| 11.10.4
|
Wide mouth with flat rim with one band followed by two thin bands. Single handle with one horizontal bar. On the shoulder is a thin daisy pattern. Body has eight bands, the fifth from top is broad. On bottom are two small circles.
|
|
| 14.9.110A
|
Interior black except for a reserved band below rim, 0.3 cm wide; exterior reserved rim and a small handle zone. Rest of the body black. Handles black on the exterior, reserved underneath.
|
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| 14.9.114
|
Small areas of white at the top of the right thigh, and to the left of feet, suggest that the figure was coverd with white slip (painted?).
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| 14.9.116
|
A festoon of lanceolate leaves in thinned clay hanging by means of small carelessly incised arcs from a white fillet. Inside black with a narrow band of unintentional red just inside the rim.
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| 14.9.120
|
Body of cock. Small hole underneath. Traces of white slip.
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| 14.9.13
|
Creamy-white clay. Patterns in dull black on pinkish ground, rectangles and lines on the outside and a curved pattern inside. Small section of rim (?)
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| 14.9.30
|
Sherd with fragment of handle attached. Interior surface is reserved showing the pale clay. The exterior is covered with dull black paint and has superimposed bands of white with the suggestion that there is some pattern inside the band. Small section of handle is black as well. No finished edges.
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| 14.9.38
|
Pinkish-buff clay with brick red paint. The exterior surface has a band at rim above a spiral with linking lines with small petal-like crescents between them. Inside, the surface is red.
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| 14.9.4
|
One-handled jug, black and blue background. Mouth very small, with a thick lip to which the black handle joins. The neck is very short and black. The shoulder is predominantly black with suggestions of circles around the circumference in black and blue bands. The body has a thick black band overlapping from the shoulder, but the rest is deep blue colour and undecorated. The foot is small and undecorated.
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|
| 14.9.59
|
Series of banded sections on pale buff background. Top section plain painted band faded to brown, followed by band of small black dots between two lines, then thick black band and 2 thin black lines then another black band that has faded to red and finally a thin black line with one further band that covers the corner and is visible on the bottom. The rest of the bottom is the pale buff of the clay. Inside has traces of brown paint particularly near the top.
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|
| 14.9.67
|
2 black lines at 45 degrees to each other. Black painted design with incised lines marking 7 thin rectangular sections with rounded ends all next to each other and getting shorter towards one side, every other one purple. (feathers? leather strips on armour?) 2 other small incised lines at right angles to each other on black, no clear design. All on coarse grey/buff background. Inside painted black.
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|
| 14.9.70
|
Black petals around small circular indentation. Black painted section split into 3 sections by incised lines; 1 plain, 2nd with red paint over black, 3rd with incised lines at right angles to section lines. Further small black painted section. Background pale buff. Inside reserved.
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|
| 14.9.71
|
Black floral rosette, small central circle with circle round that and 11 petals marked with incised lines, every other petal marked with red spot. This is surrounded by black vines and several small leaves, 2 of which are marked with incised lines. Background buff. Inside reserved.
|
|
| 14.9.75
|
At the top is a triangle of black, with a smaller triangle below leading to a dark brown line. There is a similar line parallel to this one on the left. Both lines are at right angles to a braoder dark brown line. Nestled between two faint brown lines are five white circles with black circles in the centre. There is just a small area of dark brown/black on the bottom right hand corner. Other side is reserved.
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|
| 2003.6.18
|
Base fragment of a small pot, decorated with three straight lines at the base, two of which are black; the middle one is of a faded purple colour. Above the lines is a large black pattern which takes up nearly all of the space left on the fragment. The interior is decorated with a black gloss.
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| 2003.7.15
|
Piece of fragment made of red clay with pattern both sides. Fragment is slightly curved, with a small rim at the top suggesting it could be part of a decorative plate or bowl. Side A, which is possible the interior, has a broad black line at the bottom - possibly this was the colour of the interior, with five rough circles in a row, alternating black and red from the left hand side, painted on top of a white background. Side B has a similar broad black line at the bottom, with a broad white line painted at the top and several faded black vertical lines painted over the white. The shape of the fragment is rectangular, and it slopes to a point at the right hand side.
|
|
| 2003.7.19
|
Possibly part of rim and body of a bowl/jar, due to the smoothness of the top of the fragment. Side is shows indication of being the interior, due to the plain black colour painted on. The exterior, side B, has been painted in white with a narrow area of black at the bottom. There is indication of two parallel lines of small black dots, in between which are two narrow parallel black bands with squares of black between them.
|
|
| 2003.7.22
|
Possibly top part of a bowl/jug due to smooth edge of rim and the way it curves half way down. The interior side is painted in black. The exterior has the top half painted in white, with two lines of small black dots parellel to each other at the edges of the white paint. There are two dark brown/faded blakc parellel lines which have two black squares at either end of them. There is a narrow red line beneath the white, with a black area beneath that. The clay is quite smooth.
|
|
| 2003.7.23
|
Possibly part of the top of a bowl/jar due to the smooth edge at the top. The interior is painted black, and has a smooth texture like the exterior. The exterior has a wide band of white painted on, with a few black marks painted on which are possibly horizontal lines and small blacks squares - similar to other Laconian fragments. Underneath the white is a narrow band of dark red, then an area of black.
|
|
| 2003.7.25
|
Very small fragment, interior (side a) is painted black. The exterior, side b, has a narrow red band at the top, with a white background beneath it and two narrow black bands, a strip of small black dots and a black filled in shape at the bottom.
|
|
| 2003.7.26
|
Probably part of a jar due to the way the bottom of the fragment juts out at an angle - possibly the body of the jar. The interior is painted black/dark red, although most has rubbed off. The top half of the exterior has been painted white (barely visible), with parallel lines of small black dots, and black squares in between these two lines. The rest of the fragment is painted black.
|
|
| 2003.7.27
|
Small fragment, possibly part of a jar. Interior (side a) is painted black and curves slightly at the top - possibly a rim? The rest of the fragment has been painted in white, with four black narrow parallel lines, and a black square nestled inbetween the first two lines. There is also a dark red line at the bottom of the fragment.
|
|
| 2003.7.28
|
The interior is painted a solid black. The exterior has a black band at the top. There is a white background painted on, with three black parallel lines. Between the first two lines is a row of small black dots, the second and third line has a black circle lodged between them and there is a small black dot at the very tip of the fragment.
|
|
| 2003.8.56
|
Small fragment with thin horizontal red line across the middle.
|
|
| 2004.11.2
|
Picture of river with reeds on both sides. Two men in small boat on river.
|
|
| 2004.8.2A
|
Black, leaf-shaped decoration, interlaced with thin black lines, with two small, black circles beneath. Black on reverse side of fragment.
|
|
| 2004.8.5
|
Eleven, black palmettes in fan arrangement, two of which are joined at the stems. Left of the palmettes there is a verticle black line with a series of small black dots, parallel, either side (ten left of the line and eight right of the line) which is believed to be a branch of a tree. Right of the palmettes there is a solid, thin black line (L. 3.8).
|
|
| 2005.3.25A-C
|
A: foot and base reserved, stem and exterior of kylix black, with reserved band. A second band has floral ornament with a chain-like band below. Interior is black except for a reserved circle in the middle, two small black circular bands mark the centre. B: Floral ornament on this fragment joins up with fragment A, pattern as before, interior and rim/lip black. C: interior, rim, lip and majority of exterior black, patterned floral band as before
|
|
| 2005.3.35
|
Black band on interior. Rim, lip and handle have small black lines, two black lines are visible under the handle
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|
| 2005.7.10
|
Narrow red wool strip with arrow design; small red medallion
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|
| 2005.7.13
|
Geometric decoration principally in linen with small area of wool
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|
| 2005.7.16
|
Border/selvedge of small looped twisted threads
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|
| 2005.9.11
|
Obv: Map of Europe, with 12 stars. Rev: Border of 12 stars, picture of a 5th century BC Athenian tetradrachm showing the owl, olive branch on left and crescent moon on left. Rev symbol: Small leaf representing the Bank of Greece.
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|
| 2006.12.19
|
Dots of black paint heavily worn with small bits of black paint in other places, suggesting a heavily worn decoration
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|
| 2006.12.44
|
Three brown painted bands with two lines joining them at right angle, with two small lines at right angle at edge of fragment, possibly an animal's leg
|
|
| 2006.12.53
|
Worn black paint; only a very small amount remains at all
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|
| 2006.12.60
|
Small amount of dark paint on inside; heavily worn
|
|
| 2006.5.28
|
1 small rige, convex
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|
| 2007.10.1.25
|
Naked man with right hand behind his back and small winged man behind him.
Cast Number 89
|
|
| 2007.10.1.26
|
Naked man holding possibly cloth in both arms. A small winged child behind him (on the left)
Cast number 90
|
|
| 2007.10.1.27
|
Bearded man with short curly hair kneeling down on one knee and facing to the left of the image with his right arm raised. Small winged boy behind him.
Cast number 91
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|
| 2007.10.2.100
|
Bearded male head in profile facing right. He is wearing a helmet and to his left is a small naked female figure.
|
|
| 2007.10.2.104
|
Naked male figure facing left. He is carrying something, possibly a small child, in his arms.
|
|
| 2007.10.2.152
|
Three figures. A man, visibly fatter and older than the others, is bound to a tree. A second man is standing in front of him and has a small vessel in his left hand (offering it to the other man?). Finally a woman is sensually reclining in the foreground, showing her naked back to the audience.
|
|
| 2007.10.2.158
|
Young male standing in profile. He wears only a cape and carries a stick in one hand and a woman's head in the other. At his feet there is a sort of small container open.
|
|
| 2007.10.2.181
|
A naked, male, child-like figure, with a robe draped around his back and arm stretched out in front of him. Sitting on top of a small laurel wreathed plinth.
|
|
| 2007.10.2.189
|
Frontal figure of a naked man standing up and rubbing his back with a cloth. On the background a small table with a vase on it.
|
|
| 2007.10.2.19
|
Head and shoulders of a young man facing to the right, with small spear and shield to his left
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|
| 2007.10.2.192
|
Frontal view of a male's face.He has two small wings on his head; therefore he probably is Hermes.
|
|
| 2007.10.2.2
|
Displays a man wearing robes and holding a spear falling down. There is also a small snake to the right of the man's face.
|
|
| 2007.10.2.223
|
Standing naked male figure. Looking at what appears to be a small statue. Something has been placed at the foot of the statue, possibly an offering of some description. Detail too shallow to identify.
|
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| 2007.10.2.236
|
A powerfully built male figure kneeling with one arm (right) raised, his hand making a fist. The other arm is lowered and appears to bound (possibly) behind his back. His head is bowed. The figure appears to have a small winged figure upon his back. It is not clear if he is carrying the second figure or if there is some sort of struggle in process.
|
|
| 2007.10.2.262
|
A naked man sits in front of and is looking at, a small statue.
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| 2007.10.2.269
|
A female standing holding a lyre, behind her is a small statue raised on a pillar.
|
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| 2007.10.2.307
|
A bearded male figure crouches before a large handled urn. The urn is decorated with a simple line pattern. The figure appears to be holding a small hammer in his right hand, which he is possibly in the process of using (his gaze/concentration appears fixed upon it). To the far right of cast a tree is depicted, perhaps to simply denote the scene is an exterior one (rural rather than urban might also be suggested).
|
|
| 2007.10.2.310
|
A bearded male crouches in front of a large handled urn. He appears to be holding a small hammer in his right hand which he is possibly using (gaze/concentration are directed towards it). The urn is decorated with what is possibly a sphynx. Very similar image to cast no.597.
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|
| 2007.10.2.311
|
A large female figure reclines in the centre of the scene. She is dressed in robes and is wearing either a helmet or a cap (Phyrigian cap?). Her left arm is resting on a disembodied (bearded male) head and her left hand holds a staff which rests against her upper-arm or shoulder. Beneath the large female figure and to the left of the male head are two shapes which possibly represent boats or ships. These shapes might indicate that the portion of the scene below the female figure is in fact a river or the sea. In turn this might suggest that the disembodied head is emerging from the water (possibly identifying it as a river god). To the left of the scene a very small figure appears to be presenting the large female figure with something, possibly a basket or urn. A slightly larger figure, leaning on a stick, looks on from beneath a tree. Above the very small figures head are two animals (presumably intended to appear to be further off in the background). One at least of these animals is certainly a horse. To the right of the large female figure's head there is a representation of a stag. At the top of the scene in a central position are three shapes. It is unclear exactly what these are (possibly huts or houses of some description?).
|
|
| 2007.10.2.39
|
Robed woman holding small staff and something esle in other raised hand, column in background
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| 2007.10.2.495
|
Right profile of a figures body, with a long robe flowing behind, possibly wearing a small headress, holding a piece of material in frount of itself.
|
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| 2007.10.2.89
|
A male figure leaning against a wall (?). He balances something on his knee whilst holding a small child (?) on his shoulders.
|
|
| 2007.10.2.96
|
Naked male figure sitting/leaning against an inscribed chest. In one hand he holds a small pointed stick/dagger and in the other he holds what looks to be a model warrior. Over his arm is draped a cloak.
|
|
| 2007.2.104
|
One side is decorated with a small stripes of orange glaze.
|
|
| 2007.2.11
|
single area covered with a small amount of brow/orange glaze; no distinct pattern. flat fragment with cylindrical shape protruding from it.
|
|
| 2007.2.110
|
Small decoration of black glaze.
|
|
| 2007.4.103
|
Small black tongues running up side
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|
| 2007.4.122
|
Black paint on inner ? surface; brown paint on outer ? surface; small size of fragment makes definitive assessment difficult
|
|
| 2007.4.226
|
Geometric pattern; small size makes recognition hard
|
|
| 2007.4.85
|
Faded red brown lines and badly worn small shapes
|
|
| 2007.9.1.15
|
Displaying the front view of a very small head of a bearded man.
|
|
| 2007.9.1.46
|
Displays a man, wearing a hat and a cloak, kneeling down and tending to a small animal. Some letters around the outside.
|
|
| 2007.9.1.49
|
Displays a man, wearing a hat and a cloak, kneeling down and tending to a small animal. Some letters around the outside.
|
|
| 2007.9.1.50
|
Displays the figure of a man carrying a stick standing behind a cow. A small tree can be seen in the background.
|
|
| 2007.9.1.71
|
Displays a small animal, probably a rat or a mouse.
|
|
| 2007.9.1.72
|
Displays a mouse with a small ball.
|
|
| 2007.9.1.94
|
Displays a human figure kneeling facing left, tending to a small plant.
|
|
| 2007.9.2.13
|
Displays a seated woman writing on a tablet, a lyre at her feet, whilst a winged figure, a small owl sitting behind his left foot, holds a small jug above a burning oil lamp. A latin inscription is beneath them. (Box Index = Virtue assissted by Genius)Tray 5, Layer 1, Gem 13
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|
| 2007.9.2.25
|
Displaying a naked man with a cloak draped over one arm, holding a large pole in one hand, and a sphere topped with a small figure in the other. (Box Index = Figure of Napoleon).
|
|
| 2007.9.2.29
|
Displays a half naked woman, her right arm held up, obscuring most of her head, holding a small jug in the same hand, and a cup in the left. (Box Index = Head of Hebe).
|
|
| 2007.9.2.30
|
Displays the head of a woman, her hair tied up, and wearing a small crown. (Box Index = Head of Hebe).
|
|
| 2007.9.2.31
|
Displays a woman, her back to us and her head looking right, standing next to a small pillar and holding a lyre in her left hand. (Box Index = A Muse).
|
|
| 2007.9.2.6
|
Displays a mostly naked woman, her lower half draped in cloth, who is seated and holding the right arm of a cherub standing in front of her. A small flowering plant, a bee and two birds are also visible. (Box Index = Venus with crying Cupid who has been stung by a bee). Tray 5, Layer 1, Gem 6
|
|
| 2007.9.2.8
|
Displays a seated naked man, one hand resting on the handle of a club, the other holding a bowl, whilst a woman stands in front of him, holding a small jug in her raised right hand. (Box Index = Hercules and Hebe). Tray 5, Layer 1, Gem 8
|
|
| 2007.9.3.11
|
Displays a dog sitting on its hind legs in front of a small shrine.
|
|
| 2007.9.3.14
|
Displays five human figures, two kneeling, two standing and one seated, details are too small to see more.
|
|
| 2007.9.3.19
|
Displays a man standing, other details are too small to identify.
|
|
| 2007.9.3.21
|
Displays a front view of a seated woman, a small lion at her right side.
|
|
| 2007.9.3.23
|
Displays a chariot race in very small, fine detail.
|
|
| 2008.2.1.34
|
Naked female figure facing to the right her right arm raised above her head. The figure is leaning on a column and looking at a small winged boy who is seemingly presenting the standing figure with a wreath.
|
|
| 2008.2.1.35
|
Naked female figure seated and resting against a column. To the right of the figure is a small winged boy who seems to have his hands cupped round his mouth, suggesting that he is shouting at the female figure. It is possibly a representation of Eros waking Psyche.
|
|
| 2008.2.1.37
|
Naked male figure holding a spear. The figure is leaning against a column. At the foot of the column is a small animal (probably a dog) partly obscured by the column. The animal is looking up at the male figure.
|
|
| 2008.2.1.39
|
Frontal depiction of a small winged male figure with wings spread. The figure is holding what appears to be a container in his left hand. The figure seems to be dangling what is possibly a bunch of grapes over a bird (possibly a goose).
|
|
| 2008.2.1.40
|
A small winged figure (probably male) with a quivver upon its back. The figure is seated, upon what appears to be an upturned helmet, and is facing to the left.
|
|
| 2008.2.1.41
|
A small naked and winged male figure in frontal aspect facing slightly to the right. The figure is holding a bow and a club (which is resting upon his left shoulder)in his left hand. At the feet of the figure on the right side of the cast is a quivver.
|
|
| 2008.2.1.42
|
Two small winged and naked male figures. They appear to be fighting. One figure is on its knees on the ground an arm raised to protect its head, which the other figure (to the left) is striking.
|
|
| 2008.2.1.44
|
The profile of a young woman, from the waist up. She has a band around her head and her hair is tied up. She appears to be looking at a small bouquet of flowers which she holds in her left hand.
|
|
| 2008.2.1.50
|
Clothed boy holding a tall plant in one hand while cutting it with a small knife held in the other hand
|
|
| 2008.2.1.61
|
There are a large group of 10 figures, 5 are standing and 5 are seated. They are engaged in festivities; the second and third figures from the left are holding bowls and appear to be offering them. Behind the seated figures are two standing women who appear to be balancing baskets of fruit on their heads. The two figures on the far right of the scene appear to be playing musical instruments. The scene is framed by two trees, with their branches intertwined above the group of figures. Above the figures there are two small winged figures, possibly cupids.
|
|
| 2008.2.1.94
|
Profile of a woman facing to the right. She is wearing fabric covering her head and just a small part of her hair is visible at her forehead. Her robes are visible on her shoulders.
|
|
| 2008.7.139
|
Interior: small spots of a darker colour are over painted. Exterior: 6 diagonal lines, forming a diamond pattern are etched. A narrow horizontal groove forming a lip is etched towards top of fragment.
|
|
| 2008.7.148
|
No decoration. Small singular horizontal line indentation near curved edge.
|
|
| 2008.7.158
|
Interior: 3 yellowish-brown horizontal parallel stripes towards upper edgde. Exterior: small handle towards righthand corner at 90 degrees to fragment. Underneath this, three parallel horizontal stripes overpainted in brown.
|
|
| 2008.7.166
|
Interior: remnants of black wash/overpaint; Exterior: line of emall black overpainted dots underneath rim, beneath this is a parallel line of larger black overpainted dots beneath that sit between two thin parallel overpainted lines, beneath this is another line of parallel small overpainted dots
|
|
| 2008.7.169
|
Exterior: white/beige glaze overpainted by thin horizontal brown lines, small brown specks, and black round marks; rim(?): black line?; interior: brown glaze with one thick black line.
|
|
| 2008.7.170
|
Exterior: white/beige glaze overpainted by thin black horizontal lines, small black specks, and one large black round mark; interior: black glaze.
|
|
| 2008.7.176
|
Possible small brown mark on interior near broken edge.
|
|
| 2008.7.189
|
Small patches of possible brown and black decoration on interior and exterior.
|
|
| 2008.7.23
|
Exterior: beige slip overpainted by two parallel horizontal thick (0.6) brown lines outlined in black, two thick curved brown figures outlined in black, one small egg-shaped black mark. Interior: bottom third dark-brown to black, upper two thirds probably reddish-brown but heavily chipped and worn.
|
|
| 2008.7.35
|
Exterior: one horizontal dark brown line running along the approximate intersection of shoulder and body. Just below this are two small dark brown dots of similar but different sizes. Above the line is a thick, wavy, erratic, dark brown line that dominates the fragment from the line up utn il just under the rim. Interior: two horizontal parallel dark brown lines. The top one is right up on the edge of the rim, the other slightly removed below it.
|
|
| 2008.7.50
|
Exterior: Fairly widereddish-brown horizontal band overpainted with small ovaloid marks of a similar colour along one edge.
|
|
| 2008.7.56
|
Exterior: two fairly thin horizontal parallel bands of brownish-red overpainted. One line of small circular dots running parallel above these, and two dots visible of a similar line below.
|
|
| 2008.7.69
|
Exterior: 10 narrowly-spaced parallel horizontal lines overpainted in brown. below this 9 small circular grey dots in a horizontal band with a zig-zag pattern below in brown.
|
|
| 2008.7.73
|
Interior: black overpaint; exterior: two horizontal parallel black overpaint lines across centre of fragment with three spots of black overpaint in between them, either side of the parallel lines are small parellel lines of black overpainted dots
|
|
| 2008.7.81
|
Interior: Reddish-brown wash, grey parallel horizontal stripes overpainted. Exterior: Cream wash, Reddish-brown parallel horizontal stripes of varying thicknesses overpainted, 2 thick and 3 thin towards one end and one thin at other. Line of small dots of same colour parallel to this.
|
|
| 2008.7.83
|
Interior: very small traces of greyish-brown wash, especially towrds rim.
|
|
| 2008.9.13
|
Interior: greyish-black wash. Exterior: wide greyish-black band overpainted, taking up roughly half the exterior. Above this is a narrower parallel strip of unfinished terracotta containing 14 small dots in a horizontal line towards the top if it. And above this, half of another parallel band overpainted in greyish-black is present.
|
|
| 2008.9.16
|
Interior: greyish-black streaked wash. Exterior: horizontal line overpainted in greyish-black. Underneath is a semi-circular line with a solid circle attached to its interior and a small diamond-shape underneath this. there is another curved line along the left-hand edge.
|
|
| 2008.9.20
|
Interior: greyish-black wash fading to a reddish-brown colour, leaving a small section of unfinished terracotta across one corner of fragment. Exterior: greyish-black wash with a narrow band of unfinished terracotta parallel to one edge, with 7 small dots overpainted in the same greayish black colour within it.
|
|
| 2008.9.25
|
Exterior: 1 fairly wide curved raised ridge running across centre of fragment. 5 short vertical lines overpainted in a pinkish-colour faintly visible upon this ridge. A small patch of brownish-grey remains below.
|
|
| 2009.10.2.106
|
Figure leaning on a harp, in the background another very small figure stands on a podium holding a sceptre, with star above head.
Number 38.
|
|
| 2009.10.2.117
|
Artemis pictured standing next to a pillar. Very small inscription.
Number 49.
|
|
| 2009.10.2.146
|
Figure of Hermes holding sceptre upside down in right hand and a reed or feather in this left. A small animal is at his feet. Number 18.
|
|
| 2009.10.2.2
|
Man in armour, sacrificing an animal (a lamb), surrounded by small pictures of a man and woman in profile, and other animals including a snake, a crab and a bird. Number 2.
|
|
| 2009.10.2.245
|
Nude Aphrodite leaning on a pillar and holding a small object in her right hand, accompanied by a winged Eros carrying a torch and offering a wreath to Aphrodite.
Number 35
|
|
| 2009.10.2.253
|
Nude three graces standing holding small objects in their hands, with a vase of water on the left and a pillar with a jug pouring out water on the right
Number 43
|
|
| 2009.10.2.274
|
Nude male figure on the right with drapery (? and a spear) on the right, passing a spherical object with a nude (?) female figure on the left, with a pillar on the far left. A small child is stood between them holding a bow.
Number 64
|
|
| 2009.10.2.376
|
Standing nude male wearing a helmet, holding a shield and a spear. Facing a small sphinx sat on stones/stone wall (?) Possibly Oedipus solving the sphinx's riddle (?). Number 32
|
|
| 2009.10.2.377
|
Standing nude male figure, facing a small sphinx sitting on some stones/stone wall. Possibly Oedipus solving the sphinx's riddle (?). Number 33
|
|
| 2009.10.2.378
|
Nude male wearing a cloak and helmet, standing near a pillar with a small sphinx onto of it. Possibly Oedipus solving the riddle of the Spinx (?). Number 34
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| 2009.10.2.7
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Figure of a man wearing a hat (maybe Hermes or Paris) holding a staff in right hand and small round object in left. Number 7
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| 2009.10.2.9
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Small figure wearing a hat with a staff in right hand and with a small winged person balancing on the left hand.
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| 2009.10.2.93
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Naked man standing with a harp, on the right of which there is a small child at his feet, next to whom there is a man who is sitting in front of a tree. There is an inscription: "LAVRAIED"
Gem cast number - 25
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| 2009.10.2.94
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Naked man standing with a harp, on the right of which there is a small child at his feet, next to whom there is a man who is sitting in front of a tree.
Gem cast number - 26
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| 2009.8.214
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Profile of a man and a woman. He has rather thick face with a small mouth and a double chin, maybe Nero. She has a ribbon or wreath in her hair, the top of her dress or cloak can be seen. They are both looking right. Cast number: 5
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| 2009.8.97
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A small man with a beard and a shield fighting against a bird, maybe a stork. Cast number: 41
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| 2009.9.282
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A warrior in full armour holding a spear and a shield receiving a wreath from a small woman with wings, probably Nike, flying above a lion. Cast number: 20
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| 2009.9.45
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A naked man holding some kind of vessel in his left hand and two ears of cereal in his right hand. On his left side is a naked child or a small woman holding a cornucopia. Cast number: 59
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| 2009.9.70
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A herme with the torso of a satyr with an erect penis, an ecstatically dancing half naked woman holding a puppet or little man playing the flute in a hand. On her right side a small man sitting in some kind of basket playing another musical instrument. Cast number: 3
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| 21.2.27
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One broad black band and four narrow concentric bands. Interior: remains of black, red and white bands followed by rosette of black dots and a centre of two small circles, followed by bands then followed b
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| 22.3.11
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Female garments from which emerge a left arm and hand holding end of the himation. Black spot on hand (ring?) small circle to left of hand (part of a pattern?). Reserved on the interior.
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| 22.3.2
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Inside is black apart from reserved rim. Two oblong handles, black on top and reserved underneath. Black rim runs around outside of the rim which is slightly offset. Main design is a satyr and maenad with tree between flanked by palmettes. Thin black band and black stem. Foot is black on top and reserved side. Resting surface is reserved and inside is half black and half reserved. Small central dot and circle.
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| 22.3.26
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The edge of the rim bears short, thick black lines. The interior of the plate is decorated with two rows of white lotus leaves (heraldic), separated by a reserved, thin line. Next, there is, a black, thick line, followed by a wave pattern around a reserved line that contours the central scene of a female head,in profile, facing left with a head dress (kalyptra) showing white details and her hair in a bun. Above her head, there are two ivy leaves and behind her is a tendril and small, fan-shaped palmette. In front of her there is a circular motif divided in four parts. The exterior is black apart from the edge of the rim , which is reserved and the lowest part of the body snd short stem. The foot (interior and exterior) is also black, with the exception of the reserved resting surface. The concave area is reserved, but bears a large, black round motif on the centre.
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| 22.3.37
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Around the middle there is a painting of what appears to be a sort of vine, with numerous flowers pods protruding out of it, and several other flowers that have blossomed. At the bottom there is a small part of what appears to be from a larger pattern upon the original artefact. The exterior of object in which the paintings are upon is itself painted black.
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| 22.3.5
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Body: below the flanged rim, key; below, a broad band. On the reserved base a spiral incised when the vase was leather-hard. Inside reserved with a broad band immediately inside the rim and a line below it; at the centre two small concentric circles. Lid: knob reserved with a broad painted band between two mouleded fillets round its base; main zone, palmette-lotus band bordered above and below by a pair of fine lines and a broad band. Round the rim leaf and bar pattern. Inside reserved.
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| 22.9.13
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One side of fragment decorated with thick stripes of black glaze. A small loop of decoration goes against the direction of the stripes. the other side has no decoration.
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| 22.9.14
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Small amount of brown glaze coving fragment, no distinct pattern.
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| 22.9.17
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Small area decorated with a plain glaze.
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| 22.9.6
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Black glaze. Cup appears to have been coloured with a strip of red, large strip of black, then small srtip of red, large strip of black continuing until a small rim of red paint situated on foot of base. Base has indented strips around it with a concaved underside.
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| 22.9.9
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Large portion of the fragment is decorated with a thick stripe of brown glaze along with a series of thinner bands. Another small detailing appears underneath the large stripe, however, it is undistinguishable if this is part of a larger design.
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| 23.11.31G
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Profile figure facing right and wearing a helmet. Holding a small shield with a compact bike spokes formation. Lead is off-colour white-grey.
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| 23.11.31H
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Profile figure facing right wearing a flat helmet. The face is visible, and a marking shows a potential eye socket. He carries a shield which is intact, with no defining pattern. Appears to have once held a spear. Small wide legs emerge from underneath the shield. Lead is off-colour brown-grey.
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| 25.6.11
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Thick black band at rim, 2 small black dots on reserved background. Inside painted black.
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| 25.6.2
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Black on the inside except for a reserved disk in the centre approx 6.0 cm diam. Small handles moving straight out from side, black underneath but reserved on top. On the main zone; A and B. Man leaning on stick listens to a seated lyre player. Handle palmette behind musician has lotus attached to it on left. Between listener and other handle palmette a tall thin lotus bud. Beneath each handle is a small clover leaf. Beneath the main zone is a black disk leading down the stem to the foot. The rim and base of the foot are reserved except for a black band on the base.
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| 25.6.8
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Black line along rim. 2 small black possibly floral designs with 2 thin wavy lines between them, which have faded from black, on a reserved background. Inside is black with small bits of paint chipped away.
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| 25.8.4
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On top of mouth is a daisy pattern and there is one band on the side. In upper animal zone, ram facing lion (?) with head turned back. In lower, hare between two dogs. Centred circles in field. Bottom daisy pattern round small sunk centre. Zones separated by thin parallel bands.
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| 26.12.24A-B
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Lid: The knob of the handle is flat and circular, the top of which is black, with a small reserved well in the centre. The rim and a band below it is reserved, but the rest of the stem and a thick band surrounding it is black. A reserved zone on the upper surface depicts six palmettes, with an ivy flower after each three. The outer rim of the lid is also black, as is the inside.
Lekanis: The resting surface for the lid is black. The two horizontal handles are decorated around the edge with vertical bars. On either side of each handle is a small protrusion, with a black line on each side. The walls, in the handle zone, are decorated with vertical wavy lines. The lower part of the body is black, as is in the interior. The base of the ring foot is reserved.
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| 26.12.7
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Lip decorated with black vertical lines. Interior: Three concentric bands of red, each approximately 1.3 wide. There are three narrower concentric red bands at centre. Four small, round handles, arranged symetricaly, are decorated with the same vertical lines as on the rim. The body is decorated on with three bands: (1) vertical lines in red; (2) triangles filled in with cross-hatching alternating with small loops, each made up of three concentric semi-circles around a dot; (3) triangles inscribed with smaller triangles. Each band of decoration is separated by a triglyph compased of two thin red bands on either side of a thicker red band. There is a thicker red band towards the bottom of the foot. The edge of the foot is decorated with red vertical lines. Inside the flat resting surface are two concentric red bands.
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| 26.2.24A-B
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Interlaced black lotuses and palmettes with details in red and incision, bordered above and below by two lines of thinned black less than a half centimeter apart, on yellowish buff ground. Underneith the second red line on the bottom there are three .1 width lines, with the bottom line bleeding into a broad black zone which contains two 2 thin .5 width red bands .5 apart from each other, the first starting immediately under the last of the three small black lines, while everything underneith and between the red lines is black. Inside black.
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| 26.2.36
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No finished edges. The underside is reserved but there is a small trace of a band in the lowest corner. The topside has possible traces of creamy slip. In the centre are six red on black alternating tongues and these are between two stalked and dotted rosettes. Above is the remains of a band with superimposed white and red on black and a similar band is below.
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| 26.2.45
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pale slip; exterior: from top, frieze of short tongues; below, part of large palmette and tendril decoration with part of spoked rosette and small crosses as filling ornament; below, three bands (one black, one in added white and one in added red)
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| 26.2.68
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Exterior white with one small red/brown section of a pattern at the highest point and one thick almost 1 red/brown line abour half way from the top. Interior is black/brown with a pair(?) of thin faded white lines 0.5 cm from the top edge; below, a repeating pattern of black teardrops, and below that a pattern of white lotus buds interspliced with red dots.
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| 26.4.2
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The rim on the outside has a thick black band round it, which stops at the top of the handles. On both sides of the handle, the same images are repeated, showing the figure of a bird in between two palmettes with stems ending in a curling ventril with a pendant pointing down towards the foot. Beneath each handle is an ivy leaf with a curled stem. Below these images, is a thin black band, and then a thick one that also encompasses the top side of the foot. The edge of the foot is grooved and reserved, as is the outer rim of the base of the foot. On the base of the foot, there is a well approx 3.8cm wide and 1.5cm deep. The inside of this well and a rim around the edge is fired black, but is mostly red. The inside of the Kylix shows a thin black band that has been extended from the outside. Then there is a thin reserved band, the rest of the inside entirely glazed, except for a small reserved circle in the centre.
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| 26.4.3A-B
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Lid has small knob for handling. Shoulder (lid surface) is decorated with four palmettes seperated by lotus's, the rim of the ld is black as is the inside of the vessel. The underside of the lid is reserved. A wave pattern decorates the body whilst the underside and foot are black. The base is reserved.
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| 26.4.4
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The rim of the mouth has a thin redish band round it, below is reserved, and then there is another thin reddish band. The handles begin just below this band, but rise above the mouth of the pot. The outside of the handles are black, the inside reserved. On either side of each handle are small blunt spurs (four in total). The main zone of the body is decorated, on either side, with lotuses between palmettes. Between the spurs and the handles are ivy leaves (three with stems, one without). Beneath each handle, there is a palmette. Below the main zone are three red bands, a thin one on either side of a thick one. There is then a reserved space, before another thin band, below which is a thick one. The molded foot has reserved ridges on either side of a reddish-black one. The base of the foot is also reserved. The inside of the pot is red.
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| 26.7.5
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On top of mouth are four equal width bands and on the side are dots. Horizontal bands appear on the handle. Daisy pattern on shoulder. Three warriors marching right in snowstorm; spears sloping forwards. Shields divided vertically by three incised lines; some added red paint. Below, three narrow bands, three wider and small inverted base. Large area left plain in the 'white style'.
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| 26.7.6
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On top of mouth three bands and on the side are dots. Two vertical lines border the back of the handle. On shoulder is a daisy pattern. Main design is of three grazing deer, facing right, with three bands framing them above and below. On bottom small circle and round sunk centre.
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| 27.3.5
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Decoration faded brick-red. On lip five concentric circles, on handle is a vertical zigzag between two thin lines. On shoulder are two dogs running to the right. On body are a group of four lines, between two bands, then six lines, below which are four bands. The base is reserved and concave with a small central protrusion.
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| 27.4.10
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On neck and bottom daisy pattern. On front of body, two cocks facing; between them a small swan. At back (very faded) above cocks' tails inverted lotus, below small duck. Field rosettes of early type. Incisions, added red.
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| 27.4.12
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Rim decorated with black lines/petals. Inside of bowl, there is a thick band and then two smaller circles, accentuated by thin black bands. The outer circle contains small black dots, the inner circle, a star shape made out of seven lines with a black dot in the middle. Underside of the rim, shows same line/petal motif as other side, but then there is only a thin band. Inside this is an alternating swastika and dot rosette pattern, and then another thin band. A thick black band is around the neck of the foot, the rim and base of which are not glazed. The foot has a thin black band just inside the rim.
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| 27.4.4
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Paint is red-brown. Single handle with incised line down back creating two halves. Trefoil mouth with short bars around, leading to long straight neck. On neck are two parallel bands at the top, above four groups of three tongues with a red bar across top. Three bands separate neck design from shoulder design of three grazing deer facing right with zig-zag fill ornaments above shoulders and a small bird (?) on extreme left. On body is one zone of checks and then bands to base. Base is flat and reserved.
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| 27.6.75
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Fragment, showing the very top of a man's head. Has a thin stripe around the edge and the main picture is curved inwards, both suggesting that the fragment is part of a plate or similar item. Some writing is visible around the inside of the stripe. The other side is also black, with lots of small chips
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| 29.11.7
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The rim turns sharply out and has a thick black band round it, below which is a thick reserved band. The interior is mostly black with a well (approx 3.7 cm) in the centre of the dish that has a thin reserved band just outside it, and a small reserved disk in the centre. The handles are rounded at the far end, and have black tips. On the main zone; A: Curling tendril and leaf between upright palmettes. B to A, with addition of vertical wavy line between palmette on right and handle. Below is a thin coloured band, a reserved band, and then colour down to and including the stem of the foot. The edge of the foot has two ridges on it, the lower of which is black, the upper one reserved. The base of the rim is also reserved. The base of the foot slopes inwards, the walls of the slope are red, then the centre is reserved except for a thin red band and a red dot in the centre.
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| 29.4.2
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Black band just below rim, painted more firmly on one side, narrow black glossed band around body just above handles, lower body black glossed continuing onto base, handles dipped, inside black excluding reserved band at rim and small reserved disk at center 1 cm wide, some white deposits inside, base reserved, further white deposits on underside.
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| 29.5.4
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Two bands on top of mouth and one on side. On the handle are five horizontal bars. Shoulder and bottom have a daisy/tongue pattern. On the body are four broad bands, alternating red for black and purple. All other areas are reserved. Base has small central concave circle.
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| 29.5.43
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Small lines imprinted along ridge, no distinct decoration.
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| 30.11.1
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On mouth, daisy pattern between two pairs of circles; cross-hatching on one edge of rim. Daisy petals on neck. Main zone: In front large lotus cross with incised outline, small field rosettes, at back large rosettes with single or double incised circles at centre. Above and below main zone, seven thin bands with double row of vertical line patterns in the middle. On the base, band of leaves and a dot in the very centre, which is indented.
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| 30.11.2
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Handles turn outwards and end in small knob where they join body. Inside from top to bottom, vertical lines in groups, circular pattern of brown with some red showing through. Sides concave and decorated with groups of straight or wavy lines in four rows between bands of two or three. Base is plain.
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| 30.4.2
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On top of mouth thin fields between two groups of circles; side, row of small dots between bands. Three horizontal lines on handles. Bearded goat to left, head erect, added red on neck and stomach. Field rosettes mainly cruciform with diagonal incisions crossing at centre. Below goat, three bands around base with a gap before four more circles meeting at centre of base. Partly white style, where a large area remains free of design.
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| 31.6.1
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Inside is black with a reserved band around rim and a central reserved circle with a black band and a black dot in the centre. Two rounded handles, black on the top and reserved underneath. Offset rim, is black and a small ridge separates this from the first bands of lotus and palmettes linked by chains with dots between. Below this is a band with group of narrow bands either side. Next band has animals (panther and horse / deer / goat / boar) some standing, some sitting and some appear to be fighting. Finally there is a red band with a group of black bands either side. Final band has rays, alternately oblique and outlined. Bands then red band around top of stem and black foot on top and side. Resting surface is reserved and the base is conical with a black band around rim.
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| 33.4.1
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Four handles, three with decoration, one without. Decoration black (mostly fired red) and red (purple) on creamy-buff. Zones of pattern: vertical bars (which go up onto the rim and three handles); zigzag; dotted lozenges; triangles separated by hanging loops or dot rosettes. Red used for thin bands dividing each zone. Stem and foot have five redish/black bands round them. Rim of foot edged with small vertical lines. Foot and stem decorated with two more bands. Inside kylix, two black bands round outside, then three smaller in the middle.
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| 34.8.1
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Originally black inside, outside and on rim, as was handle and neck. Small ridge at base of neck. Back of lekythos is black and the design on the front is reserved and is of Nike (winged victory), flying with her hands outstretched presumably holding a wreath which is now lost. In front and below her is a swirling tendril. The detail on her clothing is drawn out in black. The foot is black on the top and reserved on the side and underneath, which is flat in the centre.
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| 35.4.6
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Interior: four stamped palmettes, with an egg at the base of each, linked by a small incised circle. Reserved line round body a little way above foot. Whole of foot-ring black. Base reserved and ruddled, with dot and black band. Inside is black as are both circular, horizontal handles.
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| 35.5.12-14
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12, outstretched hand and part of garment; 13, lotus and small piece of drapery; 14, lotus. No relief contour; brown markings on lotus.
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| 35.5.15-19
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Inside, 20b, meander border broken by cross, small piece of drapery. Outside, 19, two males in himatia facing, standing by a cushioned stool; hanging on the wall a shield and sheathed sword; 20a, tendril and corner of drapery; 21, tendril and part of himation; 22 and 23, bits of himation. No relief contour; brown for border of himation on 12 and 22, markings on seat of stool, cushion, and sword sheath.
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| 35.5.34A-Q
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(a) fragment, three joins. Decoration on both sides. Band of geometric pattern above which is person's foot and bottom of leg standing to the right, wearing a hymation. On the opposite side: floral pattern to the left of bottom half of a person and to the right of this person the hand and lower body of another. (b) curved, palmette on other side black. (c) large roughened patch to the top right where possibly a handle was attached, floral pattern around this. (d) small fragment, on one side band of geometric pattern, on the opposite side floral pattern. (e) large piece, three fragments joined. Bearded man in the centre facing to the right, left arm raised and holding a long stick, right arm tucked into hymation. To the right of the man, the arm of another person and to the left a floral pattern, inside black. (f) Very similar to fragment a. three pieces joined together. On one side in centre bottom half of a person, feet and lower legs facing left and wearing a hymation, to the right floral pattern. Opposite side, band with geometric pattern. (g) On one side to left part of a hymation, to right an arm. Opposite side band with geometric pattern. (h) On one side the feet and legs of a person standing on a platform with the bottom of a stick he/she is possibly holding to the left, in the right hand corner the edge of a geometric pattern. On the opposite side the feet of someone facing to the left wearing a hymation dropping behind them, to the right of them a floral pattern. (i) Small piece of two fragments joined together. Chest of a male with right arm extending, his hymation drapped over his right arm. (j) Head of a male facing left with hymation over his shoulder and part of large palmette to his right. (k) Small frgment, part of hymation. (l) Small fragment part of hymation (m) Small fragment part of hymation. (n,o,p) small fragments with no detail.
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| 35.5.4-5
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Inside, 8, meander border, part of head and shoulder of a woman wearing saccos, chiton (a very small part of the neck border alone remains), and himation; 9, bottom of himation with one foot. Outside, surface destroyed, leaving only a tiny piece of tendril. Relief contour for foot; relief lines for ear, saccos, folds, and ankle; thinned brown glaze for bottom edge of himation and line of dots ornamenting saccos.
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| 37.11.6
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Black glaze except resting surface. Red paint applied. Black dot at the centre surrounded by two black concentric bands. Distance 0,4. The external is wider. Stamped inside with four small palmettes set crosswise.
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| 38.4.2
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Reddish-brown on pale buff ground. The false neck is decorated predominantly in a black band, with a narrow and broad black circular band in the centre of the false neck. The underside appears to be reserved, with a single thick black line at the base on the false neck. The true neck has a faded broad back band around and overlapping the lp. There is a broad black band at the base of the neck, and also a black blob on the side facing the false neck. On the shoulder there are six groups of narrow black lines painted horizontally. There is one group of either side of the true neck, both have eight horizontal lines, the one on the left has two rings of black to either side of it. The groups of lines on the other side, if faced with the true neck at the top, have groups of 6, 7, 9. 8 horizontal lines, all with a small ring of black in between them. The shoulder is outlined with a broad ring of black. The body has four broad black lines, which have faded to a reddish brown. Adjacent are narrow red rings; four above the first band, two within the first band, two within the second band, two or three below the second band. The fourth band does not overlap the base, which is slightly concave in shape, and has the suggestion of a foot ring.
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| 38.4.6A
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Top of lid has eight, black rings on it. There are two small rings on knob of lid. Top, flat surface of lid has six rings on it. Going from the knob to the rim of base; inbetween the third and fourth ring there is a pattern. This pattern seems to be lots of small 'y' shapes, which have been joined together. Going from knob to rim of base; there are two small holes on the fifth ring, opposite eachother.
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| 39.8.3
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Inside in frame of two reserved lines, one foot of figure astride a pointed amphora seen from the side and wreathed in ivy, inscription in red, retrograde, XAIP[E]. Relief contour; relief lines for ankle, handle stem of ivy. Exterior black, with small part of reserved pattern.
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| 39.9.4
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Small hole on extend piece beside neck, presumably for suspension of object. Orange-quartering effect produced by double-incised lines running top to bottom. Quarterings in sequence repeated three times: black, black with white dots, black, black with superimposed red. Bottom flattened.
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| 39.9.5
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Double-incision orange-quaterings on mouth and body. Small circular depression on bottom. On body, every fourth/fifth quartering superimposed red. Traces of white/yellow in some sections(now brownish).
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| 45.10.10
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The interior of the vessel is black apart from the lowest part of o, whose lower part bears a reserved but glazed line. Exterior: a) On the right side, there is the upper part of a seated woman (part below her waist is missing). She is draped and wears a stephane (fillet) on her head. On the left side there is a floral motif whose stem is a wavy line that expands to the left. b) There is the back side of another seated draped female figure. c) The front side of the previous female figure. She is holding an alabastron with both her hands. d) On the lower left part there is the largest part of a voluted palmette with petal shaped divisions, connected with a tendril. The area next to the spring of the one part of the handle is reserved. e) On the bottom right there is the rest of the previous palmette, also connected with a tendril. f) On the bottom right there is the upper part of a palmette and on the upper left there is part of a tendril's volute. The area on the left of teh one spring of the handle is reserved, but glazed (plaster on top). g) Uneven black surface. h) A small part of the volute of the tendril of f and the stalk of a flower. i) Part of an inverted palmette, connceted with (part of ) a tendril, with (occasional) leaves on its sides. j) Small line, part of a tendril. k) Part of a tendril's volute. l) A figure's projected forearm and hand (figure's depicted on n?). m) On the right side, there is the stalk and part of the stem of a flower and a line that seems to be part of a tendril. There is also the spring of a handle. n) Part (head missing, neck and shoulder are scraped off, area below the knees missing) of a draped standing figure that has the left hand around the waist. o) The lowest part of a figure's drapery. p) Base. Inside tondo: seated woman with septre and standing woman holding out box. Exterior: part of floral ornament under handle. Outer and inner side of footring black, resting surface and underside reserved except for central black dot surrounded by three concentric bands. Moulded circle c.1.0 wide houses thickest, central black band.
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| 45.10.12
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Possible warrior scene. i) black figure decoration. ii) black figure decoration including parts of palmette and lotus. iii) black figure with parts of palmette, lotus and shield-incised lines on shield. iv) decorated with part of shield, incised decoration on parts of shield. v) part of human leg and two small black dots of unknown decoration. vi) part of two different human legs.
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| 45.10.13
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(i) There is a small part of a motif (partially covered with plaster) that consists of wavy lines. Below it, there are two lines and underneath there are parts of two inverted, palmettes (voluted with petal-shaped divisions) that flank a three-pointed flower with two dots to represent pollen. ii) Between two pairs of lines there is a guilloche (fillets with teardropped terminations interwoven together) with dots among the lines. Below, there is a broad black band, which seems to be interrupted at the right side. (iii) At the left, three parts of vertical, black bands and incisions create part of an object (garment hanging from chair or couch?) In the middle, there is an object- as if it was a grave-stele with a cross-shaped ? ending above which spring two heraldic, white, voluted palmettes (now fadded away), a chiastic motif with dots and horizontal lines on top- but inverted (leg of a bed or couch?). Next to that, there are a figure's part of thighs, knees and calves, close to part of a palmette. (iv) A bearded satyr (seilinos) plays a chorded instrument (lyre), while his himation is hanging in the background. Next to him there is a draped female figure (Demeter?), holding a wreath (black circle) and branches with dots on both sides that surround her. The details on her drapery have been executed with added red and so are those for her head-dress. There are also traces of added white on her neck. On top of the fragment there is part of a motif of tongues contoured with ellipsoid lines and a line that encircles this pattern. v) On the left, there is part of the satyr's lower legs (above the knees towards the feet) and the lower end of his himation. Next to him there is the termination of the female figure's branch, close to a similar inverted grave-stele? and part of an object that resembles an animal paw (lion-shaped foot of chair or couch) . Below these, there is a line on which they seem to step on. Next, a guilloche between two pairs of lines and at the bottom part of a radial-shaped motif with a line that contours it on top. vi) A line and black, teardropped spot. vii) There is a line on whose right top side stands a rectangular object with a rectangular surface in the middle being reserved. Below, part of two lines on top of part of the guilloche. viii) Small part of shoulder and neck: there is a black spot, a thin band, a red line on top of a plastic ring (joining point of neck and shoulder) and part of a tongue-shaped pattern contoured by a line on the shoulder. There is also a part of two lines in the interior. ix) Part of the guilloche, the two lines underneath and the radial-shaped motif at the bottom. x) Tiny bit of the guilloche and the two lines below it and part of the radial-shaped motif. xi) Part of voluted palmette and tongue-shaped motif. xii) Part of the floral motif (of a three-pointed flower)? with lines that form a rhombus with a dot in the middle. xiii) Part of the shoulder and the spring of a handle. On the top there is the tongue-shaped motif, encicled by a line and below it an inverted palmette. The spring of the handle is black and next to it there are short, diagonal incisions. There is also a tiny spot of black colour in the interior. xiv) On the left, part of leaf-shaped (heart-like) motives (part of thyrsos?), close to a band of black colour, of undecipherable shape. Next to that, there is the lower part of a female draped figure, with small crosses on it. At the right side there is black and white colour that forms ovaloid shapes (?). xv) A black band and on the left part of the female drapery.
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| 45.10.20
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i) Part of a voluted palmette with petal-shaped divisions seems to be connected to part of a three-pointed floral motif by a thick, black, curving line. On the left there is another, identical three-pointed flower, only bigger and illustrated inverted and vertically and at the left end of the fragment another curving line. Below these, there is part of a perpetual meander pattern and the upper part of continuous, teardropped motives. Some form of greyish (light) brown plaster has been applied to the surface around the voluted palmette. ii) Small part of guilloche (thin fillets with tongue-shaped endings interwoven together) with dots among the lines. Below, there are traces of thin, black lines (but not visible because of burning). Underneath, radial-shaped motif. iii) Underneath two thin lines there is a meander pattern. iv) Part of the upper ending of a radial-shaped motif. v) larger part of a radial- shaped motif. There is part of a thin, horizontal line on the top of one of the divisions and more to the left there is a circle with a dot in the middle and two vertical lines (part of the guilloche). vi) Small part of the guilloche and radial-shaped motif below that.
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| 45.10.21
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(i) exterior mostly black slip with a small part of black line decoration. ii) small solid black slip decoration with more black lines.
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| 45.10.22
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a: The upper surface of the rim is reserved, although glazed. However, the side surfaces (internal and external) are black (apart from a reserved area that would not have been visible if the handle was not missing). The neck is also black on the inside, however, there is a perpetual motif of palmettes on the external surface. These are double palmettes (5 narrow divisions upwards and 5 similar ones downwards) that look as if chained together by a horizontal row of small rings and each such palmette is separated from the other by a vertical line with wider endings, while thin, curved lines (above and below) frame each palmette. The sides of the handle bear a black band each and there is also a thin line underneath them that contours the end of the neck. On the carination that divides the neck from the shoulder there is a thin line with added red colour. The shoulder bears a motif of tongues, divided by vertical lines, while a line underneath contours them. The motif does not appear under the surface of the handle. At some point underneath this pattern there is the beginning of another motif (black with 3 dots of added red and scale-like incisions). The interior of the rest of the vessel is reserved, since it is an amphora. b: It bears exactly the same motif as the previous neck bit. c: From the branch of a three-peaked floral motif there emerge two curved lines that are downwards and upwards, each forming an ellipsoid-shaped frame from whose lower (in the case of the curved line that goes downwards) or upper (in the case of the other line) endings form one floral motif each. The left one is a voluted palmette with 5 petal shaped divisions and the right one is a three-pointed flower, similar to the central floral motif, but bigger. Although the upper part of this pattern is not preserved apart from the starting point of the motives, it is certain that this would have been the heraldic motif depicted. Underneath this area there is a thin, black line and below that, a pattern of guilloche ( branches with tear dropped endings interwoven together) with a row of dots, framed (above and below) by two pairs of concentric lines. Towards the end of the fragment (which is also towards the end of the vessel) there is a radial-shaped motif, two lines and the rest of the surface is black. d: It is a part of the body's area that bears the guilloche pattern and the radial-shaped motif underneath, but one third of it is not preserved. e: On the left there is the upper part of probably a palmette (two endings of petal-shaped divisions). Next to that there is the depiction of a draped lower body part. The drapery is formed by the incisions on a black surface. There are diagonal incisions and wavy endings to denote the folds of an himation, as well as the lower termination of the chiton, which is suggested by two almost horizontal incisions, a wavy line and another horizontal incision. the drawing is detailed and clear. f: The part between the surface above the knees and a bit below the calf of a male figure that wears a short chiton (incised, wavy folds are visible above the knee), as well as grieves with out curving terminations (Hermes?) of added red colour, now fadded away. On his left there is the upper part of a palmette and on his left there is a diagonal line, with rows of dots on either side (characteristic of Dionysus). Very clear drawing. g: Half of the three-peaked flower, a bit of a black line and two petal-shaped motives. On the side, there is part of the dotted branch and what appears to be part of a figure's drapery (upper right body part ?), with some incisions used to render details. h: Between the lower body part of two figures there is part of the dotted branch. What is preserved from the right figure is incised lines and circles on a black surface. The left figure's drapery (peplos and himation ?) is preserved (below the waist), consisting of incised diagonal and wavy lines to denote the folds. i: A central male figure's (Dionysus) body from shoulder to legs is visible and surrounded by a dotted branch. He is standing between two figures. The male figure (there is part of beard with added red) on the left holds part of the branch with his palm (upper body without the head is preserved). The only visible part of the draped figure on the right is part of the legs. Incisions are used to render details. j: Apollo playing his lyre (kithara). The head (in profile, facing right), right hand and part of the god's front side of the body is visible, as well as the largest part of the lyre. Part of a dotted branch exists in the background. Incisions have been used to render the chords of the lyre as well as for the eye, contour of hair, ear and contour of the god's body, while a taenia (fillet) on his head is in added black colour. k: Only part of a thin, black line is preserved. l: two broad black bands that overlap at some point. Incisions and the ending of a dotted branch (part of draped figure?). H & J on display in symposium
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| 45.10.24.1
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Black glaze with two small brown stripes.
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| 45.10.24.2
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Small dotted pattern decorating wither side of a thin black line.
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| 45.10.24.4
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3 stripes of black glaze. Two small patterned triangles and curved black shapes; potentially the beginning of a depiction.
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| 45.10.24.5
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Large portion decorated in a plain black glaze. Small area appears to be part of a depiction. In-between these two areas is a stripe of brown glaze.
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| 45.10.24.6
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A plain black glaze covers most of the fragment with a small brown stripe and dotted pattern also present.
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| 45.10.26
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Two small fragments i) two black shapes with incised straight and wavy details. ii) one black shape with incised straight, wavy and circular details
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| 45.3.1
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Decorated on top of mouth and neck with black tongues. Handle with two dots (rows?). Body decorated with two figural zones with plain bands framing and between. Top: two facing cocks and a long-billed bird to the right; incised rosettes in field. Bottom: two panthers facing a long-billed bird; incised rosettes in field. Incised details on birds and rosettes (divided into four, six, or eight sections). Traces of purple on all animals. Bottom: small ring inside two concentric bands.
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| 45.6.11
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Squat skyphos. Two handles on either side, one broken and one glued. Small closed mouth. Black band around middle of body. Added deep red colour all around the surface, flat base.
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| 45.6.18
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Mouth, handle and the upper part of the neck have been dipped in a brownish, lustreless, uneven glaze. Neck has five vertical, black tongues. The body is patterned in coarse-meshed net which occasionally overlaps onto foot, which is small but uneven. Base flat and reserved.
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| 45.6.24
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Small pointed knob on top in centre from which to hold and lift the lid with, one groove at bottom from which rim, (edge of the lid) extends outwards, rim is narrow. Flat resting surface to connect with vessel, interior reserved.
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| 45.6.25
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On brown ground is painted the remains of leaves and flowers in white, with dark red and blue-black. Small central knob handle. Rim flares upwards slighlty.
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| 45.6.28
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Flared rim, squat pear shaped body, small foot with flat resting surface.
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| 45.6.35
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Sloping lip, black, small stout body. Thin handle to one side attached from neck to top of shoulder.
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| 45.6.38
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Slightly iridescent greyish-black glaze. Lip imprinted with horseshoe shapes (24 on the lip and 5 in the centre). The foot is flat underneath, heavily ruddled, except for a small hollow cone at centre, which is black.
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| 45.6.42
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Small, squat aryballos, flared mouth, pear shaped body, flat base.
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| 45.6.45
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Shallow, squat body with small sloped foot and flat resting surface, spiral grooves on base.
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| 45.6.49
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Small and shallow bowl, with narrow body. Flat interior with a slight indentation in the centre. Short foot, base conical with flat resting surface.
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| 45.6.51
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Deep, small cup of a pale yellowish clay. Rim slightly flarred. Short neck widening to round body with two upright handles on either side, one of which is broken, short foot and flat base
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| 45.6.57
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Small, slightly flared mouth with fine overhung lip. Long neck opening to short pear shaped body, finally tapering to a flared foot, and a flat base. Two incised lines at top of body, one incised line on foot.
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| 45.6.59
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Mouth broken, neck widens into small pear shaped body which narrows into foot and flarred rounded flat base. Surface smooth with lines made from having been produced on a pottery wheel.
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| 45.6.61
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Short neck and small closed mouth, pear shaped with a flat base, pale orange clay.
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| 45.6.64
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Small circular knob in centre to left the lid with. Top surface slightly sloped downwards. Rim flat and circular. Interior flat.
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| 45.8.1
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The rim (interior) bears two, concentric circles, the first at the edge and the second at the curve between the neck and the body, where traces of white colour can be found. The neck of the vessel is ornamented with a continuous floral motif (branch bearing two long leafs; laurels?) that covers the whole of the surface. A: Scene of a symposium of four, reclining, male figures; 2 men and 2 youths (in turns), in pairs looking at one another. All of them wear their himatia, loose around their waists, a fact that leaves the upper part of their bodies naked, and are crowned with identical three-pointed diadems, made of added, yellowish and white colour. They also have identical hairstyles. The youth on the left side makes a gesture, pointing left with his right hand, but facing the man on his right who touches his chest with his right hand. The third person looks as if holding a white thread with his right-hand fingers, while the man on his right is trying to put a white, spotted garland on the third figure with his right hand. They all recline on a horizontal sort of bed, supported by three feet, of equal distance between them, but of unequal width. However, the lower parts of the three feet are similar; rectangular and vertical to the stem. Under this construction, in the surface between the two gaps that are left between the feet of the bed, there are two tables, that carry food(?) (fruit and bread ?), painted with added white colour. Both of the tables bear two, broad, black, bands around their edges, the left ones being larger than the right ones. As regards the endings of the tables' feet, they give the impression of a vague rendering of animal paws.
B: A youth in the centre of the scene looks at his right, while in either of his sides, another youth is looking at him. All of them are fully-clad with himatia. The left one is holding a strigil (stleggis) with his right hand, while the one at the right side of the scene makes a gesture with his feast.
The spring of the handles bears part of a circle (it stops, leaving the surface between the beginning of the two handles undecorated), with small, semi-cercular patterns. Beneath each handle there is a large, complex palmette. A band with maeander-shaped patterns runs through the vessel under the main scenes. The base is in the form of a disk, with a high foot, separated from the disk-shaped surface by a carved, reserved circle, as well as an also circle at the lowest end of the base's foot.
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| 46.9.2
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Ivy wreath on rim, dots on ridge below. Decoration on main body consists of an ivy wreath with dots in between ivy leaves. Below: one band of horse shoes, one band of dots, and one band of curved lines. Below is black to the foot, which has one reserved line. Base reserved but with two thin black concentric lines around a small circle in the centre.
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| 47.10.1
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On the mouth, small daisy petals between bands; on side, row of dots between bands. Zigzag on handle. Monkey-faced horseman riding left. Behind him a star with incised lines crossing at centre. In front large ring enclosing a cross with incised lines crossing at centre. Circular painting on base with four radiating lines from centre.
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| 47.2.12
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Small circle, fired red, at the centre of the medallion on the underside. Black gloss except where noted; half of interior and some of exterior misfired red.
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| 47.2.13
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Red gloss, wide mouth with flat rim overlaping interior of pot to narrow base, small foot with flat resting surface, base reserved.
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| 47.2.5
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Black glaze covers the entire vessel, except for underside of the resting surface. It is not lustrous, of not good quality and on the interior it is mostly fired reddish, as well as on small parts of the exterior. Reddish paint is applied on the underside, which is decorated with a black dot at the centre, surrounded by two concentric thin black band at a distance of ca. 1 cm. VEry close to the external band, a thin band of thinned glaze. The interior of the bidy is has stamped decoration. Four stamped spindly palmettes arround a small circle.
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| 47.8.1
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Inside is reserved except for picture of Heracles in a black corselet over spotted chiton with flame borders. Club in his right hand and bow and arrow in his left. Originally only red for framing circle inside the black band around rim but much has faded to red that was black. Two handles, one either side have been dipped. Outside are dots around rim with band below. Reserved then to resting surface and inner foot-ring which are red. Base is concave and reserved except for small red circle at center.
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| 48.11.8
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Diagonal rim directly aggached to a globular body; high swung round handle rises up from the top of the rim and rejoins the body at its middle. from the Small mouth, body is round and extends outwards from directly beneath mouth. Long handle reaches from mouth to middle of body on the side. Raised base. Pot entirely glossed, although (mis?)fired red on lower part of handle, back of body, and base.
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| 48.2.2
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Foot-ring cushiony and black. Base inside reserved with small central circle. Inside black; rim clearly marked off. A: Between palmettes beared man walking away with cloak over arm. B: As A, but woman sits on solid black seat.
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| 48.4.1
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The rim of the mouth has leaves all round it. The outside of the rim has a thick black band. On the main zone are pairs of ivy leaves (one pointing up the other down), joined by their vines. In between these are pairs of dot flowers. All of this lies between two pairs of horizontal lines. The slight slope towards the foot is black. The top of the foot is reserved but appears to have once been black. The base of the foot is reserved except for a thin black band on the inside of the rim, another about halfway in, and then a small dot in the centre of the base. The inside of the pot is completely black.
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| 49.1.2
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The vessel is covered in black except for decorative bands at the lower part of the neck (red with black vertical lines) and the shoulder (egg-and-dot), the figural scene in the body zone, a frieze (stopt maeanders alternating with cross squares) below the figural zone, narrow bands at the join of body and foot as well as on each step of the foot, and the underside. The scene depicts a nude youth standing in a relaxed pose, 3/4-view to the right. He holds drapery, bunched up, under his left arm, and seems to converse with a drapped woman seated to the left on an undulating rock. She holds a mirror in her right hand. Both are diademed. A small, winged Eros flutters above them, and he has crowned the youth. A single branch emerges from behind the rock. Next comes an older Eros (depicted as an adolescent) seated near profile to the left (the seat is no longer visible), holding an opened box (the type that was used to house alabastra such as that which he decorates, according to Trendall and Cambitoglou 2.605). In the upper left field there is a rectangular motif with a short, black, vertical band on it (perhaps a window), and in the upper right field (behind Eros) a four-part rosette (rodakas) next to a strigil. Below, there is more vegetation. Relief dots detail xxx and added white has been used for xxx.
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| 49.8.1
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Handle in two pieces and entwined in knot and extending out to sides along rim. Mouth is wide and has small rim with moulding around edge. Neck is black and smooth with a ridge at juncture with body. The body has shallow vertical ribs, with a cross incised under handle. Horizontal groove halfway down body. Stem is ruddled above foot and reserved, decorated with a black bad. Upper and lower edge of foot reserved. Foot is conical with reserved resting surface and base, except for a black band inside of foot.
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| 49.8.9
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Rim: There are three narrow, black bands (on a reserved area) between two thicker ones. The side of the rim, the neck and the underside of the handle are all reserved, however there are parallel horizontal bands framed by two thinner vertical lines on the back of the handle. The shoulder is decorated with black tongues. The body is covered with a scale-like motif and each of the scales is rendered with two incised lines at the edge. Additionally, each alternate column has a large purple dot and the columns between have a very small, incised dot. Above and below the scales there are two, broad, black bands, separated by reserved lines. The lower part of the body towards the foot is decorated with tongues (radial-shaped motif). The foot and the base and underside are reserved.
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| 50.10.4
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The mouth is black inside and out with a reserved rim. The neck and underside of handle are also reserved, while the top of the handle is black. The shoulder is decorated with short lines and four palmettes (of which one is upside down) linked with tendrils. The back of the body is black and the front bears the representation of a draped woman in an unnaturalistic posture. She is facing right with her head and chest turned back to her left. She is holding a case (kiste? with drawers?) in her right hand and extends out her left (the gesture is as if holding a phiale). There is reserved line under her feet and the woman looks as if she stepps on it. Additionally, the foot's upper surface is black. There is also a small, concave section at the centre of the base.
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| 50.12.15
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Interior is mainly unpainted with a black line (faded to orange) directly on rim, another slightly lower. Exterior has a series of straight and curved lines to left of centre there are two parallel vertical lines and far left two horizontal parallel scalloped lines. To the right a single curved line and at the bottom a small semi-circle adjoining the lower end of the vertical lines with an larged dot in the middle.
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| 50.12.16
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Exterior decorated with four concentric circular lines (brownish-black) and a small line indicating another part of the motif. Interior black misfired orange.
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| 50.12.23
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'Psi' figurine, representing human figure with small head and upraised arms. Thin red-brown lines separated from eachother by a few millimetres are aranged horizontally across the figurine.
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| 50.12.30
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Interior largely unpainted with thin black painted line directly on rim and below it a wider band. Exterior has a small motif that appears to join the rim slightly to the left with a single line and becomes a small circle and then from the base of the circle a line becomes a series of tight curves alternating with tiny dots.
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| 50.12.38
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Exterior: black faded to orange; there is a stripe around rim (?) with a part of a painted motive showing with small blobs of original black remaining. Interior: black to orange streaks
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| 50.12.46
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Interior undecorated. Exterior, two small circles painted, one inside the other on the upper edge, around these a circle of fine dots. The paint has faded to orange.
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| 50.12.5
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Part of foot of a closed vase. Coarse clay with tiny black and white inclusions. The interior is pink and fairly rough, the exterior is unglazed and grey. There is a small section of black near the top.
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| 50.12.6
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Fragment of comparatively fine open vase. Very pale clay. Interior black band about 1 cm wide just inside rim. Exterior lip grooved and painted black. Small bit of painted ornament.
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| 50.4.12
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Silvery black gloss except underside, which is reserved, reddened, and decorated with a central black dot and two concentric black bands. The external is wider and painted without precision. Red paint of the resting surface slightly flaked off at small parts.
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| 50.4.2
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Green bottle with flanged lip, long narrow neck amd small rounded body with a flat base.
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| 50.4.3
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Double curve; slightly raised base. Small bowl with concave base. Small, indented, vertical lines around rim.
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| 50.4.7
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The exterior and interior of the mouth, as well as exterior of handle are painted black. The top of the mouth and the underside of the handle reserved. Shoulder decorated with two rows of blakc painted rays. Those of the upper row are short. The body is decorated in the white-ground technique. Decoration on front of body; at top a band with geometric meander pattern, framed by thin black bands. In a square framed by thin black bands, net pattern. The lower of the body, the small stem and the upper part of the base are black. On the lower part of the body, the glae has not been applied carefully leaving thin lines on the colour of the clay. The exterior of the foot and the underisde are reserved.
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| 51.4.8
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Neck and mouth, inside and outside, are black. Decoration in a panel. The top of th epanel is decorated with small balck tongues. Under them,lotus buds and flowers, purple patch on each flower, with a row of black dots above them. Cock to the right faces swan to the left, with extended wings. Added purple on wings. Above cock, dots and small line, ramines of an unidentified decorative pattern as background decoration? The rest of the body and three handles are black. The resting surface and interior of vessel are reserved. The glazed interior of the neck is decorated with 3 thin purple bands. Under the decorated panel, two thin purple bands, running all around the body of the vessel. Underside of the handles reserved.
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| 51.7.4
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Small stamnos handle in heavy bronze. Each attachment point decorated with a palmette beneath a garland, in relief.
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| 52.3.1
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Mouth black inside and out, apart from flat exterior. Handles are black on top and sides but reserved underneath. Palmette and swirl pattern in black on neck. Small ridge at base of neck and vertical black tongues on shoulder. Side A: Heracles and Triton or Nereus (both equally possible as monster has tail and old man with staff associated with Nereus, but is unclothed as associated with Triton) with one male draped onlooker in profile to the left carrying a stick. The opposite side (B) is of a warrior (shield emblem chariot body painted in white) between two male draped onlookers carrying sticks. Added red on onlookers mantles, Nereus beard, and white on the shield. Below figures is a double row of large dots, bewteen two narrow bands with rays below to foot.Undr the handles, lotus and palmette . The foot is black and has two steps. Resting surface and conical base are both reserved.
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| 52.3.2
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Flared, cup mouth, black in and out and on rim. Neck is black, as is handle, except for a palmette pattern at base. Intricate tongue pattern around base of neck with a circular palmette pattern below. Main design, from left to right, shows Eutychia (EUTUXIA) standing to the right, holding a box in her left hand, with a string of embossed flowers (?) hanging down from her right hand. Beside her is a diphros with a cushion. Aphrodite ([A]FRODITH) sits, profile to left, in the centre and to left is small Himeros (IMEROS) in white, holding a wreath. To her right is a standing Makaria ([MAK]ARIA). Black egg pattern beneath main design. Moulded foot ring with grooves around the side. Black on top but reserved underneath.
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| 53.8.1
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Glazed black except for a reddish band around the omphalos. Relief decoration encircling the omphalos consists of (from centre out) eight raised dots; two ridges, a figural frieze, and a vine wreath. The figural frieze depicts the apotheosis of Herakles (procession to Mount Olympos). Four quadrigae (four-horse chariots) are driven in 3/4-view to the left by winged victories, each with a different passenger: (1) Athena, (2) Herakles, (3) Ares and (4) Dionysos (?). Small flying Erotes hover behind each chariot.
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| 53.8.4
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Molded, downturned rim with a flange (for lid); incurved horizontal round handles; deep body with nearly vertical sides that are slightly concave above the handles and convex below, curving sharply at the bottom into a broad, short stem, on top of a molded disc foot, recessed underneath in two degrees. Black gloss with red figure decoration. Side A: a female head profile to left, with small dotted circles in the upper field on either side; side B: palmette. Interior: a reserved band within the rim. Exterior: a band of vertical bars under the rim (with applied red wash); a reserved band around each handle attachment (also with red wash); a stemless ivy beneath each handle; narrow reserved band beneath figural scene; reserved band on the upper part of the foot; underside of foot is reserved and stained with red wash.
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| 54.2.2
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Reserved except for thin red band at rim, thick red band at neck, and medium red band at shoulder with thin streaky bands below it, level to the bottom of the handle. In between the bands there seems to be a pale white wash (?). The external face of the handle is also painted red with a small tail-like extension of paint.
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| 56.8.6
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Interior: black not carefully applied , not lustrous. Purple band towards the the edge framed by two thinner black bands. Exterior: around rim black band with white dots; Animal frieze on the bowl. Four swans (water birds), facing right, alternating with incised rosettes. Background filled with small decorative patterns of undefined shape that often bear incisions. Black band below. Black stem and upper surface of foot; reserved groove on vertical surface of foot; reserved underside. Added purple and white on the birds' wings and the rosettes.
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| 57.3.1
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Clay pale, paint greyish brown: large closed vessel, interior unpainted. Exterior broad black line, and part of a circular spiral in black. One small faded black line in middle of fragment, a section of a semi circle to the left of the broad black line.
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| 57.3.4
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Decorated with white slip reddish-brown paint. Row of dots between narrow and broad horizontal band. Most of the fragment is taken up with three radiating lines, crossed with small bars. Below this is a broad curved line. The underside is reserved and the clay is ribbed.
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| 58.2.2
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Brown paint on lip, one line halfway down neck, two round edge of shoulder. Incised lines around body. Small depression in centre of base. Small metallic particles in clay.
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| 59.6.2
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Cylindrical with small circular hole in the middle. Made from a pale orangey yellow clay.
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| 61.6.1.6
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Small rough bowl with spout and three feet at base (but it is unable to support itself). Pinkish-buff fabric, unpainted. Dark red spot on interior.
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| 61.6.3
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Glazed black on the interior, except at the bottom of the bowl. Exterior glazed black (dipped) on the rim, handles, except near attachment (but a small line emerges to the front of the bowl, from either handle). The floral frieze consists of: palmette, upright, flanked by curling tendrils from which hang smaller palmettes (side A), a simple enclosed palmette (under missing handle); two upright palmettes with curling tendrils, although the palmette on the right has two curling tendrils at the left and none at the right (side B); simple palmette under handle. Beneath the floral frieze is a thin black band above a band of black dots. Black glaze also on the lower part of the body, stem, and top of foot, and interior surface of the foot (with extra paint spilling over onto the resting surface and the underside).
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| 61.6.5
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Lid reserved except for beveled interior of knob top, exterior surface of knob and stem, top of lid, where knob is attached, which is encircled by a black line, then a floral band, comprised of alternating 3 11-petal palmettes with 3 5-petal palmettes (or lotuses), then a black band on the vertical surface of the rim. One-handler glazed on the interior, handle, zone between handle attachments, lower part of body (below handle attachment, and ring foot except for reserved resting surface. The upper part of the body is also decorated with vertically arranged zigzags, while the underside is decorated with a 'bull's eye', that is, a central black dot, surrounded by a small black ring.
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| 67.7.1
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Standing male youth, nude. Grey, apparently from burnt grave; small depression in base. Traces of white slip, colour lost, but probably once red. Standing with arms by sides, elbows pressed back, legs apart, right knee slightly bent. Rectangular base. Paper slip marked 'Thebes' on back.
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| 67.7.3
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Long aulos (probably the right half of a double aulos, a wind instrument played through [missing] reeds) which appears to have an inner surface of wood (?) with a bronze sheath and silver mounting (in four sections). Mouth is silver and has two grooves towards rim. Neck has small hole below mouth and no silver. Bulbous section to neck with bronze section between two silver sections below. Four holes down the length of the body, one apart from the lower three with a fifth on the reverse side in the gap. The hole of the reverse has a small thumb plate around it. Bronze section below which may have originally been silver, with a grooved silver section flaring slightly to end. Hollow inside.
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| 70.3.2
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Interior unpainted. Exterior decorated in one corner with small brownish-black spiral motif encircled by a line of tiny dots.
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| 71.12.2
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Circular with flared edges which are fanned. There are concentric circles around the central carved dot of the vessel: A small, incised one, two larger, that seem to be in low relief and one that contours the others, incised. There is also a carved line that separates the rim from the body (exterior), which becomes double at some point. In the centre one small hole, on the surface of the bronze two incised grooves and four smaller holes positioned symetrically around the bigger hole in the centre. Inscised petal decoration around the centre hole. Four fine grooves around the centre decoration and then twelve further holes around the edge the same size as the four smaller holes. Edges fanned with large grooves.
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| 73.9.10
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one side covered in a plain black glaze, reverse side decorated with small patterns
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| 73.9.27
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Plain black side on one side with small detailing on the other. Detailing appears to be part of larger design.
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| 73.9.40
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Each side is decorated with a thick stripe of black glaze; concaved side has an additional thin stripe, convexed has a small circle of black glaze.
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| 73.9.6
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A small fragment with possible figure of bird (front part and head missing) and above this, a circle design with a dot in the centre. The back of the fragment is covered in black glaze.
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| 73.9.8
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The rim, leading to a band on the ouside is black, as is the entire inside of the fragment. Below the band on the outside is a horizontal 'S' shape pattern with small dots above and below it. To the left of this is a big black blob, which is slightly raised to suggest a handle ? Below the 'S' shape are four parallel lines, below which is a thin brownish band, a gap, and then what looks like the edge of a black circle. The second fragment has no rim and also shows a black blob which looks like it should be the base of a second handle. The inside of the fragment is againentirely black. On the outside of this fragment, there is no 'S' shape pattern or parallel lines, but there is a brownish band, below which is the edge of what seems to be a black circle, the same as fragment 'a'.
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| 74.7.4
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Flat resting surface, concave underside. Small conical shaped body. Narrow thin neck, broken and tilted slightly to one side.
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| 77.9.1
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About half foot and side to H. of c.1.5 cm, of small cup. Clay pink. Red for black inside and out, with res about 1 cm wide running diagonally across side and foot. Underneath, broad purple ring in centre, and groove near edge. Outside, two narrow pu
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| 78.12.2
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Upper handle has five band incisions, lower has three, equal radiating bands along the shoulder disturbed by the nozzle and the handle. Discus is plain, slightly concave with a small central circular filling hole. Sides of nozzle incline and are slightly raised, forming a triangle of the back of the nozzle. Lower body is plain with smooth surface.
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| 78.12.21
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Small moulded ring around the edge of the discus, single volutes on either side of the nozzle. Brown-red wash all over.
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| 79.1.16
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Two bands of laurel leavess with berries on either shoulder between the handle and nozzle, discus decorated in raised moulded relief of a fourteen petal warped rosette. Two very small circles are placed at the body end of the nozzle, on either ridge of its top. Moulded line along the crest of the handle with two small lines either side of it at the front of the handle. The back side of the body, under the handle are three lines; the central is straight and terminates at the base with a bud either side, the other two terminate in volutes. Red wash all over.
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| 79.1.4
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Moulded radial decoration on three quarters of the shoulder, moulded ring around the discus. Small single volutes demarcate he sides of the nozzle. Dark brown wash.
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| 81.9.1
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Surface decorated with red slip. Two narrow black bands around bottom of neck, with six sets of narrow black vertical bands (alternating from three to four) extending down from the neck to the base; each set of four bands has a vertical row of small circles down the centre.
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| 83.2.4
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Small horned shaped peice of terracotta in a pale yellow clay.
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| 83.9.14
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the surface is decorated with a layer of black and opaque paint, in the middle of the dish there is a small hollow
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| 83.9.23
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Stamped decoration: four spindly palmettes joined at their bases to a small incised circle
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| 83.9.30
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One side of fragment has two patches of black, which continue off the piece. This side has a reserved patch in between the black and two small back dots. The other side is black and appears to have two small flowers on it. Also there is a third half of a flower, which continues off piece.
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| 83.9.31
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One side of fragment is glazed black with a palmette design. Flowers are situated around a small, indented circle with six tiny indented 'U' shapes inside it. The other side of the fragment is mostly rserved, with a black band at the rounded part of the piece. Near the pointed part of the fragment there is an outer black circle, followed by a smaller black inner circle. Inside the inner circle there is a black dot.
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| 83.9.32
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On one side of fragment it is mostly terracotta with a small patch of black gloss, located on the end which is squared off. In, almost, the centre of this side there is a small, black circle with a tiny, black dot in the middle. On the other side of this fragment it is glazed black with a palmette design on. The flower pattern has a circle around half of it. This circle has 'U' shapes on it and appears as if it would have continued around the pot, from which the fragment came.
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| 83.9.8
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Plain black glaze across most of the fragment. A small line is imprinted on the outside.
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| 84.8.1
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30 fragments, largely side B, small part of side A, handle and rim fragments. Side B three youths. a) The top surface of the rim is black and so is the interior, apart from a reserved area at the end of the rim that bears a thin, black line. The neck is decorated with a vague representation of a brach with laurel leaves. The joining point of neck and body that is preserved bears part of a black, thick line. b) The interior and top surface of the rim is black, with the exception of a reserved band on the end of the rim (interior) that bears a thin, black line. c) The handle is black, except for the surface that would not have been visible if it was attached on the vessel, which is reserved (but glazed). Around the spring of the handle there is a motif between two thin lines that resembles the ionic cyma (egg-and-dot). The rest of the vessel is black, both on the outside and the inside. d) The handle is black, apart from the surface that would not have been visible, where there are two dots. Around the spring of the handle there is part of the ionic-cyma motif. e) There is part of the ionic cyma motif that the handle bears around its spring and the rest of the surface is black (interior and exterior), apart from part of a small chess-shaped motif, framed by a line above and two below. f) It is black apart from an area that bears a small part of the motif that contours the springs of the handles, a small, diagonal, reserved band (exterior) and a reserved band (interior). g) The surface is black (interior and exterior) except for three thin lines that are reserved. h) The interior is black. Exterior: Above a double-meander pattern, placed on a reserved band and between two lines, there are two heraldic lion paws, even though the details have fadded away. i) The interior is black. Exterior: The lower part of the drapery and the foot of a figure, surrounded by black colour. j) Black interior. Exterior: The lower part of a vertical, reserved thin band is standing on a broad, reserved band that bears between two black lines part of a pattern that consists of a meander and a cross on its right. The cross is contoured by a reserved area (around its sides), while its is executed on a black background. k) The interior bears a thin, reserved band. Exterior: The back part of a male figure's head and shoulder, as well as part of the drapery. l) Black interior. Exterior: The male figure's shoulder and part of his draped body. On his right there is the outer part of the motif that contours the springs of the handles. m) Part of the male figure's leg, knee and tibia, which is projected, as if he is ready to take a step. On the left top side there is part of a vertical, thin, reserved band (upper part of a walking-stick). n) Black interior. Exterior: The lowest part of the figure's drapery and a vague representation of his feet ? He appears to be standing on a pattern that consists of a chess-like motif close to two, double-meander ones, framed by two lines above and one below. o) Black interior. Exterior: The lower part of the figure's walking-stick that seems to stand on the double-meander pattern. On the left of the walking-stick, there is part of the back side of another draped figure (male), with the same careless rendering of the feet. p) Black interior. Exterior: Part of the walking-stick and drapery of the second figure. q) Black interior. Exterior: Small part of the second figure's drapery. r) Black interior. Exterior: Small part of the second figure's drapery. s) Small part of the second figure's drapery. t) Black interior. Exterior: Part of the lower termination of the second figure's drapery as well as his right foot? On the left, part of his walking-stick. He seems to be standing on part of the double-meander pattern. u) Black interior. Exterior: Part of the pattern that consists of the chess-like motif, next to part of a double-meander one, on top of which there is the lowest part of a figure's foot? (clumsily rendered). v) Black interior. Exterior: The lower part of the drapery and right foot of another similar figure that satnds on the double-meander pattern. w) Black interior. Exterior: Part of the figure's drapery. x) Black interior. Exterior: Part of the figure's drapery. y) Black interior. Exterior: Part of the figure's drapery. z) Black interior. Exterior: Part of a male figure's arm and hand. aa, ab and ac) Part of the rim and neck. The exterior bears a broad black band and the interior bears a reserved area between two black bands. ad) There is a reserved line on the interior, while the exterior is black, apart from a reserved spot of unclear shape and another, similar one that bears a thin, black line.
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| 84.8.2
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Amphora stamp. Stamp is rectangular and letters are in relief and takes up most of the handle. There is a small hole in the break of the handle.
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| 84.8.3
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Amphora stamp. Stamp rectangular and takes up most part of the handle. Letters are still visible but worn. Small hole in break of handle.
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| 84.8.4
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Amphora stamp. Round circular stamp, with words around the outside of the circle and a picture or symbol which is difficult to make out in the centre. Stamp is on lower part of handle. There is a small hole on the break of the handle.
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| 91.12.2
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Small indented circle in centre of weight. Two more indented circles around that smaller circle.
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| 91.12.3
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Three small pointed legs, of which two are on the shoulders (one on either side of the mouth).
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| 92.1A-K
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(a) Bull and lion, facing; (b) Pegasus; (c) Archer: holding bow and spear/arrow(?) with tall helmet, kneeling; (d) stag; (e) Female head: wearing winged helmet; (f) Lion head, small; (g-k) non-identifiable shapes, stamps.
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| E.2003.9.1
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The jar has a small but quite pronounced neck leading to an ovoid body that descends to the pointed base. One part of the body is flattened.
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| E.23.10
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Dense with a small base below a trapazoidal shape. The natural black remains only on the base.
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| E.23.35
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Small red jar with a large lip and thus a small mouth. The shoulder is the widest part of the body and descends to the flat base with a constant gradient. There is no discernable decoration.
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| E.23.37
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Small alabaster kohl pot, bluish/grey. Very fine (cf E62.45), with narrow neck and wide, flat rim. Flat, circular lid (date uncertain), flat base.
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| E.23.44
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Glazed blue amulet in the shape of a head wearing a crown. The head is vaguely reminiscent of that of the dwarf god Bes. The top of the crown has been threaded for a string for wearing. The eyebrows are large triangles, above the sacred eyes which are joined. The nose is snout-like in between two puffed out cheeks. The mouth is thin lipped and small verticle lines indicate a beard.
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| E.23.7
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Small, rounded underside. Saw edge (very finetly notched)
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| E.23.9
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Wide mouth with pronounced lip, slightly rounded shoulders, very flat base. Small wavy handles on either side (rudimentary, perhaps only for decoration). Buff coloured, except for a wavy design in a darker colour, which suggests that the material is sand-based.
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| E.26.39A-B
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Two bracelets, one slightly larger and wider than the other. Probably for child as they are very small. Very light weight and delicate. Both a creamy white colour and smooth on surfaces.
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| E.47.1
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On three quarters of the shoulder a wreath surrounding the discus, the other quarter is sections by two ridges and a small lanceolate relief points to the wick hole. Red colouring still apparent in very small amounts on the relief and a small section on the base of the nozzle.
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| E.62.10
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Carved piece of open-work rail of furniture, shape represents the hes vase. Object is flat and only some small amount of white pigment remains.
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| E.62.12
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Blue scarab on a flat base, which has vertical lines down the top of the beetle from its throat, and patterned legs. The wings are detached, both with spanned wing decorations. Base is plain. There are 6 small holes on the points of the compass, with 2 at East and at West by the side of the scarab, and three holes on each of the wings. These are at the corners of the joining part to the body of the scarab and one at each end of the wing spans.
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| E.62.17
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The thorax is made of parallel straight lines. There appears to be a small amount of gold pigment between the beetle and the base, there is no other discernible pigment.
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| E.62.2
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Sculptor's trial piece. White limestone, the sculptor is trying different ways of drawing hair. The bottom of the fragmet has a human head with one way of drawing hair, one braid at the from with several straight lines representing the rest of the hair alon with a band accross the top of the hair. Other methods include small squares, undulating lines and straight parrallel lines made up of small chips into the surphace.
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| E.62.4
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A small limestone tablet with the image of a monkey holding its young. It is square in shape although this appears to because the adult monkey's head has been removed. There is a hole in the centre at the top of the artefact presumably so it could be hung up. The adult monkey is bending it's knees to reduce its height which also gives the idea of closeness between the two creatures. The underside of the artefact has the same image only in reverse and with less detail. There is red pigment remaining on both sides around the feet particularly.
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| E.62.5
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There is a small band of carved / incised detail at the thickest end. Carving is a simple cross-hatch pattern with three carved bands above and below; the pattern extends below the bottom bands, perhaps by mistake.
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| E.62.51
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Head of a cobra, dark wood, some traces of dark red and black pigments. Very little decoration remains, only small remnants of the original pigment.
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| E.62.54
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Alabaster vase; sunken, flat base and small neck with pronounced lip. No decoration.
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| E.63.15
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Below the uraeus there is a small amount of blue under this, below the chin, on the neck and around the groin, where it is quite faded. The eyes still hold a gold pigment.
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| E.63.16
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Small blue scarab on a flat base. The beetle has a line running down its thorax and little detail around the 'mouth'. The base is decorated with an ankh and two other symetrical unidentified symbols.
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| E.63.2
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Sacred eye of the god Horus, originally blue. There is a hole drilled horizontally through the middle of the piece to allow threading. The details are carved into the piece, the top is a line of slightly diagonal lines, below this is a small flat line below this the detail of the actual eye which is common to all sacred eye amulets.
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| L.2011.1.48
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In the central discus one reclining figure recumbent on its right side; right leg bent, left leg outstretched. Behind the legs a fish tail. At the back of the figure a drapery, like a semi-circular frame around the head. (possibly a Nereid riding a sea-bull?). On the edge parallel lines in low-relief. On the underneath inscription and a small half-moon shaped stamp.
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| L.2016.3.31
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Few traces of different coloured paints. Few, small black or dark brown flecks allover the surface, a little more at the saddle, belly and mane. There are very few traces of green glaze at the top of the nose and front part of belly and saddle (and white as well as red-brownish flecks at the rare part) on the right.
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| REDMG:1935.87.16
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Handles painted black on the top and reserved underneath. Reserved thin line inside lip and on outer side and bottom of footring. Ring foot is black although underneath is ruddled, except for black centre and one small black ring. Streaky glaze in places.
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| REDMG:1935.87.18A
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Small patches of black remaining on body. On shoulder, radiating single incised lines.
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| REDMG:1935.87.27
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Two handles, partially painted black. Inside is a red rim, then black with two red bands superimposed. Outside (from top to bottom) are two thin bands, three rows of uneven dots, middle row red, three bands, two rows of small dots, three bands, broad area left clear, three bands around foot, foot red. Highly ornate base with dots, red band (repeated) and in centre is a cross with four dots around it. The base has moulded ridges for added decoration.
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| REDMG:1935.87.28
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Inside black, reserved line at lip. Two kylix handles, black on the top and reserved underrneath. Main picture is in handle zone and is similar on both sides. Shows Dionysos seated, flanked by palmettes with vines running either side of him. Detail picked out in red and white. Foot rind reserved outside, black inside. Base reserved with central dot, small ring in dripped glaze, thick black ring and near circumference also fire circles in thinned glaze.
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| REDMG:1935.87.31A
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Red rim; two handles, coloured black. In the handle zone pomegranate pattern in three rows, the middle row red; below, one red line between two black; a broad black band with a pair of superimposed red lines at top and bottom; one red line an done black immediately above foot. Foot-ring black outside, two black rings on resting surface; inside of foot-ring red; on the bottom a central dot and pair of small thin rings, near the circumference a broad ring, all black. The edge of the flange supporting the lid, red. Handles black. Inside of bowl originally black with traces of one pair of red circles.
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| REDMG:1935.87.31B
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Lid: on the rim of the knob, black silhouetted triangles pointing outwards; below teh knob, black rays; four circles, the second and fourth red; round the edge below the animal zone a black band between two black lines; on the vertical rim a red band, and again a black band between lines. In the animal zone, on one side a palmette-lotus complex, flanked by a pair of sirens; on the other a siren flanked by a panther on the left and a lion on the right. Small incised circles on the body of teh panther, incisions on the lion. Field ornaments include rings of dots with or without a circle at the centre, scattered dots, amorphous and cruciform rosettes with incisions crossing at centre, rosettes with incisions forming small arcs facing away from the center. Some remains of added red on neck, breast, and tail of sphinxes, heart of palmette and petals of lotus. Inside of lid reserved.
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| REDMG:1935.87.32
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There is a broad, black band at the interior of the rim. On the top of the rim there are black tongues, apart from the surface of the handles, decorated with palmettes. Waves are used to decorate the edge of the rim, while the handles bear small palmettes on their sides and the rest is painted black, as is the body between. Both neck panels have ivy and dots joined by vine. Both sides of the body show a female head, facing left and wearing a decorated cap with a spiked stephane over it. There is a small window (rectangular motif with black vertical line), top right on both sides. Side A, however, has a strigil with wavy endings above the head, top left. Side B has a knot of hair emerging through the apex of the cap. On both sides there are volute-shaped motives at the end of the cap and below the woman's chin. Side A: The woman wears a black earing (a circle and hanging dots) and a neclace of black beads. A hair with a heart-shaped ending falls vertically over her neck. On the other hand, the woman on side B wears a similar but yellow earing and a neclace made of yellow beads. Both women are framed by two vertical red bands, decorated with two similar motives of a vertical row of dots between thin lines. These columnar patterns seem to support a horizontal red band over the head, ornated with tongues between thin lines (one above and two below). However, the surface under the heads is not identical for both sides. Side A has a red band with dots between lines and side B has two parallel lines and the wave pattern. Both the scenes are partly ruddled and added yellow is used to render the details. Miltos apparently was applied last.The lower half of foot is ruddled.
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| REDMG:1935.87.8
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Inside is black with no reserved sections. Outside is black with a groove just below rim and another two at top of stem. Foot is flat and black on the top but reserved on the side. Black band around very bottom of side of foot. The resting surface is reserved and the inner foot ring is black. Small reserved circle raised up inside foot with a black band and a small black central dot.
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| REDMG:1935.87.9
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Band cup with chain of palmettes and lotus buds. Traces of white dots in cable and white on upper parts of buds. Inside reserved band at lip and reserved disk 0.065 m in diameter with two small concentric circles at centre.
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| REDMG:1947.13.1
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Black mouth inside and out, otherwise reserved inside. Below the rim, on the lip, is a white laurel wreath, to right. On neck, between black handles, a 9-leaf palmette, with a black dot for heart and black dot on either side of central petal; black ridge between two black lines; frieze of vertical bars beneath each handle; beneath each handle a large palmette above a pair of volutes, from which emerge vegetal ornament. A: Attenuated ovolo frieze between two black lines; white ribbing (painted); two reserved bands; floral frieze with white head, to left, at centre, emerging from a calyx from which emerge also tendrils, berries, volutes, and blossoms; reserved frieze; scene. B: Continuous maeander to right, between two pairs of lines; black ribbing (painted) between two black lines; flanked by vegetal ornament, from which emerges quarter palmettes and volutes, a female head, profile to left, wearing white stephane, and white sakkos, from which emerges curly black hair, at front and black; white drop earring on an inverted triangle. Below the body zone, around the entire vase, is a decorative band consisting of dotted cross squares (1) alternating with stopt maeanders to left (3) between two reserved bands; black below.
Scene, A: A woman, standing in 3/4-view to the right, with head profile to right, hair emerging from the back, a sleeveless, belted chiton, a himation draped over her left arm, a pair of white slippers, holds a palmette fan, with white detail, in her upraised left hand, and a branch (similar to a thyrsos) in her left hand, at a diagonal. She also wears a white stephane and a sakkos with black and white detail, from the back of which emerges a tuft of hair, a white beaded necklace between two thin chains (rendered by black lines), and white snake bracelets on each arm. She faces a naiskos enclosure, decorated in gilded white, with thin Corinthian columns and a black pediment, on a podium decorated with a simple continuous maeander to right, between a two pairs of white lines. Enclosed within the naiskos is a warrior, rendered in white with yellow details, seated in 3/4-view to the left, on a himation, with his legs crossed, and his left elbow resting on the back of his seat. He holds a crested helmet in 3/4-view to the right, at which he stares, and a diagonal spear in his left hand. On the ground below him is a small shield. To the right is a nude youth, standing in a reclining pose, 3/4-view to the left, wearing a white fillet in his hair, and white slippers. He holds a himation, bundled up around his left arm, and an opened box as well as a dotted, fringed sash, in his right hand. A thin rectangular element, perhaps a dagger, emerges from the opened box. A (heart shaped) ivy leaf hangs in the field above him.
White dotted lines indicate the groundline between all figures.
Details on the shoulder rays and, ornaments in the field, and all figural scenes are rendered in added white, sometimes 'gilded' with yellow wash.
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| REDMG:1951.140.1
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Upper surface of rim reserved, black ridge, and outer edge of lip decorated with a wave pattern to right; black below lip, on neck and on handles except forward handle attachments (on horizontal handles) decorated with rays; reserved patches beneath horizontal handles. Lower part of neck decorated at front with a short laurel wreath, to left, between two narrow reserved bands. Beneath the figural scene is a groundline comprised of a frieze of alternating maeanders (three) and saltire squares (one). Narrow reserved line at join with base, bottom edge of base, and underside. The figural scene is framed between a tendril, above the left handle, and a larger vegetal ornament, from which emerges a lotus bud. A Youth stands in 3/4-view to the right. He is nude, except for drapery slung over his bent right arm and held in his lowered left hand, and a white taenia on his head. He also holds a staff in his slightly upraised right hand. At centre is a bird (crane), seated in a perirhanterion (basin), supported by a fluted, tapered column, with a dotted capital, on a two-stepped base. The steps are decorated with small black spots and thin diagonal lines that suggest a marbled appearance. On the other side of the perirhanterion stands a woman, in 3/4-view to the left, with her weight on her right leg and her left leg relaxed. She wears a belted, sleeveless chiton, double bracelets on each wrist, a beaded necklace, and a spiked stephane, as well as a short pony tail. She extends her right hand to the bird and holds a box, decorated on the sides with black spots and lines, and three white spots on top, in her slightly upraised right hand. Above the bird is a rectangular frame (sometimes called a window but perhaps a votive plaque); above the box is a cogwheel. Most of the reserved areas are darkened with red wash, and the jewelry and other details in added white.
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| REDMG:1951.141
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Black on interior except for a reserved band just below the lip. Black on exterior, except for a frieze of tongues underneath the rim on both sides, but not above handles; figural scenes on body. A: Partridge profile to the left; tendrils in lower left field; circle and tendrils in upper right field. B: Satyr head, profile to left; tendrils in lower left and right fields; quarter palmette in upper left field; single palm leaf in upper right field.
Although female heads are more popular in such contexts, the large red element in place of the ear is probably a horn and indicates that this is a representation of a satyr. The decoration in the lower left field of the B side indicates the addition of a second layer of black glaze, in a manner than changes the image (from a large tendril to a small tendril below an L-shaped element.
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| REDMG:1951.157.1
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Entirely black except for reserved line around edge of rim, ribbed zone (comprised of five vertical lines in panel) at front of neck, and figural scene on the front of the body, and reserved underside at front half of lekythos (similarly the front half of the interior is reserved).
Scene: double tendril, with a blossom emerging from the larger tendril; female head, profile to left; rosette in upper right field; small tendril in lower left field. The female wears her hair in a sakkos, tied at the back, from which emerges a tuft of curly hair around the ear. The reserved areas are ruddled, except on the underside. Some of the glaze beneath the handle has fired red.
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| REDMG:1951.159.1
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On neck, between black handles, an enclosed palmette (11 petals on A and 9 petals on B; with two concentric arcs for heart on A, black dot for heart on B), black dot on either side of central petal, and black dot in the upper corners; black ridge below black line; frieze of vertical bars below each handle attachment; beneath each handle two superimposed palmettes, with a pair of volutes between, from which emerge tendrils, sprouting quarter palmettes. A: egg-and-dot frieze, between two black lines; white ribbing (painted); two reserved bands; floral frieze on shoulder (four volutes from which emerge flowers, tendrils and secondary volutes) emerging from the lower right; two reserved bands; scene. B: Continuous maeander to right, between two black lines; black ribbing (painted) between two pairs of black lines; a female head, profile to left, wearing a sakkos, from which emerges curly black hair, at front and back. Below the body zone, around the entire vase, is a decorative band consisting of dotted broken stopt maeanders to left (pattern doesnt match up on side B, to the left) between two reserved bands; black below.
Scene, A: A naiskos comprised of two Corinthian columns supporting a tapered epistyle and black pediment, on top of a podium (white maeander on a brown background, between alternating black and white horizontal bands). Two white female figures stand within the naiskos. The figure at left, standing in 3/4-view to the right, wears a himation over her left arm and hips, over a peplos (decorated with two vertical purple bands on the chest). Her hair is bound in a sakkos from which emerges hair at front and back; her jewelry includes a beaded necklace and two bracelets on each wrist. She holds a fan in her raised left hand as well as a wreath in her lowered right hand. She faces another woman (probably the deceased) who is seated in 3/4-view to the left on a stool (diphros) and rests her feet on a footrest (hypopodion). She wears a short sleeved chiton and a purple himation that she holds above her right shoulder in an unveiling gesture (anakalypteria). Her hair too is bound in a sakkos, from which emerges hair at the back; she wears two necklaces, one beaded, and two bracelets on each arm. A small ornament (or pures) hovers in the field between the two women. On either side of the naiskos is a kalathos (basket), below a rosette (red with added yellow and white), above a pair of white balls interspersed with clusters of three white dots, and above a double line of white dots. Each basket (both are identical) is decorated with a cross-square with intervening triangles (top) and alternating bands of zigzags, and white and black lines, as well as a band of vertical bars.
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| REDMG:1953.25.101
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Hollow figure showing head and shoulders of bearded male figure, head tilted to one side. Possibly a satyr(?). Coarse material with small stone inclusions.
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| REDMG:1953.25.45
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Black glaze except reserved panels under handles, on interior of handles; foot is reserved and reddened, except for black on the interior vertical surface and a small black concentric circle at the centre of the underside.
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| REDMG:1953.25.46
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Black glaze except reserved panels under handles, on interior of handles; foot is reserved and reddened, except for black on the interior vertical surface and a small black concentric circle and dot at the centre of the underside.
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| REDMG:1953.25.47
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Black glaze (thin on lower part) except reserved line just within rim, panels under handles and interior of handles; foot reserved and reddened, except for black on the interior vertical surface and a small black concentric circle and dot at the centre of the underside.
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| REDMG:1953.25.55
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Small jug with wide flaring mouth and rim which is reserved inside apart from a long smear of paint. Handle is made of two sections, not quite meeting at the top and extending along the rim. Straight neck with slight ridge at juncture with body. Thin groove at base around foot. Base is flat and black.
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| REDMG:1953.25.74
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Coarse material. Very shallow plate. Inside are traces of orange and brown deposits. Incised band inside rim and maybe around base too. Surface is not flat but has small lumps, perhaps caused by inclusions. Base is flat. Reserved.
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| REDMG:1953.25.77
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Ovoid or tongue mouldings on the shoulder, not no the areas covered by the nozzle volutes or the area of the handle. Discus is surrounded by four concentric moulded rings, the filling hole is surrounded by three concentric moulded rings. The nozzles have on their outer edges large volutes, these terminate at the body with horse heads instead of the usual ? the termination by the tip is in the usual form. Within the base are three concentric moulded rings with a small nodule at the centre. Red glaze all over
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| REDMG:1953.25.83
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Small female head wearing a fillet. The hair is made of riveted plaits tapering to a flat, wide ponytail. All facial details in proportion (including a rather large nose).
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| REDMG:1953.25.98
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Small male head with curly thick hair, a large beard, and a large moustache, as well as a furrowed brow. The shape of the head suggests that it was once attatched at the back to a wall or other verticle structure, although that back of the head does have a concave structure to it. Coarse, dark red fabric.
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| REDMG:1958.111.1
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Black glaze except reserved on the lower part of the foot, resting surface, and udnerside. Red figure palmette (11 leaves) with tendrils and leaves rising from either side. Small, dotted circle on left side, above tendril; round groundline.
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| REDMG:1964.1615.1
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Moulded decoration around the shoulder from outside in; a depressed ring, three bands of raised dots, (all three disturbed by the handle, one disturbed by the nozzle) a raised moulding of sets of three lines radiating in a band, a moulded ring surrounding the discus. Handle has two lines on its crest extending to the base. The base has lines delineating the base, but also has two small circular indentations along the handle nozzle axis. Dark red wash all over.
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| REDMG:1964.1626
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Black glaze, fired red on one side; small patches at lowest part of body and on underside are reserved.
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| REDMG:1964.1637.1
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Small piece of side of pot including rim and part of handle. It seems handle would have been long and thin according to where the other part has been detached. Interior surface is black. One side of handle is black, whilst the other side is reserved. The exterior surface of the body is reserved also. The rim curves around reasonably sharply and the size and thickness of the handle suggests quite a small cup.
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| REDMG:1964.1680.1
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Possibly the base of a handle where it joins the object (?) Reserved on both sides but the outer surface has a build up of deposits. Small section of pot attached making it hard to distinguish a shape.
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| REDMG:1964.1681.1
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Single fragment, completely reserved, comprising the base and small part of body, probably of a cup. Base is flat and circular on a small foot. Sides slope up towards the top. Inside is a swirled pattern with a central raised section of excess clay. Fragment is completely reserved.
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| REDMG:1964.1683.1
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Rim and handle of cup. Fragment is completely reserved. Handle is small and pinched in a triangular shape. Handle is attached to a lower rim, suggesting that a lid was once present which would sit outside this rim. The higher rim is almost to the top of handle. Towards bottom of fragment, the slope becomes steeper as it gets nearer to base.
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| REDMG:1964.1684.1
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Three pieces belonging to same object but not adjoinng. All reserved. One piece has a small pinched handle attached. All pieces have a rim, suggesting the original object had a lid.
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| REDMG:1964.1686.1
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Small fragment with part of rim remianing suggesting trefoil mouth. Ridges inside caused by sloping shoulders outside.
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| REDMG:1964.1690.1
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Rim and small part of body. Rim area is reserved. Below is a black band and then another reserved area. The interior surface is reserved at the rim and then black beneath.
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| REDMG:1964.1698.1
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Wide mouth with curved rim and a curved rim around neck. Curved handle joins top of neck and shoulder. Globular body. Small foot with raised base underneath. Unsure of colour - possibly was glazed but reserved (?). Dark colour present now appears to be deposits rather than paint.
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| REDMG:1964.1705.1
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Flaring lip tapering to straight cylindrical neck. Two small round vertical handles (string-holes) at base of neck, joining almost spherical body. Black slip but fired red on the base. Some incised decoration representing segments, with dotted infill.
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| REDMG:2004.95.1
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Interior of mouth black; lip reserved; exterior of mouth black, as is handle (repainted); vertical bars at the bottom of the neck; lotus-dot chain on the shoulder; Dionysos riding on a mule, between two satyrs, one holding a maenad. Below the figural scene is a black band, a reserved band, and then a black zone extending to the foot, which is black on the top, reserved on the convex surface and the underside.
Figural scene: A nude satyr (in a crouching pose) runs profile to the right, holding a maenad on his shoulder; the maenad, who turns her head profile to the left, stretches her arms to either side and holds a rhyton in her slightly upraised left hand. She wears a kekryphylon (red), necklace (incised) and himation. Dionysos, seated on a mule, rides profile to the right; the god, wearing a red and blck ivy wreath and a himation decorated with red dots, holds a red keras (horn of plenty) from which emerge ivy tendrils that serve as a backdrop for the entire scene. Leading the mule (through use of a white rein, of which a ghost remains) is another nude satyr, running profile to the right, while he turns his head profile to the left. Other details include red on the beards and tails of satyrs and a red fringe for the foremost satyr. Incision is used extensively for anatomy and drapery. An unusual effect is created through the use of incision for the forearm of the leading satyr, which he lays across his torso, which is not incised save for two small circles to indicate his nipples.
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| TEMP.2002.7.1
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Bowl with two handles, the rim has a black band around the top which goes both inside and outside the bowl. Below this on the inside, is a very thick black band that stops to leave an empty circle in the centre of the bowl. The handles begin about an inch below the rim on the outside of the bowl, but curve up and out to finish roughly on level with the rim. They are painted with black glaze only on the underside. Above the base of the handles there is a subtle ridge, below which there are three lines of pattern, which look like petals. Below these, there is a thin black band, a small space, and then a thick black band which goes down to the ridge of the foot. The foot itself appears to consist of two flattish disks, the lower with a black band round it. On the bottom of the foot, there is another black band part way in, and then a smaller one with a black dot in the middle.
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| TEMP.2003.2.3
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Long light-brown/buff object, from part of a figurine. Slightly thinner at the middle than at the outside and also slightly bent inwards. Small hole at one end.
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| TEMP.2003.2.6
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Small red coloured object. It has a bulbous shape.
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| TEMP.2003.6.12
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The internal surface of all the fragments is black. External: a) The rim is black, however,it appears red on an area. The back of the handle is black (the inner surface is reserved), but the area between the two parts of the handle creates a horizontal, reserved band. Below that, there is part of a black band and part of a reserved area. b) the rim is black. Below, on the left, there is part of a wavy? vertical black band, while on the right there are two small, black spots, parts of a motif. c) There is part of the black band that decorates the rim. d) There is a black band on a reserved area and part of a motif that resembles a ribbon? below which spring thin lines.
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| TEMP.2003.6.17
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The interior of the vessel is black apart from the lowest part of o, whose lower part bears a reserved but glazed line. Exterior: a) On the right side, there is the upper part of a seated woman (part below her waist is missing). She is draped and wears a stephane (fillet) on her head. On the left side there is a floral motif whose stem is a wavy line that expands to the left. b) There is the back side of another seated draped female figure. c) The front side of the previous female figure. She is holding an alabastron with both her hands. d) On the lower left part there is the largest part of a voluted palmette with petal shaped divisions, connected with a tendril. The area next to the spring of the one part of the handle is reserved. e) On the bottom right there is the rest of the previous palmette, also connected with a tendril. f) On the bottom right there is the upper part of a palmette and on the upper left there is part of a tendril's volute. The area on the left of teh one spring of the handle is reserved, but glazed (plaster on top). g) Uneven black surface. h) A small part of the volute of the tendril of f and the stalk of a flower. i) Part of an inverted palmette, connceted with (part of ) a tendril, with (occasional) leaves on its sides. j) Small line, part of a tendril. k) Part of a tendril's volute. l) A figure's projected forearm and hand (figure's depicted on n?). m) On the right side, there is the stalk and part of the stem of a flower and a line that seems to be part of a tendril. n) Part (head missing, neck and shoulder are scraped off, area below the knees missing) of a draped standing figure that has the left hand around the waist. o) The lowest part of a figure's drapery.
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| TEMP.2003.6.26
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Fragment of the bottom part of the cup of a chalice(?)or bowl(?). Exterior white with one small red/brown section of a pattern at the highest point and one thick almost 1 red/brown line abour half way from the top. Interior is black/brown with a pair(?) of thin faded white lines .5 from the top edge, below that a repeating pattern of black teardrops, and below that a pattern of white sploches interspliced with red dots.
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| TEMP.2003.6.27
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Exterior white with small chips. Interior black with a pair of white lines at one edge and a small white half circle from the exterior line to the edge. Parallel to these white lines towards the opposite edge is a incised line.
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| TEMP.2003.6.3
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(a) The handle is black, but the piece of the body that is preserved is a reserved, but glazed surface with very thin, parallel lines. (b) Black apart from a tiny area on the top, which is reserved, but glazed and bears small parts of parallel, thin lines and a reserved, thin line just above the foot. The bottom part of the foot is also reserved, so is the resting surface.
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| TEMP.2003.6.8
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The interior is black, apart from a reserved line on the upper part of the rim. a) The rim bears a black band. Below, there is a palmette on the left of the fragment (an almost round centre from which emerge petal-shaped divisions), as well as part of a carelessly rendered curving line. On the left there is the right part of a figure next to three barnches with dots on either side. There are also four large dots on the background. b)The rim bears a black band. The rest of the surface appears to be reserved. c)The rim bears a black band. On the right side there is the largest part of a palmette (round center, rendered with added red and petal-shaped divisions). There is part of a black line that contoured the handle (partially covered with adhesives and plaster). On the left, there is another figure (carelessly rendered, between three similar branches (on the right) and part of an (undecipherable) object that consists of black colour, incisions and added red colour. There are also four large dots on the background. d) The rim bears a black band. There is part of the object on the left side of c and on its left there is part of a black dot. e) On the left side there is part of a curving line with a voluted ending (tendril?), which is connected to a palmette (voluted, with round center and petal-shaped divisions). Next to that there is an object that consists of three parts. The upper is round and the details are rendered with incisions and added red, the middle part is a small dotted branch and the lowest part is a short, vertical, thin band (thyrsos?). From its middle part emerges another dotted branch. There are five large dots on the background. On the right side of the fragment there is the left part (small part) of a figure? (carelessly rendered). f) The part of the lowest body that is preserved bears the terminations of palmettes? depicted on the body (short, clumsily rendered bands are preserved). There is also a reserved thin line between two broad brown bands. The foot is also brown and so is the inner sude surface of the foot. The rest is reserved, with the exception of five thin, concentric circles on the base. g) The fragment bears the lowest part of a palmette (the left volute and part of the round center)on the left and part of the reserved area between the two brown bands.
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| TEMP.2003.6.9
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Rim section of a bowl. Exterior white with a band consisting of twin brown lines with alternating black and white rectangles interior along the top .3. There are two small blueish sploches marring the otherwise well preserved surface. Interior is black over white. The white shows through in a line along the edge for about .2 and then there is a brown line, and under this the rest of the background is black. Near the top of this black section is a set of white lines with white dots set in between them at regular intervals. Under this pattern is another thin white line. Under this is on part of a triangle pattern consising of a white outlined triangle with a white line forming a second triangle within the first and a red dot at the center of the triangle.
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| TEMP.2003.7.1
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The edge of the rim is painted with a small line of brown, which is fairly worn. Interior has a brown coat over white paint. The brown starts 0.2 below the rim. There is also a small red splotch near the edge of this side. Exterior is white.
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| TEMP.2003.7.2
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Interior white with a pattern of brown waves set in between sets of two thin yellow lines which begin .2 below the rim. There is a small bit of brown that seems to be part of some other pattern at the bottom of the fragment. Interior is brown/black with remnants of a white fan or floral pattern, which is heavily worn. A good deal of the interior is worn down to the original terracotta.
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| TEMP.2003.7.29
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Small figurine, plain red clay, unpainted. Rounded head, with a small circular piece of clay used for the left eye. There are two small stumps for arms, and no sign of clothes.
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| TEMP.2003.7.30
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Small figurine, features not at all defined. Figure is very simple, small rounded shapes for head and arms. Both the back and front are relatively flat and smooth - the front is the side which has the base sticking out further than the back. There are indications that something was painted on it - black line by the right arm, on the front at the bottom, and on the back on the lower half of the body - here there are three vertical lines, the middle line being the longest. There are four black blobs on the square base.
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| TEMP.2003.7.31
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Small figurine, possibly an animal, because the nose/mouth is pointed like a snout. Has two small holes for the eyes, and three holes above them. The neck is thinner than the head, and the arms are clearly defined, although are broken. The figure is of a red colour, with remants of black paint on the head and lower back.
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| TEMP.2003.7.32
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Small figurine, possibly an animal. Pinkish colour, with remnants of black paint on the back, on the left arm and on the main body. Appears to be scratching head with the right arm, and the feet are distinguishable from the legs because they are at an angle.
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| TEMP.2003.7.34
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Interior painted in black. Exterior has a black and purple decoration in the centre. The purple is in the shape of a cemi-circle, with black around it which has small incisions. The black at the top is almost in a knot-like shape. The clay is a red-brown.
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| TEMP.2003.7.36
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Fragment, clay beige colour. Side b has a small area of black at the bottom. Side a has a small area of black at the top, and a little at the bottom, with an area of red int the middle.
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| TEMP.2003.7.38
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Side b, interior, is black, with part of a geometric border in the left half, with a small area of red to the far left. Side a, the exterior is covered in circular and oval shapes, presumably part of a larger design.
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| TEMP.2003.7.40
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Small lip with a long slender neck and pear shaped body. Small flat base.
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| TEMP.2003.7.46
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Light brown clay. Small mouth with flared lip. Long slender neck wider at top than bottom turning into pear shaped body with shorter foot and flat base.
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| TEMP.2003.7.5
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Curved and painted on both sides. The "outer" concave side is painted light beige with two small brown bands running lengthwise along it. One band has another smaller brown band (about twice as thin) running beside it throughout the fragment. The other band has a smiliar smaller band, but only measuring about a quarter of the length and running off into the edge. The "inner" convex side is painted dark brown with two white bands running lengthwise. One of the white bands is dashed, while the other is complete.
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| TEMP.2003.7.56
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Both sides black. One side has small piece sticking out, which could have been part of a handle.
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| TEMP.2003.7.57
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Small fragment. Pointed at each end. Both sides glazed black.
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| TEMP.2003.7.59
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Small fragment. Black glazed on both sides. One side has slightly raised area. Perhaps it would have been the start of a handle.
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| TEMP.2003.7.64
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Fragment from the neck of a closed shape, with a flat, thick rim (1.4cm). Flat, top of rim seems to have been painted white. The side of the rim has a pattern around it. The pattern has a thin, black line parting small 'U' shapes. The top half of the pattern has 'U' shapes in it, which have tiny, verticle, red lines inside them. The bottom half is the same, however the 'U' shapes are up-side-down. The neck and small piece of the body, on the fragment, is glazed black and appears to have once had white paint on it. The fragment has a small piece of the pot's body on either side of the neck. One of the sides of the fragment of the body has the top of two figures on it. The right hand side figure is the top of a head but its features are unclear. The left-hand-side figure appears to be a women, with her left arm raised. The underside of fragment is terracotta colour. The inside of rim is glazed black and the inside of the pot appears to have been left terracotta.
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| TEMP.2003.7.67
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Fragment of a handle and a rim of a kylix. Concave side is black with a reserved (unpainted) stripe at the lip. The convex side is reserved except for a small black stripe running horizontally at the top base of the handle, and for a larger stripe at the lower part of the fragment.
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| TEMP.2003.7.68
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Fragment of a rim of a Kylix. The concave side is black with a reserved stripe at the lip. The convex side is mostly reserved with the exception of a black stripe at the tip of the lip, the bottom of the lip, and the end of the fragment. There is also a small black non-representational design on the convex side of the rim.
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| TEMP.2003.7.75
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A thick fragment of a pot with black gloss on either side, with small chips throughout.
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| TEMP.2003.8.1
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(a)Part of the rim of an open jug of some sort. The inside segment of the rim is painted black, with numerous small bits having been chipped off. Moving outwards, the rim consists of the inside of the pot wall, which then splays out in a flat top rim, and then falls down again in a second wall that is left dangling from the outer rim. So, moving from the inside outwards on the underside, there is a valley of about 1.0 wide and 1.5 deep until the top of the second rim (which is peaked) is reached. The outward facing side of this downward pointed rim consists of alternating lines of black dots and thin black lines which run around the entire outer diameter of the rim. There are two rows of dots and two lines, alternating which each other, all of which are heavily worn. The top part of the rim, which would be facing upwards if the pot were complete, is about 2.2 wide and flat, marked with black raised lines that repeat about every .3 and which start at the outer edge and are 1.7 long, and painted black. These lines are heavily worn. There are also two significant chips in the top of this rim, each about 2 long.
(b)Another part of the same rim to the same vessel. The same dot and line pattern runs around the outer diameter. On top the lines which are thicker at the end pointing into the pot are repeated, a palmette decorates the larger flat area of the handle region.
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| TEMP.2003.8.3
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The body of a person probably standing to the left as right arm is bent at elbow across body and pointing left holding a small black ball. The person is wearing a himation.
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| TEMP.2003.8.64
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Head of a woman in relief. Plaque is square in shape. On either side of the woman's hair at the top are two wings. Long flowing hair on either side of her face. Features are carved and she is wearing something around her neck. Small hole in the centre at the top.
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| TEMP.2003.8.65
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Within a frame, a man's bust facing right. The man has a large nose, is veiled and wears a robe over his shoulders. The frame is decorated with incised horizontal lines on either side of the man, small flowers in each corner, a curtian above, and a circle in the centre.
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| TEMP.2003.8.8
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Floral pattern. Black band followed by reserved band followed by black band followed by a row of small dots above which are larger ones between which are fine elongated semi-circular lines.
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| TEMP.2005.1.4
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Some small areas of black glaze; presumably once covered whole pot. No distinct pattern can be determined.
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| TEMP.2005.1.6
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Small detail of protruding band at top of neck and small line visible on body. No painted decoration.
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