue motif on the top (tongues flanked by thin lines, on a reserved but glazed band). b) Part of a draped male figure's neck, shoulder and bust. c) Part of the figure's himation folds. d) Lower part of a male figure's drapery folds and part of feet? (carelessly rendered). e) Part of a draped figure's folds, next to a black area. f) Part of a draped figure's folds. g) Part of a figure's arm, forearm and hand, with the largest part of a flute. h) On the right side there is part of a figure's drapery folds. On a black area on the left side there is a figure's hand that holds a komos or sprig with added white, short diagonal lines around it. i) On top of a meander pattern with a black line on top there is part of a red band with traces of thin, black lines (a figure's foot?). j) On the left, there is part of a figure's drapery folds and part of his walking-stick. On the right side there is part of another figure's folds?
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| 45.3.1
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Decorated on top of mouth and neck with black tongues. Handle with two dots (rows?). Body decorated with two figural zones with plain bands framing and between. Top: two facing cocks and a long-billed bird to the right; incised rosettes in field. Bottom: two panthers facing a long-billed bird; incised rosettes in field. Incised details on birds and rosettes (divided into four, six, or eight sections). Traces of purple on all animals. Bottom: small ring inside two concentric bands.
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| 45.6.12
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Inside has black bands and a central black dot. Outside has a rim with dotted rosettes in handle zone. Black band above main design of 9 inverted swans with red bodies and black necks. Groups of dashes in the field. Black band below design with vertical rays to foot. Foot is black on top, reserved on resting surface, black badn and reserved centre, which is convex.
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| 45.6.13
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Handles: black on top and reserved underneath. Inside and outside of mouth is black but the top is reserved, with accidental smears of paint. Neck is reserved and there are black tongues on the shoulder. Side A shows 3 mantled onlookers separated by objects like long leaves tapering downwards. Two are facing left and one is facing right. On side B is a runner holding an indistinguishable object. Ivy leaf under one handle and leaves in the field. Below picture is black to foot which is reserved on the side and underneath.
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| 45.6.15
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Black lip on mouth. Neck is reserved as is the underside of the single handle. Black tongues under fine ridge at base of neck followed by a circle of black lotus flowers with white outer petals alternating with black buds. Body has black glaze, rather ruddled. Two thin red lines at top of body just below shoulder and one two thirds of the way down the body. Black disk foot with edge reserved. Base flat and reserved except for a concave central circle.
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| 45.6.16
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Mouth black inside and out with partly reserved top of rim. Handle black on its exterior. Neck reserved. Shoulder is decorated with 2 rows of rays. The body is decorated with a row of palmettes. Three out of four are preserved. They are divided by black vertical lines and circled by white arches. The leafs of the palmettes are incised. On their lower part, they are connected with a black vertical chain. Broad black band below main zone. Bottom of body is black, as is top of foot. Side of foot and underide are reserved.
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| 45.6.17
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Black mouth, black inside, reserved lip. Single curved handle black outside and reserved underneath. Bars at base of neck and lotus buds. At top of body are two rows of dots alternating black and white between black bands. Main design is of man reclining between two seated women. On couch beside him is a naked hetaira. Remains of branches with white fruit just visible. Figures are robed and detail is in white. Two reserved bands below on black glaze. Foot is stepped, side of both steps reserved. Base is reserved.
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| 45.6.19
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Raised circle on nib, two grooves. On top of base, three blck palmettes and on edge of lid black wave pattern.
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| 45.6.2
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Brownish-buff ground. Inside is black with traces of red lines. Outside from top to bottom, vertical black (now red) wavy lines, two red, one black, two narrow black, wide red, two narrow black, wide black, two narrow black bands. Foot is brown and base has four concentric circles. iddle thick band red, rest of decoration brownish-black. Worms in handle zone, then two thin bands.
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| 45.6.20
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Top decorated with black concentric band around double palmette (each palmette comprised of 5 petals), symmetrically arranged, with a line of black dots in between (three on either side). Black on sides, black band around underside; hastily glazed neck, black below.
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| 45.6.24
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Small pointed knob on top in centre from which to hold and lift the lid with, one groove at bottom from which rim, (edge of the lid) extends outwards, rim is narrow. Flat resting surface to connect with vessel, interior reserved.
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| 45.6.32
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Fabric heavy and glaze is silvered. Two curved handles on opposite sides beginning at widest part of body and ending at top of neck. On either side of neck is a garland and hanging branch of white leaves on incised tendrils. Moulded rim around foot. Base reserved.
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| 45.6.35
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Sloping lip, black, small stout body. Thin handle to one side attached from neck to top of shoulder.
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| 45.6.4
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Brownish-grey in colour, apparently from burnt deposit. Shape is of a normal Corinthian kothon except that the handle is abnormally thick with no side projections. Inside, black bands in center. Turned in rim has black bands as does the top surface with four bands alternating thick and thin. Band near to foot. Base is raised and has two central circles.
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| 45.6.53
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Knob raises slightly from the centre, flat on top. Lip rounded and sloped. Grooved concentric rings around the outside and inside forming stepped ridges. Warped.
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| 45.6.57
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Small, slightly flared mouth with fine overhung lip. Long neck opening to short pear shaped body, finally tapering to a flared foot, and a flat base. Two incised lines at top of body, one incised line on foot.
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| 45.6.62-63
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Bowl-skyphos shaped and inside was painted brown. Outside, from top to bottom are concentric yellow, white, orange, black circles, with triangles between and pendant pairs of white spots. Below are pairs of red and white vertical strokes. The lower part is reserved. White band around foot. Lid is dark brown with central knob handle and steep shoulder but flat rim. Pattern matches that of circles and triangles on base.
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| 45.6.64
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Small circular knob in centre to left the lid with. Top surface slightly sloped downwards. Rim flat and circular. Interior flat.
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| 45.6.66
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Black Glaze over exterior and interior, even on the inside of the tube in the centre of the reservoir the top of this tube is reserved, base is reserved but has some black markings.
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| 45.6.70
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On top is a worn moulded image; a woman's body and face - Artemis with quiver? Handle has worn decoration of two bands along the crest of the handle. Red-orange wash.
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| 45.6.72
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Mouth is red on top and black down neck until a moulded ridge when there are rays down to black square blocks on shoulder. Band of vine leaves. Handle is black and below it is a palmette complex with tendrils either side joining to two more palmette designs. On front, is head and shoulders of a woman facing left, wearing tight-fitting black cap, with hair emerging in two curls at top. Serrated leaf and rosettes in field.
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| 45.6.9
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In handle zone double row of roughly painted ivy leaves, black on light brown. Inside black with reserved line at top of rim. Foot reserved.
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| 45.9.1
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Mouth black inside and outside. Reserved rim. Handles painted black on top and reserved underneath. Each handle has two lines down the back dividing it into three sections and a dolphin (?) painted in black below each one. The neck has two rows of ivy leaves separated by a band of dots. Ridge at base of neck and petals around shoulder. Both sides have a similar design of a warrior setting out between two onlookers. Detail is incised. Below is a double row of staggered dots and rays. Foot is black on top and side, but reserved on resting surface and base.
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| 46.9.1
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Mouth coloured black inside, outside, neck red. Handle black on outside and reserved underneath. On shoulder, black rays below fine ridge at base of neck, then lotus flowers - white outer petals alternating with black buds. Body has a silvery black glaze with two red lines at top, another just under the figure scene and another just in the junction with the base. In added white, bearded charioteer with two galloping horses. They are in profile to the left. He is holding the reigns of the horses. Naked with fillet on hair and belt, both shown incised. Row of white dots above the scene. Details of man's body and horses' incised. Disk foot has reserved edge, base is reserved.
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| 47.2.23
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Interior: black ring and rim. Exterior: broad and narrow black bands, broad red band, more black bands and a central black dot. Handles black on top and bottom but reserved underneath.
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| 47.6.2A-B
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Lid: Straight sides and a moulded rim at the top and bottom, both red. The plastic ring at the top of the lid black. The top is decorated with a depiction of a male figure, perhaps Dionysus (Ure) or Pan (Boardman) with horns springing from his head. He wears an animal skin (brownish dots) over his shoulders, with a hoof dangling. He seems to be stepping or sitting on another animal skin. In raised left hand he holds an indeterminate instrument (Ure: handleless fork; Boardman: syrinx) and he rests his right hand, brought before his body, on an oar-shaped object (trumpet; Ure: winnowing fan; Boardman: 'lagobolon'). To his left is the forepart of a pig (or dog?), and to his right, a basket with three corn stalks. There is also a red, thin line at the joining point of the plastic ring and the lid. The decoration of the side surface of the lid is a motif of vertical, hanging, wavy tongues, between reddish brown bands. There is also one inverted heart-shaped motif at some point between the tongues.
Body: There is a red line at the rim and another one at half the way up the body, both on the inside and the outside. On the interior there are two, concentric, reddish-brown circles. Exterior: There is also a red line at the bottom of the body, while the disk-shaped ring is reddish-brown. Wide rim at base. Underside is reserved and central section flat.
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| 47.6.3
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Dull brownish-black glaze all over. Ribbed handles with bearded masks instead of spurs, handles divided in two between mask and body. In handle zone, incised band of tendrils on straight stalk. White dots (v. worn) above and below. Round top of lower band some evidence of what was a wavy pattern. Lower band black as is base and the rest of the vessel.
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| 48.11.8
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Diagonal rim directly aggached to a globular body; high swung round handle rises up from the top of the rim and rejoins the body at its middle. from the Small mouth, body is round and extends outwards from directly beneath mouth. Long handle reaches from mouth to middle of body on the side. Raised base. Pot entirely glossed, although (mis?)fired red on lower part of handle, back of body, and base.
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| 48.12.10
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Interior of the mouth and exterior of the handle black. Neck is reserved, as is the underside of the handle. Shoulder has two rows of rays radiating from neck. Body is cream ground and, from top to bottom, has two parallel horizontal black lines, meander 'key' pattern, three rows of grille and black line. In centre are three horizontal palmettes with a line, four row grille and black band. The pattern only covers the front of the pot and the back is left cream. Below this are three incised bands. Top of foot black. Reserved band on the foot. Underside reserved.
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| 48.12.11
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Flared mouth, black inside, with flat rim which is reserved. Outside of mouth and handle black but neck and underside of handle reserved. Shoulder has two rings, the inner of dots and the outer of rays or lotus buds. Body is black with lustrious glaze except for a reserved band at top and bottom of main design which is a woman walking to right with her hand extended. Stem and foot are black and side of foot is reserved. Base is flat and reserved.
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| 48.12.12
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Flared cup mouth, single handle, neck and back of body are all black. The front design is a palmette framed in a triangular panel. Foot is black on the top and side but the resting surface and the raised base are reserved.
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| 48.12.13
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Rim of the neck is painted red on the inner side, the outer surface of the neck is painted brown. Two black lines on a white wash decorate the shoulder, the handles are painted black on their outer surface. The upper body is decorated with a red band at the top then (on one side) a white wash, followed (on both sides) by six black bands with reserved areas between them. The rest of the lower body is decorated with a dark red wash.
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| 48.12.4
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Decoration brownish-black. On mouth, one broad ring, one narrow. Ring around outer edge. On shoulder are tongues. From top to bottom: bands, double row of dots, 3 bands, double row of dots, 3 bands. Two bands on base.
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| 48.12.5
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Radiating pairs of vertical grooves at top of body. Traces of three red bands round body, one at base of handle, two more near bottom. Underneath reserved.
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| 48.2.1
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The interior is glazed black. There are two zones of decoration. Top (A): water bird, horseman with dog, lion; top (B): lion, horseman, waterbird. Bottom: seven swans, three decorated with incisions, above a ray base. A few rosettes and a dotted rhombus in the field. The base and rim of the foot are reserved.
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| 48.4.1
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The rim of the mouth has leaves all round it. The outside of the rim has a thick black band. On the main zone are pairs of ivy leaves (one pointing up the other down), joined by their vines. In between these are pairs of dot flowers. All of this lies between two pairs of horizontal lines. The slight slope towards the foot is black. The top of the foot is reserved but appears to have once been black. The base of the foot is reserved except for a thin black band on the inside of the rim, another about halfway in, and then a small dot in the centre of the base. The inside of the pot is completely black.
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| 48.5.1
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Inside: Central part reserved and decorated with black band in the centre surrounded by three black concertic bands. The rest is black, superimposed with two red and white bands. The top of the rim is decorated with a band of two rows of dots framed by thin black bands. The incurving rim is decorated with back and red thin bands.
A: Swan facing to the left with spread wings. Incised rosettes and dots in field. B: bird (owl?) facing to the right goat to the left coloured partly in red; Incised rosettes in the field C: Bird (goose?)partly coloured purple and facing grazing goat(?) to the left but very faded. Below, broad black band with superimposed white-red-white at top and bottom. Triangular rays on a black baseline extend from the base. Narrow black band around middle of foot. Black band with superimposed white on inside of footring. On base, two black bands and a central dot. Exterior and interior of ring foot black
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| 48.5.2
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The interior of the mouth is reserved except for a black band on its top. On the mouth, three horizontal parallel lines. On the neck, zig-zag pattern. Shoulder: A:goose/swan and B: panther. Incised rosettes and dots for the filling. Four black bands. Body: deer flanked by panthers whose tails almost meet. In field: rosettes with spoke incisions, and some with circular centres; also dots. Some added purple on animals. Scene rests on a broad black band framed by two narrow black bands. Triangular spokes point upwards from the base to the lower black band. Foot is black, but base is reserved.
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| 48.5.3
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Top 2/3 and handle are glazed.
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| 49.4.2
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Woman with a fan and a ball, seated in a naiskos; kalathos on either side.
The inner side of the rim bears a broad band (in the middle of the surface). The top surface bears traces of carelessly applied red colour. The edge is also black and its side surface bears a reserved line and a black line underneath, from which seem to be hanging short, vertical lines. The upper part of the neck is reserved, but bears a black band on its lower part. The rest of the neck is decorated with black colour, on top of which there is a tongue pattern in yellow (faded away) that contours the vessel (long, pointed on the bottom tongues). Below, there is a reserved line. Side A: The main scene depicts a female figure seated in a naiskos (monument with pediment, from whose upper part emerge palmettes and tendrils, epistylion, an ionic column on either side an top of a stylobates or crepis, the latter represented with a perpetual pattern of voluted motives and dots in between, framed by white lines, thin, black bands and white bands), on a diphros okladias. The woman is facing left, she is wearing a peplos, holding a fan with her right hand and a round object with the left one, below which there is a row of dots. She also wears a kalyptra and has her hair in a bun, from which emerge two wavy lines with round terminations. Behind her, at the level of her head, there is a window (square object with the middle part riddled). The naiskos is flanked by a kalathos on either side, decorated with black and yellow horizontal lines, tendrils and branches, as well as yellow tongues and yellow meander pattern. There is a row of yellow dots below each kalathos and a rosette on top. Below the row of dots underneath the left kalathos there is another rosette, whereas underneath the row of dots below the right kalathos there is a phiale. The details are executed with added yellow. The handles are black. The reverse is decorated with floral motifs: the area underneath the vertical handle is black, with an H-shaped black motif divided in two by a vertical line, on a round, brown background. The surface below the vertical handle depicts two fan-shaped palmettes, from which emerge elaborate, voluted floral patterns that expand to the surface below the horizontal handles. The lower part of the body is contoured by a wavy-like pattern on a brown background. The area below is black, although streaky on some areas, while the lowest part of the body is reserved but glazed. The foot is black, with a reserved resting surface.
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| 49.8.12
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Mouth and rim all black. Single handle is black on the outside and reserved on the underside. Neck is reserved. Shoulder has a row of rays and a row of lotus flowers. Body design is 10 rows of debased chequerboard. There are irregular drops of paint on the back. The decorated part of the body is followed by a narrow black band followed by black stem. The foot is black on the top but reserved on the side. Base is reserved.
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| 49.8.7
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Inside is black with a reserved ring in centre (around hole) and a reserved band on the junction of the offset rim with the body. Rim is black outside and there is a moulded, reserved ridge above handles on the junction of the rim with the body. Two handles, one on each side are black on top and reserved underneath. Below the shoudler ridge is a band of lotus buds with dots all joined by a chain below, black band, band of eight inverted birds (cockerels and hens (?) one smudged) with a dot rosette. The figure zone is framed by thinly painted brown lines, two on each end. Black band follows and three thin brown lines which encircle the black rays rising out from the root of the stem.
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| 49.8.8
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Inside and outside of mouth and handle is black as is neck and back of body. At base of neck is a key / meander design between two moulded ridges and only appears on the front. On the body, metope bearing the figure decoration. On the top of the metope. black tongues.Main design is in a panel showing a Quadriga moving to the left. Horses' heads turned towards different directions. One to the left, other three run their heads to the centre facng each other. On the quadriga, hoplites in profile either side both facing right, holding shields and spears and wearing helmets. One of the shields is decorated with a feline picked out in white, only the back part of which can be seen. Behind the quadriga, a hoplite in profile to the right. He is holding his spear and seems ready to attack. He has a shield decorated with three dots with added white, he wears a short chiton, a cuirass and a Corinthian helmet. In front of the chariot, hoplite in profile, moving to the left, having his head turned backwards. He is wearing cuirass, short chiton, a helmet. He is holding his shield and two spears. Added red-purple on reins of horses and headbands and tunic of warriors, as well as contours of the shields. Added white on lion of the shield and decoration of the shield of the second hoplite which is not clear, the edge of the sword of the first hoplite, the dots on the shiled and a band on the body of the last hoplite. Red band at base of panel running all around the vase's body and foot is black on top, but reserved on side. Resting surface reserved.
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| 50.10.3
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Interior black. Main zone, lotus chain, dotted. Lower part of body black with one red band. Purple moulding at junction of stem and body. Top of stem reserved and channelled. Outside of footring rounded and black inside of footring black almost up to top, tip of interior of footring and resting surface reserved. Underside of the handles reserved.
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| 50.10.4
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The mouth is black inside and out with a reserved rim. The neck and underside of handle are also reserved, while the top of the handle is black. The shoulder is decorated with short lines and four palmettes (of which one is upside down) linked with tendrils. The back of the body is black and the front bears the representation of a draped woman in an unnaturalistic posture. She is facing right with her head and chest turned back to her left. She is holding a case (kiste? with drawers?) in her right hand and extends out her left (the gesture is as if holding a phiale). There is reserved line under her feet and the woman looks as if she stepps on it. Additionally, the foot's upper surface is black. There is also a small, concave section at the centre of the base.
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| 50.10.6
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Front: in handle zone, white eggs, with incised line above; then, between pairs of incised lines, wavy white line; below this, row of white dots. Red vine branch with dendant grape-clusters, leaves and tendrils. Incised line all round below. Back: pair of lines of white dots with double incised line in between tapering to single line. Incised line continued from below decoration on side A. Handles and interior black. Bottom portion of body and top of footring red with single black band near top. Side of footring black, underside reserved.
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| 50.12.1
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A thick clay fragment showing below the rim and in line with the area of the handle zone; a pattern of joined arc-shaped bands and immediatly before the handle a vertical line joining the horizontal lines that surround the arc motif. On top of rim there is a single narrower curved painted band.
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| 50.12.13
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Interior shows remnants of white slip. Exterior, although very worn, shows a band of black across the top and some wavy black lines are barely visible.
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| 50.12.14
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Black paint faded to red. Interior: fine line on rim, below it one broader band. Exterior: broad horizontal band across the top with series of fine vertical lines at right angles to it. Two fine lines are joined together by fine horizontal lines, creating a square pattern.
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| 50.12.34
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Black inside and out, except a patch beside handle that slants away slightly to the top of the fragment.
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| 50.12.37
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White clay fragment slightly curved and the exterior shows detail of a pattern; parallel lines curve accross the fragment to the left there is part of a feather pattern that has a single scroll at the top. On the bottom right the the pattern may be bulb shaped and six curved lines across it. The black paintwork is faded in part while some is still dark. The interior has been painted black while the area below the top has been completely worn.
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| 50.12.4
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Inside streaky black, worn. Outside, dull black with a horizontal band 3 mm wide in the top third of the fragment.
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| 50.12.42
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Jar fragment, black, faded to brown, on the interior. Exterior: across the top part of a horizontal band; below, a quarter section of a spiral motif painted black, faded to brown.
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| 50.12.43
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Exterior decorated with concentric circles. In the centre there is a solid painted circle. The painted lines are more densely painted at the top. The lines at the bottom of the circle are painted further apart. The inside is brownish-black.
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| 50.12.45
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Exterior: brown band at the top, with two parallel lines at a slant to the band. At the bottom are part of two brown circles or semi-circles, with a dot or two in the centre, and dots around the circumference. Interior reserved.
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| 50.12.5
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Part of foot of a closed vase. Coarse clay with tiny black and white inclusions. The interior is pink and fairly rough, the exterior is unglazed and grey. There is a small section of black near the top.
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| 50.12.51
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Brown/black designs around top and bottom, with black/brown dot in the middle on each side.
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| 50.12.7
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False neck and one handle of stirrup-vase. Pale clay. Black bands on handle and top, and one at base of neck.
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| 50.3.1
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Red rim, mouth black inside but lower half reserved. Handles are black on top and reserved underneath. In neck zone are palmettes with dots joined by chain. Bars on shoulder. Side A; Dionysos holding wine cup, between two dancing maenads with ivy vines in the field. Side B; two warriors fighting over fallen man with spears and a shield with a leg motif and red details. Palmettes in field are attached to tendrils under the handles. Below are dots joined by zigzags with rays below. Moulded red ridge then black foot with uneven reserved band at base. Base is reserved.
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| 50.4.19
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Cup mouth with slightly out-turned rim and flat lip; narrow neck, bulbous body, broad raised base, and strap handle rising from the top of the neck, extending to the top of the body in a near right-angled shape. A slight ridge marks the join of neck and body. The body is decorated with 9 pairs of vertical grooves giving the appearance of a 'segmented orange'. Black glazed except on base, which is reserved and treated with red wash.
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| 50.4.7
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The exterior and interior of the mouth, as well as exterior of handle are painted black. The top of the mouth and the underside of the handle reserved. Shoulder decorated with two rows of blakc painted rays. Those of the upper row are short. The body is decorated in the white-ground technique. Decoration on front of body; at top a band with geometric meander pattern, framed by thin black bands. In a square framed by thin black bands, net pattern. The lower of the body, the small stem and the upper part of the base are black. On the lower part of the body, the glae has not been applied carefully leaving thin lines on the colour of the clay. The exterior of the foot and the underisde are reserved.
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| 51.1.1
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Glazed on the interior. Exterior: thick band on underside of rim and top of body; a figural and floral frieze, between a pair of thin bands. depict vertical 6-7 petalled palmettes, alternating between upright and inverted, joined by tendrils, and a silhouetted rearing lion, profile to right. Lower part of body glazed black, fading to brownish-orange; brownish-orange band overlapping from inside of foot to resting surface.
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| 51.1.2
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Interior and exterior of the mouth, neck exterior of handles black, fired mostly reddish brown. The underside of the rim has a reserved band. Underside of the handles reserved. The body is all black apart from the metope carryint the figure decoration and a reserved band decorated with radial-shaped motif beofre the black foot, decorated with two red concentric bands. Resting surface, underside of the foot. The top surface of the rim is decorated with two, concentric, red lines. Another marks the junction of the neck with the shoulder. The neck is black (reddish brown on the reverse side). The main scene begins from the top of the shoulder (under a red line), down the main part of the body. There are two confronted bulls with their heads bent downwards. Added red on partsof their bodies. Between them, there is an ivy leaf (heart-shaped). They step on a thin, black line, which separates the shoulder zone from the body metope.
On the body, two warriors attack other two. All warriors have spears with teardroped terminations (three terminations are visible, the fourth is on a missing area) and wear helmets with coverings for the cheeks (only the right pair's are visible) with details (dots for the first and fillet for the second warrior) in added white (now fadded away). They all held shields as well. All are round, except for one. The right pair's episemata on the shields are visible (upper part of seated lion / tripod, rendered with added white that has fadded away), while the other pair's shields' interior is visible and so the porpax (handle) can be seen on the left warrior. Additionally, they all wear greaves. Added red on the contour of the shields, the interior of the shileds, helmest, one hoplite's greaves. Between the pairs there is an eight-pointed star. There are also two horizontal red lines below running around the body of the vase. Two horizontal red lines frame the reserved lower zone decorated with the linear motif. The foot is black, with two red horizontal lines. The base is reserved.
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| 51.4.1
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The top surface of the rim is reserved (but glazed), however, the side one bears a black meander pattern. Neck: at the left side there is the front part of a horse (head and two feet) and the right leg (thigh to toe) of the horse-rider, with incisions for detail (denoting also the bridle) and added white. At the other end there are two men, one behind the other. The fragment's termination is at the level of their knees. The first one (right end) has extended his arms, as if being a charioteer. Besides, the back part of the chariot can be seen over his white chiton. The stephane on his hair is executed with red. The black, male figure at the same level behind him makes a gesture as if holding something (invisible). He is wearing a short chiton and he is probably on the chariot too. Interior: There is a red, thin band at the rim and the rest of the surface is black.
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| 51.4.10
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Offset rim and interior is glazed black but streaky allowing red to show through. The two handles are also black on the top and reserved underneath. Beneath each handle is an ivy leaf on a long curling stalk. The main design on both sides is flanked by eyes, which have red centres and white incised bands around them, superimposed onto black. Side A is a seated youth in profile to the rightin chiton and himation (?. Added white on stool and red on chimation and fillet on his head. Side B is a tree (?) with detail added in red-purple . No substantial foot, but a reserved, flat base.
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| 51.4.2
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The top surface of the rim is reserved (but glossed), however the side bears a black meander pattern. The scene consists of two chariots, the left one with three horses (below their knees the piece is missing) and the right one with four (only two of the heads remain). The left hand side charioteer is not visible, however it is obvious that he was holding and stretching the bridle. The upper part of the chariot is also visible. The second charioteer wears white chiton and red stephane (fillet) on the head and his chariot is visible. Each figure has incisions around its edges, as well as for the depiction of details. Some parts of the horse bodies are emphasized by added red colour. Body: The surface is black. The interior of the neck and body is also black, apart from a red band at the top of the rim.
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| 51.4.3
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Rim: There is a meander pattern at the side. Neck: There is the procession of two chariots. On the left chariot 3 horses are visible, however they must have been four (four pairs of legs). In front of them there is a charioteer wearing a chiton (the added white has faded away) and the largest part of the chariot as well as some of the horse's feet and tails are visible. The details have been rendered with added red and incisions (especially for the tails and mane of the horses). There is also a black line below the figures, in order to denote the ground. The body of the vessel is black, as is the interior, apart from the top surface of the rim that is reserved (but glossed) and a red, thin band on the upper neck.
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| 51.4.4
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Rim: The side surface bears a black, meander pattern. Neck: A procession of two chariots, each with four horses (four pairs of feet) but only the first charioteer is visible, wearing a chiton, whose added white colour has faded away. There are incisions to denote the details, as well as added red (especially for the tails and mane of the horses).There is a black line under the scene, to render the ground. Body: It is black and so is the interior, apart from the top surface of the rim that is reserved (but glazed) and a red, thin band at the upper neck.
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| 51.4.5
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Decoration in black and purplish-brown over a pale slip, with incised decoration on the back. At the top of the body is a broad band between two pairs of narrow bands. Above this is some evidence of a frieze of vertical bars. Below is a figural frieze, decorated at front with a geometricising bird flying profile to the right, holding a wavy line in his beak. He is surrounded by two crosses and two clusters of 8 dots (rudimentary rosettes) in the field. A floral decoration at the back is comprised of four interlocking palmettes, with purplish-brown petals and brownish-black hearts separated by incisions, with tendrils terminating in volutes emanating from either side of each sideways palmette. The lower part of the body is decorated with a thick black band between a pair of thin bands, above, and a thin band, below.
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| 51.4.6
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A, top: Horse grazing: white on mare, purple on body. A, below: Foot-race. Youth central, purple hair, parts of two others. Interior: reserved line inside rim. Part of border of large medallion: double row of dots between two
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| 51.4.7
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Interior surface is black. The exterior surface is black for top half and there is traces of a design on the lower half. It appears to be a lion attacking a goat. The necks of both and the tongue of the lion are purple.
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| 51.4.8
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Neck and mouth, inside and outside, are black. Decoration in a panel. The top of th epanel is decorated with small balck tongues. Under them,lotus buds and flowers, purple patch on each flower, with a row of black dots above them. Cock to the right faces swan to the left, with extended wings. Added purple on wings. Above cock, dots and small line, ramines of an unidentified decorative pattern as background decoration? The rest of the body and three handles are black. The resting surface and interior of vessel are reserved. The glazed interior of the neck is decorated with 3 thin purple bands. Under the decorated panel, two thin purple bands, running all around the body of the vessel. Underside of the handles reserved.
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| 51.7.11
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The interior and rim are black, except for two reserved bands on the interior, at the top and bottom of the lip. Just under the rim is a laurel wreath, facing to the right. A palmette fills the space beneath each black handle; a series of dots mark each handle zone. The scene on each side is bordered by two tendrils that emerge from the ground, in most cases flanked by two smaller tendrils; at the centre of each large tendril is a volute, from which spring two demi-palmettes. Side A: Wreathed, draped Apollo stands in 3/4-view to the right, holding a laurel branch in his right hand and a phiale and fillet in his upraised left hand. He faces a white-haired, bearded Papposilen, who stands in profile to the left. The Papposilen wears a taenia on his head, an animal skin (nebris) over a shaggy-white body suit, and slippers. He holds a mirror in his upraised left hand and a lyre and a fillet in his lowered left hand. Above him is bust of a goddess, probably Hera (or Leto, or Cyllene?), with her face in profile to the right, enclosed within a window, outlined in white. She wears a high crown and jewellry and holds a sceptre in front of her left shoulder. There are ivy leaves in the field. Side B: Two standing, draped youths, facing each other and wearing wreaths. The left figure has a 'V' drape on his chest and his left hand is barely visible; the right hand of the right figure emerges from his himation; he holds a branch out to his companion. Beneath the scenes is a band of right-facing waves. The lower body and foot are black, except for a reserved band on a groove at the top of the vertical surface of the foot, and the reserved underside.
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| 51.7.12
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Originally two handles, now only one remains, but they were both black, as are the interior walls. Exterior design shows a similar picture on both sides of a youth wrapped in leimation. Beneath each handle is a palmette with spiraling tendrils and serrated leaf below. Bottom of body below decoration black. Reserved ring on top of foot. Footring black inside and out, base is reserved with central dot and two circles drawn by hand.
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| 51.7.13
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The mouth is black at the top of the interior and the lip is reserved; the handles are black as is the body where they are attached, and the foot, except for the underside. The neck is decorated with a six-leaf palmette on each side. On the shoulder, beneath two reserved bands, are tongues that suggest the effect of ribbing. A white fillet has been painted over the 'ribbing' on both sides. Two thick, black lines (carelessly rendered) encircle the shoulder. A large palmette fills the space beneath each handle. A female head, shown in profile to the left, is shown on each side. Each women wear a kekryphylon or kalyptra and has her hair tied in a knot. Strands of added white (ribbons?) emerge from the hair. There are also thin lines (carelessly rendered) beneath the main scenes. Beneath the main scenes the vessel is black, except for the reserved stem and underside. The stem and the resting surface have been treated with a darker red wash. Red sections are streaky and dull, and some of the 'black' became red through misfiring.
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| 51.7.14
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Swan with added white and incisions. Above, dot, white on black. Beneath handle, palmette flanked by tall tendrils. Glaze silvery. Mouth, upper part of neck, top of handle, black. Also lower part of body and foot, including resting surface.
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| 51.7.16
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Black mouth inside out, except for reserved top surface of the rim, exterior of handles, interior reserved and underside of the foot black; Between the handles are double (mirrored) lotus-enclosed palmette friezes, enclosed between red lines. Below the ridge at the base of the neck are alternating red and black tongues. Beneath each handle is a vegetal design comprised of three lotus buds, each arranged at right angles to each other, so that their stems form a diamond that encircles a dot, yet extend to four palmettes (two above and two below) that flank the figural zone. Beneath the figural zone is a series of friezes: two lines; a maeander (Greek key) to left; two lines; a frieze of upright leaves interlinked by arcuated stems; two lines; rays extending from the base. The preserved part of the base is entirely black. Side A shows a quadriga (four horse chariot) wheeling around, so that the front of the horses seem to pass a crouching warrior holding out a spear at a near horizontal. The helmeted charioteer holds a large shield. Side B shows a helmeted warrior, standing between two attendants. The warrior holds a shield with a lion-head sema, wears a chlamys, and holds a pair of spears at right angles. The (male) onlookers, both bearded, wear himatia that enclose their arms, and each holds a staff upright. Detail is incised on both designs. Top of foot and side are black and the underneath is concave and black. Added red on horses' manes and the contour of the shield.
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| 51.7.2
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Lid: The centre of the top of the lid is reserved, surrounded by two concentric bandsone red, one reserved then a red circle, from which a band of tongues radiates. This is surrounded by a scallopped black band (fired red on one side), then an inverse wave pattern (waves leaning to the right), and finally a reserved band. The outer edge of the flange and the upper part of the body are glazed black. The remainder of the body is decorated with an egg and dot band (for which each eggs is a thick u circumscribed with a thin u), then a black band, then a wave band (with waves leaning to the right). The lower rim is reserved. The interior is glazed black, misfired to red on the underside of the top. Pyxis: Entirely glazed, fired mostly black on the exterior (with some red patches on the flange and the top of the body), and red on the interior.
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| 51.7.5
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Interior reserved; black glaze on mouth and upper half of neck, as well as upper half of handle; lower part of neck decorated with tongues that suggest ribbing; shoulder decorated (except under handle) with an egg-and-dot frieze between two black lines; reserved space at lower part of handle and handle attachment (interior) suggest that the mouth and neck were dipped. Body decorated with a frieze consisting of 7 clusters of three white dots at the top of a figural scene (arranged in upside down triangle shapes): a female figure, standing in 3/4-view to the left, in a relaxed posture with her left leg crossing her right, and her left elbow resting on a pillar (the curvy element in added white suggests that this is meant to represent natural rock). She wears a hairband and kekrphylon on her head, triple-dot earrings, two or three necklaces (two strands of white beads beneath a black line), two white bracelets on each wrist; a belted sleeveless chiton, and white slippers. She holds, in her upraised right hand, a mirror surrounded by white dots, and, in her left hand, a phiale that is surrounded by white beads, as well as a beaded sash. A large palmette, with a white dot on the heart and white dots on each volute, fills the space beneath the handle. From each volute emerges tendrils and floral decoration that frame the image of the woman. A 6-petal rosette fills the space to the right of the woman; to her left are a window and a dotted circle (cog-wheel?) in the upper left field, and an olive branch in the lower left field. On the body, beneath the figural scene, are a single reserved band and a thicker black band. The foot is reserved on the top element, and glazed black on the ridge and lower element; the underside and resting surface are reserved.
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| 52.3.1
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Mouth black inside and out, apart from flat exterior. Handles are black on top and sides but reserved underneath. Palmette and swirl pattern in black on neck. Small ridge at base of neck and vertical black tongues on shoulder. Side A: Heracles and Triton or Nereus (both equally possible as monster has tail and old man with staff associated with Nereus, but is unclothed as associated with Triton) with one male draped onlooker in profile to the left carrying a stick. The opposite side (B) is of a warrior (shield emblem chariot body painted in white) between two male draped onlookers carrying sticks. Added red on onlookers mantles, Nereus beard, and white on the shield. Below figures is a double row of large dots, bewteen two narrow bands with rays below to foot.Undr the handles, lotus and palmette . The foot is black and has two steps. Resting surface and conical base are both reserved.
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| 52.3.2
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Flared, cup mouth, black in and out and on rim. Neck is black, as is handle, except for a palmette pattern at base. Intricate tongue pattern around base of neck with a circular palmette pattern below. Main design, from left to right, shows Eutychia (EUTUXIA) standing to the right, holding a box in her left hand, with a string of embossed flowers (?) hanging down from her right hand. Beside her is a diphros with a cushion. Aphrodite ([A]FRODITH) sits, profile to left, in the centre and to left is small Himeros (IMEROS) in white, holding a wreath. To her right is a standing Makaria ([MAK]ARIA). Black egg pattern beneath main design. Moulded foot ring with grooves around the side. Black on top but reserved underneath.
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| 53.8.4
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Molded, downturned rim with a flange (for lid); incurved horizontal round handles; deep body with nearly vertical sides that are slightly concave above the handles and convex below, curving sharply at the bottom into a broad, short stem, on top of a molded disc foot, recessed underneath in two degrees. Black gloss with red figure decoration. Side A: a female head profile to left, with small dotted circles in the upper field on either side; side B: palmette. Interior: a reserved band within the rim. Exterior: a band of vertical bars under the rim (with applied red wash); a reserved band around each handle attachment (also with red wash); a stemless ivy beneath each handle; narrow reserved band beneath figural scene; reserved band on the upper part of the foot; underside of foot is reserved and stained with red wash.
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| 56.8.1
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Reserved inside. Paint on outside is black, lustreless and largely worn towards base of body. Two handles painted black on top but reserved underneath. In handle zone, within a panel framed with bands of dots is an ivy spray (on both sides). Lower band of dots carried round below handles. Bottom of object is black until reserved band just above foot. Flaring foot, black on top and reserved and conical underneath.
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| 56.8.2
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Interior reserved, except for a narrow band of black glaze at the top. Exterior: black-glazed rim and handles, including handle attachment points, lower part of body, and foot. The shoulder is decorated with pendant leaves, vertically arranged, divided by a narrow black band from the body frieze which consists of, on either side, a 12-petalled horizontal palmette between two sideways 14-petalled palmettes central. Lines of dots emerge from either side of the middle leaf on each palmette. Underside reserved.
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| 56.8.5
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Black pointed knob with moulded purple ridge at base, in centre of lid. Three black bands, tongues alternating black and purple, three bands, broad black band with superimposed purple line on each edge, three black lines and then a ridge. The rim is lower after ridge and has a chain of interlaced black lotus buds with dots between each one. Underside is reserved with a rim for top to sit in lid. Centre is concave with a hole in the middle below knob handle.
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| 56.8.7
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Interior glazed. On top, curved surface, are tongues which alternate black and white, the black ones also framed by black lines. The underside of the rim is black fired reddish brown. Thick stem and wide, with a plastic ring to the joint with the base. Flat base, curving upwards. Resting surface and concave base both reserved.
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| 56.8.8
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On the exterior of the rim, S pattern. A fight of three warriors between onlookers; on the left, an onlooker between two runners, on the right, a runner between two onlookers and at the back a floral motif (lotus-palmette cross?): Two semi-spherical palmettes chained in the middle by circular bands, dotted in the centre, and held on a columnar motif with similar (only more conical) palmettes as endings (top and bottom) by black strips. Many of the figures appear to be holding spears (in the case of warriors) or have in front of them the same attribute (long, thin, vertical or diagonal lines). There are variations in the rendering of armour, hairstyles and drapery, mostly executed by incisions.
The scene is framed by bands, top and bottom. Above the top band is a reserved circle, a thin, red, circular band and then the vessel is black up to the base where there is another red circular band. The interior of the footring is black. The broad, reserved base has a black circle inside a black band in the centre. Additionally, there are six dots (four are bigger) placed randomly on the reserved area of the bottom.
Interior: The surface is black from the rim to the tondo, except for two, red, concentric bands approximately 1 cm within the carination, and a similar red band framing the tondo. Inside the tondo is a representaion of a cock in profile to the right with a flower-bud emerging in the background. Red paint: tail, wings. Moreover, incised over the red ring surrounding the tondo there is a mercantile graffito (?).
The handles are black but reserved within.
The underside of the foot decorated with black dot at the centre, surrounded by black band and 6 black dots around it, uncanonically placed
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| 59.2.1
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incised amulet in the shape of a lion with suspension hole on top
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| 60.1.1
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Bird; three dots in triangle above tail. On either side two markings. Beneath handle palmette flanked by two markings. Neck (upper part), mouth, and top of handle black; also lower part of body and foot. Base underneath reserved.
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| 60.1.2
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Bird (swan) between two markings. Beneath handle palmette, flanked by two markings. Lower part of body and top of foot black. Side of foot and base reserved.
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| 60.1.5
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Mouth, top portion of neck and exterior of handle black; vertical black lines on neck; thick black band and band of waves on shoulder; frieze on body of three palmettes between three lotuses; black band below except reserved groove between body and foot and reserved base.
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| 60.8.1
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Reserved bands on lip and handle zones, heavy black line on lip and dividing the two zones. Handles reserved underneath. Interior black except for a reserved disk in the bottom with two concentric reddish circles inside, then two purple circles applied over black about half-way up, then another single circle just below lip. Reserved thin band on the top of the rim, in the interior. Exterior black beneath the two reserved bands, exterior of footring black, base reserved.
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| 61.6.3
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Glazed black on the interior, except at the bottom of the bowl. Exterior glazed black (dipped) on the rim, handles, except near attachment (but a small line emerges to the front of the bowl, from either handle). The floral frieze consists of: palmette, upright, flanked by curling tendrils from which hang smaller palmettes (side A), a simple enclosed palmette (under missing handle); two upright palmettes with curling tendrils, although the palmette on the right has two curling tendrils at the left and none at the right (side B); simple palmette under handle. Beneath the floral frieze is a thin black band above a band of black dots. Black glaze also on the lower part of the body, stem, and top of foot, and interior surface of the foot (with extra paint spilling over onto the resting surface and the underside).
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| 61.6.4
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Decoration fired medium-dark reddish-brown rather than black, except at the centre of the front. Interior glazed, except for a narrow reserved band at the top. Exterior glazed on rim, exterior of handles, lower part of body, exterior and interior of foot, and thick band around a bull's eye on underside (namely a band around a dot. Body decorated on either side with a tall 5-petalled lotus between two 15-18-petalled palmettes. A single ivy leaf, upright, floats beneath each handle. Beneath the palmettes and ivy leaves are two black bands.
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| 61.6.5
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Lid reserved except for beveled interior of knob top, exterior surface of knob and stem, top of lid, where knob is attached, which is encircled by a black line, then a floral band, comprised of alternating 3 11-petal palmettes with 3 5-petal palmettes (or lotuses), then a black band on the vertical surface of the rim. One-handler glazed on the interior, handle, zone between handle attachments, lower part of body (below handle attachment, and ring foot except for reserved resting surface. The upper part of the body is also decorated with vertically arranged zigzags, while the underside is decorated with a 'bull's eye', that is, a central black dot, surrounded by a small black ring.
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| 62.10.1
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Black-glazed inside of rim and lip; broad black band at top of shoulder, above the handles; between the handles, on either side, a frieze of thin rays, a line of fine dots, and a simple maeander. Around the body two broad black bands, and black-glazed upper element of exterior of foot, but otherwise reserved. A faint rouletting marks the junction of the body and foot. Handle zones reserved but handles dipped in black-glaze, which drips from the left side of one handle. Under each handle a design comprised of a vertical band (?) above a series of four chevrons.
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| 65.6.2
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Head and shoulders of a Neolithic deity. Square head and oblong arms. The top part has three holes bored through down either side and two partly bored holes near the top representing eyes and three partly bored holes representing the mouth in a horizontal line above 'neck'. Single partially bored hole on neck and one just above the break. Bored hole at the end of each arm. The other side is flatter than the side with the visible holes. Very smooth and highly polished object, creamy-yellow colour with naturally formed pattern.
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| 68.12.1
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Rounded and solid with a flat base and sloping surface at the top.
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| 68.12.2
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Decorated with streaky black glaze, which becomes dark red in placces. Knob black glazed on exterior of two recesses, side, and underside, as well as stem and inner part of domed top. Beyond this a frieze of 9-leaf palmettes alternating with water birds, profile to the left, with intervening spots between palmettes and swan. This frieze is surrounded by a band of vertical bars between two glazed bands. The underside is reserved.
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| 69.7.1
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The inside of the mouth is black and the aperture is marked by a thin, black line. The lip is decorated with black tongues, with intervening white dots. There is also a zig-zag band on the vertical surface of the rim. The neck is black. The back of the handle is decorated with a voluted palmette (incised) with tongues (black and reddish) on the top. From the ankle, just below the neck, emerge alternating black and red tongues (contoured with black lines). The foot itself is entirely covered in a thonged sandal that ties at the front with a ring-shaped knot. The sandal is indicated with relief straps that are painted in reddish-brown colour. The edge of the sole (crepis) is decorated with two rows of black dots. The base is reserved.
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| 70.3.1
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Chimney mouth is black inside and out but with a reserved lip. Neck and underneath of handle reserved. Shoulder has dots, rays. Body, from top to bottom, two rows black dots, scene. Scene shows a chariot travelling right at speed. Behind the chariot figure with long garment and helmet running to left (Athena?). White added to charioteer and back side of chariot. Black to top of stepped foot, the side of which is reserved.Incision carelessly used for horses. The lower part of the body black with the excepton of three thin reserved bands under the decorated zone. Foot reserved. Underside reserved, two incised concentric circles.
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| 71.6.3
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Inside is streaky black showing red through. Handles and outside are also black. Side A: A woman standing with her back to a chair, holding out a fillet in her right hand. Side B: A youth in himation holding two spears (?) of which heads are not visible, being too tall for space avaliable. The detail on both figures is picked out in black paint. Two ruddled bands run around base of pot below figures. Foot is black on top and side and inside foot ring; resting surface and underside reserved. Base is ruddled and has three black bands and a central black dot.
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| 73.10.1
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The top of the knob is covered with brown paint, apart from the central part.The knob is decorated with three parallel brown bands ; reserved at join with lid; 9 rays radiating from the edge of the knob.Two thin concentric brown lines, red-brownish bands framing a band of double dots. Black line at the edge of the lid fired brown. The edge of the rim is painted black, fired to brown. The underside is reserved.
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| 73.6.5
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Decoration is minimal, though on one side it is shaded in gray, and on the other is more its natural colour, with the top part of it having the gray shade.
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| 73.9.5
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Rim is flat and black on top, as well as underneath and inside. Below, on ruddled surface, metopic ornament. Below, on reserved surface, meander round dotted square.
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| 74.7.5
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Female protome, burnt. Brown clay, covered with white slip. Suspension hole in top. Label on back 'Thebes' in P.N. Ure's writing.
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| 78.12.22
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Moulded ring around discus, within is a "Throx" gladiator in relief standing on base-line; helmet, shield, sword, top of greaves distinguishable. Moulded single volutes on either side of the nozzle shaft, at their termination are raised marks towards the base. A faint raised line next to the gladiator on the right. Red slip all over.
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| 78.7.1
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Two handles on opposite sides at top. Inside black with convex centre. Around rim are incised pendants on side A and two parallel lines with row of white dots above and below on side B. Below pendants is a pair of incised lines, a row of red dots, a grape vine with pendant grapes, leaves and tendrils. At base are three uneven circular shapes above reserved band. Black band around rim of foot. Base reserved and raised. Glaze partly faded.
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| 79.1.11
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Ridge and groove round top opening, Red wash.
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| 79.1.15
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Handle is the stem of the moulded bunch of grapes, extended from the grapes, to the left, are four round circles resembling fish scales; extended from them are five long, thin leaves resembling feathers. Top right of grapes is an opening; a purpose built hole.
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| 79.1.16
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Two bands of laurel leavess with berries on either shoulder between the handle and nozzle, discus decorated in raised moulded relief of a fourteen petal warped rosette. Two very small circles are placed at the body end of the nozzle, on either ridge of its top. Moulded line along the crest of the handle with two small lines either side of it at the front of the handle. The back side of the body, under the handle are three lines; the central is straight and terminates at the base with a bud either side, the other two terminate in volutes. Red wash all over.
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| 79.1.5
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Single band incision along the handle, both on the top side and the underside. A band across the handle at the highest point which does not reach all the way around the handle but does have an incision along it.
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| 83.11.7
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Front part of female head from figurine. Hair waved on top, ringlet down side on right side. Earrings. Clay dark orange, coarse, and bown in patterns.
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| 83.9.33
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One side of this fragment is black glazed with four flowers on it. The flowers seem to be separated off into pairs, as in between them there is a line with up-side-down 'U' shapes inside it. The other side of this fragment seems to have the remains of what would have, perhaps, been a rim. The rim has black strips on either edge and a strip of terracotta on the top. This 'rim' has more fragment on each of it's sides, which are glazed black.
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| 84.8.1
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30 fragments, largely side B, small part of side A, handle and rim fragments. Side B three youths. a) The top surface of the rim is black and so is the interior, apart from a reserved area at the end of the rim that bears a thin, black line. The neck is decorated with a vague representation of a brach with laurel leaves. The joining point of neck and body that is preserved bears part of a black, thick line. b) The interior and top surface of the rim is black, with the exception of a reserved band on the end of the rim (interior) that bears a thin, black line. c) The handle is black, except for the surface that would not have been visible if it was attached on the vessel, which is reserved (but glazed). Around the spring of the handle there is a motif between two thin lines that resembles the ionic cyma (egg-and-dot). The rest of the vessel is black, both on the outside and the inside. d) The handle is black, apart from the surface that would not have been visible, where there are two dots. Around the spring of the handle there is part of the ionic-cyma motif. e) There is part of the ionic cyma motif that the handle bears around its spring and the rest of the surface is black (interior and exterior), apart from part of a small chess-shaped motif, framed by a line above and two below. f) It is black apart from an area that bears a small part of the motif that contours the springs of the handles, a small, diagonal, reserved band (exterior) and a reserved band (interior). g) The surface is black (interior and exterior) except for three thin lines that are reserved. h) The interior is black. Exterior: Above a double-meander pattern, placed on a reserved band and between two lines, there are two heraldic lion paws, even though the details have fadded away. i) The interior is black. Exterior: The lower part of the drapery and the foot of a figure, surrounded by black colour. j) Black interior. Exterior: The lower part of a vertical, reserved thin band is standing on a broad, reserved band that bears between two black lines part of a pattern that consists of a meander and a cross on its right. The cross is contoured by a reserved area (around its sides), while its is executed on a black background. k) The interior bears a thin, reserved band. Exterior: The back part of a male figure's head and shoulder, as well as part of the drapery. l) Black interior. Exterior: The male figure's shoulder and part of his draped body. On his right there is the outer part of the motif that contours the springs of the handles. m) Part of the male figure's leg, knee and tibia, which is projected, as if he is ready to take a step. On the left top side there is part of a vertical, thin, reserved band (upper part of a walking-stick). n) Black interior. Exterior: The lowest part of the figure's drapery and a vague representation of his feet ? He appears to be standing on a pattern that consists of a chess-like motif close to two, double-meander ones, framed by two lines above and one below. o) Black interior. Exterior: The lower part of the figure's walking-stick that seems to stand on the double-meander pattern. On the left of the walking-stick, there is part of the back side of another draped figure (male), with the same careless rendering of the feet. p) Black interior. Exterior: Part of the walking-stick and drapery of the second figure. q) Black interior. Exterior: Small part of the second figure's drapery. r) Black interior. Exterior: Small part of the second figure's drapery. s) Small part of the second figure's drapery. t) Black interior. Exterior: Part of the lower termination of the second figure's drapery as well as his right foot? On the left, part of his walking-stick. He seems to be standing on part of the double-meander pattern. u) Black interior. Exterior: Part of the pattern that consists of the chess-like motif, next to part of a double-meander one, on top of which there is the lowest part of a figure's foot? (clumsily rendered). v) Black interior. Exterior: The lower part of the drapery and right foot of another similar figure that satnds on the double-meander pattern. w) Black interior. Exterior: Part of the figure's drapery. x) Black interior. Exterior: Part of the figure's drapery. y) Black interior. Exterior: Part of the figure's drapery. z) Black interior. Exterior: Part of a male figure's arm and hand. aa, ab and ac) Part of the rim and neck. The exterior bears a broad black band and the interior bears a reserved area between two black bands. ad) There is a reserved line on the interior, while the exterior is black, apart from a reserved spot of unclear shape and another, similar one that bears a thin, black line.
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| 85.3.2
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On the top of the rim, one broad black band and two concentric narrow; plange side, two narrow bands converging into one band. On body, cinquefoil with leaves touching central wheel. Below handle, rough six-petalled flower. '49' pencilled on back of handle.
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| 91.11.2
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Shape similar to 91.11.1. Top broken off. Slightly concave beneath. Greenish transparent glass, some internal incrustation. Some solidified grey matter inside.
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| 91.11.3
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Shape similar to 91.11.1, but bottom flare more cushion-shaped. Mouth slightly flared out, narrow flat rim, off centre. Lengthwise striations in glass, some becoming riven. Iridescent transparent glass, some blackening near top of neck. Slight incrustation.
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| 91.11.4
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Top broken, mouth partly preserved. Flares v. gradually from 4 cm below mouth, bottom curved like alabastron. Mouth flared. Transparent glass, bluish iridescence. Slight encrustation. Some striations in glass.
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| 91.12.1
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Moulded design incised on top: rough circle ca. 6.2 cm in diameter, containing a dotted star. See notecard for drawing.
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| E.23.17
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Face comprises top third of piece, angular. Detail on face uses black pigment (beard. eyebrows and what may be hair). Face and clothing in light coloured pigment, green is used around the eyes, the upper body decoration consists of a large red band, a smaller black band of dashes, a blank band, a light blue band, another black dash band, a thick black band, another dash band, another thick red band, another dash band, another blank band, another thin dash band, and finally a thick band made of black tear shaped vertical stripes. There is also some black pigment on what appears to have represented the shoulders.
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| E.23.2
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Funerary stele with vulture wings surrounding the solar disk, common during the time period. Below the wings is the text of the stele, surviving intact. Two men are depicted adoring the god Re-Horakhty, whose presence is indicated not only by the uraeus and sun disk but also his name inscribed in the text. It has been suggested that the dress of the figures indicates that they are Nubians; this is confirmed by the oddity of their personal names. The sky is depicted above the winged disk, each end being supported by the symbol of the west (on the left, only the top of the feather survives) and the east (on the right, more or less complete). A signature, possibly belonging to Flinders Petrie has been found above the head of the right hand figure.
There is only one viable interpretation possible, when one combines the depictions with the details found within the text. The stele depicts the man Serep and his son Tkr-Irt-Hrw, not as has been assumed Serep with his Ka. A personal Ka has no need of the title m33 khrw, which is a title of the deceased, thus two deceased are depicted. There is no question that Serep is a man as he is depicted in male dress and has the male symbol after his name.
There is enough evidence to show that the stele was once painted. Red pigment on the sun disk of the god is the most apparent, though a similar (if not the same) is found in several of the hieroglyphics and on the deceased as well as faint traces on the column to the right. A yellow stain remains in the first two columns, which could be remains of the paint used to fill in the columns. The combination of colours matches well with the red pigment found in the glyphs.
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| E.23.3
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Model of Nile boat, with six rowers with six oars and a steersman standing and steering with paddle. Another figure standing in front of steersman, by mast, and a final figure sitting behind the rowers. Figures are painted with brown pigment for skin, black pigment for hair. There is a faint red pigment on the 'deck', going from top to bottom and then several horizontal lines. It is unlikely that all of the figures are originally from this boat. The number 886 (988) is visable on the boat, which likely the tomb number.
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| E.23.40.1-4
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One is a complete ring with an oblong panel on the top / front. The second piece is half a ring with what appears to be a crocodile (?) moulded on to the front. The third piece presumably was the top of the ring and is an oblong panel with incisions. All three are blue and glazed.
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| E.23.44
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Glazed blue amulet in the shape of a head wearing a crown. The head is vaguely reminiscent of that of the dwarf god Bes. The top of the crown has been threaded for a string for wearing. The eyebrows are large triangles, above the sacred eyes which are joined. The nose is snout-like in between two puffed out cheeks. The mouth is thin lipped and small verticle lines indicate a beard.
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| E.23.51
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A long flat beadm the top in rounded, the underside is flat and the edges appear to have been bluntly serrated. Turquoise in colour.
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| E.62.11
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Carved piece from open work rail of furniture, representing the hes vase. The top of the artefact has a carved peg on it while the foot has a lip carve in it, clearly these were used to attatch the artefact to a larger body, there is no pigment.
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| E.62.12
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Blue scarab on a flat base, which has vertical lines down the top of the beetle from its throat, and patterned legs. The wings are detached, both with spanned wing decorations. Base is plain. There are 6 small holes on the points of the compass, with 2 at East and at West by the side of the scarab, and three holes on each of the wings. These are at the corners of the joining part to the body of the scarab and one at each end of the wing spans.
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| E.62.19
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The top of the held piece has six carved bands around the top. Wood is darker on one side than the other.
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| E.62.2
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Sculptor's trial piece. White limestone, the sculptor is trying different ways of drawing hair. The bottom of the fragmet has a human head with one way of drawing hair, one braid at the from with several straight lines representing the rest of the hair alon with a band accross the top of the hair. Other methods include small squares, undulating lines and straight parrallel lines made up of small chips into the surphace.
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| E.62.27
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Coptic cross in bronze, probably early Christian usage. The cross consists of 4 inverted triangles pointing to a similar centre. The top point, two side points and the centre appear to once have had gemstones stuck to them, since there are remnants of the solder that held them on. On top of the cross is circular clasp to enable wearing.
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| E.62.28
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Tall red jar tapering to a narrow, flat base. Around the top there is a band of black pigment (th. ca. 3.0-4.0), above a band of yellow pigment (max. th. 4.0). Treated on the interior with haematite (iron oxide) and burnished.
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| E.62.33
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For grinding malachite, gelena and other cosmetics. Double-bird design; each head has hole for missing inaly eye. Spiked decoration between heads. Hole for threading in top centre.
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| E.62.4
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A small limestone tablet with the image of a monkey holding its young. It is square in shape although this appears to because the adult monkey's head has been removed. There is a hole in the centre at the top of the artefact presumably so it could be hung up. The adult monkey is bending it's knees to reduce its height which also gives the idea of closeness between the two creatures. The underside of the artefact has the same image only in reverse and with less detail. There is red pigment remaining on both sides around the feet particularly.
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| E.62.40
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Lid is white, naturally occuring wavy pattern on top and bottom. Ring is more yellow in colour than lid and with less patterning. Base is yellower than the other two pieces and with the same wave pattern as the lid on one side. Heavy object.
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| E.62.44
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At base of shoulders and top of body are incised diagonal bars between bands. Five panels go around the body and are separated by incised chevrons between bands. Two panels show designs of leaves - possibly palm leaves. Two other panels show a collection of pictures which appear to consist of three leaves or feathers, an ear of corn perhaps and other agricultural objects (?). The fifth panel shows similar things to the last two described with the addition of a triangle with horizontal incised lines through it. None of the panels is next to a similar one. There is a flat ridge at the base. Painted to almost have a wood effect.
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| E.63.12
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Sacred eye amulet, light blue. The eye is crowned with a rectangular piece containing two smaller sacred eyes, a lion sits on top of this.
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| E.63.13C
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Blue glaze fragment, once the lip of a flat dish or bowl. The top of the bowl was apparently decorated with two sculpted concentric lines, one following the lip of the bowl one just below. The interior is flat.
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| E.63.2
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Sacred eye of the god Horus, originally blue. There is a hole drilled horizontally through the middle of the piece to allow threading. The details are carved into the piece, the top is a line of slightly diagonal lines, below this is a small flat line below this the detail of the actual eye which is common to all sacred eye amulets.
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| E.63.5
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Shaped like a draughtsman or pawn chess piece, the figurine has a flat circular base, and tapers to a pointed top. Light blue colour.
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| E.63.9
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Light green pendant. The image is the goddess of Hathor, goddess of music and dance. Here she is depicted in the form of a highly stylized cow. At the top of the pendant is a loop for threading. The pendant is flat and has the cow-head engraved in the centre with an arch of concentric lines above the head Below the head on either side are parallel vertical lines divided by one horizontal line on both sides.
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| E.65.2
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Tall red jar, tapering to a flat base. Band of black pigment around top. Treated on interior with haematite (iron oxide) and burnished.
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| L.2011.1.35
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Polished,with two sets of three incised lines on the top; ridge near the top.
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| L.2013.10.3
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Details of the scarab body is incised, but now faded. Base damaged especially in the top right hand corner. Hieroglyphic inscription damaged and illegible.
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| L.2013.10.9
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Obv: Man facing right inscription around the edge Rev: Two standing figures facing each other. Smaller figure flies between them (top) with an alter or cup between them (bottom). There is an inscription around the top, possible inscription 'CONCORDIA'.
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| L.2016.3.31
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Few traces of different coloured paints. Few, small black or dark brown flecks allover the surface, a little more at the saddle, belly and mane. There are very few traces of green glaze at the top of the nose and front part of belly and saddle (and white as well as red-brownish flecks at the rare part) on the right.
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| REDMG:1926.99.50
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Black band on inside of mouth; three black bands on rim; exterior off lip decorated with a series of dots; handle decorated with vertical bars on either side. Daisy petals extend from the neck (each petal is decorated with a white dot), below which are two lines, a warrior frieze, two lines, and a black band . The three warriors, lightly incised, each stand profile to the right, and are indicated by two lines (extending from the top right and bottom left) for the spears, and two more lines (extending below) for the legs; each carries a large round shield decorated with incised circles.
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| REDMG:1926.99.54
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Mouth black interior and exterior; reserved neck; black on exterior of handle; band of black vertical bars above white band decorated black rays on shoulder, extending to carination. Body, top: white band decorated with two rows of black dots joined by a thin black zigzag (at front, only), above two black lines; figural scene (front only); white band; black band between two black lines; black to foot and on top of foot; otherwise reserved. Figural scene is of a chariot behind which stand three draped female figures (two women, standing profile to right, towards a third figure, standing profile to left. A fourth female figure sits profile to left, in front of the chariot. All four figures are draped, wreathed (with red bands), and have white faces.
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| REDMG:1926.99.60
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Body: white with two yellow lines near the top and bottom; black on lower part of body and upper part of foot, which is reserved underside
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| REDMG:1935.87.12
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The interior is decorated with two broad black bands. The lip is red and from top to bottom the pattern consists of three red bands with dots on them, a black band, two more dotted red bands, a red band, three dotted red lines, black, red, and black bands. Foot-ring black on both sides; resting surface reserved. Underside reserved with three concentric black rings and black centre.
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| REDMG:1935.87.16
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Handles painted black on the top and reserved underneath. Reserved thin line inside lip and on outer side and bottom of footring. Ring foot is black although underneath is ruddled, except for black centre and one small black ring. Streaky glaze in places.
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| REDMG:1935.87.17
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(a) Pyxis: unpainted inside. From top to bottom, bands, tongue pattern repeated, bands (red and black of varying widths: two broad red bands within a group of four thin black lines; lower, a black band), red foot; concave base. (b) Lid: central knob with bands and bands on neck. Shoulder pattern is tongues with alternating red and black coloured centres. Bands on edge of lid.
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| REDMG:1935.87.2
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Inside of mouth and exterior of rim black, while lip is reserved. Body is mostly reserved. Handles are black on the outside, and reserved on the insides. Below the handles are three thin black bands. The top of the foot and a thick band above it are black, but resting surface and base are reserved.
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| REDMG:1935.87.24
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There is a reserved ridge on top of the foot, while the side of the foot is also reserved and rounded. The surface underneath is ruddled with broad black band just within a resting surface. Lastly, a steep, narrow cone is formated inside the stem. The ellipsoid body is supported by a slim stem, which ends in a disk-shaped base, with concentric, incised circles.
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| REDMG:1935.87.27
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Two handles, partially painted black. Inside is a red rim, then black with two red bands superimposed. Outside (from top to bottom) are two thin bands, three rows of uneven dots, middle row red, three bands, two rows of small dots, three bands, broad area left clear, three bands around foot, foot red. Highly ornate base with dots, red band (repeated) and in centre is a cross with four dots around it. The base has moulded ridges for added decoration.
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| REDMG:1935.87.28
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Inside black, reserved line at lip. Two kylix handles, black on the top and reserved underrneath. Main picture is in handle zone and is similar on both sides. Shows Dionysos seated, flanked by palmettes with vines running either side of him. Detail picked out in red and white. Foot rind reserved outside, black inside. Base reserved with central dot, small ring in dripped glaze, thick black ring and near circumference also fire circles in thinned glaze.
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| REDMG:1935.87.3
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Black inside, outside and rim. Handle is black all over as is top half of neck. Lower half of neck has an umbrella pattern with 12 tongues on top. Large palmette with tendrils under handle on body and tendrils either side of scene. Scene is a woman standing, facing right, holding mirror in right hand and a box in left looking at seated Eros who is holding a mirror in his right hand. Added yellow over white, and white on Eros's wings, mirrors, box and headresses. Traces of miltos. Reserved band beneath scene. Black foot but reserved resting surface and base. (Modern) red cross drawn on base.
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| REDMG:1935.87.31A
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Red rim; two handles, coloured black. In the handle zone pomegranate pattern in three rows, the middle row red; below, one red line between two black; a broad black band with a pair of superimposed red lines at top and bottom; one red line an done black immediately above foot. Foot-ring black outside, two black rings on resting surface; inside of foot-ring red; on the bottom a central dot and pair of small thin rings, near the circumference a broad ring, all black. The edge of the flange supporting the lid, red. Handles black. Inside of bowl originally black with traces of one pair of red circles.
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| REDMG:1935.87.32
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There is a broad, black band at the interior of the rim. On the top of the rim there are black tongues, apart from the surface of the handles, decorated with palmettes. Waves are used to decorate the edge of the rim, while the handles bear small palmettes on their sides and the rest is painted black, as is the body between. Both neck panels have ivy and dots joined by vine. Both sides of the body show a female head, facing left and wearing a decorated cap with a spiked stephane over it. There is a small window (rectangular motif with black vertical line), top right on both sides. Side A, however, has a strigil with wavy endings above the head, top left. Side B has a knot of hair emerging through the apex of the cap. On both sides there are volute-shaped motives at the end of the cap and below the woman's chin. Side A: The woman wears a black earing (a circle and hanging dots) and a neclace of black beads. A hair with a heart-shaped ending falls vertically over her neck. On the other hand, the woman on side B wears a similar but yellow earing and a neclace made of yellow beads. Both women are framed by two vertical red bands, decorated with two similar motives of a vertical row of dots between thin lines. These columnar patterns seem to support a horizontal red band over the head, ornated with tongues between thin lines (one above and two below). However, the surface under the heads is not identical for both sides. Side A has a red band with dots between lines and side B has two parallel lines and the wave pattern. Both the scenes are partly ruddled and added yellow is used to render the details. Miltos apparently was applied last.The lower half of foot is ruddled.
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| REDMG:1935.87.34
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Inside is reserved except for inside of mouth. Top of mouth is red with black wave. Black palmettes on top of handles protrusions. Handles are made of two bars with large square at top. Black between handles and all down body. Side A has an arrow pattern on rim, ivy leaf and dot rosette pattern on lower half of neck, black tongues, warrior in the centre leading two prisoners. Warrior has shield helmet. Rosettes and fillet in field. Double row of dots either side and wave pattern underneath. Side B has an 'SSS' pattern with dots on rim, lower half of neck has ivy leaves with dot rosettes, black band, black tongues, scene of three youths in conversation with crossed circles in field, double row of dots either side and 'SSS' pattern with dots at bottom. Black body, reserved stem, black foot with reserved groove, resevred band at base. Reserved conical base.
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| REDMG:1935.87.8
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Inside is black with no reserved sections. Outside is black with a groove just below rim and another two at top of stem. Foot is flat and black on the top but reserved on the side. Black band around very bottom of side of foot. The resting surface is reserved and the inner foot ring is black. Small reserved circle raised up inside foot with a black band and a small black central dot.
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| REDMG:1942.5.6.2
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Black glaze on top 2/3 of body; some accidental drips descend over the remaining third of the body, at the back. Some areas fired red.
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| REDMG:1951.131.1
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Black rim and neck, except for a thin reserved band just above the join with the body; body decorated with three reserved bands above an egg-and-dot band and another reserved band; row of white dots at top of figural scene. Below, band comprised of stopt maeanders (3) alternating with cross-in-square (1), between two reserved bands; broad reserved band at join of body and foot; reserved band on lowest ridge of foot as well as resting surface and underside.
A: A draped woman runs in 3/4-view to the right but looks back, profile the left. She holds in her lowered right hand a wreath from which a garland hangs and in her upraised left hand a box (decorated with bands, chevrons, and zigzags, as well as white dots above the box), while drapery falls over her left arm. She wears a stephane and a kekryphylon with dangling ribbons, beaded earrings and double necklace (indicated by white dots), double bracelets on each wrist, a belted, sleeveless chiton, and slippers. In the field are a fillet (upper left), a rosette with five white dotted petals and a yellow centre (upper right), and a shrub with berries (lower centre), as well as a white dotted groundline rising slightly to the right. B: Eros, holding a beaded necklace in his extended right hand, is seated in 3/4-view to the left on a flower. The leaves and buds of the same plant elaborately fill the field beneath and around him. He wears attributes that are similar to those of the woman on A: stephane, kekryphylon, earring, double beaded necklace, double bracelets, and slippers. He also wears a beaded baldric diagonally across his chest and ankle bracelets (3 on each ankle) and a baldric comprised of a row of white dots arranged diagonally across his chest, over his left shoulder.
Added white is used for details of Eros' wings as well as the jewelry, box decoration, slippers, vegetation and groundlines, as well as the centre parts of the eggs on the egg-and-dot band.
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| REDMG:1951.135.1-2
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Pyxis: Black band on lip and at top of handles, black rays (between handles) on shoulder; broad black band between lines, carelessly applied, at widest part; narrower black band below. Lid: Black on vertical part of knob and concentric band on lid, around knob.
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| REDMG:1951.136.1
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Upper surface of knob decorated with reserved (and reddened) band, black band on inset, cog-wheel on inset circle; lower part of knob and stem black except for a reserved (and reddened) band at the upper part of stem, and a reserved band where the stem meets the lid. The lid is decorated with two female heads, profile to left, between two palmettes. The females each wear a spiked stephane and a kekryphylon, earrings, and beaded necklace; cluster of three white dots in the field in front of each. Enclosed palmettes highlighted with white arcs at centre and white dots on either side of top leaf. Black wave around lip. Added colour (yellow on white) for details of jewelry. The underside is reserved.
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| REDMG:1951.137.1
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Inset circle of knob decorated with a cross with chevrons in the angles. Bars on rim of knob. Black stem, reserved band at attachment to lid, which is decorated with a figural scene. Bird (partridge or pigeon) standing profile to right, towards a female head (Aphrodite), profile to left, wearing dotted spiked stephane, sakkos, and a pony tail, as well as white hoop earrings and a dotted necklace. Two dotted four-petal rosettes in field behind her. Scene flanked by two sets of tendrils from which emerge lotus buds, on either side of a palmette from the top of which emerges a lotus bud. Added colour (yellow on white) for details of bird, stephane, jewelry, and flowers. Flange on edge and underside of lid are reserved.
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| REDMG:1951.139.1
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Black, except for double palmette on top of knob, reserved line on groove below stem. On top of lid, two female heads, each wearing a sakkos, one with a spiked stephane, profile to left, between palmettes. More tendrils and vegetal ornament, emerge from the palmettes. Wave to right, around lip. Added colour only for stephane.
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| REDMG:1951.140.1
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Upper surface of rim reserved, black ridge, and outer edge of lip decorated with a wave pattern to right; black below lip, on neck and on handles except forward handle attachments (on horizontal handles) decorated with rays; reserved patches beneath horizontal handles. Lower part of neck decorated at front with a short laurel wreath, to left, between two narrow reserved bands. Beneath the figural scene is a groundline comprised of a frieze of alternating maeanders (three) and saltire squares (one). Narrow reserved line at join with base, bottom edge of base, and underside. The figural scene is framed between a tendril, above the left handle, and a larger vegetal ornament, from which emerges a lotus bud. A Youth stands in 3/4-view to the right. He is nude, except for drapery slung over his bent right arm and held in his lowered left hand, and a white taenia on his head. He also holds a staff in his slightly upraised right hand. At centre is a bird (crane), seated in a perirhanterion (basin), supported by a fluted, tapered column, with a dotted capital, on a two-stepped base. The steps are decorated with small black spots and thin diagonal lines that suggest a marbled appearance. On the other side of the perirhanterion stands a woman, in 3/4-view to the left, with her weight on her right leg and her left leg relaxed. She wears a belted, sleeveless chiton, double bracelets on each wrist, a beaded necklace, and a spiked stephane, as well as a short pony tail. She extends her right hand to the bird and holds a box, decorated on the sides with black spots and lines, and three white spots on top, in her slightly upraised right hand. Above the bird is a rectangular frame (sometimes called a window but perhaps a votive plaque); above the box is a cogwheel. Most of the reserved areas are darkened with red wash, and the jewelry and other details in added white.
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| REDMG:1951.145
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Large black dot in centre of inset top, surrounded by concentric bands/lines: one black band, one black line, one red band, one black line; frieze of alternating/interlocking 'L' shapes; two black lines and then the red flange. Walls decorated with red band between two pairs of black bands, with intervening black lines. Red rim. Interior reserved, except for (accidental) red smear just beyond rim.
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| REDMG:1951.149.1
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Wide flared mouth. Black inside with two reserved bands either end of rim. Outer surface has a laurel band around rim. Handles, all black, at the base of the body extend upwards. Side A shows seated woman (skin painted white) and Eros next to her with a satyr seated and holding a thysseus and pointing on Eros' left. Tendrils above and plants in field. Side B shows a woman standing, draped, facing right, between two satyrs, one reaching to a box the other dancing with a box above him to the right. Egg and dot pattern below both scenes. Black to top of foot which has a reserved band at top and bottom of side. Base is concave and reserved.
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| REDMG:1951.153.1
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Decorated with geometric designs in medium brown paint: stripes in two directions on the head; two horizontal bands around neck, above vertical bands; scalloped designs on chest of bird; wings delineated with two bands on either side, filled with s-pattern; horizontal bands on neck; bands on either side of an x behind the handle; top of tail filled with tall zigzags. Reddened inside mouth and around the neck
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| REDMG:1951.155
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Brownish-black band on inside of mouth; purplish-red band on top of lip; black band on rim; three black dots in a vertical row, on and just below handle. Purple tongues extend over shoulder; main body zone, comprised of hare-hound chase (one hare, two hounds, profile to right) bordered framed by two sets of purplish-red bands between black band.
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| REDMG:1951.156.1
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Mouth black inside and out, with a reserved lip; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body, top: black line at top of body. Body (at front, only): three rows of black dots between four black lines; black lines above and below figural scene; below, simple maeander to right, above a black line. Body, below: two black lines, thick black band, two thinner black bands, black to foot. Figural scene depicts a goddess mounting a quadriga, profile to right. Behind the horses are a seated (?) female figure, also profile to right, and a standing male (?) figure, from whom emerge, to either side, dotted branches; in front of the horses is a lyre player, seated profile to the left. All figures are heavily draped.
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| REDMG:1951.158.1
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Black except for the underside and an oblong panel at front, which encloses a palmette with a chevron heart and a raindrop in the field on either side. A row of14 black dots fills the top frame. Reserved areas ruddled, except for the underside.
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| REDMG:1951.159.1
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On neck, between black handles, an enclosed palmette (11 petals on A and 9 petals on B; with two concentric arcs for heart on A, black dot for heart on B), black dot on either side of central petal, and black dot in the upper corners; black ridge below black line; frieze of vertical bars below each handle attachment; beneath each handle two superimposed palmettes, with a pair of volutes between, from which emerge tendrils, sprouting quarter palmettes. A: egg-and-dot frieze, between two black lines; white ribbing (painted); two reserved bands; floral frieze on shoulder (four volutes from which emerge flowers, tendrils and secondary volutes) emerging from the lower right; two reserved bands; scene. B: Continuous maeander to right, between two black lines; black ribbing (painted) between two pairs of black lines; a female head, profile to left, wearing a sakkos, from which emerges curly black hair, at front and back. Below the body zone, around the entire vase, is a decorative band consisting of dotted broken stopt maeanders to left (pattern doesnt match up on side B, to the left) between two reserved bands; black below.
Scene, A: A naiskos comprised of two Corinthian columns supporting a tapered epistyle and black pediment, on top of a podium (white maeander on a brown background, between alternating black and white horizontal bands). Two white female figures stand within the naiskos. The figure at left, standing in 3/4-view to the right, wears a himation over her left arm and hips, over a peplos (decorated with two vertical purple bands on the chest). Her hair is bound in a sakkos from which emerges hair at front and back; her jewelry includes a beaded necklace and two bracelets on each wrist. She holds a fan in her raised left hand as well as a wreath in her lowered right hand. She faces another woman (probably the deceased) who is seated in 3/4-view to the left on a stool (diphros) and rests her feet on a footrest (hypopodion). She wears a short sleeved chiton and a purple himation that she holds above her right shoulder in an unveiling gesture (anakalypteria). Her hair too is bound in a sakkos, from which emerges hair at the back; she wears two necklaces, one beaded, and two bracelets on each arm. A small ornament (or pures) hovers in the field between the two women. On either side of the naiskos is a kalathos (basket), below a rosette (red with added yellow and white), above a pair of white balls interspersed with clusters of three white dots, and above a double line of white dots. Each basket (both are identical) is decorated with a cross-square with intervening triangles (top) and alternating bands of zigzags, and white and black lines, as well as a band of vertical bars.
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| REDMG:1951.160.1
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within.
Interior and mouth glazed black with two reserved bands at top and bottom of rim. On exterior, below rim, a frieze of tendrils, with lotus buds above and below. Black handles, with reserved bands between attachments, and enclosed half palmettes below, from the sides of which emerge tendrils with volutes that encroach in the figural scenes. Below the figural scenes is a band of slanted zs, between two reserved bands. Black below, except for the recessed element at the top of the foot, which is reserved, a narrow band at the bottom of the foot on the exterior, and the reserved underside. The reserved parts of the volute frieze and figural scenes are reddened.
Scene, A: A woman standing in 3/4-view to the right, wears a black beaded necklace, a sleeveless belted chiton, and two black bracelets on each wrist. Her hair is tied in a ponytail. She holds a torch in her advanced left hand, while her right hand, downturned, is also slightly raised. She faces a youth, nude except for a chlamys draped over his left arm and slippers, who stands in 3/4 view to the left, reaching toward the woman with his right hand. Between the figures, in the upper field, is a window frame, while a large tendril, with volute, emerges from the ground, between them. In the field behind him is a leaf. B: Two robed youths, standing profile, with their right legs advanced, face eachother across a narrow stele. Above them is a circle with a black line vertically through the centre and an 'H' drawn on top (probably halteres).
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| REDMG:1951.161.1
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Black interior, except for two reserved bands, at the top and bottom of the everted lip. Under the rim is a laurel wreath, to left, between two reserved bands. Beneath the figural scenes and surrounding the lower part of the vase, is a decorative band, comprised of stopt maeanders (3) alternating with saltire squares (1), between two reserved bands. The handle zones are reserved, and ray bands decorate each handle attachment; beneath each handle is a palmette, between two tendrils. Reserved bands decorate the base, on the groove at the top, and on the bottom; the underside is reserved.
A: A woman and a youth advance in 3/4-view to the right. She wears a stephane, a kekryphylon with ribbons, a beaded earring and beaded necklace, double braceless, a sleeveless, belted chiton, and slippers. She holds a tympanon (drum) in her upraised right hand and a kantharos, in her upraised left hand, which she lifts from a tray held by the youth, in his right hand. There are three white dots on top of the tray. He is nude except for a yellowed fillet, a thick white necklace, and a robe draped over his right hand. He turns his head profile to the left, to face the woman, and also holds a fillet in his outstretched left hand. There is a grape cluster in the upper right field. Added colour (white with yellow) is used for the jewelry and slippers.
B: Two robed youths in conversation, stand profile towards each other, each with his weight on his left leg. Both are enveloped in their himatia except for their right hands; the left-most figure holds a staff in his advanced right hand, while the other figure gestures to him, with his upturned right hand. There is a bulls eye in the field between them.
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| REDMG:1953.25.106
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Large fragment of coloured relief from a larger work (building or fireplace for example). Flat upper surface. Decoration, from top to bottom: red line; band of red with semi-circular patterns with leaf patterns; band divided into blocks painted into different colours (blue, red, green from left to right). Inside the red panel is a drawing in white of a four legged animal with a tail, possibly a bull.
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| REDMG:1953.25.107
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Thinnest at top and progressively getting thicker to bottom. Reserved band at top with wide smooth area painted blue below. Beneath this is the top of of a palmette style pattern with red and blue colours alternately.
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| REDMG:1953.25.13
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Black glaze, inside and out. On shoulder, below handle, five close-set red bands between two pairs of thin white lines. Two-thirds down body bands of alternating colour (white, red, white, red, white); trace of red line at top of foot; reserved foot and underside.
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| REDMG:1953.25.17
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Black glaze on top 2/3 of body; some accidental drips descend over the remaining third of the body, at the back. Some areas fired red.
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| REDMG:1953.25.22
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Mouth black inside and out, with a reserved lip; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body, top: black line. Body (at front, only): black line; two rows of black dots alternating with white dots; two black lines; figural scene. Body, below: two black lines, black band, black line, black to foot and on top of foot; black on torus; otherwise reserved. Figural scene depicts a charioteer, dressed in a white tunic, driving a quadriga profile to right; the horses raise their forelegs as they pass a white meta (post). Another figure, possibly Athena, with helmet and spear, runs alongside the horses, so that (s)he is obscured by them.
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| REDMG:1953.25.23
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Mouth black outside; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body (at front, only): black line; two rows of black dots alternating with white dots; two black lines; figural scene. Body, below: black band, black line, broad black band, black line, black to foot and on top of foot; black band on lower part of concave element; otherwise reserved. Figural scene depicts a male figure wrestling a bull. The figures are flanked by trees with black and white fruits and thin vines. The heros clothes hang on the left tree and his quiver hangs above him. While this scene might depict either Herakles with the Cretan bull or Theseus with the (same) bull of Marathon, the incisions on the head covering (slightly stippled) suggest that this is a schematic rendering of Herakles lion-scalp helmet. Added white is used for the rendering of details such as fruit on trees, as well as the forepart of the bull, and his tail, while incision is used to indicate the drapery, quiver, and musculature of the hero, as well as his head covering. On attribution, cf. CVA Cambridge 1, pls. 22, 21.
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| REDMG:1953.25.25
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Reserved neck; band of black vertical bars above a band of black rays on shoulder, extending to carination. Body: maeander to right (only at front), between two pairs of black lines; figural scene (front only); black band; black to foot and on top of foot, and top half of vertical surface of foot; otherwise reserved. Figural scene is of four seated figures, seemingly two women profile to right, the second playing a lyre, face a man reclining in 3/4-view to left on a kline (couch), with another female figure, profile to left, at his right. Dotted branches extend from the male figure (perhaps Dionysos) on either side. Added white for female flesh (faces) and fruit; incisions for drapery and fillets.
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| REDMG:1953.25.27
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Handle black on exterior. Shoulder: inner band of black tongues and an outer circle of rays, black alternating with white. Black body and upper part of foot; two red lines, one at top of body and one 2/3 down the body.
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| REDMG:1953.25.32
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Interior and handles black, as are the lower part of the body, stem, and upper surface of foot. Reserved band around rim, interrupted on either side by handles. Reserved vertical band in each handle zone; on each side a female head, profile to the left, between two white vertical bands, each crowned by a circle near the top of the band; red diagonal surface of foot; reserved underside including resting surface.
Each female wears a stephane and a sakkos from which emerges a bundle of hair, also tied with a white ribbon; earring comprised of triangular element (missing from side B) beneath hoop; beaded necklace The figure on side B has a fleur-de-lys in the lower left field. The surface is ruddled on both heads and the exterior of the foot; added yellow, in places gilded with yellow, for details of hair ornament, jewelry, and fleur-de-lys.
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| REDMG:1953.25.35
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Black glaze on mouth and upper part of neck (dipped); handle zone surrounded by black band; 8 black tongues on neck, reserved shoulder except for two neck tongues that extend down to the body on either side of the handle, black band at height of lower handle attachment. The remainder of the body is covered with a net pattern of fine, irregular black lines and tiny white dots where lines cross. Broad black band (thin glaze) around bottom of body and top of foot; resting surface and underside reserved. Glaze is misfired red on one side.
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| REDMG:1953.25.37
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Ridge at base of neck. Main design is of a boar running to the left. Uneven, streaky black line around base. Foot is black on top and side but reserved on resting surface and raised base.
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| REDMG:1953.25.44
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Interior: black line above reserved band on rim, below which entire surface is glazed black. Exterior: black line and reserved band at rim; black line at top of body; reserved band in handle zone; indications of black glaze at outer parts of handles (dipped?); glazed black below (glaze is thin in sections).
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| REDMG:1953.25.55
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Small jug with wide flaring mouth and rim which is reserved inside apart from a long smear of paint. Handle is made of two sections, not quite meeting at the top and extending along the rim. Straight neck with slight ridge at juncture with body. Thin groove at base around foot. Base is flat and black.
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| REDMG:1953.25.68
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Black glaze on exterior except for a reserved band inscribing the top of the knob, two reserved bands in the middle of the top, two reserved bands at the join with the flange, and one reserved band at the rim. Interior reserved.
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| REDMG:1953.25.69-70
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Inset top of knob, decorated with black band inscribed with Maltese cross, outlined with added white, simple black lines at centre; black dots between angles; reserved stem; black tongues around base of neck. Remainder of lid with black with superposed colour: white scallops; white dots; white diagonals outlined with red; white band; white dots. Black wave band around lip. Black interior except for reserved inside of lip.
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| REDMG:1953.25.85
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Top is flat and squared off. Groove below rim then the rim is diagonal, rounded ridge at base. Large flat section with design sculpted on top of it so it is in relief. Scene is of a griffin, a winged creature with bird head and lion-like paws. The ribs are clearly visible as are the lines in the wings. Front left paw is raised above a stick with snakes (?) curled around or a decorative branch (?). Below is a higher moulded ridge with raised egg and dot pattern beneath, before another moulded ridge. Bottom is flat but has diagonal scratches carved in - perhaps to help this section adhere to whatever it was originally part of. Many inclusions in material.
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| REDMG:1953.25.97
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Head of a male from a figurine. Designed on front and back; front showing neck and face and some hair. On top of head is a flat band from ear to ear. Back shows hair pattern and back of neck. Reserved on both sides.
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| REDMG:1958.112.1
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Black band on the inside of the mouth; reserved on rim; black exterior of mouth; reserved neck; black exterior of handle; shoulder decorated with two friezes of vertical lines. Body ( from top to bottom): simple maeander between two black lines, black neck frieze between two black bands, band of vertical lines between two black lines black line; two black bands; black zone reaches to foot, which is decorated with a black band above a black line; foot reserved on underside and interior.
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| REDMG:1961.150.3
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Moulded ring on neck; 17 white bands arranged horizontally, between the top of the neck and the middle of the lower body.
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| REDMG:1964.1621
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Fired Brown (darker towards top).
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| REDMG:1964.1625
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Traces of black glaze, inside mouth and down top half of object, including handle.
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| REDMG:1964.1627.1
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Only the trefoil mouth rim survives on one secion. The other section has part of the handle remaining. These parts came from a large oinochoe as the handle is wide and thick and the mouth is large also. Apparently was all black originally. Handle was originally higher than the mouth. There is a groove which runs below the mouth, indicating the top of the neck.
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| REDMG:1964.1650.1A
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The inside and outer top half is reserved and the lower part has a black band around foot. Base is reserved and is concave.
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| REDMG:1964.1650.1B
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Top half of 1650.64 which is the base. Mouth has flat, reserved rim on top and then flares out and is wide at top with a thin neck with curved handle all painted black. Shoulder and rest is reserved.
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| REDMG:1964.1658.1
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Thin neck. Reserved inside. Top half of body is black glaze and the bottom half is reserved although the line between the two halves is uneven. Foot flares out and base is flat.
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| REDMG:1964.1676
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Interior: single (red) band near top. Exterior: two bands; band of triangular elements (grape clusters?) alternately up and down; two bands. Reserved walls beneath carination and base.
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| REDMG:1964.1681.1
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Single fragment, completely reserved, comprising the base and small part of body, probably of a cup. Base is flat and circular on a small foot. Sides slope up towards the top. Inside is a swirled pattern with a central raised section of excess clay. Fragment is completely reserved.
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| REDMG:1964.1683.1
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Rim and handle of cup. Fragment is completely reserved. Handle is small and pinched in a triangular shape. Handle is attached to a lower rim, suggesting that a lid was once present which would sit outside this rim. The higher rim is almost to the top of handle. Towards bottom of fragment, the slope becomes steeper as it gets nearer to base.
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| REDMG:1964.1688.1
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Slightly curved from left to right and curved from top to bottom, becoming steeper towards bottom of fragment. This suggests that the fragment may have belonged to a cup of some description which has straight rim and a sloping body (?) Fragment has the rim of the object. The rim is black and flat on the top. On the interior surface is a black band below rim, red, broad band, thin black band and red again. The exterior surface appears to have been black all over but faded to red. The material is thick and dark in colour.
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| REDMG:1964.1698.1
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Wide mouth with curved rim and a curved rim around neck. Curved handle joins top of neck and shoulder. Globular body. Small foot with raised base underneath. Unsure of colour - possibly was glazed but reserved (?). Dark colour present now appears to be deposits rather than paint.
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| REDMG:1964.1702.1
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Reserved. Smooth material. Mouth has curved lip. Long neck with remains of the handle at the top and the rest on the shoulder. Body is widest at shoulder and narrows towards base which is raised and convesx in centre.
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| REDMG:2004.95.1
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Interior of mouth black; lip reserved; exterior of mouth black, as is handle (repainted); vertical bars at the bottom of the neck; lotus-dot chain on the shoulder; Dionysos riding on a mule, between two satyrs, one holding a maenad. Below the figural scene is a black band, a reserved band, and then a black zone extending to the foot, which is black on the top, reserved on the convex surface and the underside.
Figural scene: A nude satyr (in a crouching pose) runs profile to the right, holding a maenad on his shoulder; the maenad, who turns her head profile to the left, stretches her arms to either side and holds a rhyton in her slightly upraised left hand. She wears a kekryphylon (red), necklace (incised) and himation. Dionysos, seated on a mule, rides profile to the right; the god, wearing a red and blck ivy wreath and a himation decorated with red dots, holds a red keras (horn of plenty) from which emerge ivy tendrils that serve as a backdrop for the entire scene. Leading the mule (through use of a white rein, of which a ghost remains) is another nude satyr, running profile to the right, while he turns his head profile to the left. Other details include red on the beards and tails of satyrs and a red fringe for the foremost satyr. Incision is used extensively for anatomy and drapery. An unusual effect is created through the use of incision for the forearm of the leading satyr, which he lays across his torso, which is not incised save for two small circles to indicate his nipples.
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| REDMG:2004.98.1
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Black on interior and exterior of mouth; reserved upper lip; restored neck; handle black on exterior; shoulder: band of vertical bars above black rays pointing toward the carination. Body: double lotus-palmette frieze, bilaterally arranged, on either side of a 'chain' (row of dotted circles inscribing incised circles. Incisions also used for palmettes; attenuated white lines (side leaves of lotuses) arc over the palmettes. Below the main zone is a thin black band, a thick black band, and a black zone that extends to the top of the foot. The foot is also decorated with a black line at the lowest part of the vertical edge of the foot, and is reserved on the underside and resting surface.
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| T.2012.11.28
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Two large lines upon the outer part, one at the top, the other at the bottom, that spread across its face and form a sort of box. Within the box appears to be a painting of grape vine with a series of heart-shaped leaves forming a pattern, as well as several patterns of what seem to be four lots of grapes. There are no decorations on the inside of the fragment.
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| TEMP.2002.7.1
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Bowl with two handles, the rim has a black band around the top which goes both inside and outside the bowl. Below this on the inside, is a very thick black band that stops to leave an empty circle in the centre of the bowl. The handles begin about an inch below the rim on the outside of the bowl, but curve up and out to finish roughly on level with the rim. They are painted with black glaze only on the underside. Above the base of the handles there is a subtle ridge, below which there are three lines of pattern, which look like petals. Below these, there is a thin black band, a small space, and then a thick black band which goes down to the ridge of the foot. The foot itself appears to consist of two flattish disks, the lower with a black band round it. On the bottom of the foot, there is another black band part way in, and then a smaller one with a black dot in the middle.
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| TEMP.2002.9.16
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Cast of a sculpted female head, from the 5 c, which demonstrates elaborate hair designs. Hair is painted red and face is white. Female is wearing round earrings and has a head band on that goes over the top and round the back of her hair. The hair is wavy down the back and curly at the front. The hair is long and reaches at least to the shoulder.
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| TEMP.2002.9.2
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Larger piece (1) is made of three fragments and shows the top of the front panel with a pattern of horizontal palmettes with dots in field above a scene of a woman, with head covered, facing a youth wearing a long tunic and holding a long stick (?). The vertical panel pattern on the left hand side is of two dots, staggered and joined by a line. Detail picked out in watery glaze and black. The inside surface of both pieces is almost ribbed and the glaze is streaky. The smaller piece (2) has remains of a thick handle with a palmette pattern below it. The design on the front has the same horizontal and vertical panels as the other piece but has an old (bearded) man facing left also in long tunic. Both pieces bend upwards to what would have been the mouth and there is a possibility this would have been trefoil shaped.
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| TEMP.2002.9.28
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Chunky fragment which is flat. The underside is reserved and the topside has three bands at the top and eight rows of irregular zigzag below. No finished edges.
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| TEMP.2002.9.29
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Fragment including section of rim. Rim has a flat top and is hardly offset at all. Interior surface is black. The exterior surface has black bars on the rim then a black band below with a panel of vertical bars next to a panel of three horizontal zigzags with a final band below. Below this but mainly missing at fracture are two narrown bands.
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| TEMP.2002.9.30
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Fragment comprising the entire foot, completely reserved underneath. Red band on top with a rosettes in the centre, black to red.
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| TEMP.2003.6.14
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The two fragments bear part of the same decoration, apart from the parts of two lines in added red on top of a (which is preserved higher than b). There is a large black area below which there are two lines in added red. Underneath, there is the upper part of a radial-shaped motif on a reserved, but glazed, surface.
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| TEMP.2003.6.17
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The interior of the vessel is black apart from the lowest part of o, whose lower part bears a reserved but glazed line. Exterior: a) On the right side, there is the upper part of a seated woman (part below her waist is missing). She is draped and wears a stephane (fillet) on her head. On the left side there is a floral motif whose stem is a wavy line that expands to the left. b) There is the back side of another seated draped female figure. c) The front side of the previous female figure. She is holding an alabastron with both her hands. d) On the lower left part there is the largest part of a voluted palmette with petal shaped divisions, connected with a tendril. The area next to the spring of the one part of the handle is reserved. e) On the bottom right there is the rest of the previous palmette, also connected with a tendril. f) On the bottom right there is the upper part of a palmette and on the upper left there is part of a tendril's volute. The area on the left of teh one spring of the handle is reserved, but glazed (plaster on top). g) Uneven black surface. h) A small part of the volute of the tendril of f and the stalk of a flower. i) Part of an inverted palmette, connceted with (part of ) a tendril, with (occasional) leaves on its sides. j) Small line, part of a tendril. k) Part of a tendril's volute. l) A figure's projected forearm and hand (figure's depicted on n?). m) On the right side, there is the stalk and part of the stem of a flower and a line that seems to be part of a tendril. n) Part (head missing, neck and shoulder are scraped off, area below the knees missing) of a draped standing figure that has the left hand around the waist. o) The lowest part of a figure's drapery.
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| TEMP.2003.6.24
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Fragment of pot, including slight buldge where handle begins. Exterior, black lines on white background. At the right edge of the top there is a triangluar bit of black that looks like it originally belonged to a square surrounded on both verticle sides by twin sets of thin brown verticle lines. Less than 1 from the top there are two brown lines that follow the curve of the jug horizontally spaced .3 apart. Under these lines on the left is a large2.5 hieght figure eight pattern made up of three lines that swirl around to create the eight, with little v's on the outside of the eight pointed away from where the figure eight lines cross. On the right side, two bworn/black lines curve around where the handle would have begun. The handle section is all black, although chipped. Under the figure eight is a .6 thick black lines running horizontally around the pot, broken by a thin pink line a little below the middle. there are two other thin pink lines equidistant from this first one, one above and one below it by about .4, the top pink line being right above the top of the black line. Underneith the bottom pink line is a segment of a different pattern. Interior is black over pink and white, which is worn away enough in many parts to see the pink and white colors. two thin and faded white lines form bands near the top.
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| TEMP.2003.6.26
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Fragment of the bottom part of the cup of a chalice(?)or bowl(?). Exterior white with one small red/brown section of a pattern at the highest point and one thick almost 1 red/brown line abour half way from the top. Interior is black/brown with a pair(?) of thin faded white lines .5 from the top edge, below that a repeating pattern of black teardrops, and below that a pattern of white sploches interspliced with red dots.
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| TEMP.2003.6.3
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(a) The handle is black, but the piece of the body that is preserved is a reserved, but glazed surface with very thin, parallel lines. (b) Black apart from a tiny area on the top, which is reserved, but glazed and bears small parts of parallel, thin lines and a reserved, thin line just above the foot. The bottom part of the foot is also reserved, so is the resting surface.
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| TEMP.2003.6.9
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Rim section of a bowl. Exterior white with a band consisting of twin brown lines with alternating black and white rectangles interior along the top .3. There are two small blueish sploches marring the otherwise well preserved surface. Interior is black over white. The white shows through in a line along the edge for about .2 and then there is a brown line, and under this the rest of the background is black. Near the top of this black section is a set of white lines with white dots set in between them at regular intervals. Under this pattern is another thin white line. Under this is on part of a triangle pattern consising of a white outlined triangle with a white line forming a second triangle within the first and a red dot at the center of the triangle.
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| TEMP.2003.7.34
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Interior painted in black. Exterior has a black and purple decoration in the centre. The purple is in the shape of a cemi-circle, with black around it which has small incisions. The black at the top is almost in a knot-like shape. The clay is a red-brown.
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| TEMP.2003.7.36
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Fragment, clay beige colour. Side b has a small area of black at the bottom. Side a has a small area of black at the top, and a little at the bottom, with an area of red int the middle.
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| TEMP.2003.7.39
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Triangular prism, smooth on each sides. One thread hole, 0.7cm wide, 1.0 cm from top. On one side is a smaller hole that does not emerge on the other side.
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| TEMP.2003.7.46
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Light brown clay. Small mouth with flared lip. Long slender neck wider at top than bottom turning into pear shaped body with shorter foot and flat base.
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| TEMP.2003.7.58
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Top rounded, may have been rim to a pot. Black glaze on both sides.
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| TEMP.2003.7.60
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Fragment is made up of six smaller fragments, which have been rejoined, comprising the base of a pot. Interior and exterior are glazed black. Just above rim of base is a strip of red with a black line in the middle. Top and underside of base rim is red. Side of rim is black. Underside of base is concaved, with a red center. The red center, under the base, has a black circle around.
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| TEMP.2003.7.64
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Fragment from the neck of a closed shape, with a flat, thick rim (1.4cm). Flat, top of rim seems to have been painted white. The side of the rim has a pattern around it. The pattern has a thin, black line parting small 'U' shapes. The top half of the pattern has 'U' shapes in it, which have tiny, verticle, red lines inside them. The bottom half is the same, however the 'U' shapes are up-side-down. The neck and small piece of the body, on the fragment, is glazed black and appears to have once had white paint on it. The fragment has a small piece of the pot's body on either side of the neck. One of the sides of the fragment of the body has the top of two figures on it. The right hand side figure is the top of a head but its features are unclear. The left-hand-side figure appears to be a women, with her left arm raised. The underside of fragment is terracotta colour. The inside of rim is glazed black and the inside of the pot appears to have been left terracotta.
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| TEMP.2003.7.67
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Fragment of a handle and a rim of a kylix. Concave side is black with a reserved (unpainted) stripe at the lip. The convex side is reserved except for a small black stripe running horizontally at the top base of the handle, and for a larger stripe at the lower part of the fragment.
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| TEMP.2003.7.69
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Fragment of a rim and handle of a kylix. Exterior is black with reserved stripe at lip. Interior is reserved with the exeption of a black stripe running horizontally to the top of the stump of the broken-off handle.
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| TEMP.2003.7.7
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Fragment from the central part of a bowl. Interior brown, with three pairs of white lines beginning about 1.5 from the top, 3.0 from the top, and 4.0 from the top. Under the second set of lines, are three white tear drop shapes that used to surround the center. Exterior white with pattern of alternating red and yellow/brown lines .2 to .8 apart.
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| TEMP.2003.7.73
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Interior decorated in dark brown with a thin light brown stripe along the inside lip. The exterior is light brown with dark brown stripes along the top and bottom part of the lip, and along the bottom part of the fragment.
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| TEMP.2003.7.74
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Inside is dark grey coloured, whereas outside is more light orange coloured. Upper part of outside appears to have a black line across the top that has been worn away over time. The middle section has a thicker brown line which likely went around the entirety of the original artefact. Lower part of object is dark grey, again likely part of a larger coloured section of the origional, complete object.
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| TEMP.2003.8.1
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(a)Part of the rim of an open jug of some sort. The inside segment of the rim is painted black, with numerous small bits having been chipped off. Moving outwards, the rim consists of the inside of the pot wall, which then splays out in a flat top rim, and then falls down again in a second wall that is left dangling from the outer rim. So, moving from the inside outwards on the underside, there is a valley of about 1.0 wide and 1.5 deep until the top of the second rim (which is peaked) is reached. The outward facing side of this downward pointed rim consists of alternating lines of black dots and thin black lines which run around the entire outer diameter of the rim. There are two rows of dots and two lines, alternating which each other, all of which are heavily worn. The top part of the rim, which would be facing upwards if the pot were complete, is about 2.2 wide and flat, marked with black raised lines that repeat about every .3 and which start at the outer edge and are 1.7 long, and painted black. These lines are heavily worn. There are also two significant chips in the top of this rim, each about 2 long.
(b)Another part of the same rim to the same vessel. The same dot and line pattern runs around the outer diameter. On top the lines which are thicker at the end pointing into the pot are repeated, a palmette decorates the larger flat area of the handle region.
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| TEMP.2003.8.64
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Head of a woman in relief. Plaque is square in shape. On either side of the woman's hair at the top are two wings. Long flowing hair on either side of her face. Features are carved and she is wearing something around her neck. Small hole in the centre at the top.
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| TEMP.2005.1.5
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Black striped decoration on body and top by opening. Plain black glaze on neck.
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| TEMP.2005.1.6
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Small detail of protruding band at top of neck and small line visible on body. No painted decoration.
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| TEMP.2007.2.42
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Black glaze on both sides, with a strip of reddish glaze on the top of the exterior
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| TEMP.2014.6.1
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decorated top. graffiti (?) on base along with a modern collectors stamp
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| TEMP.2014.9.20
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Blackened base of interior. Two incised rings, one near foot and the other near the lip. interior and above top incised line is smooth. Lower exterior, textured/coarse, grit. Evidence of use of a pottery wheel in making.
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