Ure Museum Database



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There are 582 objects for which Decoration contains → lines
11.10.12 body is decorated with black lanceolate leaves bordered on the outside by five → lines ← alternating black and red, on inner by two → lines ← and band in black. The fo
11.10.19 a leaf grows. There are dots in the field. Body: black except for a pair of red → lines ← around the top.
11.10.2 zone is palmettes and lotus buds on cable, perhaps with white outer continuous → lines ←. Bottom of body was orignally black, as is top of foot. Side of foot is
11.10.21 ack on lower part of body and exterior of foot, except for two reserved grooved → lines ← on the top and lower part of foot. Reserved resting surface. Underside dec
13.10.11.10 Incised pattern of parallel → lines ← enclosing dots, between these features are undulating → lines ←. There is also
13.10.11.16 Parallel zigzag → lines ← incised on both the bottom and top sides of the bead as well as an incisio
13.10.11.3 Spherical bead with an incision around the girth, and parallel → lines ← of 2 or 3 incisions either side of the girth.
13.10.11.4 Three parallel → lines ← of incisions in diamond shapes on the surface of the bead
13.10.11.5 he surface. Pattern is such that the dots are in between two parallel, vertical → lines ←. Incision around the girth too.
13.10.11.6 Groups of three incised parallel → lines ←, arranged patterns.
13.10.11.8 Sets of three parallel → lines ← of incisions all over the whole object.
13.10.12 Decorated with three groups of horizontal → lines ← around the body, rays on shoulder, a wavy line round neck. The handle is
13.10.17 ck painted on the rim. The neck is painted with alternating red and black thick → lines ←. The handle appears to have been painted in black on the top and sides, bu
13.10.18 Interior: halfway down, a series of uneven thin black concentric → lines ← between two thick black → lines ←; at base two concentric black circles. Exter
13.10.7 ck in patches. Incised decoration: groups of zig-zags and intersecting straight → lines ← which stop at base without meeting.
14.9.11 Painted decoration in dull black on both sides in rectangles with → lines ← inside with cross hatching on the underside. Part of two bored holes at t
14.9.12 Creamy white throughout. Patterns in dull black. Rectangular patterns with → lines ← inside with a right-angled crossings on outside and similar rectangle desi
14.9.13 Creamy-white clay. Patterns in dull black on pinkish ground, rectangles and → lines ← on the outside and a curved pattern inside. Small section of rim (?)
14.9.21 Two fragments joined. Core is reddish-brown. Inside is white with two wavy → lines ← in red. Outside is white as well with two thick and two thin straight lin
14.9.34 m, the lowest one broader than the five upper ones. On base two white parallel → lines ←.
14.9.38 red paint. The exterior surface has a band at rim above a spiral with linking → lines ← with small petal-like crescents between them. Inside, the surface is red.
14.9.5 e of neck (white spots superimposed on front only). At base of handles are wavy → lines ← and below is a decoration of three black bands. Base is reserved. Graeco-P
14.9.54 angles filled with trefoils, the vacant spaces being filled with waved parallel → lines ←.
14.9.57 Central circular knob with painted black cross and sides filled with → lines ←. Side has bars and the stem of the handle is black. Three black bands, t
14.9.59 n painted band faded to brown, followed by band of small black dots between two → lines ←, then thick black band and 2 thin black → lines ← then another black band that
14.9.6 ng crosshatching and diamond patterns in black paint on white slip. Short black → lines ← on rim and interior of lip.
14.9.60 Series of bands; 1 thin followed by a thick red band with several darker → lines ← through it, 2 rows of dots set between three faint red → lines ← followed by a
14.9.63 Dark reddish band then three rows of dots set between → lines ← with a lighter red band immediately after and then 1 thin red line which i
14.9.64 2 thin horizontal black → lines ← above handle, 8 below, 3 at right angles to these beside handle, all appro
14.9.65 hen black geometric pattern of squared horizontal interlaced S shapes between 2 → lines ←, all on pale buff background. Inside painted black somewhat washily.
14.9.67 2 black → lines ← at 45 degrees to each other. Black painted design with incised → lines ← marki
14.9.68 Hind leg of animal (poss. goat) in black with slightly redder edges and incised → lines ← over hindquarters, standing on 2 thin red → lines ←. 2 black rosettes divided
14.9.69 Black painted design. 2 thick → lines ← diverging from medium-sized black section. 1 curves round, the other is st
14.9.7 have a linear pattern formed into rectangular shapes. The interior surface has → lines ← with adjoined rectangles with → lines ← inside them too. A similar pattern is
14.9.70 ll circular indentation. Black painted section split into 3 sections by incised → lines ←; 1 plain, 2nd with red paint over black, 3rd with incised → lines ← at right a
14.9.71 , small central circle with circle round that and 11 petals marked with incised → lines ←, every other petal marked with red spot. This is surrounded by black vines
14.9.74 e; exterior: from top, part of wide vertical black band between pairs of dilute → lines ←; two dilute → lines ←; guilloche pattern; at right, two narrow vertical black
14.9.75 dark brown line. There is a similar line parallel to this one on the left. Both → lines ← are at right angles to a braoder dark brown line. Nestled between two fain
14.9.8 derside appears to have a zigzag pattern above a more dense and busy pattern of → lines ← and zigzags. No finished edges.
14.9.83 ural zone, two confronting sirens with rosettes in field; below, two horizontal → lines ←, above rays. Red for breast and base of wing of both and for streak acros
2003.3.37 Interior, 2 bands in added red. Exterior, vertical → lines ← above a horizonatal line at rim, with band and line below all in added red
2003.6.18 Base fragment of a small pot, decorated with three straight → lines ← at the base, two of which are black; the middle one is of a faded purple c
2003.6.19 Two → lines ←, one black and one red, towards one end of the fragment; covered with a wh
2003.7.15 om, with a broad white line painted at the top and several faded black vertical → lines ← painted over the white. The shape of the fragment is rectangular, and it s
2003.7.19 with a narrow area of black at the bottom. There is indication of two parallel → lines ← of small black dots, in between which are two narrow parallel black bands
2003.7.20 . Exterior has the rim painted in a broad band of white, with signs of parallel → lines ← of black dots at the edge of the white. There are also indications of two
2003.7.21 terior is black. Exterior: rim white, between two rows of black dots; two black → lines ← in the middle, with black squares between them.
2003.7.22 e is painted in black. The exterior has the top half painted in white, with two → lines ← of small black dots parellel to each other at the edges of the white paint
2003.7.23 ite painted on, with a few black marks painted on which are possibly horizontal → lines ← and small blacks squares - similar to other Laconian fragments. Underneath
2003.7.24 r to the exterior. The exterior is half painted in white, with narrow, parellel → lines ← of black dots or bands, and a black square inbetween two black → lines ←. Ther
2003.7.26 top half of the exterior has been painted white (barely visible), with parallel → lines ← of small black dots, and black squares in between these two → lines ←. The res
2003.7.27 rest of the fragment has been painted in white, with four black narrow parallel → lines ←, and a black square nestled inbetween the first two → lines ←. There is also a
2003.7.28 d at the top. There is a white background painted on, with three black parallel → lines ←. Between the first two → lines ← is a row of small black dots, the second and
2003.8.62 Curved fragment with three faded black diagonal black → lines ← across the bottom right.
2004.8.2A Black, leaf-shaped decoration, interlaced with thin black → lines ←, with two small, black circles beneath. Black on reverse side of fragment.
2004.8.2B Thick black band, with horizontal incised → lines ←. Tips of black palmette decoration visible. Black on reverse side of fragm
2004.8.4 nd part of a sphinx can be seen. The sphinx behind the right figure has incised → lines ← dividing the wing feathers. The centre of the sphinx's wing appears purple
2005.3.28A-B A: Whitish slip with bands of decoration, zigzags in added red and straight → lines ← in brown. Interior has a wide band of red at rim, rest is white slip, pos
2005.3.29 Band of vertical → lines ← with horizontal line below in added red, band of added red visible on inte
2005.3.30 Black decoration on exterior, double → lines ←, dots and 'eye' shaped block
2005.3.32 lines ← in added red
2005.3.33 White slip with added red decoration, red → lines ← still visible as well as a patch of red at the edge of the fragment
2005.3.34 exterior: → lines ←, bands and triangles in added red. interior also has a section of added re
2005.3.35 Black band on interior. Rim, lip and handle have small black → lines ←, two black → lines ← are visible under the handle
2005.3.38 red, exterior, white slip with vertical line above a horizontal line at rim and → lines ← below all in added red
2005.3.39 Band on interior and vertical → lines ← on exterior in black
2005.3.40 Band on interior and → lines ← and spirals on exterior in black
2006.12.107 Too worn too tell; vertical black → lines ← (?)
2006.12.111 Very faded black and white painted → lines ← on both inner and outer surface.
2006.12.116 Black paint on inner surface; black and faded brown → lines ← on outer surface.
2006.12.12 On the inner surface shallow and thick black/red-brown → lines ← with thick section of black paint. On outer surface there are spiral patte
2006.12.120 BLack paint on innser surface; unevenly shaped black → lines ← running in different decorations on outer surface; worn.
2006.12.121 Black paint → lines ← on white paint decoration; heavily worn.
2006.12.122 Rough black → lines ← in geometric pattern; faded.
2006.12.123 Black and white paint → lines ←, heavily chipped and worn.
2006.12.13 Inner surface painted black with uncoloured band; outer surface has worn → lines ← perpendicular to rim, with hints of further decoration lower, unidentifiab
2006.12.14 Line of brown paint around rim, with dark brown dots on orange-brown → lines ← below. Zig zag pattern of brown → lines ← beneath this
2006.12.15 One half of outside is grey → lines ← on a white surface, in an unidentifiable pattern; Other half is hatched gr
2006.12.17 Brown circular → lines ← on both inside and outside of fragment
2006.12.22 Unpainted areas crossed by thick bands of grey-blue, with thinner grey → lines ← on top. Looks faded all over
2006.12.40 Brown concentric circles around pot, 3 narrow, 2 broad. Parallel → lines ← meet these circles at right angles, with zig-zag → lines ← between the groups
2006.12.42 due to damage and fading, but appears to be black painted design. Two parallel → lines ← and some chevrons distinguishable
2006.12.44 Three brown painted bands with two → lines ← joining them at right angle, with two small → lines ← at right angle at edge o
2006.12.45 Parallel → lines ←, hatching and a row of backward "S" shapes.
2006.12.46 Red/brown decoration with two parallel → lines ←. Above this is what seems to be a leg of an animal, probably a duck or goo
2006.12.48 Thick brown → lines ← with narrower → lines ← joining at right angles, with a possible ray joining o
2006.12.5 Two parallel → lines ← and key design in orange-brown on a white painted background, slightly wor
2006.12.51 Black parallel and hatched → lines ←; very worn
2006.12.54 Block of black paint, adjacent area with red and white → lines ← and other patterns but difficult to identify due to wear
2006.12.55 Black and brown → lines ← on white background running parallel; near edge of fragment others at perp
2006.12.56 Black and white → lines ←; heavily worn
2006.12.57 Possibly black → lines ← on white background on both sides; heavily worn
2006.12.59 Red → lines ← on white paint barely recognisable
2006.12.6 of vessel; bottom of body painted black; main body features design with curved → lines
2006.12.62 Black paint on inside; Black → lines ← on white paint on outside, some running perpendicular to others, very worn
2006.12.64 Black paint with two white → lines
2006.12.65 Painted → lines ← black → lines ← perpendicular to rim; other decoration recognisable but not id
2006.12.71 Black paint on inside; White paint with parallel black → lines ← on outside
2006.12.72 Solid black paint on inside; black → lines ← on outside
2006.12.76 White paint with black → lines ←; heavily worn
2006.5.13 No decoration, → lines ← texture
2007.10.2.33 Profile portrait of a woman? with → lines ← over face maybe a tree
2007.2.128 band of brown is present with a undistinguishable pattern underneath. Two thin → lines ← are indented into the piece.
2007.2.78 No decoration, however, two → lines ← are indented into one side of the fragment.
2007.2.93 One side is decorated with a series of parallel → lines ←. In the centre of the fragment is a thick black line with a thinner one pr
2007.4.101 Black paint on inside; red and brown parallel → lines ← on outside
2007.4.105 Parallel dark brown → lines
2007.4.116 Very faded black paint → lines ← visible on both inner and outer surface, but not enough to assess decorati
2007.4.118 n rim; black paint band following rim on outer surface with perpendicular black → lines ← coming off it; worn and faded
2007.4.124 Black parallel → lines ← next to broken handle; white paint under handle; faded black parallel line
2007.4.125 Very faded black paint → lines ← on white paint
2007.4.126 Black paint on inside; outside has → lines ← of faded brown on a white background in both parallel line designs and che
2007.4.127 Hatched black ? → lines ← on outer surface, heavily worn and faded
2007.4.132 y damaged, with a large black cross painted across the front, bordered by black → lines
2007.4.135 Two black → lines ← painted across, bordered by red, slightly worn
2007.4.140 Painted black on one side, with very faint red → lines
2007.4.143 Drak red → lines ← on one side, bordered by orange → lines
2007.4.154 Black → lines ← drawn in concentric circles on one side
2007.4.155 of the fragment, a thicker red line at the bottom, both bordered by darker red → lines
2007.4.157 de again a dark red stripe near the lip, and some sort of pattern involving red → lines ← on lighter, orangey → lines ←, but difficult to see owing to damage
2007.4.166 Hard to say; diagonal black → lines ← across handle perhaps (?)
2007.4.167 parallel black → lines ← of varying thickness
2007.4.170 Black zig zags and → lines
2007.4.171 black parallel → lines
2007.4.172 black zig-zag → lines
2007.4.173 parallel black → lines
2007.4.174 thick parallel black → lines
2007.4.176 faint parallel black → lines ← across side
2007.4.177 Horizontal → lines
2007.4.178 thick brown → lines
2007.4.181 Black → lines ← on interior of container; handle coloured black
2007.4.182 Adjacent and parallel black → lines ←; large portions of shard painted purely black
2007.4.183 Hard to distinguish;coloured in black on inside; some black → lines ← on outside
2007.4.184 Black → lines ←, spreading out across the shard
2007.4.186 Horizontal → lines ← of varying thickness
2007.4.190 Zig-zag as well as horizontal → lines ← of black
2007.4.195 Worn wavy red paint → lines ← on white background
2007.4.197 Black → lines ← following shape of handle with faded black dots on them
2007.4.199 Three parallel black → lines ← above "S" shapes with black line beneath them.
2007.4.201 Thick black band below rim with several thinner black → lines ← perpendicular to it; black paint all ove rinner surface; worn.
2007.4.203 Vrey faded black zig-zags near rim on outside; two rough faded black → lines ← on edge of fragment.
2007.4.204 Three black parallel → lines ← on one part of fragment; hatched area on other part of fragment
2007.4.205 Thick black band below rim on both inside and outside of fragment; two black → lines ← on rim; part of zig zag pattern at bottom of outer surface of fragment.
2007.4.206 Black diamond, split into four by → lines ← across the middle
2007.4.208 Two parallel white → lines ← with a white arc in corner
2007.4.211 Five black → lines ← going vertically across
2007.4.212 Black paint → lines ← and triangular shapes
2007.4.213 Interlocking curved black → lines ←, slightly faded
2007.4.214 White paint with 3 parallel black → lines ← next to a hatched area
2007.4.220 Two → lines ← of a wave-like pattern, followed by two further straight → lines ←. Completely
2007.4.221 on of darker red, almost black. Coming straight down from this are siz dark red → lines
2007.4.222 Three black → lines ← going vertically, joined on the bttom half by three black → lines ← going hori
2007.4.223 One corner painted completely red, the other two covered with dark red diagonal → lines ←. In the centre of the shard a square has been painted, broken up into a lo
2007.4.228 Inner surface has faded black-brown-red → lines ← running round inside of rim with area below painted entirely black; outer
2007.4.5 Painted → lines ←, some a reddish-brown colour while others are grey. → lines ← are quite distin
2007.4.6 Red painted → lines ← parallel to each other, worn.
2007.4.69 Rough black painted → lines ← on one side; worn black paint on the other side
2007.4.72 Close inspection of outer surface shows a very faint parallel → lines ← and zig zag pattern. Paint has presumably almost entirely worn away.
2007.4.73 Black → lines ← on outer surface, very worn and difficult to tell what original design was
2007.4.77 Red, orange and brown → lines ← in parallel, with → lines ← from a ore complicated looking design perpendicula
2007.4.80 Thick black → lines ← at edge of sherd with two thnner red-brown → lines ← beneath them, somewhat wo
2007.4.85 Faded red brown → lines ← and badly worn small shapes
2007.4.9 Two black painted → lines ← parallel to each other which are slightly worn.
2007.4.91 White slip with parallel brown → lines ← painted on
2007.4.93 Black paint on inside; black line around rim on outside with two black → lines ← running perpendicular to it
2007.4.96 3 red → lines ← on outside
2007.4.97 Black → lines ← on outside with very faded brown → lines ← perpendicular, red paint on inside
2007.9.1.107 Displays several over-crossing → lines ←, not recognisable as a specific object.
2007.9.12 glossy black paint on inside surface, matte black on outside, very fine incised → lines ← on outside of clay body.
2008.7.101 ; black glazed on the outside; inside in reserve. Row of uniform parallel black → lines ← at the junction of the shoulder and neck. On the shoulder, five black palm
2008.7.128 greyish-black wash. Exterior: greyish-black wash. 7 thin non-parallel vertical → lines ← scratched into surface from rim to half-way down fragment.
2008.7.136 ible towards bottom of the fragment. Three horizontal, narrowly-spaced parallel → lines ← etched towards upper edge.
2008.7.137 or: black wash. Exterior: black wash with very thin, narrowly-spaced horizontal → lines ← etched, revealing unfinished terracotta beneath.
2008.7.139 Interior: small spots of a darker colour are over painted. Exterior: 6 diagonal → lines ←, forming a diamond pattern are etched. A narrow horizontal groove forming
2008.7.140 Exterior: One horzontal line with 4 short vertical → lines ← at 90 degrees to it are etched on top edge of thwe rim.
2008.7.145 Interior: cream wash with 4 parallel horizontal → lines ← overpainted in greyish-black creating 2 bands of pattern, one twice the wi
2008.7.150 Interior: greyish wash. Exterior: greyish wash with 2 diagonal → lines ← forming an 'x' shape etched at either end of fragment.
2008.7.152 Exterior: two horizontal parallel → lines ← etched towards top of fragment. Below this, 3 vertical, non-parallel ridge
2008.7.159 Interior: reddish-brown wash. Exterior: 8 narrowly-spaced parallel horizontal → lines ← overpainted in same reddish-brown colour.
2008.7.16 Black glaze pattern on exterior, → lines ← and squares
2008.7.166 r black overpainted dots beneath that sit between two thin parallel overpainted → lines ←, beneath this is another line of parallel small overpainted dots
2008.7.167 : beige slip overpainted by remnants of three parallel horizontal reddish-brown → lines ←; rim: probably had one reddish-brown line; interior: beige slip overpainte
2008.7.168 ne and one thin horizontal black line just above it, traces of other horizontal → lines ← of indeterminate color; interior: black glaze.
2008.7.169 Exterior: white/beige glaze overpainted by thin horizontal brown → lines ←, small brown specks, and black round marks; rim(?): black line?; interior:
2008.7.170 Exterior: white/beige glaze overpainted by thin black horizontal → lines ←, small black specks, and one large black round mark; interior: black glaze
2008.7.173 eige glaze overpainted by one thick horizontal red line, three black horizontal → lines ←, and one vertical black line that extends downwards from the bottom horizo
2008.7.174 sh glaze overpainted by one horizontal black line and four vertical brown/black → lines ←.
2008.7.177 Exterior: white glaze overpainted by two black → lines ←; interior: black glaze.
2008.7.178 brown glaze? bits of red pigment; interior: black glaze? brown or black curved → lines ←?
2008.7.179 Exterior: several (at least eight) horizontal parallel thin brown(?) → lines ←; interior: brown glaze?
2008.7.18 Light brown exterior glaze with darker reddish-brown decoration. Seven parallel → lines ← perpendicular to three other → lines ←, all of the reddish-brown color. Also t
2008.7.180 Exterior: white glaze overpainted by horizontal brown → lines ← and one red band; interior: black glaze.
2008.7.181 Exterior: white glaze with two (or three) overpainted parallel horizontal black → lines ←; interior: black glaze.
2008.7.182 Exterior: white glaze with two overpainted parallel reddish-brown dashed(?) → lines ←; interior: black glaze.
2008.7.184 Exterior: reddish beige slip overpainted by 11 horizontal thin red → lines
2008.7.185 erpainted by a geometric pattern of horizontal, vertical, and diagonal black(?) → lines ←; could also be white(?) → lines ←.
2008.7.186 Exterior: beige/white slip, overpainted by one horizontal maroon → lines ←, traces of black decoration on the very bottom of the fragment. Base(?): c
2008.7.188 Exterior: white/beige glaze overpainted by two sets of two parallel thin black → lines ←. Interior: black glaze.
2008.7.20 Exterior light-brown glaze. Overpainted by eleven dark-brown (black?) vertical → lines ← that end in two parallel brown → lines ←. There are six further brown horizont
2008.7.200 ght beige wash over entire fragment, two thin brown/black parrallel overpainted → lines ← at one end of the fragment
2008.7.21 On the exterior three parallel brown → lines ←. Also, three curved reddish-brown → lines ← (concentric circles?). On the inte
2008.7.22 tural baked color, half brown. Four parralel brown and reddish-brown horizontal → lines ← overpainted of uniform thickness (ca. 0.1), one on brown half and three on
2008.7.23 Exterior: beige slip overpainted by two parallel horizontal thick (0.6) brown → lines ← outlined in black, two thick curved brown figures outlined in black, one s
2008.7.24 Exterior beige slip overpainted by 12 parallel horizontal reddish-brown → lines ← of uniform thickness (0.1). Interior reddish-brown slip.
2008.7.25 Exterior beige glaze overpainted by two black → lines ← and one brown line (darker in the middle). Interior glazed black.
2008.7.26 Exterior glazed light-brown, overpainted by three parallel horizontal brown → lines ← - one slightly darker than the other two - and a black curved/spiral shape
2008.7.28 ontal line just under the rim, also four (three thin, one thick) parallel black → lines ← running at a steep angle down from the rim. Rim: five thick black → lines ← pa
2008.7.3 9 parallel → lines ← of brown slip beside which there is black glaze. Brown slip on sides of fr
2008.7.30 terior glazed gray-beige, overpainted by two parallel thick (0.8) brown curving → lines ←.
2008.7.32 Exterior has two parallel thick (0.8) brown curving → lines ←.
2008.7.33 Exterior has two parallel thick (1.3 and 0.7) brown curving → lines ←.
2008.7.34 Exterior glazed black overpainted by five horizontal parallel → lines ← on the bottom half of the fragment. Three are brown, two are beige. The co
2008.7.35 line up utn il just under the rim. Interior: two horizontal parallel dark brown → lines ←. The top one is right up on the edge of the rim, the other slightly remove
2008.7.37 has a light reddish-brown slip overpainted by six thin horizontal parallel red → lines ←.
2008.7.39 Exterior: Base - 4 parallel red/brown → lines ←. Top - single red/brown line parallel to → lines ← on base, but set further up
2008.7.40 Exterior: series of thick black horizontal → lines ← of varying thickness; interior: probably same or similar decoration to ext
2008.7.42 Exterior: base has an area of black overpaint, which is followed by 3 thick → lines ← of black overpaint towards the top of fragment; Interior patchy area of bl
2008.7.43 Exterior has three (two thin, one thick) parallel brown curving → lines ←.
2008.7.45 Exterior: three parallel black horizontal → lines ← on the bottom of the fragment, a squiggly irregular black → lines ← on the sid
2008.7.46 Exterior: two red parallel → lines ← of different thicknesses overpainted.
2008.7.48 Exterior: two thick brown parallel horizontal → lines ←, the upper of which has two thin brown parallel → lines ← coming off at a shal
2008.7.51 Exterior: 2 parrallel red/brown overpaint → lines ← across centre of fragment with 2 parrallel diagonal → lines ← of the same colo
2008.7.53 Exterior has six thin horizontal parallel brown overpainted → lines ←; interior glazed brown, with one or two possible thin reddish brown horizo
2008.7.54 el to this line but towards the base of the fragment are a further two parallel → lines ← (closer together) in black overpaint.
2008.7.6 Light yellow slip as relief patterns surrounded by darker orange slip for
2008.7.61 or: 7 black rectangles forming checked pattern overpainted. 4 narrow horizontal → lines ← of the same colour run parallel to this .
2008.7.62 Interior: black wash. Exterior: thin parallel → lines ← faintly visible at top and bottom of fragment. Between these, patches of o
2008.7.63 bands overpainted. Between the 2nd and 3rd there is a pattern of short vertical → lines ←. Below this there is a pointed shape of the same colour.
2008.7.66 Exterior: checked pattern created by rectangular shapes and horizontal parallel → lines ← overpainted in reddish-brown. 2 thin horizontal bands run parallel to this
2008.7.67 tern overpainted in black. Running parallel to this, 4 thin horizontal parallel → lines ← and above this a pattern of 5 short vertical → lines ← in same colour.
2008.7.68 r: Horizontal band overpainted in greyish-brown. Above this, a pattern of waved → lines ← and short vertical → lines ←. Below, 2 → lines ← of similar colour run parallel.
2008.7.69 Exterior: 10 narrowly-spaced parallel horizontal → lines ← overpainted in brown. below this 9 small circular grey dots in a horizont
2008.7.7 Black glaze with inscribed semi-circle pattern motif mixed with red dots and → lines
2008.7.70 es overpainted in reddish-brown forming checked pattern at one end, with 2 thin → lines ← running parallel above, next to a band containing a diamond-shaped pattern
2008.7.72 Exterior: 10 thin, narrowly-spaced, parallel, horizontal → lines ← overpainted in brown.
2008.7.73 Interior: black overpaint; exterior: two horizontal parallel black overpaint → lines ← across centre of fragment with three spots of black overpaint in between t
2008.7.76 terior: across centre of fragment a set of five parallel horizontal overpainted → lines ←, the central line is slightly thicker and a dark red/brown, the adjacent l
2008.7.77 Exterior: Thin, narrowly-spaced, horizontal parallel → lines ← overpainted in light brown.
2008.7.78 Interior: greyish-black wash. Exterior: Parallel → lines ← overpainted. Thick strip of dark-red colour in middle. One thin stripe of
2008.7.80 erior: black overpaint; exterior: along one side of fragment are parallel black → lines ← of overpaint with a spot of black overpaint between them in the centre, on
2008.7.87 Interior: greyish-black wash. Exterior: cream wash with horizontal parallel → lines ← overpainted in brownish-red. 1 thick and 2 thin → lines ← towards top. Curved
2008.7.97 Exterior: black wash. 4 narrowly-spaced horizontal → lines ← engraved along one edge revealing unfinished terracotta beneath.
2008.8.2 with curved necks. The bird on the right has wings spread and short horizontal → lines ← on the wing and tail suggesting feathers. There is a reddish stripe overpa
2008.9.1 brownish-grey along 3 of the fragment's edges. Exterior: Black wash with white → lines ← etched depicting an image. 2 leg-like shapes at right-angle to curved edge
2008.9.15 t edge of fragment. Several narrowly and irregularly spaced parallel horizontal → lines ← overpainted on the wash and unfinished section. Exterior: greyish-black wa
2008.9.17 line of a darker red within this. Exterior: 2 widely spaced horizontal parallel → lines ← overpainted in redish-brown.
2008.9.18 parallel line overpainted in brown below this. Several narrow vertical parallel → lines ← join onto this and there are traces of a redish-brown wash.
2008.9.19 Exterior: 5 parallel horizontal → lines ← of differing thicknesses are overpainted accross one corner of the fragmen
2008.9.25 ly wide curved raised ridge running across centre of fragment. 5 short vertical → lines ← overpainted in a pinkish-colour faintly visible upon this ridge. A small p
2008.9.26 Interior: greyish-black wash. Exterior: 3 thin narrowly-spaced → lines ← run parallel to one of the edges of the fragment. The upper of these is ov
2008.9.27 Interior: greyish-black wash. Exterior: 2 curved narrow parralel → lines ← run along one edge of fragment, the upper overpainted in greyish-black and
2008.9.28 s is the remains of a parallel greyish-black line with 4 greyish black vertical → lines ← attached to it. Below are 2 unfinshed circles, bordered by a greyish-black
2008.9.4 an animal, joining onto a body is overpainted in greysh-black. 5 short vertical → lines ← are etched across the body and a few other etched → lines ← define the back le
2008.9.41 Decorated with a circular design in a brown glaze with two thin parallel → lines ← curving along it. The areas to the left and right are decorated with a pla
2008.9.7 Exterior: Three parallel horizontal curved → lines ← overpainted in reddish-brown. 2 of them narrowly-spaced and 1 further apar
22.3.21 on right by vertical reserved band containing double row of joined dots between → lines ←. Below, egg and tongue pattern covered with streaky black.
22.3.22 ng a walking-stick. The details of the drapery are rendered with thick and thin → lines ←. In the left bottom corner of the fragment there is the lowest right part
22.3.26 The edge of the rim bears short, thick black → lines ←. The interior of the plate is decorated with two rows of white lotus leave
22.3.31 attern are a series of other decorations consisting of several relatively large → lines ←, and in between these are numerous thin → lines ← with moderately large dots a
22.3.35 line on each of their ends; both above and below this pattern are two straight → lines ←, brown of colour. At the bottom is another unique pattern consisting of th
22.3.36 de of the artefact to the other. The interior of the object possesses countless → lines ← connecting one part of the pot to the other, and vary in shades of brown.
22.3.4 on top and reserved below. Under handles are crosses between pairs of vertical → lines ←. On each side are four palmettes standing on four larger, inverted palmet
22.3.41 ed on a cream ground. Below a broad brown band is a red band, between two white → lines ←, and then another brown band. The lower body is decorated with a series of
22.3.5 base; main zone, palmette-lotus band bordered above and below by a pair of fine → lines ← and a broad band. Round the rim leaf and bar pattern. Inside reserved.
22.3.5A-B es. Lid: around the rim the pattern consists of leaves surroundered by parallel → lines ←. A broad band separates another pattern of palmettes and decorative tendri
22.3.6 Black inside and out. Two superimposed red → lines ← just below level of handles. Painted black on the outside and inside is
22.9.1 Black → lines ← decorate the body in geometric patterns. Front, from bottom to top: vertic
22.9.7 gues. Body: three bands at top; deep painted zone divided vertically by incised → lines ← (two parallel) dissecting into segments; four bands below. Base reserved.
25.4.2 een chevron-panels. Red for middle band of three above main zone, and vertical → lines ← of herringbone panels, and mid band below main zone. Bands on handles. On
25.6.3 n the second. Body from top to bottom is three rows of black dots separated by → lines ←. Symposium: Man reclining, woman lyre-player seated at foot of couch. At
25.6.8 Black line along rim. 2 small black possibly floral designs with 2 thin wavy → lines ← between them, which have faded from black, on a reserved background. Insid
25.9.2 are alternating black and red tongues surrounded by double row of dots between → lines ←. Outside these is black around the curved body down the stem to the foot.
25.9.4 een bands of grille pattern, at front only and all in black. Three wet-incised → lines ← below. Side and base of foot heavily ruddled. Footring reserved.
26.12.13 served panel in front with main design and two sets of parallel, vertical black → lines ← either side of a double row of dots. Horizontal row of tongues at top. Mai
26.12.14 just below neck, above main, reserved panel, with two parallel, vertical black → lines ← either side of panel (shields ?). Main design of warrior facing right, wit
26.12.20 leaves. Body zone is covered with a white ground and is decorated with diagonal → lines ← criss-crossing one another (net pattern), with thin bands at the top and b
26.12.21 A. 14 vertical wavy → lines ←; below rim two rows of dots. B. Similar with 15 → lines ←. Swastika under ea
26.12.24A-B e on each side. The walls, in the handle zone, are decorated with vertical wavy → lines ←. The lower part of the body is black, as is in the interior. The base of t
26.12.26 of the neck, from which seem to be hanging seven, double, semi-circular, white → lines ←, each one flanked by vertical ones. There are also two grooves that contou
26.12.27 decorated with a streaky glaze with a repetitive pattern: two reserved vertical → lines ← followed by a reserved oval. This seems to have been repeated around the w
26.12.5 and between two thin ones and a band on the side. Shoulder design is radiating → lines ← with a band below, double row of dots, another band. Body: Lotus-palmette
26.12.7 Lip decorated with black vertical → lines ←. Interior: Three concentric bands of red, each approximately 1.3 wide. The
26.2.13 interior: on rim, three black → lines ←; wall glazed; top of rim glazed; exterior: lip and handle zone reserved, w
26.2.24A-B and palmettes with details in red and incision, bordered above and below by two → lines ← of thinned black less than a half centimeter apart, on yellowish buff grou
26.2.3 ing hole, traces of narrow and wide painted black concentric bands with incised → lines ← across the wide bands; around edge, black-figure decoration consisting of
26.2.32 ng with 9 dot rosettes on rim, of which survive from left to right two verticle → lines ←, nine dots, four verticle → lines ←, and nine dots before the fragment ends.
26.2.34 three concentric circles with central dot, flanked to left by triple horizontal → lines ← with petals either side, part of frieze; exterior: three black bands.
26.2.4 hole painted black; around ring hole, wide and narrow black bands with incision → lines ←; around edge, black-figure decoration;consisting of horse riders (only inc
26.2.41 as filling ornament; at right, decorative motif consisting of two vertical wavy → lines ← (or tail of bull?); below, two → lines ←.
26.2.51 ior, from top: traces of undetermined decoration; band with added red and white → lines ←; black-figure frieze of sphinxes (one with face and forelegs missing, and
26.2.66 ground with two golden-brown bands running lengthwise, between two golden-brown → lines ←. The interior shows two white bands running lengthwise on a brownish-black
26.2.67 rior glazed (fired greenish brown) with band in added red framed by added white → lines ←; similar banding below, around floor motif of tongues interspersed with re
26.2.68 lf way from the top. Interior is black/brown with a pair(?) of thin faded white → lines ← 0.5 cm from the top edge; below, a repeating pattern of black teardrops, a
26.2.71 nd at rim, glazed black below; dot frieze in added white between pairs of white → lines ←; below, part of lotus bud in white and red; exterior: dot frieze (fired br
26.2.81 d with frieze of tongues, alternating added white, black, and added red; below, → lines ← in added white and red;
26.2.94 ze of alternate black and red tongues within a double dot band framed by triple → lines ←; exterior: glazed black below; triple → lines ← above, and band delimiting han
26.5.2 cept for two bands in centre. On top is a double row of black dots between red → lines ←. Below are three black bands. Turned in rim is black on inside. Foot ri
26.7.1 Handles have a mixed pattern of horizontal → lines ← at the top and bottom with vertical → lines ← in the middle with the underneat
26.7.14 completely round, with a flick on one side. To the right of the handle are two → lines ← of dots that run one above the other. Below the handle are two parallel li
26.7.4 of mouth one thick and four thin bands. Dots appear on side. Four horizontal → lines ← appear on the handle. Daisy pattern on shoulder and below that three band
26.7.5 nowstorm; spears sloping forwards. Shields divided vertically by three incised → lines ←; some added red paint. Below, three narrow bands, three wider and small i
26.7.6 On top of mouth three bands and on the side are dots. Two vertical → lines ← border the back of the handle. On shoulder is a daisy pattern. Main desi
26.8.2 Top of mouth broad band between two pairs of → lines ← with two bands on side. Grazing goat to right, body framed in dots. Adde
27.3.10 On shoulder two dogs running to left. On body, below four → lines ←, three dogs running to right, then four → lines ← and three bands. Base reserv
27.3.3 ger. One broad black band then three narrow red bands. Five pronged triangular → lines ← radiating from base. Two bands on foot and three on base.
27.3.4 Flat lip with two black bands. Three horizontal → lines ← on handle. On body, from top to bottom, shoulder bare, black band, group o
27.3.5 On lip five concentric circles, on handle is a vertical zigzag between two thin → lines ←. On shoulder are two dogs running to the right. On body are a group of f
27.3.6 ulder three dot rosettes comprised of seven dots each. From top to bottom; two → lines ←, three rows of dots, twelve → lines ←, and finally a band of six rays. The ba
27.3.7 shoulder. Five broad reddish-purple bands on the body, each with two thin black → lines ← superimposed. Between bands there are double rows of black scales. Triang
27.3.8 sists of a repeated inverted comma pattern. On body a line, a band, six narrow → lines ←, and, in the main zone, two lions (with traces of a third lion between the
27.4.11 ght. Rosettes and rows of dots in the field. Below the figural zone are two red → lines ←, then a black band, a frieze of narrow black rays (slightly overlapping th
27.4.12 Rim decorated with black → lines ←/petals. Inside of bowl, there is a thick band and then two smaller circles
27.4.15 On neck, a central panel with bird (?), flanked on either side by two vertical → lines ←, panel of zigzag (?) or oblique → lines ←, three more vertical → lines ←. Top and
28.6.6 Vertical wavy → lines ← from rim to horizontal band around the body above three running dogs facin
29.11.3 s on the shoulder, as well as the motif two rows of black dots between dividing → lines ← (three), interrupted at the back side of the vessel. The scene depicted is
29.11.6 The vessel is divided in three horizontal zones by → lines ← of unequal width. There are also very thin, vertical → lines ← at the sides of
29.5.3 . The back of the handle bears three, almost vertical (the central one is wavy) → lines ←. Below the handle on the body there are five (the one smaller) rosettes (l
29.5.43 Small → lines ← imprinted along ridge, no distinct decoration.
30.11.2 and end in small knob where they join body. Inside from top to bottom, vertical → lines ← in groups, circular pattern of brown with some red showing through. Sides
30.11.3 t red for black. On upper surface, band of lanceolate leaves framed by two thin → lines ←, between two thick painted bands. Underside is reserved.
30.11.4 g topside. On exterior surface from handles to base is a row of dots linked by → lines ←, three black bands, leaves with → lines ← inside, black bands, dots around sha
30.4.2 two groups of circles; side, row of small dots between bands. Three horizontal → lines ← on handles. Bearded goat to left, head erect, added red on neck and stomac
33.4.1 have five redish/black bands round them. Rim of foot edged with small vertical → lines ←. Foot and stem decorated with two more bands. Inside kylix, two black band
33.4.3 k, and handle are black, with some reddish patches. There are two reddish brown → lines ← above the shoulder carination and two below it. The body scene depicts a n
34.10.4 im, black with two red bands and two more above the reserved zone with vertical → lines ← to base. Red band on outside of foot and five band and a central dot.
34.10.5 on how it was fired. Traces of two red bands, blank band with leaning vertical → lines ← down to base. Red foot and on base black, red, black → lines ←.
34.10.7 , on either side, a bay wreath. Around the body, below handles: two thin orange → lines ← on either side of a broad black bands; another broad black band lower on b
34.8.12 se is black, both on the inside and the outside, with the exception of few, red → lines ←. A sloping rim allows the lid to sit over the aperture. There is a reserve
34.8.3 e slip with Greek 'key' / meander to right at top of body, between two pairs of → lines ←; single line. Side of foot reserved in groove at top.
35.4.2 Black on mouth and neck. Lower part of neck has vertical black → lines ← which are thicker at the bottom. Palmette design on body with chevron hear
35.4.3 he edge. The outside is decorated with two vertical bars between two horizontal → lines ←; below which there is a line of black dots. The pot slopes inwards towards
35.4.4 inverted palmettes (voluted with narrow divisions), linked with incised curving → lines ←. There is also a ridge at the junction of the shoulder and body, below whi
35.5.10 ad part of a fillet hanging up. No relief contour; hair contour reserved; brown → lines ← for marking on tablets; surface an unusually deep red.
35.5.30-33 Inside, a fine reserved line round rim; 5b, a pair of reserved → lines ← framing a medallion; 6b, part of the outer line of this fram; 7b, shoulder
35.5.4-5 estroyed, leaving only a tiny piece of tendril. Relief contour for foot; relief → lines ← for ear, saccos, folds, and ankle; thinned brown glaze for bottom edge of
35.5.6-7 d himation of seated boy turning to left. Relief contour for nose of 10; relief → lines ← for inner markings; hair contour reserved.
37.11.1 hree bands of vertical zigzags. Main zone: scales, drawn with parallel incised → lines ← with red teardrops occupying angle in alternate rows. Two bands below, th
37.11.2 ase and covering part of bands is a large double palmette shape with projecting → lines ← and groups of dots at one end and a circular pattern with dot at the other
37.11.8 a horizontal row of spots. Central handle: Decorated with short, thick, leaning → lines ←. Neck: An olive wreath, the ends of which meet at the front where there is
37.7.2 ead wings to left. In field dots and rough rosettes, one incised with parallel → lines ←. Back left plain in the 'white style'. Bands around foot and two on base
38.4.1 n standing profile to the right, wearing a himation and holding a wreath. Wavy → lines ← and spray of leaves on each side of figures.
38.4.2 ide facing the false neck. On the shoulder there are six groups of narrow black → lines ← painted horizontally. There is one group of either side of the true neck,
38.4.4 Decoration matte brownish-black on pale buff ground; horizontal bands and → lines ←. Spout open-topped, painted black at sides and underneath. Broad black b
38.4.5 Brick red detail on pale buff background. Three groups of three red → lines ← roughly painted, one group of two red → lines ←, all are verticle → lines ← curvin
38.4.7 er to base bands, lozenge and other ornaments in the field, flanked by vertical → lines ←, slanting bars and horizontal zigzags. Horizontal handles, attached halfwa
39.1.2 decorated with four stamped palmettes, crosswise, within two rings of vertical → lines ←.
39.8.3 Inside in frame of two reserved → lines ←, one foot of figure astride a pointed amphora seen from the side and wreat
39.9.4 for suspension of object. Orange-quartering effect produced by double-incised → lines ← running top to bottom. Quarterings in sequence repeated three times: blac
42.9.1 bulleted strap. The neck of side A has a broad band ornamented with elleipsoid → lines ← with lotus leaf-shaped endings. Body: Side A: Dionysos holding leafless vi
44.1.1 rim. On the back of the handle there is a row of dots, framed by two, vertical → lines ←. The neck and the surface below the handle is left reserved. At the base o
44.1.2 ack buds border the flat shoulder. The body has shiny black glaze with two red → lines ← at top and another just above bottom of body. Disk foot is reserved aroun
45.10.12 e and lotus. iii) black figure with parts of palmette, lotus and shield-incised → lines ← on shield. iv) decorated with part of shield, incised decoration on parts
45.10.13 a small part of a motif (partially covered with plaster) that consists of wavy → lines ←. Below it, there are two → lines ← and underneath there are parts of two inver
45.10.15 decoration, reverse black glaze. vii) part of neck and body, with four vertical → lines ← above, head of female with helmet and white face, the eye and eyebrow of t
45.10.18 (i) horizonal black band with two red → lines ← with two vertical → lines ← (possibly part of ray design). 2) part of three se
45.10.20 hin fillets with tongue-shaped endings interwoven together) with dots among the → lines ←. Below, there are traces of thin, black → lines ← (but not visible because of
45.10.21 of black line decoration. ii) small solid black slip decoration with more black → lines ←.
45.10.22 arated from the other by a vertical line with wider endings, while thin, curved → lines ← (above and below) frame each palmette. The sides of the handle bear a blac
45.10.23 the lowest part of a figure's drapery and his feet. He seems to step on two red → lines ←, and the rest of the fragment is black. A fragment shows part of a figure'
45.10.27 exterior: the red surface is decorated with two rows of thin vertical → lines ←.
45.10.7A-B ots (identical to the one of the central medallion, only frammed by thin, black → lines ←). Sides: There is the representation of women pursued by the winged Eros.
45.10.9 t form the folds of the figure(s) drapery are rendered with thin, black and red → lines ←. a) Black with part of a tongue motif on the top (tongues flanked by thin
45.6.1 l incisions between bands of vertical incisions. At base are elongated vertical → lines ← and the foot is coloured red. Five bands on base.
45.6.15 ternating with black buds. Body has black glaze, rather ruddled. Two thin red → lines ← at top of body just below shoulder and one two thirds of the way down the
45.6.16 palmettes. Three out of four are preserved. They are divided by black vertical → lines ← and circled by white arches. The leafs of the palmettes are incised. On th
45.6.2 Brownish-buff ground. Inside is black with traces of red → lines ←. Outside from top to bottom, vertical black (now red) wavy → lines ←, two red,
45.6.29 Black glazed; 7 sets of three incised vertical → lines ← on the shoulder stretching down to the base.
45.6.57 ar shaped body, finally tapering to a flared foot, and a flat base. Two incised → lines ← at top of body, one incised line on foot.
45.6.58 neck, pear shaped body. Grooves on body in alternating horizontal and vertical → lines ←, short narrow foot with flat base.
45.6.59 body which narrows into foot and flarred rounded flat base. Surface smooth with → lines ← made from having been produced on a pottery wheel.
45.9.1 im. Handles painted black on top and reserved underneath. Each handle has two → lines ← down the back dividing it into three sections and a dolphin (?) painted in
46.9.1 petals alternating with black buds. Body has a silvery black glaze with two red → lines ← at top, another just under the figure scene and another just in the juncti
46.9.2 eaves. Below: one band of horse shoes, one band of dots, and one band of curved → lines ←. Below is black to the foot, which has one reserved line. Base reserved bu
47.10.1 g on handle. Monkey-faced horseman riding left. Behind him a star with incised → lines ← crossing at centre. In front large ring enclosing a cross with incised li
47.2.4 of the base is reserved, but glazed, apart from two, concentric, reddish brown → lines ← with a dot in the centre.
47.6.1 und. Side B: Achilles carrying Troilos toward alter made of bricks with incised → lines ← (the altar might also be interpreted as a fountainhouse). Shrub in front
48.12.1 below rim and at base of handles. Between the handles is pair of parallel wavy → lines ← (only on front). Black gloss from below handles to foot. Foot is rounded a
48.12.10 Body is cream ground and, from top to bottom, has two parallel horizontal black → lines ←, meander 'key' pattern, three rows of grille and black line. In centre are
48.12.13 ed on the inner side, the outer surface of the neck is painted brown. Two black → lines ← on a white wash decorate the shoulder, the handles are painted black on th
48.12.3 pper body reserved with darker red and black decoration; Three horizontal brown → lines ← around the outside rim, six sets of five vertical → lines ← spaced evenly arou
48.4.1 hese are pairs of dot flowers. All of this lies between two pairs of horizontal → lines ←. The slight slope towards the foot is black. The top of the foot is reserv
48.5.2 ved except for a black band on its top. On the mouth, three horizontal parallel → lines ←. On the neck, zig-zag pattern. Shoulder: A:goose/swan and B: panther. Inci
49.1.2 ept for decorative bands at the lower part of the neck (red with black vertical → lines ←) and the shoulder (egg-and-dot), the figural scene in the body zone, a fri
49.4.1 te band at the upper body surface with a yellow meander pattern, between yellow → lines ←. The main design is that of a flying Nike facing right with a mirror in he
49.4.2 line and a black line underneath, from which seem to be hanging short, vertical → lines ←. The upper part of the neck is reserved, but bears a black band on its low
49.8.5 d with black and purple bands, then black, purple bands with groups of vertical → lines ←. Body has moulded rings. Around base tongues and black foot. Reserved, con
49.8.7 smudged) with a dot rosette. The figure zone is framed by thinly painted brown → lines ←, two on each end. Black band follows and three thin brown → lines ← which enci
49.8.9 ved, however there are parallel horizontal bands framed by two thinner vertical → lines ← on the back of the handle. The shoulder is decorated with black tongues. T
50.10.1 art. Neck (A,B): Panel between two triglyphs, each consisting of three vertical → lines ←, a band of diagonal → lines ←, and another three vertical → lines ←. Panel filled
50.10.4 ed, while the top of the handle is black. The shoulder is decorated with short → lines ← and four palmettes (of which one is upside down) linked with tendrils. Th
50.10.6 andle zone, white eggs, with incised line above; then, between pairs of incised → lines ←, wavy white line; below this, row of white dots. Red vine branch with dend
50.12.1 d bands and immediatly before the handle a vertical line joining the horizontal → lines ← that surround the arc motif. On top of rim there is a single narrower curv
50.12.13 r, although very worn, shows a band of black across the top and some wavy black → lines ← are barely visible.
50.12.14 nd. Exterior: broad horizontal band across the top with series of fine vertical → lines ← at right angles to it. Two fine → lines ← are joined together by fine horizont
50.12.15 y on rim, another slightly lower. Exterior has a series of straight and curved → lines ← to left of centre there are two parallel vertical → lines ← and far left two h
50.12.16 Exterior decorated with four concentric circular → lines ← (brownish-black) and a small line indicating another part of the motif. In
50.12.18 t of fine clay cup or open dish. Exterior: series of five thin parallel curved → lines ←, cut through by a broader vertical band. The curved → lines ← have faded to or
50.12.19 Exterior: decoration in black, comprised of three black curved → lines ← above and a thin (faded) horozontal line below; to the right a tiny black
50.12.2 for black. Interior broad black band. Exterior, bands of curved and straight → lines ←.
50.12.20 Exterior: brown → lines ←, curved line with horizontal waves above, and six vertical → lines ← rising fr
50.12.23 ne, representing human figure with small head and upraised arms. Thin red-brown → lines ← separated from eachother by a few millimetres are aranged horizontally acr
50.12.24 Interior: black with pair of purple red → lines ← just below rim; exterior: black with purple-red band at rim, pair of narro
50.12.31 lack, interior reserved with part of one red band, exterior: parallel fish bone → lines ←, and two apsidal → lines ←,
50.12.32 erior reserved, exterior with cross hatched rectangles and parallel brown-black → lines
50.12.36 Exterior: one cross-hatched rectangle and two thin red → lines ←; interior reserved
50.12.37 y fragment slightly curved and the exterior shows detail of a pattern; parallel → lines ← curve accross the fragment to the left there is part of a feather pattern
50.12.43 concentric circles. In the centre there is a solid painted circle. The painted → lines ← are more densely painted at the top. The → lines ← at the bottom of the circle
50.12.44 and of paint. The exterior is reserved with a red pattern made up of irregular → lines ←.
50.12.45 Exterior: brown band at the top, with two parallel → lines ← at a slant to the band. At the bottom are part of two brown circles or sem
50.12.47 On exterior, traces of decoration, including dots and some → lines ← but decoration indistinctive.
50.12.48 orso of a 'phi' or 'psi' figurine (probably the latter), with red-brown painted → lines ← running vertically down its edge.
50.12.49 the upper body of a sculpture of a woman. It has a net like structure of brown → lines ← on both the front and back.
50.12.50 (a 'phi'figurine). The figure is decorated with a series of slightly wavy brown → lines ←, arranged vertically.
50.3.3 Above foot, and again half-way up to handles, groups of five fine incised → lines ←.
50.4.14 iddle the body a zone of stamped palmette decoration framed by parallel incised → lines ←. Row of eggs below the lower line. The underside of the foot is decorated
50.4.24 Moulded design on shoulder of a wreath of leaves and buds, three → lines ← run along the crest of the handle. Dark grey wash.
50.4.3 ; slightly raised base. Small bowl with concave base. Small, indented, vertical → lines ← around rim.
50.4.7 he lower part of the body, the glae has not been applied carefully leaving thin → lines ← on the colour of the clay. The exterior of the foot and the underisde are
50.4.8 ngular pattern. The body is decorated with a diagonal net pattern of thin black → lines ← with thin white spots inside the lozenges. Thick irregular black band at b
50.5.6 andle from rim to bottom ridge, extending over the rim, has parallel horizontal → lines ←. Towards the top,a double bar cross. Inside is reserved except for the rim
51.1.2 of the foot. The top surface of the rim is decorated with two, concentric, red → lines ←. Another marks the junction of the neck with the shoulder. The neck is bla
51.1.3 ed with a whitish slip and decorated with a zone of stpe patterns framed by two → lines ← above and below. Base reserved with two incised concentric rings.
51.4.9 ) with teardropped terminations. In the middle of two upper and two lower black → lines ← there are two rows of black dots that begin on the edge of the second left
51.7.13 hite fillet has been painted over the 'ribbing' on both sides. Two thick, black → lines ← (carelessly rendered) encircle the shoulder. A large palmette fills the sp
51.7.15 iate bands, some at various angles, intersecting; on the exterior 10 horizontal → lines ←, each intersected by 7 short vertical bars.
51.7.16 les are double (mirrored) lotus-enclosed palmette friezes, enclosed between red → lines ←. Below the ridge at the base of the neck are alternating red and black ton
51.7.5 er decorated (except under handle) with an egg-and-dot frieze between two black → lines ←; reserved space at lower part of handle and handle attachment (interior) s
51.7.7 Side B: vertical bars, line, chevrons leftward, line, simple key leftward, two → lines ←, dotted waves rightward.
52.3.3 rays and palmettes on rim above each handle. Side has dots and two rows of wavy → lines ←. Handles are black as is the neck between them. Neck design same as on rim
54.2.3 side are both pink. On the outside buff section, are coarsely incised groups of → lines ← in groups of three. Some are vertical and others are inclined. Pink foot
54.8.1 verlapping the rim. Single ribbon handle which is unevenly bent, has horizontal → lines ← down back and is reserved underneath. Procession of seven mourning women,
56.8.2 Interior reserved, except for a narrow band of black glaze at the top. Ext
56.8.4 Black inside and out except for an egg-and-dot band framed by two black → lines ← at the front of the base of the neck, the figural design, and the reserved
56.8.5 bands, broad black band with superimposed purple line on each edge, three black → lines ← and then a ridge. The rim is lower after ridge and has a chain of interlac
56.8.7 re tongues which alternate black and white, the black ones also framed by black → lines ←. The underside of the rim is black fired reddish brown. Thick stem and wid
56.8.8 ) or have in front of them the same attribute (long, thin, vertical or diagonal → lines ←). There are variations in the rendering of armour, hairstyles and drapery,
57.3.4 d broad horizontal band. Most of the fragment is taken up with three radiating → lines ←, crossed with small bars. Below this is a broad curved line. The undersi
57.3.6 band just below rim. Exterior: brown zigzag pattern enclosed within two brown → lines ←. Thin painted band around rim.
58.2.2 n paint on lip, one line halfway down neck, two round edge of shoulder. Incised → lines ← around body. Small depression in centre of base. Small metallic particles
58.2.4 The lip of the jug is decorated with black → lines ← compartmentalising the area; within every other compartment there is a des
58.2.5 Incised decoration on the spout and handle consisting of sets of → lines ←. The shoulder is decorated with a set of dots within two incised → lines ←. R
60.1.5 Mouth, top portion of neck and exterior of handle black; vertical black → lines ← on neck; thick black band and band of waves on shoulder; frieze on body of
65.6.1 . The upper part of the body bears a meander pattern between two pairs of brown → lines ← (above and below). Every fourth meander the pattern is interrupted by a sa
69.7.1 below the neck, emerge alternating black and red tongues (contoured with black → lines ←). The foot itself is entirely covered in a thonged sandal that ties at the
73.10.1 with lid; 9 rays radiating from the edge of the knob.Two thin concentric brown → lines ←, red-brownish bands framing a band of double dots. Black line at the edge
73.6.1 part of a story being told. Beneath the feet of the characters are two circular → lines ← which, probably part of a pattern. On the left side of the fragment are se
73.9.16 ne side is covered in a plain black glaze. Reverse side is decorated with three → lines ← of black glaze.
73.9.30 Several → lines ← on the outside forming a pattern, likely part of a clearer image on the or
73.9.8 is slightly raised to suggest a handle ? Below the 'S' shape are four parallel → lines ←, below which is a thin brownish band, a gap, and then what looks like the
78.7.1 with convex centre. Around rim are incised pendants on side A and two parallel → lines ← with row of white dots above and below on side B. Below pendants is a pair
79.1.16 her ridge of its top. Moulded line along the crest of the handle with two small → lines ← either side of it at the front of the handle. The back side of the body, u
79.1.18 ithin each. There is a ring around the filling hole. The ring base also has two → lines ← extending from it along the longest axis of the lamp. Pale buff wash.
83.11.1 n a saltine cross over front of body, and horizontal row at waist. Tow incised → lines ← on left thigh. Clay orange pink.
83.2.5 of terracotta in a pale yellow clay. On one side are several brown/red coloured → lines ←, likely part of a larger pattern originally from the item the horn was bro
83.9.34 gment is all glazed black and has three flowers on it. It also has two rounded → lines ←, with up-side-down 'U' shapes inside them. The other side of this fragmen
84.8.1 (but glazed). Around the spring of the handle there is a motif between two thin → lines ← that resembles the ionic cyma (egg-and-dot). The rest of the vessel is bla
85.3.1 a band of chained together, inverted teardrop shapes and dots within two black → lines ←. Main decoration on body consists of two bordered figural scenes; Side A:
E.23.12 Rectangular palette with frame of incised → lines ←, three along each edge.
E.23.3 red pigment on the 'deck', going from top to bottom and then several horizontal → lines ←. It is unlikely that all of the figures are originally from this boat. The
E.23.4 Inscribed band marking line of shoulder, three uneven → lines ← around middle possibly created by string. Darker areas on the body denote
E.23.44 in between two puffed out cheeks. The mouth is thin lipped and small verticle → lines ← indicate a beard.
E.23.59 String of beads made up of three → lines ← of green cylinders and buff disks, these meet up with a short line of brow
E.62.12 Blue scarab on a flat base, which has vertical → lines ← down the top of the beetle from its throat, and patterned legs. The wings
E.62.14 Decoration in mauve pigment, consisting of two curved → lines ← below five triangles that originate from the edge of the fragment.
E.62.17 The thorax is made of parallel straight → lines ←. There appears to be a small amount of gold pigment between the beetle and
E.62.18 the beetle attatched to a flat base. The thorax consists of parallel straight → lines ←, the upper body is flat, and the 'head' consists of parallelagram like sha
E.62.2 head with one way of drawing hair, one braid at the from with several straight → lines ← representing the rest of the hair alon with a band accross the top of the
E.62.22 Horizontal incised → lines ← (two or three) at the start of each set of teeth.
E.62.44 the last two described with the addition of a triangle with horizontal incised → lines ← through it. None of the panels is next to a similar one. There is a flat
E.62.48 Vertical → lines ← of hieroglyphic inscription in black ink. Vertical → lines ← of red pigment u
E.62.60 Undulating → lines ← around the mouth and in three concentric semi-circular shapes, then three
E.62.8 f the way down toward centre of inside. At centre are two pairs of two incised → lines ← with a single circle and a sunken dot incised in centre.
E.63.13C bowl. The top of the bowl was apparently decorated with two sculpted concentric → lines ←, one following the lip of the bowl one just below. The interior is flat.
E.63.13D two concentric ridges encircle the lip. On the interior a series of darker blue → lines ← run parallel to the exterior ridges.
E.63.2 . The details are carved into the piece, the top is a line of slightly diagonal → lines ←, below this is a small flat line below this the detail of the actual eye w
E.63.28 colour wash (?) is present on the on the upper body. Several concentric purple → lines ← decorate this area. lower body is left bare.
E.63.9 is flat and has the cow-head engraved in the centre with an arch of concentric → lines ← above the head Below the head on either side are parallel vertical → lines ← d
E.65.8 ions on soles. Plaited leather cord from toe to sides (to enable wear). Curved → lines ← on the underside indicate which sandle was left/right.
L.2011.1.24 Three parallel → lines ← incised across one of the faces
L.2011.1.35 Polished,with two sets of three incised → lines ← on the top; ridge near the top.
L.2011.1.4 Patterning around the edge, with short parallel incised → lines ← between two incised → lines ←.
L.2011.1.48 e around the head. (possibly a Nereid riding a sea-bull?). On the edge parallel → lines ← in low-relief. On the underneath inscription and a small half-moon shaped
L.2011.1.49 Three grooves creating two mouldings in the lower part; five incised → lines ← on the flat tip of the knob. In the underneath concentric mouldings.
L.2011.1.51 Pattern on the handle(short horizontal → lines ← on the edge, one on the left, two on the right); moulded ring at the junct
L.2011.1.54 On one side 4 incised → lines
L.2016.3.15 Carved, continuous → lines ← on black exterior. Two different parts of the parallel running → lines ←; they
L.2016.3.9 Black glaze on interior and exterior. A band of incised → lines ← surrounds the inner centre of the bowl.
REDMG:1926.99.50 d from the neck (each petal is decorated with a white dot), below which are two → lines ←, a warrior frieze, two → lines ←, and a black band . The three warriors, light
REDMG:1926.99.54 s of black dots joined by a thin black zigzag (at front, only), above two black → lines ←; figural scene (front only); white band; black band between two black line
REDMG:1926.99.60 Body: white with two yellow → lines ← near the top and bottom; black on lower part of body and upper part of foo
REDMG:1935.87.1 ody, the shoulder is decorated with an incised ovolo grieze between two incised → lines ←; this frieze is accentuated with white inscribing the eggs and white dots
REDMG:1935.87.12 on them, a black band, two more dotted red bands, a red band, three dotted red → lines ←, black, red, and black bands. Foot-ring black on both sides; resting surfa
REDMG:1935.87.17 black of varying widths: two broad red bands within a group of four thin black → lines ←; lower, a black band), red foot; concave base. (b) Lid: central knob with
REDMG:1935.87.18A Small patches of black remaining on body. On shoulder, radiating single incised → lines ←.
REDMG:1935.87.19 Traces of four (?) bands on mouth and three → lines ← on handle. Tongues on shoulder with two bands below. Main design (starting
REDMG:1935.87.22 carrying large shields. Each shield is bisected with incised vertical parallel → lines ← and coloured one half red and the other half yellow. The outer ring of the
REDMG:1935.87.23 ite and yellow added paint. Under handles on body is a red block between white → lines ← with dots down originally. Stem is long and has a moulded band around cent
REDMG:1935.87.25 ash on reserved areas suggests imitation of Attic red figure. A pair of incised → lines ← run horizontally across side A, and another line runs horizontally across
REDMG:1935.87.31A red line between two black; a broad black band with a pair of superimposed red → lines ← at top and bottom; one red line an done black immediately above foot. Foot
REDMG:1935.87.31B fourth red; round the edge below the animal zone a black band between two black → lines ←; on the vertical rim a red band, and again a black band between → lines ←. In
REDMG:1935.87.32 ands, decorated with two similar motives of a vertical row of dots between thin → lines ←. These columnar patterns seem to support a horizontal red band over the he
REDMG:1947.13.1 rt and black dot on either side of central petal; black ridge between two black → lines ←; frieze of vertical bars beneath each handle; beneath each handle a large
REDMG:1950.25.1 e except beneath handle (palmette with floral blossom at centre, three vertical → lines ← at heart, vegetal ornament and flowing tendrils on either side); inverted
REDMG:1951.113.3 ith a (white) wavy ivy garland beneath handle; front decorated with two incised → lines ←, egg-and-dot frieze on which eggs are surrounded by incised → lines ←; another
REDMG:1951.130.1 r bodily details; under handle, black column krater (decorated with two incised → lines ← on shoulder, purple band and incised rays band between incised → lines ← on bo
REDMG:1951.135.1-2 of handles, black rays (between handles) on shoulder; broad black band between → lines ←, carelessly applied, at widest part; narrower black band below. Lid: Black
REDMG:1951.140.1 -stepped base. The steps are decorated with small black spots and thin diagonal → lines ← that suggest a marbled appearance. On the other side of the perirhanterion
REDMG:1951.145 Large black dot in centre of inset top, surrounded by concentric bands/→ lines ←: one black band, one black line, one red band, one black line; frieze of a
REDMG:1951.148 eaves. Body panels bordered by rays (above), double rows of dots between black → lines ← (sides), and band of stopt meander (4) alternating with dotted cross-in-sq
REDMG:1951.150.1 r jewelry, balls, phiale, wreath, and vegetation. The saltire square have short → lines ← in place of dots. The right-most saltire square on A is replaced with a bo
REDMG:1951.151.1 erimposed decorative friezes at the base of the neck (ribbing between two black → lines ←, egg-and-dots between two black → lines ←, yellow dots below); figural frieze
REDMG:1951.152 ain body (white ground) decorated with net pattern between narrow reddish-black → lines ←; the upper black band is decorated with white dots. Black glazed on lower
REDMG:1951.156.1 top of body. Body (at front, only): three rows of black dots between four black → lines ←; black → lines ← above and below figural scene; below, simple maeander to righ
REDMG:1951.157.1 r reserved line around edge of rim, ‘ribbedÂ’ zone (comprised of five vertical → lines ← in panel) at front of neck, and figural scene on the front of the body, an
REDMG:1951.159.1 tendrils, sprouting quarter palmettes. A: egg-and-dot frieze, between two black → lines ←; white ribbing (painted); two reserved bands; floral frieze on shoulder (f
REDMG:1951.1714 Reserved → lines
REDMG:1953.25.13 houlder, below handle, five close-set red bands between two pairs of thin white → lines ←. Two-thirds down body bands of alternating colour (white, red, white, red,
REDMG:1953.25.14 ide; red bands on lip, above and below moulded ridge; incised pairs of vertical → lines ← radiating across shoulder; two white → lines ←, each above a red band, at lowe
REDMG:1953.25.15 Black glaze all over; red band between two white → lines ← on shoulder; red band at middle of body; lack-gloss over entire surface; t
REDMG:1953.25.20 airs of narrow white bands. On widest part of body, two red bands between white → lines ←, with an intervening white line. Broad red band on exterior of foot.
REDMG:1953.25.22 nly): black line; two rows of black dots alternating with white dots; two black → lines ←; figural scene. Body, below: two black → lines ←, black band, black line, blac
REDMG:1953.25.23 nly): black line; two rows of black dots alternating with white dots; two black → lines ←; figural scene. Body, below: black band, black line, broad black band, bla
REDMG:1953.25.25 carination. Body: maeander to right (only at front), between two pairs of black → lines ←; figural scene (front only); black band; black to foot and on top of foot,
REDMG:1953.25.27 rays, black alternating with white. Black body and upper part of foot; two red → lines ←, one at top of body and one 2/3 down the body.
REDMG:1953.25.28 Handle black on exterior. Shoulder: inner band of black diagonal → lines ← and an outer band of longer black diagonal → lines ←. Body: reserved band deco
REDMG:1953.25.29 Shoulder: inner band of black vertical bars and an outer band of black diagonal → lines ←. Body and upper part of foot black; otherwise reserved.
REDMG:1953.25.3 the floor, one ca. 1.5 cm below the rim, and one on the rim. Exterior: two red → lines ←; band of vertical bars, black band between two black → lines ←, red band, blac
REDMG:1953.25.35 he remainder of the body is covered with a net pattern of fine, irregular black → lines ← and tiny white dots where → lines ← cross. Broad black band (thin glaze) aroun
REDMG:1953.25.48 Black glaze, with red lip, two red → lines ← between two white → lines ← at shoulder; red line on lower part of body; red b
REDMG:1953.25.50 races of white palmette, with tendrils, on shoulder; red line between two white → lines ← at shoulder; red band just below middle of body. Underside reserved.
REDMG:1953.25.53 Black glaze except reserved underside; eight incised bands horizontal → lines ← around body.
REDMG:1953.25.59 ge two volutes, in added white on shoulder at front; red band between two white → lines ← on shoulder, just below handle attachment; red band on widest part of body
REDMG:1953.25.66 Reserved except for black glaze on the handle top(s) (dipped), two black → lines ← on shoulder, a narrow black band above a broader black band just above the
REDMG:1953.25.69-70 lack band inscribed with Maltese cross, outlined with added white, simple black → lines ← at centre; black dots between angles; reserved stem; black tongues around
REDMG:1953.25.85 ure with bird head and lion-like paws. The ribs are clearly visible as are the → lines ← in the wings. Front left paw is raised above a stick with snakes (?) curl
REDMG:1958.112.1 neck; black exterior of handle; shoulder decorated with two friezes of vertical → lines ←. Body ( from top to bottom): simple maeander between two black → lines ←, blac
REDMG:1958.23.1 appliqué. Geometric motifs consist of zigzags, triangles, and two horizontal → lines ← around the centre of the body and two more around the base of the neck.
REDMG:1958.33.1 Rim painted black. three horizontal → lines ← around the upper body, one zigzag line around centre of the neck and singl
REDMG:1964.1610.1 Four raised → lines ← run along the frontal ridge of the lamp from the filing hole down to the w
REDMG:1964.1611.1 Three concentric bands of dots on the shoulder, two moulded → lines ← on the crest of the handle. Covered in red wash.
REDMG:1964.1614.1 in a point, either side is a volute pattern. Crest of handle has two decorative → lines ←. Red-orange wash all over.
REDMG:1964.1615.1 by the handle, one disturbed by the nozzle) a raised moulding of sets of three → lines ← radiating in a band, a moulded ring surrounding the discus. Handle has two
REDMG:1964.1631 Black glaze, on which are superimposed two pairs of purple-red → lines ←, one around the bottom of the handle-zone, and the other on the grooves at
REDMG:1964.1674 Reserved except for a band of vertical bars, between two → lines ←, on the body.
REDMG:1964.1695.1 urving. Exterior surface appears to have been brown on one half. Thin incised → lines ← go aroung the other half. Clay is greenish. The interior surface is dark
REDMG:1964.1714 Reserved → lines
REDMG:1964.1719.1 f an alabastron. Heavy object. Patterning appears to be naturally formed into → lines ←, giving different colours and texture. Rounded base means the object does
REDMG:1997.209.4 ng to the carination. Body: band of fat palmettes, decorated with slender white → lines ← arcing over the the palmettes, and incisions, alternating with long lotus
REDMG:2004.98.1 inscribing incised circles. Incisions also used for palmettes; attenuated white → lines ← (side leaves of lotuses) arc over the palmettes. Below the main zone is a
T.2012.11.28 Two large → lines ← upon the outer part, one at the top, the other at the bottom, that spread
TEMP.2002.7.1 ve the base of the handles there is a subtle ridge, below which there are three → lines ← of pattern, which look like petals. Below these, there is a thin black ban
TEMP.2002.9.27 side reserved and topside has a red zigzag pattern with transverse bars between → lines ←. There are three rows of zigzag on this fragment.
TEMP.2003.6.12 erved area and part of a motif that resembles a ribbon? below which spring thin → lines ←.
TEMP.2003.6.14 The two fragments bear part of the same decoration, apart from the parts of two → lines ← in added red on top of a (which is preserved higher than b). There is a la
TEMP.2003.6.24 Fragment of pot, including slight buldge where handle begins. Exterior, black → lines ← on white background. At the right edge of the top there is a triangluar b
TEMP.2003.6.25 Exterior, white, interior black with two slightly faded relatively thin white → lines ← that would have made a circle, with a white blob (part of an X?) and a red
TEMP.2003.6.26 f way from the top. Interior is black/brown with a pair(?) of thin faded white → lines ← .5 from the top edge, below that a repeating pattern of black teardrops, a
TEMP.2003.6.27 Exterior white with small chips. Interior black with a pair of white → lines ← at one edge and a small white half circle from the exterior line to the ed
TEMP.2003.6.3 dy that is preserved is a reserved, but glazed surface with very thin, parallel → lines ←. (b) Black apart from a tiny area on the top, which is reserved, but glaze
TEMP.2003.6.6 urface, contoured by a circle. There is also part of a wide, band, between thin → lines ←, above which, there is a graffito? in the shape of X.
TEMP.2003.6.9 Rim section of a bowl. Exterior white with a band consisting of twin brown → lines ← with alternating black and white rectangles interior along the top .3. Th
TEMP.2003.7.2 rior white with a pattern of brown waves set in between sets of two thin yellow → lines ← which begin .2 below the rim. There is a small bit of brown that seems to
TEMP.2003.7.3 with brown patterns. Following one edge abour 1.0 down is a set of faded brown → lines ←. Between the edge and these brown → lines ← on one side are five brown → lines
TEMP.2003.7.30 , and on the back on the lower half of the body - here there are three vertical → lines ←, the middle line being the longest. There are four black blobs on the squa
TEMP.2003.7.53A-B a) Animal head (perhaps a bull); b) wave pattern above → lines ← arranged in a triangle
TEMP.2003.7.6 here). On the other side the background is dark brown, almost black, with white → lines ←, almost like petals, with light brown dots in them.
TEMP.2003.7.64 he top half of the pattern has 'U' shapes in it, which have tiny, verticle, red → lines ← inside them. The bottom half is the same, however the 'U' shapes are up-s
TEMP.2003.7.7 ent from the central part of a bowl. Interior brown, with three pairs of white → lines ← beginning about 1.5 from the top, 3.0 from the top, and 4.0 from the top.
TEMP.2003.7.78 On the outside half way down are two very thin, parallel, slightly faded, white → lines ←. On the inside are two thin, parallel, brown → lines ← along one edge.
TEMP.2003.8.1 . The outward facing side of this downward pointed rim consists of alternating → lines ← of black dots and thin black → lines ← which run around the entire outer diame
TEMP.2003.8.11 Black glaze in the left corner some fine black → lines ← on a red background possibly part of a himation.
TEMP.2003.8.15 Three fine black → lines
TEMP.2003.8.6 Black drapery → lines ←.
TEMP.2003.8.65 wears a robe over his shoulders. The frame is decorated with incised horizontal → lines ← on either side of the man, small flowers in each corner, a curtian above,
TEMP.2003.8.7 Fine black drapery → lines ←.
TEMP.2003.8.8 dots above which are larger ones between which are fine elongated semi-circular → lines ←.
TEMP.2003.8.9 Fine black → lines ←.
TEMP.2014.9.19 No decoration, no incised → lines ← or stamps. Grey residue on the interior. Section missing from lip. Evidenc
TEMP.2022.5.13 On one side are several diagonal → lines ← forming a sort of pattern.
TEMP.2022.5.14 On the bottom there are numerous → lines ← that appear to make up a series of triangles within one another.
TEMP.2022.6.2 the body is decorated with four thin black → lines ← and two thick dark red → lines ←: at the base of the neck are painted vertical
temp.2022.6.2 the body is decorated with four thin black → lines ← and two thick dark red → lines ←; at the base of the neck are painted vertical
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