| 11.10.13
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Black on buff, there are leaves around the inside and outside of the rim. Below the rim on the outside is a band of horizontal v shapes. On the main area of the fragment are three redish/black bands, the middle thicker than the other two. On the broad black band, Greek key pattern in applied white paint is still visible. On the lower edge of the fragment is the edge of a black circle. The back of the fragment, except for the rim, is red.
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| 11.10.19
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Shoulder: frieze of bars at base of neck; below, five palmettes, consisting of a central group of three, the middle one inverted, and one at each side with its stem on the side away from the handle. The lower branch of each stem curls into a spiral from the end of which a leaf grows. There are dots in the field. Body: black except for a pair of red lines around the top.
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| 11.10.4
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Wide mouth with flat rim with one band followed by two thin bands. Single handle with one horizontal bar. On the shoulder is a thin daisy pattern. Body has eight bands, the fifth from top is broad. On bottom are two small circles.
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| 11.10.6
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Cup mouth with deep flange with six bands in two groups of three. Side band is continued across top of handle but otherwise it is plain. Three warriors, heads left, feet right. Spears slope left and shields are red in centre but have a black rim with white dots. The six band pattern is in two groups of three again on the base.
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| 13.10.11.10
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Incised pattern of parallel lines enclosing dots, between these features are undulating lines. There is also an incision around the girth of the bead.
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| 13.10.11.5
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Incisions and dots on the surface. Pattern is such that the dots are in between two parallel, vertical lines. Incision around the girth too.
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| 13.10.11.9
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Triangular incisions either side of the girth. At the top and the bottom of the bead there are incisions as well as around the girth.
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| 13.10.16
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Interior: red with concentric black circles inside thick black bands halfway down body, and at base. Exterior: red, with one broad black band. Coarse brownish clay. Handles are also black.
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| 13.10.5
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Perforations at the lower end, of which three out of four remain, two on each side, the upper two level to each other, both just below the widest part of the spear. This is presumably where the dagger was attached to a shaft. The width of handle tapers on each end. While the centre of the fragment is thicker, raised on one face, the thickness diminishes towards the sides, which are rounded at the thicker (upper?) end.
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| 14.9.24
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Pink with white slip on both sides. Thick wavy stripes on both sides which have points and almost look like very close zigzag.Bands of red are uneven and irregular as they were drawn by hand. One finished edge which is thinner, denoting a rim.
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| 14.9.29
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Pink surface with white slip on each side. Linear decoration in red. Outside is horizontally striped and inside is half red with half the surface with white diagonal stripes. The fragment is a middle piece as there are no finished edges.
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| 14.9.32
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Fragment with part of handle, probably belonging to a large vase. Interior is coarse and coloured red although undecorated. The exterior surface has a design of dull black with bands of white. There is a heavy white band round base of handle. Handle round in section. Surfaces are most uneven.
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| 14.9.39
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Clear buff clay with brownish-black paint. Outside broad band at rim with some red showing through. Below, on body are linked spirals with red glaze appearing through black. Inside the rim is black with the lower part of the fragment reserved. There is however, the start of a line running downwards at right.
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| 14.9.5
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Inside of mouth and rim are black but remainder of interior is reserved. Handles, black on top and reserved underneath. Slight lip to mouth with black band below and then another at base of neck (white spots superimposed on front only). At base of handles are wavy lines and below is a decoration of three black bands. Base is reserved. Graeco-Phoenician.
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| 14.9.52
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Black paint has faded to brownish-orange. Between two pairs of painted bands on the lower-side of the top band and the upper-side of the lower band there is a three tiered fish-scale design. In between there are painted circles that are surrounded with little dots. A band of faded black paint frames the place where the handle might have been.
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| 14.9.57
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Central circular knob with painted black cross and sides filled with lines. Side has bars and the stem of the handle is black. Three black bands, two roes of staggered bars, black bands, diagonal lines with dots above and below, black bands, horizontal bars in two rows but are entwined, black bands. Inside is reserved and with a rim so it sits inside the base section.
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| 14.9.61
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Outer edge has row of dark brown dots. On top, first band is same dark brown colour which is followed by 3 redder bands, a row of dots the same colour and 3 more reddish bands. All the bands are approx. the same width.Background is pale buff. Underside is reserved.
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| 14.9.71
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Black floral rosette, small central circle with circle round that and 11 petals marked with incised lines, every other petal marked with red spot. This is surrounded by black vines and several small leaves, 2 of which are marked with incised lines. Background buff. Inside reserved.
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| 14.9.75
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At the top is a triangle of black, with a smaller triangle below leading to a dark brown line. There is a similar line parallel to this one on the left. Both lines are at right angles to a braoder dark brown line. Nestled between two faint brown lines are five white circles with black circles in the centre. There is just a small area of dark brown/black on the bottom right hand corner. Other side is reserved.
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| 14.9.82
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Head and part of body of woman and siren, both facing left. Shapeless rosettes in field. Red for hair, breast and base of wing of siren and large spot of breast of woman. On top of the rim there are two uneven rows of black dots. The interior is black with a red band along the bottom half of the fragment.
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| 2001.10.2.139
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Pictures a woman on a chariot being pulled by two elephants, two figures are riding the elephants. Number 10.
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| 2002.9.4
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A reconstruction of a barbiton comprised of a heart shaped wooden frame with a horizontal bar at the top to which the seven strings are attached. The strings are arranged vertically and are attached at the bottom where there is a tortoise shell with some sort of drum skin drawn taught across the top. A red ribbon has been added for decoration to the left at the bottom.
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| 2002.9.5
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A reconstruction of a kithara. Similarly to the barbitos, wooden frame with a horizontal bar resting across the top to which the seven strings are attached. Ornate carving and curls down each side. The lower part is a thicker section of wood with a bridge (as on our stringed instruments of today) to hold the strings taught. Zig zag carving at base for decoration and a red ribbon for the musician to hold attached to bottom right.
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| 2003.3.37
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Interior, 2 bands in added red. Exterior, vertical lines above a horizonatal line at rim, with band and line below all in added red. Additional patches of added red are visible below, probably forming a pattern
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| 2003.6.18
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Base fragment of a small pot, decorated with three straight lines at the base, two of which are black; the middle one is of a faded purple colour. Above the lines is a large black pattern which takes up nearly all of the space left on the fragment. The interior is decorated with a black gloss.
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| 2003.7.19
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Possibly part of rim and body of a bowl/jar, due to the smoothness of the top of the fragment. Side is shows indication of being the interior, due to the plain black colour painted on. The exterior, side B, has been painted in white with a narrow area of black at the bottom. There is indication of two parallel lines of small black dots, in between which are two narrow parallel black bands with squares of black between them.
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| 2003.7.20
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Fragment of rim, body and stump of handle of a bowl/jar. Interior is painted in black. Exterior has the rim painted in a broad band of white, with signs of parallel lines of black dots at the edge of the white. There are also indications of two narrow parallel lines, with black squares in between them. The body/shoulder and handle are painted in black.
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| 2003.7.22
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Possibly top part of a bowl/jug due to smooth edge of rim and the way it curves half way down. The interior side is painted in black. The exterior has the top half painted in white, with two lines of small black dots parellel to each other at the edges of the white paint. There are two dark brown/faded blakc parellel lines which have two black squares at either end of them. There is a narrow red line beneath the white, with a black area beneath that. The clay is quite smooth.
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| 2003.7.23
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Possibly part of the top of a bowl/jar due to the smooth edge at the top. The interior is painted black, and has a smooth texture like the exterior. The exterior has a wide band of white painted on, with a few black marks painted on which are possibly horizontal lines and small blacks squares - similar to other Laconian fragments. Underneath the white is a narrow band of dark red, then an area of black.
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| 2004.5.1
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The face is moulded, with ringlets at forehead, beaded hair at sides, and wavy locks as a beard, tongue protruding from mouth. The face is encircled in a u-shaped element terminating in volutes; petals on the outside. The face and other decoration are painted brown; a painted band beneath the face indicates the top of the dress.
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| 2004.8.4
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The rim is decorated with a thin black band, with a reserved band below and another black band below this. Two youths (black in colour) stand facing each other, with the figure on the right presenting a white cock, of which, elements remain (painted over the figure). Behind each figure the tail and part of a sphinx can be seen. The sphinx behind the right figure has incised lines dividing the wing feathers. The centre of the sphinx's wing appears purple in colour. There are faint, incised lines that give the outline of the youths' heads (where paint has been worn away). The reverse of the fragment is black with a reserved circle on top of the rim.
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| 2004.8.5
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Eleven, black palmettes in fan arrangement, two of which are joined at the stems. Left of the palmettes there is a verticle black line with a series of small black dots, parallel, either side (ten left of the line and eight right of the line) which is believed to be a branch of a tree. Right of the palmettes there is a solid, thin black line (L. 3.8).
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| 2005.3.26
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Base is reserved, foot and section of body preserved are balck
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| 2005.3.35
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Black band on interior. Rim, lip and handle have small black lines, two black lines are visible under the handle
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| 2005.3.41
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Circular bands on interior and exterior in added red, Handles are partially painted in red
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| 2006.12.12
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On the inner surface shallow and thick black/red-brown lines with thick section of black paint. On outer surface there are spiral patterns in between two sets of lines in brown.
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| 2007.1.10.32
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Possibly Hercules holding a dagger sitting on lion skin, to the left of him there are some letters in Greek, possibly a mini sphinx by his left foot
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| 2007.10.2.109
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2 male figures and a horse. The men are shaking hands and both carry staffs.
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| 2007.10.2.122
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Topless man sitting down and holding his head with his right hand.In the background are visible the shades of some trees.
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| 2007.10.2.219
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2 male figures, one seated (left figure) and one standing (right figure). Seated figure carrying a staff, possibly denoting older age or social class. Standing figure is wearing a cape, possibly suggesting that he, or both figures, are travellers. He also appears to be stirring a pot at the feet of both figures. On the far right of the scene there is a pole with a serpent wrapped around it.
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| 2007.10.2.243
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Depiction of a slender figure (almost certainly female) with right arm raised and hand possibly reaching towards the back of the head or hair. Behind the figure is what appears to be a 'Capricornus'. Both figures are facing to the right.
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| 2007.10.2.253
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Two figures are depicted. The figure to the left of the scene is a seated semi-naked female. Her dress or cloak lays across her lap and is gathered up in her left hand. Her head is bowed slightly. In the centre of the foreground is a semi-circle which crosses the female figure's left ankle or calf. It is unclear what this might represent. The second figure (to the right) is a smaller winged male facing to the left and the larger figure. He appears to be carrying a bow and stands under a tree. The two figures are almost certainly Aphrodite and Eros.
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| 2007.10.2.260
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(A fraction of a gem) a pair of legs are shown with an ancient Greek inscription to the left of them.
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| 2007.10.2.261
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Two figures, one is a naked and bearded man standing, the other is a female sitting down. He is holding what looks like a staff or club, which could identify him as Heracles and she is balancing something on her knee. There are trees and vines in the background.
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| 2007.10.2.265
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Three male figures positioned under a tree, two sitting and the one in the middle who appears to be younger is standing on a rock. They are possibly shepherds as one is holding a staff.
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| 2007.10.2.288
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In the foreground there are two horses leading a man on a chariot, in the background there are another two horses most probably pulling another chariot.
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| 2007.10.2.296
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Winged female figure driving a chariot drawn by two horses which are rearing up giving the impression of fast movement. The figure is possibly either Nike or Selene.
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| 2007.10.2.305
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A male figure stands over another figure, prostrate on the ground. The standing figure (probably male) is dressed in a cloak and tunic and holds a blade or scythe in his right hand. The standing figure appears to be holding the decapitated head of the second figure in his left hand. Behind the figure prostrate on the ground is an ox whose front legs are raised from the ground. To the right of the cast a tree or bush is depicted with a large bird (possibly a peacock) perched on one of its branches. At the centre of the cast there is what appears to be a standard or post with two serpents coiled about it. The serpent's heads face each other at the top of the post.
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| 2007.10.2.310
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A bearded male crouches in front of a large handled urn. He appears to be holding a small hammer in his right hand which he is possibly using (gaze/concentration are directed towards it). The urn is decorated with what is possibly a sphynx. Very similar image to cast no.597.
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| 2007.10.2.311
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A large female figure reclines in the centre of the scene. She is dressed in robes and is wearing either a helmet or a cap (Phyrigian cap?). Her left arm is resting on a disembodied (bearded male) head and her left hand holds a staff which rests against her upper-arm or shoulder. Beneath the large female figure and to the left of the male head are two shapes which possibly represent boats or ships. These shapes might indicate that the portion of the scene below the female figure is in fact a river or the sea. In turn this might suggest that the disembodied head is emerging from the water (possibly identifying it as a river god). To the left of the scene a very small figure appears to be presenting the large female figure with something, possibly a basket or urn. A slightly larger figure, leaning on a stick, looks on from beneath a tree. Above the very small figures head are two animals (presumably intended to appear to be further off in the background). One at least of these animals is certainly a horse. To the right of the large female figure's head there is a representation of a stag. At the top of the scene in a central position are three shapes. It is unclear exactly what these are (possibly huts or houses of some description?).
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| 2007.10.2.312
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There are four figures, two standing, two sitting. Possibly shepherds, due to their staffs and a dog.
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| 2007.10.2.318
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Possibly the image on a shield. With a chariot and horses in the inner circle and on the outer circle are images of the horoscope star signs.
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| 2007.10.2.331
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Two male figures fighting over a woman who has fallen in-between them. One has a dagger, the other could possibly be protecting her. Both men are wearing helmets and armour. There are vases and decoration in the background.
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| 2007.10.2.354
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A woman sitting on an elaborate chair, possibly a throne. There are two heads 'decorating' the backrest of the chair, and the woman's head is surrounded by stars.
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| 2007.10.2.65
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3 winged infants working in some sort of workshop. There are objects hanging on the wall, possibly either weapons or musical instruments.
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| 2007.2.127
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Both sides are decorated in an orange glaze.
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| 2007.2.128
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One side of the fragment is decorated; a thick band of brown is present with a undistinguishable pattern underneath. Two thin lines are indented into the piece.
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| 2007.2.141
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Both side of the fragment are decorated in a light brown glaze. No distinctive pattern.
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| 2007.2.166
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Concaved side of fragment is decorated with a plain black glaze, some areas are worn away. Convexed side is decorated with a single thick band of black glaze.
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| 2007.2.75
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Both sides are decorated with two stripes of orange glaze. However, areas of the decoration are missing, most likely due to wear.
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| 2007.2.78
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No decoration, however, two lines are indented into one side of the fragment.
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| 2007.2.99
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Both sides of the fragment are decorated with a plain orange glaze.
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| 2007.4.215
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A thick band of dark red across the top, with three verticle red stripes desending from it. Below the thick band are two thin stripes, going horizontally around the vessel
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| 2007.4.221
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The lip and a section of the pot underneath painted a red-orange colour, with section of darker red, almost black. Coming straight down from this are siz dark red lines
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| 2007.4.5
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Painted lines, some a reddish-brown colour while others are grey. Lines are quite distinguishable even though fragment is worn.
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| 2007.4.9
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Two black painted lines parallel to each other which are slightly worn.
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| 2007.9.1.57
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Displays four pigs, one on all fours facing right in the foreground, the other three are in the background on their hind legs facing upwards.
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| 2007.9.2.10
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Displays a man, wearing armour and a wreath and carrying a spear, and a winged woman who is leaning forward, riding in a four-horse chariot. All horses are rearing up. Surrounded by a leafy border. Layer 5, Layer 1, Gem 10
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| 2007.9.2.18
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Displays a winged man who is holding onto a mostly naked woman who is reclining on the ground and whose arms are held up around his head. Similar to the statue of Cupid and Psyche by Canova. (Box Index = Amore, e Psiche / Love and Psyche).
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| 2007.9.2.6
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Displays a mostly naked woman, her lower half draped in cloth, who is seated and holding the right arm of a cherub standing in front of her. A small flowering plant, a bee and two birds are also visible. (Box Index = Venus with crying Cupid who has been stung by a bee). Tray 5, Layer 1, Gem 6
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| 2007.9.2.7
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Displays a winged man, crouching down on one knee, a quiver of arrows on his back and a bow at his feet are visible, whilst a woman reclines on the ground, only her lower half covered in cloth, resting her upper body agaist his knee. (Box Index = Amore e Psiche or Love and Psyche). Box 5, Layer 1, Gem 7
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| 2007.9.3.14
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Displays five human figures, two kneeling, two standing and one seated, details are too small to see more.
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| 2007.9.3.19
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Displays a man standing, other details are too small to identify.
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| 2007.9.3.42
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Female bust in 3/4 profile, facing right. She has short/tied up hair and her breasts are exposed.
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| 2007.9.3.46
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An L-shaped structure with a man falling from the top. To the left it looks like there are 2 ladders.
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| 2007.9.3.48
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Three female figures - the 'Three Graces'. The two outer females are facing forwards whilst the middle female shows her back.
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| 2007.9.3.57
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Partially naked male figure. A lyre and tripod are also present, indicating that he is perhaps Apollo.
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| 2007.9.3.91
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Two male heads in profile facing left. The male in the foreground is a mature man while the male behind him looks to be younger. Both men are beardless.
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| 2008.2.1.43
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Three naked and winged figures, two of which are certainly male. Two figures on the left appear to be dancing or struggling. One is positioned behind the other forming a chiastic pattern. The third figure is on the extreme right of the cast, apparently walking away from the scene and carrying what appears to be a lantern.
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| 2008.2.1.49
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Clothed woman walking amoung naked men, some of whom are bending over either to pick up or put down flowers behind her, and one of which stands in front of her handing her flowers. Tree in the background.
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| 2008.2.1.51
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Large group gathering with some offerings which they are placing at a statue in front of a building, possibly a temple.
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| 2008.2.1.58
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A male figure standing on one leg, possibly dancing. His arms are outstretched, over his right arm there is an animal skin and in his left hand he is holding an elaborate staff. His head is thrown back against his left shoulder.
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| 2008.2.1.61
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There are a large group of 10 figures, 5 are standing and 5 are seated. They are engaged in festivities; the second and third figures from the left are holding bowls and appear to be offering them. Behind the seated figures are two standing women who appear to be balancing baskets of fruit on their heads. The two figures on the far right of the scene appear to be playing musical instruments. The scene is framed by two trees, with their branches intertwined above the group of figures. Above the figures there are two small winged figures, possibly cupids.
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| 2008.2.1.63
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There are seven figures depicted, one the far right there appears to be a winged figure possible Eros. The male figure on the right next to the winged figure is sitting naked on a donkey, he is holding his right arm in the air above his head possibly in celebration. On the far left there is a male and a female figure possibly dancing, the female figure is holding what appears to be a cup. The third figure on the left is sitting on the floor and appears to be eating or drinking from a cup or bowl. The fourth figure from the left is playing a flute, on the right to this figure there is a woman holding a cup up in the air in her right hand and in her left hand she is holding a staff. They appear to be engaging in a celebration, possibly a drunken procession. The naked male figure riding the donkey is possibly identified as Dionysus.
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| 2008.2.1.65
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A group of six figures. In the centre of the image are three figures, an older male figure who is seated; there is a female figure to either side of him. The female figure to the left is embracing the seated male. To the left of this central group is a young man holding the reins of a horse, which is on the extreme left of the image. To the extreme right of the image are two elderly male figures standing in the background. There is a temple in the background.
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| 2008.2.1.94
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Profile of a woman facing to the right. She is wearing fabric covering her head and just a small part of her hair is visible at her forehead. Her robes are visible on her shoulders.
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| 2008.2.1.95
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An active scene with at least 9 discernible male figures. There are two figures on a raised platform on the far left, one standing wearing armour and the other seated wearing robes. In front of them is a gathering of men, some wearing armour, some only wearing the lower half of their armour, and one, possibly two, who is naked carrying a shield. There appears to be a robed shorter figure among them, possibly a child or adolescent. In the background the outline of a columned building can be seen.
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| 2008.2.1.98
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Profile view of a bearded elderly man with curly hair wearing fabric covering most of his head. His robes are visible at his shoulders.
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| 2008.7.139
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Interior: small spots of a darker colour are over painted. Exterior: 6 diagonal lines, forming a diamond pattern are etched. A narrow horizontal groove forming a lip is etched towards top of fragment.
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| 2008.7.140
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Exterior: One horzontal line with 4 short vertical lines at 90 degrees to it are etched on top edge of thwe rim.
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| 2008.7.20
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Exterior light-brown glaze. Overpainted by eleven dark-brown (black?) vertical lines that end in two parallel brown lines. There are six further brown horizontal lines parallel to these. All of the lines are of roughly the same thickness (ca. 0.2). Interior is reddish-brown glazed.
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| 2008.7.34
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Exterior glazed black overpainted by five horizontal parallel lines on the bottom half of the fragment. Three are brown, two are beige. The colors alternate. Interior glazed black.
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| 2008.7.35
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Exterior: one horizontal dark brown line running along the approximate intersection of shoulder and body. Just below this are two small dark brown dots of similar but different sizes. Above the line is a thick, wavy, erratic, dark brown line that dominates the fragment from the line up utn il just under the rim. Interior: two horizontal parallel dark brown lines. The top one is right up on the edge of the rim, the other slightly removed below it.
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| 2008.7.54
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Exterior: sigular line of black overpaint at top of fragment, parallel to this line but towards the base of the fragment are a further two parallel lines (closer together) in black overpaint.
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| 2008.7.73
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Interior: black overpaint; exterior: two horizontal parallel black overpaint lines across centre of fragment with three spots of black overpaint in between them, either side of the parallel lines are small parellel lines of black overpainted dots
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| 2008.7.76
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Interior: black overpaint on entire side of fragment; exterior: across centre of fragment a set of five parallel horizontal overpainted lines, the central line is slightly thicker and a dark red/brown, the adjacent lines are a lighter red/brown colour
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| 2008.7.80
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Interior: black overpaint; exterior: along one side of fragment are parallel black lines of overpaint with a spot of black overpaint between them in the centre, on one side of the parallel lines is a parallel line of overpainted black dots
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| 2008.8.2
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Exterior: Greyish-black overpainting depicting 2 standing birds with curved necks. The bird on the right has wings spread and short horizontal lines on the wing and tail suggesting feathers. There is a reddish stripe overpainted across the body and across the tail. The bird on the left is cut off half-way across the body, but the same red body stripe and feather markings are present. Above the birds is a semicircle of thin bulb-shaped parallel vertical lines and around the birds are several circles of varying sizes.
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| 2008.9.12
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Interior: greyish-black wash. Exterior: 1 fairly thick, slightly uneven, horizontal line overpainted in black accross centre of fragment, parallel to edges. Diagonally from this, above and below are shorter teardrop-shaped marks - 7 above and 9 below - forming a horizontal band, and greating a stem and leaf-like effect.
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| 2008.9.14
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Interior: greyish-black wash. Exterior: one horizontal line overpainted in brownish-black along longest edge of fragment. Underneath this are 4 solid figure-eight marks, forming a parallel line, overpainted in the same colour.
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| 2008.9.18
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Interior: traces of a pinkish wash. 1 short diagonal line overpainted in brown remains. Exterior: narrow horizontal raised lip across longest edge of fragment with a narrow parallel line overpainted in brown below this. Several narrow vertical parallel lines join onto this and there are traces of a redish-brown wash.
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| 2008.9.19
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Exterior: 5 parallel horizontal lines of differing thicknesses are overpainted accross one corner of the fragment. The bottom three are narrower and overpained in brownish-grey, above these is a pinkish-red wider line and above this another greyish-brown line.
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| 2008.9.26
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Interior: greyish-black wash. Exterior: 3 thin narrowly-spaced lines run parallel to one of the edges of the fragment. The upper of these is overpainted in a greayish-black colour, the 2 lower are a redish-brown. Below these lines are three greyish-black dots interspersed by vertical thick greyish black and thinner redish-brown lines.
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| 2008.9.27
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Interior: greyish-black wash. Exterior: 2 curved narrow parralel lines run along one edge of fragment, the upper overpainted in greyish-black and the lower in brown. Below these are 3 solid crescent shapes overpainted in greyish-black.
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| 2008.9.28
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Interior: greyish-black wash covers half of the interior, the other half is left unfinished. Exterior: A wide pinkish-red strip is overpainted across the centre of the exterior. Above this is the remains of a parallel greyish-black line with 4 greyish black vertical lines attached to it. Below are 2 unfinshed circles, bordered by a greyish-black outline.
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| 2008.9.4
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Exterior: 2 front legs of an animal, joining onto a body is overpainted in greysh-black. 5 short vertical lines are etched across the body and a few other etched lines define the back legs and chest of the animal. 2 back legs and a tail are partially present. A thick horizontal band and below a thinner band run parallel to the bottom-edge of the fragment. The animal appears to be standing on the thinner band, and there are 2 circle between the front and back legs, and two circles to the right of it.
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| 2009.10.2.121
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Figures of three women pictured standing together, two facing outwards and on to the front. They are all holding two daggers with blood dripping from them.
Number 53.
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| 2009.10.2.124
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Diana of Ephesus pictured holding animals on each arm, including a cat, a boar and horses are behind her. Number 56.
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| 2009.10.2.127
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Figure of a man holding a stick over his shoulder. Two dogs are at his feet.
Number 59.
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| 2009.10.2.137
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Pictures a woman riding a chariot pulled by two lions. She appears to be holding a basket of fruit. There are some figures behind the lions holding tools.
Number 9.
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| 2009.10.2.307
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A scene depicting from left to right: Hercules , Athena, and a clothed woman. The two figures on the outside are looking towards a helmeted Athena who is holding an olive branch and spear.
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| 2009.10.2.354
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Male figure climbing up a wall/battlements, ladders are also seen
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| 2009.10.2.44
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A large cast with a depiction of the zodiac signs as a border. Four men are pictured, on the far left a man with winged shoes and hat (Hermes), with a cockerel standing next to him, bearded man on throne(Zeus) who is standing on Poseidon, on the right another man with a helmet and sheild (Ares).
Number 44.
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| 2009.10.2.61
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There is a gathering of eight male and female figures and an Eros. Two of the males are sitting down and the rest are standing. Number 61.
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| 2009.10.2.67
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Zeus is sitting with a sceptre, within a temple. There are 2 columns on either side of Zeus and the pediment is adorned with an eagle and a man riding a horse on the top.
Number 67
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| 2009.10.2.8
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Figure of a man wearing a hat and a cape, holding a round object in right hand. By his feet are two pictures, the left is perhaps a scroll and the right an animal.
Number 8
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| 2009.8.115
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Profile of a man with wavy hair and a wreath. Head is above a scale and beside it are two ears of wheat. Inscription on the right side. Cast number: 59
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| 2009.8.116
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Profile of a man. Head is on a pole with two cornucopiae on both sides. At the bottom next to the pole are two dolphins. Cast number: 60
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| 2009.8.117
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Profile of a man with a curly beard and hair wearing a wreath, looking right. Eyes are goggled. Cast number: 61
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| 2009.8.121
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Profile of a man, looking right. Top of his clothes can be seen. At the bottom are three symbols: the one in the middle: two hands shaking; the one on the left could be a bird, the one on the right a flower. Cast number: 65
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| 2009.8.168
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A woman with a spear riding on an eagle, stars are above her head. Eagle is probably Zeus. Cast number: 22
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| 2009.8.214
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Profile of a man and a woman. He has rather thick face with a small mouth and a double chin, maybe Nero. She has a ribbon or wreath in her hair, the top of her dress or cloak can be seen. They are both looking right. Cast number: 5
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| 2009.8.223
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Profile of a man with a wreath in his hair and profile of a woman, the top of her clothes can be seen. They are looking left. Cast number: 14
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| 2009.8.229
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Profiles of two young men, one looking right, the other looking left. There are inscriptions on the top and on the bottom. Cast number: 20
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| 2009.8.256
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Profile of a woman with a lavish hairstyle, looking right. The top of her dress can be seen. In front of her are two ears of wheat. Cast number: 47
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| 2009.8.274
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A cow wearing some kind of crown. Above her are the insignia of the pharaoh. A bird sitting on a branch, maybe a hawk, referring to Horus. A sun with wings above it all. Cast number: 5
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| 2009.8.275
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A cow and a naked woman with a crown, holding a vessel, sitting on a flower, are in a barque which has a lion's head on the left end and a ram's head on the right end. Cast number: 6
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| 2009.8.89
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A scene of a feast. Women and men are dancing and playing instruments. A vase on a pole. Cast number: 33
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| 2009.9.137
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Two naked winged children. One sitting on a rock on the left side, the other on a rock on the right side. They are fishing and the child on the right side caught a crab. Cast number: 71
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| 2009.9.139
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A naked winged child and a mermaid (?) are sitting in a barque. Cast number: 73
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| 2009.9.141
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Two naked winged children are fighting over / holding some kind of vessel or flower. A third naked winged child is riding a dolphin in the water. Cast number: 75
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| 2009.9.156
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Three naked children with wings playing around a tree or gathering fruits. One is sitting in the tree, the others are on the right and left side of the stem. Cast number: 90
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| 2009.9.159
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Procession of four naked winged children and one wearing a dress. The one on the left side is trying to sit down on a daybed, the one behind him is carrying a torch, they are both looking over their shoulders to the last two children. The third child is accompanied with a child wearing a dress, they are standing very close together. The last child is carrying a basket with fruits over his head. Cast number: 93
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| 2009.9.163
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A naked winged child standing on the right side of a pole and a dressed woman standing on the left side. They are both looking to the left. Cast number: 97
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| 2009.9.164
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A naked man with wings, a quiver and a bow are lying next to his feet, is kissing a winged half naked woman. Inscription on the right side. Cast number: 98
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| 2009.9.188
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A hunting scene. Three men killing a boar with spears. On each side are two trees. Maybe a scene from the Meleager myth. Cast number: 23
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| 2009.9.198
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A naked winged boy or statue standing on a rostrum with an inscription. On the left side are a half naked satyr who is touching the statues arm and a woman who is touching its wings. On the right side is a warrior but might also be female. Cast number: 33
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| 2009.9.20
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A woman sitting on a flower chair holding a scepter and point her hand to her mouth. Opposite her an animal, looking like a lion on standing on its hind legs, streching its front legs out to the woman. They are both in a skiff which has a ram's head on its left end. Cast number: 34
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| 2009.9.202
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Three men fighting. The two men on the left and on the right are bigger than the one in the middle. They seem to hold a vessel and are naked except for their cloaks around their shoulders. Cast number: 37
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| 2009.9.206
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Four naked winged children. One is flying, two are sitting on poles on the right and left side, the last one is sitting and leaning against the left side pole. Cast number: 41
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| 2009.9.208
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A naked man sitting on a stone playing the lyre. Animals are gathered around him. Maybe Orpheus. Cast number: 43
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| 2009.9.209
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A naked man sitting on a rock playing the lyre. Animals are gathered around him. Maybe Orpheus. Cast number: 44
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| 2009.9.30
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A man with a rooster's head, holding a basket in one hand, on the other hand the fingers look like feathers. Beside him lays a head of a bearded man. The monster is standing on a box on which are Greek letters. Cast number: 44
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| 2009.9.32
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A monster with an eagle's head, a man's chest and two serpents instead of legs, holding a spear and a shield with Greek letters on it. The serpents are surrounding the monster. There are inscriptions on the left and right side as well as underneath the creature. Cast number: 46
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| 2009.9.33
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A naked man with wings and a crown, holding two spears in his right hand. There are two stars on his right side and a half moon on his upper left side. He is standing in a skiff. Cast number: 47
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| 2009.9.37
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A ball or a globe from which two grow two serpent heads. On the head on the left side stands a man turning to the monster in the middle, on the head on the right side stands a woman also facing the monster. The monster in the middle has a male human body but two dog's heads, one facing the woman, the other the man. The scenery is enclosed by a serpent biting in its own tail. There are letters on the serpent heads. Cast number: 51
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| 2009.9.38
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Monkey like figure with a long penis between its legs, holding up both arms with fingers that look like feathers. A bird maybe even a hawk sitting on its head. There are stars above each hand and a twig above the head. Cast number: 52
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| 2009.9.8
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A woman holding a basket in her left hand, offering some kind of vessel to the naked winged child in the middle or the man on the right. The man and the woman are wearing what looks like a crown. The man is offering a ball or a fruit to the woman and holding a stick in his left hand. Cast number: 22
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| 2016.5.2
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The body of the vase and the interior of the foot is reddish painted. The centre of the body is decorated with a black horizontal band. The interior, the rim, the bottom of the body and the foot walls are black painted. A black band decorates the rim. The interior of the rim has a reddish reserved band.
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| 22.11.1
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Handles and flase lid are red and there is a band around the top and bottom of spout. Red decoration on body is broad and narrow bands.
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| 22.3.20
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The upper overhanging section is decorated with an egg pattern; on the broad middle section is a laurel wreath, to left; on the narrow section are is a band of black dots above a thin line. The neck is decorated with a lotus-palmette frieze. The interior is glazed black.
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| 22.3.22
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There is a red line on the joining point of the rim and body (the bit of rim that is preserved is reserved). In the middle of the scene, there is a draped youth facing part of a second draped figure (on the right), who is holding a walking-stick. The details of the drapery are rendered with thick and thin lines. In the left bottom corner of the fragment there is the lowest right part of a palmette or tendril. There is also a double-meander pattern beneath, with a saltive square (cross with dots) and the rest of the fragment is black. The interior is also black.
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| 22.3.23
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Figural scenes are separated by tendril patterns. A: woman seated on ground, holding tray. B: Eros kneeling on one knee holding tympanum and mirror. Circular incised patterns in field. Brown for womans girdle and border of himation. White (now lost) for some detail. Underside of lid is black. Central knob handle has circular tendril pattern with a black band around.
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| 22.3.24
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Clay greyish. Inside, with reserved circle, woman running with tray in one hand, uncertain object in other. Rocky ground shown by black spots on reserved surface. Around the inside rim of the kylix are heart and flower shape patterns attached to long flowing lines.Added white, sometimes touched with yellow. On deep rim, ivy beneath. Outside A: two men facing each other holding different uncetain objects there are three circular objects around them, two with a dot in the middle and the other with a cross. Three palmette patterns surround each of the men, but as some of the kylix is missing these patterns are not all complete, the patterns also change slightly when under the handle. The lower quarter of presumably similar picture of the men can also be seen.
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| 22.3.26
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The edge of the rim bears short, thick black lines. The interior of the plate is decorated with two rows of white lotus leaves (heraldic), separated by a reserved, thin line. Next, there is, a black, thick line, followed by a wave pattern around a reserved line that contours the central scene of a female head,in profile, facing left with a head dress (kalyptra) showing white details and her hair in a bun. Above her head, there are two ivy leaves and behind her is a tendril and small, fan-shaped palmette. In front of her there is a circular motif divided in four parts. The exterior is black apart from the edge of the rim , which is reserved and the lowest part of the body snd short stem. The foot (interior and exterior) is also black, with the exception of the reserved resting surface. The concave area is reserved, but bears a large, black round motif on the centre.
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| 22.3.31
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On the exterior of the object, a series of wave like patterns can be found upon the upper section of the fragment. Beneath this pattern are a series of other decorations consisting of several relatively large lines, and in between these are numerous thin lines with moderately large dots above them. The interior of the fragment has no decorations however.
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| 22.3.34
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Upper part of neck and handle dipped in black. On lower part of neck are 16 narrow tongues and these are repeated on base of handle. Handle is enclosed in a heavy black loop. Egg and dot pattern on shoulder between thin bands. Enire body covered with net pattern with white dots in intersections. Heavy black band above and around the foot, with a reserved band in between. Resting surface and base are reserved and slightly convex.
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| 22.3.35
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Upper part possesses a unique pattern that could be intended to mimic a type of plant, consisting of a single white dot in the centre with six triangular shapes surrounding it, each with a white spot upon them, and a white line on each of their ends; both above and below this pattern are two straight lines, brown of colour. At the bottom is another unique pattern consisting of three white dots above what could be a type of pot drawing, with several straight lines upon it. Both these unique decorations are likely part of a larger pattern upon the original artefact's exterior.
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| 22.3.36
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The exterior possesses several images of what appear to be flower like decorations, consisting of a large white spot with eight slightly smaller white dots scattered around them. These flowers are in alignment and stretch across the middle section of the object. Beneath these flowers are a series of smaller dots that form a line stretching from one side of the artefact to the other. The interior of the object possesses countless lines connecting one part of the pot to the other, and vary in shades of brown.
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| 22.3.37
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Around the middle there is a painting of what appears to be a sort of vine, with numerous flowers pods protruding out of it, and several other flowers that have blossomed. At the bottom there is a small part of what appears to be from a larger pattern upon the original artefact. The exterior of object in which the paintings are upon is itself painted black.
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| 22.3.38
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On the outside are several patterns, likely painted on as part of a larger decoration upon the original artefact as a complete object. The inside has a single large, slightly curved light orange line; again, potentially part of a larger pattern on the interior of the artefact.
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| 22.3.4
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Glaze fired partly to red and partly to greyish-black. Inside is reserved. Two high, curved handles black on top and reserved below. Under handles are crosses between pairs of vertical lines. On each side are four palmettes standing on four larger, inverted palmettes all joined with a chian and half a palmette at each end. In some areas are groups of very short incised vertical grooves. Below pattern are three bands and then black (faded to red) to foot and including top and side of foot. Resting surface is reserved as is base.
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| 22.3.43
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Mouth is black and neck has long black tongues. On front is a female head, wearing a sakkos, or scarf bound around her hair. Her head is flanked by tendrils. Barely visible white paint for radiated stephane and necklace. Bow and ribbons from bun at back of head are black. Ring foot is black, which is unevenly carried on to base.
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| 22.3.5A-B
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Glaze fired red throughout. On the body below flanged rim, is key below a broad band, on reserved base an incised spiral. Inside is reserved with a broad band immediately inside the rim and a line below it, at the centre are two concentric circles. Lid: around the rim the pattern consists of leaves surroundered by parallel lines. A broad band separates another pattern of palmettes and decorative tendrils. Another broad band of concentric circles leading up to an acorn shaped knob with ridge at its base. Knob is red around bottom but reserved at top. There are also areas of white and black deposits on knob and inside on the underside of the lid and at base.
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| 22.9.1
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Black lines decorate the body in geometric patterns. Front, from bottom to top: vertical rays, two horizontal bands, 7 vertical rays; two horizontal bands; 6 vertical zigzags; 2 horizontal bands; 12 or 13 short rays; one horizontal band (across maximum width, where 'arms' are extended); necklace consisting of horizontal band with pendant (disk with line extending from bottom). Head decoration is limited to wavy hair (5 vertical zigzags all around), 7 rays on the polos, 3 horizontal bands on the coil; and two eyes, on either side of the 'nose'. Otherwise reserved.
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| 22.9.16
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Fragment is decorated with a series of stripes. Stripes are not uniform in size, all vary in thickness.
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| 23.4.1
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Black inside, with 8 ivy leaves reserved on rim joined by a stem and with groups of white berries. At the base of the inside is a stamped pattern of 5 linked palmettes around a horse shoe pattern with ovules inside, and there are ovules around the outside between bands. Side A is a youth with discus and athlete holding aryballos and side B is an athlete and youth with a discus hanging on the wall. Below each handle is a group of three palmettes. Moulded ridge above foot, which is black all over. Base is reserved in centre with three black bands, two broad and one narrow.
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| 25.4.2
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Black and red on creamy buff. Main zone flying birds in panels between chevron-panels. Red for middle band of three above main zone, and vertical lines of herringbone panels, and mid band below main zone. Bands on handles. On the inside are three thick black bands interspersed with reserved bands and a reserved circle in the middle.
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| 25.6.2
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Black on the inside except for a reserved disk in the centre approx 6.0 cm diam. Small handles moving straight out from side, black underneath but reserved on top. On the main zone; A and B. Man leaning on stick listens to a seated lyre player. Handle palmette behind musician has lotus attached to it on left. Between listener and other handle palmette a tall thin lotus bud. Beneath each handle is a small clover leaf. Beneath the main zone is a black disk leading down the stem to the foot. The rim and base of the foot are reserved except for a black band on the base.
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| 25.6.3
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Top of neck, back on handle, base of body, top of foot and edge of lower step of foot all black but have a streaky glaze. Rim of mouth reserved. Shoulder design is two rows of bars, the first shorter than the second. Body from top to bottom is three rows of black dots separated by lines. Symposium: Man reclining, woman lyre-player seated at foot of couch. At each side, woman on animal (perhaps mule [looks like llama]). Incised detail on drapery (black robes) and on lyre. Below are reserved bands on black glaze. Foot black on top and on lower edge, reserved in the middle. Base reserved.
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| 25.9.1
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Inside is black with a reserved band below where mouth begins to flare. The mouth is wide and flares outwards. On the exterior surface at the top is a patterned band of two rows of 'cccc' shapes, one row above the other. Two handles, one each side are black and it is hard to distinguish what is on the body behind the handle (maybe a panel with dots?). On side A, Eros flies towards a woman who retreats towards youth seated naked on a folding garment and holding alabastron. Side B shows 2 youths, clothed, the one on the right holding a stick. Brown for feathers at top of Eros' wing. White garland, neckless, bracelet of woman and fillet held by Eros. Below them is a reserved panle with egg shapes with dits in between. Stem and top of foot black, reserved band at top of foot. Base reserved.
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| 25.9.2
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The inside is black at the base and reserved up the interior walls. On the upper surface around mouth are alternating black and red tongues surrounded by double row of dots between lines. Outside these is black around the curved body down the stem to the foot. Black glaze badly fired revealing many colours. Side of foot is reserved as is resting surface and central base section which is flat but raised a long way inside the footring which is black inside.
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| 25.9.3
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The vessel bears impressed (stamped) decoration and is black inside, as well as outside. There is a rope-shaped plastic motif above the shoulder of the vessel and the body is ribbed (long, tongue-shaped motives). Below the handle there are ten impressed palmettes (voluted with narrow divisions), arranged in an inverted triangle. The resting surface bears traces of a red line, its shallow inner side bears a black band, the central part is red and there is a black circle with a dot at the centre.
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| 25.9.4
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Body, shoulder and neck white ground. Cup mouth is black. Handle black on the back and cream ground underneath. On shoulder are two rows of radiating bars. Body design is an ivy-spray, with circles of dots and heart shaped leaves, between bands of grille pattern, at front only and all in black. Three wet-incised lines below. Side and base of foot heavily ruddled. Footring reserved.
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| 26.12.10
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Inside black with reserved line at top. Two handles are balck on top but reserved underneath. Outer surface top to bottom, black band on offset rim, ivy leaves, black line, inverted ivy leaves, black band, thin band, main design, three black bands, alternating red and black tongues, red ridge, black foot. Main design is similar both sides and shows a wedded pair in chariot with many onlookers or attendants of both genders. On far side of chariot is a bearded man between two women. Onlookers appear to be mostly in pairs. Women originally had white painted flesh. Clothing detail is incised. Foot is black on top but lowest point of side is reserved. Inner foot ring is black and base is reserved except for a black band in the centre.
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| 26.12.11
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Inside black with reserved line round lip and reserved disk with one black circle in the bottom. Handle is black on top and reserved underneath. Outer surface, from top to bottom has black band, ivy leaves, black band, inverted ivy leaves, two black bands, main design, three black bands, broad black band, three narrow bands, red and black alternating bars, black band, red ridge, black foot. The main design is similar both sides of Amazons fleeing a quadriga (four horse chariot). Four sphinxes, facing handles, one each side. Horses are black with detail in red and white. Lower part of side of foot reserved, as is resting surface. Inner foot ring black with base reserved except for a central dot and two rings in black.
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| 26.12.12
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Inside is black with reserved line at lip. The rim isblack on the outside. The object is reserved apart from the design of two boxers between two seated men who are facing them. On each side of the scene are the tips of the wings of sphinxes, who were presumably facing the handles. Red is used for hair and folds in garments. Detail is incised.
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| 26.12.15
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Inside is black with a reserved line halfway down rim and a reserved centre circle with a black band and a central dot. The rim is vertical and offset slightly. Two handles are black all over. Outside design, from top to bottom is, black rim, lotus bud and dots linked with chain, black band with narrower bands either side, alternating buds and dots slighlty diagonal, black band with narrower bands either side, rays. At top is a red ridge that then leads to a ribbed and reserved stem. The lower half is black as is the top of the foot and the side. The foot has a thicker ridge around the edge resulting in a channel effect going all the way around it. The resting surface and conical base are reserved apart from the inner ring of the foot which is black.
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| 26.12.18
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Inside is black with reserved rim and central medallion outlined with bands and has a picture of a man with a staff. Figures in black with incised detail. Two handles, one on each side, are black on the top and reserved underneath. Below each handle is a single ivy leaf. The outer surface has a similar picture both sides of a satyr attacking a maenad between two palmettes. Branches with fruit in the field.
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| 26.12.20
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Heavy fabric. Cup mouth (with vertical sides) and neck are black. The shoulder is decorated with a ring of dots. Below the rim, is a frieze of radiating leaves. Body zone is covered with a white ground and is decorated with diagonal lines criss-crossing one another (net pattern), with thin bands at the top and bottom. Below where the handle would have been the body is reserved. Below is black, except for the reserved foot.
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| 26.12.24A-B
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Lid: The knob of the handle is flat and circular, the top of which is black, with a small reserved well in the centre. The rim and a band below it is reserved, but the rest of the stem and a thick band surrounding it is black. A reserved zone on the upper surface depicts six palmettes, with an ivy flower after each three. The outer rim of the lid is also black, as is the inside.
Lekanis: The resting surface for the lid is black. The two horizontal handles are decorated around the edge with vertical bars. On either side of each handle is a small protrusion, with a black line on each side. The walls, in the handle zone, are decorated with vertical wavy lines. The lower part of the body is black, as is in the interior. The base of the ring foot is reserved.
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| 26.12.26
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The vessel bears an uneven black glaze, but it is partly fired red. There is a wide groove at the rim and two more at the upper part of the neck, from which seem to be hanging seven, double, semi-circular, white lines, each one flanked by vertical ones. There are also two grooves that contour the upper part of the vessel's shoulder. The latter bears decoration in white, of a branch with double-leaved (teardropped) motives. There is one last groove below that pattern.
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| 26.12.2A-B
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Two handles, round with projections. Base has concave sides. Red band on rim. In handle zone are black zigzags, on body black and red bands. Flat base reserved. Inside is a black band below rim and then a black band in the base. Lid: Central circular knob with bands on top and down lid itself; rim set back to allow the lid to sit in pyxis.
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| 26.12.3
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Handle with hole for suspension. On top of mouth are three concentric circles. On side is a band. Neck has daisy petal pattern. Body: bands above and below the main design of a man attacking a lion. At back large black circle with black centre. In field rosettes with incisions intersecting at centre and dots. Added red for decoration. Many bands on base.
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| 26.12.5
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On top of mouth, very broad band between two thin ones and a band on the side. Shoulder design is radiating lines with a band below, double row of dots, another band. Body: Lotus-palmette design (with traces of red/purple) flanked by two ducks whose tails overlap. Rosettes, one with double incised circle at centre, others with cross incisions in field. Below design are bands. Foot is black and base has three bands.
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| 26.12.7
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Lip decorated with black vertical lines. Interior: Three concentric bands of red, each approximately 1.3 wide. There are three narrower concentric red bands at centre. Four small, round handles, arranged symetricaly, are decorated with the same vertical lines as on the rim. The body is decorated on with three bands: (1) vertical lines in red; (2) triangles filled in with cross-hatching alternating with small loops, each made up of three concentric semi-circles around a dot; (3) triangles inscribed with smaller triangles. Each band of decoration is separated by a triglyph compased of two thin red bands on either side of a thicker red band. There is a thicker red band towards the bottom of the foot. The edge of the foot is decorated with red vertical lines. Inside the flat resting surface are two concentric red bands.
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| 26.2.24A-B
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Interlaced black lotuses and palmettes with details in red and incision, bordered above and below by two lines of thinned black less than a half centimeter apart, on yellowish buff ground. Underneith the second red line on the bottom there are three .1 width lines, with the bottom line bleeding into a broad black zone which contains two 2 thin .5 width red bands .5 apart from each other, the first starting immediately under the last of the three small black lines, while everything underneith and between the red lines is black. Inside black.
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| 26.2.28
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Brownish buff ground. The underside has three evenly sized and spaced bands. The parts between are reserved. The topside has red band around rim, with bands of white-red-white on black below with a meander pattern in red followed by another set of red and white bands on black. There are the tips of tongues at the fracture coloured black and red.
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| 26.2.31
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The underside is reserved except for both sides of the foot ring which are black. The upper part is reserved apart from the decoration. This consists of a red band with three red, narrower ones below it. This forms the outline to the central medallion of black lotus buds and goups of palmette leaves which radiate from (missing) centre.
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| 26.2.32
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Red painted designs on cream-buff slip on orange red clay. On the underside on the rim there are four .5 wide dashes at one side and a 2 horizontal bar at the other while on the underside body there are four red bands following the contours of the dish all between 1 and 3 apart. On the topside, from top to bottom are four verticle bars alternating with 9 dot rosettes on rim, of which survive from left to right two verticle lines, nine dots, four verticle lines, and nine dots before the fragment ends. On the top of the face of the dish itself is a ca. 1.5 broad red band and below this is a zone of lotus flowers and buds with a final 1 broad band below.
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| 26.2.36
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No finished edges. The underside is reserved but there is a small trace of a band in the lowest corner. The topside has possible traces of creamy slip. In the centre are six red on black alternating tongues and these are between two stalked and dotted rosettes. Above is the remains of a band with superimposed white and red on black and a similar band is below.
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| 26.2.39
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No finished edges. On the underside of the dish fragment, on creamy-buff slip, are the slight remains of floral(?) zone above a black band thinned to golden brown at bottom with black rays and rough dots below that. The topside is onate with a meander pattern inside two bands at bottom of fragment with black above with white-red-white band superimposed. Above this band are red and white swirls surrounded by dots.
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| 26.2.64
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Exterior creamy ground white with a pattern of nearly parallel brown curves that get increasingly shorter, creating a pie slice shape (perhaps the folds of skin on the neck of a bull, fracing right), along with part of a lower eyelid. Interior black with a red line alone one edge. Right above the red line is a white line. There are also a few other splotches of white, probably white outline of lotus flower (or two) with a red centre.
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| 26.4.1A-B
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Lid are palmettes and tendrils, three ridges painted black and bars to edge which is slightly raised. Underside is black around edge and reserved in the centre. Body is black inside and on outer rim. Design on sides comprised of alternating palmettes and lotuses (three of each) joined by tendrils. Below is a broad black band, ridge with red either sid eand rays. Inset tripod foot which is black at top and red on outside but black inside feet. Base ruddled
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| 26.4.2
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The rim on the outside has a thick black band round it, which stops at the top of the handles. On both sides of the handle, the same images are repeated, showing the figure of a bird in between two palmettes with stems ending in a curling ventril with a pendant pointing down towards the foot. Beneath each handle is an ivy leaf with a curled stem. Below these images, is a thin black band, and then a thick one that also encompasses the top side of the foot. The edge of the foot is grooved and reserved, as is the outer rim of the base of the foot. On the base of the foot, there is a well approx 3.8cm wide and 1.5cm deep. The inside of this well and a rim around the edge is fired black, but is mostly red. The inside of the Kylix shows a thin black band that has been extended from the outside. Then there is a thin reserved band, the rest of the inside entirely glazed, except for a small reserved circle in the centre.
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| 26.4.3A-B
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Lid has small knob for handling. Shoulder (lid surface) is decorated with four palmettes seperated by lotus's, the rim of the ld is black as is the inside of the vessel. The underside of the lid is reserved. A wave pattern decorates the body whilst the underside and foot are black. The base is reserved.
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| 26.4.4
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The rim of the mouth has a thin redish band round it, below is reserved, and then there is another thin reddish band. The handles begin just below this band, but rise above the mouth of the pot. The outside of the handles are black, the inside reserved. On either side of each handle are small blunt spurs (four in total). The main zone of the body is decorated, on either side, with lotuses between palmettes. Between the spurs and the handles are ivy leaves (three with stems, one without). Beneath each handle, there is a palmette. Below the main zone are three red bands, a thin one on either side of a thick one. There is then a reserved space, before another thin band, below which is a thick one. The molded foot has reserved ridges on either side of a reddish-black one. The base of the foot is also reserved. The inside of the pot is red.
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| 26.4.5
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On the flat top of the knob, there is a 16 rayed astar in black. On the stem of the lid, are four seperate bands. On the lid, there is an ivy wreath with a faint red stem running through the middle, in between two thin black bands. Outside this, there is a band of leaves and then a plain outer band that reaches the rim. The underneath of the lid is reserved and has a ridge about 1.5cm in.
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| 26.5.1
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Inside black apart from a reserved band around rim and disk in bottom. The Handles are black on top and reserved underneath. Both sides are the same, with a bird (duck/swan) on each side between palmette with curling stem. Under one handle is an ivy leaf on a stem. Below are bands. Red band around top of foot.
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| 26.5.2
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Inside is reserved except for two bands in centre. On top is a double row of black dots between red lines. Below are three black bands. Turned in rim is black on inside. Foot ring is black. On bottom is a central dot and two circles. Black but largely fired red. Handle is reserved.
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| 26.7.14
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Fragment. The top of the fragment has a black line around it, below which is a handle. Shape of the handle is completely round, with a flick on one side. To the right of the handle are two lines of dots that run one above the other. Below the handle are two parallel lines. The inside of the fragment is black, fired red.
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| 26.7.2
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The interior of the vessel is streaky black (uneven) except for the tondo (reddish brown), that depicts a (shadow of a) man, in a short chiton, facing right and advancing. He is holding a (thorny) club with his right hand and his himation with the left one (using it as a shield?), while his sword is visible at his right side. Exterior: The lip bears a thin, black line. The surface of the body is reserved (up to the point where the scene ends) but bears decoration in black. The scene is repeated on both sides; the myth of Heracles and the Bull. Herakles has captured the Bull from the head. Hanging in the background (above them) there are Herakles' club, cloak and quiver. The scene is flanked (left and right) by fan-shaped palmettes (voluted at the bottom with long, narrow divisions). The lower part of the handles' external surface is black and under either of them there is an ivy leaf (heart-shaped). Below the scene, there is a streaky black line and, after a reserved, thin band, the vessel is (streaky) black up to the end of the foot, whose side surface is reserved, though. The base is reserved but bears a red thin band at the center of the resting surface. No incisions or added colour have been used.
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| 26.7.4
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Top of mouth one thick and four thin bands. Dots appear on side. Four horizontal lines appear on the handle. Daisy pattern on shoulder and below that three bands. Three warriors marching right in snowstorm, spears sloping forwards. Shield of central warrior blazoned with flying bird, other two divided vertically, one half red and the other brown. All figures and shields are incised. Six bands down to base.
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| 26.7.5
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On top of mouth are four equal width bands and on the side are dots. Horizontal bands appear on the handle. Daisy pattern on shoulder. Three warriors marching right in snowstorm; spears sloping forwards. Shields divided vertically by three incised lines; some added red paint. Below, three narrow bands, three wider and small inverted base. Large area left plain in the 'white style'.
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| 26.7.6
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On top of mouth three bands and on the side are dots. Two vertical lines border the back of the handle. On shoulder is a daisy pattern. Main design is of three grazing deer, facing right, with three bands framing them above and below. On bottom small circle and round sunk centre.
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| 26.8.1
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Interior black and exterior decorated with black ornament. Black band on handle extending down each side, with horizontal bars between. On the body are panels or vertical strips of check pattern, herring-bone, cross-hatched lozenges and (bordered above by a row of dots), chevrons flanked by horizontal zigzags and at each end a vertical zigzag and this pattern is repeated on the other side. The lower part of body is black to base, which is reserved and flat.
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| 26.8.3
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Mouth black inside and out with a reserved rim. Shoulder bars at base of neck, lower buds which have almost degenerated into rays. At top of body is a debased checker board in three rows. Main design is of Athena attacking a giant who is beaten to his knees, between trees. Below are reserved bands and rest of body is black. Top of foot is black as is lower step. Base has traces of black paint.
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| 27.10.1
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Reddish-brown on pale buff ground. On shoulder, five groups of concentric arcs, three based on outer circumference, one sideways, one base towards neck. Eight black narrow band are nestled between two broad black bands. The pattern repeats itself on the body and base three times, with a variation after the first group where there are three reddish-brown narrow bands in the buff area. The base is buff, with an overlap of a broad black band.
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| 27.3.1
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Greenish ground. Inside is purple/red band then brown paint inside. Outside from top to bottom; black, white, red, white, brown, white, red. Eight black rays radiating from bottom. On base are three concentric black circles, the outermost is the broadest.
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| 27.3.3
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Fine thin fabric of pinkish-buff ground. Inside is purple/black with traces of red bands. Rim flares out and on it is a black band with two thin red bands. Below this are vertical bars in two groups, some longer. One broad black band then three narrow red bands. Five pronged triangular lines radiating from base. Two bands on foot and three on base.
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| 27.3.5
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Decoration faded brick-red. On lip five concentric circles, on handle is a vertical zigzag between two thin lines. On shoulder are two dogs running to the right. On body are a group of four lines, between two bands, then six lines, below which are four bands. The base is reserved and concave with a small central protrusion.
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| 27.3.7
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On lip rays and a circle around the outer edge. Rays on shoulder. Five broad reddish-purple bands on the body, each with two thin black lines superimposed. Between bands there are double rows of black scales. Triangular rays radiate from bottom upwards. Slightly concave base. Object is top heavy.
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| 27.4.11
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The interior is black, but reserved at the bottom of the bowl. There is a red line around the lip. The body is decorated with figural scenes. A: Two sphinxes. B: A female figure (Artemis or 'Mistress of animals'?) between two lions (alternate stripes of white and red indicate the ribs and hindquarters of the lions). Beneath each handle stands a water bird (swan?) facing to the right. Rosettes and rows of dots in the field. Below the figural zone are two red lines, then a black band, a frieze of narrow black rays (slightly overlapping the black band above). The ring foot is black on the exterior and resting surface. The central part of the underside is decorated with a black dot at centre, surrounded by a black dircle and, farther out, a red circle. White is used on parts of the lions, necks and breasts of sphinxes and woman, and parts of the wings of birds.
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| 27.4.12
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Rim decorated with black lines/petals. Inside of bowl, there is a thick band and then two smaller circles, accentuated by thin black bands. The outer circle contains small black dots, the inner circle, a star shape made out of seven lines with a black dot in the middle. Underside of the rim, shows same line/petal motif as other side, but then there is only a thin band. Inside this is an alternating swastika and dot rosette pattern, and then another thin band. A thick black band is around the neck of the foot, the rim and base of which are not glazed. The foot has a thin black band just inside the rim.
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| 27.4.2
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Large part of one side smeared(?). The paint is fired red throughout. On the rim is a red band, the inside of the pot is completely red, though the glaze appears black towardes the centre. On the outside, a thick red band lies above two rows of leaves, separated by a thin band. Below the second row of leaves is another thick band, which reaches nearly to the rim of the foot. The foot rim and base are reserved.
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| 27.4.4
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Paint is red-brown. Single handle with incised line down back creating two halves. Trefoil mouth with short bars around, leading to long straight neck. On neck are two parallel bands at the top, above four groups of three tongues with a red bar across top. Three bands separate neck design from shoulder design of three grazing deer facing right with zig-zag fill ornaments above shoulders and a small bird (?) on extreme left. On body is one zone of checks and then bands to base. Base is flat and reserved.
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| 27.4.5
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Black band round rim. Handles also have a black gaze, but only on their upper half. Inside the bowl are two seperate thick black bands. On the outside are two more black bands, though roughly half the width of the first, starting just below the handles. The smallest ridge on the foot is glazed as an extention of the band that surrounds it. Heavy fabric.
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| 27.4.6
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The bowl shows linear decoration in black (fired orange-red) and (purple) red on buff. Groups of four bars on rim and inside, a thin band just underneath the lip. Large red/orange disk in centre of bowl. Outside of bowl features a pattern of wave-like pattern beginning underneath the handles, with one thin band either side. Below this, more plain bands are evident, one thick, the rest thin until the base. Foot contains one thin band right at the top, and then a thick one on the inside.
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| 28.6.2
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Mouth, handle, neck and back of body are all black. Main design is of a woman dancing, facing right and standing beside a box. Her right hand has the fingers bent in an ungainly manner. Pair of krotala hanging on wall. Reserved line beneath the picture. Foot is moulded and black on the top and reserved on the side and underneath.
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| 28.6.3
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Rim slightly offset. Originally two horizontal handles, now one left. Black inside and out except for the design which is reserved. Side A is an athlete with a strigil and B is a youth with a strigil. Beneath each handle are palmettes with side tendrils. Foot-ring is black inside and out resting surface reserved. Underneath is reserved, with 2 black circles at centre.
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| 28.9.1
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Black inside rim but reserved in body. Neck is black. Shoulder is reasonably flat and has red and black tongues above a combat scene of seven warriors. Incised white and added red detail. Two horizontal handles all black, as is back of body. Front has panel belween two rows of ivy leaves. Scene is of horses and warriors facing right. Warriors are not mounted on horses but stood behind. Below this is a panel showing a lion facing a boar between palmettes. Bands above and below this. Black band to rays at foot. Side of foot is black half way with bottom half reserved. Base reserved.
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| 29.11.1
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Mouth black inside and out with a reserved rim. Neck and underside of single curved handle are reserved. Shoulder has bars at base of neck with a ring of lotus buds on edge - circular mistake between rows. Thin black band around edge of shoulder. Body design has two men each leading a horse to right. Both wear cloaks, first helmet, second petasos. Red for beards, manes, tails and peytrels. White on helmet and design on horses, but badly faded. Black band followed by reserved band, then black stem. Disk foot is black on top but reserved on the edge with a flat, reserved base with a central circular concave section.
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| 29.11.2
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Main zone of body cream ground. Mouth black inside and out, lip reserved. Handle black underneath reserved. Shoulder is decorated with two rows of rays or buds (the lower row is slanted to the right). The body is decorated with a symposium scene: a man reclines and a seated woman plays the lyre, framed by two seated women and branches. Above the panel are two irregular rows of dots. Below the main scene are two uneven black bands, then the bottom of the body and top of the foot are black. Side and base of foot reserved.
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| 29.11.3
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The vessel is grey (burnt), apart from the rim, the back of the handle, the lower body and upper foot surface, which are black. There is added white on the lower neck, shoulder and upper body surface. There is also a row of black dots and pointed tongues on the shoulder, as well as the motif two rows of black dots between dividing lines (three), interrupted at the back side of the vessel. The scene depicted is that of a charioteer (woman) ridding a chariot of four horses (quadriga). There is a woman at the horses' tails, another standing on the far side of the horses and another seated at the right of the scene. Added red has been used for the faces of the women and for the ornament of the horses' harness. Below the scene, there is a broad, black band between carelessly executed lines and the rest of the vessel is black, apart from the side surface of the foot and the resting surface, which are reserved.
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| 29.11.4
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Inside black with reserved disk within one black circle in bottom. Reserved band at lip, just inside. Offset rim is black on outside. Two handles are black on the top and reserved underneath. Main design is similar on both sides and shows a seated man between standing women and youths, and a sphinx facing away from the group on eiach side. All the standing figures are facing the seated one: this is perhaps Zeus at the centre of the Pantheon of gods. Footring is black inside and out and the resting surface and lower third of outer edge is reserved. Base within footring is reserved and convex.
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| 29.11.6
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The vessel is divided in three horizontal zones by lines of unequal width. There are also very thin, vertical lines at the sides of and beneath the handles.
A (above): A youth (servant?), making a gesture as if offering something (perhaps a branch, which extends from the servant's wrist) to a bearded, draped man (possibly Dionysos), at centre. He holds a large kantharos and leans against a rock. Behind him is another youth, who is perhaps supporting the rock. On either side of the scene there are palmettes that seem to have sprung from the handles.
B (above): Similar to side A, except that the man reclines on a couch, and the vessel is offered to him by a (servant?) woman in front of him. The youth behind him looks to the left. The scene is framed vertically on both sides by a series of dots as well as the same palmettes as on side A.
A-B (below): A band of palmettes, every second one inverted; two lines; a band of of tongues; reserved band. Base black, with black concentric circles on the underside.
Interior: reserved band within lip. At centre, tondo decorated with the winged horse, Pegasus, advancing to the right.
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| 29.11.7
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The rim turns sharply out and has a thick black band round it, below which is a thick reserved band. The interior is mostly black with a well (approx 3.7 cm) in the centre of the dish that has a thin reserved band just outside it, and a small reserved disk in the centre. The handles are rounded at the far end, and have black tips. On the main zone; A: Curling tendril and leaf between upright palmettes. B to A, with addition of vertical wavy line between palmette on right and handle. Below is a thin coloured band, a reserved band, and then colour down to and including the stem of the foot. The edge of the foot has two ridges on it, the lower of which is black, the upper one reserved. The base of the rim is also reserved. The base of the foot slopes inwards, the walls of the slope are red, then the centre is reserved except for a thin red band and a red dot in the centre.
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| 29.5.1
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Black inside and out with a red rim. Handle is black on top and reserved underneath. Red line, drawn unevenly around base of neck. Shoulder has five-leaved palmette (red and black alternating) between two onlookers dressed in black but holding red objects. Body has a hoplite between two pairs of onlookers. Red for hair, folds of himatia, helmet and greaves. White for shield device which is of a leaf and spots (now faded) on palmette. Bands beneath picture, black to foot and on top of foot. Resting surface and base are reserved.
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| 29.5.2
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The outer edge of the rim has a thick black band. Below this, is the main zone and the handles. The handles finish above the height of the kylix, and are black on the outside, reserved on the inside. On the main zone: A. Nike flying with garland; B. Pegasus. Either side of each figure, are palmettes which end in a curling vendril with a pendant. Below this is a thin black band, then a reserved one. The rest of the body is black, until two thirds of the way down the edge of the foot. The lower ridge of the foot is reserved. On the base of the foot, the edge is reserved. Most of the base is black except for a thin reserved band near the ridge and two bands on the inside of the well in the foot. Except for a reserved band around the inside rim, inside the body is entirely black.
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| 29.5.3
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The decoration is executed with red colour and incisions. Rim: There are petal-shaped tongues on the top surface and dots at the side one. The back of the handle bears three, almost vertical (the central one is wavy) lines. Below the handle on the body there are five (the one smaller) rosettes (leaved rodakes), with incisions intersecting at the centre. The main design is a swan with outspread wings, facing right. Details are incised and there is some added red on its wings and tail. The swan appears to step on a row of petal-shaped spots that contours the sunk centre of the vessel, serving as a base.
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| 29.5.4
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Two bands on top of mouth and one on side. On the handle are five horizontal bars. Shoulder and bottom have a daisy/tongue pattern. On the body are four broad bands, alternating red for black and purple. All other areas are reserved. Base has small central concave circle.
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| 30.11.4
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Interior surface has horizontal bands around rim and then black bands to centre . The space in between is reserved. Two horizontal handles, one on each side, are semi-circular with projections and each has a black line running along topside. On exterior surface from handles to base is a row of dots linked by lines, three black bands, leaves with lines inside, black bands, dots around shallow foot. Base is flat and has four triangles with hatching, four leaves in a cruciform shape attached to a central band and dot.
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| 33.4.3
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The mouth, neck, and handle are black, with some reddish patches. There are two reddish brown lines above the shoulder carination and two below it. The body scene depicts a naked youth in profile to the right, offering a bird (duck?) to Charon (the ferryman who conducts souls to Hades). The latter, standing on his half-moon shaped boat, wearing reddish-brown clothing and a dotted ovaloid headdress, is accepting the offer. Below, there is a reddish brown line on a reserved (but glazed) area. The rest of the vessel is black, with the exception of a red line on the upper part of the foot and its reserved (but glazed) vertical element.
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| 34.10.10
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Around the base of the neck is a string of tiny round impressions. Below handle are twenty-one stamped eggs arranged in an inverted triangle. Body is ribbed vertically. Moulded groove around foot. Object is black all over, although top half of body is lighter, almost brown.
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| 34.10.3
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On top of mouth are five bands, one broad. On side of (unflanged) mouth are dots. On handle are two horizontal bars. Quatrefoil, with hatching on body which extends to bottom of object with red petal shapes.
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| 34.8.12
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The vase is black, both on the inside and the outside, with the exception of few, red lines. A sloping rim allows the lid to sit over the aperture. There is a reserved line on topside of the body, a red, carved circle and a groove around. There are also two, concentric carvings, one in the middle of the body's upper surface and the other one at its side. At the level where the body is divided in two areas there is a reserved line, while another one is apparent at the point where the body is narrower, above the point where it connects with the stem. The latter is divided in two areas by two, plastic, thin, red rings. Below, there are vertical ridges, one third the way down, wider towards the upper surface of the foot, whose larger part they cover with their moulded, tongue-shaped terminations. There is also a carved circle, surrounding these terminations. The foot is grooved and reserved in places. The surface underneath is irregularly painted black, with the central part reserved.
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| 34.8.4
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Lip reserved. The neck, side and base of foot are coloured with red. Shoulder has two rows of radiating bars, the first row are shorter. On front of body only are bands of decoration, separated with a single black line, alternating with black grille, black key, grille, key, grille, black 'zzzzz'. Three reserved bands on black to base. Foot is black on top.
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| 34.8.5
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Mouth black on inside and out but with a reserved rim. Neck and underside of single handle are reserved. Shoulder design is of rays and long, thin buds. Body, from top to bottom, double row of dots joined by zig-zags on white background, black bands, main design, 'key' pattern on white background, black bands and black stem. Main design is, from left to right, a chariot being driven right, a woman facing right, four horses facing right with attendant behind, seated figure facing left, holding a spear. Detail is incised and some parts are picked out in white. Foot is black on top and half the side is black, the rest reserved. The base is reserved.
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| 34.8.6
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Lip reserved. Inside is black. Single curved handle is black on top and reserved underneath. Shoulder has bars at base of neck with lotus buds at edge. Main zone of body is drawn on cream ground. Part of the way around the body is a double row of black dots. Charioteer driving four (?) horses to right at speed with a person (possibly Athena ?)running beside in the background. Below are black bands. Foot steps down twice and the lower step is black. Base is reserved and concave in the center.
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| 34.8.8
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Mouth red on inside and outside, with lip reserved. Single handle which is red on top and reserved underneath, as is neck. Shoulder design is a cockrel with red on is facing right between stemmed ivy leaves. Black band around shoulder, faded to red. Body design is, from left to right, a standing man facing right, a seated man facing right, a standing man with robes draped over shoulder, facing left, a man standing facing left. All men have spears. Men are balck faded to red but eith red headbands. Detail is incised. Irregular black band then balck stem. Foot is balck on top and reserved on side and base which has central concave circle.
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| 35.4.2
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Black on mouth and neck. Lower part of neck has vertical black lines which are thicker at the bottom. Palmette design on body with chevron heart framed in tendrils and with dots in groups of three either side of central leaf. Right and left a cluster of leaves and beyond, on either side of handle, similar cluster reversed. Beneath handle, cluster of leaves. Black band at bottom of base and foot. Base reserved.
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| 35.4.4
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The vessel is decorated with impressed (stamped) decoration. Shoulder: there are six inverted palmettes (voluted with narrow divisions), linked with incised curving lines. There is also a ridge at the junction of the shoulder and body, below which there is the motif of ellipsoid tongues (eggs) contoured by a line each. Body: At about the middle, there are six, widely spread double-leaved motives (teardropped leaves) and a continuous, incised line that goes through them. The joining point of the body and foot is reserved and so is the edge of the foot and the resting surface.
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| 35.4.5
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The interior of the rim is reserved except for a black band; lip is black. A band of black vertical leaves decorates the underside of the rim. Front: the profile to the left of a woman's face, she wears a sakkos with two ringlets of hair falling in front of her ear. Back: a large palmette. Reserved circles with black dots in field on both sides. The handles are black with a red ring where they join the body. Beneath each handle is an ivy leaf. The base is black with red concentric bands.
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| 35.4.6
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Interior: four stamped palmettes, with an egg at the base of each, linked by a small incised circle. Reserved line round body a little way above foot. Whole of foot-ring black. Base reserved and ruddled, with dot and black band. Inside is black as are both circular, horizontal handles.
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| 37.11.4
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Black glaze all over except base and narrow resting surface which are ruddled and reserved respectively. Heavy foot ring, black all over. Black central dot and circle on base.
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| 37.11.8
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The decoration is executed in a colour varying from dull black to brown, on pale buff ground. Rim: Concentric circles on the upper surface and spots (tongues) on the side one (stephane). At the joining point of rim and neck there is a band and at the upper part of the neck a horizontal row of spots. Central handle: Decorated with short, thick, leaning lines. Neck: An olive wreath, the ends of which meet at the front where there is a cluster of olives (?) (dots). Shoulder: There is another horizontal row of dots immediately below neck that seem to be hanging from a line. At the join of shoulder and body, there is a broad band in the middle of two thin, concentric lines. Body: In the front, between the two handles, an olive-tree branch, framed by (left and right) a vertical motif of a row of dots, a line, two rows of larger, ovaloid dots and another line. This motif can also be found at the other side of the handles, used to frame a linear pattern (from a short line appear to be emerging three longer ones. On either side a vertical line, which leans slightly towards the motif in the middle. From the centre of this line emerges a long, wavy line. Below: there are two, concentric bands and three more that are not very obvious(?). The handles are ornamented with large dots. The foot is black, but the colour looks uneven. Interior of neck: Two concentric circles.
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| 37.7.3
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Long horizontal handles curved and twisted and painted black higher than the rim, which is offset. All black except reserved groove on body just above foot and another in the resting surface. Inside are four stamped palmettes, off centre, in an unusually thin rouletted ring. Base is concave and black.
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| 38.12.1
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Mouth is black inside, outside and on rim, as is handle and neck. Body has black glaze apart from design on front which is a sphinx with face and hind feet missing. Below is an egg frieze. A diluted glaze has been used for fine dots and strolus on wing. Foot is unevenly glazed on side. Resting surface and raised base are ruddled and flat.
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| 38.4.2
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Reddish-brown on pale buff ground. The false neck is decorated predominantly in a black band, with a narrow and broad black circular band in the centre of the false neck. The underside appears to be reserved, with a single thick black line at the base on the false neck. The true neck has a faded broad back band around and overlapping the lp. There is a broad black band at the base of the neck, and also a black blob on the side facing the false neck. On the shoulder there are six groups of narrow black lines painted horizontally. There is one group of either side of the true neck, both have eight horizontal lines, the one on the left has two rings of black to either side of it. The groups of lines on the other side, if faced with the true neck at the top, have groups of 6, 7, 9. 8 horizontal lines, all with a small ring of black in between them. The shoulder is outlined with a broad ring of black. The body has four broad black lines, which have faded to a reddish brown. Adjacent are narrow red rings; four above the first band, two within the first band, two within the second band, two or three below the second band. The fourth band does not overlap the base, which is slightly concave in shape, and has the suggestion of a foot ring.
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| 38.4.3
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Black detail faded to brown on pale buff background. Interior of mouth has faded remains of a 0.6 cm thick black circular band. The rest of the interior is reserved. The lip has indications of one, possible two extremely narrow black bands around the circumference. The neck shows signs of either having a very thick black band or several narrow black bands painted closely together. On the shoulder there are two narrow bland bands, then an 1.5 cm area of cross hatching which is surrounded on both sides by a broad black band. The handles appear to have been painted in black on the top and side, and reserved underneath. The main body of the pyxis consists of two narrow brown bands separated by the reserve, then a black band, the pattern is repeated once to the base. The base itself has a black band which overlaps from the body, then two groups of concentric rings, three in the inner circle, and four in the outer circle.
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| 38.4.5
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Brick red detail on pale buff background. Three groups of three red lines roughly painted, one group of two red lines, all are verticle lines curving to the left at the bottom, between a horizontal red band on the jug shoulder, and a horizontal red band on the lower body of the jug.
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| 38.4.6A
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Top of lid has eight, black rings on it. There are two small rings on knob of lid. Top, flat surface of lid has six rings on it. Going from the knob to the rim of base; inbetween the third and fourth ring there is a pattern. This pattern seems to be lots of small 'y' shapes, which have been joined together. Going from knob to rim of base; there are two small holes on the fifth ring, opposite eachother.
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| 39.9.2
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Inside is reserved in body but black fired to red on rim with a reserved band near top. Two handles with vertical grooves to make three section - black on top and reserved underneath. Neck has two rows of palmettes (lower inverted) and lotus buds on cable. Shoulder has framed tongues with ivy leaf and dot at each join. Body has similar scene either side. Side A shows combat of three warriors, with white detail on spear, helmet, shield and armour. Side B is similar but there are no spears, instead they appear to only have shields. Below is a broad band with narrower ones either side. Rays to foot. Foot is black and moulded with a reserved band around side. Base is reserved and conical.
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| 39.9.6
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Ground varies from cream to buff. Inside is coloured black. The mouth is red. Two handles are placed vertically on top of shoulder and under each is a goose (?) From top to bottom there is a band with the shoulder design below. Pictures are of a stag and a panther facing right (A) and panther and a goat (?) facing each other (B). Separating this from the main design are two rows of dots between bands. Main zone: Griffin-bird between two panthers (A) and two panthers facing a pattern of a palmette complex(B). Various incised rosettes and dots in field. Below main zone is seven bands and a red base.
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| 44.1.1
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Rim: There are black tongues around the aperture and dots on the side surface of the rim. On the back of the handle there is a row of dots, framed by two, vertical lines. The neck and the surface below the handle is left reserved. At the base of the neck there are black, petal-shaped spots. Top surface: The aperture in the centre of the ring is black with additional concentric, black lines between reserved areas and a row of dots. Some of the lines have incised diagonal lines across. The reverse side bears a similar decoration but without the row of dots. Side surface of body: The main design is of an Ibex and Lion facing a central rock, made of horizontal bands. Added red is used for some parts of the ibex's body as well as for the some of the bands of the rock.
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| 44.4.1
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Mouth and handle are black and beneath it is a palmette flanked by tendrils with campanula flower. Neck has long, black tongues. Main design is a bird with outspread wings and in the field are reserved disks with a black dot. Below this is an uneven reserved band. Side of foot-ring is black and grooved. Base is reserved and depressed.
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| 44.6.1
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Clay and surface of vase ferruginous buff, black glaze fired in parts to a pale orange brown. Inside is black with traces of red bands and there are red bands on the inner rim. The upper surface has circular patterns of dots (lotuses?) alternating with vertical rows of dots. Below these and above the handle are three bands, red between two black. Below handles are two bands and another around foot. Three bands on base with central dot.
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| 45.1.1
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Mouth has rays from outer to inner edge. Handle is black (perhaps horizontal bars?) and on that side are three rings, middle one purplish. Five rows of dots join the two sides. The triple band pattern is repeated on opposite side.
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| 45.10.10
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The interior of the vessel is black apart from the lowest part of o, whose lower part bears a reserved but glazed line. Exterior: a) On the right side, there is the upper part of a seated woman (part below her waist is missing). She is draped and wears a stephane (fillet) on her head. On the left side there is a floral motif whose stem is a wavy line that expands to the left. b) There is the back side of another seated draped female figure. c) The front side of the previous female figure. She is holding an alabastron with both her hands. d) On the lower left part there is the largest part of a voluted palmette with petal shaped divisions, connected with a tendril. The area next to the spring of the one part of the handle is reserved. e) On the bottom right there is the rest of the previous palmette, also connected with a tendril. f) On the bottom right there is the upper part of a palmette and on the upper left there is part of a tendril's volute. The area on the left of teh one spring of the handle is reserved, but glazed (plaster on top). g) Uneven black surface. h) A small part of the volute of the tendril of f and the stalk of a flower. i) Part of an inverted palmette, connceted with (part of ) a tendril, with (occasional) leaves on its sides. j) Small line, part of a tendril. k) Part of a tendril's volute. l) A figure's projected forearm and hand (figure's depicted on n?). m) On the right side, there is the stalk and part of the stem of a flower and a line that seems to be part of a tendril. There is also the spring of a handle. n) Part (head missing, neck and shoulder are scraped off, area below the knees missing) of a draped standing figure that has the left hand around the waist. o) The lowest part of a figure's drapery. p) Base. Inside tondo: seated woman with septre and standing woman holding out box. Exterior: part of floral ornament under handle. Outer and inner side of footring black, resting surface and underside reserved except for central black dot surrounded by three concentric bands. Moulded circle c.1.0 wide houses thickest, central black band.
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| 45.10.11
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Offset rim is black inside and out and the handle that originally existed just below rim appears also to have been black. Exterior walls are black as is interior except for the main design which is reserved. This picture is of a youth reclining, seen from behind. Detail is picked out in black paint and the figure is painted inside a circle. On the underside, there was originally a stem which was also black.
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| 45.10.13
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(i) There is a small part of a motif (partially covered with plaster) that consists of wavy lines. Below it, there are two lines and underneath there are parts of two inverted, palmettes (voluted with petal-shaped divisions) that flank a three-pointed flower with two dots to represent pollen. ii) Between two pairs of lines there is a guilloche (fillets with teardropped terminations interwoven together) with dots among the lines. Below, there is a broad black band, which seems to be interrupted at the right side. (iii) At the left, three parts of vertical, black bands and incisions create part of an object (garment hanging from chair or couch?) In the middle, there is an object- as if it was a grave-stele with a cross-shaped ? ending above which spring two heraldic, white, voluted palmettes (now fadded away), a chiastic motif with dots and horizontal lines on top- but inverted (leg of a bed or couch?). Next to that, there are a figure's part of thighs, knees and calves, close to part of a palmette. (iv) A bearded satyr (seilinos) plays a chorded instrument (lyre), while his himation is hanging in the background. Next to him there is a draped female figure (Demeter?), holding a wreath (black circle) and branches with dots on both sides that surround her. The details on her drapery have been executed with added red and so are those for her head-dress. There are also traces of added white on her neck. On top of the fragment there is part of a motif of tongues contoured with ellipsoid lines and a line that encircles this pattern. v) On the left, there is part of the satyr's lower legs (above the knees towards the feet) and the lower end of his himation. Next to him there is the termination of the female figure's branch, close to a similar inverted grave-stele? and part of an object that resembles an animal paw (lion-shaped foot of chair or couch) . Below these, there is a line on which they seem to step on. Next, a guilloche between two pairs of lines and at the bottom part of a radial-shaped motif with a line that contours it on top. vi) A line and black, teardropped spot. vii) There is a line on whose right top side stands a rectangular object with a rectangular surface in the middle being reserved. Below, part of two lines on top of part of the guilloche. viii) Small part of shoulder and neck: there is a black spot, a thin band, a red line on top of a plastic ring (joining point of neck and shoulder) and part of a tongue-shaped pattern contoured by a line on the shoulder. There is also a part of two lines in the interior. ix) Part of the guilloche, the two lines underneath and the radial-shaped motif at the bottom. x) Tiny bit of the guilloche and the two lines below it and part of the radial-shaped motif. xi) Part of voluted palmette and tongue-shaped motif. xii) Part of the floral motif (of a three-pointed flower)? with lines that form a rhombus with a dot in the middle. xiii) Part of the shoulder and the spring of a handle. On the top there is the tongue-shaped motif, encicled by a line and below it an inverted palmette. The spring of the handle is black and next to it there are short, diagonal incisions. There is also a tiny spot of black colour in the interior. xiv) On the left, part of leaf-shaped (heart-like) motives (part of thyrsos?), close to a band of black colour, of undecipherable shape. Next to that, there is the lower part of a female draped figure, with small crosses on it. At the right side there is black and white colour that forms ovaloid shapes (?). xv) A black band and on the left part of the female drapery.
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| 45.10.14.1
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Interior: Black, apart from a thin band at the joining point of the rim and neck, and the top surface of the rim, which are reserved. Exterior: The rim is black and there is a thin reddish brown line below it. Neck: There is a thin, black line. Below, there is a fan-shaped palmette (three divisions, a central rectangular part, and the details have been rendered with incisions), between two parts of motifs. The left one may be a palmette (a petal-shaped division in the middle and below, two round? or voluted? motifs almost faded away. The right one could be part of a similar motif.
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| 45.10.16
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Originally covered in a black slip. The top of the mouth is a darker brown, the inside and outside of the walls of the mouth are a darker colour.
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| 45.10.20
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i) Part of a voluted palmette with petal-shaped divisions seems to be connected to part of a three-pointed floral motif by a thick, black, curving line. On the left there is another, identical three-pointed flower, only bigger and illustrated inverted and vertically and at the left end of the fragment another curving line. Below these, there is part of a perpetual meander pattern and the upper part of continuous, teardropped motives. Some form of greyish (light) brown plaster has been applied to the surface around the voluted palmette. ii) Small part of guilloche (thin fillets with tongue-shaped endings interwoven together) with dots among the lines. Below, there are traces of thin, black lines (but not visible because of burning). Underneath, radial-shaped motif. iii) Underneath two thin lines there is a meander pattern. iv) Part of the upper ending of a radial-shaped motif. v) larger part of a radial- shaped motif. There is part of a thin, horizontal line on the top of one of the divisions and more to the left there is a circle with a dot in the middle and two vertical lines (part of the guilloche). vi) Small part of the guilloche and radial-shaped motif below that.
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| 45.10.22
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a: The upper surface of the rim is reserved, although glazed. However, the side surfaces (internal and external) are black (apart from a reserved area that would not have been visible if the handle was not missing). The neck is also black on the inside, however, there is a perpetual motif of palmettes on the external surface. These are double palmettes (5 narrow divisions upwards and 5 similar ones downwards) that look as if chained together by a horizontal row of small rings and each such palmette is separated from the other by a vertical line with wider endings, while thin, curved lines (above and below) frame each palmette. The sides of the handle bear a black band each and there is also a thin line underneath them that contours the end of the neck. On the carination that divides the neck from the shoulder there is a thin line with added red colour. The shoulder bears a motif of tongues, divided by vertical lines, while a line underneath contours them. The motif does not appear under the surface of the handle. At some point underneath this pattern there is the beginning of another motif (black with 3 dots of added red and scale-like incisions). The interior of the rest of the vessel is reserved, since it is an amphora. b: It bears exactly the same motif as the previous neck bit. c: From the branch of a three-peaked floral motif there emerge two curved lines that are downwards and upwards, each forming an ellipsoid-shaped frame from whose lower (in the case of the curved line that goes downwards) or upper (in the case of the other line) endings form one floral motif each. The left one is a voluted palmette with 5 petal shaped divisions and the right one is a three-pointed flower, similar to the central floral motif, but bigger. Although the upper part of this pattern is not preserved apart from the starting point of the motives, it is certain that this would have been the heraldic motif depicted. Underneath this area there is a thin, black line and below that, a pattern of guilloche ( branches with tear dropped endings interwoven together) with a row of dots, framed (above and below) by two pairs of concentric lines. Towards the end of the fragment (which is also towards the end of the vessel) there is a radial-shaped motif, two lines and the rest of the surface is black. d: It is a part of the body's area that bears the guilloche pattern and the radial-shaped motif underneath, but one third of it is not preserved. e: On the left there is the upper part of probably a palmette (two endings of petal-shaped divisions). Next to that there is the depiction of a draped lower body part. The drapery is formed by the incisions on a black surface. There are diagonal incisions and wavy endings to denote the folds of an himation, as well as the lower termination of the chiton, which is suggested by two almost horizontal incisions, a wavy line and another horizontal incision. the drawing is detailed and clear. f: The part between the surface above the knees and a bit below the calf of a male figure that wears a short chiton (incised, wavy folds are visible above the knee), as well as grieves with out curving terminations (Hermes?) of added red colour, now fadded away. On his left there is the upper part of a palmette and on his left there is a diagonal line, with rows of dots on either side (characteristic of Dionysus). Very clear drawing. g: Half of the three-peaked flower, a bit of a black line and two petal-shaped motives. On the side, there is part of the dotted branch and what appears to be part of a figure's drapery (upper right body part ?), with some incisions used to render details. h: Between the lower body part of two figures there is part of the dotted branch. What is preserved from the right figure is incised lines and circles on a black surface. The left figure's drapery (peplos and himation ?) is preserved (below the waist), consisting of incised diagonal and wavy lines to denote the folds. i: A central male figure's (Dionysus) body from shoulder to legs is visible and surrounded by a dotted branch. He is standing between two figures. The male figure (there is part of beard with added red) on the left holds part of the branch with his palm (upper body without the head is preserved). The only visible part of the draped figure on the right is part of the legs. Incisions are used to render details. j: Apollo playing his lyre (kithara). The head (in profile, facing right), right hand and part of the god's front side of the body is visible, as well as the largest part of the lyre. Part of a dotted branch exists in the background. Incisions have been used to render the chords of the lyre as well as for the eye, contour of hair, ear and contour of the god's body, while a taenia (fillet) on his head is in added black colour. k: Only part of a thin, black line is preserved. l: two broad black bands that overlap at some point. Incisions and the ending of a dotted branch (part of draped figure?). H & J on display in symposium
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| 45.10.29
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Fragments that join 45.10.23: a)The handle's back is black. On the shoulder there is a voluted palmette with petal-shaped divisions between two male draped figures that are facing it, holding their himatia? with their left hands. b) There is part of a thin line that contours the lower part of the shoulder. c) The upper part of a warrior, wearing a red helmet and carrying a shield. Behind him , there is part of an object? in added red. d) The right part bears the left part of the previous warrior's shield. The left part of the fragment depicts the upper part of another draped male figure holding a spear.
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| 45.10.4
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Inside and outside of rim is black and there are five dots inside. Main design is two pairs of female heads all wearing head-dresses, facing one another. Detail painted in black. On outer rim are rough dots. Underside of lid is black.
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| 45.10.5
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Interior surface is black with a medallion, with meander pattern around the edge and two youths facing each other in the centre. The handles are missing from the exterior surface but there are palmette patterns on opposite sides, suggesting this is where the handles were originally. On one side is a stele with a youth either side, the left with his hands outstretched and the other holding a cloth and a strigil. The other side shows remains of a very similar picture.
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| 45.10.9
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A: Draped youth playing pipes and draped man holding a branch; B: group, probably in a procession, including a draped youth with a staff and a draped man with a branch. The interior is reserved. The details that form the folds of the figure(s) drapery are rendered with thin, black and red lines. a) Black with part of a tongue motif on the top (tongues flanked by thin lines, on a reserved but glazed band). b) Part of a draped male figure's neck, shoulder and bust. c) Part of the figure's himation folds. d) Lower part of a male figure's drapery folds and part of feet? (carelessly rendered). e) Part of a draped figure's folds, next to a black area. f) Part of a draped figure's folds. g) Part of a figure's arm, forearm and hand, with the largest part of a flute. h) On the right side there is part of a figure's drapery folds. On a black area on the left side there is a figure's hand that holds a komos or sprig with added white, short diagonal lines around it. i) On top of a meander pattern with a black line on top there is part of a red band with traces of thin, black lines (a figure's foot?). j) On the left, there is part of a figure's drapery folds and part of his walking-stick. On the right side there is part of another figure's folds?
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| 45.6.1
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Pale buff ground. Inside is black and red in places. Main design: five women with long plaited hair dancing in a ring, holding wreaths between them. In field are large rosettes with concentric circles at centre and round objects with horizontal incisions between bands of vertical incisions. At base are elongated vertical lines and the foot is coloured red. Five bands on base.
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| 45.6.13
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Handles: black on top and reserved underneath. Inside and outside of mouth is black but the top is reserved, with accidental smears of paint. Neck is reserved and there are black tongues on the shoulder. Side A shows 3 mantled onlookers separated by objects like long leaves tapering downwards. Two are facing left and one is facing right. On side B is a runner holding an indistinguishable object. Ivy leaf under one handle and leaves in the field. Below picture is black to foot which is reserved on the side and underneath.
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| 45.6.16
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Mouth black inside and out with partly reserved top of rim. Handle black on its exterior. Neck reserved. Shoulder is decorated with 2 rows of rays. The body is decorated with a row of palmettes. Three out of four are preserved. They are divided by black vertical lines and circled by white arches. The leafs of the palmettes are incised. On their lower part, they are connected with a black vertical chain. Broad black band below main zone. Bottom of body is black, as is top of foot. Side of foot and underide are reserved.
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| 45.6.17
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Black mouth, black inside, reserved lip. Single curved handle black outside and reserved underneath. Bars at base of neck and lotus buds. At top of body are two rows of dots alternating black and white between black bands. Main design is of man reclining between two seated women. On couch beside him is a naked hetaira. Remains of branches with white fruit just visible. Figures are robed and detail is in white. Two reserved bands below on black glaze. Foot is stepped, side of both steps reserved. Base is reserved.
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| 45.6.5
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Handle painted black. On the upper surface are four black bands and below handle is a single band. Kothon has a shallow foot-ring, black on both sides. Base is raised and has two black bands in center. Inside is a broad black band.
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| 45.6.6
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Inside is reserved. On upper surface are black downward-pointing leaves alternating with smaller leaves pointing upwards. Underside is black with two reserved bands. Resting surface is black.
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| 45.6.62-63
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Bowl-skyphos shaped and inside was painted brown. Outside, from top to bottom are concentric yellow, white, orange, black circles, with triangles between and pendant pairs of white spots. Below are pairs of red and white vertical strokes. The lower part is reserved. White band around foot. Lid is dark brown with central knob handle and steep shoulder but flat rim. Pattern matches that of circles and triangles on base.
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| 45.6.72
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Mouth is red on top and black down neck until a moulded ridge when there are rays down to black square blocks on shoulder. Band of vine leaves. Handle is black and below it is a palmette complex with tendrils either side joining to two more palmette designs. On front, is head and shoulders of a woman facing left, wearing tight-fitting black cap, with hair emerging in two curls at top. Serrated leaf and rosettes in field.
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| 45.8.1
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The rim (interior) bears two, concentric circles, the first at the edge and the second at the curve between the neck and the body, where traces of white colour can be found. The neck of the vessel is ornamented with a continuous floral motif (branch bearing two long leafs; laurels?) that covers the whole of the surface. A: Scene of a symposium of four, reclining, male figures; 2 men and 2 youths (in turns), in pairs looking at one another. All of them wear their himatia, loose around their waists, a fact that leaves the upper part of their bodies naked, and are crowned with identical three-pointed diadems, made of added, yellowish and white colour. They also have identical hairstyles. The youth on the left side makes a gesture, pointing left with his right hand, but facing the man on his right who touches his chest with his right hand. The third person looks as if holding a white thread with his right-hand fingers, while the man on his right is trying to put a white, spotted garland on the third figure with his right hand. They all recline on a horizontal sort of bed, supported by three feet, of equal distance between them, but of unequal width. However, the lower parts of the three feet are similar; rectangular and vertical to the stem. Under this construction, in the surface between the two gaps that are left between the feet of the bed, there are two tables, that carry food(?) (fruit and bread ?), painted with added white colour. Both of the tables bear two, broad, black, bands around their edges, the left ones being larger than the right ones. As regards the endings of the tables' feet, they give the impression of a vague rendering of animal paws.
B: A youth in the centre of the scene looks at his right, while in either of his sides, another youth is looking at him. All of them are fully-clad with himatia. The left one is holding a strigil (stleggis) with his right hand, while the one at the right side of the scene makes a gesture with his feast.
The spring of the handles bears part of a circle (it stops, leaving the surface between the beginning of the two handles undecorated), with small, semi-cercular patterns. Beneath each handle there is a large, complex palmette. A band with maeander-shaped patterns runs through the vessel under the main scenes. The base is in the form of a disk, with a high foot, separated from the disk-shaped surface by a carved, reserved circle, as well as an also circle at the lowest end of the base's foot.
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| 45.9.2
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The mouth, neck, handle are black. The body of the vase was treated with a white slip (colours probably indicated the straps of the sandal, yet such decoration only remains on the edges of the sole).
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| 46.9.1
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Mouth coloured black inside, outside, neck red. Handle black on outside and reserved underneath. On shoulder, black rays below fine ridge at base of neck, then lotus flowers - white outer petals alternating with black buds. Body has a silvery black glaze with two red lines at top, another just under the figure scene and another just in the junction with the base. In added white, bearded charioteer with two galloping horses. They are in profile to the left. He is holding the reigns of the horses. Naked with fillet on hair and belt, both shown incised. Row of white dots above the scene. Details of man's body and horses' incised. Disk foot has reserved edge, base is reserved.
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| 47.10.3A-B
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Lid: glazed black, except for the underside. At the middle of the lid are two purlish-red narrow bands; a third narrow band surrounds the rim of the lid. Lekanis: glazed black, except for the underside. Interior decorated with a purplish-red band high up the outer wall, and two red bands in the bowl; exterior decorated also with three purplish-red bands, two higher up and one lower on the outer wall.
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| 47.6.1
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The Gorgon Medusa, in both shoulder panels. Area under handles is black. Side A: Achilles on black horse, alongside a red horse with an attendant riding on black horse behind. Troilos lies on ground. Side B: Achilles carrying Troilos toward alter made of bricks with incised lines (the altar might also be interpreted as a fountainhouse). Shrub in front of altar (fountainhouse) Pictures are in red, black, white with detail incised. Below shoulder zone are red and black chevron-palmettes; below this, animal frieze with goats, panther, winged creature and lion. Triangles radiating from base, foot is black and base reserved. Zones separated by bands.
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| 47.6.2A-B
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Lid: Straight sides and a moulded rim at the top and bottom, both red. The plastic ring at the top of the lid black. The top is decorated with a depiction of a male figure, perhaps Dionysus (Ure) or Pan (Boardman) with horns springing from his head. He wears an animal skin (brownish dots) over his shoulders, with a hoof dangling. He seems to be stepping or sitting on another animal skin. In raised left hand he holds an indeterminate instrument (Ure: handleless fork; Boardman: syrinx) and he rests his right hand, brought before his body, on an oar-shaped object (trumpet; Ure: winnowing fan; Boardman: 'lagobolon'). To his left is the forepart of a pig (or dog?), and to his right, a basket with three corn stalks. There is also a red, thin line at the joining point of the plastic ring and the lid. The decoration of the side surface of the lid is a motif of vertical, hanging, wavy tongues, between reddish brown bands. There is also one inverted heart-shaped motif at some point between the tongues.
Body: There is a red line at the rim and another one at half the way up the body, both on the inside and the outside. On the interior there are two, concentric, reddish-brown circles. Exterior: There is also a red line at the bottom of the body, while the disk-shaped ring is reddish-brown. Wide rim at base. Underside is reserved and central section flat.
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| 47.8.1
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Inside is reserved except for picture of Heracles in a black corselet over spotted chiton with flame borders. Club in his right hand and bow and arrow in his left. Originally only red for framing circle inside the black band around rim but much has faded to red that was black. Two handles, one either side have been dipped. Outside are dots around rim with band below. Reserved then to resting surface and inner foot-ring which are red. Base is concave and reserved except for small red circle at center.
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| 48.12.10
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Interior of the mouth and exterior of the handle black. Neck is reserved, as is the underside of the handle. Shoulder has two rows of rays radiating from neck. Body is cream ground and, from top to bottom, has two parallel horizontal black lines, meander 'key' pattern, three rows of grille and black line. In centre are three horizontal palmettes with a line, four row grille and black band. The pattern only covers the front of the pot and the back is left cream. Below this are three incised bands. Top of foot black. Reserved band on the foot. Underside reserved.
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| 48.12.11
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Flared mouth, black inside, with flat rim which is reserved. Outside of mouth and handle black but neck and underside of handle reserved. Shoulder has two rings, the inner of dots and the outer of rays or lotus buds. Body is black with lustrious glaze except for a reserved band at top and bottom of main design which is a woman walking to right with her hand extended. Stem and foot are black and side of foot is reserved. Base is flat and reserved.
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| 48.12.12
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Flared cup mouth, single handle, neck and back of body are all black. The front design is a palmette framed in a triangular panel. Foot is black on the top and side but the resting surface and the raised base are reserved.
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| 48.12.13
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Rim of the neck is painted red on the inner side, the outer surface of the neck is painted brown. Two black lines on a white wash decorate the shoulder, the handles are painted black on their outer surface. The upper body is decorated with a red band at the top then (on one side) a white wash, followed (on both sides) by six black bands with reserved areas between them. The rest of the lower body is decorated with a dark red wash.
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| 48.12.3
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Interior black glaze, except a reserved band just inside rim. Upper body reserved with darker red and black decoration; Three horizontal brown lines around the outside rim, six sets of five vertical lines spaced evenly around the upper body alternating with four occurrences of three concentric circles surrounding a central dot. Three horizontal lines below it separate this section from the lower body which is black except for one reserved band in the middle. Handles are a darker reddish brown (2.5YR 4/6). There is an incised cross on the inside of one handle only. The slightly flared foot is also black with a reserved resting surface and underside.
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| 48.12.4
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Decoration brownish-black. On mouth, one broad ring, one narrow. Ring around outer edge. On shoulder are tongues. From top to bottom: bands, double row of dots, 3 bands, double row of dots, 3 bands. Two bands on base.
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| 48.2.1
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The interior is glazed black. There are two zones of decoration. Top (A): water bird, horseman with dog, lion; top (B): lion, horseman, waterbird. Bottom: seven swans, three decorated with incisions, above a ray base. A few rosettes and a dotted rhombus in the field. The base and rim of the foot are reserved.
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| 48.4.1
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The rim of the mouth has leaves all round it. The outside of the rim has a thick black band. On the main zone are pairs of ivy leaves (one pointing up the other down), joined by their vines. In between these are pairs of dot flowers. All of this lies between two pairs of horizontal lines. The slight slope towards the foot is black. The top of the foot is reserved but appears to have once been black. The base of the foot is reserved except for a thin black band on the inside of the rim, another about halfway in, and then a small dot in the centre of the base. The inside of the pot is completely black.
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| 48.5.3
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Top 2/3 and handle are glazed.
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| 49.1.2
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The vessel is covered in black except for decorative bands at the lower part of the neck (red with black vertical lines) and the shoulder (egg-and-dot), the figural scene in the body zone, a frieze (stopt maeanders alternating with cross squares) below the figural zone, narrow bands at the join of body and foot as well as on each step of the foot, and the underside. The scene depicts a nude youth standing in a relaxed pose, 3/4-view to the right. He holds drapery, bunched up, under his left arm, and seems to converse with a drapped woman seated to the left on an undulating rock. She holds a mirror in her right hand. Both are diademed. A small, winged Eros flutters above them, and he has crowned the youth. A single branch emerges from behind the rock. Next comes an older Eros (depicted as an adolescent) seated near profile to the left (the seat is no longer visible), holding an opened box (the type that was used to house alabastra such as that which he decorates, according to Trendall and Cambitoglou 2.605). In the upper left field there is a rectangular motif with a short, black, vertical band on it (perhaps a window), and in the upper right field (behind Eros) a four-part rosette (rodakas) next to a strigil. Below, there is more vegetation. Relief dots detail xxx and added white has been used for xxx.
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| 49.4.1
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The mouth is black inside and out with a reserved rim. The back of the handle is also black. The neck and underside of the handle are ruddled, as is the shoulder which has black dots and radial-shaped motif. There is a white band at the upper body surface with a yellow meander pattern, between yellow lines. The main design is that of a flying Nike facing right with a mirror in her left hand and a globular object in her right. She wears a kalyptra (head dress) and she is draped. Additionally, thinned glaze and black paint has been used for detail. Below the scene there is a similar meander pattern on a white band. The rest of the vessel is black.
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| 49.4.2
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Woman with a fan and a ball, seated in a naiskos; kalathos on either side.
The inner side of the rim bears a broad band (in the middle of the surface). The top surface bears traces of carelessly applied red colour. The edge is also black and its side surface bears a reserved line and a black line underneath, from which seem to be hanging short, vertical lines. The upper part of the neck is reserved, but bears a black band on its lower part. The rest of the neck is decorated with black colour, on top of which there is a tongue pattern in yellow (faded away) that contours the vessel (long, pointed on the bottom tongues). Below, there is a reserved line. Side A: The main scene depicts a female figure seated in a naiskos (monument with pediment, from whose upper part emerge palmettes and tendrils, epistylion, an ionic column on either side an top of a stylobates or crepis, the latter represented with a perpetual pattern of voluted motives and dots in between, framed by white lines, thin, black bands and white bands), on a diphros okladias. The woman is facing left, she is wearing a peplos, holding a fan with her right hand and a round object with the left one, below which there is a row of dots. She also wears a kalyptra and has her hair in a bun, from which emerge two wavy lines with round terminations. Behind her, at the level of her head, there is a window (square object with the middle part riddled). The naiskos is flanked by a kalathos on either side, decorated with black and yellow horizontal lines, tendrils and branches, as well as yellow tongues and yellow meander pattern. There is a row of yellow dots below each kalathos and a rosette on top. Below the row of dots underneath the left kalathos there is another rosette, whereas underneath the row of dots below the right kalathos there is a phiale. The details are executed with added yellow. The handles are black. The reverse is decorated with floral motifs: the area underneath the vertical handle is black, with an H-shaped black motif divided in two by a vertical line, on a round, brown background. The surface below the vertical handle depicts two fan-shaped palmettes, from which emerge elaborate, voluted floral patterns that expand to the surface below the horizontal handles. The lower part of the body is contoured by a wavy-like pattern on a brown background. The area below is black, although streaky on some areas, while the lowest part of the body is reserved but glazed. The foot is black, with a reserved resting surface.
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| 49.8.12
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Mouth and rim all black. Single handle is black on the outside and reserved on the underside. Neck is reserved. Shoulder has a row of rays and a row of lotus flowers. Body design is 10 rows of debased chequerboard. There are irregular drops of paint on the back. The decorated part of the body is followed by a narrow black band followed by black stem. The foot is black on the top but reserved on the side. Base is reserved.
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| 49.8.2
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It has a central knob handle with moulded ridges that bears a red spoked wheel and a red band with a reserved rim. Additionally, it has a black and red down moulded handle with two bads at the bottom. Both sides depict a female head with ornate head dress, made of whitish thin bands and dots, shorter and thinner yellow ones, as well as of ovaloid or curving mottifs. A lock falls over, accross the neck. A spiral pattern is used to fill the surface between the end of the kalyptra (hair dress) and the beginning of another motif; a palmette, used as decoration on either side, while a floral pattern fills the space between the chin and the other side of the palmette. One of the heads wears a neclace made of yellow beads, while her earing is painted over the hair with big round spots. Between the two heads there are palmettes (fan-shaped ornament composed of narrow divisions) with added yellow for few details. Around the bottom of the rim there is a wave pattern to the left. The underside is completely reserved.
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| 49.8.3
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Interior: black with a central red dot. The underside of the rim has a leftwards laurel leaf pattern above a single red band. Palmette and tendril decoration below both handles. Side A: warrior with shield dressed in hoplite attire (but perhaps an Arimaspian, according to Schauenburg; cf. Hdt. 3.116), facing and fighting a griffin with traces of white on tail and mane. Rosettes in field. Side B: three robed women with yellow necklaces and hair decorations, facing left. Rhomboids with central crosses in field. Below the figures is a wave pattern. Stem, foot and base are black.
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| 49.8.7
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Inside is black with a reserved ring in centre (around hole) and a reserved band on the junction of the offset rim with the body. Rim is black outside and there is a moulded, reserved ridge above handles on the junction of the rim with the body. Two handles, one on each side are black on top and reserved underneath. Below the shoudler ridge is a band of lotus buds with dots all joined by a chain below, black band, band of eight inverted birds (cockerels and hens (?) one smudged) with a dot rosette. The figure zone is framed by thinly painted brown lines, two on each end. Black band follows and three thin brown lines which encircle the black rays rising out from the root of the stem.
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| 49.8.9
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Rim: There are three narrow, black bands (on a reserved area) between two thicker ones. The side of the rim, the neck and the underside of the handle are all reserved, however there are parallel horizontal bands framed by two thinner vertical lines on the back of the handle. The shoulder is decorated with black tongues. The body is covered with a scale-like motif and each of the scales is rendered with two incised lines at the edge. Additionally, each alternate column has a large purple dot and the columns between have a very small, incised dot. Above and below the scales there are two, broad, black bands, separated by reserved lines. The lower part of the body towards the foot is decorated with tongues (radial-shaped motif). The foot and the base and underside are reserved.
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| 50.10.1
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The interior, from the lip down, is reserved. There is a thick band on the lip and vertical bars on the exterior of the rim, then five bands, evenly spaced, between the rim and where the handles start. Neck (A,B): Panel between two triglyphs, each consisting of three vertical lines, a band of diagonal lines, and another three vertical lines. Panel filled with a long-legged bird facing left (body outlined and filled with vertical lines), filling splotches, and a horizontal triangle, cross-hatched, to the right. Shoulder (A,B): Seven vertical lines, panel, seven vertical lines. The panels are filled with (A) dog (silhouette) runing to right, with filling ornament, (B) same, but the dog chasing a hare. Horizontal bands cover the exterior of both handles, and the handle zones are outlined with a very thick band. Body: three horizontal bands; close zigzag; seven more bands; a large black band covering the lower part of the body and the foot. Resting surface and underside reserved.
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| 50.10.2
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Interior glazed black. The rim is decorated with black dots (possibly modern?). The walls are decorated with a floral frieze, consisting of 9-petal palmettes alternating with vertical tendrils (one of which is single and 5 of which are comprised of interlocking ss), framed above and below by two black bands. The lower part of the body is decorated with a thick black band, between two reserved bands. The foot ring is decorated with black bands on the vertical surfaces. The underside is decorated with a narrow black band around a central black dot.
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| 50.10.4
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The mouth is black inside and out with a reserved rim. The neck and underside of handle are also reserved, while the top of the handle is black. The shoulder is decorated with short lines and four palmettes (of which one is upside down) linked with tendrils. The back of the body is black and the front bears the representation of a draped woman in an unnaturalistic posture. She is facing right with her head and chest turned back to her left. She is holding a case (kiste? with drawers?) in her right hand and extends out her left (the gesture is as if holding a phiale). There is reserved line under her feet and the woman looks as if she stepps on it. Additionally, the foot's upper surface is black. There is also a small, concave section at the centre of the base.
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| 50.10.5
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Black inside with a reserved rim and a central circular reserved section with two black bands and a black dot. Two handles, one each side, are black except for the reserved insides and panels underneath. The exterior is black, with the exception of the handle zone decorated with palmettes and lotus buds on cable and a reserved band further down on the body. Reserved is the ridge at the junction of the stem and the foot, the side of the foot and the resting surface.
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| 50.12.13
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Interior shows remnants of white slip. Exterior, although very worn, shows a band of black across the top and some wavy black lines are barely visible.
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| 50.12.14
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Black paint faded to red. Interior: fine line on rim, below it one broader band. Exterior: broad horizontal band across the top with series of fine vertical lines at right angles to it. Two fine lines are joined together by fine horizontal lines, creating a square pattern.
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| 50.12.15
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Interior is mainly unpainted with a black line (faded to orange) directly on rim, another slightly lower. Exterior has a series of straight and curved lines to left of centre there are two parallel vertical lines and far left two horizontal parallel scalloped lines. To the right a single curved line and at the bottom a small semi-circle adjoining the lower end of the vertical lines with an larged dot in the middle.
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| 50.12.23
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'Psi' figurine, representing human figure with small head and upraised arms. Thin red-brown lines separated from eachother by a few millimetres are aranged horizontally across the figurine.
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| 50.12.43
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Exterior decorated with concentric circles. In the centre there is a solid painted circle. The painted lines are more densely painted at the top. The lines at the bottom of the circle are painted further apart. The inside is brownish-black.
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| 50.12.45
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Exterior: brown band at the top, with two parallel lines at a slant to the band. At the bottom are part of two brown circles or semi-circles, with a dot or two in the centre, and dots around the circumference. Interior reserved.
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| 50.3.1
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Red rim, mouth black inside but lower half reserved. Handles are black on top and reserved underneath. In neck zone are palmettes with dots joined by chain. Bars on shoulder. Side A; Dionysos holding wine cup, between two dancing maenads with ivy vines in the field. Side B; two warriors fighting over fallen man with spears and a shield with a leg motif and red details. Palmettes in field are attached to tendrils under the handles. Below are dots joined by zigzags with rays below. Moulded red ridge then black foot with uneven reserved band at base. Base is reserved.
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| 50.4.11
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Black glaze is rather silvered. Rim offset outside and inside. Two oblong, horizontal handles bending upwards, one higher than the other. Resting surface and underside of the base are reserved with a dot and black painted band around it. Foot is moulded in ridges.
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| 50.4.7
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The exterior and interior of the mouth, as well as exterior of handle are painted black. The top of the mouth and the underside of the handle reserved. Shoulder decorated with two rows of blakc painted rays. Those of the upper row are short. The body is decorated in the white-ground technique. Decoration on front of body; at top a band with geometric meander pattern, framed by thin black bands. In a square framed by thin black bands, net pattern. The lower of the body, the small stem and the upper part of the base are black. On the lower part of the body, the glae has not been applied carefully leaving thin lines on the colour of the clay. The exterior of the foot and the underisde are reserved.
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| 50.5.2
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The interior and rim are black, except for two red bands just inside the rim. The underside of the rim is decorated with a leaf-like band of design. The spaces between the attachment points of the handles are reserved. Palmettes occupy the spaces beneath each handle. On either side the figural scene is bordered right and left with tendrils spouting two quarter palmettes from volutes. Side A: A nude youth, standing profile to the right, with his left leg stepping on a rock, holds a stemmed plate in his upraised right hand (supported by his left hand). He faces a satyr, standing in 3/4-view to the left, who holds a bell in his right hand and a thrysos in his left; a himation is draped over his left shoulder and arm. Side B: Two standing, draped youths with walking sticks face each other. A reserved band, a reserved line, and a band of waves appear below the figural zones. The lower part of the body and base are black. Added white and yellow are used for details on both sides.
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| 50.5.6
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Vertical strap handle from rim to bottom ridge, extending over the rim, has parallel horizontal lines. Towards the top,a double bar cross. Inside is reserved except for the rim decorated with four groups of 8/10 vertical black lines, framed by a thin line above and two below, extnding to the upper part fo the body.The body has a zone of hanging spirals to the left,framed by two black lines. It is followed by a meander and four parallel black bands below, a zone of herring-bone. Either side of handle are three vertical lines. Herring-bone pattern sits on ridge which has two bands below. Base is flat and reserved.
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| 51.1.2
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Interior and exterior of the mouth, neck exterior of handles black, fired mostly reddish brown. The underside of the rim has a reserved band. Underside of the handles reserved. The body is all black apart from the metope carryint the figure decoration and a reserved band decorated with radial-shaped motif beofre the black foot, decorated with two red concentric bands. Resting surface, underside of the foot. The top surface of the rim is decorated with two, concentric, red lines. Another marks the junction of the neck with the shoulder. The neck is black (reddish brown on the reverse side). The main scene begins from the top of the shoulder (under a red line), down the main part of the body. There are two confronted bulls with their heads bent downwards. Added red on partsof their bodies. Between them, there is an ivy leaf (heart-shaped). They step on a thin, black line, which separates the shoulder zone from the body metope.
On the body, two warriors attack other two. All warriors have spears with teardroped terminations (three terminations are visible, the fourth is on a missing area) and wear helmets with coverings for the cheeks (only the right pair's are visible) with details (dots for the first and fillet for the second warrior) in added white (now fadded away). They all held shields as well. All are round, except for one. The right pair's episemata on the shields are visible (upper part of seated lion / tripod, rendered with added white that has fadded away), while the other pair's shields' interior is visible and so the porpax (handle) can be seen on the left warrior. Additionally, they all wear greaves. Added red on the contour of the shields, the interior of the shileds, helmest, one hoplite's greaves. Between the pairs there is an eight-pointed star. There are also two horizontal red lines below running around the body of the vase. Two horizontal red lines frame the reserved lower zone decorated with the linear motif. The foot is black, with two red horizontal lines. The base is reserved.
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| 51.4.1
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The top surface of the rim is reserved (but glazed), however, the side one bears a black meander pattern. Neck: at the left side there is the front part of a horse (head and two feet) and the right leg (thigh to toe) of the horse-rider, with incisions for detail (denoting also the bridle) and added white. At the other end there are two men, one behind the other. The fragment's termination is at the level of their knees. The first one (right end) has extended his arms, as if being a charioteer. Besides, the back part of the chariot can be seen over his white chiton. The stephane on his hair is executed with red. The black, male figure at the same level behind him makes a gesture as if holding something (invisible). He is wearing a short chiton and he is probably on the chariot too. Interior: There is a red, thin band at the rim and the rest of the surface is black.
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| 51.4.10
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Offset rim and interior is glazed black but streaky allowing red to show through. The two handles are also black on the top and reserved underneath. Beneath each handle is an ivy leaf on a long curling stalk. The main design on both sides is flanked by eyes, which have red centres and white incised bands around them, superimposed onto black. Side A is a seated youth in profile to the rightin chiton and himation (?. Added white on stool and red on chimation and fillet on his head. Side B is a tree (?) with detail added in red-purple . No substantial foot, but a reserved, flat base.
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| 51.4.2
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The top surface of the rim is reserved (but glossed), however the side bears a black meander pattern. The scene consists of two chariots, the left one with three horses (below their knees the piece is missing) and the right one with four (only two of the heads remain). The left hand side charioteer is not visible, however it is obvious that he was holding and stretching the bridle. The upper part of the chariot is also visible. The second charioteer wears white chiton and red stephane (fillet) on the head and his chariot is visible. Each figure has incisions around its edges, as well as for the depiction of details. Some parts of the horse bodies are emphasized by added red colour. Body: The surface is black. The interior of the neck and body is also black, apart from a red band at the top of the rim.
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| 51.4.3
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Rim: There is a meander pattern at the side. Neck: There is the procession of two chariots. On the left chariot 3 horses are visible, however they must have been four (four pairs of legs). In front of them there is a charioteer wearing a chiton (the added white has faded away) and the largest part of the chariot as well as some of the horse's feet and tails are visible. The details have been rendered with added red and incisions (especially for the tails and mane of the horses). There is also a black line below the figures, in order to denote the ground. The body of the vessel is black, as is the interior, apart from the top surface of the rim that is reserved (but glossed) and a red, thin band on the upper neck.
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| 51.4.4
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Rim: The side surface bears a black, meander pattern. Neck: A procession of two chariots, each with four horses (four pairs of feet) but only the first charioteer is visible, wearing a chiton, whose added white colour has faded away. There are incisions to denote the details, as well as added red (especially for the tails and mane of the horses).There is a black line under the scene, to render the ground. Body: It is black and so is the interior, apart from the top surface of the rim that is reserved (but glazed) and a red, thin band at the upper neck.
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| 51.4.7
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Interior surface is black. The exterior surface is black for top half and there is traces of a design on the lower half. It appears to be a lion attacking a goat. The necks of both and the tongue of the lion are purple.
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| 51.4.8
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Neck and mouth, inside and outside, are black. Decoration in a panel. The top of th epanel is decorated with small balck tongues. Under them,lotus buds and flowers, purple patch on each flower, with a row of black dots above them. Cock to the right faces swan to the left, with extended wings. Added purple on wings. Above cock, dots and small line, ramines of an unidentified decorative pattern as background decoration? The rest of the body and three handles are black. The resting surface and interior of vessel are reserved. The glazed interior of the neck is decorated with 3 thin purple bands. Under the decorated panel, two thin purple bands, running all around the body of the vessel. Underside of the handles reserved.
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| 51.4.9
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The rim is black, both on the inside and on the outside. The back of the handle is also black, but the underside is reserved. The neck is reserved, but glazed apart from a thick purple band on its lower part. On the sloping junction of the neck with the shoulder, black tongues. Both interrupted at the joining point of the handle to the neck. The shoulder is covered with a guilloche (pattern of interwoven fillets) with teardropped terminations. In the middle of two upper and two lower black lines there are two rows of black dots that begin on the edge of the second left figure of the main scene and stop at the edge of the last person. In the centre of the scene, a male figure in profile to the right with as short mantle, a quiver on his back (Herakles) is attacking a kneeling Amazon. With his left hand, he is gradding her from the air and with the right he is holding a sword, with which he is ready to kill her. The Amazon, in profile to the left, is wearing a helmet, holding a very long spear with her arm and her shiled with the left. From his waist, her sword is hanging. This scene is flanked by two other battle scenes. On the left side, an Amazon is attacking a Greek. He is wearing a cuirass, helmet, he is hloding his spear and his shield and he is shown ready to fall down. Tha Amazon has atteacked him with her spear. She is wearing a helmet and a short chiton. On the right, an Amazon and a Greek are shown in profile running towards the left, projecting their spears. The Amazon is wearing a ahsort chiton and a helmet. She is holding her shield, covering large part of her body. A frontal head of a lion decorates the shield. A sword hanging from her waist. The male warrior wears a short chiton and has a shield and a helmet. The Amazons have long hair and wear helmets with longer and bigger crests. Incisions and added red are used for details. Added red: parts of the chitons of the warriors anad the Amazons, hair of the warrior in the middle, fillets on Amazon's heads and the frame of the shield of the running Amazon.
Below the scene, there are two lines (not evenly formed at all in their length) and a band of added red. Below that, the vessel is black, with two concentric circles on the surface of the foot. The resting surface is reserved.
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| 51.7.10
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Inside is black and red, very thin and streaky in a swirl pattern. Handles are painted black. Around outside, between handles are vertical bars. The rest of the surface is black with some traces of red bands, except stem which is reserved. Side of footring is black, base is concave and reserved.
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| 51.7.11
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The interior and rim are black, except for two reserved bands on the interior, at the top and bottom of the lip. Just under the rim is a laurel wreath, facing to the right. A palmette fills the space beneath each black handle; a series of dots mark each handle zone. The scene on each side is bordered by two tendrils that emerge from the ground, in most cases flanked by two smaller tendrils; at the centre of each large tendril is a volute, from which spring two demi-palmettes. Side A: Wreathed, draped Apollo stands in 3/4-view to the right, holding a laurel branch in his right hand and a phiale and fillet in his upraised left hand. He faces a white-haired, bearded Papposilen, who stands in profile to the left. The Papposilen wears a taenia on his head, an animal skin (nebris) over a shaggy-white body suit, and slippers. He holds a mirror in his upraised left hand and a lyre and a fillet in his lowered left hand. Above him is bust of a goddess, probably Hera (or Leto, or Cyllene?), with her face in profile to the right, enclosed within a window, outlined in white. She wears a high crown and jewellry and holds a sceptre in front of her left shoulder. There are ivy leaves in the field. Side B: Two standing, draped youths, facing each other and wearing wreaths. The left figure has a 'V' drape on his chest and his left hand is barely visible; the right hand of the right figure emerges from his himation; he holds a branch out to his companion. Beneath the scenes is a band of right-facing waves. The lower body and foot are black, except for a reserved band on a groove at the top of the vertical surface of the foot, and the reserved underside.
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| 51.7.12
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Originally two handles, now only one remains, but they were both black, as are the interior walls. Exterior design shows a similar picture on both sides of a youth wrapped in leimation. Beneath each handle is a palmette with spiraling tendrils and serrated leaf below. Bottom of body below decoration black. Reserved ring on top of foot. Footring black inside and out, base is reserved with central dot and two circles drawn by hand.
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| 51.7.13
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The mouth is black at the top of the interior and the lip is reserved; the handles are black as is the body where they are attached, and the foot, except for the underside. The neck is decorated with a six-leaf palmette on each side. On the shoulder, beneath two reserved bands, are tongues that suggest the effect of ribbing. A white fillet has been painted over the 'ribbing' on both sides. Two thick, black lines (carelessly rendered) encircle the shoulder. A large palmette fills the space beneath each handle. A female head, shown in profile to the left, is shown on each side. Each women wear a kekryphylon or kalyptra and has her hair tied in a knot. Strands of added white (ribbons?) emerge from the hair. There are also thin lines (carelessly rendered) beneath the main scenes. Beneath the main scenes the vessel is black, except for the reserved stem and underside. The stem and the resting surface have been treated with a darker red wash. Red sections are streaky and dull, and some of the 'black' became red through misfiring.
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| 51.7.16
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Black mouth inside out, except for reserved top surface of the rim, exterior of handles, interior reserved and underside of the foot black; Between the handles are double (mirrored) lotus-enclosed palmette friezes, enclosed between red lines. Below the ridge at the base of the neck are alternating red and black tongues. Beneath each handle is a vegetal design comprised of three lotus buds, each arranged at right angles to each other, so that their stems form a diamond that encircles a dot, yet extend to four palmettes (two above and two below) that flank the figural zone. Beneath the figural zone is a series of friezes: two lines; a maeander (Greek key) to left; two lines; a frieze of upright leaves interlinked by arcuated stems; two lines; rays extending from the base. The preserved part of the base is entirely black. Side A shows a quadriga (four horse chariot) wheeling around, so that the front of the horses seem to pass a crouching warrior holding out a spear at a near horizontal. The helmeted charioteer holds a large shield. Side B shows a helmeted warrior, standing between two attendants. The warrior holds a shield with a lion-head sema, wears a chlamys, and holds a pair of spears at right angles. The (male) onlookers, both bearded, wear himatia that enclose their arms, and each holds a staff upright. Detail is incised on both designs. Top of foot and side are black and the underneath is concave and black. Added red on horses' manes and the contour of the shield.
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| 51.7.2
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Lid: The centre of the top of the lid is reserved, surrounded by two concentric bandsone red, one reserved then a red circle, from which a band of tongues radiates. This is surrounded by a scallopped black band (fired red on one side), then an inverse wave pattern (waves leaning to the right), and finally a reserved band. The outer edge of the flange and the upper part of the body are glazed black. The remainder of the body is decorated with an egg and dot band (for which each eggs is a thick u circumscribed with a thin u), then a black band, then a wave band (with waves leaning to the right). The lower rim is reserved. The interior is glazed black, misfired to red on the underside of the top. Pyxis: Entirely glazed, fired mostly black on the exterior (with some red patches on the flange and the top of the body), and red on the interior.
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| 51.7.5
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Interior reserved; black glaze on mouth and upper half of neck, as well as upper half of handle; lower part of neck decorated with tongues that suggest ribbing; shoulder decorated (except under handle) with an egg-and-dot frieze between two black lines; reserved space at lower part of handle and handle attachment (interior) suggest that the mouth and neck were dipped. Body decorated with a frieze consisting of 7 clusters of three white dots at the top of a figural scene (arranged in upside down triangle shapes): a female figure, standing in 3/4-view to the left, in a relaxed posture with her left leg crossing her right, and her left elbow resting on a pillar (the curvy element in added white suggests that this is meant to represent natural rock). She wears a hairband and kekrphylon on her head, triple-dot earrings, two or three necklaces (two strands of white beads beneath a black line), two white bracelets on each wrist; a belted sleeveless chiton, and white slippers. She holds, in her upraised right hand, a mirror surrounded by white dots, and, in her left hand, a phiale that is surrounded by white beads, as well as a beaded sash. A large palmette, with a white dot on the heart and white dots on each volute, fills the space beneath the handle. From each volute emerges tendrils and floral decoration that frame the image of the woman. A 6-petal rosette fills the space to the right of the woman; to her left are a window and a dotted circle (cog-wheel?) in the upper left field, and an olive branch in the lower left field. On the body, beneath the figural scene, are a single reserved band and a thicker black band. The foot is reserved on the top element, and glazed black on the ridge and lower element; the underside and resting surface are reserved.
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| 52.3.1
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Mouth black inside and out, apart from flat exterior. Handles are black on top and sides but reserved underneath. Palmette and swirl pattern in black on neck. Small ridge at base of neck and vertical black tongues on shoulder. Side A: Heracles and Triton or Nereus (both equally possible as monster has tail and old man with staff associated with Nereus, but is unclothed as associated with Triton) with one male draped onlooker in profile to the left carrying a stick. The opposite side (B) is of a warrior (shield emblem chariot body painted in white) between two male draped onlookers carrying sticks. Added red on onlookers mantles, Nereus beard, and white on the shield. Below figures is a double row of large dots, bewteen two narrow bands with rays below to foot.Undr the handles, lotus and palmette . The foot is black and has two steps. Resting surface and conical base are both reserved.
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| 52.3.3
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Inside is black on neck and rim but reserved inside the body apart from numerous black splatters of paint. Diamond pattern with dots on rim, rays and palmettes on rim above each handle. Side has dots and two rows of wavy lines. Handles are black as is the neck between them. Neck design same as on rim. Row of tongues on shoulder. Scene similar on both sides. Each side is flanked by a vertical line of hearts/ivy leaves with dots between lines. Side A: three youths, robed, one with a staff, two facing left and one facing right. Side B: three youths, robed, around a stele (?), two facing left and one facing right. Figures are ruddled and detail picked out in black. Below is a band of ivy leaves. Foot is black and ridged. Base is reserved and conical inside foot.
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| 53.8.1
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Glazed black except for a reddish band around the omphalos. Relief decoration encircling the omphalos consists of (from centre out) eight raised dots; two ridges, a figural frieze, and a vine wreath. The figural frieze depicts the apotheosis of Herakles (procession to Mount Olympos). Four quadrigae (four-horse chariots) are driven in 3/4-view to the left by winged victories, each with a different passenger: (1) Athena, (2) Herakles, (3) Ares and (4) Dionysos (?). Small flying Erotes hover behind each chariot.
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| 53.8.4
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Molded, downturned rim with a flange (for lid); incurved horizontal round handles; deep body with nearly vertical sides that are slightly concave above the handles and convex below, curving sharply at the bottom into a broad, short stem, on top of a molded disc foot, recessed underneath in two degrees. Black gloss with red figure decoration. Side A: a female head profile to left, with small dotted circles in the upper field on either side; side B: palmette. Interior: a reserved band within the rim. Exterior: a band of vertical bars under the rim (with applied red wash); a reserved band around each handle attachment (also with red wash); a stemless ivy beneath each handle; narrow reserved band beneath figural scene; reserved band on the upper part of the foot; underside of foot is reserved and stained with red wash.
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| 54.2.1
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Interior red for black. On outer surface are horizontal parallel bands of brownish black, increasing in width from neck downwards. Rim is slighlty outturned.
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| 54.2.3
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Upper part of the outside is buff whereas the lower part and the entire inside are both pink. On the outside buff section, are coarsely incised groups of lines in groups of three. Some are vertical and others are inclined. Pink foot and resting surface and base. Base has central convex section.
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| 54.8.1
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Inside has a ribbed texture and is reserved apart from thin bands around rim with vertical bars overlapping the rim. Single ribbon handle which is unevenly bent, has horizontal lines down back and is reserved underneath. Procession of seven mourning women, in profile all facing right, framed by wavy lines, with two bands above and below and three vertical lines at right and left of panel. In front of the sevnth woman there ae three loop patterns, with dots. The women are wearing long garments, have long hair and ftech one arm over their head, as a mourning gesture. Face drawn in outline. No use of incision for any details. Below 'SSSS' pattern, then horizontal lines. Moulded ridge and groove below around foot. Base is flat and reserved.
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| 56.8.4
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Black inside and out except for an egg-and-dot band framed by two black lines at the front of the base of the neck, the figural design, and the reserved underside. Body: A satyr seated between two similar palmettes (the left one larger; each is comprised of a flower in the middle of two volutes framed by a short half-heart-shaped pattern on either side). The satyr is seated in 3/4-view to the left on a rocky mass that is spotted (perhaps it is covered with an animal skin). He looks profile to the left and he wears a taenia or band on his head, as well as a long, beaded necklace over his left shoulder and across his chest. He holds a phiale (its rim is marked with yellowish dots) in his left hand and a fillet in his right hand. The fillet is purple. The taenia, necklace, and rim of the phiale are coloured white with yellow wash. On the back a drip of (probably accidental) white paint.
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| 56.8.7
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Interior glazed. On top, curved surface, are tongues which alternate black and white, the black ones also framed by black lines. The underside of the rim is black fired reddish brown. Thick stem and wide, with a plastic ring to the joint with the base. Flat base, curving upwards. Resting surface and concave base both reserved.
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| 56.8.8
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On the exterior of the rim, S pattern. A fight of three warriors between onlookers; on the left, an onlooker between two runners, on the right, a runner between two onlookers and at the back a floral motif (lotus-palmette cross?): Two semi-spherical palmettes chained in the middle by circular bands, dotted in the centre, and held on a columnar motif with similar (only more conical) palmettes as endings (top and bottom) by black strips. Many of the figures appear to be holding spears (in the case of warriors) or have in front of them the same attribute (long, thin, vertical or diagonal lines). There are variations in the rendering of armour, hairstyles and drapery, mostly executed by incisions.
The scene is framed by bands, top and bottom. Above the top band is a reserved circle, a thin, red, circular band and then the vessel is black up to the base where there is another red circular band. The interior of the footring is black. The broad, reserved base has a black circle inside a black band in the centre. Additionally, there are six dots (four are bigger) placed randomly on the reserved area of the bottom.
Interior: The surface is black from the rim to the tondo, except for two, red, concentric bands approximately 1 cm within the carination, and a similar red band framing the tondo. Inside the tondo is a representaion of a cock in profile to the right with a flower-bud emerging in the background. Red paint: tail, wings. Moreover, incised over the red ring surrounding the tondo there is a mercantile graffito (?).
The handles are black but reserved within.
The underside of the foot decorated with black dot at the centre, surrounded by black band and 6 black dots around it, uncanonically placed
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| 58.2.4
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The lip of the jug is decorated with black lines compartmentalising the area; within every other compartment there is a design of lines of black dots. This design is carried on part way into the interior of the vase and onto the spur. The underneath of the rim is delineated with a black line. The neck is decorated with three compartments of decoration of unequal size. The compartments are divided by two black lines which enclose crosses surrounded by diamonds. Within two of the compartments there is decoration consisting of lines of vertical dots hemmed in by horizontal lines on either side; underneath are crosses with dots in each section and above is a mixture of crosshatching, lines and dots. The third section is undecorated apart from six groups of three diagonal lines, which form a vertical stripe of decoration under the handle. The body has decoration of long and short double lines containing cross-hatching reaching for the base (within the gaps there is a cross with dots in each section), below two such lines enclosing a string of continuous horizontal diamonds. The base is decorated on both faces with lines and circles. The handle is also decorated with black lines.
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| 59.6.1
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Glazed black on interior, except for a reserved concentric band in the middle of the bowl. Exterior: Black-glazed rim, exterior of handles, lowest part of body, stem, and upper part of foot. The lower part of the body is decorated with a floral frieze, consisting of (on either side) three palmettes. On side A, and the right palmette on side B, each palmette is dotted on either side of the central petal. The right-most palmette on side A has a vertical band (drip?) to its right. The left-most palmette on side B has a vertical worm on either side of it. Under each handle is an upright ivy leaf. Below this frieze are two narrow black bands.
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| 61.6.4
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Decoration fired medium-dark reddish-brown rather than black, except at the centre of the front. Interior glazed, except for a narrow reserved band at the top. Exterior glazed on rim, exterior of handles, lower part of body, exterior and interior of foot, and thick band around a bull's eye on underside (namely a band around a dot. Body decorated on either side with a tall 5-petalled lotus between two 15-18-petalled palmettes. A single ivy leaf, upright, floats beneath each handle. Beneath the palmettes and ivy leaves are two black bands.
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| 62.5.1
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Decoration is dark (brownish-black fading to red) on a light ground. The interior is decorated with bands around the rim and in the bowl (with an ill-made join). The exterior is decorated with a band around the rim, brown fading to red on the exterior of the handle, and another band where the cup tapers to the base, beneath which six narrow bands in dilute glaze are evenly spaced to the foot, the exterior of which is red.
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| 65.6.1
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The mouth (exterior and interior), larger upper part of the neck and the handle are black (uneven and at most areas reddish brown) apart from the upper surface of the rim, which is red. There is a grey line on the neck and the surface of the shoulder bears decoration of voluted palmettes with narrow divisions and tendrils, widely spread to fill the space. The upper part of the body bears a meander pattern between two pairs of brown lines (above and below). Every fourth meander the pattern is interrupted by a saltive cross with a dot on each one of the triangular surfaces around it. The meander pattern continues as far as the scene below it is depicted. Main scene: A young man, wearing underwear? is seated on his himation, at the left side of a two-stepped tomb or pedimental funerary monument (grave-stele). At the right of the scene, a woman wearing a black and red peplos is bringing offerings. There is a brown line below them and the rest of the vessel is black, with the exception of two exteremely thin lines that are reserved at the joining point of the foot to the body and the side surface of the foot that is red, although the slip has not been evenly applied on the whole of the surface. Lastly, the resting surface is reserved.
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| 68.12.3
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Black glaze on the exterior of the upper element of the knob, with two rows of short vertical bars on the globular lower element. The attachment of the knob is surrounded by a thick band and a thin line, then tendrils atttaching 5 evenly spaced vegetal elements, namely a lotus bud, an 11-leaf palmette, a 5-leaf palmette, a 10-leaf palmette, and a 6-leaf palmette. This frieze is surrounded by a thick band, a row of dots, and a thicker band. The bevel and underside are completely reserved.
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| 69.7.1
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The inside of the mouth is black and the aperture is marked by a thin, black line. The lip is decorated with black tongues, with intervening white dots. There is also a zig-zag band on the vertical surface of the rim. The neck is black. The back of the handle is decorated with a voluted palmette (incised) with tongues (black and reddish) on the top. From the ankle, just below the neck, emerge alternating black and red tongues (contoured with black lines). The foot itself is entirely covered in a thonged sandal that ties at the front with a ring-shaped knot. The sandal is indicated with relief straps that are painted in reddish-brown colour. The edge of the sole (crepis) is decorated with two rows of black dots. The base is reserved.
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| 70.3.3
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Applied red wash except lower body, foot and base, which are reserved. Black glaze is applied to the interior in a swirl and the rim is also black. Handles and large semicircular spaces under each handle were also treated with black glaze. Both sides depict an owl flanked by olive sprays.
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| 71.12.2
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Circular with flared edges which are fanned. There are concentric circles around the central carved dot of the vessel: A small, incised one, two larger, that seem to be in low relief and one that contours the others, incised. There is also a carved line that separates the rim from the body (exterior), which becomes double at some point. In the centre one small hole, on the surface of the bronze two incised grooves and four smaller holes positioned symetrically around the bigger hole in the centre. Inscised petal decoration around the centre hole. Four fine grooves around the centre decoration and then twelve further holes around the edge the same size as the four smaller holes. Edges fanned with large grooves.
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| 71.12.3
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Ornamental head around with are six horseshoe panels.
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| 71.6.3
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Inside is streaky black showing red through. Handles and outside are also black. Side A: A woman standing with her back to a chair, holding out a fillet in her right hand. Side B: A youth in himation holding two spears (?) of which heads are not visible, being too tall for space avaliable. The detail on both figures is picked out in black paint. Two ruddled bands run around base of pot below figures. Foot is black on top and side and inside foot ring; resting surface and underside reserved. Base is ruddled and has three black bands and a central black dot.
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| 73.6.1
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Fragment appears to be showing two characters, though only their legs and part of the robes they are wearing are visible; it could be part of a story being told. Beneath the feet of the characters are two circular lines which, probably part of a pattern. On the left side of the fragment are several lines with dots around the outside of them which could be a visual representation of grape vines. Around both the vines and next to one of the characters are several larger black dots that could be larger fruits. The right side of the fragment appears to portray another pattern consisting of several wavy lines, though this one is harder to fully make out than the others.
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| 73.6.3
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Black figure painting consisting mainly of two large straight lights, one at the bottom, and the other in the middle. There are several patterns on the upper part, though it is challenging to fully make out what they are, though it is likely they are forming part of a story portrayed across the rest of the pot.
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| 73.9.23
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Fragment with both red and black on it. On the surface (depending which way up you hold it!?)On the left there is the edge of a curve with two black dots inside it, to the right of this is a vertical line. To the right of this line are what could be the edge of two big petals or leaves., in the centre of the first there is a dot and a line. Underneath all of these shapes is the edge of what seems to be a big circle in a red coloured gloss. The back of the fragment is covered in a black glaze that has come out as red in patches(?)
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| 73.9.31
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Painted on patterns that are hard to make out, though likely part of a larger image when the whole item is assembled into one.
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| 73.9.32
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Plus symbol and a straight line symbol painted on outside, likely part of a larger pattern on the object it is originally from. On inside are two differing shades, one a dark grey colour, and the other a dark brown, the grey being on the outer side, and the brown on the inner.
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| 73.9.8
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The rim, leading to a band on the ouside is black, as is the entire inside of the fragment. Below the band on the outside is a horizontal 'S' shape pattern with small dots above and below it. To the left of this is a big black blob, which is slightly raised to suggest a handle ? Below the 'S' shape are four parallel lines, below which is a thin brownish band, a gap, and then what looks like the edge of a black circle. The second fragment has no rim and also shows a black blob which looks like it should be the base of a second handle. The inside of the fragment is againentirely black. On the outside of this fragment, there is no 'S' shape pattern or parallel lines, but there is a brownish band, below which is the edge of what seems to be a black circle, the same as fragment 'a'.
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| 76.6.1
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Exterior of the handle and upper part of the body, the interior of the trefoil mouth and the back side of the neck are painted black. On the front side of the neck, decoration on a metope. Probably black painted horizontal bands (?). On the shoulder is a row of large black, irregular dots. Body has as chevron design and base is decorated with a cross hatch pattern all over.
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| 77.5.1.1-17
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The interior is reserved (although covered with plaster on most of the fragments), apart from the upper parts of 13, 14 and 15, that are black (unevenly applied). 1) On the left, there is part of a naked male figure (thighs to toe), facing right and next to him there is the lowest part of another similar figure facing right. Below them, there is part of a black band. 2) There is part of the right part of the previous figure (chest to toe). On the right side of the fragment, there is a figure's forearms (projected to the left, the right hand holding a round object) and part of the right knee. 3) Part of a naked male figure, leaning to the left. Details with incisions and added red. 4) Part of a lions's paws and below it part of a broad, black band. 5) A male figure's thighs and part of a bird? (executed with incisions and added red). 6) The right part of the previous bird? and the right tibia of a male figure , facing left. 7) The thighs of a male figure facing right. On the left side of the fragment there is part of a black and red motif? 8) The upper part (chest to thighs) of a naked male figure, facing right. 9) Part of a male figure's thighs, facing right. 10) The previous figures lower part of legs and part of a black band. 11) The biggest part of a bird, executed with black, added red and incisions. 12) On the left, there is the rest of the previous bird. Next there is the lower part of a lion, executed with black, addeed red and incisions. Behind the lion, there is the lower part of another male figure (chest to feet), facing left and behind him there is part of a bird. 13) The upper part of a satyr (head to thighs), facing right. His hair and beard have been rendered in added red. 14) The lower part of the satyr, chasing a maenad on the right (her right leg is only visible). The details of her drapery are in red and her tibia is white. 15) The left left of the running maenad. On the right, another satyr chasing a maenad (lower part of the figures is visible). 16) Part of a broad, black band. 17. Bit of plaster.
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| 78.12.15
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Moulded ring around the discus, moulded decoration of an oak garland on the discus. Single volutes on both sides of the nozzle. Red wash all over, certain patches are darker than others.
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| 78.12.2
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Upper handle has five band incisions, lower has three, equal radiating bands along the shoulder disturbed by the nozzle and the handle. Discus is plain, slightly concave with a small central circular filling hole. Sides of nozzle incline and are slightly raised, forming a triangle of the back of the nozzle. Lower body is plain with smooth surface.
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| 78.12.22
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Moulded ring around discus, within is a "Throx" gladiator in relief standing on base-line; helmet, shield, sword, top of greaves distinguishable. Moulded single volutes on either side of the nozzle shaft, at their termination are raised marks towards the base. A faint raised line next to the gladiator on the right. Red slip all over.
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| 78.7.1
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Two handles on opposite sides at top. Inside black with convex centre. Around rim are incised pendants on side A and two parallel lines with row of white dots above and below on side B. Below pendants is a pair of incised lines, a row of red dots, a grape vine with pendant grapes, leaves and tendrils. At base are three uneven circular shapes above reserved band. Black band around rim of foot. Base reserved and raised. Glaze partly faded.
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| 79.1.15
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Handle is the stem of the moulded bunch of grapes, extended from the grapes, to the left, are four round circles resembling fish scales; extended from them are five long, thin leaves resembling feathers. Top right of grapes is an opening; a purpose built hole.
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| 79.1.16
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Two bands of laurel leavess with berries on either shoulder between the handle and nozzle, discus decorated in raised moulded relief of a fourteen petal warped rosette. Two very small circles are placed at the body end of the nozzle, on either ridge of its top. Moulded line along the crest of the handle with two small lines either side of it at the front of the handle. The back side of the body, under the handle are three lines; the central is straight and terminates at the base with a bud either side, the other two terminate in volutes. Red wash all over.
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| 80.7.1
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Interior glazed black, except a reserved band around the bottom of the bowl. Lip, lugs and exterior of handles also glazed black. Exterior: a band of lotus leaves on the rim, and a figural frieze on the body, with black bands above and below it; another black band just above the foot; the exterior and interior sides of the foot ring are black, while the resting surface is reserved; the underside is reserved, except for a black dot with black and red circles (one each) around it. The figural frieze shows: two confronting sirens, in profile, on either side of an inverse lotus bud; a water bird, profile to the left, turning its head profile to the right, back over its bod; two confronting panthers, both turning their heads to the front, on either side of an inverse lotus bud; another water bird, similar to the first except its beak touches its back. A 6-pointed star decorates the field beneath each creature.
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| 83.2.5
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Short horn shaped piece of terracotta in a pale yellow clay. On one side are several brown/red coloured lines, likely part of a larger pattern originally from the item the horn was broken off from. They appear to have been worn away over time.
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| 83.9.31
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One side of fragment is glazed black with a palmette design. Flowers are situated around a small, indented circle with six tiny indented 'U' shapes inside it. The other side of the fragment is mostly rserved, with a black band at the rounded part of the piece. Near the pointed part of the fragment there is an outer black circle, followed by a smaller black inner circle. Inside the inner circle there is a black dot.
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| 83.9.33
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One side of this fragment is black glazed with four flowers on it. The flowers seem to be separated off into pairs, as in between them there is a line with up-side-down 'U' shapes inside it. The other side of this fragment seems to have the remains of what would have, perhaps, been a rim. The rim has black strips on either edge and a strip of terracotta on the top. This 'rim' has more fragment on each of it's sides, which are glazed black.
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| 83.9.35
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One side has a single flower on it. If you are looking at the fragment with the flower at the bottom, then above that there is a band which has up-side-down 'U' shapes inside it. The other side seems to have alternate black and terracotta strips on it. One of the terracotta strips appears to be indented.
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| 83.9.6
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An almost round, single fragment of a foot to a pot. Base of foot is reserved, with a black indented inner ring; inside this are three more reserved rings, surrounded by thin black circles. In the middle of the rings is a tiny black dot. There is a thick black band all the way round the sides of the foot. The side of this fragment which would have been the inside of the pot, is black and details four flowers grouped together.
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| 84.8.1
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30 fragments, largely side B, small part of side A, handle and rim fragments. Side B three youths. a) The top surface of the rim is black and so is the interior, apart from a reserved area at the end of the rim that bears a thin, black line. The neck is decorated with a vague representation of a brach with laurel leaves. The joining point of neck and body that is preserved bears part of a black, thick line. b) The interior and top surface of the rim is black, with the exception of a reserved band on the end of the rim (interior) that bears a thin, black line. c) The handle is black, except for the surface that would not have been visible if it was attached on the vessel, which is reserved (but glazed). Around the spring of the handle there is a motif between two thin lines that resembles the ionic cyma (egg-and-dot). The rest of the vessel is black, both on the outside and the inside. d) The handle is black, apart from the surface that would not have been visible, where there are two dots. Around the spring of the handle there is part of the ionic-cyma motif. e) There is part of the ionic cyma motif that the handle bears around its spring and the rest of the surface is black (interior and exterior), apart from part of a small chess-shaped motif, framed by a line above and two below. f) It is black apart from an area that bears a small part of the motif that contours the springs of the handles, a small, diagonal, reserved band (exterior) and a reserved band (interior). g) The surface is black (interior and exterior) except for three thin lines that are reserved. h) The interior is black. Exterior: Above a double-meander pattern, placed on a reserved band and between two lines, there are two heraldic lion paws, even though the details have fadded away. i) The interior is black. Exterior: The lower part of the drapery and the foot of a figure, surrounded by black colour. j) Black interior. Exterior: The lower part of a vertical, reserved thin band is standing on a broad, reserved band that bears between two black lines part of a pattern that consists of a meander and a cross on its right. The cross is contoured by a reserved area (around its sides), while its is executed on a black background. k) The interior bears a thin, reserved band. Exterior: The back part of a male figure's head and shoulder, as well as part of the drapery. l) Black interior. Exterior: The male figure's shoulder and part of his draped body. On his right there is the outer part of the motif that contours the springs of the handles. m) Part of the male figure's leg, knee and tibia, which is projected, as if he is ready to take a step. On the left top side there is part of a vertical, thin, reserved band (upper part of a walking-stick). n) Black interior. Exterior: The lowest part of the figure's drapery and a vague representation of his feet ? He appears to be standing on a pattern that consists of a chess-like motif close to two, double-meander ones, framed by two lines above and one below. o) Black interior. Exterior: The lower part of the figure's walking-stick that seems to stand on the double-meander pattern. On the left of the walking-stick, there is part of the back side of another draped figure (male), with the same careless rendering of the feet. p) Black interior. Exterior: Part of the walking-stick and drapery of the second figure. q) Black interior. Exterior: Small part of the second figure's drapery. r) Black interior. Exterior: Small part of the second figure's drapery. s) Small part of the second figure's drapery. t) Black interior. Exterior: Part of the lower termination of the second figure's drapery as well as his right foot? On the left, part of his walking-stick. He seems to be standing on part of the double-meander pattern. u) Black interior. Exterior: Part of the pattern that consists of the chess-like motif, next to part of a double-meander one, on top of which there is the lowest part of a figure's foot? (clumsily rendered). v) Black interior. Exterior: The lower part of the drapery and right foot of another similar figure that satnds on the double-meander pattern. w) Black interior. Exterior: Part of the figure's drapery. x) Black interior. Exterior: Part of the figure's drapery. y) Black interior. Exterior: Part of the figure's drapery. z) Black interior. Exterior: Part of a male figure's arm and hand. aa, ab and ac) Part of the rim and neck. The exterior bears a broad black band and the interior bears a reserved area between two black bands. ad) There is a reserved line on the interior, while the exterior is black, apart from a reserved spot of unclear shape and another, similar one that bears a thin, black line.
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| 84.8.2
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Amphora stamp. Stamp is rectangular and letters are in relief and takes up most of the handle. There is a small hole in the break of the handle.
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| 84.8.3
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Amphora stamp. Stamp rectangular and takes up most part of the handle. Letters are still visible but worn. Small hole in break of handle.
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| 85.3.1
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All around the neck (except where the handles would have been attached) is a band of chained together, inverted teardrop shapes and dots within two black lines. Main decoration on body consists of two bordered figural scenes; Side A: Dionysus on donkey led by boy; Side B: Hephaistos (Dionysos, according to Mannack) on donkey led by boy. Both scenes are bordered by two lines of vertical dots between three vertical black lines at the sides, and a series of alternating thick and thin vertical black lines above. At the bottom of the body is a band of upward pointing rays.
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| 87.2.1
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Horse decorated with white slip on pale orange, with dark red (for black?) stripes on chest, legs, mane, tail, and harness. Head and mouth of the horse shows representation of bridle, with thin horizontal bands down the neck representing the mane. There are two horizontal bands around the main torso of the horse. Horizontal bands also decorate the legs, chest and tail of the horse figurine. Front legs are slightly projected forward, as are the rear legs backwards. The legs are straight and disproportionately long compared to the head and torso.
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| 91.12.3
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Three small pointed legs, of which two are on the shoulders (one on either side of the mouth).
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| E.23.18
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Head only (more rounded than E23.17 and heavier) and part of the headdress. Brown pigment on face, black and white pigment for eyes. It is unclwear what kind of decoration there was on the headdress, however both the carved and painted facial features are very distinct.
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| E.23.2
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Funerary stele with vulture wings surrounding the solar disk, common during the time period. Below the wings is the text of the stele, surviving intact. Two men are depicted adoring the god Re-Horakhty, whose presence is indicated not only by the uraeus and sun disk but also his name inscribed in the text. It has been suggested that the dress of the figures indicates that they are Nubians; this is confirmed by the oddity of their personal names. The sky is depicted above the winged disk, each end being supported by the symbol of the west (on the left, only the top of the feather survives) and the east (on the right, more or less complete). A signature, possibly belonging to Flinders Petrie has been found above the head of the right hand figure.
There is only one viable interpretation possible, when one combines the depictions with the details found within the text. The stele depicts the man Serep and his son Tkr-Irt-Hrw, not as has been assumed Serep with his Ka. A personal Ka has no need of the title m33 khrw, which is a title of the deceased, thus two deceased are depicted. There is no question that Serep is a man as he is depicted in male dress and has the male symbol after his name.
There is enough evidence to show that the stele was once painted. Red pigment on the sun disk of the god is the most apparent, though a similar (if not the same) is found in several of the hieroglyphics and on the deceased as well as faint traces on the column to the right. A yellow stain remains in the first two columns, which could be remains of the paint used to fill in the columns. The combination of colours matches well with the red pigment found in the glyphs.
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| E.23.3
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Model of Nile boat, with six rowers with six oars and a steersman standing and steering with paddle. Another figure standing in front of steersman, by mast, and a final figure sitting behind the rowers. Figures are painted with brown pigment for skin, black pigment for hair. There is a faint red pigment on the 'deck', going from top to bottom and then several horizontal lines. It is unlikely that all of the figures are originally from this boat. The number 886 (988) is visable on the boat, which likely the tomb number.
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| E.23.32
|
Jar perhaps coloured with a white wash. There is a purplish-brown band in the shape of a 2 x 2 grid around the shoulder and also in two bands around the neck. There are marks in this pigment elsewhere on the body, particularly around one of the handles. There are also concentric incisions, perhaps wheel marks.
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| E.23.4
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Inscribed band marking line of shoulder, three uneven lines around middle possibly created by string. Darker areas on the body denote a possible pattern/picture that has now warn away. Below this are four circular, grey patches with darker centres.
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| E.23.40.1-4
|
One is a complete ring with an oblong panel on the top / front. The second piece is half a ring with what appears to be a crocodile (?) moulded on to the front. The third piece presumably was the top of the ring and is an oblong panel with incisions. All three are blue and glazed.
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| E.23.43.3
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Cylindrical bead, blue glaze. The bead is shaped somewhat like a bone in that the ends are bulbous either side of a thinner middle.
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| E.23.44
|
Glazed blue amulet in the shape of a head wearing a crown. The head is vaguely reminiscent of that of the dwarf god Bes. The top of the crown has been threaded for a string for wearing. The eyebrows are large triangles, above the sacred eyes which are joined. The nose is snout-like in between two puffed out cheeks. The mouth is thin lipped and small verticle lines indicate a beard.
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| E.23.47.1
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A string of random beads placed together. The string consists of two Horus amulets, two lotus petal amulets, two scaraboid amulets, several single beads of circular shapes, one shell, one broken unidentifiable amulet and one cylindrical bead. There are varying colours and sizes.
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| E.23.48
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The internal beads are sewed in a diamond form. The ones on the outside frame the bead net. There's a sacred scarab in the upper area of the net. Beneath it, there are 4 ornaments/amulets, that appear to be the four sons of Horus.
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| E.23.54
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Green shabti, arms folded, shoulders are indicated by the drawing of the figure 'A' on either side of the upper body, there is an inscription in hieroglyphs. The figure is carrying a sack indicating that it is a worker, this is painted on the back of the right shoulder in black.
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| E.23.59
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String of beads made up of three lines of green cylinders and buff disks, these meet up with a short line of brown beads and then split up into three seperate strings again. There are 14 groups of three lines.
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| E.23.60
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The beads are varying in colour but the prominant colour is green. The string the beads are on is actually too long for the beads so it likely not the original string suggesting that these beads were probably not all worn together.
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| E.26.39A-B
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Two bracelets, one slightly larger and wider than the other. Probably for child as they are very small. Very light weight and delicate. Both a creamy white colour and smooth on surfaces.
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| E.62.12
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Blue scarab on a flat base, which has vertical lines down the top of the beetle from its throat, and patterned legs. The wings are detached, both with spanned wing decorations. Base is plain. There are 6 small holes on the points of the compass, with 2 at East and at West by the side of the scarab, and three holes on each of the wings. These are at the corners of the joining part to the body of the scarab and one at each end of the wing spans.
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| E.62.16
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A cubic dice, white in colour with numerical symbols etched on and then painted in black. On all bar one side the symbols are made up of one dot surrounded by two concentric circles, the number of these represents the value of that side. On two sides there are five, on two there are four and six on the fifth. The final side has twelve dots although on this side one symbol consists of one dot and one circle rather than two, also the dots are depicted in groups of twos.
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| E.62.27
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Coptic cross in bronze, probably early Christian usage. The cross consists of 4 inverted triangles pointing to a similar centre. The top point, two side points and the centre appear to once have had gemstones stuck to them, since there are remnants of the solder that held them on. On top of the cross is circular clasp to enable wearing.
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| E.62.31
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Large red vase. Rounded body with rounded base; no neck, narrow lip and flat rim. Large lugs, on either side, are perforated to take thread. There are splashes of red all over the pot, it is unclear if this is part of the original decoration or somehow added later, since the splashes have no discernable pattern.
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| E.62.44
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At base of shoulders and top of body are incised diagonal bars between bands. Five panels go around the body and are separated by incised chevrons between bands. Two panels show designs of leaves - possibly palm leaves. Two other panels show a collection of pictures which appear to consist of three leaves or feathers, an ear of corn perhaps and other agricultural objects (?). The fifth panel shows similar things to the last two described with the addition of a triangle with horizontal incised lines through it. None of the panels is next to a similar one. There is a flat ridge at the base. Painted to almost have a wood effect.
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| E.62.52
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Beetle is painted with black pigment and some brown on thorax. Wing bars are painted brown and feathers in black pigment. The underside is highly blackened.
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| E.62.55
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There are two concentric rings lightly incised around the lower half of the body.
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| E.62.8
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Incised band two thirds of the way down toward centre of inside. At centre are two pairs of two incised lines with a single circle and a sunken dot incised in centre.
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| E.63.17
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All beads are blue glazed (faience style), shell with mother-of-pearl surface inside.
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| E.63.2
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Sacred eye of the god Horus, originally blue. There is a hole drilled horizontally through the middle of the piece to allow threading. The details are carved into the piece, the top is a line of slightly diagonal lines, below this is a small flat line below this the detail of the actual eye which is common to all sacred eye amulets.
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| E.63.9
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Light green pendant. The image is the goddess of Hathor, goddess of music and dance. Here she is depicted in the form of a highly stylized cow. At the top of the pendant is a loop for threading. The pendant is flat and has the cow-head engraved in the centre with an arch of concentric lines above the head Below the head on either side are parallel vertical lines divided by one horizontal line on both sides.
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| E.65.17
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Amulet shaped like the Ibis bird. The details are unclear but it is apparent that the neck cranes down so that the head sits on the body. The hole for threading is attatched to the neck. The whole bird sits on a flat base.
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| E.79.2
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Such an offering plate was placed in a tomb to provide food for the deceased after death. The plate is oval in shape made with clay and a red slip. Offered here are two loaves of bread, a trussed bull and a leg of beef. The cross channel on the plate allowed the water that was ritually placed in the bowl to drain away down the hole. The water was placed there to moisten the food and provide a kind of magical soup for the deceased.
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| L.2011.1.64
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Pale green, grey, pale blue and dark blue/purple tesserae on a white mortar. Grey and green tesserae are in the background; darker colours (blue/purple) create a circular shape, with lighter colours in the middle (pale blue and green).
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| L.2013.10.2
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Egyptian scarab, nicely carved with some details of a beetles anatomy. On the base are hieroglyphic inscriptions. There is a hole running through the centre length ways.
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| L.2013.10.5
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Obv: side profile of a man wearing a helmet, facing left, to the right of the helmet is an inscription. Rev: Romulus and Remus being suckled by a she-wolf, above the she-wolf is two stars. Below Romulus and Remus are the letters TRP or THP.
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| L.2016.3.14
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The dancer wears a short chiton, only fixed on the right shoulder; left breast and shoulder are bare. Those characteristics are associated with a Maenad. Her hair is tied together to a long plait.
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| L.2016.3.31
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Few traces of different coloured paints. Few, small black or dark brown flecks allover the surface, a little more at the saddle, belly and mane. There are very few traces of green glaze at the top of the nose and front part of belly and saddle (and white as well as red-brownish flecks at the rare part) on the right.
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| REDMG:1926.99.50
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Black band on inside of mouth; three black bands on rim; exterior off lip decorated with a series of dots; handle decorated with vertical bars on either side. Daisy petals extend from the neck (each petal is decorated with a white dot), below which are two lines, a warrior frieze, two lines, and a black band . The three warriors, lightly incised, each stand profile to the right, and are indicated by two lines (extending from the top right and bottom left) for the spears, and two more lines (extending below) for the legs; each carries a large round shield decorated with incised circles.
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| REDMG:1926.99.54
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Mouth black interior and exterior; reserved neck; black on exterior of handle; band of black vertical bars above white band decorated black rays on shoulder, extending to carination. Body, top: white band decorated with two rows of black dots joined by a thin black zigzag (at front, only), above two black lines; figural scene (front only); white band; black band between two black lines; black to foot and on top of foot; otherwise reserved. Figural scene is of a chariot behind which stand three draped female figures (two women, standing profile to right, towards a third figure, standing profile to left. A fourth female figure sits profile to left, in front of the chariot. All four figures are draped, wreathed (with red bands), and have white faces.
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| REDMG:1926.99.59
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The interior and the rim are coated with a streaky black glaze. Exterior: dots, black band, floral zone comprised of inverted lotuses alternating with palmettes, both rising from volutes, black band, double band of alternating black dots. Reserved resting surface and underside, except for two concentric red bands, one on interior vertical wall.
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| REDMG:1935.87.11
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Exterior decorated with vertical black/brown bands. Both handles are coloured brown on the outer parts, but reserved inside. The base is decorated with a black band on its exterior. On the interior of the rim is a broad black band, then a red band. The design in the tondo shows two ears of grain on either side of a red rosebud on a stem (or a lotos, according to the authors of Corinth 15.3).
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| REDMG:1935.87.19
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Traces of four (?) bands on mouth and three lines on handle. Tongues on shoulder with two bands below. Main design (starting from below handle going left to right) a human (?) figure on a horse facing right, a lion biting the foot of a warrior who is defending himself with shield, a large creature (possibly a panther), and a man. These pictures are all incised. Dots and rosettes incised with asterisks in field. Five bands around base.
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| REDMG:1935.87.2
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Inside of mouth and exterior of rim black, while lip is reserved. Body is mostly reserved. Handles are black on the outside, and reserved on the insides. Below the handles are three thin black bands. The top of the foot and a thick band above it are black, but resting surface and base are reserved.
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| REDMG:1935.87.22
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Tongues emerging from mouth between two bands. Dots around the rim and tongues again on shoulder. Zigzag with two dots on handles. Main design is five warrior figures facing left, carrying large shields. Each shield is bisected with incised vertical parallel lines and coloured one half red and the other half yellow. The outer ring of the shield is brown, and the helmets which the warriors appear to be wearing are yellow. The base has two bands around tongues with two bands the other side.
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| REDMG:1935.87.27
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Two handles, partially painted black. Inside is a red rim, then black with two red bands superimposed. Outside (from top to bottom) are two thin bands, three rows of uneven dots, middle row red, three bands, two rows of small dots, three bands, broad area left clear, three bands around foot, foot red. Highly ornate base with dots, red band (repeated) and in centre is a cross with four dots around it. The base has moulded ridges for added decoration.
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| REDMG:1935.87.29
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Heavy fabric. Black all over except underside which is reserved and ruddled. Two handles, one either side are black all over. Stamped inside with four palmettes set crosswise, standing up in relief with an impressed frame.
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| REDMG:1935.87.32
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There is a broad, black band at the interior of the rim. On the top of the rim there are black tongues, apart from the surface of the handles, decorated with palmettes. Waves are used to decorate the edge of the rim, while the handles bear small palmettes on their sides and the rest is painted black, as is the body between. Both neck panels have ivy and dots joined by vine. Both sides of the body show a female head, facing left and wearing a decorated cap with a spiked stephane over it. There is a small window (rectangular motif with black vertical line), top right on both sides. Side A, however, has a strigil with wavy endings above the head, top left. Side B has a knot of hair emerging through the apex of the cap. On both sides there are volute-shaped motives at the end of the cap and below the woman's chin. Side A: The woman wears a black earing (a circle and hanging dots) and a neclace of black beads. A hair with a heart-shaped ending falls vertically over her neck. On the other hand, the woman on side B wears a similar but yellow earing and a neclace made of yellow beads. Both women are framed by two vertical red bands, decorated with two similar motives of a vertical row of dots between thin lines. These columnar patterns seem to support a horizontal red band over the head, ornated with tongues between thin lines (one above and two below). However, the surface under the heads is not identical for both sides. Side A has a red band with dots between lines and side B has two parallel lines and the wave pattern. Both the scenes are partly ruddled and added yellow is used to render the details. Miltos apparently was applied last.The lower half of foot is ruddled.
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| REDMG:1935.87.34
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Inside is reserved except for inside of mouth. Top of mouth is red with black wave. Black palmettes on top of handles protrusions. Handles are made of two bars with large square at top. Black between handles and all down body. Side A has an arrow pattern on rim, ivy leaf and dot rosette pattern on lower half of neck, black tongues, warrior in the centre leading two prisoners. Warrior has shield helmet. Rosettes and fillet in field. Double row of dots either side and wave pattern underneath. Side B has an 'SSS' pattern with dots on rim, lower half of neck has ivy leaves with dot rosettes, black band, black tongues, scene of three youths in conversation with crossed circles in field, double row of dots either side and 'SSS' pattern with dots at bottom. Black body, reserved stem, black foot with reserved groove, resevred band at base. Reserved conical base.
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| REDMG:1935.87.4
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Mouth is black just inside rim but interior walls are reserved. The handle is black all over as is back of neck and back of body. On neck at the front is a wave pattern which forms the horizontal part of a reserved outline to the picture. Within this box is a woman with flowing robes, facing to the right holding a wreath in her right hand and a plate / tray in her left. Tendril pattern to her right at bottom of picture and a rosette in the field. Added white to bracelets, head dress and rosette. Foot was originally black outside with reserved resting surface and flat base.
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| REDMG:1935.87.7
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Mouth is blacked just inside rim, leaving interior walls reserved. Handle, back of neck, and back of body are all black. Wave pattern on neck forms upper part of a reserved frame around a figural scene. This scene depicts a horned youth, running to right but facing profile to left, with cloak over his left arm, carrying a tray in his right hand. Tendrils each side of him emerge from the base and four rosettes and one fillet are in the field. Added white and yellow on horns, rosettes, tray and head dress. Foot is black on outside and the base is reserved.
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| REDMG:1947.13.1
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Black mouth inside and out, otherwise reserved inside. Below the rim, on the lip, is a white laurel wreath, to right. On neck, between black handles, a 9-leaf palmette, with a black dot for heart and black dot on either side of central petal; black ridge between two black lines; frieze of vertical bars beneath each handle; beneath each handle a large palmette above a pair of volutes, from which emerge vegetal ornament. A: Attenuated ovolo frieze between two black lines; white ribbing (painted); two reserved bands; floral frieze with white head, to left, at centre, emerging from a calyx from which emerge also tendrils, berries, volutes, and blossoms; reserved frieze; scene. B: Continuous maeander to right, between two pairs of lines; black ribbing (painted) between two black lines; flanked by vegetal ornament, from which emerges quarter palmettes and volutes, a female head, profile to left, wearing white stephane, and white sakkos, from which emerges curly black hair, at front and black; white drop earring on an inverted triangle. Below the body zone, around the entire vase, is a decorative band consisting of dotted cross squares (1) alternating with stopt maeanders to left (3) between two reserved bands; black below.
Scene, A: A woman, standing in 3/4-view to the right, with head profile to right, hair emerging from the back, a sleeveless, belted chiton, a himation draped over her left arm, a pair of white slippers, holds a palmette fan, with white detail, in her upraised left hand, and a branch (similar to a thyrsos) in her left hand, at a diagonal. She also wears a white stephane and a sakkos with black and white detail, from the back of which emerges a tuft of hair, a white beaded necklace between two thin chains (rendered by black lines), and white snake bracelets on each arm. She faces a naiskos enclosure, decorated in gilded white, with thin Corinthian columns and a black pediment, on a podium decorated with a simple continuous maeander to right, between a two pairs of white lines. Enclosed within the naiskos is a warrior, rendered in white with yellow details, seated in 3/4-view to the left, on a himation, with his legs crossed, and his left elbow resting on the back of his seat. He holds a crested helmet in 3/4-view to the right, at which he stares, and a diagonal spear in his left hand. On the ground below him is a small shield. To the right is a nude youth, standing in a reclining pose, 3/4-view to the left, wearing a white fillet in his hair, and white slippers. He holds a himation, bundled up around his left arm, and an opened box as well as a dotted, fringed sash, in his right hand. A thin rectangular element, perhaps a dagger, emerges from the opened box. A (heart shaped) ivy leaf hangs in the field above him.
White dotted lines indicate the groundline between all figures.
Details on the shoulder rays and, ornaments in the field, and all figural scenes are rendered in added white, sometimes 'gilded' with yellow wash.
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| REDMG:1951.113.3
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Black glazed except for reserved areas: lower part of body, reserved (interrupted by a black line); upper part of foot, and underside (resting surface glazed black except for a reserved band). Back decorated with a (white) wavy ivy garland beneath handle; front decorated with two incised lines, egg-and-dot frieze on which eggs are surrounded by incised lines; another pair of incised lines; waves to right, garland from which hang alternating fronds and bunches of grapes, with longer sprays at sides; on a pair of dotted groundlines stands a bird (wren?), profile to left, between two flowers.
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| REDMG:1951.131.1
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Black rim and neck, except for a thin reserved band just above the join with the body; body decorated with three reserved bands above an egg-and-dot band and another reserved band; row of white dots at top of figural scene. Below, band comprised of stopt maeanders (3) alternating with cross-in-square (1), between two reserved bands; broad reserved band at join of body and foot; reserved band on lowest ridge of foot as well as resting surface and underside.
A: A draped woman runs in 3/4-view to the right but looks back, profile the left. She holds in her lowered right hand a wreath from which a garland hangs and in her upraised left hand a box (decorated with bands, chevrons, and zigzags, as well as white dots above the box), while drapery falls over her left arm. She wears a stephane and a kekryphylon with dangling ribbons, beaded earrings and double necklace (indicated by white dots), double bracelets on each wrist, a belted, sleeveless chiton, and slippers. In the field are a fillet (upper left), a rosette with five white dotted petals and a yellow centre (upper right), and a shrub with berries (lower centre), as well as a white dotted groundline rising slightly to the right. B: Eros, holding a beaded necklace in his extended right hand, is seated in 3/4-view to the left on a flower. The leaves and buds of the same plant elaborately fill the field beneath and around him. He wears attributes that are similar to those of the woman on A: stephane, kekryphylon, earring, double beaded necklace, double bracelets, and slippers. He also wears a beaded baldric diagonally across his chest and ankle bracelets (3 on each ankle) and a baldric comprised of a row of white dots arranged diagonally across his chest, over his left shoulder.
Added white is used for details of Eros' wings as well as the jewelry, box decoration, slippers, vegetation and groundlines, as well as the centre parts of the eggs on the egg-and-dot band.
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| REDMG:1951.137.1
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Inset circle of knob decorated with a cross with chevrons in the angles. Bars on rim of knob. Black stem, reserved band at attachment to lid, which is decorated with a figural scene. Bird (partridge or pigeon) standing profile to right, towards a female head (Aphrodite), profile to left, wearing dotted spiked stephane, sakkos, and a pony tail, as well as white hoop earrings and a dotted necklace. Two dotted four-petal rosettes in field behind her. Scene flanked by two sets of tendrils from which emerge lotus buds, on either side of a palmette from the top of which emerges a lotus bud. Added colour (yellow on white) for details of bird, stephane, jewelry, and flowers. Flange on edge and underside of lid are reserved.
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| REDMG:1951.140.1
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Upper surface of rim reserved, black ridge, and outer edge of lip decorated with a wave pattern to right; black below lip, on neck and on handles except forward handle attachments (on horizontal handles) decorated with rays; reserved patches beneath horizontal handles. Lower part of neck decorated at front with a short laurel wreath, to left, between two narrow reserved bands. Beneath the figural scene is a groundline comprised of a frieze of alternating maeanders (three) and saltire squares (one). Narrow reserved line at join with base, bottom edge of base, and underside. The figural scene is framed between a tendril, above the left handle, and a larger vegetal ornament, from which emerges a lotus bud. A Youth stands in 3/4-view to the right. He is nude, except for drapery slung over his bent right arm and held in his lowered left hand, and a white taenia on his head. He also holds a staff in his slightly upraised right hand. At centre is a bird (crane), seated in a perirhanterion (basin), supported by a fluted, tapered column, with a dotted capital, on a two-stepped base. The steps are decorated with small black spots and thin diagonal lines that suggest a marbled appearance. On the other side of the perirhanterion stands a woman, in 3/4-view to the left, with her weight on her right leg and her left leg relaxed. She wears a belted, sleeveless chiton, double bracelets on each wrist, a beaded necklace, and a spiked stephane, as well as a short pony tail. She extends her right hand to the bird and holds a box, decorated on the sides with black spots and lines, and three white spots on top, in her slightly upraised right hand. Above the bird is a rectangular frame (sometimes called a window but perhaps a votive plaque); above the box is a cogwheel. Most of the reserved areas are darkened with red wash, and the jewelry and other details in added white.
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| REDMG:1951.141
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Black on interior except for a reserved band just below the lip. Black on exterior, except for a frieze of tongues underneath the rim on both sides, but not above handles; figural scenes on body. A: Partridge profile to the left; tendrils in lower left field; circle and tendrils in upper right field. B: Satyr head, profile to left; tendrils in lower left and right fields; quarter palmette in upper left field; single palm leaf in upper right field.
Although female heads are more popular in such contexts, the large red element in place of the ear is probably a horn and indicates that this is a representation of a satyr. The decoration in the lower left field of the B side indicates the addition of a second layer of black glaze, in a manner than changes the image (from a large tendril to a small tendril below an L-shaped element.
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| REDMG:1951.147.1
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Entirely black, except reserved on the inside of the spout and the underside including resting surface, and red figure decoration: line at middle of neck; ray band at lowest part of neck, above dots; figural scene between two sideways palmettes, enclosed, from the outside bottom of each emerges tendrils; short ray band at interior of lower handle attachment; 10-leaf palmette at exterior of lower handle attachment; flange decorated with egg-and-dot band, beneath a black line; the sides are decorated with an ivy design, effected through incision (tendrils) and added white (leaves). Reserved line band just below join of body and foot.
The figural scene on the shoulder depicts seated youth seated profile to the right, facing a woman, seated profile to the right, but turning profile to the left. The youth, nude except for a hairband, sits on drapery, alongside which he hangs his left arm, and reaches a wreath, held in his left hand, towards the woman; she, wearing a crenellated stephane and a belted chiton, is seated perhaps on a cushion (comprised of dots), helds her right arm, slightly lowered, towards the wreath, and holds a box in her slightly raised left hand. A four-petal rosette is beneath her right arm.
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| REDMG:1951.148
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Black interior, handles, neck and body except for decoration in panels (black figure in neck panels; red figure in body panels). Upper surface of rim decorated with ivy spray, with 3-dot clusters between ivy leaves; palmettes on tops of handles; ivy spray on lip, with palmettes at tops of handles; wave pattern to right on overhanging lip. Neck panels decorated with double ivy spray, on which 8-dot clusters alternate with leaves. Body panels bordered by rays (above), double rows of dots between black lines (sides), and band of stopt meander (4) alternating with dotted cross-in-square (1) (below). A: Youth wearing hairband, short-sleeved, belted chiton, and mid-calf boots, stands in 3/4-view to the right; he holds a pair of spears upright in his right hand and a wreath in his left hand, held slightly ahead of him; a chlamys is draped over his bent left arm. A warrior is seated 3/4-view to left, on a curvilinear seat (stones?). He is dressed identically to the youth, although with a plumed conical helmet. He holds a large phiale in his outstretched right hand, and his pair of spears in his upraised left hand. Behind him stands a woman in 3/4-view to the left. She wears a belted, sleeveless chiton, a kekryphylon (hair), pearl earrings, a beaded necklace, two bracelets on each wrist, and holds a fillet in her outstretched right hand and a situla in her lowered left hand. In the field above the figures are a four-petal rosette between two boucrania. B: Three draped youths in conversation, the middle one, standing profile to left, leans on a staff with his outstretched right hand; the other two youths face him. Halteres in upper left field and and bulls-eye in upper right field.
Much of the interior and side B are misfired orange.
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| REDMG:1951.150.1
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Black except for decorative bands and figural scene on either side, and reserved band at lowest part of foot, as well as reserved underside. Neck decorated on either side with a laurel band, between two reserved bands. Beneath figural scenes are decorative bands, comprised of stopt maeanders (3) alternating with saltire squares (1).
A: A female figure, juggling 8 eggs and advancing profile to right, faces a youth, advancing in 3/4-view to the right, but turning his head profile to the left. The woman, wearing a sakkos, tear-drop earring, beaded necklace, belted, sleeveless chiton, and two bracelets on each arm. The youth, nude except for a wreath around his head and a chlamys slung over his left arm, holds a large palm frond in his left hand and a phiale, at waist level, in his right hand. Above the phiale are 7 eggs (slightly smaller than those juggled by the woman). Bulls eye (above) and tendril (below) in field between them. B: Two draped youths, face each other in conversation; between them a window (above) and a stele (below); the figure on the right supports himself on a staff that he holds in his right hand.
Added white and goldish-yellow on side A, for jewelry, balls, phiale, wreath, and vegetation. The saltire square have short lines in place of dots. The right-most saltire square on A is replaced with a box of vertical lines.
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| REDMG:1951.151.1
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Black glaze all over, except for red rim, two superimposed decorative friezes at the base of the neck (ribbing between two black lines, egg-and-dots between two black lines, yellow dots below); figural frieze between tendrils; beneath handle one palmette sits atop a second palmette enclosed in tendrils that terminate above in volutes from which emerge further tendrils, ending in volutes, that sprout yet another set of tendrils; egg frieze between two reserved bands encircles the entire body and serves as a groundline for the figures; reserved underside.
The scene depicts a youth, nude except for two bands in his hair and a chlamys draped over his bent left arm, advancing (dancing?) in 3/4-view to the right, following two maenads, all advancing in 3/4-view to the right, although the last two maenads turn their heads profile to the left. All three maenads wear two bands in their hair (the last, however, appears as a single thick band), beaded necklaces, belted, sleeveless chitons, and snake bracelets on their left arms (the first maenad has a similar bracelet on her right arm). The youth and the first two maenads hold thyrsoi in their left hands. The third maenad holds a wreath in her lowered left hand.
All red surfaces are ruddled, except for the underside, including resting surface. Some added white and yellow highlight details on heads, jewelery and thyrsoi.
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| REDMG:1951.152
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Rim and neck covered in black glaze; circumscribed palmette frieze on shoulder, with intervening triangles above and below (where two are outlined but not filled in); main body (white ground) decorated with net pattern between narrow reddish-black lines; the upper black band is decorated with white dots. Black glazed on lower part of body and foot, except for reserved underside, including resting surface.
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| REDMG:1951.156.1
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Mouth black inside and out, with a reserved lip; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body, top: black line at top of body. Body (at front, only): three rows of black dots between four black lines; black lines above and below figural scene; below, simple maeander to right, above a black line. Body, below: two black lines, thick black band, two thinner black bands, black to foot. Figural scene depicts a goddess mounting a quadriga, profile to right. Behind the horses are a seated (?) female figure, also profile to right, and a standing male (?) figure, from whom emerge, to either side, dotted branches; in front of the horses is a lyre player, seated profile to the left. All figures are heavily draped.
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| REDMG:1951.157.1
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Entirely black except for reserved line around edge of rim, ribbed zone (comprised of five vertical lines in panel) at front of neck, and figural scene on the front of the body, and reserved underside at front half of lekythos (similarly the front half of the interior is reserved).
Scene: double tendril, with a blossom emerging from the larger tendril; female head, profile to left; rosette in upper right field; small tendril in lower left field. The female wears her hair in a sakkos, tied at the back, from which emerges a tuft of curly hair around the ear. The reserved areas are ruddled, except on the underside. Some of the glaze beneath the handle has fired red.
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| REDMG:1951.159.1
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On neck, between black handles, an enclosed palmette (11 petals on A and 9 petals on B; with two concentric arcs for heart on A, black dot for heart on B), black dot on either side of central petal, and black dot in the upper corners; black ridge below black line; frieze of vertical bars below each handle attachment; beneath each handle two superimposed palmettes, with a pair of volutes between, from which emerge tendrils, sprouting quarter palmettes. A: egg-and-dot frieze, between two black lines; white ribbing (painted); two reserved bands; floral frieze on shoulder (four volutes from which emerge flowers, tendrils and secondary volutes) emerging from the lower right; two reserved bands; scene. B: Continuous maeander to right, between two black lines; black ribbing (painted) between two pairs of black lines; a female head, profile to left, wearing a sakkos, from which emerges curly black hair, at front and back. Below the body zone, around the entire vase, is a decorative band consisting of dotted broken stopt maeanders to left (pattern doesnt match up on side B, to the left) between two reserved bands; black below.
Scene, A: A naiskos comprised of two Corinthian columns supporting a tapered epistyle and black pediment, on top of a podium (white maeander on a brown background, between alternating black and white horizontal bands). Two white female figures stand within the naiskos. The figure at left, standing in 3/4-view to the right, wears a himation over her left arm and hips, over a peplos (decorated with two vertical purple bands on the chest). Her hair is bound in a sakkos from which emerges hair at front and back; her jewelry includes a beaded necklace and two bracelets on each wrist. She holds a fan in her raised left hand as well as a wreath in her lowered right hand. She faces another woman (probably the deceased) who is seated in 3/4-view to the left on a stool (diphros) and rests her feet on a footrest (hypopodion). She wears a short sleeved chiton and a purple himation that she holds above her right shoulder in an unveiling gesture (anakalypteria). Her hair too is bound in a sakkos, from which emerges hair at the back; she wears two necklaces, one beaded, and two bracelets on each arm. A small ornament (or pures) hovers in the field between the two women. On either side of the naiskos is a kalathos (basket), below a rosette (red with added yellow and white), above a pair of white balls interspersed with clusters of three white dots, and above a double line of white dots. Each basket (both are identical) is decorated with a cross-square with intervening triangles (top) and alternating bands of zigzags, and white and black lines, as well as a band of vertical bars.
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| REDMG:1951.160.1
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within.
Interior and mouth glazed black with two reserved bands at top and bottom of rim. On exterior, below rim, a frieze of tendrils, with lotus buds above and below. Black handles, with reserved bands between attachments, and enclosed half palmettes below, from the sides of which emerge tendrils with volutes that encroach in the figural scenes. Below the figural scenes is a band of slanted zs, between two reserved bands. Black below, except for the recessed element at the top of the foot, which is reserved, a narrow band at the bottom of the foot on the exterior, and the reserved underside. The reserved parts of the volute frieze and figural scenes are reddened.
Scene, A: A woman standing in 3/4-view to the right, wears a black beaded necklace, a sleeveless belted chiton, and two black bracelets on each wrist. Her hair is tied in a ponytail. She holds a torch in her advanced left hand, while her right hand, downturned, is also slightly raised. She faces a youth, nude except for a chlamys draped over his left arm and slippers, who stands in 3/4 view to the left, reaching toward the woman with his right hand. Between the figures, in the upper field, is a window frame, while a large tendril, with volute, emerges from the ground, between them. In the field behind him is a leaf. B: Two robed youths, standing profile, with their right legs advanced, face eachother across a narrow stele. Above them is a circle with a black line vertically through the centre and an 'H' drawn on top (probably halteres).
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| REDMG:1951.161.1
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Black interior, except for two reserved bands, at the top and bottom of the everted lip. Under the rim is a laurel wreath, to left, between two reserved bands. Beneath the figural scenes and surrounding the lower part of the vase, is a decorative band, comprised of stopt maeanders (3) alternating with saltire squares (1), between two reserved bands. The handle zones are reserved, and ray bands decorate each handle attachment; beneath each handle is a palmette, between two tendrils. Reserved bands decorate the base, on the groove at the top, and on the bottom; the underside is reserved.
A: A woman and a youth advance in 3/4-view to the right. She wears a stephane, a kekryphylon with ribbons, a beaded earring and beaded necklace, double braceless, a sleeveless, belted chiton, and slippers. She holds a tympanon (drum) in her upraised right hand and a kantharos, in her upraised left hand, which she lifts from a tray held by the youth, in his right hand. There are three white dots on top of the tray. He is nude except for a yellowed fillet, a thick white necklace, and a robe draped over his right hand. He turns his head profile to the left, to face the woman, and also holds a fillet in his outstretched left hand. There is a grape cluster in the upper right field. Added colour (white with yellow) is used for the jewelry and slippers.
B: Two robed youths in conversation, stand profile towards each other, each with his weight on his left leg. Both are enveloped in their himatia except for their right hands; the left-most figure holds a staff in his advanced right hand, while the other figure gestures to him, with his upturned right hand. There is a bulls eye in the field between them.
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| REDMG:1953.25.23
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Mouth black outside; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body (at front, only): black line; two rows of black dots alternating with white dots; two black lines; figural scene. Body, below: black band, black line, broad black band, black line, black to foot and on top of foot; black band on lower part of concave element; otherwise reserved. Figural scene depicts a male figure wrestling a bull. The figures are flanked by trees with black and white fruits and thin vines. The heros clothes hang on the left tree and his quiver hangs above him. While this scene might depict either Herakles with the Cretan bull or Theseus with the (same) bull of Marathon, the incisions on the head covering (slightly stippled) suggest that this is a schematic rendering of Herakles lion-scalp helmet. Added white is used for the rendering of details such as fruit on trees, as well as the forepart of the bull, and his tail, while incision is used to indicate the drapery, quiver, and musculature of the hero, as well as his head covering. On attribution, cf. CVA Cambridge 1, pls. 22, 21.
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| REDMG:1953.25.32
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Interior and handles black, as are the lower part of the body, stem, and upper surface of foot. Reserved band around rim, interrupted on either side by handles. Reserved vertical band in each handle zone; on each side a female head, profile to the left, between two white vertical bands, each crowned by a circle near the top of the band; red diagonal surface of foot; reserved underside including resting surface.
Each female wears a stephane and a sakkos from which emerges a bundle of hair, also tied with a white ribbon; earring comprised of triangular element (missing from side B) beneath hoop; beaded necklace The figure on side B has a fleur-de-lys in the lower left field. The surface is ruddled on both heads and the exterior of the foot; added yellow, in places gilded with yellow, for details of hair ornament, jewelry, and fleur-de-lys.
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| REDMG:1953.25.4
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Exterior: white zone extending down 2.0 cm, perhaps with further decoration. Black below handles, on which two red bands are painted, just below the red zone. Red band on exterior of foot; otherwise foot and underside reserved. Interior: black with red bands, one half way down the wall, the other encircling the bottom.
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| REDMG:1953.25.54
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Black glaze except for reserved underside, interior of foot ring, and resting surface. Red patches, especially on foot, are due to misfiring.
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| REDMG:1953.25.56
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Red on outer surface. Slightly flaring mouth with long neck. Moulded rim at base of neck. Single curved handle. On shoulder are long tongues, band, 'sigma' shapes, band, broad band, bands, pointed tongues up from base. Foot flares out and base flat. Down each side, below handle and opposite side are flat strips that reach from neck to base.
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| REDMG:1953.25.6
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Plain rim below which are attached two horizontal round handles; tapering sides and broad angled ring foot. Black gloss except for lower part of body and foot reserved. Overpainted on sides with red band at rim, red band below handles, red band at bottom of black gloss above a broad band of rays extending to the foot, with a black line at the join with the foot, and red on the exterior surface of the foot. Underside decorated with three thin concentric circles towards centre of base.
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| REDMG:1953.25.63
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Interior reserved. Thin neck and lipped mouth. Dipped in black gloss, but lower part of body and flaring foot are reserved.
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| REDMG:1953.25.74
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Coarse material. Very shallow plate. Inside are traces of orange and brown deposits. Incised band inside rim and maybe around base too. Surface is not flat but has small lumps, perhaps caused by inclusions. Base is flat. Reserved.
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| REDMG:1953.25.77
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Ovoid or tongue mouldings on the shoulder, not no the areas covered by the nozzle volutes or the area of the handle. Discus is surrounded by four concentric moulded rings, the filling hole is surrounded by three concentric moulded rings. The nozzles have on their outer edges large volutes, these terminate at the body with horse heads instead of the usual ? the termination by the tip is in the usual form. Within the base are three concentric moulded rings with a small nodule at the centre. Red glaze all over
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| REDMG:1953.25.85
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Top is flat and squared off. Groove below rim then the rim is diagonal, rounded ridge at base. Large flat section with design sculpted on top of it so it is in relief. Scene is of a griffin, a winged creature with bird head and lion-like paws. The ribs are clearly visible as are the lines in the wings. Front left paw is raised above a stick with snakes (?) curled around or a decorative branch (?). Below is a higher moulded ridge with raised egg and dot pattern beneath, before another moulded ridge. Bottom is flat but has diagonal scratches carved in - perhaps to help this section adhere to whatever it was originally part of. Many inclusions in material.
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| REDMG:1953.41.1
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Decorated entirely in black glaze except for the decorated tondo, the reserved resting surface (and perhaps also reserved handle zones which are, however, unclear because it is obscured by deposits). The centre of the bowl is decorated with a reserved circle in which is seated an abstracted human figure, perhaps a Scythian (wearing a mitra), holding a drinking horn.
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| REDMG:1964.1154.1
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The interior and the rim are coated with a black glaze. On the exterior of the lip, a band of vertical bars, interrupted in each handle zone, where the surface is reserved. Each handle is glazed black on the exterior; under each handle is a palmette with 13 leaves (14 on right side), outlined, with a dotted hemicircle at its heart. Each palmette is flanked by a tendril from which emerges a lotus blossom. On each side a female head, profile to left: stephanai with 6 white spikes, grape-cluster earring, beaded necklace; kekryphylon. The woman on A has a Roman nose; on B has a ski-jump nose.
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| REDMG:1964.1159.1
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Parts without red bands are reserved.
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| REDMG:1964.1626
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Black glaze, fired red on one side; small patches at lowest part of body and on underside are reserved.
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| REDMG:1964.1631
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Black glaze, on which are superimposed two pairs of purple-red lines, one around the bottom of the handle-zone, and the other on the grooves at the junction of body and foot.
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| REDMG:1964.1655.1
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Long, thin neck and long thin stem separated by a globular body. Foot flares to base and the base is uneven with trace of a concave centre. Object stands unevenly. Object is reserved all over. There are traces of moulded rings around stem.
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| REDMG:1964.1659.1
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Mouth has thin, flat rim coloured black. Neck is thin and shoulder slopes sharply. Lower half of body is reserved. Foot and base are missing so cannot be described.
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| REDMG:1964.1709.1
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Thin walls. Completely reserved. Main handle is made of two sections adjoined. Around the rim are at least eight protrusions, some are missing, almost looking like a sun with rays. No defined foot and base is slightly concave. Red clay.
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| REDMG:1964.1711.1
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Coarse clay with many inclusions making it rough. Simplistic design. Colours vary but are not painted and object is reserved all over. Sides are uneven. White deposits on outside toward base.
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| T.2012.11.28
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Two large lines upon the outer part, one at the top, the other at the bottom, that spread across its face and form a sort of box. Within the box appears to be a painting of grape vine with a series of heart-shaped leaves forming a pattern, as well as several patterns of what seem to be four lots of grapes. There are no decorations on the inside of the fragment.
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| TEMP.2002.7.1
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Bowl with two handles, the rim has a black band around the top which goes both inside and outside the bowl. Below this on the inside, is a very thick black band that stops to leave an empty circle in the centre of the bowl. The handles begin about an inch below the rim on the outside of the bowl, but curve up and out to finish roughly on level with the rim. They are painted with black glaze only on the underside. Above the base of the handles there is a subtle ridge, below which there are three lines of pattern, which look like petals. Below these, there is a thin black band, a small space, and then a thick black band which goes down to the ridge of the foot. The foot itself appears to consist of two flattish disks, the lower with a black band round it. On the bottom of the foot, there is another black band part way in, and then a smaller one with a black dot in the middle.
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| TEMP.2002.9.27
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Almost flat but with no finished edges. Underside reserved and topside has a red zigzag pattern with transverse bars between lines. There are three rows of zigzag on this fragment.
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| TEMP.2002.9.29
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Fragment including section of rim. Rim has a flat top and is hardly offset at all. Interior surface is black. The exterior surface has black bars on the rim then a black band below with a panel of vertical bars next to a panel of three horizontal zigzags with a final band below. Below this but mainly missing at fracture are two narrown bands.
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| TEMP.2003.2.2
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Fragment with man with beard visible, only left hand and upper body are visible. He appears to be holding the branch of a tree (Dionysus). Quite a few chips and markings on the front. Inside is not coloured.
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| TEMP.2003.6.10
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All of the fragments bear part of the same decoration: the interior surface is glossy black as are the side surfaces of the foot (both on the exterior and interior), apart from a reserved (but glazed line) on the resting surface. The base is glazed so that it appears yellowish-brown and is decorated with four concentric circles and a dot at the central part of the base.
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| TEMP.2003.6.12
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The internal surface of all the fragments is black. External: a) The rim is black, however,it appears red on an area. The back of the handle is black (the inner surface is reserved), but the area between the two parts of the handle creates a horizontal, reserved band. Below that, there is part of a black band and part of a reserved area. b) the rim is black. Below, on the left, there is part of a wavy? vertical black band, while on the right there are two small, black spots, parts of a motif. c) There is part of the black band that decorates the rim. d) There is a black band on a reserved area and part of a motif that resembles a ribbon? below which spring thin lines.
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| TEMP.2003.6.14
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The two fragments bear part of the same decoration, apart from the parts of two lines in added red on top of a (which is preserved higher than b). There is a large black area below which there are two lines in added red. Underneath, there is the upper part of a radial-shaped motif on a reserved, but glazed, surface.
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| TEMP.2003.6.17
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The interior of the vessel is black apart from the lowest part of o, whose lower part bears a reserved but glazed line. Exterior: a) On the right side, there is the upper part of a seated woman (part below her waist is missing). She is draped and wears a stephane (fillet) on her head. On the left side there is a floral motif whose stem is a wavy line that expands to the left. b) There is the back side of another seated draped female figure. c) The front side of the previous female figure. She is holding an alabastron with both her hands. d) On the lower left part there is the largest part of a voluted palmette with petal shaped divisions, connected with a tendril. The area next to the spring of the one part of the handle is reserved. e) On the bottom right there is the rest of the previous palmette, also connected with a tendril. f) On the bottom right there is the upper part of a palmette and on the upper left there is part of a tendril's volute. The area on the left of teh one spring of the handle is reserved, but glazed (plaster on top). g) Uneven black surface. h) A small part of the volute of the tendril of f and the stalk of a flower. i) Part of an inverted palmette, connceted with (part of ) a tendril, with (occasional) leaves on its sides. j) Small line, part of a tendril. k) Part of a tendril's volute. l) A figure's projected forearm and hand (figure's depicted on n?). m) On the right side, there is the stalk and part of the stem of a flower and a line that seems to be part of a tendril. n) Part (head missing, neck and shoulder are scraped off, area below the knees missing) of a draped standing figure that has the left hand around the waist. o) The lowest part of a figure's drapery.
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| TEMP.2003.6.23
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a) The upper part (head to chest) of a draped youth, with a fillet on his head (faded), facing left. b) Another youth (part of his face is missing). He is wearing a himation on his arm and waist and his right hand is extended to the left. c) The rest of the previous figure's face and below, the biggest part of a lyre. The rest of the fragments are black, with the exception of part of a thin line on e.
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| TEMP.2003.6.24
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Fragment of pot, including slight buldge where handle begins. Exterior, black lines on white background. At the right edge of the top there is a triangluar bit of black that looks like it originally belonged to a square surrounded on both verticle sides by twin sets of thin brown verticle lines. Less than 1 from the top there are two brown lines that follow the curve of the jug horizontally spaced .3 apart. Under these lines on the left is a large2.5 hieght figure eight pattern made up of three lines that swirl around to create the eight, with little v's on the outside of the eight pointed away from where the figure eight lines cross. On the right side, two bworn/black lines curve around where the handle would have begun. The handle section is all black, although chipped. Under the figure eight is a .6 thick black lines running horizontally around the pot, broken by a thin pink line a little below the middle. there are two other thin pink lines equidistant from this first one, one above and one below it by about .4, the top pink line being right above the top of the black line. Underneith the bottom pink line is a segment of a different pattern. Interior is black over pink and white, which is worn away enough in many parts to see the pink and white colors. two thin and faded white lines form bands near the top.
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| TEMP.2003.6.7
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The interior is entirely black apart from a, which, although black, bears a reserved band on the interior of the rim. a) The rim is black. Below that, the vessel bears the depiction of a symposium scene. On the left, there is the upper part of two draped male figures facing each other. Between them there is a carelessly rendered figure (background); a servant? and a branch with dots on either side. Another, identical branch can be found behind the person on the right. Next to that, there is the upper part of another figure (servant?) from whose arm another branch is hanging. He is facing right, towards a palmette (voluted with petal-shaped divisions), from which the beginning of a tendril seems to spring. There is also part of the bad that covered the back of the handle. b) The lower part of the male figures that face each other. They are draped and seated on similar chairs (diphros okladias). Below them there is a thick line and underneath, the beginning of a band. c) The lower part of another seated (on a similar chair), draped figure, with part of the thick line and the band below. d) The back of the handle is covered with black colour (carelessly rendered at some areas and streaky). The rest of the surface is reserved (but glazed), however, there are some spots on the handles's inner surface. e) The back of the handle is black, but the black colour is streaky at some areas, There is part of a branch on the right side. f) The back bears black colour. g) The back of the handle is black, although streaky on some areas.
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| TEMP.2003.6.8
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The interior is black, apart from a reserved line on the upper part of the rim. a) The rim bears a black band. Below, there is a palmette on the left of the fragment (an almost round centre from which emerge petal-shaped divisions), as well as part of a carelessly rendered curving line. On the left there is the right part of a figure next to three barnches with dots on either side. There are also four large dots on the background. b)The rim bears a black band. The rest of the surface appears to be reserved. c)The rim bears a black band. On the right side there is the largest part of a palmette (round center, rendered with added red and petal-shaped divisions). There is part of a black line that contoured the handle (partially covered with adhesives and plaster). On the left, there is another figure (carelessly rendered, between three similar branches (on the right) and part of an (undecipherable) object that consists of black colour, incisions and added red colour. There are also four large dots on the background. d) The rim bears a black band. There is part of the object on the left side of c and on its left there is part of a black dot. e) On the left side there is part of a curving line with a voluted ending (tendril?), which is connected to a palmette (voluted, with round center and petal-shaped divisions). Next to that there is an object that consists of three parts. The upper is round and the details are rendered with incisions and added red, the middle part is a small dotted branch and the lowest part is a short, vertical, thin band (thyrsos?). From its middle part emerges another dotted branch. There are five large dots on the background. On the right side of the fragment there is the left part (small part) of a figure? (carelessly rendered). f) The part of the lowest body that is preserved bears the terminations of palmettes? depicted on the body (short, clumsily rendered bands are preserved). There is also a reserved thin line between two broad brown bands. The foot is also brown and so is the inner sude surface of the foot. The rest is reserved, with the exception of five thin, concentric circles on the base. g) The fragment bears the lowest part of a palmette (the left volute and part of the round center)on the left and part of the reserved area between the two brown bands.
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| TEMP.2003.6.9
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Rim section of a bowl. Exterior white with a band consisting of twin brown lines with alternating black and white rectangles interior along the top .3. There are two small blueish sploches marring the otherwise well preserved surface. Interior is black over white. The white shows through in a line along the edge for about .2 and then there is a brown line, and under this the rest of the background is black. Near the top of this black section is a set of white lines with white dots set in between them at regular intervals. Under this pattern is another thin white line. Under this is on part of a triangle pattern consising of a white outlined triangle with a white line forming a second triangle within the first and a red dot at the center of the triangle.
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| TEMP.2003.7.29
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Small figurine, plain red clay, unpainted. Rounded head, with a small circular piece of clay used for the left eye. There are two small stumps for arms, and no sign of clothes.
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| TEMP.2003.7.3
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Exterior white with brown patterns. Following one edge abour 1.0 down is a set of faded brown lines. Between the edge and these brown lines on one side are five brown lines perpendicular to the two lines, while on the other is a single parallel brown line with 5 short perpendicular lines crossing. Below the two brown lines is a brown blob that looks like it may have once been a horses leg, but is nothing in particular now. Interior is brown.
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| TEMP.2003.7.30
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Small figurine, features not at all defined. Figure is very simple, small rounded shapes for head and arms. Both the back and front are relatively flat and smooth - the front is the side which has the base sticking out further than the back. There are indications that something was painted on it - black line by the right arm, on the front at the bottom, and on the back on the lower half of the body - here there are three vertical lines, the middle line being the longest. There are four black blobs on the square base.
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| TEMP.2003.7.31
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Small figurine, possibly an animal, because the nose/mouth is pointed like a snout. Has two small holes for the eyes, and three holes above them. The neck is thinner than the head, and the arms are clearly defined, although are broken. The figure is of a red colour, with remants of black paint on the head and lower back.
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| TEMP.2003.7.32
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Small figurine, possibly an animal. Pinkish colour, with remnants of black paint on the back, on the left arm and on the main body. Appears to be scratching head with the right arm, and the feet are distinguishable from the legs because they are at an angle.
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| TEMP.2003.7.4
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Five sided fragment. Exterior white with a pattern of parallel brown curves that get increasingly shorter, creating a pie slice shape. Interior black with a red line alone one edge. Right above the red line is a white line. There are also a few other splotches of white.
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| TEMP.2003.7.60
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Fragment is made up of six smaller fragments, which have been rejoined, comprising the base of a pot. Interior and exterior are glazed black. Just above rim of base is a strip of red with a black line in the middle. Top and underside of base rim is red. Side of rim is black. Underside of base is concaved, with a red center. The red center, under the base, has a black circle around.
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| TEMP.2003.7.62A-C
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Three fragments. Both sides of each fragment are glazed black.
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| TEMP.2003.7.64
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Fragment from the neck of a closed shape, with a flat, thick rim (1.4cm). Flat, top of rim seems to have been painted white. The side of the rim has a pattern around it. The pattern has a thin, black line parting small 'U' shapes. The top half of the pattern has 'U' shapes in it, which have tiny, verticle, red lines inside them. The bottom half is the same, however the 'U' shapes are up-side-down. The neck and small piece of the body, on the fragment, is glazed black and appears to have once had white paint on it. The fragment has a small piece of the pot's body on either side of the neck. One of the sides of the fragment of the body has the top of two figures on it. The right hand side figure is the top of a head but its features are unclear. The left-hand-side figure appears to be a women, with her left arm raised. The underside of fragment is terracotta colour. The inside of rim is glazed black and the inside of the pot appears to have been left terracotta.
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| TEMP.2003.7.7
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Fragment from the central part of a bowl. Interior brown, with three pairs of white lines beginning about 1.5 from the top, 3.0 from the top, and 4.0 from the top. Under the second set of lines, are three white tear drop shapes that used to surround the center. Exterior white with pattern of alternating red and yellow/brown lines .2 to .8 apart.
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| TEMP.2003.7.78
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Fragment, glazed black on both sides. On the outside half way down are two very thin, parallel, slightly faded, white lines. On the inside are two thin, parallel, brown lines along one edge.
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| TEMP.2003.8.1
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(a)Part of the rim of an open jug of some sort. The inside segment of the rim is painted black, with numerous small bits having been chipped off. Moving outwards, the rim consists of the inside of the pot wall, which then splays out in a flat top rim, and then falls down again in a second wall that is left dangling from the outer rim. So, moving from the inside outwards on the underside, there is a valley of about 1.0 wide and 1.5 deep until the top of the second rim (which is peaked) is reached. The outward facing side of this downward pointed rim consists of alternating lines of black dots and thin black lines which run around the entire outer diameter of the rim. There are two rows of dots and two lines, alternating which each other, all of which are heavily worn. The top part of the rim, which would be facing upwards if the pot were complete, is about 2.2 wide and flat, marked with black raised lines that repeat about every .3 and which start at the outer edge and are 1.7 long, and painted black. These lines are heavily worn. There are also two significant chips in the top of this rim, each about 2 long.
(b)Another part of the same rim to the same vessel. The same dot and line pattern runs around the outer diameter. On top the lines which are thicker at the end pointing into the pot are repeated, a palmette decorates the larger flat area of the handle region.
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| TEMP.2003.8.64
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Head of a woman in relief. Plaque is square in shape. On either side of the woman's hair at the top are two wings. Long flowing hair on either side of her face. Features are carved and she is wearing something around her neck. Small hole in the centre at the top.
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| TEMP.2003.8.8
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Floral pattern. Black band followed by reserved band followed by black band followed by a row of small dots above which are larger ones between which are fine elongated semi-circular lines.
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| TEMP.2005.8.1
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Decoration in relief: On lower part of wall is a frieze including two tall birds (cranes?), the first in 3/4-view to left with wings outspread and head turned to the right, the second advancing profile to the left. They are enclosed in a rectangle outlined with relief dots. Below a row of relief dots, on lower part of body, is a floral frieze, consisting of inverted lotus buds, tendrils, and rising acanthus leaves.
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| TEMP.2007.3.81a-f
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c=lizard e=animal, rest are unidentified patterns or shapes
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| TEMP.2022.5.13
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On one side are several diagonal lines forming a sort of pattern.
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| TEMP.2022.5.14
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On the bottom there are numerous lines that appear to make up a series of triangles within one another.
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| TEMP.2022.6.2
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the body is decorated with four thin black lines and two thick dark red lines: at the base of the neck are painted vertical dark red lines (25): the neck is decorated with two thin black lines and one thick dark red line: the handle has eight thin red lines.
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| temp.2022.6.2
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the body is decorated with four thin black lines and two thick dark red lines; at the base of the neck are painted vertical dark red lines (25); the neck is decorated with two thin black lines and one thick dark red line; the handle has eight thin red lines
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