| 11.10.13
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Black on buff, there are leaves around the inside and outside of the rim. Below the rim on the outside is a band of horizontal v shapes. On the main area of the fragment are three redish/black bands, the middle thicker than the other two. On the broad black band, Greek key pattern in applied white paint is still visible. On the lower edge of the fragment is the edge of a black circle. The back of the fragment, except for the rim, is red.
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| 11.10.19
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Shoulder: frieze of bars at base of neck; below, five palmettes, consisting of a central group of three, the middle one inverted, and one at each side with its stem on the side away from the handle. The lower branch of each stem curls into a spiral from the end of which a leaf grows. There are dots in the field. Body: black except for a pair of red lines around the top.
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| 11.10.2
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Cup mouth originally black inside and out with lip reserved. Shoulder had rays and lotus buds. On back, long verticle smear of paint below handle. Main zone is palmettes and lotus buds on cable, perhaps with white outer continuous lines. Bottom of body was orignally black, as is top of foot. Side of foot is reserved as is base.
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| 114.9.45
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Pale buff ground. In handle zone, continuous zigzag, black. Below, two broad bands, the upper red. Bottom reserved, except black foot-ring; slightly raised central disk. Inside streaky black. Black on handles.
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| 13.10.5
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Perforations at the lower end, of which three out of four remain, two on each side, the upper two level to each other, both just below the widest part of the spear. This is presumably where the dagger was attached to a shaft. The width of handle tapers on each end. While the centre of the fragment is thicker, raised on one face, the thickness diminishes towards the sides, which are rounded at the thicker (upper?) end.
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| 14.9.110A
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Interior black except for a reserved band below rim, 0.3 cm wide; exterior reserved rim and a small handle zone. Rest of the body black. Handles black on the exterior, reserved underneath.
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| 14.9.31
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Fragment of rim of vase. Interior is reserved except for a black band around rim. The exterior is painted dark brown with four horizontal bands of red covered with white dots. There is a narrow band of orange just below rim. The walls thin at the rim.
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| 14.9.33
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Fragment belonging to the rim of a vase made of fine fabric. Dull black paint inside and out. The exterior surface had white band around rim above spirals or tendrils with three horizontal bands below. The interior had a white band round rim. The material gets thinner at the rim.
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| 14.9.37
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Fragment of thick clay with rim attached. Buff clay with black paint. Inside is painted black. The Outside has a black narrow band at rim with a coiled leaf pattern below, followed by blurry bands.
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| 14.9.39
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Clear buff clay with brownish-black paint. Outside broad band at rim with some red showing through. Below, on body are linked spirals with red glaze appearing through black. Inside the rim is black with the lower part of the fragment reserved. There is however, the start of a line running downwards at right.
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| 14.9.40
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Buff clay with dull black paint. The outer surface has a band at the rim with a double foliate band on body with another plain band below. The inside surface is chocolate brown faded from black.
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| 14.9.41
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Pinkish clay with black paint. Outer surface has a narrow band at rim above two rows of dots between thin bands with plain bands below. Interior surface has a creamy-yellow slip.
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| 14.9.43
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Buff clay. The interior surface is black and the exterior surface is cream with dull black painted design. There is a band at the rim and the pattern on the body below is of buds and spiral leaves.
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| 14.9.44
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Top edge of rim is painted black. Buff clay with black paint. Outer surface has a ripple pattern based on horizontal band. Inside has similar but the ripple pattern does not extend below the rim, and sits on two bands inside bowl.
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| 14.9.47
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Panel decoration. Broken wave band on neck; below this the end of a broad band and the beginning of a thinner vertical line bordering the panel on the right; within this frame a network composed of papyrus motives, horizontal and facing left with circles in the blank spaces. Inside a broad band extends from the top of the fragment (and presumably from the top of the vase) to the level fo the top of the band on the outside, the rest reserved.
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| 14.9.48
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Brick red paint on pinkish buff clay. Interior surface has Two red bands, on on top of rim and one just below. Main scene is a chariot with three passengers facing to right. The broad band below rim has practically obliterated the heads and shoulders. On outer surface is a red band just below rim.
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| 14.9.49
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Brick red paint on pinkish-buff clay. On the exterior surface is a band around the rim and one just below, but broader. Design is a little unclear but perhaps shows the heads and shoulders of two men (perhaps in a chariot ?) wearing clothing patterned with dots. On the underside is a red band around rim leaving the rest reserved.
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| 14.9.5
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Inside of mouth and rim are black but remainder of interior is reserved. Handles, black on top and reserved underneath. Slight lip to mouth with black band below and then another at base of neck (white spots superimposed on front only). At base of handles are wavy lines and below is a decoration of three black bands. Base is reserved. Graeco-Phoenician.
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| 14.9.50
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Shiny red-brown paint on pale buff clay. On outside is a broad band under rim with a loop with cross-piece in centre hanging from it. Both parts have transverse bars. Below and along fracture is a curved line. The interior surface is reserved in the lower part but has as broad band covering rim at the top.
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| 14.9.51
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Underside is reserved. Chocolate brown on whitish-buff. The topside has the lower part of a bird including a leg and foot at top with two broad bands below. The bird may be a duck or the like and appears to be running to the right.
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| 14.9.57
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Central circular knob with painted black cross and sides filled with lines. Side has bars and the stem of the handle is black. Three black bands, two roes of staggered bars, black bands, diagonal lines with dots above and below, black bands, horizontal bars in two rows but are entwined, black bands. Inside is reserved and with a rim so it sits inside the base section.
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| 14.9.64
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2 thin horizontal black lines above handle, 8 below, 3 at right angles to these beside handle, all approx. equal width. 2 slightly thicker horizontal black lines on side of handle base. Background pale buff. Inside painted black.
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| 14.9.72
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Fragment with no finished edges. Exterior: animal procession consisting grazing goats (only head, part of one antler and one foreleg of one and one hind leg of second ramaining)to right; dashes, quatrefoil, and hooked swastikas as filling ornament; below, black band and part of lower frieze - antlers of goat to left; dashes as filling ornament; at right, possibly more antlers.
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| 14.9.73
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Pale slip; interior: black, with added red band lined in white; exterior: animal frieze decoration consisting of two goats grazing to left (one hind leg with added red of one and head with antlers, neck with added red, and forelegs of second remaining); crosses, stars, and pinwheel rosette as filling ornament; below, black band above band in added red.
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| 14.9.74
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Interior: glazed black with traces of narrow bands in added white; exterior: from top, part of wide vertical black band between pairs of dilute lines; two dilute lines; guilloche pattern; at right, two narrow vertical black bands flanking black handle root; below; wide black band between two narrow dilute bands; part of meander frieze.
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| 14.9.75
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At the top is a triangle of black, with a smaller triangle below leading to a dark brown line. There is a similar line parallel to this one on the left. Both lines are at right angles to a braoder dark brown line. Nestled between two faint brown lines are five white circles with black circles in the centre. There is just a small area of dark brown/black on the bottom right hand corner. Other side is reserved.
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| 14.9.78
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exterior: black-figure decoration consisting of part of possibly deer or boar (only hind leg remaining), to left; at right, painted streaky black handle zone; below, one narrow band above a wider black and a band in added red;
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| 14.9.83
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Interior black, with two concentric red circles; flat rim is decorated with three uneven rows of black dots; exterior decorated with a black band, just below rim; in figural zone, two confronting sirens with rosettes in field; below, two horizontal lines, above rays. Red for breast and base of wing of both and for streak across body of siren on left. Incisions.
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| 14.9.84
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Interior: reserved band below junction of bowl and lip; below, glazed black; exterior: lip glazed with thin reserved line at join with bowl; below, black figure decoration consisting of horseback riders (only head including mane and reins, neck and breast with added red, shoulder and upper forelegs of one horse and tail of second remaining), to right; at far right, possibly incised pinwheel rosette as filling ornament;
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| 14.9.87
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Black above and below. In reserved area a swan left, wings raised. To left, a pseudo-inscription.
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| 2003.3.37
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Interior, 2 bands in added red. Exterior, vertical lines above a horizonatal line at rim, with band and line below all in added red. Additional patches of added red are visible below, probably forming a pattern
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| 2003.7.16
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Curved fragment with rim and stump of handle suggests it was a bowl or cup due to how it open it appears as a shape. The interior is painted entirely in black, with a hint of red (fading?) near the top. The exterior has two black bands, one on the rim and one below the rim which also covers the handle stump. Beneath the handle there is a strip of faded white paint, followed by a red/dark brown stripe, then the rest is white with a thin horizontal black line and possible a thicker vertical black line dividing the white decoration in half.
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| 2003.7.24
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Possibly the top of a jar/bowl due to the smooth edge at the top and way it is curved at the middle. The interior is painted black, with a smooth surface similar to the exterior. The exterior is half painted in white, with narrow, parellel lines of black dots or bands, and a black square inbetween two black lines. There is a line of dark red below this, followed by an overlap of white then a black area.
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| 2004.8.4
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The rim is decorated with a thin black band, with a reserved band below and another black band below this. Two youths (black in colour) stand facing each other, with the figure on the right presenting a white cock, of which, elements remain (painted over the figure). Behind each figure the tail and part of a sphinx can be seen. The sphinx behind the right figure has incised lines dividing the wing feathers. The centre of the sphinx's wing appears purple in colour. There are faint, incised lines that give the outline of the youths' heads (where paint has been worn away). The reverse of the fragment is black with a reserved circle on top of the rim.
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| 2005.3.25A-C
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A: foot and base reserved, stem and exterior of kylix black, with reserved band. A second band has floral ornament with a chain-like band below. Interior is black except for a reserved circle in the middle, two small black circular bands mark the centre. B: Floral ornament on this fragment joins up with fragment A, pattern as before, interior and rim/lip black. C: interior, rim, lip and majority of exterior black, patterned floral band as before
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| 2005.3.29
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Band of vertical lines with horizontal line below in added red, band of added red visible on interior, rim has lines and a band of red
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| 2005.3.31
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Rim is black, below leaf shaped spots in black, another black section is visible at the edge of the fragment
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| 2005.3.38
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Interior, band of added red, exterior, white slip with vertical line above a horizontal line at rim and lines below all in added red
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| 2006.12.14
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Line of brown paint around rim, with dark brown dots on orange-brown lines below. Zig zag pattern of brown lines beneath this
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| 2006.12.21
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Inside painted black with red band at rim; Outside dark brown band by rim, with black paint below chipped band
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| 2006.12.30
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Black rays on white background with black and red block below
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| 2006.12.4
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Inner surface painted black with unpainted band near rim; outer surface painted black near rim, area below unpainted but with curved line suggesting part of larger design. Paint is worn near rim
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| 2006.12.41
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Narrow white bands with diamond pattern and central hatched square below
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| 2006.5.19
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Light red with pale yellow. With one large ridge and a few smaller ridges below the large one
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| 2007.10.2.267
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The profile of an eagle facing to the left, there is a Greek inscription just below its open beak.
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| 2007.10.2.311
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A large female figure reclines in the centre of the scene. She is dressed in robes and is wearing either a helmet or a cap (Phyrigian cap?). Her left arm is resting on a disembodied (bearded male) head and her left hand holds a staff which rests against her upper-arm or shoulder. Beneath the large female figure and to the left of the male head are two shapes which possibly represent boats or ships. These shapes might indicate that the portion of the scene below the female figure is in fact a river or the sea. In turn this might suggest that the disembodied head is emerging from the water (possibly identifying it as a river god). To the left of the scene a very small figure appears to be presenting the large female figure with something, possibly a basket or urn. A slightly larger figure, leaning on a stick, looks on from beneath a tree. Above the very small figures head are two animals (presumably intended to appear to be further off in the background). One at least of these animals is certainly a horse. To the right of the large female figure's head there is a representation of a stag. At the top of the scene in a central position are three shapes. It is unclear exactly what these are (possibly huts or houses of some description?).
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| 2007.10.2.55
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Bearded male head facing forward. Below the head appears to be two flaming torches. Four cherubs (?) frame the hair, with the top two looking like they're putting a crown on the head. There is an inscription, in Greek, on either side of the head.
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| 2007.4.124
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Black parallel lines next to broken handle; white paint under handle; faded black parallel lines perpendicular to other lines above and below area of handle; decoration worn, faded and chipped
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| 2007.4.201
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Thick black band below rim with several thinner black lines perpendicular to it; black paint all ove rinner surface; worn.
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| 2007.4.202
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Thick black band around join between neck and main body of vessel, with black tear drops below o main body and black arcs on neck above; slightly worn and faded.
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| 2007.4.205
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Thick black band below rim on both inside and outside of fragment; two black lines on rim; part of zig zag pattern at bottom of outer surface of fragment.
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| 2007.4.207
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Faded black arch shapes below two concentric black bands, below a single thick black band
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| 2007.4.215
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A thick band of dark red across the top, with three verticle red stripes desending from it. Below the thick band are two thin stripes, going horizontally around the vessel
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| 2007.4.228
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Inner surface has faded black-brown-red lines running round inside of rim with area below painted entirely black; outer surface has three sets of three concentric circles.
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| 2007.7.1A-S
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Rim (A-D) has tongues on the top, a design with dots and traigular shapes on the sides, with palmettes below; Side A (H-K) shows a symposion, with a bearded man (Dionysos?) and possibly the hoof of a satyr; Side B (L-N) shows a battle. A, B, C: Rim with tongues, side design and palmettes below; D: Rim with tongues and side design, no palmettes below; E: Fragment from just below the rim with the palmette design; F: Fragment from below the rim, all black with part of a palmette on the lower left; G: Black on both sides; H: Head and shoulders of a bearded man(Dionysos?) with the circle and triangular motif running vertically on the right; I: Arm and torso of the bearded man on the upper part, on the lower part there is another object which could be his couch; J: Left half is black, right half contains an unclear section of the symposion scene; K: Drapery, most likely from the symposion scene, with a drinking horn in the lower right corner and possibly the hoof of a satyr; L: Top half of the battle scene, with a nude man holding a spear, and probably a tree running vertically along the left side. The scene is bounded by the circle and triangle design; M: Lower half of L, with the lower body of the nude man, drapery on the left side; N: Leg of the nude man, with the lower part of the tree running vertically on the left; O-P: Plain black; Q: Black, with part of the circle and triangle design; R: Black, with part of a design on the top; S: Base, tongue design
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| 2007.9.3.9
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Displays the head of a woman, her hair tied in a bun, below which is the image of what may be a bird.
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| 2008.7.101
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Surface slipped with red-orange wash. Strap handle sloping inwards; black glazed on the outside; inside in reserve. Row of uniform parallel black lines at the junction of the shoulder and neck. On the shoulder, five black palmettes, the central one inverted, with black tendrils and dots in between. On the body, black glaze misfired with two red parallel lines just below the junction of the shoulder and body.
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| 2008.7.123
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Interior: reddish-brown wash. Exterior: greyish-black wash, fading to a reddish-brown band below the rim.
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| 2008.7.152
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Exterior: two horizontal parallel lines etched towards top of fragment. Below this, 3 vertical, non-parallel ridges, with narrower ridges coming off at shallow angles towards the bottom of them.
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| 2008.7.35
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Exterior: one horizontal dark brown line running along the approximate intersection of shoulder and body. Just below this are two small dark brown dots of similar but different sizes. Above the line is a thick, wavy, erratic, dark brown line that dominates the fragment from the line up utn il just under the rim. Interior: two horizontal parallel dark brown lines. The top one is right up on the edge of the rim, the other slightly removed below it.
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| 2008.7.56
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Exterior: two fairly thin horizontal parallel bands of brownish-red overpainted. One line of small circular dots running parallel above these, and two dots visible of a similar line below.
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| 2008.7.63
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Exterior: 6 fairly thick, black, parallel, horizontal bands overpainted. Between the 2nd and 3rd there is a pattern of short vertical lines. Below this there is a pointed shape of the same colour.
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| 2008.7.65
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Exterior: 2 narrow, horizontal, parallel bands with triangular pattern between them overpainted in black towards rim. Traces of horizontal bands and geometrical patterns in same colour below.
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| 2008.7.68
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Interior: reddish-brown wash. Exterior: Horizontal band overpainted in greyish-brown. Above this, a pattern of waved lines and short vertical lines. Below, 2 lines of similar colour run parallel.
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| 2008.7.69
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Exterior: 10 narrowly-spaced parallel horizontal lines overpainted in brown. below this 9 small circular grey dots in a horizontal band with a zig-zag pattern below in brown.
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| 2008.7.82
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Interior: Greyish-black wash. Exterior: Cream wash. Fairly thick parallel horizontal bands towards one end overpainted in Reddish-brown and grey. Below this, the tips of horizontal triangular shapes overpainted in grey forming zig-zag pattern.
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| 2008.7.85
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Interior: black wash. Exterior: black wash with thick, horizontal, parallel stripes overpainted. One dark red, with a thinner cream stripe parallel above and below.
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| 2008.7.87
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Interior: greyish-black wash. Exterior: cream wash with horizontal parallel lines overpainted in brownish-red. 1 thick and 2 thin lines towards top. Curved pattern overpainted below in same colour.
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| 2008.7.88
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Interior: greyish-black wash. Exterior: Traces of cream wash with thin vertical light grey stripes overpainted above and below lip.
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| 2008.9.12
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Interior: greyish-black wash. Exterior: 1 fairly thick, slightly uneven, horizontal line overpainted in black accross centre of fragment, parallel to edges. Diagonally from this, above and below are shorter teardrop-shaped marks - 7 above and 9 below - forming a horizontal band, and greating a stem and leaf-like effect.
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| 2008.9.15
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Interior: greyish-black wash with a band of unfinished terracotta running parallel to longest edge of fragment. Several narrowly and irregularly spaced parallel horizontal lines overpainted on the wash and unfinished section. Exterior: greyish-black wash overpainted, covering roughly half of exterior of fragment. Next to this is a band of unfinished terracotta bordered above and below by parallel lines overpained in a brownish-red colour.
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| 2008.9.18
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Interior: traces of a pinkish wash. 1 short diagonal line overpainted in brown remains. Exterior: narrow horizontal raised lip across longest edge of fragment with a narrow parallel line overpainted in brown below this. Several narrow vertical parallel lines join onto this and there are traces of a redish-brown wash.
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| 2008.9.22
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Interior: reddish-black wash with a narrow strip of unfinished terracotta across longest edge. Same colour overpainted in the top of the rim. Exterior: 1 thick horizontal band overpainted in a reddish-black colour just underneath the rim.The space below this is left unfinished.
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| 2008.9.25
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Exterior: 1 fairly wide curved raised ridge running across centre of fragment. 5 short vertical lines overpainted in a pinkish-colour faintly visible upon this ridge. A small patch of brownish-grey remains below.
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| 2008.9.26
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Interior: greyish-black wash. Exterior: 3 thin narrowly-spaced lines run parallel to one of the edges of the fragment. The upper of these is overpainted in a greayish-black colour, the 2 lower are a redish-brown. Below these lines are three greyish-black dots interspersed by vertical thick greyish black and thinner redish-brown lines.
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| 2008.9.27
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Interior: greyish-black wash. Exterior: 2 curved narrow parralel lines run along one edge of fragment, the upper overpainted in greyish-black and the lower in brown. Below these are 3 solid crescent shapes overpainted in greyish-black.
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| 2008.9.28
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Interior: greyish-black wash covers half of the interior, the other half is left unfinished. Exterior: A wide pinkish-red strip is overpainted across the centre of the exterior. Above this is the remains of a parallel greyish-black line with 4 greyish black vertical lines attached to it. Below are 2 unfinshed circles, bordered by a greyish-black outline.
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| 2008.9.3
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Exterior: back half of a quadraped animal is painted black with ribs, muscles, and tail inscribed on the object but unpainted. Animal is standing on a thin black line, below which is a thick black line. One other thin black line above the animal, and various round black decorations underneath the animal but above the black line base.
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| 2008.9.4
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Exterior: 2 front legs of an animal, joining onto a body is overpainted in greysh-black. 5 short vertical lines are etched across the body and a few other etched lines define the back legs and chest of the animal. 2 back legs and a tail are partially present. A thick horizontal band and below a thinner band run parallel to the bottom-edge of the fragment. The animal appears to be standing on the thinner band, and there are 2 circle between the front and back legs, and two circles to the right of it.
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| 2009.10.2.401
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Bearded male centaur carrying an ornate staff over his left shoulder and a lion skin and basket on his right shoulder. There is a faint inscription below the figure.
Number 57
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| 22.3.21
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Lower part of draped woman facing left towards a stele. Framed on right by vertical reserved band containing double row of joined dots between lines. Below, egg and tongue pattern covered with streaky black.
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| 22.3.28
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Youth walking right, holding ribboned ball. White on youth's foot. Edge of robe and part of foot of figure right. Above, rectangular object in white, white handle. Below, tray(?) edged with white dots. Line of white dots along ground level. White for bracelet and necklace.
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| 22.3.35
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Upper part possesses a unique pattern that could be intended to mimic a type of plant, consisting of a single white dot in the centre with six triangular shapes surrounding it, each with a white spot upon them, and a white line on each of their ends; both above and below this pattern are two straight lines, brown of colour. At the bottom is another unique pattern consisting of three white dots above what could be a type of pot drawing, with several straight lines upon it. Both these unique decorations are likely part of a larger pattern upon the original artefact's exterior.
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| 22.3.4
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Glaze fired partly to red and partly to greyish-black. Inside is reserved. Two high, curved handles black on top and reserved below. Under handles are crosses between pairs of vertical lines. On each side are four palmettes standing on four larger, inverted palmettes all joined with a chian and half a palmette at each end. In some areas are groups of very short incised vertical grooves. Below pattern are three bands and then black (faded to red) to foot and including top and side of foot. Resting surface is reserved as is base.
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| 22.3.41
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Painted exterior decoration in dark brown and dark red on a cream ground. Below a broad brown band is a red band, between two white lines, and then another brown band. The lower body is decorated with a series of vertical brown lines, between pairs of red and brown bands, all between two curvilinear patterns each comprised of two concentric circles around a single dot. This entire motif is enclosed in a lens-shaped space, between dark brown patches, underlined by more red bands between white lines. The flat bottom is decorated with a curvilinear diamond crossing a cross, both in dark brown, inscribed in a dark brown circle.
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| 22.3.5
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Body: below the flanged rim, key; below, a broad band. On the reserved base a spiral incised when the vase was leather-hard. Inside reserved with a broad band immediately inside the rim and a line below it; at the centre two small concentric circles. Lid: knob reserved with a broad painted band between two mouleded fillets round its base; main zone, palmette-lotus band bordered above and below by a pair of fine lines and a broad band. Round the rim leaf and bar pattern. Inside reserved.
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| 22.3.5A-B
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Glaze fired red throughout. On the body below flanged rim, is key below a broad band, on reserved base an incised spiral. Inside is reserved with a broad band immediately inside the rim and a line below it, at the centre are two concentric circles. Lid: around the rim the pattern consists of leaves surroundered by parallel lines. A broad band separates another pattern of palmettes and decorative tendrils. Another broad band of concentric circles leading up to an acorn shaped knob with ridge at its base. Knob is red around bottom but reserved at top. There are also areas of white and black deposits on knob and inside on the underside of the lid and at base.
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| 22.3.6
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Black inside and out. Two superimposed red lines just below level of handles. Painted black on the outside and inside is left reserved. Just above foot is left resereved with black vertical lines serving as rays. Outer foot ring is black, as is resting surface. Base is red with two bands in centre.
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| 22.9.7
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Black, mostly fired to orange-red, on buff ground. Possible added colour (white?) in groups of stripes. Mouth: broad band between two narrow bands. On the exterior of the mouth, band; shoulder: tongues. Body: three bands at top; deep painted zone divided vertically by incised lines (two parallel) dissecting into segments; four bands below. Base reserved. The exterior of the ring foot painted.
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| 23.11.1
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Black glaze inside and outside. Purple band on exterior of rim; narrower white band below. Reserved on underside.
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| 23.11.8
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Reddish-brown glaze outside and inside; two white stripes below rim outside; one white strip below rim inside
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| 23.4.1
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Black inside, with 8 ivy leaves reserved on rim joined by a stem and with groups of white berries. At the base of the inside is a stamped pattern of 5 linked palmettes around a horse shoe pattern with ovules inside, and there are ovules around the outside between bands. Side A is a youth with discus and athlete holding aryballos and side B is an athlete and youth with a discus hanging on the wall. Below each handle is a group of three palmettes. Moulded ridge above foot, which is black all over. Base is reserved in centre with three black bands, two broad and one narrow.
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| 25.4.2
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Black and red on creamy buff. Main zone flying birds in panels between chevron-panels. Red for middle band of three above main zone, and vertical lines of herringbone panels, and mid band below main zone. Bands on handles. On the inside are three thick black bands interspersed with reserved bands and a reserved circle in the middle.
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| 25.6.1
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Three bands on saucer shaped mouth. Flanged sides, one band. Daisy pattern on shoulder. Cinquefoil with leaves touching central wheel and extends onto base of pot. Rough light brown cross on body below handle.
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| 25.6.3
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Top of neck, back on handle, base of body, top of foot and edge of lower step of foot all black but have a streaky glaze. Rim of mouth reserved. Shoulder design is two rows of bars, the first shorter than the second. Body from top to bottom is three rows of black dots separated by lines. Symposium: Man reclining, woman lyre-player seated at foot of couch. At each side, woman on animal (perhaps mule [looks like llama]). Incised detail on drapery (black robes) and on lyre. Below are reserved bands on black glaze. Foot black on top and on lower edge, reserved in the middle. Base reserved.
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| 25.8.1
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Black inside and out but lip reserved. Neck is reserved as is underside of handle. Top of handle was once black with a ridge running down the centre. Shoulder has short bars at base of neck above a lotus bud chain with interlaced stems above a black band. Body shows a hoplite putting on greaves, facing right to a woman holding spear and shield. Two onlookers left and one on right, all facing him. Colour worn but corselet originally red and possibly hair too. Below is black to base, including top of foot, but not side, which is reserved. Base is reserved and concave.
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| 25.8.3
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Globular, trefoil moth, tricorne lid, shallow foot-ring. Black, underneath reserved. Clay pale buf. Some plaster filling. Tongues on shoulder, every second red, every fourth yellowish-buff, orig. white (cf. ball aryballos 39.9.5). Just below tongues
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| 25.8.6
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Lip inside and outside black. Shoulder: five lotus buds separated by spots, body- probably a runner facing left between youthfull onlookers; the figures in the center and on the left completely repainted. Below, thick black band. Rim of foot missing, but remainder is reserved.
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| 25.9.1
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Inside is black with a reserved band below where mouth begins to flare. The mouth is wide and flares outwards. On the exterior surface at the top is a patterned band of two rows of 'cccc' shapes, one row above the other. Two handles, one each side are black and it is hard to distinguish what is on the body behind the handle (maybe a panel with dots?). On side A, Eros flies towards a woman who retreats towards youth seated naked on a folding garment and holding alabastron. Side B shows 2 youths, clothed, the one on the right holding a stick. Brown for feathers at top of Eros' wing. White garland, neckless, bracelet of woman and fillet held by Eros. Below them is a reserved panle with egg shapes with dits in between. Stem and top of foot black, reserved band at top of foot. Base reserved.
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| 25.9.3
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The vessel bears impressed (stamped) decoration and is black inside, as well as outside. There is a rope-shaped plastic motif above the shoulder of the vessel and the body is ribbed (long, tongue-shaped motives). Below the handle there are ten impressed palmettes (voluted with narrow divisions), arranged in an inverted triangle. The resting surface bears traces of a red line, its shallow inner side bears a black band, the central part is red and there is a black circle with a dot at the centre.
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| 25.9.4
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Body, shoulder and neck white ground. Cup mouth is black. Handle black on the back and cream ground underneath. On shoulder are two rows of radiating bars. Body design is an ivy-spray, with circles of dots and heart shaped leaves, between bands of grille pattern, at front only and all in black. Three wet-incised lines below. Side and base of foot heavily ruddled. Footring reserved.
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| 26.12.14
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Lip, handle, neck and back of body all black. Horizontal row of nine tongues at top, just below neck, above main, reserved panel, with two parallel, vertical black lines either side of panel (shields ?). Main design of warrior facing right, with helmet, shield, and spear. Ivy leaves on stems in field. Foot is black on top and side, but reserved on resting surface.
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| 26.12.16
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Probably Kleinmeister type. Forepart of horse?, woman to right in mantle decorated with purple, white and incisions, facing man to left in black mantle. Lower part only of figures preserved. Below a black band. Interior is black.
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| 26.12.18
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Inside is black with reserved rim and central medallion outlined with bands and has a picture of a man with a staff. Figures in black with incised detail. Two handles, one on each side, are black on the top and reserved underneath. Below each handle is a single ivy leaf. The outer surface has a similar picture both sides of a satyr attacking a maenad between two palmettes. Branches with fruit in the field.
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| 26.12.19
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Handle black on outside and reserved underneath. Shoulder: rays and long, thin lotus buds; black band at join with body. Top of bod: two rows black dots bordered by smaller white dots. Body: ram in cauldron set on tripod over a fire, flanked by two females holding wreaths on either side. Below is a broad black band with a thin band between reserved bands either side. Lower step of foot black; base reserved.
This is probably the scene in which Medea tricked the daughters of Peleus: she killed an old ram, cut up its body and threw it in a boiling cauldron. Medea, a sorceress, restored the ram's life and made it young. Whereupon Pelias' daughters kill Pelias and toss his body into the cauldron. Medea did not, however, restore Pelias' life and was driven out of Iolcus.
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| 26.12.20
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Heavy fabric. Cup mouth (with vertical sides) and neck are black. The shoulder is decorated with a ring of dots. Below the rim, is a frieze of radiating leaves. Body zone is covered with a white ground and is decorated with diagonal lines criss-crossing one another (net pattern), with thin bands at the top and bottom. Below where the handle would have been the body is reserved. Below is black, except for the reserved foot.
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| 26.12.21
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A. 14 vertical wavy lines; below rim two rows of dots. B. Similar with 15 lines. Swastika under each handle. Side of foot reserved; underneath two black bands. Inside black.
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| 26.12.24A-B
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Lid: The knob of the handle is flat and circular, the top of which is black, with a small reserved well in the centre. The rim and a band below it is reserved, but the rest of the stem and a thick band surrounding it is black. A reserved zone on the upper surface depicts six palmettes, with an ivy flower after each three. The outer rim of the lid is also black, as is the inside.
Lekanis: The resting surface for the lid is black. The two horizontal handles are decorated around the edge with vertical bars. On either side of each handle is a small protrusion, with a black line on each side. The walls, in the handle zone, are decorated with vertical wavy lines. The lower part of the body is black, as is in the interior. The base of the ring foot is reserved.
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| 26.12.26
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The vessel bears an uneven black glaze, but it is partly fired red. There is a wide groove at the rim and two more at the upper part of the neck, from which seem to be hanging seven, double, semi-circular, white lines, each one flanked by vertical ones. There are also two grooves that contour the upper part of the vessel's shoulder. The latter bears decoration in white, of a branch with double-leaved (teardropped) motives. There is one last groove below that pattern.
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| 26.12.2A-B
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Two handles, round with projections. Base has concave sides. Red band on rim. In handle zone are black zigzags, on body black and red bands. Flat base reserved. Inside is a black band below rim and then a black band in the base. Lid: Central circular knob with bands on top and down lid itself; rim set back to allow the lid to sit in pyxis.
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| 26.12.3
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Handle with hole for suspension. On top of mouth are three concentric circles. On side is a band. Neck has daisy petal pattern. Body: bands above and below the main design of a man attacking a lion. At back large black circle with black centre. In field rosettes with incisions intersecting at centre and dots. Added red for decoration. Many bands on base.
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| 26.12.4
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Top of mouth, bands; side, dots. On shoulder, daisy pattern. Between bands, two above and four below, four komasts in red chitons. Rosettes and dots in field. Bottom, large cetral spot and one thick circle.
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| 26.12.5
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On top of mouth, very broad band between two thin ones and a band on the side. Shoulder design is radiating lines with a band below, double row of dots, another band. Body: Lotus-palmette design (with traces of red/purple) flanked by two ducks whose tails overlap. Rosettes, one with double incised circle at centre, others with cross incisions in field. Below design are bands. Foot is black and base has three bands.
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| 26.12.8
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Handle has black glaze on the outside. Shoulder: broad band at base of neck. Between two dolphins a crossed rosette with white dots round edge. White also for line at back of head of dolphins. Body: two panthers facing, necks red. Three shapeless blobs in field. Below main zone, thick black band onto top of foot. Resting surface of foot reserved.
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| 26.2.100
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interior black; exterior black with garland of leaves around neck in added white and yellow; below at right, part of undetermined pendent motif in added white; below modelled junction of neck and shoulder, traces of undetermined decoration in added white.
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| 26.2.11
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pale slip; interior: black with red band lined in white; exterior: top of rim glazed; pinwheel rosette preserved in zone below;
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| 26.2.12
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interior: reserved band at top of lip, glazed black (fired red) below; top of lip glazed; exterior: lip and handle zone reserved, with black between; glazed below; black around handle root.
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| 26.2.13
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interior: on rim, three black lines; wall glazed; top of rim glazed; exterior: lip and handle zone reserved, with band between; glazed below; inscription on exterior.
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| 26.2.14
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pale slip; interior: reserved band at top of lip; below, black; top of lip glazed; exterior: lip and handle zone reserved, with black line between; lower wall glazed; black around root of handle; at right of sherd, part of inscription;
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| 26.2.15
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black band over top of lip; interior: reserved band at top of lip, rest of interior glazed black (fired brown in places); exterior: lip and handle zone reserved with broad band between; glazed on wall below and at handle root;
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| 26.2.17
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pale slip; interior black; exterior: band just below rim; below, to left, part of eye motif with rosette fill; to right, lotus bud and part of a palmette; below, wide black band with added white line;
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| 26.2.18
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In the top zone, oblique palmette, wild goat to right with head turned back (only tip of beard preserved), added red on black and haunch, reserved line on belly, in field dot rosette, crossed dumb-bell ornament, dotted double spiral; black zone with bands white-red-white superimposed; rays (tip of one preserved). Inside black with a reserved band a little below rim and two groups of bands, white-red-white, roughly on a level with the top and bottom of the broad black band outside.
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| 26.2.19
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pale slip; interior: reserved at top of rim; black below, with band in added red lined in white; exterior: frieze of vertical black bars with added red at rim; below, black band above black-figure animal frieze: at left, part of lion or sphinx (rump and tail remaining) to left; on the right, part of large palmette with added red; dashes, star, and dots as filling ornament.
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| 26.2.2
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interior: glazed black; exterior: part of interlaced stems of lotus chain decoration in handle zone; below, series of narrow and wide bands, mostly painted black but three in added red;
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| 26.2.21
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white slip; interior: black; exterior: at left, a part of springing goat (only underbelly remaining) to left; decorative motif consisting of half pin-wheel rosette and part of one spoked rosette and a cross as filling ornament; below, frieze of dots between two wide black bands with added red band lined in white.
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| 26.2.22
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white slip; interior black with added red band lined in white; exterior: black-figure decoration consisting of feline (hind claw, belly, and right forleg joint remaining) to right; half pinwheel rosette and one splinter rosette as filling ornament; below, maeander frieze between wide black bands; at bottom of sherd, tips of possible tongues or dot frieze. Rough drill hole.
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| 26.2.24
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Fragment A:
interior glazed black; exterior: palmette and lotus frieze with added red between pairs of narrow glaze (fire brown) bands; below, black with traces of two narrow red bands.
Fragment B:
interior glazed black; exterior: lotus and palmette frieze with added red on calyxes; below, pair of narrow glaze (fired brown) bands; below, black with traces of two narrow red bands.
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| 26.2.24A-B
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Interlaced black lotuses and palmettes with details in red and incision, bordered above and below by two lines of thinned black less than a half centimeter apart, on yellowish buff ground. Underneith the second red line on the bottom there are three .1 width lines, with the bottom line bleeding into a broad black zone which contains two 2 thin .5 width red bands .5 apart from each other, the first starting immediately under the last of the three small black lines, while everything underneith and between the red lines is black. Inside black.
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| 26.2.28
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Brownish buff ground. The underside has three evenly sized and spaced bands. The parts between are reserved. The topside has red band around rim, with bands of white-red-white on black below with a meander pattern in red followed by another set of red and white bands on black. There are the tips of tongues at the fracture coloured black and red.
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| 26.2.30
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Outside, a band below the rim, three lower down, faded black on greyish-buff clay. Inside, on a thin pale slip, large dots on the flat rim, a broad black band with thinner bands of red (and white?) superimposed, and what might be the top of a horse's head to left, showing the beginning of the eye on the extreme left, the ear in the centre, and the main impinging on the framing broad band.
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| 26.2.31
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The underside is reserved except for both sides of the foot ring which are black. The upper part is reserved apart from the decoration. This consists of a red band with three red, narrower ones below it. This forms the outline to the central medallion of black lotus buds and goups of palmette leaves which radiate from (missing) centre.
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| 26.2.32
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Red painted designs on cream-buff slip on orange red clay. On the underside on the rim there are four .5 wide dashes at one side and a 2 horizontal bar at the other while on the underside body there are four red bands following the contours of the dish all between 1 and 3 apart. On the topside, from top to bottom are four verticle bars alternating with 9 dot rosettes on rim, of which survive from left to right two verticle lines, nine dots, four verticle lines, and nine dots before the fragment ends. On the top of the face of the dish itself is a ca. 1.5 broad red band and below this is a zone of lotus flowers and buds with a final 1 broad band below.
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| 26.2.35
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No finished edges. The underside has broad streaky black bands on pale buff slip with slightly raised moulding that must have encircled top of stem with a thin and feint band around it. Inside the dish, on pale buff slip, from top to bottom is the lower part of animal zone showing two hooved feet and grass. Below is a red zigzag between two white-red-white on black bands. Below and in centre of dish (now missing) is a rosette made of leaves with dots and spokes bewteen.
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| 26.2.36
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No finished edges. The underside is reserved but there is a small trace of a band in the lowest corner. The topside has possible traces of creamy slip. In the centre are six red on black alternating tongues and these are between two stalked and dotted rosettes. Above is the remains of a band with superimposed white and red on black and a similar band is below.
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| 26.2.39
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No finished edges. On the underside of the dish fragment, on creamy-buff slip, are the slight remains of floral(?) zone above a black band thinned to golden brown at bottom with black rays and rough dots below that. The topside is onate with a meander pattern inside two bands at bottom of fragment with black above with white-red-white band superimposed. Above this band are red and white swirls surrounded by dots.
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| 26.2.41
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pale slip; exterior: black band on ridge at neck join; below, animal frieze consisting of deer (head, forlegs, and rump missing) to left; four petalled rosette and dots as filling ornament; at right, decorative motif consisting of two vertical wavy lines (or tail of bull?); below, two lines.
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| 26.2.42
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exterior: animal motif consisting of springing goat (forelegs, back, belly, and neck remaining) to left; cable pattern as filling ornament; below, wide black band above tips of rays.
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| 26.2.44
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pale slip; exterior:frieze of tongues, some with added red; below, narrow band above frieze with floral motif consisting of part of large palmette and tendril; part of spoked rosette, dots, and dashes as filling ornament.
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| 26.2.45
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pale slip; exterior: from top, frieze of short tongues; below, part of large palmette and tendril decoration with part of spoked rosette and small crosses as filling ornament; below, three bands (one black, one in added white and one in added red)
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| 26.2.46
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pale slip; exterior: from top, part of frieze of tongues; below from left, black-figure decoration consisting of possibly part of a wing with added red; to right, part of large palmette with pinwheel and dot rosettes and dashes as filling ornament; below, black band with superimposed band in added white;
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| 26.2.48
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pale slip; exterior, from top: frieze with black-figure decoration consisting of breast and right foreleg of crounching feline to right; on right, possible blob rosette as filling ornament; below, wide black band with traces of bands in added white and red; below, animal procession to left in silhouette style (rump, tail, and part of hind legs of possible goat remaining); part two rosettes and dashes as filling ornament.
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| 26.2.5
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pale slip; interior: painted streaky black; exterior: top of lip black; two dot rosettes preserved below, above triple band;
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| 26.2.50
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white slip; exterior: below shoulder and neck join, frieze of tongues with added red; black zone at right below handle; below, wide black band with band in added white; frieze below in black-figure consisting of feline to left (part of back, rump, left hind leg and right hind thigh and tail remaining); dots and incised splinter rosettes as filling ornament; below, part of wide black band with bands in added white and red;
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| 26.2.51
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pale slip; exterior, from top: traces of undetermined decoration; band with added red and white lines; black-figure frieze of sphinxes (one with face and forelegs missing, and face, chest and forelegs of second remaining) to left; splinter rosettes and dots as filling ornament; below, second band, then frieze with animal procession in silhouette style consisting of goat grazing to left (horn, shoulders and back remaining); short vertical bars, dot, and maeander cross as filling ornament;
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| 26.2.54
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cream slip; interior unslipped; exterior: black-figure decoration consisting of sphinx (back and haunches with added red remaining) to right; incised rosette with red centre as filling ornament; below, two black bands above parts of five vertical tongues.
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| 26.2.55
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white slip; large brown palmette and tendrils and dot; below, dividing band consisting of short vertical bars between pairs of narrow brown bands; below, maeander and square pattern frieze.
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| 26.2.56
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white slip; interior: black at top with traces of two narrow bands in added white; on top of rim, maeander frieze; on edge of rim, short vertical bars; exterior: neck glazed; below ridge at shoulder and neck join frieze of short vertical tongues above black-figure frieze consisting of winged creature (only tip of wing remaining) to left; part of incised splinter rosette as filling ornament;
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| 26.2.58
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pale slip; interior: black band at top of wall, reserved below; stepped maeander frieze on top of rim, edge glazed; black band below neck and shoulder join; on shoulder, large floral/star pattern at left; maeander or square pattern at right;
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| 26.2.59
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white slip; interior: reserved band at rim, glazed streaky black below; below, part of floral pattern in added white; exterior: below rim, Z band between pairs of bands; dipinto inscription on exterior.
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| 26.2.60
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pale slip; interior: reserved band at rim, glazed streaky black below, with lotus flower in added white and added red; exterior: band of short diagonal strokes between black (fired brown) band; below, top of undetermined motif.
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| 26.2.61
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white slip; interior: reserved band at rim, glazed streaky black below with part of lotus flower in added white and added red; top of lip glazed; exterior reserved;
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| 26.2.62
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white slip; interior: glazed streaky black (fired yellowish brown) with traces of single band in added white; exterior: painted decoration consisting of seated sphinx (part of belly and hind leg remaining), to left; below, pair of narrow glaze (fired brown) bands; below, in handle zone doble saw-edged metope pattern; at right, group of five vertical strokes; part of ancient repair hole on right edge of sherd.
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| 26.2.65
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yellowish white slip; interior: glazed black; near top of sherd, part of lotus flower in added white; below, part of two narrow white bands; exterior reserved.
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| 26.2.67
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white slip; interior glazed (fired greenish brown) with band in added red framed by added white lines; similar banding below, around floor motif of tongues interspersed with red dots, around white rings (centre lost); exterior: alternating bands in black and red.
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| 26.2.68
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Exterior white with one small red/brown section of a pattern at the highest point and one thick almost 1 red/brown line abour half way from the top. Interior is black/brown with a pair(?) of thin faded white lines 0.5 cm from the top edge; below, a repeating pattern of black teardrops, and below that a pattern of white lotus buds interspliced with red dots.
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| 26.2.70
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white slip; interior: reserved band at rim, glazed black below; band of added white dots above frieze of petals in black and red lined in white; exterior reserved with one probably unintentional unslipped band.
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| 26.2.71
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whitish yellow slip; interior: reserved band at rim, glazed black below; dot frieze in added white between pairs of white lines; below, part of lotus bud in white and red; exterior: dot frieze (fired brown) at rim between narrow bands.
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| 26.2.73
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white slip; interior glazed streaky black with wide band in added red lined in white below rim; below, band in white above one in red; top of rim glazed; exterior: frieze of vertical black strokes at rim, some in added red; below, two narrow black bands; below, from left, part of possibly dot rosette; vertical band of dots between narrow vertical bands; painted decoration consisting of part of pendent lotus bud and part of lotus flower petal; dot rosette as filling ornament;
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| 26.2.74-75
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Part of both panels preserved together with handle zone; at top of shoulder, frieze of tongues in black and red between narrow black bands; below part of panel with red object, part of Nereus's tail fin, overlapping handle zone.
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| 26.2.76
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exterior: frieze of vertical tongues painted in black and in added red; below, black-figure decoration consisting of Herakles (top of head remaining) to left;
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| 26.2.78
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interior: neck painted black, reserved below; exterior: black (fired red) on neck; narrow band in added red at turn to shoulder; four framed tongues preserved of frieze above panel below; handle zone to right painted;
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| 26.2.81
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interior: glazed at least at top (worn); exterior: glazed with frieze of tongues, alternating added white, black, and added red; below, lines in added white and red;
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| 26.2.84
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exterior: bands in black and added red above and below triple ridge handle; painted black on upper portion of handle.
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| 26.2.85
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exterior: black-figure decoration consisting of animal (one hind leg of goat or deer remaining) to right; incised blob and splinter rosettes as filling ornament; below, band in added red and black band;
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| 26.2.92
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pale red slip; interior glazed black; exterior: black-figure decoration consisting of animal frieze to left (hindlegs and part of belly of one deer or horse and legs and feet of winged creature); below, wide painted black band with added red band lined in white; cruciform rosette as filling ornament.
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| 26.2.94
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interior: part of tondo decoration within glazed wall; frieze of alternate black and red tongues within a double dot band framed by triple lines; exterior: glazed black below; triple lines above, and band delimiting handle zone.
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| 26.2.97
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exterior: on shoulder, trace of tendril decoration; below junction of shoulder and body, triple dot band between pairs of narrow black bands; below, black-figure decoration consisting of horse (top of head with ear and mane with added red remaining) to right.
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| 26.4.1A-B
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Lid are palmettes and tendrils, three ridges painted black and bars to edge which is slightly raised. Underside is black around edge and reserved in the centre. Body is black inside and on outer rim. Design on sides comprised of alternating palmettes and lotuses (three of each) joined by tendrils. Below is a broad black band, ridge with red either sid eand rays. Inset tripod foot which is black at top and red on outside but black inside feet. Base ruddled
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| 26.4.2
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The rim on the outside has a thick black band round it, which stops at the top of the handles. On both sides of the handle, the same images are repeated, showing the figure of a bird in between two palmettes with stems ending in a curling ventril with a pendant pointing down towards the foot. Beneath each handle is an ivy leaf with a curled stem. Below these images, is a thin black band, and then a thick one that also encompasses the top side of the foot. The edge of the foot is grooved and reserved, as is the outer rim of the base of the foot. On the base of the foot, there is a well approx 3.8cm wide and 1.5cm deep. The inside of this well and a rim around the edge is fired black, but is mostly red. The inside of the Kylix shows a thin black band that has been extended from the outside. Then there is a thin reserved band, the rest of the inside entirely glazed, except for a small reserved circle in the centre.
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| 26.4.3
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Lid is decorated with palmettes, and black vertical bars on the rim. Stamnos-pyxis also has black vertical bars, on the shoulder. Body: two thin black bands, four palmettes, stems rising from a thick black band below them. The base is reserved.
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| 26.4.4
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The rim of the mouth has a thin redish band round it, below is reserved, and then there is another thin reddish band. The handles begin just below this band, but rise above the mouth of the pot. The outside of the handles are black, the inside reserved. On either side of each handle are small blunt spurs (four in total). The main zone of the body is decorated, on either side, with lotuses between palmettes. Between the spurs and the handles are ivy leaves (three with stems, one without). Beneath each handle, there is a palmette. Below the main zone are three red bands, a thin one on either side of a thick one. There is then a reserved space, before another thin band, below which is a thick one. The molded foot has reserved ridges on either side of a reddish-black one. The base of the foot is also reserved. The inside of the pot is red.
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| 26.5.1
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Inside black apart from a reserved band around rim and disk in bottom. The Handles are black on top and reserved underneath. Both sides are the same, with a bird (duck/swan) on each side between palmette with curling stem. Under one handle is an ivy leaf on a stem. Below are bands. Red band around top of foot.
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| 26.5.2
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Inside is reserved except for two bands in centre. On top is a double row of black dots between red lines. Below are three black bands. Turned in rim is black on inside. Foot ring is black. On bottom is a central dot and two circles. Black but largely fired red. Handle is reserved.
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| 26.7.1
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Handles have a mixed pattern of horizontal lines at the top and bottom with vertical lines in the middle with the underneath reserved. Inside is almost ribbed in texture and painted black/brown with convex circle at centre. Outside is reserved apart from pattern which is similar both sides. Central design is a four-spoked wheel within two circles flanked by two horizontal patterns of crossed lines and three vertical lines. Below is two bands then brown almost to bottom except for a thin reserved band at base. Underneath is flat and reserved.
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| 26.7.14
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Fragment. The top of the fragment has a black line around it, below which is a handle. Shape of the handle is completely round, with a flick on one side. To the right of the handle are two lines of dots that run one above the other. Below the handle are two parallel lines. The inside of the fragment is black, fired red.
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| 26.7.2
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The interior of the vessel is streaky black (uneven) except for the tondo (reddish brown), that depicts a (shadow of a) man, in a short chiton, facing right and advancing. He is holding a (thorny) club with his right hand and his himation with the left one (using it as a shield?), while his sword is visible at his right side. Exterior: The lip bears a thin, black line. The surface of the body is reserved (up to the point where the scene ends) but bears decoration in black. The scene is repeated on both sides; the myth of Heracles and the Bull. Herakles has captured the Bull from the head. Hanging in the background (above them) there are Herakles' club, cloak and quiver. The scene is flanked (left and right) by fan-shaped palmettes (voluted at the bottom with long, narrow divisions). The lower part of the handles' external surface is black and under either of them there is an ivy leaf (heart-shaped). Below the scene, there is a streaky black line and, after a reserved, thin band, the vessel is (streaky) black up to the end of the foot, whose side surface is reserved, though. The base is reserved but bears a red thin band at the center of the resting surface. No incisions or added colour have been used.
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| 26.7.4
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Top of mouth one thick and four thin bands. Dots appear on side. Four horizontal lines appear on the handle. Daisy pattern on shoulder and below that three bands. Three warriors marching right in snowstorm, spears sloping forwards. Shield of central warrior blazoned with flying bird, other two divided vertically, one half red and the other brown. All figures and shields are incised. Six bands down to base.
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| 26.7.5
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On top of mouth are four equal width bands and on the side are dots. Horizontal bands appear on the handle. Daisy pattern on shoulder. Three warriors marching right in snowstorm; spears sloping forwards. Shields divided vertically by three incised lines; some added red paint. Below, three narrow bands, three wider and small inverted base. Large area left plain in the 'white style'.
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| 26.7.6
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On top of mouth three bands and on the side are dots. Two vertical lines border the back of the handle. On shoulder is a daisy pattern. Main design is of three grazing deer, facing right, with three bands framing them above and below. On bottom small circle and round sunk centre.
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| 26.8.2
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Top of mouth broad band between two pairs of lines with two bands on side. Grazing goat to right, body framed in dots. Added red on hindquarters. Field rosettes with incised circle at centre. Below goat three bands with the middle one broader. Behind goat is a heart shape within a circle. Large area left blank in the 'white style' on opposite face to goat. On base is three bands with a dot in the centre.
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| 26.8.3
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Mouth black inside and out with a reserved rim. Shoulder bars at base of neck, lower buds which have almost degenerated into rays. At top of body is a debased checker board in three rows. Main design is of Athena attacking a giant who is beaten to his knees, between trees. Below are reserved bands and rest of body is black. Top of foot is black as is lower step. Base has traces of black paint.
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| 27.3.10
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On shoulder two dogs running to left. On body, below four lines, three dogs running to right, then four lines and three bands. Base reserved; well-marked foot-ring and protrusion in the center.
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| 27.3.3
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Fine thin fabric of pinkish-buff ground. Inside is purple/black with traces of red bands. Rim flares out and on it is a black band with two thin red bands. Below this are vertical bars in two groups, some longer. One broad black band then three narrow red bands. Five pronged triangular lines radiating from base. Two bands on foot and three on base.
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| 27.3.5
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Decoration faded brick-red. On lip five concentric circles, on handle is a vertical zigzag between two thin lines. On shoulder are two dogs running to the right. On body are a group of four lines, between two bands, then six lines, below which are four bands. The base is reserved and concave with a small central protrusion.
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| 27.4.1
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Glazed black on the interior, except for a reserved band within 0.4 cm of the top edge. Exterior black glazed except, in the handle zone, a frieze decorated on each side with a pair of eyes between 5-petalled palmettes, above another reserved band. Each palmette is joined to the corresponding handle by a tendril. Each eye consists of a white circle within a black eye shape, surmounted by a black eyebrow decorated with white dots, and above a plain black curving line that mirrors the shape of the eyebrow. Between each pair of eyes is a straight vertical band, indicative of a nose, decorated with a row of white dots. Between the handle attachments and below each handle is a set of four sloppy spots arranged in a diamond form.
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| 27.4.10
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On neck and bottom daisy pattern. On front of body, two cocks facing; between them a small swan. At back (very faded) above cocks' tails inverted lotus, below small duck. Field rosettes of early type. Incisions, added red.
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| 27.4.11
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The interior is black, but reserved at the bottom of the bowl. There is a red line around the lip. The body is decorated with figural scenes. A: Two sphinxes. B: A female figure (Artemis or 'Mistress of animals'?) between two lions (alternate stripes of white and red indicate the ribs and hindquarters of the lions). Beneath each handle stands a water bird (swan?) facing to the right. Rosettes and rows of dots in the field. Below the figural zone are two red lines, then a black band, a frieze of narrow black rays (slightly overlapping the black band above). The ring foot is black on the exterior and resting surface. The central part of the underside is decorated with a black dot at centre, surrounded by a black dircle and, farther out, a red circle. White is used on parts of the lions, necks and breasts of sphinxes and woman, and parts of the wings of birds.
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| 27.4.2
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Large part of one side smeared(?). The paint is fired red throughout. On the rim is a red band, the inside of the pot is completely red, though the glaze appears black towardes the centre. On the outside, a thick red band lies above two rows of leaves, separated by a thin band. Below the second row of leaves is another thick band, which reaches nearly to the rim of the foot. The foot rim and base are reserved.
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| 27.4.5
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Black band round rim. Handles also have a black gaze, but only on their upper half. Inside the bowl are two seperate thick black bands. On the outside are two more black bands, though roughly half the width of the first, starting just below the handles. The smallest ridge on the foot is glazed as an extention of the band that surrounds it. Heavy fabric.
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| 27.4.6
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The bowl shows linear decoration in black (fired orange-red) and (purple) red on buff. Groups of four bars on rim and inside, a thin band just underneath the lip. Large red/orange disk in centre of bowl. Outside of bowl features a pattern of wave-like pattern beginning underneath the handles, with one thin band either side. Below this, more plain bands are evident, one thick, the rest thin until the base. Foot contains one thin band right at the top, and then a thick one on the inside.
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| 27.4.8
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Interior: lion, with red and white details, in a tondo framed by a red circle. Exterior: ivy leaves with short, curling stems, separated by chevrons (above) and dot rosettes (below). Black ring foot with reserved resting surface. Underside reserved also within foot, and decorated with three concentric circles: red, black, red.
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| 27.4.9
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Grazing goat to left but no trace of added red. Rosettes, with and without an incised circle at centre. Below goat four bands. On bottom two circles, one thin and one thick, round a central spot.
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| 28.6.1
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Handle all black, as is neck and back of body. At the front on shoulder is an inverted swirl / wave pattern, consisting of four waves. Below is the main design of an athlete (naked) with a discus standing between two clothed youths, the left of them holding a discus. Robe detail is picked out in black paint. No relief contour. There is an reserved line incised above foot. Foot is black on the top and side but the underneath is reserved and flat.
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| 28.6.4
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Black inside and out. Main design is similar both sides and is of a youth facing right. Beneath each handle is a palmette with side tendrils reaching from the palmette to the figure. Ruddled band below design above foot-ring which is black inside and out whilst the resting surface is reserved. Underneath ruddled with 2 fine black circles at the centre.
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| 28.9.1
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Black inside rim but reserved in body. Neck is black. Shoulder is reasonably flat and has red and black tongues above a combat scene of seven warriors. Incised white and added red detail. Two horizontal handles all black, as is back of body. Front has panel belween two rows of ivy leaves. Scene is of horses and warriors facing right. Warriors are not mounted on horses but stood behind. Below this is a panel showing a lion facing a boar between palmettes. Bands above and below this. Black band to rays at foot. Side of foot is black half way with bottom half reserved. Base reserved.
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| 29.11.2
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Main zone of body cream ground. Mouth black inside and out, lip reserved. Handle black underneath reserved. Shoulder is decorated with two rows of rays or buds (the lower row is slanted to the right). The body is decorated with a symposium scene: a man reclines and a seated woman plays the lyre, framed by two seated women and branches. Above the panel are two irregular rows of dots. Below the main scene are two uneven black bands, then the bottom of the body and top of the foot are black. Side and base of foot reserved.
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| 29.11.3
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The vessel is grey (burnt), apart from the rim, the back of the handle, the lower body and upper foot surface, which are black. There is added white on the lower neck, shoulder and upper body surface. There is also a row of black dots and pointed tongues on the shoulder, as well as the motif two rows of black dots between dividing lines (three), interrupted at the back side of the vessel. The scene depicted is that of a charioteer (woman) ridding a chariot of four horses (quadriga). There is a woman at the horses' tails, another standing on the far side of the horses and another seated at the right of the scene. Added red has been used for the faces of the women and for the ornament of the horses' harness. Below the scene, there is a broad, black band between carelessly executed lines and the rest of the vessel is black, apart from the side surface of the foot and the resting surface, which are reserved.
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| 29.11.6
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The vessel is divided in three horizontal zones by lines of unequal width. There are also very thin, vertical lines at the sides of and beneath the handles.
A (above): A youth (servant?), making a gesture as if offering something (perhaps a branch, which extends from the servant's wrist) to a bearded, draped man (possibly Dionysos), at centre. He holds a large kantharos and leans against a rock. Behind him is another youth, who is perhaps supporting the rock. On either side of the scene there are palmettes that seem to have sprung from the handles.
B (above): Similar to side A, except that the man reclines on a couch, and the vessel is offered to him by a (servant?) woman in front of him. The youth behind him looks to the left. The scene is framed vertically on both sides by a series of dots as well as the same palmettes as on side A.
A-B (below): A band of palmettes, every second one inverted; two lines; a band of of tongues; reserved band. Base black, with black concentric circles on the underside.
Interior: reserved band within lip. At centre, tondo decorated with the winged horse, Pegasus, advancing to the right.
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| 29.11.7
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The rim turns sharply out and has a thick black band round it, below which is a thick reserved band. The interior is mostly black with a well (approx 3.7 cm) in the centre of the dish that has a thin reserved band just outside it, and a small reserved disk in the centre. The handles are rounded at the far end, and have black tips. On the main zone; A: Curling tendril and leaf between upright palmettes. B to A, with addition of vertical wavy line between palmette on right and handle. Below is a thin coloured band, a reserved band, and then colour down to and including the stem of the foot. The edge of the foot has two ridges on it, the lower of which is black, the upper one reserved. The base of the rim is also reserved. The base of the foot slopes inwards, the walls of the slope are red, then the centre is reserved except for a thin red band and a red dot in the centre.
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| 29.4.2
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Black band just below rim, painted more firmly on one side, narrow black glossed band around body just above handles, lower body black glossed continuing onto base, handles dipped, inside black excluding reserved band at rim and small reserved disk at center 1 cm wide, some white deposits inside, base reserved, further white deposits on underside.
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| 29.5.2
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The outer edge of the rim has a thick black band. Below this, is the main zone and the handles. The handles finish above the height of the kylix, and are black on the outside, reserved on the inside. On the main zone: A. Nike flying with garland; B. Pegasus. Either side of each figure, are palmettes which end in a curling vendril with a pendant. Below this is a thin black band, then a reserved one. The rest of the body is black, until two thirds of the way down the edge of the foot. The lower ridge of the foot is reserved. On the base of the foot, the edge is reserved. Most of the base is black except for a thin reserved band near the ridge and two bands on the inside of the well in the foot. Except for a reserved band around the inside rim, inside the body is entirely black.
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| 29.5.3
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The decoration is executed with red colour and incisions. Rim: There are petal-shaped tongues on the top surface and dots at the side one. The back of the handle bears three, almost vertical (the central one is wavy) lines. Below the handle on the body there are five (the one smaller) rosettes (leaved rodakes), with incisions intersecting at the centre. The main design is a swan with outspread wings, facing right. Details are incised and there is some added red on its wings and tail. The swan appears to step on a row of petal-shaped spots that contours the sunk centre of the vessel, serving as a base.
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| 29.5.5
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Outside, thirteen palmettes separated by dot rosettes above and single large dots below; coarse incised line across heart of each. In handle zone zigzags. Inside and outside foot-ring and base within foot-ring black. Top of rim black. Inside black with reserved band, then black band, than reserved circle with image of Sphinx inside it.
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| 30.11.1
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On mouth, daisy pattern between two pairs of circles; cross-hatching on one edge of rim. Daisy petals on neck. Main zone: In front large lotus cross with incised outline, small field rosettes, at back large rosettes with single or double incised circles at centre. Above and below main zone, seven thin bands with double row of vertical line patterns in the middle. On the base, band of leaves and a dot in the very centre, which is indented.
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| 30.4.2
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On top of mouth thin fields between two groups of circles; side, row of small dots between bands. Three horizontal lines on handles. Bearded goat to left, head erect, added red on neck and stomach. Field rosettes mainly cruciform with diagonal incisions crossing at centre. Below goat, three bands around base with a gap before four more circles meeting at centre of base. Partly white style, where a large area remains free of design.
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| 31.6.1
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Inside is black with a reserved band around rim and a central reserved circle with a black band and a black dot in the centre. Two rounded handles, black on the top and reserved underneath. Offset rim, is black and a small ridge separates this from the first bands of lotus and palmettes linked by chains with dots between. Below this is a band with group of narrow bands either side. Next band has animals (panther and horse / deer / goat / boar) some standing, some sitting and some appear to be fighting. Finally there is a red band with a group of black bands either side. Final band has rays, alternately oblique and outlined. Bands then red band around top of stem and black foot on top and side. Resting surface is reserved and the base is conical with a black band around rim.
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| 33.4.3
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The mouth, neck, and handle are black, with some reddish patches. There are two reddish brown lines above the shoulder carination and two below it. The body scene depicts a naked youth in profile to the right, offering a bird (duck?) to Charon (the ferryman who conducts souls to Hades). The latter, standing on his half-moon shaped boat, wearing reddish-brown clothing and a dotted ovaloid headdress, is accepting the offer. Below, there is a reddish brown line on a reserved (but glazed) area. The rest of the vessel is black, with the exception of a red line on the upper part of the foot and its reserved (but glazed) vertical element.
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| 34.10.10
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Around the base of the neck is a string of tiny round impressions. Below handle are twenty-one stamped eggs arranged in an inverted triangle. Body is ribbed vertically. Moulded groove around foot. Object is black all over, although top half of body is lighter, almost brown.
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| 34.10.2
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On rim, one broad then three narrow bands and one band inside opening. Single band on lower part of rim, above handle. Main design is a cinquefoil, with each leaf joined by a stalk to circumference of central four-spoke wheel. At back below handle is a six-spoke wheel. Three-line spiral incised around body. Rest reserved.
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| 34.10.7
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Black-glazed lip and rim (only ca. 0.2 cm on interior); orange band above the handles; between the handles, on either side, a bay wreath. Around the body, below handles: two thin orange lines on either side of a broad black bands; another broad black band lower on body; otherwise reserved. Handle zones reserved but tops of handles glazed black-glaze.
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| 34.10.9
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Glaze fired red except around mouth and in patches on body. Two grooves below lip. One each side of moulding at base of neck and two round top of body, with glaze rubbed off. On shoulder incised horse shoes. Below shoulder on body two groves.
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| 34.2.2
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Black glazed except below the neck on the interior, on the friezes (between handles) on the exterior, and on the underside. Just above the handles a short frieze consists of a series of short bars, vertically arranged; below these is a frieze filled with a pair of sideways 7- to 9-petalled palmettes, and either side of upright palm fronds, which enclose an upright 9-petalled palmette. A pair of tendrils emerge from either side of each palmette.
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| 34.8.1
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Originally black inside, outside and on rim, as was handle and neck. Small ridge at base of neck. Back of lekythos is black and the design on the front is reserved and is of Nike (winged victory), flying with her hands outstretched presumably holding a wreath which is now lost. In front and below her is a swirling tendril. The detail on her clothing is drawn out in black. The foot is black on the top and reserved on the side and underneath, which is flat in the centre.
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| 34.8.12
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The vase is black, both on the inside and the outside, with the exception of few, red lines. A sloping rim allows the lid to sit over the aperture. There is a reserved line on topside of the body, a red, carved circle and a groove around. There are also two, concentric carvings, one in the middle of the body's upper surface and the other one at its side. At the level where the body is divided in two areas there is a reserved line, while another one is apparent at the point where the body is narrower, above the point where it connects with the stem. The latter is divided in two areas by two, plastic, thin, red rings. Below, there are vertical ridges, one third the way down, wider towards the upper surface of the foot, whose larger part they cover with their moulded, tongue-shaped terminations. There is also a carved circle, surrounding these terminations. The foot is grooved and reserved in places. The surface underneath is irregularly painted black, with the central part reserved.
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| 34.8.6
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Lip reserved. Inside is black. Single curved handle is black on top and reserved underneath. Shoulder has bars at base of neck with lotus buds at edge. Main zone of body is drawn on cream ground. Part of the way around the body is a double row of black dots. Charioteer driving four (?) horses to right at speed with a person (possibly Athena ?)running beside in the background. Below are black bands. Foot steps down twice and the lower step is black. Base is reserved and concave in the center.
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| 34.8.7
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Cup mouth black inside and out and reserved on the rim. Single handle is black on outside and reserved underneath. Shoulder has inner ring of spots and outer ring of rays. Body has two rows of dots at top above the main design of a chariot with horses galloping right (heads of two horses, five hind legs). Beyond horses is Athena running left. Added white for Athena's flesh and helmet. Bands below and bottom of body os black. Foot is stepped with the side of the lower step reserved. Base reserved.
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| 34.8.9
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Quatrefoil with side hatching and central zigzag. Below, three petals below zigzag. Six-pointed star on back (very faint). On top of mouth four bands, the second from edge is broader. Dark brown patterning and yellow-buff clay.
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| 35.4.1
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Inside is black with a reserved band below offset rim and a reserved circle at the centre. On the outside is black rim, band of lotus buds and dots linked by a chain, two narrow bands, thick black band, another two narrow black bands, wave pattern with dots between bands, black band, rays. The top part of stem is reserved and the bottom is black; the top of the foot is black as is the side. The resting surface is reserved as is the conical base. The inside of the footring is black.
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| 35.4.3
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The top of the rim is reserved with a black line round the edge. The outside is decorated with two vertical bars between two horizontal lines; below which there is a line of black dots. The pot slopes inwards towards the foot and shows a black band. The rim of the foot itself, also has a thin black band round it, which is repeated on the inside of the rim. In the middle of the base of the foot is a roughly drawn black circle. The inside of the pot is completely black.
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| 35.4.4
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The vessel is decorated with impressed (stamped) decoration. Shoulder: there are six inverted palmettes (voluted with narrow divisions), linked with incised curving lines. There is also a ridge at the junction of the shoulder and body, below which there is the motif of ellipsoid tongues (eggs) contoured by a line each. Body: At about the middle, there are six, widely spread double-leaved motives (teardropped leaves) and a continuous, incised line that goes through them. The joining point of the body and foot is reserved and so is the edge of the foot and the resting surface.
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| 37.11.1
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Black, partly fired to brick-red, on brownish-buff. On mouth and shoulder daisy pattern; on handle three bands of vertical zigzags. Main zone: scales, drawn with parallel incised lines with red teardrops occupying angle in alternate rows. Two bands below, then tongues. Base shows one band and a dot in the centre.
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| 37.11.3
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The lip is decorated with five bands, of which the middle one is broad. On body, quatrefoil design, where all four leaves have red centres. On back, below handle, eight-rayed star. Bottom patterned with three arches (cf. RM.25.53.42).
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| 37.11.8
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The decoration is executed in a colour varying from dull black to brown, on pale buff ground. Rim: Concentric circles on the upper surface and spots (tongues) on the side one (stephane). At the joining point of rim and neck there is a band and at the upper part of the neck a horizontal row of spots. Central handle: Decorated with short, thick, leaning lines. Neck: An olive wreath, the ends of which meet at the front where there is a cluster of olives (?) (dots). Shoulder: There is another horizontal row of dots immediately below neck that seem to be hanging from a line. At the join of shoulder and body, there is a broad band in the middle of two thin, concentric lines. Body: In the front, between the two handles, an olive-tree branch, framed by (left and right) a vertical motif of a row of dots, a line, two rows of larger, ovaloid dots and another line. This motif can also be found at the other side of the handles, used to frame a linear pattern (from a short line appear to be emerging three longer ones. On either side a vertical line, which leans slightly towards the motif in the middle. From the centre of this line emerges a long, wavy line. Below: there are two, concentric bands and three more that are not very obvious(?). The handles are ornamented with large dots. The foot is black, but the colour looks uneven. Interior of neck: Two concentric circles.
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| 37.7.1
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On mouth, very broad band between two thin bands. Red oval pattern around neck with three red bands below Siren with outspread wings to left; on back a duck. Rosettes in field. Incision. Black, red in places. Purple for face and most of Siren, middle, part of wings, spots on upper part of wings.
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| 37.7.5
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Black inside and on top and sides of handles. Underside of handles and the body in between is reserved. Lip on outer surface is black with a reserved groove incised below. Two handles, horizontal and one either side curve slightly upwards. Below each is an ivy leaf with three long petals below and on either side of both handles is a horizontal palmette with grapes (?) attached. Both sides have a similar design of a satyr pursuing a woman (possibly a maenad), whose flesh is white. Dot rosette on peplos of A with red tunic and skirt and satyrs tail, beard and hair. Below design is black band, separated from black foot by a reserved band. Foot has black sides, inside and out but reserved resting surface.
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| 38.12.1
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Mouth is black inside, outside and on rim, as is handle and neck. Body has black glaze apart from design on front which is a sphinx with face and hind feet missing. Below is an egg frieze. A diluted glaze has been used for fine dots and strolus on wing. Foot is unevenly glazed on side. Resting surface and raised base are ruddled and flat.
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| 38.4.2
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Reddish-brown on pale buff ground. The false neck is decorated predominantly in a black band, with a narrow and broad black circular band in the centre of the false neck. The underside appears to be reserved, with a single thick black line at the base on the false neck. The true neck has a faded broad back band around and overlapping the lp. There is a broad black band at the base of the neck, and also a black blob on the side facing the false neck. On the shoulder there are six groups of narrow black lines painted horizontally. There is one group of either side of the true neck, both have eight horizontal lines, the one on the left has two rings of black to either side of it. The groups of lines on the other side, if faced with the true neck at the top, have groups of 6, 7, 9. 8 horizontal lines, all with a small ring of black in between them. The shoulder is outlined with a broad ring of black. The body has four broad black lines, which have faded to a reddish brown. Adjacent are narrow red rings; four above the first band, two within the first band, two within the second band, two or three below the second band. The fourth band does not overlap the base, which is slightly concave in shape, and has the suggestion of a foot ring.
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| 39.9.2
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Inside is reserved in body but black fired to red on rim with a reserved band near top. Two handles with vertical grooves to make three section - black on top and reserved underneath. Neck has two rows of palmettes (lower inverted) and lotus buds on cable. Shoulder has framed tongues with ivy leaf and dot at each join. Body has similar scene either side. Side A shows combat of three warriors, with white detail on spear, helmet, shield and armour. Side B is similar but there are no spears, instead they appear to only have shields. Below is a broad band with narrower ones either side. Rays to foot. Foot is black and moulded with a reserved band around side. Base is reserved and conical.
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| 39.9.6
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Ground varies from cream to buff. Inside is coloured black. The mouth is red. Two handles are placed vertically on top of shoulder and under each is a goose (?) From top to bottom there is a band with the shoulder design below. Pictures are of a stag and a panther facing right (A) and panther and a goat (?) facing each other (B). Separating this from the main design are two rows of dots between bands. Main zone: Griffin-bird between two panthers (A) and two panthers facing a pattern of a palmette complex(B). Various incised rosettes and dots in field. Below main zone is seven bands and a red base.
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| 44.1.1
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Rim: There are black tongues around the aperture and dots on the side surface of the rim. On the back of the handle there is a row of dots, framed by two, vertical lines. The neck and the surface below the handle is left reserved. At the base of the neck there are black, petal-shaped spots. Top surface: The aperture in the centre of the ring is black with additional concentric, black lines between reserved areas and a row of dots. Some of the lines have incised diagonal lines across. The reverse side bears a similar decoration but without the row of dots. Side surface of body: The main design is of an Ibex and Lion facing a central rock, made of horizontal bands. Added red is used for some parts of the ibex's body as well as for the some of the bands of the rock.
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| 44.1.2
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Black lip above reserved neck which has black tongues below fine ridge at base. Single handle is black on top and reserved underneath. Black lotus flowers with white outer petals alternating with black buds border the flat shoulder. The body has shiny black glaze with two red lines at top and another just above bottom of body. Disk foot is reserved around edge. Base reserved.
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| 44.4.1
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Mouth and handle are black and beneath it is a palmette flanked by tendrils with campanula flower. Neck has long, black tongues. Main design is a bird with outspread wings and in the field are reserved disks with a black dot. Below this is an uneven reserved band. Side of foot-ring is black and grooved. Base is reserved and depressed.
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| 44.6.1
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Clay and surface of vase ferruginous buff, black glaze fired in parts to a pale orange brown. Inside is black with traces of red bands and there are red bands on the inner rim. The upper surface has circular patterns of dots (lotuses?) alternating with vertical rows of dots. Below these and above the handle are three bands, red between two black. Below handles are two bands and another around foot. Three bands on base with central dot.
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| 45.10.10
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The interior of the vessel is black apart from the lowest part of o, whose lower part bears a reserved but glazed line. Exterior: a) On the right side, there is the upper part of a seated woman (part below her waist is missing). She is draped and wears a stephane (fillet) on her head. On the left side there is a floral motif whose stem is a wavy line that expands to the left. b) There is the back side of another seated draped female figure. c) The front side of the previous female figure. She is holding an alabastron with both her hands. d) On the lower left part there is the largest part of a voluted palmette with petal shaped divisions, connected with a tendril. The area next to the spring of the one part of the handle is reserved. e) On the bottom right there is the rest of the previous palmette, also connected with a tendril. f) On the bottom right there is the upper part of a palmette and on the upper left there is part of a tendril's volute. The area on the left of teh one spring of the handle is reserved, but glazed (plaster on top). g) Uneven black surface. h) A small part of the volute of the tendril of f and the stalk of a flower. i) Part of an inverted palmette, connceted with (part of ) a tendril, with (occasional) leaves on its sides. j) Small line, part of a tendril. k) Part of a tendril's volute. l) A figure's projected forearm and hand (figure's depicted on n?). m) On the right side, there is the stalk and part of the stem of a flower and a line that seems to be part of a tendril. There is also the spring of a handle. n) Part (head missing, neck and shoulder are scraped off, area below the knees missing) of a draped standing figure that has the left hand around the waist. o) The lowest part of a figure's drapery. p) Base. Inside tondo: seated woman with septre and standing woman holding out box. Exterior: part of floral ornament under handle. Outer and inner side of footring black, resting surface and underside reserved except for central black dot surrounded by three concentric bands. Moulded circle c.1.0 wide houses thickest, central black band.
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| 45.10.11
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Offset rim is black inside and out and the handle that originally existed just below rim appears also to have been black. Exterior walls are black as is interior except for the main design which is reserved. This picture is of a youth reclining, seen from behind. Detail is picked out in black paint and the figure is painted inside a circle. On the underside, there was originally a stem which was also black.
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| 45.10.13
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(i) There is a small part of a motif (partially covered with plaster) that consists of wavy lines. Below it, there are two lines and underneath there are parts of two inverted, palmettes (voluted with petal-shaped divisions) that flank a three-pointed flower with two dots to represent pollen. ii) Between two pairs of lines there is a guilloche (fillets with teardropped terminations interwoven together) with dots among the lines. Below, there is a broad black band, which seems to be interrupted at the right side. (iii) At the left, three parts of vertical, black bands and incisions create part of an object (garment hanging from chair or couch?) In the middle, there is an object- as if it was a grave-stele with a cross-shaped ? ending above which spring two heraldic, white, voluted palmettes (now fadded away), a chiastic motif with dots and horizontal lines on top- but inverted (leg of a bed or couch?). Next to that, there are a figure's part of thighs, knees and calves, close to part of a palmette. (iv) A bearded satyr (seilinos) plays a chorded instrument (lyre), while his himation is hanging in the background. Next to him there is a draped female figure (Demeter?), holding a wreath (black circle) and branches with dots on both sides that surround her. The details on her drapery have been executed with added red and so are those for her head-dress. There are also traces of added white on her neck. On top of the fragment there is part of a motif of tongues contoured with ellipsoid lines and a line that encircles this pattern. v) On the left, there is part of the satyr's lower legs (above the knees towards the feet) and the lower end of his himation. Next to him there is the termination of the female figure's branch, close to a similar inverted grave-stele? and part of an object that resembles an animal paw (lion-shaped foot of chair or couch) . Below these, there is a line on which they seem to step on. Next, a guilloche between two pairs of lines and at the bottom part of a radial-shaped motif with a line that contours it on top. vi) A line and black, teardropped spot. vii) There is a line on whose right top side stands a rectangular object with a rectangular surface in the middle being reserved. Below, part of two lines on top of part of the guilloche. viii) Small part of shoulder and neck: there is a black spot, a thin band, a red line on top of a plastic ring (joining point of neck and shoulder) and part of a tongue-shaped pattern contoured by a line on the shoulder. There is also a part of two lines in the interior. ix) Part of the guilloche, the two lines underneath and the radial-shaped motif at the bottom. x) Tiny bit of the guilloche and the two lines below it and part of the radial-shaped motif. xi) Part of voluted palmette and tongue-shaped motif. xii) Part of the floral motif (of a three-pointed flower)? with lines that form a rhombus with a dot in the middle. xiii) Part of the shoulder and the spring of a handle. On the top there is the tongue-shaped motif, encicled by a line and below it an inverted palmette. The spring of the handle is black and next to it there are short, diagonal incisions. There is also a tiny spot of black colour in the interior. xiv) On the left, part of leaf-shaped (heart-like) motives (part of thyrsos?), close to a band of black colour, of undecipherable shape. Next to that, there is the lower part of a female draped figure, with small crosses on it. At the right side there is black and white colour that forms ovaloid shapes (?). xv) A black band and on the left part of the female drapery.
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| 45.10.14.1
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Interior: Black, apart from a thin band at the joining point of the rim and neck, and the top surface of the rim, which are reserved. Exterior: The rim is black and there is a thin reddish brown line below it. Neck: There is a thin, black line. Below, there is a fan-shaped palmette (three divisions, a central rectangular part, and the details have been rendered with incisions), between two parts of motifs. The left one may be a palmette (a petal-shaped division in the middle and below, two round? or voluted? motifs almost faded away. The right one could be part of a similar motif.
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| 45.10.14.2
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Interior: The rim is reserved and the neck is black. Exterior: There is a red line on the plastic ring that joins the rim with the neck. Neck: There is a black line, below which, on the left of the fragment, there is the right part of a fan-shaped? palmette (three, short divisions and a rectangular central part, the details rendered with incisions). On the right, there is part of a floral motif: part of a petal (vertical) and part of another one (horizontal).
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| 45.10.20
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i) Part of a voluted palmette with petal-shaped divisions seems to be connected to part of a three-pointed floral motif by a thick, black, curving line. On the left there is another, identical three-pointed flower, only bigger and illustrated inverted and vertically and at the left end of the fragment another curving line. Below these, there is part of a perpetual meander pattern and the upper part of continuous, teardropped motives. Some form of greyish (light) brown plaster has been applied to the surface around the voluted palmette. ii) Small part of guilloche (thin fillets with tongue-shaped endings interwoven together) with dots among the lines. Below, there are traces of thin, black lines (but not visible because of burning). Underneath, radial-shaped motif. iii) Underneath two thin lines there is a meander pattern. iv) Part of the upper ending of a radial-shaped motif. v) larger part of a radial- shaped motif. There is part of a thin, horizontal line on the top of one of the divisions and more to the left there is a circle with a dot in the middle and two vertical lines (part of the guilloche). vi) Small part of the guilloche and radial-shaped motif below that.
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| 45.10.22
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a: The upper surface of the rim is reserved, although glazed. However, the side surfaces (internal and external) are black (apart from a reserved area that would not have been visible if the handle was not missing). The neck is also black on the inside, however, there is a perpetual motif of palmettes on the external surface. These are double palmettes (5 narrow divisions upwards and 5 similar ones downwards) that look as if chained together by a horizontal row of small rings and each such palmette is separated from the other by a vertical line with wider endings, while thin, curved lines (above and below) frame each palmette. The sides of the handle bear a black band each and there is also a thin line underneath them that contours the end of the neck. On the carination that divides the neck from the shoulder there is a thin line with added red colour. The shoulder bears a motif of tongues, divided by vertical lines, while a line underneath contours them. The motif does not appear under the surface of the handle. At some point underneath this pattern there is the beginning of another motif (black with 3 dots of added red and scale-like incisions). The interior of the rest of the vessel is reserved, since it is an amphora. b: It bears exactly the same motif as the previous neck bit. c: From the branch of a three-peaked floral motif there emerge two curved lines that are downwards and upwards, each forming an ellipsoid-shaped frame from whose lower (in the case of the curved line that goes downwards) or upper (in the case of the other line) endings form one floral motif each. The left one is a voluted palmette with 5 petal shaped divisions and the right one is a three-pointed flower, similar to the central floral motif, but bigger. Although the upper part of this pattern is not preserved apart from the starting point of the motives, it is certain that this would have been the heraldic motif depicted. Underneath this area there is a thin, black line and below that, a pattern of guilloche ( branches with tear dropped endings interwoven together) with a row of dots, framed (above and below) by two pairs of concentric lines. Towards the end of the fragment (which is also towards the end of the vessel) there is a radial-shaped motif, two lines and the rest of the surface is black. d: It is a part of the body's area that bears the guilloche pattern and the radial-shaped motif underneath, but one third of it is not preserved. e: On the left there is the upper part of probably a palmette (two endings of petal-shaped divisions). Next to that there is the depiction of a draped lower body part. The drapery is formed by the incisions on a black surface. There are diagonal incisions and wavy endings to denote the folds of an himation, as well as the lower termination of the chiton, which is suggested by two almost horizontal incisions, a wavy line and another horizontal incision. the drawing is detailed and clear. f: The part between the surface above the knees and a bit below the calf of a male figure that wears a short chiton (incised, wavy folds are visible above the knee), as well as grieves with out curving terminations (Hermes?) of added red colour, now fadded away. On his left there is the upper part of a palmette and on his left there is a diagonal line, with rows of dots on either side (characteristic of Dionysus). Very clear drawing. g: Half of the three-peaked flower, a bit of a black line and two petal-shaped motives. On the side, there is part of the dotted branch and what appears to be part of a figure's drapery (upper right body part ?), with some incisions used to render details. h: Between the lower body part of two figures there is part of the dotted branch. What is preserved from the right figure is incised lines and circles on a black surface. The left figure's drapery (peplos and himation ?) is preserved (below the waist), consisting of incised diagonal and wavy lines to denote the folds. i: A central male figure's (Dionysus) body from shoulder to legs is visible and surrounded by a dotted branch. He is standing between two figures. The male figure (there is part of beard with added red) on the left holds part of the branch with his palm (upper body without the head is preserved). The only visible part of the draped figure on the right is part of the legs. Incisions are used to render details. j: Apollo playing his lyre (kithara). The head (in profile, facing right), right hand and part of the god's front side of the body is visible, as well as the largest part of the lyre. Part of a dotted branch exists in the background. Incisions have been used to render the chords of the lyre as well as for the eye, contour of hair, ear and contour of the god's body, while a taenia (fillet) on his head is in added black colour. k: Only part of a thin, black line is preserved. l: two broad black bands that overlap at some point. Incisions and the ending of a dotted branch (part of draped figure?). H & J on display in symposium
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| 45.10.3
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Upper part of bowl decorated with roller-stamped frieze, with three ridges above and one below. High stem, ridge moulding under top and bottom. Wide flaring foot. Stamp (apparently): figure seated to right in high-backed chair, standing female with win
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| 45.10.30
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exterior: the red surface is decorated in the upper part with a black band, then there is a key decoration running left, under the key there is a thin, horizontal, black line, below that there is the head of an Amazon in profile facing left, wearing helmet. The head of the Amazon is painted in white.
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| 45.10.7A-B
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Lid: The top surface bears part of a central medallion (dots contoured by double, semi-spherical line), encircled by a black line, a red band, a broader black band and a red line. There is also an ivy spray between the last red line and a similar one. At the rim there is a rather careless tongue pattern, with inner dots (identical to the one of the central medallion, only frammed by thin, black lines). Sides: There is the representation of women pursued by the winged Eros. The naked Eros is flying and his himation with white spots on its top is falling over his forearm. At the level of his face there is an inscription, with white colour KALOS and underneath, KALH, above a bent fillet with thin, short, white lines emerging from its endings. The first of the women is headed right, having extended her right? hand towards Eros and holding and raising slightly her drapery (in order to run faster). Her head is missing, but she is probably looking backwards, to see the advancing Eros. The scene is reproduced again: Anoher Eros pursues another woman, who is running towards an altar? (rectangular, altar-shaped constuction, higher than the figures with a decoration of a large cross and dots in between). Among them there is again the inscribed KALOS, KALH. Many fragments have not survived, however this woman's head is not missing. She is looking backwards and wears a diadema, made of white lines. At the other side of the altar? there is another woman approaching it, having escaped the first Eros, but looking back to see him. She wears a white diadema and the same inscription is between her and the Eros. The scene is framed by two red, concentric lines (above and below the figures). The bottom surface is left reserved. Body: There is decoration of laurel stems and berries around the outer surface with details made of added white. This motif is framed (above and below with red, thick lines). The interior of both pieces is black. The feet have a black band on the side (ca 2 cm below their joining part to the body) and the rest of the surface is left reserved, apart from a black line at the rim. Half way up the inside surface of the feet there is a thin, black band. The base's central part is decorated with a broad black, circular band between thin black lines.
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| 45.6.12
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Inside has black bands and a central black dot. Outside has a rim with dotted rosettes in handle zone. Black band above main design of 9 inverted swans with red bodies and black necks. Groups of dashes in the field. Black band below design with vertical rays to foot. Foot is black on top, reserved on resting surface, black badn and reserved centre, which is convex.
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| 45.6.13
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Handles: black on top and reserved underneath. Inside and outside of mouth is black but the top is reserved, with accidental smears of paint. Neck is reserved and there are black tongues on the shoulder. Side A shows 3 mantled onlookers separated by objects like long leaves tapering downwards. Two are facing left and one is facing right. On side B is a runner holding an indistinguishable object. Ivy leaf under one handle and leaves in the field. Below picture is black to foot which is reserved on the side and underneath.
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| 45.6.15
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Black lip on mouth. Neck is reserved as is the underside of the single handle. Black tongues under fine ridge at base of neck followed by a circle of black lotus flowers with white outer petals alternating with black buds. Body has black glaze, rather ruddled. Two thin red lines at top of body just below shoulder and one two thirds of the way down the body. Black disk foot with edge reserved. Base flat and reserved except for a concave central circle.
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| 45.6.16
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Mouth black inside and out with partly reserved top of rim. Handle black on its exterior. Neck reserved. Shoulder is decorated with 2 rows of rays. The body is decorated with a row of palmettes. Three out of four are preserved. They are divided by black vertical lines and circled by white arches. The leafs of the palmettes are incised. On their lower part, they are connected with a black vertical chain. Broad black band below main zone. Bottom of body is black, as is top of foot. Side of foot and underide are reserved.
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| 45.6.17
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Black mouth, black inside, reserved lip. Single curved handle black outside and reserved underneath. Bars at base of neck and lotus buds. At top of body are two rows of dots alternating black and white between black bands. Main design is of man reclining between two seated women. On couch beside him is a naked hetaira. Remains of branches with white fruit just visible. Figures are robed and detail is in white. Two reserved bands below on black glaze. Foot is stepped, side of both steps reserved. Base is reserved.
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| 45.6.20
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Top decorated with black concentric band around double palmette (each palmette comprised of 5 petals), symmetrically arranged, with a line of black dots in between (three on either side). Black on sides, black band around underside; hastily glazed neck, black below.
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| 45.6.37
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Streaky black glaze applied through dipping, so that a reserved band remains in the middle of the body. Reserved also on resting surface, interior face of foot, and underside. Streaky appearance and reserved section of belly suggest the presence of kiln supports during firing, as found on the example in Toronto (see discussion of dating, below). Black on the interior of the mouth.
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| 45.6.5
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Handle painted black. On the upper surface are four black bands and below handle is a single band. Kothon has a shallow foot-ring, black on both sides. Base is raised and has two black bands in center. Inside is a broad black band.
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| 45.6.62-63
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Bowl-skyphos shaped and inside was painted brown. Outside, from top to bottom are concentric yellow, white, orange, black circles, with triangles between and pendant pairs of white spots. Below are pairs of red and white vertical strokes. The lower part is reserved. White band around foot. Lid is dark brown with central knob handle and steep shoulder but flat rim. Pattern matches that of circles and triangles on base.
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| 45.6.72
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Mouth is red on top and black down neck until a moulded ridge when there are rays down to black square blocks on shoulder. Band of vine leaves. Handle is black and below it is a palmette complex with tendrils either side joining to two more palmette designs. On front, is head and shoulders of a woman facing left, wearing tight-fitting black cap, with hair emerging in two curls at top. Serrated leaf and rosettes in field.
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| 45.9.1
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Mouth black inside and outside. Reserved rim. Handles painted black on top and reserved underneath. Each handle has two lines down the back dividing it into three sections and a dolphin (?) painted in black below each one. The neck has two rows of ivy leaves separated by a band of dots. Ridge at base of neck and petals around shoulder. Both sides have a similar design of a warrior setting out between two onlookers. Detail is incised. Below is a double row of staggered dots and rays. Foot is black on top and side, but reserved on resting surface and base.
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| 46.9.1
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Mouth coloured black inside, outside, neck red. Handle black on outside and reserved underneath. On shoulder, black rays below fine ridge at base of neck, then lotus flowers - white outer petals alternating with black buds. Body has a silvery black glaze with two red lines at top, another just under the figure scene and another just in the junction with the base. In added white, bearded charioteer with two galloping horses. They are in profile to the left. He is holding the reigns of the horses. Naked with fillet on hair and belt, both shown incised. Row of white dots above the scene. Details of man's body and horses' incised. Disk foot has reserved edge, base is reserved.
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| 46.9.2
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Ivy wreath on rim, dots on ridge below. Decoration on main body consists of an ivy wreath with dots in between ivy leaves. Below: one band of horse shoes, one band of dots, and one band of curved lines. Below is black to the foot, which has one reserved line. Base reserved but with two thin black concentric lines around a small circle in the centre.
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| 47.2.21
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Three careless thick vertical bands of white slip, which start just below the join of the knob and the bell, and slip onto the underside of the bell; otherwise reserved. Striations on the inside and outside of the bell indicate that it was formed on a wheel, although the knob and striking ball were probably not.
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| 47.2.32
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Some traces of colour: black for hair, red on face and arms, dark red on cap, line with pendants around neck and on tambourine. Two red and black bands below the elbows.
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| 47.6.1
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The Gorgon Medusa, in both shoulder panels. Area under handles is black. Side A: Achilles on black horse, alongside a red horse with an attendant riding on black horse behind. Troilos lies on ground. Side B: Achilles carrying Troilos toward alter made of bricks with incised lines (the altar might also be interpreted as a fountainhouse). Shrub in front of altar (fountainhouse) Pictures are in red, black, white with detail incised. Below shoulder zone are red and black chevron-palmettes; below this, animal frieze with goats, panther, winged creature and lion. Triangles radiating from base, foot is black and base reserved. Zones separated by bands.
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| 47.6.3
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Dull brownish-black glaze all over. Ribbed handles with bearded masks instead of spurs, handles divided in two between mask and body. In handle zone, incised band of tendrils on straight stalk. White dots (v. worn) above and below. Round top of lower band some evidence of what was a wavy pattern. Lower band black as is base and the rest of the vessel.
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| 47.7.2
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Round, flat body with vertical spout at one end with a flared mouth. Single curved handle stretches from the rim of the mouth to the back of the body. All black apart from two designs. One one side is a panther, with detail picked out in black paint and whose face is in an odd perspective. On the other side is a dog, with black and brown paint used for detail. Reserved line runs asround the body below the animals. The base is red and flat.
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| 47.8.1
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Inside is reserved except for picture of Heracles in a black corselet over spotted chiton with flame borders. Club in his right hand and bow and arrow in his left. Originally only red for framing circle inside the black band around rim but much has faded to red that was black. Two handles, one either side have been dipped. Outside are dots around rim with band below. Reserved then to resting surface and inner foot-ring which are red. Base is concave and reserved except for small red circle at center.
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| 48.12.1
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Bowl of rather coarse clay. Interior glossed black, although only traces of brown remain. Two rounded handles, one on each side, with traces of faint brownish-black gloss. Outside, narrow bands immediately below rim and at base of handles. Between the handles is pair of parallel wavy lines (only on front). Black gloss from below handles to foot. Foot is rounded and base is concave and reserved.
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| 48.12.10
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Interior of the mouth and exterior of the handle black. Neck is reserved, as is the underside of the handle. Shoulder has two rows of rays radiating from neck. Body is cream ground and, from top to bottom, has two parallel horizontal black lines, meander 'key' pattern, three rows of grille and black line. In centre are three horizontal palmettes with a line, four row grille and black band. The pattern only covers the front of the pot and the back is left cream. Below this are three incised bands. Top of foot black. Reserved band on the foot. Underside reserved.
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| 48.12.3
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Interior black glaze, except a reserved band just inside rim. Upper body reserved with darker red and black decoration; Three horizontal brown lines around the outside rim, six sets of five vertical lines spaced evenly around the upper body alternating with four occurrences of three concentric circles surrounding a central dot. Three horizontal lines below it separate this section from the lower body which is black except for one reserved band in the middle. Handles are a darker reddish brown (2.5YR 4/6). There is an incised cross on the inside of one handle only. The slightly flared foot is also black with a reserved resting surface and underside.
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| 48.5.1
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Inside: Central part reserved and decorated with black band in the centre surrounded by three black concertic bands. The rest is black, superimposed with two red and white bands. The top of the rim is decorated with a band of two rows of dots framed by thin black bands. The incurving rim is decorated with back and red thin bands.
A: Swan facing to the left with spread wings. Incised rosettes and dots in field. B: bird (owl?) facing to the right goat to the left coloured partly in red; Incised rosettes in the field C: Bird (goose?)partly coloured purple and facing grazing goat(?) to the left but very faded. Below, broad black band with superimposed white-red-white at top and bottom. Triangular rays on a black baseline extend from the base. Narrow black band around middle of foot. Black band with superimposed white on inside of footring. On base, two black bands and a central dot. Exterior and interior of ring foot black
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| 49.1.2
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The vessel is covered in black except for decorative bands at the lower part of the neck (red with black vertical lines) and the shoulder (egg-and-dot), the figural scene in the body zone, a frieze (stopt maeanders alternating with cross squares) below the figural zone, narrow bands at the join of body and foot as well as on each step of the foot, and the underside. The scene depicts a nude youth standing in a relaxed pose, 3/4-view to the right. He holds drapery, bunched up, under his left arm, and seems to converse with a drapped woman seated to the left on an undulating rock. She holds a mirror in her right hand. Both are diademed. A small, winged Eros flutters above them, and he has crowned the youth. A single branch emerges from behind the rock. Next comes an older Eros (depicted as an adolescent) seated near profile to the left (the seat is no longer visible), holding an opened box (the type that was used to house alabastra such as that which he decorates, according to Trendall and Cambitoglou 2.605). In the upper left field there is a rectangular motif with a short, black, vertical band on it (perhaps a window), and in the upper right field (behind Eros) a four-part rosette (rodakas) next to a strigil. Below, there is more vegetation. Relief dots detail xxx and added white has been used for xxx.
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| 49.4.1
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The mouth is black inside and out with a reserved rim. The back of the handle is also black. The neck and underside of the handle are ruddled, as is the shoulder which has black dots and radial-shaped motif. There is a white band at the upper body surface with a yellow meander pattern, between yellow lines. The main design is that of a flying Nike facing right with a mirror in her left hand and a globular object in her right. She wears a kalyptra (head dress) and she is draped. Additionally, thinned glaze and black paint has been used for detail. Below the scene there is a similar meander pattern on a white band. The rest of the vessel is black.
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| 49.4.2
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Woman with a fan and a ball, seated in a naiskos; kalathos on either side.
The inner side of the rim bears a broad band (in the middle of the surface). The top surface bears traces of carelessly applied red colour. The edge is also black and its side surface bears a reserved line and a black line underneath, from which seem to be hanging short, vertical lines. The upper part of the neck is reserved, but bears a black band on its lower part. The rest of the neck is decorated with black colour, on top of which there is a tongue pattern in yellow (faded away) that contours the vessel (long, pointed on the bottom tongues). Below, there is a reserved line. Side A: The main scene depicts a female figure seated in a naiskos (monument with pediment, from whose upper part emerge palmettes and tendrils, epistylion, an ionic column on either side an top of a stylobates or crepis, the latter represented with a perpetual pattern of voluted motives and dots in between, framed by white lines, thin, black bands and white bands), on a diphros okladias. The woman is facing left, she is wearing a peplos, holding a fan with her right hand and a round object with the left one, below which there is a row of dots. She also wears a kalyptra and has her hair in a bun, from which emerge two wavy lines with round terminations. Behind her, at the level of her head, there is a window (square object with the middle part riddled). The naiskos is flanked by a kalathos on either side, decorated with black and yellow horizontal lines, tendrils and branches, as well as yellow tongues and yellow meander pattern. There is a row of yellow dots below each kalathos and a rosette on top. Below the row of dots underneath the left kalathos there is another rosette, whereas underneath the row of dots below the right kalathos there is a phiale. The details are executed with added yellow. The handles are black. The reverse is decorated with floral motifs: the area underneath the vertical handle is black, with an H-shaped black motif divided in two by a vertical line, on a round, brown background. The surface below the vertical handle depicts two fan-shaped palmettes, from which emerge elaborate, voluted floral patterns that expand to the surface below the horizontal handles. The lower part of the body is contoured by a wavy-like pattern on a brown background. The area below is black, although streaky on some areas, while the lowest part of the body is reserved but glazed. The foot is black, with a reserved resting surface.
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| 49.8.10
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Trefoil lip with black glossed rim, three narrow black glossed bands below. Three ducks in profile moving to the right. Underneath, broad black and red glossed striped band (approx. 1.5 cm wide); wings painted with black brush strokes on a red gloss, red beaks and black heads. Narrow black band on the junction of the foot with the body. Exterior of foot glazed black. Brown resting surface but reserved underside with white deposits. Blobs on the handle.
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| 49.8.3
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Interior: black with a central red dot. The underside of the rim has a leftwards laurel leaf pattern above a single red band. Palmette and tendril decoration below both handles. Side A: warrior with shield dressed in hoplite attire (but perhaps an Arimaspian, according to Schauenburg; cf. Hdt. 3.116), facing and fighting a griffin with traces of white on tail and mane. Rosettes in field. Side B: three robed women with yellow necklaces and hair decorations, facing left. Rhomboids with central crosses in field. Below the figures is a wave pattern. Stem, foot and base are black.
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| 49.8.7
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Inside is black with a reserved ring in centre (around hole) and a reserved band on the junction of the offset rim with the body. Rim is black outside and there is a moulded, reserved ridge above handles on the junction of the rim with the body. Two handles, one on each side are black on top and reserved underneath. Below the shoudler ridge is a band of lotus buds with dots all joined by a chain below, black band, band of eight inverted birds (cockerels and hens (?) one smudged) with a dot rosette. The figure zone is framed by thinly painted brown lines, two on each end. Black band follows and three thin brown lines which encircle the black rays rising out from the root of the stem.
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| 49.8.9
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Rim: There are three narrow, black bands (on a reserved area) between two thicker ones. The side of the rim, the neck and the underside of the handle are all reserved, however there are parallel horizontal bands framed by two thinner vertical lines on the back of the handle. The shoulder is decorated with black tongues. The body is covered with a scale-like motif and each of the scales is rendered with two incised lines at the edge. Additionally, each alternate column has a large purple dot and the columns between have a very small, incised dot. Above and below the scales there are two, broad, black bands, separated by reserved lines. The lower part of the body towards the foot is decorated with tongues (radial-shaped motif). The foot and the base and underside are reserved.
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| 50.10.2
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Interior glazed black. The rim is decorated with black dots (possibly modern?). The walls are decorated with a floral frieze, consisting of 9-petal palmettes alternating with vertical tendrils (one of which is single and 5 of which are comprised of interlocking ss), framed above and below by two black bands. The lower part of the body is decorated with a thick black band, between two reserved bands. The foot ring is decorated with black bands on the vertical surfaces. The underside is decorated with a narrow black band around a central black dot.
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| 50.10.6
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Front: in handle zone, white eggs, with incised line above; then, between pairs of incised lines, wavy white line; below this, row of white dots. Red vine branch with dendant grape-clusters, leaves and tendrils. Incised line all round below. Back: pair of lines of white dots with double incised line in between tapering to single line. Incised line continued from below decoration on side A. Handles and interior black. Bottom portion of body and top of footring red with single black band near top. Side of footring black, underside reserved.
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| 50.12.1
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A thick clay fragment showing below the rim and in line with the area of the handle zone; a pattern of joined arc-shaped bands and immediatly before the handle a vertical line joining the horizontal lines that surround the arc motif. On top of rim there is a single narrower curved painted band.
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| 50.12.12
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Although there is no decoration, there appears to be a line painted just that has faded to the colour of the clay. Below the rim is a roughened area where a handle may have placed. The outer surface of the pot might have been burnished while the inside is less smooth.
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| 50.12.14
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Black paint faded to red. Interior: fine line on rim, below it one broader band. Exterior: broad horizontal band across the top with series of fine vertical lines at right angles to it. Two fine lines are joined together by fine horizontal lines, creating a square pattern.
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| 50.12.19
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Exterior: decoration in black, comprised of three black curved lines above and a thin (faded) horozontal line below; to the right a tiny black mark. Interior: reserved
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| 50.12.20
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Exterior: brown lines, curved line with horizontal waves above, and six vertical lines rising from the curve (perhaps a fish); broad band below. Interior: reserved.
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| 50.12.24
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Interior: black with pair of purple red lines just below rim; exterior: black with purple-red band at rim, pair of narrower purple red bands immediately below it and another pair, broader, lower down.
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| 50.12.30
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Interior largely unpainted with thin black painted line directly on rim and below it a wider band. Exterior has a small motif that appears to join the rim slightly to the left with a single line and becomes a small circle and then from the base of the circle a line becomes a series of tight curves alternating with tiny dots.
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| 50.12.35
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paint brownish black; interior reserved with one black band 0.8 cm wide, exterior black band 1.5 cm wide painted over a groove, below it, painted in black.
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| 50.12.37
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White clay fragment slightly curved and the exterior shows detail of a pattern; parallel lines curve accross the fragment to the left there is part of a feather pattern that has a single scroll at the top. On the bottom right the the pattern may be bulb shaped and six curved lines across it. The black paintwork is faded in part while some is still dark. The interior has been painted black while the area below the top has been completely worn.
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| 50.12.42
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Jar fragment, black, faded to brown, on the interior. Exterior: across the top part of a horizontal band; below, a quarter section of a spiral motif painted black, faded to brown.
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| 50.3.1
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Red rim, mouth black inside but lower half reserved. Handles are black on top and reserved underneath. In neck zone are palmettes with dots joined by chain. Bars on shoulder. Side A; Dionysos holding wine cup, between two dancing maenads with ivy vines in the field. Side B; two warriors fighting over fallen man with spears and a shield with a leg motif and red details. Palmettes in field are attached to tendrils under the handles. Below are dots joined by zigzags with rays below. Moulded red ridge then black foot with uneven reserved band at base. Base is reserved.
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| 50.4.14
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Entirely glossed black. Just below the middle the body a zone of stamped palmette decoration framed by parallel incised lines. Row of eggs below the lower line. The underside of the foot is decorated with three incised concentric circles.
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| 50.4.18
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Entirely covered with black glaze. Ribbed body (visible on interior). Incised cross below handle. Incised spiral on interior of base (not visible on exterior).
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| 50.4.22
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Wide mouth, with downturned molded rim (grooved), tapering to a neck that gradually widens to form the head of a ram, whose horns curl around his ears. Horizontal strap handle joins neck just below rim and loops around to rejoin the body just behind the ram's horns (on the underside of its neck).
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| 50.4.5
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Interior of the neck until almost the beginning of the shoulder black. The rest of the interior reserved. On the exterior, neck and handle black. The lower part of the neck is decorated with a row of eggs. The lower part of the handle, at the height of the shoulder bears part of the decoration of a palmette the rest of which covers the body and is hown upside down. The body is decorated in black figure with a palmette-lotus frieze below with double-chevron palmette heart. The lower part of the body remains black fired brownish.
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| 50.4.8
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Black gloss on mouth, neck, shoulder, and handle (dipped). On shoulder, three rows of white spots: seven (tear-shaped) above, five (larger tear-shaped) in the middle, and below, five groups of three dots in a triangular pattern. The body is decorated with a diagonal net pattern of thin black lines with thin white spots inside the lozenges. Thick irregular black band at bottom of body, reserved stem, black foot, including resting surface, but otherwise reserved underside, with a spiral pattern etched at the centre. White paint dots added and traces of red wash over body.
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| 50.5.1
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Reserved on interior, starting ca. 5 cm below rim; otherwise black glazed, with some (modern?) white overpaint: traces of white vertical strokes around lip; two white bands around neck above groove; body pattern is in (modern) white flower motif inside oblong block pattern.
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| 50.5.2
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The interior and rim are black, except for two red bands just inside the rim. The underside of the rim is decorated with a leaf-like band of design. The spaces between the attachment points of the handles are reserved. Palmettes occupy the spaces beneath each handle. On either side the figural scene is bordered right and left with tendrils spouting two quarter palmettes from volutes. Side A: A nude youth, standing profile to the right, with his left leg stepping on a rock, holds a stemmed plate in his upraised right hand (supported by his left hand). He faces a satyr, standing in 3/4-view to the left, who holds a bell in his right hand and a thrysos in his left; a himation is draped over his left shoulder and arm. Side B: Two standing, draped youths with walking sticks face each other. A reserved band, a reserved line, and a band of waves appear below the figural zones. The lower part of the body and base are black. Added white and yellow are used for details on both sides.
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| 50.5.6
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Vertical strap handle from rim to bottom ridge, extending over the rim, has parallel horizontal lines. Towards the top,a double bar cross. Inside is reserved except for the rim decorated with four groups of 8/10 vertical black lines, framed by a thin line above and two below, extnding to the upper part fo the body.The body has a zone of hanging spirals to the left,framed by two black lines. It is followed by a meander and four parallel black bands below, a zone of herring-bone. Either side of handle are three vertical lines. Herring-bone pattern sits on ridge which has two bands below. Base is flat and reserved.
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| 51.1.2
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Interior and exterior of the mouth, neck exterior of handles black, fired mostly reddish brown. The underside of the rim has a reserved band. Underside of the handles reserved. The body is all black apart from the metope carryint the figure decoration and a reserved band decorated with radial-shaped motif beofre the black foot, decorated with two red concentric bands. Resting surface, underside of the foot. The top surface of the rim is decorated with two, concentric, red lines. Another marks the junction of the neck with the shoulder. The neck is black (reddish brown on the reverse side). The main scene begins from the top of the shoulder (under a red line), down the main part of the body. There are two confronted bulls with their heads bent downwards. Added red on partsof their bodies. Between them, there is an ivy leaf (heart-shaped). They step on a thin, black line, which separates the shoulder zone from the body metope.
On the body, two warriors attack other two. All warriors have spears with teardroped terminations (three terminations are visible, the fourth is on a missing area) and wear helmets with coverings for the cheeks (only the right pair's are visible) with details (dots for the first and fillet for the second warrior) in added white (now fadded away). They all held shields as well. All are round, except for one. The right pair's episemata on the shields are visible (upper part of seated lion / tripod, rendered with added white that has fadded away), while the other pair's shields' interior is visible and so the porpax (handle) can be seen on the left warrior. Additionally, they all wear greaves. Added red on the contour of the shields, the interior of the shileds, helmest, one hoplite's greaves. Between the pairs there is an eight-pointed star. There are also two horizontal red lines below running around the body of the vase. Two horizontal red lines frame the reserved lower zone decorated with the linear motif. The foot is black, with two red horizontal lines. The base is reserved.
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| 51.1.3
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All black except rim, which is covered with a whitish slip and decorated with a zone of stpe patterns framed by two lines above and below. Base reserved with two incised concentric rings.
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| 51.1.4
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Exterior reserved. Interior glazed black except for a reserved band below the rim, and a figural tondo, decorated with a black silhouette siren, profile to right, with rows of black dots surrounding her wings and emerging behind her right leg. The figural design is surrounded by a band of vertical bars enclosed by two horizontal rings.
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| 51.4.2
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The top surface of the rim is reserved (but glossed), however the side bears a black meander pattern. The scene consists of two chariots, the left one with three horses (below their knees the piece is missing) and the right one with four (only two of the heads remain). The left hand side charioteer is not visible, however it is obvious that he was holding and stretching the bridle. The upper part of the chariot is also visible. The second charioteer wears white chiton and red stephane (fillet) on the head and his chariot is visible. Each figure has incisions around its edges, as well as for the depiction of details. Some parts of the horse bodies are emphasized by added red colour. Body: The surface is black. The interior of the neck and body is also black, apart from a red band at the top of the rim.
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| 51.4.3
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Rim: There is a meander pattern at the side. Neck: There is the procession of two chariots. On the left chariot 3 horses are visible, however they must have been four (four pairs of legs). In front of them there is a charioteer wearing a chiton (the added white has faded away) and the largest part of the chariot as well as some of the horse's feet and tails are visible. The details have been rendered with added red and incisions (especially for the tails and mane of the horses). There is also a black line below the figures, in order to denote the ground. The body of the vessel is black, as is the interior, apart from the top surface of the rim that is reserved (but glossed) and a red, thin band on the upper neck.
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| 51.4.5
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Decoration in black and purplish-brown over a pale slip, with incised decoration on the back. At the top of the body is a broad band between two pairs of narrow bands. Above this is some evidence of a frieze of vertical bars. Below is a figural frieze, decorated at front with a geometricising bird flying profile to the right, holding a wavy line in his beak. He is surrounded by two crosses and two clusters of 8 dots (rudimentary rosettes) in the field. A floral decoration at the back is comprised of four interlocking palmettes, with purplish-brown petals and brownish-black hearts separated by incisions, with tendrils terminating in volutes emanating from either side of each sideways palmette. The lower part of the body is decorated with a thick black band between a pair of thin bands, above, and a thin band, below.
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| 51.4.6
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A, top: Horse grazing: white on mare, purple on body. A, below: Foot-race. Youth central, purple hair, parts of two others. Interior: reserved line inside rim. Part of border of large medallion: double row of dots between two
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| 51.4.9
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The rim is black, both on the inside and on the outside. The back of the handle is also black, but the underside is reserved. The neck is reserved, but glazed apart from a thick purple band on its lower part. On the sloping junction of the neck with the shoulder, black tongues. Both interrupted at the joining point of the handle to the neck. The shoulder is covered with a guilloche (pattern of interwoven fillets) with teardropped terminations. In the middle of two upper and two lower black lines there are two rows of black dots that begin on the edge of the second left figure of the main scene and stop at the edge of the last person. In the centre of the scene, a male figure in profile to the right with as short mantle, a quiver on his back (Herakles) is attacking a kneeling Amazon. With his left hand, he is gradding her from the air and with the right he is holding a sword, with which he is ready to kill her. The Amazon, in profile to the left, is wearing a helmet, holding a very long spear with her arm and her shiled with the left. From his waist, her sword is hanging. This scene is flanked by two other battle scenes. On the left side, an Amazon is attacking a Greek. He is wearing a cuirass, helmet, he is hloding his spear and his shield and he is shown ready to fall down. Tha Amazon has atteacked him with her spear. She is wearing a helmet and a short chiton. On the right, an Amazon and a Greek are shown in profile running towards the left, projecting their spears. The Amazon is wearing a ahsort chiton and a helmet. She is holding her shield, covering large part of her body. A frontal head of a lion decorates the shield. A sword hanging from her waist. The male warrior wears a short chiton and has a shield and a helmet. The Amazons have long hair and wear helmets with longer and bigger crests. Incisions and added red are used for details. Added red: parts of the chitons of the warriors anad the Amazons, hair of the warrior in the middle, fillets on Amazon's heads and the frame of the shield of the running Amazon.
Below the scene, there are two lines (not evenly formed at all in their length) and a band of added red. Below that, the vessel is black, with two concentric circles on the surface of the foot. The resting surface is reserved.
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| 51.7.1
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Black handle, mouth, neck and back of body. Around shoulder at front is a tongue pattern. Below is main design of a nude youth riding a horse to the left, white for reins and thinned glaze for black detail. Below is meander strip broken by two crosses (white on black). Black to base.
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| 51.7.12
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Originally two handles, now only one remains, but they were both black, as are the interior walls. Exterior design shows a similar picture on both sides of a youth wrapped in leimation. Beneath each handle is a palmette with spiraling tendrils and serrated leaf below. Bottom of body below decoration black. Reserved ring on top of foot. Footring black inside and out, base is reserved with central dot and two circles drawn by hand.
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| 51.7.16
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Black mouth inside out, except for reserved top surface of the rim, exterior of handles, interior reserved and underside of the foot black; Between the handles are double (mirrored) lotus-enclosed palmette friezes, enclosed between red lines. Below the ridge at the base of the neck are alternating red and black tongues. Beneath each handle is a vegetal design comprised of three lotus buds, each arranged at right angles to each other, so that their stems form a diamond that encircles a dot, yet extend to four palmettes (two above and two below) that flank the figural zone. Beneath the figural zone is a series of friezes: two lines; a maeander (Greek key) to left; two lines; a frieze of upright leaves interlinked by arcuated stems; two lines; rays extending from the base. The preserved part of the base is entirely black. Side A shows a quadriga (four horse chariot) wheeling around, so that the front of the horses seem to pass a crouching warrior holding out a spear at a near horizontal. The helmeted charioteer holds a large shield. Side B shows a helmeted warrior, standing between two attendants. The warrior holds a shield with a lion-head sema, wears a chlamys, and holds a pair of spears at right angles. The (male) onlookers, both bearded, wear himatia that enclose their arms, and each holds a staff upright. Detail is incised on both designs. Top of foot and side are black and the underneath is concave and black. Added red on horses' manes and the contour of the shield.
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| 52.3.1
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Mouth black inside and out, apart from flat exterior. Handles are black on top and sides but reserved underneath. Palmette and swirl pattern in black on neck. Small ridge at base of neck and vertical black tongues on shoulder. Side A: Heracles and Triton or Nereus (both equally possible as monster has tail and old man with staff associated with Nereus, but is unclothed as associated with Triton) with one male draped onlooker in profile to the left carrying a stick. The opposite side (B) is of a warrior (shield emblem chariot body painted in white) between two male draped onlookers carrying sticks. Added red on onlookers mantles, Nereus beard, and white on the shield. Below figures is a double row of large dots, bewteen two narrow bands with rays below to foot.Undr the handles, lotus and palmette . The foot is black and has two steps. Resting surface and conical base are both reserved.
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| 52.3.2
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Flared, cup mouth, black in and out and on rim. Neck is black, as is handle, except for a palmette pattern at base. Intricate tongue pattern around base of neck with a circular palmette pattern below. Main design, from left to right, shows Eutychia (EUTUXIA) standing to the right, holding a box in her left hand, with a string of embossed flowers (?) hanging down from her right hand. Beside her is a diphros with a cushion. Aphrodite ([A]FRODITH) sits, profile to left, in the centre and to left is small Himeros (IMEROS) in white, holding a wreath. To her right is a standing Makaria ([MAK]ARIA). Black egg pattern beneath main design. Moulded foot ring with grooves around the side. Black on top but reserved underneath.
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| 52.3.3
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Inside is black on neck and rim but reserved inside the body apart from numerous black splatters of paint. Diamond pattern with dots on rim, rays and palmettes on rim above each handle. Side has dots and two rows of wavy lines. Handles are black as is the neck between them. Neck design same as on rim. Row of tongues on shoulder. Scene similar on both sides. Each side is flanked by a vertical line of hearts/ivy leaves with dots between lines. Side A: three youths, robed, one with a staff, two facing left and one facing right. Side B: three youths, robed, around a stele (?), two facing left and one facing right. Figures are ruddled and detail picked out in black. Below is a band of ivy leaves. Foot is black and ridged. Base is reserved and conical inside foot.
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| 53.8.3
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Lip and interior glazed black, except a ram protome, profile to right, at the centre of a reserved tondo, outlined with an orange band. Exterior: lotus petals on the rim, interrupted only by the glazed handles and lugs, above a a thin glazed band at the carination (mostly orange-red), an invertedanimal frieze on the body or bowl, above a pair of thin bands above a thick band; bands decorating the foot on exterior and interior vertical surfaces; underside decorated with concentric circles (black between two lighter orange circles, enclosed by two darker orange circles). The animal frieze shows (from just above the black handle): a panther advancing to the right, head frontal, licking the horns of a grazing deer, profile to the left, between two pinecones, with a dotted line above his back; a panther advancing to the left, head turned frontal, a dotted lozenge, a lion advancing to the right, tongue licking the horns of a deer grazing profile to the left, with a row of chevrons above; a dotted lozenge. Below each creature is a dotted bull's eye (comprised of central dot, surrounded by a band, surrounded by a circle of dots). Additional ornaments, including dots and chevrons, in the field.
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| 53.8.4
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Molded, downturned rim with a flange (for lid); incurved horizontal round handles; deep body with nearly vertical sides that are slightly concave above the handles and convex below, curving sharply at the bottom into a broad, short stem, on top of a molded disc foot, recessed underneath in two degrees. Black gloss with red figure decoration. Side A: a female head profile to left, with small dotted circles in the upper field on either side; side B: palmette. Interior: a reserved band within the rim. Exterior: a band of vertical bars under the rim (with applied red wash); a reserved band around each handle attachment (also with red wash); a stemless ivy beneath each handle; narrow reserved band beneath figural scene; reserved band on the upper part of the foot; underside of foot is reserved and stained with red wash.
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| 54.2.2
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Reserved except for thin red band at rim, thick red band at neck, and medium red band at shoulder with thin streaky bands below it, level to the bottom of the handle. In between the bands there seems to be a pale white wash (?). The external face of the handle is also painted red with a small tail-like extension of paint.
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| 54.8.1
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Inside has a ribbed texture and is reserved apart from thin bands around rim with vertical bars overlapping the rim. Single ribbon handle which is unevenly bent, has horizontal lines down back and is reserved underneath. Procession of seven mourning women, in profile all facing right, framed by wavy lines, with two bands above and below and three vertical lines at right and left of panel. In front of the sevnth woman there ae three loop patterns, with dots. The women are wearing long garments, have long hair and ftech one arm over their head, as a mourning gesture. Face drawn in outline. No use of incision for any details. Below 'SSSS' pattern, then horizontal lines. Moulded ridge and groove below around foot. Base is flat and reserved.
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| 56.8.1
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Reserved inside. Paint on outside is black, lustreless and largely worn towards base of body. Two handles painted black on top but reserved underneath. In handle zone, within a panel framed with bands of dots is an ivy spray (on both sides). Lower band of dots carried round below handles. Bottom of object is black until reserved band just above foot. Flaring foot, black on top and reserved and conical underneath.
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| 56.8.3
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Exterior of handles black, interior reserved. resting surface reserved. Underside of foot reserved apart from black dot at the centre, surrounded by black thin band. Body black apart from handle zone, a reserved band c. 1cm below the main design and a reserved band at the junction of the body with the foot. Handle zone decorated with Protocorinthian black butterfly pattern three times front and back, recesses filled with chevrons. One butterfly recesses with leaves. Interior of the vase black.
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| 56.8.5
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Black pointed knob with moulded purple ridge at base, in centre of lid. Three black bands, tongues alternating black and purple, three bands, broad black band with superimposed purple line on each edge, three black lines and then a ridge. The rim is lower after ridge and has a chain of interlaced black lotus buds with dots between each one. Underside is reserved with a rim for top to sit in lid. Centre is concave with a hole in the middle below knob handle.
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| 56.8.6
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Interior: black not carefully applied , not lustrous. Purple band towards the the edge framed by two thinner black bands. Exterior: around rim black band with white dots; Animal frieze on the bowl. Four swans (water birds), facing right, alternating with incised rosettes. Background filled with small decorative patterns of undefined shape that often bear incisions. Black band below. Black stem and upper surface of foot; reserved groove on vertical surface of foot; reserved underside. Added purple and white on the birds' wings and the rosettes.
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| 57.3.4
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Decorated with white slip reddish-brown paint. Row of dots between narrow and broad horizontal band. Most of the fragment is taken up with three radiating lines, crossed with small bars. Below this is a broad curved line. The underside is reserved and the clay is ribbed.
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| 57.3.6
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Interior: broad brown band just below rim. Exterior: brown zigzag pattern enclosed within two brown lines. Thin painted band around rim.
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| 58.2.4
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The lip of the jug is decorated with black lines compartmentalising the area; within every other compartment there is a design of lines of black dots. This design is carried on part way into the interior of the vase and onto the spur. The underneath of the rim is delineated with a black line. The neck is decorated with three compartments of decoration of unequal size. The compartments are divided by two black lines which enclose crosses surrounded by diamonds. Within two of the compartments there is decoration consisting of lines of vertical dots hemmed in by horizontal lines on either side; underneath are crosses with dots in each section and above is a mixture of crosshatching, lines and dots. The third section is undecorated apart from six groups of three diagonal lines, which form a vertical stripe of decoration under the handle. The body has decoration of long and short double lines containing cross-hatching reaching for the base (within the gaps there is a cross with dots in each section), below two such lines enclosing a string of continuous horizontal diamonds. The base is decorated on both faces with lines and circles. The handle is also decorated with black lines.
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| 59.6.1
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Glazed black on interior, except for a reserved concentric band in the middle of the bowl. Exterior: Black-glazed rim, exterior of handles, lowest part of body, stem, and upper part of foot. The lower part of the body is decorated with a floral frieze, consisting of (on either side) three palmettes. On side A, and the right palmette on side B, each palmette is dotted on either side of the central petal. The right-most palmette on side A has a vertical band (drip?) to its right. The left-most palmette on side B has a vertical worm on either side of it. Under each handle is an upright ivy leaf. Below this frieze are two narrow black bands.
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| 60.1.5
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Mouth, top portion of neck and exterior of handle black; vertical black lines on neck; thick black band and band of waves on shoulder; frieze on body of three palmettes between three lotuses; black band below except reserved groove between body and foot and reserved base.
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| 60.8.1
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Reserved bands on lip and handle zones, heavy black line on lip and dividing the two zones. Handles reserved underneath. Interior black except for a reserved disk in the bottom with two concentric reddish circles inside, then two purple circles applied over black about half-way up, then another single circle just below lip. Reserved thin band on the top of the rim, in the interior. Exterior black beneath the two reserved bands, exterior of footring black, base reserved.
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| 61.6.1.13
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Paint dark grey. Reserved band 0.5 cm broad; below it linear spinal pattern, reserved gainst the dark greyish ground.
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| 61.6.1.9
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Yellowish buff clay, painted brownish-black throughout, except for a reserved base. There is a white band just below the lip.
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| 61.6.5
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Lid reserved except for beveled interior of knob top, exterior surface of knob and stem, top of lid, where knob is attached, which is encircled by a black line, then a floral band, comprised of alternating 3 11-petal palmettes with 3 5-petal palmettes (or lotuses), then a black band on the vertical surface of the rim. One-handler glazed on the interior, handle, zone between handle attachments, lower part of body (below handle attachment, and ring foot except for reserved resting surface. The upper part of the body is also decorated with vertically arranged zigzags, while the underside is decorated with a 'bull's eye', that is, a central black dot, surrounded by a small black ring.
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| 64.7.1
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Black band on the interior of the rim, underneath of which a red line. On the interior, bust of a female figure drawn in outline and shown in profile to the left. She has a freckled face (six spots rather than the usual three found on faces in the Sam Wide Group). Her hair is bound up with a spotted kekryphylon (scarf) tied over her forehead. She wears a pine-cone shaped earring and a beaded necklace. Her drapery is clumsily rendered: a himation decorated with a banded (tongues?) border (shown on her left shoulder) over a thin dark chiton (shown on her right shoulder). She holds a thymiaterion (incense burner) out of which streams some smoke (six strands in diluted glaze). The remaining handle is dipped black on the side. On the exterior of the rim, a frieze of black tongues below the rim, with a thin line below. The foot is reserved, except for the interior of the sloping ring.
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| 65.6.1
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The mouth (exterior and interior), larger upper part of the neck and the handle are black (uneven and at most areas reddish brown) apart from the upper surface of the rim, which is red. There is a grey line on the neck and the surface of the shoulder bears decoration of voluted palmettes with narrow divisions and tendrils, widely spread to fill the space. The upper part of the body bears a meander pattern between two pairs of brown lines (above and below). Every fourth meander the pattern is interrupted by a saltive cross with a dot on each one of the triangular surfaces around it. The meander pattern continues as far as the scene below it is depicted. Main scene: A young man, wearing underwear? is seated on his himation, at the left side of a two-stepped tomb or pedimental funerary monument (grave-stele). At the right of the scene, a woman wearing a black and red peplos is bringing offerings. There is a brown line below them and the rest of the vessel is black, with the exception of two exteremely thin lines that are reserved at the joining point of the foot to the body and the side surface of the foot that is red, although the slip has not been evenly applied on the whole of the surface. Lastly, the resting surface is reserved.
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| 67.7.3
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Long aulos (probably the right half of a double aulos, a wind instrument played through [missing] reeds) which appears to have an inner surface of wood (?) with a bronze sheath and silver mounting (in four sections). Mouth is silver and has two grooves towards rim. Neck has small hole below mouth and no silver. Bulbous section to neck with bronze section between two silver sections below. Four holes down the length of the body, one apart from the lower three with a fifth on the reverse side in the gap. The hole of the reverse has a small thumb plate around it. Bronze section below which may have originally been silver, with a grooved silver section flaring slightly to end. Hollow inside.
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| 69.7.1
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The inside of the mouth is black and the aperture is marked by a thin, black line. The lip is decorated with black tongues, with intervening white dots. There is also a zig-zag band on the vertical surface of the rim. The neck is black. The back of the handle is decorated with a voluted palmette (incised) with tongues (black and reddish) on the top. From the ankle, just below the neck, emerge alternating black and red tongues (contoured with black lines). The foot itself is entirely covered in a thonged sandal that ties at the front with a ring-shaped knot. The sandal is indicated with relief straps that are painted in reddish-brown colour. The edge of the sole (crepis) is decorated with two rows of black dots. The base is reserved.
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| 71.12.1
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The interior and the exterior of the mouth as well as the handle glazed. On the exterior, the black is fired brown. At base of neck, ridge in place of drip-ring painted purple. Shoulder: ivy leaves on each side of central purple line(six above, seven below); on body five inverted opening lotus flowers with central petals white. Above them row of white dots. Lower half of body and exterior of the foot glazed black (turning red in places). Resting surface and the underside of the foot reserved.
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| 71.6.1
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Relief decoration consists of a double frame inscribing the upper rectangular part and, below, the face of a satyr, with an ivy wreath, furrowed brow, upraised eyebrows, large eyes, pointed nose, and long, rectangular beard, striated.
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| 71.6.3
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Inside is streaky black showing red through. Handles and outside are also black. Side A: A woman standing with her back to a chair, holding out a fillet in her right hand. Side B: A youth in himation holding two spears (?) of which heads are not visible, being too tall for space avaliable. The detail on both figures is picked out in black paint. Two ruddled bands run around base of pot below figures. Foot is black on top and side and inside foot ring; resting surface and underside reserved. Base is ruddled and has three black bands and a central black dot.
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| 73.6.4
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On the outside surface is a figure zone, on the left edge of which appears to be the edge of a square. To the right of this is the lower half of what appears to be a swastika and below, a dot rosette. A vertical palmette is figured in the middle of the surface, to the right of which is the tail end of a bird, the head and neck missing. Below all of this, is a curved black line, and then the edge of what could be a circle. The inside is covered in black gloss.
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| 73.9.3
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Singular arm of handle remains, outside of which has a black glaze, the inside does not. Remains of rim, same colour as this handle. Dot rosette and dotted swastika below handle, tip of palmette leaf on right of handle. Two dark brown bands at bottom edge of fragment.
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| 73.9.4
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Figure of a dog or goat (head missing), stands under missing handle, bordered with spots. Behind the dog's tail, we can see the edge of a palmette. The figure of the dog stands on a black band, below this, there is the edge of a black circle. Rosette and palmette decoration.
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| 73.9.5
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Rim is flat and black on top, as well as underneath and inside. Below, on ruddled surface, metopic ornament. Below, on reserved surface, meander round dotted square.
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| 73.9.8
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The rim, leading to a band on the ouside is black, as is the entire inside of the fragment. Below the band on the outside is a horizontal 'S' shape pattern with small dots above and below it. To the left of this is a big black blob, which is slightly raised to suggest a handle ? Below the 'S' shape are four parallel lines, below which is a thin brownish band, a gap, and then what looks like the edge of a black circle. The second fragment has no rim and also shows a black blob which looks like it should be the base of a second handle. The inside of the fragment is againentirely black. On the outside of this fragment, there is no 'S' shape pattern or parallel lines, but there is a brownish band, below which is the edge of what seems to be a black circle, the same as fragment 'a'.
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| 74.7.3
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Hemispherical cup with horizontal strap handle with a single groove, attached just below flat lip; ring base. Entirely covered with black glaze.
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| 77.5.1.1-17
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The interior is reserved (although covered with plaster on most of the fragments), apart from the upper parts of 13, 14 and 15, that are black (unevenly applied). 1) On the left, there is part of a naked male figure (thighs to toe), facing right and next to him there is the lowest part of another similar figure facing right. Below them, there is part of a black band. 2) There is part of the right part of the previous figure (chest to toe). On the right side of the fragment, there is a figure's forearms (projected to the left, the right hand holding a round object) and part of the right knee. 3) Part of a naked male figure, leaning to the left. Details with incisions and added red. 4) Part of a lions's paws and below it part of a broad, black band. 5) A male figure's thighs and part of a bird? (executed with incisions and added red). 6) The right part of the previous bird? and the right tibia of a male figure , facing left. 7) The thighs of a male figure facing right. On the left side of the fragment there is part of a black and red motif? 8) The upper part (chest to thighs) of a naked male figure, facing right. 9) Part of a male figure's thighs, facing right. 10) The previous figures lower part of legs and part of a black band. 11) The biggest part of a bird, executed with black, added red and incisions. 12) On the left, there is the rest of the previous bird. Next there is the lower part of a lion, executed with black, addeed red and incisions. Behind the lion, there is the lower part of another male figure (chest to feet), facing left and behind him there is part of a bird. 13) The upper part of a satyr (head to thighs), facing right. His hair and beard have been rendered in added red. 14) The lower part of the satyr, chasing a maenad on the right (her right leg is only visible). The details of her drapery are in red and her tibia is white. 15) The left left of the running maenad. On the right, another satyr chasing a maenad (lower part of the figures is visible). 16) Part of a broad, black band. 17. Bit of plaster.
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| 78.7.1
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Two handles on opposite sides at top. Inside black with convex centre. Around rim are incised pendants on side A and two parallel lines with row of white dots above and below on side B. Below pendants is a pair of incised lines, a row of red dots, a grape vine with pendant grapes, leaves and tendrils. At base are three uneven circular shapes above reserved band. Black band around rim of foot. Base reserved and raised. Glaze partly faded.
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| 79.1.7
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Discus outlined by three moulded rings. Within the discus just below the filling hole; moulded decoration of a galley on waves. Single volutes on the side of each nozzle. Red-brown wash.
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| 80.7.1
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Interior glazed black, except a reserved band around the bottom of the bowl. Lip, lugs and exterior of handles also glazed black. Exterior: a band of lotus leaves on the rim, and a figural frieze on the body, with black bands above and below it; another black band just above the foot; the exterior and interior sides of the foot ring are black, while the resting surface is reserved; the underside is reserved, except for a black dot with black and red circles (one each) around it. The figural frieze shows: two confronting sirens, in profile, on either side of an inverse lotus bud; a water bird, profile to the left, turning its head profile to the right, back over its bod; two confronting panthers, both turning their heads to the front, on either side of an inverse lotus bud; another water bird, similar to the first except its beak touches its back. A 6-pointed star decorates the field beneath each creature.
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| 83.11.1
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Torso of seated female figurine, and legs to just below knees. Right arm (articulated). Blobs representing (?) jewlery arranged in a saltine cross over front of body, and horizontal row at waist. Tow incised lines on left thigh. Clay orange pink.
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| 84.8.1
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30 fragments, largely side B, small part of side A, handle and rim fragments. Side B three youths. a) The top surface of the rim is black and so is the interior, apart from a reserved area at the end of the rim that bears a thin, black line. The neck is decorated with a vague representation of a brach with laurel leaves. The joining point of neck and body that is preserved bears part of a black, thick line. b) The interior and top surface of the rim is black, with the exception of a reserved band on the end of the rim (interior) that bears a thin, black line. c) The handle is black, except for the surface that would not have been visible if it was attached on the vessel, which is reserved (but glazed). Around the spring of the handle there is a motif between two thin lines that resembles the ionic cyma (egg-and-dot). The rest of the vessel is black, both on the outside and the inside. d) The handle is black, apart from the surface that would not have been visible, where there are two dots. Around the spring of the handle there is part of the ionic-cyma motif. e) There is part of the ionic cyma motif that the handle bears around its spring and the rest of the surface is black (interior and exterior), apart from part of a small chess-shaped motif, framed by a line above and two below. f) It is black apart from an area that bears a small part of the motif that contours the springs of the handles, a small, diagonal, reserved band (exterior) and a reserved band (interior). g) The surface is black (interior and exterior) except for three thin lines that are reserved. h) The interior is black. Exterior: Above a double-meander pattern, placed on a reserved band and between two lines, there are two heraldic lion paws, even though the details have fadded away. i) The interior is black. Exterior: The lower part of the drapery and the foot of a figure, surrounded by black colour. j) Black interior. Exterior: The lower part of a vertical, reserved thin band is standing on a broad, reserved band that bears between two black lines part of a pattern that consists of a meander and a cross on its right. The cross is contoured by a reserved area (around its sides), while its is executed on a black background. k) The interior bears a thin, reserved band. Exterior: The back part of a male figure's head and shoulder, as well as part of the drapery. l) Black interior. Exterior: The male figure's shoulder and part of his draped body. On his right there is the outer part of the motif that contours the springs of the handles. m) Part of the male figure's leg, knee and tibia, which is projected, as if he is ready to take a step. On the left top side there is part of a vertical, thin, reserved band (upper part of a walking-stick). n) Black interior. Exterior: The lowest part of the figure's drapery and a vague representation of his feet ? He appears to be standing on a pattern that consists of a chess-like motif close to two, double-meander ones, framed by two lines above and one below. o) Black interior. Exterior: The lower part of the figure's walking-stick that seems to stand on the double-meander pattern. On the left of the walking-stick, there is part of the back side of another draped figure (male), with the same careless rendering of the feet. p) Black interior. Exterior: Part of the walking-stick and drapery of the second figure. q) Black interior. Exterior: Small part of the second figure's drapery. r) Black interior. Exterior: Small part of the second figure's drapery. s) Small part of the second figure's drapery. t) Black interior. Exterior: Part of the lower termination of the second figure's drapery as well as his right foot? On the left, part of his walking-stick. He seems to be standing on part of the double-meander pattern. u) Black interior. Exterior: Part of the pattern that consists of the chess-like motif, next to part of a double-meander one, on top of which there is the lowest part of a figure's foot? (clumsily rendered). v) Black interior. Exterior: The lower part of the drapery and right foot of another similar figure that satnds on the double-meander pattern. w) Black interior. Exterior: Part of the figure's drapery. x) Black interior. Exterior: Part of the figure's drapery. y) Black interior. Exterior: Part of the figure's drapery. z) Black interior. Exterior: Part of a male figure's arm and hand. aa, ab and ac) Part of the rim and neck. The exterior bears a broad black band and the interior bears a reserved area between two black bands. ad) There is a reserved line on the interior, while the exterior is black, apart from a reserved spot of unclear shape and another, similar one that bears a thin, black line.
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| 85.3.2
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On the top of the rim, one broad black band and two concentric narrow; plange side, two narrow bands converging into one band. On body, cinquefoil with leaves touching central wheel. Below handle, rough six-petalled flower. '49' pencilled on back of handle.
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| 91.11.4
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Top broken, mouth partly preserved. Flares v. gradually from 4 cm below mouth, bottom curved like alabastron. Mouth flared. Transparent glass, bluish iridescence. Slight encrustation. Some striations in glass.
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| E.23.1
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Below a cornice, sunk within a square frame, figure of deceased (in Roman clothing), stood frontal between Anubis (stood) and Osiris (seated). Red pigment preserved on lower part of Anubis.
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| E.23.10
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Dense with a small base below a trapazoidal shape. The natural black remains only on the base.
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| E.23.11
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Straight base below a trapezoid shape (slightly better defined than E.23.10). Now grey in colour all over.
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| E.23.2
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Funerary stele with vulture wings surrounding the solar disk, common during the time period. Below the wings is the text of the stele, surviving intact. Two men are depicted adoring the god Re-Horakhty, whose presence is indicated not only by the uraeus and sun disk but also his name inscribed in the text. It has been suggested that the dress of the figures indicates that they are Nubians; this is confirmed by the oddity of their personal names. The sky is depicted above the winged disk, each end being supported by the symbol of the west (on the left, only the top of the feather survives) and the east (on the right, more or less complete). A signature, possibly belonging to Flinders Petrie has been found above the head of the right hand figure.
There is only one viable interpretation possible, when one combines the depictions with the details found within the text. The stele depicts the man Serep and his son Tkr-Irt-Hrw, not as has been assumed Serep with his Ka. A personal Ka has no need of the title m33 khrw, which is a title of the deceased, thus two deceased are depicted. There is no question that Serep is a man as he is depicted in male dress and has the male symbol after his name.
There is enough evidence to show that the stele was once painted. Red pigment on the sun disk of the god is the most apparent, though a similar (if not the same) is found in several of the hieroglyphics and on the deceased as well as faint traces on the column to the right. A yellow stain remains in the first two columns, which could be remains of the paint used to fill in the columns. The combination of colours matches well with the red pigment found in the glyphs.
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| E.23.4
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Inscribed band marking line of shoulder, three uneven lines around middle possibly created by string. Darker areas on the body denote a possible pattern/picture that has now warn away. Below this are four circular, grey patches with darker centres.
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| E.62.14
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Decoration in mauve pigment, consisting of two curved lines below five triangles that originate from the edge of the fragment.
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| E.62.5
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There is a small band of carved / incised detail at the thickest end. Carving is a simple cross-hatch pattern with three carved bands above and below; the pattern extends below the bottom bands, perhaps by mistake.
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| E.63.13C
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Blue glaze fragment, once the lip of a flat dish or bowl. The top of the bowl was apparently decorated with two sculpted concentric lines, one following the lip of the bowl one just below. The interior is flat.
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| E.63.15
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Below the uraeus there is a small amount of blue under this, below the chin, on the neck and around the groin, where it is quite faded. The eyes still hold a gold pigment.
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| E.63.2
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Sacred eye of the god Horus, originally blue. There is a hole drilled horizontally through the middle of the piece to allow threading. The details are carved into the piece, the top is a line of slightly diagonal lines, below this is a small flat line below this the detail of the actual eye which is common to all sacred eye amulets.
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| E.63.9
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Light green pendant. The image is the goddess of Hathor, goddess of music and dance. Here she is depicted in the form of a highly stylized cow. At the top of the pendant is a loop for threading. The pendant is flat and has the cow-head engraved in the centre with an arch of concentric lines above the head Below the head on either side are parallel vertical lines divided by one horizontal line on both sides.
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| L.2005.7.11
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Obv: Female head (Arethusa?) wearing olive wreath, surrounded by 4 dolphins. Rev: Quadriga, Flying Nike crowning horses, above; lion, below
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| L.2005.7.14
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Obv: Head of Athena Parthenos wearing a triple-crested helmet, within a border of dots. Rev: Owl standing atop amphora on its side, all within olive wreath. Monograms on either side of owl and ear of corn below (series viii).
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| L.2005.7.6
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Obv: Female head, wearing pendant earring and necklace, hair tied back and up; four dolphins. Rev: Quadriga (four-horse chariot), Nike flying above to crown charioteer; dolphin below.
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| L.2011.1.51
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Pattern on the handle(short horizontal lines on the edge, one on the left, two on the right); moulded ring at the junction between rim and neck, with a pattern (short vertical incised lines) above and below.
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| L.2011.1.53
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Red glaze. Two figures in low-relief: on the right a human figure with legs outturned, on the left a human face (mask) with a sort of base or plate on the head; above the plate two legs of an incomplete human figure. On the sides of this composition two vertical patterns, composed by short horizontal signs with below a six-ends star.
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| L.2013.10.5
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Obv: side profile of a man wearing a helmet, facing left, to the right of the helmet is an inscription. Rev: Romulus and Remus being suckled by a she-wolf, above the she-wolf is two stars. Below Romulus and Remus are the letters TRP or THP.
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| L.2016.3.25
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Obverse: Portrait head to the right, reverse: Quiver, with another object below (?)
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| L.2016.3.30
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Obverse: Portrait head of bearded Heracles to the right, reverse: bow and club with Greek letters below
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| REDMG:1926.99.50
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Black band on inside of mouth; three black bands on rim; exterior off lip decorated with a series of dots; handle decorated with vertical bars on either side. Daisy petals extend from the neck (each petal is decorated with a white dot), below which are two lines, a warrior frieze, two lines, and a black band . The three warriors, lightly incised, each stand profile to the right, and are indicated by two lines (extending from the top right and bottom left) for the spears, and two more lines (extending below) for the legs; each carries a large round shield decorated with incised circles.
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| REDMG:1935.87.1
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Black glaze except for reserved band at join with foot and underside, including resting surface. At the front of the body, the shoulder is decorated with an incised ovolo grieze between two incised lines; this frieze is accentuated with white inscribing the eggs and white dots between the eggs. Beneath is another pair of incised lines between two rows of white dots. The body is decorated with a red band from which emerges, above and below, (ivy) sprays, in added white gilded with yellow; two clusters of grapes (again white gilded with yellow) hang from this band. Some clusters of three red dots on lower part of body.
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| REDMG:1935.87.10
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Outside: vertical worm pattern (curved zigzag) on handle zone; below, wide red band between two narrow red bands, two black bands, black around foot. Resting surface reserved, red band round inside of foot ring. Inside black with hints of a red band.
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| REDMG:1935.87.13
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Inside black except reserved band at rim 0.5cm wide. Red and black band around rim, beneath which is a reserved band. Thin black and red band just above handle followed by further wide reserved band approximately 1.2 cm wide. One handle reddish brown, the other black, both dipped. Lower body black with one dark red-brown patch below redddish brown handle. White deposits on joint between body and foot. Flared foot also black with reserved base and broad resting surface.
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| REDMG:1935.87.14
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Black rim. On shoulder Z-pattern between red bands; below, a pair of bands; much lower, three bands and then one, all in brownish-black on creamy-buff ground. Underside reserved except for line of black on resting surface.
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| REDMG:1935.87.19
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Traces of four (?) bands on mouth and three lines on handle. Tongues on shoulder with two bands below. Main design (starting from below handle going left to right) a human (?) figure on a horse facing right, a lion biting the foot of a warrior who is defending himself with shield, a large creature (possibly a panther), and a man. These pictures are all incised. Dots and rosettes incised with asterisks in field. Five bands around base.
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| REDMG:1935.87.2
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Inside of mouth and exterior of rim black, while lip is reserved. Body is mostly reserved. Handles are black on the outside, and reserved on the insides. Below the handles are three thin black bands. The top of the foot and a thick band above it are black, but resting surface and base are reserved.
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| REDMG:1935.87.21
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Mouth: broad band between two narrow bands; handle: horizontal bars; shoulder: daisy pattern; body: band above and below zone of incised scale pattern on black, with incised dot in each scale; below: daisy pattern emerging from narrow band just above base.
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| REDMG:1935.87.25
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Black except for the figural design, with friezes above and below it; reserved but ruddled resting surface. A. Horizontal friezes on neck and below figural scene, consist of two vertical bars alternating with circles, reserved bands above and below. Scene: nude satyr, standing profile to right, with his left foot raised on a rock, faces a draped woman, seated 3/4-view to right, with her head turned profile to left. He raises his right hand towards her, and rests his left arm on his knee. She holds a mirror in her upraised left hand. Five ivy leaves in field between them. B. Horizontal friezes on neck and below figural scene consist of chevrons to left, between reserved bands. Scene: Two draped youths in conversation, face each other on either side of a stele. Yellow and white details: white fillet on satyr, bracelets and necklace on woman, and spots on the mirroron Red wash on reserved areas suggests imitation of Attic red figure. A pair of incised lines run horizontally across side A, and another line runs horizontally across side B; further incised lines around the upper body of the woman indicate that these might be an artists guidelines.
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| REDMG:1935.87.31A
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Red rim; two handles, coloured black. In the handle zone pomegranate pattern in three rows, the middle row red; below, one red line between two black; a broad black band with a pair of superimposed red lines at top and bottom; one red line an done black immediately above foot. Foot-ring black outside, two black rings on resting surface; inside of foot-ring red; on the bottom a central dot and pair of small thin rings, near the circumference a broad ring, all black. The edge of the flange supporting the lid, red. Handles black. Inside of bowl originally black with traces of one pair of red circles.
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| REDMG:1935.87.31B
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Lid: on the rim of the knob, black silhouetted triangles pointing outwards; below teh knob, black rays; four circles, the second and fourth red; round the edge below the animal zone a black band between two black lines; on the vertical rim a red band, and again a black band between lines. In the animal zone, on one side a palmette-lotus complex, flanked by a pair of sirens; on the other a siren flanked by a panther on the left and a lion on the right. Small incised circles on the body of teh panther, incisions on the lion. Field ornaments include rings of dots with or without a circle at the centre, scattered dots, amorphous and cruciform rosettes with incisions crossing at centre, rosettes with incisions forming small arcs facing away from the center. Some remains of added red on neck, breast, and tail of sphinxes, heart of palmette and petals of lotus. Inside of lid reserved.
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| REDMG:1935.87.32
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There is a broad, black band at the interior of the rim. On the top of the rim there are black tongues, apart from the surface of the handles, decorated with palmettes. Waves are used to decorate the edge of the rim, while the handles bear small palmettes on their sides and the rest is painted black, as is the body between. Both neck panels have ivy and dots joined by vine. Both sides of the body show a female head, facing left and wearing a decorated cap with a spiked stephane over it. There is a small window (rectangular motif with black vertical line), top right on both sides. Side A, however, has a strigil with wavy endings above the head, top left. Side B has a knot of hair emerging through the apex of the cap. On both sides there are volute-shaped motives at the end of the cap and below the woman's chin. Side A: The woman wears a black earing (a circle and hanging dots) and a neclace of black beads. A hair with a heart-shaped ending falls vertically over her neck. On the other hand, the woman on side B wears a similar but yellow earing and a neclace made of yellow beads. Both women are framed by two vertical red bands, decorated with two similar motives of a vertical row of dots between thin lines. These columnar patterns seem to support a horizontal red band over the head, ornated with tongues between thin lines (one above and two below). However, the surface under the heads is not identical for both sides. Side A has a red band with dots between lines and side B has two parallel lines and the wave pattern. Both the scenes are partly ruddled and added yellow is used to render the details. Miltos apparently was applied last.The lower half of foot is ruddled.
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| REDMG:1935.87.8
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Inside is black with no reserved sections. Outside is black with a groove just below rim and another two at top of stem. Foot is flat and black on the top but reserved on the side. Black band around very bottom of side of foot. The resting surface is reserved and the inner foot ring is black. Small reserved circle raised up inside foot with a black band and a small black central dot.
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| REDMG:1947.13.1
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Black mouth inside and out, otherwise reserved inside. Below the rim, on the lip, is a white laurel wreath, to right. On neck, between black handles, a 9-leaf palmette, with a black dot for heart and black dot on either side of central petal; black ridge between two black lines; frieze of vertical bars beneath each handle; beneath each handle a large palmette above a pair of volutes, from which emerge vegetal ornament. A: Attenuated ovolo frieze between two black lines; white ribbing (painted); two reserved bands; floral frieze with white head, to left, at centre, emerging from a calyx from which emerge also tendrils, berries, volutes, and blossoms; reserved frieze; scene. B: Continuous maeander to right, between two pairs of lines; black ribbing (painted) between two black lines; flanked by vegetal ornament, from which emerges quarter palmettes and volutes, a female head, profile to left, wearing white stephane, and white sakkos, from which emerges curly black hair, at front and black; white drop earring on an inverted triangle. Below the body zone, around the entire vase, is a decorative band consisting of dotted cross squares (1) alternating with stopt maeanders to left (3) between two reserved bands; black below.
Scene, A: A woman, standing in 3/4-view to the right, with head profile to right, hair emerging from the back, a sleeveless, belted chiton, a himation draped over her left arm, a pair of white slippers, holds a palmette fan, with white detail, in her upraised left hand, and a branch (similar to a thyrsos) in her left hand, at a diagonal. She also wears a white stephane and a sakkos with black and white detail, from the back of which emerges a tuft of hair, a white beaded necklace between two thin chains (rendered by black lines), and white snake bracelets on each arm. She faces a naiskos enclosure, decorated in gilded white, with thin Corinthian columns and a black pediment, on a podium decorated with a simple continuous maeander to right, between a two pairs of white lines. Enclosed within the naiskos is a warrior, rendered in white with yellow details, seated in 3/4-view to the left, on a himation, with his legs crossed, and his left elbow resting on the back of his seat. He holds a crested helmet in 3/4-view to the right, at which he stares, and a diagonal spear in his left hand. On the ground below him is a small shield. To the right is a nude youth, standing in a reclining pose, 3/4-view to the left, wearing a white fillet in his hair, and white slippers. He holds a himation, bundled up around his left arm, and an opened box as well as a dotted, fringed sash, in his right hand. A thin rectangular element, perhaps a dagger, emerges from the opened box. A (heart shaped) ivy leaf hangs in the field above him.
White dotted lines indicate the groundline between all figures.
Details on the shoulder rays and, ornaments in the field, and all figural scenes are rendered in added white, sometimes 'gilded' with yellow wash.
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| REDMG:1951.130.1
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Black band on interior, reaching to ca. 1.0 cm. below the lip; black neck and handle. Shoulder: reserved tongues, alternatively red and black at centre, on a black band (tongues extend partly over the upper ridge, on the right side). Body: komos comprised of eight nude male dancers with purple hair and incisions delineating hair, eyes, muscular and other bodily details; under handle, black column krater (decorated with two incised lines on shoulder, purple band and incised rays band between incised lines on body); in field between dancers, seven rosettes with single or double incised central circle and incised petals. Below, broad black band between two black lines; black rays emerge from base. Foot black on exterior, otherwise reserved.
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| REDMG:1951.131.1
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Black rim and neck, except for a thin reserved band just above the join with the body; body decorated with three reserved bands above an egg-and-dot band and another reserved band; row of white dots at top of figural scene. Below, band comprised of stopt maeanders (3) alternating with cross-in-square (1), between two reserved bands; broad reserved band at join of body and foot; reserved band on lowest ridge of foot as well as resting surface and underside.
A: A draped woman runs in 3/4-view to the right but looks back, profile the left. She holds in her lowered right hand a wreath from which a garland hangs and in her upraised left hand a box (decorated with bands, chevrons, and zigzags, as well as white dots above the box), while drapery falls over her left arm. She wears a stephane and a kekryphylon with dangling ribbons, beaded earrings and double necklace (indicated by white dots), double bracelets on each wrist, a belted, sleeveless chiton, and slippers. In the field are a fillet (upper left), a rosette with five white dotted petals and a yellow centre (upper right), and a shrub with berries (lower centre), as well as a white dotted groundline rising slightly to the right. B: Eros, holding a beaded necklace in his extended right hand, is seated in 3/4-view to the left on a flower. The leaves and buds of the same plant elaborately fill the field beneath and around him. He wears attributes that are similar to those of the woman on A: stephane, kekryphylon, earring, double beaded necklace, double bracelets, and slippers. He also wears a beaded baldric diagonally across his chest and ankle bracelets (3 on each ankle) and a baldric comprised of a row of white dots arranged diagonally across his chest, over his left shoulder.
Added white is used for details of Eros' wings as well as the jewelry, box decoration, slippers, vegetation and groundlines, as well as the centre parts of the eggs on the egg-and-dot band.
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| REDMG:1951.134.1
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Black interior and handle; beneath each handle a palmette, flanked by tendrils; on each side a wave band, to right, above a woman's head, profile to left, surrounded by tendrils. Banded decoration below is comprised of a reserved band just below the figural scene, a pair of red bands above the foot, a red band on the upper surface of the foot, and reserved area at the centre of the underside.
The common use of red stain to effect a red (ruddled) surface on reserved areas is highlighted in this example by the almost complete loss of black glaze towards the foot, where the ruddled intervening bands strongly contrast with the buff/reserved (formerly black glazed) areas.
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| REDMG:1951.135.1-2
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Pyxis: Black band on lip and at top of handles, black rays (between handles) on shoulder; broad black band between lines, carelessly applied, at widest part; narrower black band below. Lid: Black on vertical part of knob and concentric band on lid, around knob.
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| REDMG:1951.139.1
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Black, except for double palmette on top of knob, reserved line on groove below stem. On top of lid, two female heads, each wearing a sakkos, one with a spiked stephane, profile to left, between palmettes. More tendrils and vegetal ornament, emerge from the palmettes. Wave to right, around lip. Added colour only for stephane.
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| REDMG:1951.140.1
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Upper surface of rim reserved, black ridge, and outer edge of lip decorated with a wave pattern to right; black below lip, on neck and on handles except forward handle attachments (on horizontal handles) decorated with rays; reserved patches beneath horizontal handles. Lower part of neck decorated at front with a short laurel wreath, to left, between two narrow reserved bands. Beneath the figural scene is a groundline comprised of a frieze of alternating maeanders (three) and saltire squares (one). Narrow reserved line at join with base, bottom edge of base, and underside. The figural scene is framed between a tendril, above the left handle, and a larger vegetal ornament, from which emerges a lotus bud. A Youth stands in 3/4-view to the right. He is nude, except for drapery slung over his bent right arm and held in his lowered left hand, and a white taenia on his head. He also holds a staff in his slightly upraised right hand. At centre is a bird (crane), seated in a perirhanterion (basin), supported by a fluted, tapered column, with a dotted capital, on a two-stepped base. The steps are decorated with small black spots and thin diagonal lines that suggest a marbled appearance. On the other side of the perirhanterion stands a woman, in 3/4-view to the left, with her weight on her right leg and her left leg relaxed. She wears a belted, sleeveless chiton, double bracelets on each wrist, a beaded necklace, and a spiked stephane, as well as a short pony tail. She extends her right hand to the bird and holds a box, decorated on the sides with black spots and lines, and three white spots on top, in her slightly upraised right hand. Above the bird is a rectangular frame (sometimes called a window but perhaps a votive plaque); above the box is a cogwheel. Most of the reserved areas are darkened with red wash, and the jewelry and other details in added white.
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| REDMG:1951.141
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Black on interior except for a reserved band just below the lip. Black on exterior, except for a frieze of tongues underneath the rim on both sides, but not above handles; figural scenes on body. A: Partridge profile to the left; tendrils in lower left field; circle and tendrils in upper right field. B: Satyr head, profile to left; tendrils in lower left and right fields; quarter palmette in upper left field; single palm leaf in upper right field.
Although female heads are more popular in such contexts, the large red element in place of the ear is probably a horn and indicates that this is a representation of a satyr. The decoration in the lower left field of the B side indicates the addition of a second layer of black glaze, in a manner than changes the image (from a large tendril to a small tendril below an L-shaped element.
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| REDMG:1951.147.1
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Entirely black, except reserved on the inside of the spout and the underside including resting surface, and red figure decoration: line at middle of neck; ray band at lowest part of neck, above dots; figural scene between two sideways palmettes, enclosed, from the outside bottom of each emerges tendrils; short ray band at interior of lower handle attachment; 10-leaf palmette at exterior of lower handle attachment; flange decorated with egg-and-dot band, beneath a black line; the sides are decorated with an ivy design, effected through incision (tendrils) and added white (leaves). Reserved line band just below join of body and foot.
The figural scene on the shoulder depicts seated youth seated profile to the right, facing a woman, seated profile to the right, but turning profile to the left. The youth, nude except for a hairband, sits on drapery, alongside which he hangs his left arm, and reaches a wreath, held in his left hand, towards the woman; she, wearing a crenellated stephane and a belted chiton, is seated perhaps on a cushion (comprised of dots), helds her right arm, slightly lowered, towards the wreath, and holds a box in her slightly raised left hand. A four-petal rosette is beneath her right arm.
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| REDMG:1951.148
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Black interior, handles, neck and body except for decoration in panels (black figure in neck panels; red figure in body panels). Upper surface of rim decorated with ivy spray, with 3-dot clusters between ivy leaves; palmettes on tops of handles; ivy spray on lip, with palmettes at tops of handles; wave pattern to right on overhanging lip. Neck panels decorated with double ivy spray, on which 8-dot clusters alternate with leaves. Body panels bordered by rays (above), double rows of dots between black lines (sides), and band of stopt meander (4) alternating with dotted cross-in-square (1) (below). A: Youth wearing hairband, short-sleeved, belted chiton, and mid-calf boots, stands in 3/4-view to the right; he holds a pair of spears upright in his right hand and a wreath in his left hand, held slightly ahead of him; a chlamys is draped over his bent left arm. A warrior is seated 3/4-view to left, on a curvilinear seat (stones?). He is dressed identically to the youth, although with a plumed conical helmet. He holds a large phiale in his outstretched right hand, and his pair of spears in his upraised left hand. Behind him stands a woman in 3/4-view to the left. She wears a belted, sleeveless chiton, a kekryphylon (hair), pearl earrings, a beaded necklace, two bracelets on each wrist, and holds a fillet in her outstretched right hand and a situla in her lowered left hand. In the field above the figures are a four-petal rosette between two boucrania. B: Three draped youths in conversation, the middle one, standing profile to left, leans on a staff with his outstretched right hand; the other two youths face him. Halteres in upper left field and and bulls-eye in upper right field.
Much of the interior and side B are misfired orange.
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| REDMG:1951.149.1
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Wide flared mouth. Black inside with two reserved bands either end of rim. Outer surface has a laurel band around rim. Handles, all black, at the base of the body extend upwards. Side A shows seated woman (skin painted white) and Eros next to her with a satyr seated and holding a thysseus and pointing on Eros' left. Tendrils above and plants in field. Side B shows a woman standing, draped, facing right, between two satyrs, one reaching to a box the other dancing with a box above him to the right. Egg and dot pattern below both scenes. Black to top of foot which has a reserved band at top and bottom of side. Base is concave and reserved.
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| REDMG:1951.150.1
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Black except for decorative bands and figural scene on either side, and reserved band at lowest part of foot, as well as reserved underside. Neck decorated on either side with a laurel band, between two reserved bands. Beneath figural scenes are decorative bands, comprised of stopt maeanders (3) alternating with saltire squares (1).
A: A female figure, juggling 8 eggs and advancing profile to right, faces a youth, advancing in 3/4-view to the right, but turning his head profile to the left. The woman, wearing a sakkos, tear-drop earring, beaded necklace, belted, sleeveless chiton, and two bracelets on each arm. The youth, nude except for a wreath around his head and a chlamys slung over his left arm, holds a large palm frond in his left hand and a phiale, at waist level, in his right hand. Above the phiale are 7 eggs (slightly smaller than those juggled by the woman). Bulls eye (above) and tendril (below) in field between them. B: Two draped youths, face each other in conversation; between them a window (above) and a stele (below); the figure on the right supports himself on a staff that he holds in his right hand.
Added white and goldish-yellow on side A, for jewelry, balls, phiale, wreath, and vegetation. The saltire square have short lines in place of dots. The right-most saltire square on A is replaced with a box of vertical lines.
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| REDMG:1951.151.1
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Black glaze all over, except for red rim, two superimposed decorative friezes at the base of the neck (ribbing between two black lines, egg-and-dots between two black lines, yellow dots below); figural frieze between tendrils; beneath handle one palmette sits atop a second palmette enclosed in tendrils that terminate above in volutes from which emerge further tendrils, ending in volutes, that sprout yet another set of tendrils; egg frieze between two reserved bands encircles the entire body and serves as a groundline for the figures; reserved underside.
The scene depicts a youth, nude except for two bands in his hair and a chlamys draped over his bent left arm, advancing (dancing?) in 3/4-view to the right, following two maenads, all advancing in 3/4-view to the right, although the last two maenads turn their heads profile to the left. All three maenads wear two bands in their hair (the last, however, appears as a single thick band), beaded necklaces, belted, sleeveless chitons, and snake bracelets on their left arms (the first maenad has a similar bracelet on her right arm). The youth and the first two maenads hold thyrsoi in their left hands. The third maenad holds a wreath in her lowered left hand.
All red surfaces are ruddled, except for the underside, including resting surface. Some added white and yellow highlight details on heads, jewelery and thyrsoi.
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| REDMG:1951.152
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Rim and neck covered in black glaze; circumscribed palmette frieze on shoulder, with intervening triangles above and below (where two are outlined but not filled in); main body (white ground) decorated with net pattern between narrow reddish-black lines; the upper black band is decorated with white dots. Black glazed on lower part of body and foot, except for reserved underside, including resting surface.
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| REDMG:1951.155
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Brownish-black band on inside of mouth; purplish-red band on top of lip; black band on rim; three black dots in a vertical row, on and just below handle. Purple tongues extend over shoulder; main body zone, comprised of hare-hound chase (one hare, two hounds, profile to right) bordered framed by two sets of purplish-red bands between black band.
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| REDMG:1951.156.1
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Mouth black inside and out, with a reserved lip; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body, top: black line at top of body. Body (at front, only): three rows of black dots between four black lines; black lines above and below figural scene; below, simple maeander to right, above a black line. Body, below: two black lines, thick black band, two thinner black bands, black to foot. Figural scene depicts a goddess mounting a quadriga, profile to right. Behind the horses are a seated (?) female figure, also profile to right, and a standing male (?) figure, from whom emerge, to either side, dotted branches; in front of the horses is a lyre player, seated profile to the left. All figures are heavily draped.
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| REDMG:1951.159.1
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On neck, between black handles, an enclosed palmette (11 petals on A and 9 petals on B; with two concentric arcs for heart on A, black dot for heart on B), black dot on either side of central petal, and black dot in the upper corners; black ridge below black line; frieze of vertical bars below each handle attachment; beneath each handle two superimposed palmettes, with a pair of volutes between, from which emerge tendrils, sprouting quarter palmettes. A: egg-and-dot frieze, between two black lines; white ribbing (painted); two reserved bands; floral frieze on shoulder (four volutes from which emerge flowers, tendrils and secondary volutes) emerging from the lower right; two reserved bands; scene. B: Continuous maeander to right, between two black lines; black ribbing (painted) between two pairs of black lines; a female head, profile to left, wearing a sakkos, from which emerges curly black hair, at front and back. Below the body zone, around the entire vase, is a decorative band consisting of dotted broken stopt maeanders to left (pattern doesnt match up on side B, to the left) between two reserved bands; black below.
Scene, A: A naiskos comprised of two Corinthian columns supporting a tapered epistyle and black pediment, on top of a podium (white maeander on a brown background, between alternating black and white horizontal bands). Two white female figures stand within the naiskos. The figure at left, standing in 3/4-view to the right, wears a himation over her left arm and hips, over a peplos (decorated with two vertical purple bands on the chest). Her hair is bound in a sakkos from which emerges hair at front and back; her jewelry includes a beaded necklace and two bracelets on each wrist. She holds a fan in her raised left hand as well as a wreath in her lowered right hand. She faces another woman (probably the deceased) who is seated in 3/4-view to the left on a stool (diphros) and rests her feet on a footrest (hypopodion). She wears a short sleeved chiton and a purple himation that she holds above her right shoulder in an unveiling gesture (anakalypteria). Her hair too is bound in a sakkos, from which emerges hair at the back; she wears two necklaces, one beaded, and two bracelets on each arm. A small ornament (or pures) hovers in the field between the two women. On either side of the naiskos is a kalathos (basket), below a rosette (red with added yellow and white), above a pair of white balls interspersed with clusters of three white dots, and above a double line of white dots. Each basket (both are identical) is decorated with a cross-square with intervening triangles (top) and alternating bands of zigzags, and white and black lines, as well as a band of vertical bars.
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| REDMG:1951.160.1
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within.
Interior and mouth glazed black with two reserved bands at top and bottom of rim. On exterior, below rim, a frieze of tendrils, with lotus buds above and below. Black handles, with reserved bands between attachments, and enclosed half palmettes below, from the sides of which emerge tendrils with volutes that encroach in the figural scenes. Below the figural scenes is a band of slanted zs, between two reserved bands. Black below, except for the recessed element at the top of the foot, which is reserved, a narrow band at the bottom of the foot on the exterior, and the reserved underside. The reserved parts of the volute frieze and figural scenes are reddened.
Scene, A: A woman standing in 3/4-view to the right, wears a black beaded necklace, a sleeveless belted chiton, and two black bracelets on each wrist. Her hair is tied in a ponytail. She holds a torch in her advanced left hand, while her right hand, downturned, is also slightly raised. She faces a youth, nude except for a chlamys draped over his left arm and slippers, who stands in 3/4 view to the left, reaching toward the woman with his right hand. Between the figures, in the upper field, is a window frame, while a large tendril, with volute, emerges from the ground, between them. In the field behind him is a leaf. B: Two robed youths, standing profile, with their right legs advanced, face eachother across a narrow stele. Above them is a circle with a black line vertically through the centre and an 'H' drawn on top (probably halteres).
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| REDMG:1953.25.107
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Thinnest at top and progressively getting thicker to bottom. Reserved band at top with wide smooth area painted blue below. Beneath this is the top of of a palmette style pattern with red and blue colours alternately.
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| REDMG:1953.25.13
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Black glaze, inside and out. On shoulder, below handle, five close-set red bands between two pairs of thin white lines. Two-thirds down body bands of alternating colour (white, red, white, red, white); trace of red line at top of foot; reserved foot and underside.
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| REDMG:1953.25.14
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Black glaze but reserved band just above foot and reserved underside; red bands on lip, above and below moulded ridge; incised pairs of vertical lines radiating across shoulder; two white lines, each above a red band, at lower part of shoulder; red bands on lower third of body and exterior surface of foot.
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| REDMG:1953.25.22
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Mouth black inside and out, with a reserved lip; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body, top: black line. Body (at front, only): black line; two rows of black dots alternating with white dots; two black lines; figural scene. Body, below: two black lines, black band, black line, black to foot and on top of foot; black on torus; otherwise reserved. Figural scene depicts a charioteer, dressed in a white tunic, driving a quadriga profile to right; the horses raise their forelegs as they pass a white meta (post). Another figure, possibly Athena, with helmet and spear, runs alongside the horses, so that (s)he is obscured by them.
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| REDMG:1953.25.23
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Mouth black outside; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body (at front, only): black line; two rows of black dots alternating with white dots; two black lines; figural scene. Body, below: black band, black line, broad black band, black line, black to foot and on top of foot; black band on lower part of concave element; otherwise reserved. Figural scene depicts a male figure wrestling a bull. The figures are flanked by trees with black and white fruits and thin vines. The heros clothes hang on the left tree and his quiver hangs above him. While this scene might depict either Herakles with the Cretan bull or Theseus with the (same) bull of Marathon, the incisions on the head covering (slightly stippled) suggest that this is a schematic rendering of Herakles lion-scalp helmet. Added white is used for the rendering of details such as fruit on trees, as well as the forepart of the bull, and his tail, while incision is used to indicate the drapery, quiver, and musculature of the hero, as well as his head covering. On attribution, cf. CVA Cambridge 1, pls. 22, 21.
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| REDMG:1953.25.3
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Each handle is dipped, so that it is black only at the outer part. Interior: black with three red bands, one on the floor, one ca. 1.5 cm below the rim, and one on the rim. Exterior: two red lines; band of vertical bars, black band between two black lines, red band, black band between two black lines, red band around foot. Red band on resting surface; black band and thinned black circle near on underside.
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| REDMG:1953.25.4
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Exterior: white zone extending down 2.0 cm, perhaps with further decoration. Black below handles, on which two red bands are painted, just below the red zone. Red band on exterior of foot; otherwise foot and underside reserved. Interior: black with red bands, one half way down the wall, the other encircling the bottom.
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| REDMG:1953.25.44
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Interior: black line above reserved band on rim, below which entire surface is glazed black. Exterior: black line and reserved band at rim; black line at top of body; reserved band in handle zone; indications of black glaze at outer parts of handles (dipped?); glazed black below (glaze is thin in sections).
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| REDMG:1953.25.50
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Black glaze, fired red in places. Red band on lower part of lip; traces of white palmette, with tendrils, on shoulder; red line between two white lines at shoulder; red band just below middle of body. Underside reserved.
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| REDMG:1953.25.56
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Red on outer surface. Slightly flaring mouth with long neck. Moulded rim at base of neck. Single curved handle. On shoulder are long tongues, band, 'sigma' shapes, band, broad band, bands, pointed tongues up from base. Foot flares out and base flat. Down each side, below handle and opposite side are flat strips that reach from neck to base.
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| REDMG:1953.25.59
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Black glaze fired red in places; ghost of a palmette from the bottom of which emerge two volutes, in added white on shoulder at front; red band between two white lines on shoulder, just below handle attachment; red band on widest part of body; underside reserved except some black glaze overlapping from the sides.
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| REDMG:1953.25.6
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Plain rim below which are attached two horizontal round handles; tapering sides and broad angled ring foot. Black gloss except for lower part of body and foot reserved. Overpainted on sides with red band at rim, red band below handles, red band at bottom of black gloss above a broad band of rays extending to the foot, with a black line at the join with the foot, and red on the exterior surface of the foot. Underside decorated with three thin concentric circles towards centre of base.
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| REDMG:1953.25.7
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Rounded rim, slightly everted, below which emerge two horizontal handles, round in section, approximating triangular shape, canted slightly up. Side walls, slightly concave, narrow and become slightly convex towards the join spreading, lipped torus ring foot.
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| REDMG:1953.25.85
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Top is flat and squared off. Groove below rim then the rim is diagonal, rounded ridge at base. Large flat section with design sculpted on top of it so it is in relief. Scene is of a griffin, a winged creature with bird head and lion-like paws. The ribs are clearly visible as are the lines in the wings. Front left paw is raised above a stick with snakes (?) curled around or a decorative branch (?). Below is a higher moulded ridge with raised egg and dot pattern beneath, before another moulded ridge. Bottom is flat but has diagonal scratches carved in - perhaps to help this section adhere to whatever it was originally part of. Many inclusions in material.
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| REDMG:1961.150.1
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Reddish-brown bands on upper neck (1), ridge (1), and lower neck (1); 4 concentric circle ornaments on shoulder; lower shoulder with 7 thin bands between two fat bands. Single fat band below shoulder, band on exterior of rim.
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| REDMG:1962.184.33.21
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Traces of parallel vertical bars on shoulder and upper part of side walls; white ground on upper 2/3 of body; black glaze below; foot reserved on vertical surface and underside.
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| REDMG:1964.1627.1
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Only the trefoil mouth rim survives on one secion. The other section has part of the handle remaining. These parts came from a large oinochoe as the handle is wide and thick and the mouth is large also. Apparently was all black originally. Handle was originally higher than the mouth. There is a groove which runs below the mouth, indicating the top of the neck.
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| REDMG:1964.1628
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Dipped (black glaze). Interior: black glaze with red band on rim. Exterior: black (fired red in places) on upper 2/3, but reserved below.
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| REDMG:1964.1640.1
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Rim of object remains, as does circular handle, placed horizontally just below rim. Traces of black glaze.
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| REDMG:1964.1643.1
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Circular, horizontal handle attached to rim of cup or skyphos. Interior is colored red. Rim is black and handle appears to have been black. Below handle is colored red again.
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| REDMG:1964.1688.1
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Slightly curved from left to right and curved from top to bottom, becoming steeper towards bottom of fragment. This suggests that the fragment may have belonged to a cup of some description which has straight rim and a sloping body (?) Fragment has the rim of the object. The rim is black and flat on the top. On the interior surface is a black band below rim, red, broad band, thin black band and red again. The exterior surface appears to have been black all over but faded to red. The material is thick and dark in colour.
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| REDMG:1964.1690.1
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Rim and small part of body. Rim area is reserved. Below is a black band and then another reserved area. The interior surface is reserved at the rim and then black beneath.
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| REDMG:1964.1696.1
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Underside is red and topside, at rim,is a black band which is unevenly painted.. Below is reserved.
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| REDMG:1964.1710.1
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Hemispherical bowl with very thin walls; single (wishbone?) handle just below rim.
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| REDMG:2004.95.1
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Interior of mouth black; lip reserved; exterior of mouth black, as is handle (repainted); vertical bars at the bottom of the neck; lotus-dot chain on the shoulder; Dionysos riding on a mule, between two satyrs, one holding a maenad. Below the figural scene is a black band, a reserved band, and then a black zone extending to the foot, which is black on the top, reserved on the convex surface and the underside.
Figural scene: A nude satyr (in a crouching pose) runs profile to the right, holding a maenad on his shoulder; the maenad, who turns her head profile to the left, stretches her arms to either side and holds a rhyton in her slightly upraised left hand. She wears a kekryphylon (red), necklace (incised) and himation. Dionysos, seated on a mule, rides profile to the right; the god, wearing a red and blck ivy wreath and a himation decorated with red dots, holds a red keras (horn of plenty) from which emerge ivy tendrils that serve as a backdrop for the entire scene. Leading the mule (through use of a white rein, of which a ghost remains) is another nude satyr, running profile to the right, while he turns his head profile to the left. Other details include red on the beards and tails of satyrs and a red fringe for the foremost satyr. Incision is used extensively for anatomy and drapery. An unusual effect is created through the use of incision for the forearm of the leading satyr, which he lays across his torso, which is not incised save for two small circles to indicate his nipples.
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| REDMG:2004.98.1
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Black on interior and exterior of mouth; reserved upper lip; restored neck; handle black on exterior; shoulder: band of vertical bars above black rays pointing toward the carination. Body: double lotus-palmette frieze, bilaterally arranged, on either side of a 'chain' (row of dotted circles inscribing incised circles. Incisions also used for palmettes; attenuated white lines (side leaves of lotuses) arc over the palmettes. Below the main zone is a thin black band, a thick black band, and a black zone that extends to the top of the foot. The foot is also decorated with a black line at the lowest part of the vertical edge of the foot, and is reserved on the underside and resting surface.
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| TEMP.2002.7.1
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Bowl with two handles, the rim has a black band around the top which goes both inside and outside the bowl. Below this on the inside, is a very thick black band that stops to leave an empty circle in the centre of the bowl. The handles begin about an inch below the rim on the outside of the bowl, but curve up and out to finish roughly on level with the rim. They are painted with black glaze only on the underside. Above the base of the handles there is a subtle ridge, below which there are three lines of pattern, which look like petals. Below these, there is a thin black band, a small space, and then a thick black band which goes down to the ridge of the foot. The foot itself appears to consist of two flattish disks, the lower with a black band round it. On the bottom of the foot, there is another black band part way in, and then a smaller one with a black dot in the middle.
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| TEMP.2002.9.2
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Larger piece (1) is made of three fragments and shows the top of the front panel with a pattern of horizontal palmettes with dots in field above a scene of a woman, with head covered, facing a youth wearing a long tunic and holding a long stick (?). The vertical panel pattern on the left hand side is of two dots, staggered and joined by a line. Detail picked out in watery glaze and black. The inside surface of both pieces is almost ribbed and the glaze is streaky. The smaller piece (2) has remains of a thick handle with a palmette pattern below it. The design on the front has the same horizontal and vertical panels as the other piece but has an old (bearded) man facing left also in long tunic. Both pieces bend upwards to what would have been the mouth and there is a possibility this would have been trefoil shaped.
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| TEMP.2002.9.26
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Interior surface is black with a reserved band inside rim. Rim and part of body remain. Offset rim is painted black. The picture is of a bird (perhaps a swan ?) with wings outstretched and neck curved. Bird is facing left, towards a horizontal line of four black dots. Below is a black band.
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| TEMP.2002.9.28
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Chunky fragment which is flat. The underside is reserved and the topside has three bands at the top and eight rows of irregular zigzag below. No finished edges.
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| TEMP.2002.9.29
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Fragment including section of rim. Rim has a flat top and is hardly offset at all. Interior surface is black. The exterior surface has black bars on the rim then a black band below with a panel of vertical bars next to a panel of three horizontal zigzags with a final band below. Below this but mainly missing at fracture are two narrown bands.
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| TEMP.2003.6.12
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The internal surface of all the fragments is black. External: a) The rim is black, however,it appears red on an area. The back of the handle is black (the inner surface is reserved), but the area between the two parts of the handle creates a horizontal, reserved band. Below that, there is part of a black band and part of a reserved area. b) the rim is black. Below, on the left, there is part of a wavy? vertical black band, while on the right there are two small, black spots, parts of a motif. c) There is part of the black band that decorates the rim. d) There is a black band on a reserved area and part of a motif that resembles a ribbon? below which spring thin lines.
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| TEMP.2003.6.14
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The two fragments bear part of the same decoration, apart from the parts of two lines in added red on top of a (which is preserved higher than b). There is a large black area below which there are two lines in added red. Underneath, there is the upper part of a radial-shaped motif on a reserved, but glazed, surface.
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| TEMP.2003.6.17
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The interior of the vessel is black apart from the lowest part of o, whose lower part bears a reserved but glazed line. Exterior: a) On the right side, there is the upper part of a seated woman (part below her waist is missing). She is draped and wears a stephane (fillet) on her head. On the left side there is a floral motif whose stem is a wavy line that expands to the left. b) There is the back side of another seated draped female figure. c) The front side of the previous female figure. She is holding an alabastron with both her hands. d) On the lower left part there is the largest part of a voluted palmette with petal shaped divisions, connected with a tendril. The area next to the spring of the one part of the handle is reserved. e) On the bottom right there is the rest of the previous palmette, also connected with a tendril. f) On the bottom right there is the upper part of a palmette and on the upper left there is part of a tendril's volute. The area on the left of teh one spring of the handle is reserved, but glazed (plaster on top). g) Uneven black surface. h) A small part of the volute of the tendril of f and the stalk of a flower. i) Part of an inverted palmette, connceted with (part of ) a tendril, with (occasional) leaves on its sides. j) Small line, part of a tendril. k) Part of a tendril's volute. l) A figure's projected forearm and hand (figure's depicted on n?). m) On the right side, there is the stalk and part of the stem of a flower and a line that seems to be part of a tendril. n) Part (head missing, neck and shoulder are scraped off, area below the knees missing) of a draped standing figure that has the left hand around the waist. o) The lowest part of a figure's drapery.
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| TEMP.2003.6.23
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a) The upper part (head to chest) of a draped youth, with a fillet on his head (faded), facing left. b) Another youth (part of his face is missing). He is wearing a himation on his arm and waist and his right hand is extended to the left. c) The rest of the previous figure's face and below, the biggest part of a lyre. The rest of the fragments are black, with the exception of part of a thin line on e.
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| TEMP.2003.6.24
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Fragment of pot, including slight buldge where handle begins. Exterior, black lines on white background. At the right edge of the top there is a triangluar bit of black that looks like it originally belonged to a square surrounded on both verticle sides by twin sets of thin brown verticle lines. Less than 1 from the top there are two brown lines that follow the curve of the jug horizontally spaced .3 apart. Under these lines on the left is a large2.5 hieght figure eight pattern made up of three lines that swirl around to create the eight, with little v's on the outside of the eight pointed away from where the figure eight lines cross. On the right side, two bworn/black lines curve around where the handle would have begun. The handle section is all black, although chipped. Under the figure eight is a .6 thick black lines running horizontally around the pot, broken by a thin pink line a little below the middle. there are two other thin pink lines equidistant from this first one, one above and one below it by about .4, the top pink line being right above the top of the black line. Underneith the bottom pink line is a segment of a different pattern. Interior is black over pink and white, which is worn away enough in many parts to see the pink and white colors. two thin and faded white lines form bands near the top.
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| TEMP.2003.6.26
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Fragment of the bottom part of the cup of a chalice(?)or bowl(?). Exterior white with one small red/brown section of a pattern at the highest point and one thick almost 1 red/brown line abour half way from the top. Interior is black/brown with a pair(?) of thin faded white lines .5 from the top edge, below that a repeating pattern of black teardrops, and below that a pattern of white sploches interspliced with red dots.
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| TEMP.2003.6.6
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The interior is black, but there is a reserved band on the fragments that come from the vessel's rim (a, b, c, d), which also bear a reserved band on the upper internal side of the rim. a) The black colour appears streaky (it varies from reddish brown to brown) on the rim (interior and exterior), as well as on the handle. The colour of the decoration appears brown and reddish brown on some areas. There is a broad band that bears two palmettes (one on either side of the double handle), while the surface between the two springs is reserved. On the left side of the fragment there is the right part of a motif (front legs of horses?). Below, there is part of a black line. b) The rim is black. Below, there is the upper part of a charioteer, riding a chariot with four horses (part of them is preserved). Details of the horses have been rendered with incisions. c) The rim is black, however the black colour is uneven and leaves part of the right edge of the fragment's rim reserved. Underneath a thin, reserved line, there is a palmette and next to it part of the line that contoured the spring of the handle. d) The rim is black. Below, there is a female figure's head and in front of her (at the level of her face) there is part of a curving branch, with dots on either side (part of wreath?). e) Part of a palmette, a black line and a black band. f) There is a dot in the middle of the resting surface, contoured by a circle. There is also part of a wide, band, between thin lines, above which, there is a graffito? in the shape of X.
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| TEMP.2003.6.7
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The interior is entirely black apart from a, which, although black, bears a reserved band on the interior of the rim. a) The rim is black. Below that, the vessel bears the depiction of a symposium scene. On the left, there is the upper part of two draped male figures facing each other. Between them there is a carelessly rendered figure (background); a servant? and a branch with dots on either side. Another, identical branch can be found behind the person on the right. Next to that, there is the upper part of another figure (servant?) from whose arm another branch is hanging. He is facing right, towards a palmette (voluted with petal-shaped divisions), from which the beginning of a tendril seems to spring. There is also part of the bad that covered the back of the handle. b) The lower part of the male figures that face each other. They are draped and seated on similar chairs (diphros okladias). Below them there is a thick line and underneath, the beginning of a band. c) The lower part of another seated (on a similar chair), draped figure, with part of the thick line and the band below. d) The back of the handle is covered with black colour (carelessly rendered at some areas and streaky). The rest of the surface is reserved (but glazed), however, there are some spots on the handles's inner surface. e) The back of the handle is black, but the black colour is streaky at some areas, There is part of a branch on the right side. f) The back bears black colour. g) The back of the handle is black, although streaky on some areas.
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| TEMP.2003.6.8
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The interior is black, apart from a reserved line on the upper part of the rim. a) The rim bears a black band. Below, there is a palmette on the left of the fragment (an almost round centre from which emerge petal-shaped divisions), as well as part of a carelessly rendered curving line. On the left there is the right part of a figure next to three barnches with dots on either side. There are also four large dots on the background. b)The rim bears a black band. The rest of the surface appears to be reserved. c)The rim bears a black band. On the right side there is the largest part of a palmette (round center, rendered with added red and petal-shaped divisions). There is part of a black line that contoured the handle (partially covered with adhesives and plaster). On the left, there is another figure (carelessly rendered, between three similar branches (on the right) and part of an (undecipherable) object that consists of black colour, incisions and added red colour. There are also four large dots on the background. d) The rim bears a black band. There is part of the object on the left side of c and on its left there is part of a black dot. e) On the left side there is part of a curving line with a voluted ending (tendril?), which is connected to a palmette (voluted, with round center and petal-shaped divisions). Next to that there is an object that consists of three parts. The upper is round and the details are rendered with incisions and added red, the middle part is a small dotted branch and the lowest part is a short, vertical, thin band (thyrsos?). From its middle part emerges another dotted branch. There are five large dots on the background. On the right side of the fragment there is the left part (small part) of a figure? (carelessly rendered). f) The part of the lowest body that is preserved bears the terminations of palmettes? depicted on the body (short, clumsily rendered bands are preserved). There is also a reserved thin line between two broad brown bands. The foot is also brown and so is the inner sude surface of the foot. The rest is reserved, with the exception of five thin, concentric circles on the base. g) The fragment bears the lowest part of a palmette (the left volute and part of the round center)on the left and part of the reserved area between the two brown bands.
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| TEMP.2003.7.1
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The edge of the rim is painted with a small line of brown, which is fairly worn. Interior has a brown coat over white paint. The brown starts 0.2 below the rim. There is also a small red splotch near the edge of this side. Exterior is white.
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| TEMP.2003.7.2
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Interior white with a pattern of brown waves set in between sets of two thin yellow lines which begin .2 below the rim. There is a small bit of brown that seems to be part of some other pattern at the bottom of the fragment. Interior is brown/black with remnants of a white fan or floral pattern, which is heavily worn. A good deal of the interior is worn down to the original terracotta.
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| TEMP.2003.7.3
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Exterior white with brown patterns. Following one edge abour 1.0 down is a set of faded brown lines. Between the edge and these brown lines on one side are five brown lines perpendicular to the two lines, while on the other is a single parallel brown line with 5 short perpendicular lines crossing. Below the two brown lines is a brown blob that looks like it may have once been a horses leg, but is nothing in particular now. Interior is brown.
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| TEMP.2005.8.1
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Decoration in relief: On lower part of wall is a frieze including two tall birds (cranes?), the first in 3/4-view to left with wings outspread and head turned to the right, the second advancing profile to the left. They are enclosed in a rectangle outlined with relief dots. Below a row of relief dots, on lower part of body, is a floral frieze, consisting of inverted lotus buds, tendrils, and rising acanthus leaves.
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| TEMP.2007.3.51
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Obverse: head of Roma, no text, very ornate; Reverse: Dioscuri riding a horse, second horse and rider behind, stars above and below horse there is barley;
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| TEMP.2007.3.81
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Obverse: Head of Roma
Reverse: Dioscuri riding, stars above Roma, below horses ear of barley
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