| 14.9.109
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Exterior and interior black glazed, turning to red in places (especially around complete handle). Underside of foot reserved with one black band.
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| 14.9.34
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Fragment of a flat base. Chocolate coloured paint inside and out, including a flat base, all glazed. Exterior has 6 horizontal bands of white near the bottom, the lowest one broader than the five upper ones. On base two white parallel lines.
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| 14.9.74
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Interior: glazed black with traces of narrow bands in added white; exterior: from top, part of wide vertical black band between pairs of dilute lines; two dilute lines; guilloche pattern; at right, two narrow vertical black bands flanking black handle root; below; wide black band between two narrow dilute bands; part of meander frieze.
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| 14.9.84
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Interior: reserved band below junction of bowl and lip; below, glazed black; exterior: lip glazed with thin reserved line at join with bowl; below, black figure decoration consisting of horseback riders (only head including mane and reins, neck and breast with added red, shoulder and upper forelegs of one horse and tail of second remaining), to right; at far right, possibly incised pinwheel rosette as filling ornament;
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| 14.9.85
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Interior black and glazed. Exterior is black above the scene of a youth riding a horse. Only top third of horse is visible. Added red on hair, horses mane, tail and flank.
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| 2003.6.19
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Two lines, one black and one red, towards one end of the fragment; covered with a white ground, which has worn of around the edges revealing the darker coloured terracotta underneath. Black glazed on the interior.
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| 2005.2.4
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Black glazed all over, except on resting surface, and underside, which is, however, decorated with two black concentric circles at centre, and black on the interior of the ring foot. Perhaps also ruddled on underside
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| 2006.5.3
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Glazed
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| 2006.5.4
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Glazed
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| 2006.5.5
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Glazed
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| 2006.5.6
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Glazed
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| 2006.5.7
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Glazed
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| 2008.7.101
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Surface slipped with red-orange wash. Strap handle sloping inwards; black glazed on the outside; inside in reserve. Row of uniform parallel black lines at the junction of the shoulder and neck. On the shoulder, five black palmettes, the central one inverted, with black tendrils and dots in between. On the body, black glaze misfired with two red parallel lines just below the junction of the shoulder and body.
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| 2008.7.18
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Light brown exterior glaze with darker reddish-brown decoration. Seven parallel lines perpendicular to three other lines, all of the reddish-brown color. Also the edge of a rounded design, also reddish-brown. The interior is glazed reddish-brown, but a redder hue than the color from the exterior decoration.
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| 2008.7.19
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Exterior is glazed red; interior is glazed brown.
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| 2008.7.20
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Exterior light-brown glaze. Overpainted by eleven dark-brown (black?) vertical lines that end in two parallel brown lines. There are six further brown horizontal lines parallel to these. All of the lines are of roughly the same thickness (ca. 0.2). Interior is reddish-brown glazed.
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| 2008.7.25
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Exterior beige glaze overpainted by two black lines and one brown line (darker in the middle). Interior glazed black.
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| 2008.7.26
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Exterior glazed light-brown, overpainted by three parallel horizontal brown lines - one slightly darker than the other two - and a black curved/spiral shape.
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| 2008.7.29
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Exterior glazed beige; interior glazed beige with white overpainted.
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| 2008.7.30
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Exterior glazed gray-beige, overpainted by two parallel thick (0.8) brown curving lines.
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| 2008.7.31
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Exterior glazed a streaky brown/green/orange. Bottom of base has part of this glaze around the edges, but appears otherwise undecorated.
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| 2008.7.34
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Exterior glazed black overpainted by five horizontal parallel lines on the bottom half of the fragment. Three are brown, two are beige. The colors alternate. Interior glazed black.
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| 2008.7.53
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Exterior has six thin horizontal parallel brown overpainted lines; interior glazed brown, with one or two possible thin reddish brown horizontal lines (could just be faded wash).
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| 22.3.20
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The upper overhanging section is decorated with an egg pattern; on the broad middle section is a laurel wreath, to left; on the narrow section are is a band of black dots above a thin line. The neck is decorated with a lotus-palmette frieze. The interior is glazed black.
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| 22.9.4
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Top half of cup glazed black; bottom half and inside red. Inside has 2 discoloured patches.
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| 26.12.31
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Black glazed all over
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| 26.2.1
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Upper body sherd of Attic black-figured pottery dinos; interior: glazed black; exterior; palmette and lotus cross, with added red;
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| 26.2.10
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interior glazed black; exterior: from top: part of black lip band; black-figure decoration consisting of lotus flower with added red at end of long wavy stalk emerging from handle root; glazed zone with band in added white;
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| 26.2.11
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pale slip; interior: black with red band lined in white; exterior: top of rim glazed; pinwheel rosette preserved in zone below;
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| 26.2.12
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interior: reserved band at top of lip, glazed black (fired red) below; top of lip glazed; exterior: lip and handle zone reserved, with black between; glazed below; black around handle root.
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| 26.2.13
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interior: on rim, three black lines; wall glazed; top of rim glazed; exterior: lip and handle zone reserved, with band between; glazed below; inscription on exterior.
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| 26.2.14
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pale slip; interior: reserved band at top of lip; below, black; top of lip glazed; exterior: lip and handle zone reserved, with black line between; lower wall glazed; black around root of handle; at right of sherd, part of inscription;
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| 26.2.15
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black band over top of lip; interior: reserved band at top of lip, rest of interior glazed black (fired brown in places); exterior: lip and handle zone reserved with broad band between; glazed on wall below and at handle root;
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| 26.2.16
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interior: concentric wide and narrow glazed (fired red) bands; exterior: glazed (fired reddish in places); reserved underside of bowl with inscription.
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| 26.2.2
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interior: glazed black; exterior: part of interlaced stems of lotus chain decoration in handle zone; below, series of narrow and wide bands, mostly painted black but three in added red;
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| 26.2.23
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white slip; interior glazed black with part of three bands in added white; exterior: black maeander pattern above two wide black bands;
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| 26.2.24
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Fragment A:
interior glazed black; exterior: palmette and lotus frieze with added red between pairs of narrow glaze (fire brown) bands; below, black with traces of two narrow red bands.
Fragment B:
interior glazed black; exterior: lotus and palmette frieze with added red on calyxes; below, pair of narrow glaze (fired brown) bands; below, black with traces of two narrow red bands.
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| 26.2.38
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Glaze fired brown; pale slip; interior: from outside, part undetermined black fire decoration; black band; maeander frieze between two wide black bands with added red bands lined in white; exterior: ring foot glazed; on underside, two narrow bands.
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| 26.2.47
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glaze fired orange-brown; pale slip; from top, black figure decoration, possibly a duck; maeander frieze between wide bands with traces of bands in added white and red; glazed area;
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| 26.2.56
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white slip; interior: black at top with traces of two narrow bands in added white; on top of rim, maeander frieze; on edge of rim, short vertical bars; exterior: neck glazed; below ridge at shoulder and neck join frieze of short vertical tongues above black-figure frieze consisting of winged creature (only tip of wing remaining) to left; part of incised splinter rosette as filling ornament;
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| 26.2.58
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pale slip; interior: black band at top of wall, reserved below; stepped maeander frieze on top of rim, edge glazed; black band below neck and shoulder join; on shoulder, large floral/star pattern at left; maeander or square pattern at right;
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| 26.2.59
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white slip; interior: reserved band at rim, glazed streaky black below; below, part of floral pattern in added white; exterior: below rim, Z band between pairs of bands; dipinto inscription on exterior.
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| 26.2.60
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pale slip; interior: reserved band at rim, glazed streaky black below, with lotus flower in added white and added red; exterior: band of short diagonal strokes between black (fired brown) band; below, top of undetermined motif.
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| 26.2.61
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white slip; interior: reserved band at rim, glazed streaky black below with part of lotus flower in added white and added red; top of lip glazed; exterior reserved;
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| 26.2.62
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white slip; interior: glazed streaky black (fired yellowish brown) with traces of single band in added white; exterior: painted decoration consisting of seated sphinx (part of belly and hind leg remaining), to left; below, pair of narrow glaze (fired brown) bands; below, in handle zone doble saw-edged metope pattern; at right, group of five vertical strokes; part of ancient repair hole on right edge of sherd.
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| 26.2.65
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yellowish white slip; interior: glazed black; near top of sherd, part of lotus flower in added white; below, part of two narrow white bands; exterior reserved.
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| 26.2.67
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white slip; interior glazed (fired greenish brown) with band in added red framed by added white lines; similar banding below, around floor motif of tongues interspersed with red dots, around white rings (centre lost); exterior: alternating bands in black and red.
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| 26.2.69
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pale slip; interior: glazed vlack with part of two bands in added white above part of rosette with red and white petals; exterior reserved.;
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| 26.2.70
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white slip; interior: reserved band at rim, glazed black below; band of added white dots above frieze of petals in black and red lined in white; exterior reserved with one probably unintentional unslipped band.
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| 26.2.71
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whitish yellow slip; interior: reserved band at rim, glazed black below; dot frieze in added white between pairs of white lines; below, part of lotus bud in white and red; exterior: dot frieze (fired brown) at rim between narrow bands.
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| 26.2.73
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white slip; interior glazed streaky black with wide band in added red lined in white below rim; below, band in white above one in red; top of rim glazed; exterior: frieze of vertical black strokes at rim, some in added red; below, two narrow black bands; below, from left, part of possibly dot rosette; vertical band of dots between narrow vertical bands; painted decoration consisting of part of pendent lotus bud and part of lotus flower petal; dot rosette as filling ornament;
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| 26.2.79
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interior and top of rim black; exterior of rim slipped creamy white; from top: frieze of black triangles above large broken maeander band between rows of black dots; neck glazed.
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| 26.2.81
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interior: glazed at least at top (worn); exterior: glazed with frieze of tongues, alternating added white, black, and added red; below, lines in added white and red;
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| 26.2.86
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interior: glazed streaky black; exterior: frieze of wavy vertical strokes between pairs of black bands at rim;below, black-figure decoration consisting of animal frieze (back and part of rump of possibly feline remaining) to right; dots as filling ornament;
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| 26.2.9
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pale slip; interior black save tondo which has added red dot and ring; exterior: around lower body, parts of voided rays, or zig-zag; band at join of wall and foot; inside of foot glazed; on underside black band and central dot;
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| 26.2.90
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glaze mostly fired red-brown; interior: glazed with traces of one band of added red; on top of rim, chain of incised lotuses and palmettes; on handle-plate, black-figure decoration consisting of winged creature (rump feathers remaining) to left; on edge of rim, frieze of stepped zigzags; traces of painted band at junction of rim and shoulder; reserved shoulder.
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| 26.2.91
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pale red slip; interior glazed black; exterior: black-figure decoration consisting of winged creature, possibly a bird or siren with outspread wings (breast with added red and right wing remaining) to right; incised dotted rosette with red as filling ornament.
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| 26.2.92
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pale red slip; interior glazed black; exterior: black-figure decoration consisting of animal frieze to left (hindlegs and part of belly of one deer or horse and legs and feet of winged creature); below, wide painted black band with added red band lined in white; cruciform rosette as filling ornament.
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| 26.2.94
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interior: part of tondo decoration within glazed wall; frieze of alternate black and red tongues within a double dot band framed by triple lines; exterior: glazed black below; triple lines above, and band delimiting handle zone.
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| 26.2.95
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interior glazed black; exterior: black-figure decoration consisting of possible warrior scene (left thigh and right leg of warrior lunging to left; one hind leg and part of hoof from foreleg of horse in the foreground, to right).
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| 26.4.2
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The rim on the outside has a thick black band round it, which stops at the top of the handles. On both sides of the handle, the same images are repeated, showing the figure of a bird in between two palmettes with stems ending in a curling ventril with a pendant pointing down towards the foot. Beneath each handle is an ivy leaf with a curled stem. Below these images, is a thin black band, and then a thick one that also encompasses the top side of the foot. The edge of the foot is grooved and reserved, as is the outer rim of the base of the foot. On the base of the foot, there is a well approx 3.8cm wide and 1.5cm deep. The inside of this well and a rim around the edge is fired black, but is mostly red. The inside of the Kylix shows a thin black band that has been extended from the outside. Then there is a thin reserved band, the rest of the inside entirely glazed, except for a small reserved circle in the centre.
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| 27.4.1
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Glazed black on the interior, except for a reserved band within 0.4 cm of the top edge. Exterior black glazed except, in the handle zone, a frieze decorated on each side with a pair of eyes between 5-petalled palmettes, above another reserved band. Each palmette is joined to the corresponding handle by a tendril. Each eye consists of a white circle within a black eye shape, surmounted by a black eyebrow decorated with white dots, and above a plain black curving line that mirrors the shape of the eyebrow. Between each pair of eyes is a straight vertical band, indicative of a nose, decorated with a row of white dots. Between the handle attachments and below each handle is a set of four sloppy spots arranged in a diamond form.
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| 27.4.12
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Rim decorated with black lines/petals. Inside of bowl, there is a thick band and then two smaller circles, accentuated by thin black bands. The outer circle contains small black dots, the inner circle, a star shape made out of seven lines with a black dot in the middle. Underside of the rim, shows same line/petal motif as other side, but then there is only a thin band. Inside this is an alternating swastika and dot rosette pattern, and then another thin band. A thick black band is around the neck of the foot, the rim and base of which are not glazed. The foot has a thin black band just inside the rim.
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| 27.4.5
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Black band round rim. Handles also have a black gaze, but only on their upper half. Inside the bowl are two seperate thick black bands. On the outside are two more black bands, though roughly half the width of the first, starting just below the handles. The smallest ridge on the foot is glazed as an extention of the band that surrounds it. Heavy fabric.
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| 28.6.5
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On top, the helmeted head of Athena Parthenos in relief, very worn. Body grooved around the relief. Handle grooved and rises above body. Piece is black glazed throughout, including base. Surface pitted with a good deal of flaking of the glaze.
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| 33.4.3
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The mouth, neck, and handle are black, with some reddish patches. There are two reddish brown lines above the shoulder carination and two below it. The body scene depicts a naked youth in profile to the right, offering a bird (duck?) to Charon (the ferryman who conducts souls to Hades). The latter, standing on his half-moon shaped boat, wearing reddish-brown clothing and a dotted ovaloid headdress, is accepting the offer. Below, there is a reddish brown line on a reserved (but glazed) area. The rest of the vessel is black, with the exception of a red line on the upper part of the foot and its reserved (but glazed) vertical element.
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| 34.10.7
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Black-glazed lip and rim (only ca. 0.2 cm on interior); orange band above the handles; between the handles, on either side, a bay wreath. Around the body, below handles: two thin orange lines on either side of a broad black bands; another broad black band lower on body; otherwise reserved. Handle zones reserved but tops of handles glazed black-glaze.
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| 34.2.2
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Black glazed except below the neck on the interior, on the friezes (between handles) on the exterior, and on the underside. Just above the handles a short frieze consists of a series of short bars, vertically arranged; below these is a frieze filled with a pair of sideways 7- to 9-petalled palmettes, and either side of upright palm fronds, which enclose an upright 9-petalled palmette. A pair of tendrils emerge from either side of each palmette.
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| 38.12.1
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Mouth is black inside, outside and on rim, as is handle and neck. Body has black glaze apart from design on front which is a sphinx with face and hind feet missing. Below is an egg frieze. A diluted glaze has been used for fine dots and strolus on wing. Foot is unevenly glazed on side. Resting surface and raised base are ruddled and flat.
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| 39.1.2
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Black glazed except for reserved and reddened groove between two mouldings on exterior of foot and reserved groove on resting surface. Interior decorated with four stamped palmettes, crosswise, within two rings of vertical lines.
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| 39.9.1
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Short narrow neck of jug is glazed black. Handle begins at top of neck and carries on to top of the body. The part of the jug joining the neck and the body, has a palmette design on it, in a circle. This circle is broken for the black part of the handle. There is a large palmatee decoration underneath the handle, where it ends on the body of the jug. Body of jug has red-figures on it. Starting from right-hand side of the handle, going from left to right: First figure looks like a women in traditional Greek clothing, kneeling down. She is facing right. The figure to the right of her looks like a naked man with wings. He is standing on one leg and facing right. He is reaching one of his arms out. Underneath that arm there appears to be a duck. To the right-hand side of the duck, there is a man sitting on a stool. He is in traditional Greek cloting and is holding a large box. This figure is also facing right.Underneath the box there seems to be another object, but it is unclear. Perhaps it is a head? Or perhaps it is where the black glaze has been rubbed away, to reveal a patch which looks like decoration on the jug. He has a winged man kneeling in front of him. This man is facing left, towards the sitting figure. The next figure looks like a women in traditional Greek clothing, kneeling down. She appears to be holding something in her hand, perhaps a mirror. She is facing right. Inbetween her and the next figure there is a bird, facing right. The next figure looks like another women in traditional Greek clothing. She is standing on one leg, with her right arm reaching out. She is facing left. Behind her is a 'T' shaped object, perhaps a stool?. Rim of the base is a red/terracotta colour. underside of base is slightly concaved, with many black rings inside. There is a black dot in the centre of the bottom of the base.
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| 44.6.2
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Glazed black on interior and top half of exterior.
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| 45.10.10
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The interior of the vessel is black apart from the lowest part of o, whose lower part bears a reserved but glazed line. Exterior: a) On the right side, there is the upper part of a seated woman (part below her waist is missing). She is draped and wears a stephane (fillet) on her head. On the left side there is a floral motif whose stem is a wavy line that expands to the left. b) There is the back side of another seated draped female figure. c) The front side of the previous female figure. She is holding an alabastron with both her hands. d) On the lower left part there is the largest part of a voluted palmette with petal shaped divisions, connected with a tendril. The area next to the spring of the one part of the handle is reserved. e) On the bottom right there is the rest of the previous palmette, also connected with a tendril. f) On the bottom right there is the upper part of a palmette and on the upper left there is part of a tendril's volute. The area on the left of teh one spring of the handle is reserved, but glazed (plaster on top). g) Uneven black surface. h) A small part of the volute of the tendril of f and the stalk of a flower. i) Part of an inverted palmette, connceted with (part of ) a tendril, with (occasional) leaves on its sides. j) Small line, part of a tendril. k) Part of a tendril's volute. l) A figure's projected forearm and hand (figure's depicted on n?). m) On the right side, there is the stalk and part of the stem of a flower and a line that seems to be part of a tendril. There is also the spring of a handle. n) Part (head missing, neck and shoulder are scraped off, area below the knees missing) of a draped standing figure that has the left hand around the waist. o) The lowest part of a figure's drapery. p) Base. Inside tondo: seated woman with septre and standing woman holding out box. Exterior: part of floral ornament under handle. Outer and inner side of footring black, resting surface and underside reserved except for central black dot surrounded by three concentric bands. Moulded circle c.1.0 wide houses thickest, central black band.
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| 45.10.22
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a: The upper surface of the rim is reserved, although glazed. However, the side surfaces (internal and external) are black (apart from a reserved area that would not have been visible if the handle was not missing). The neck is also black on the inside, however, there is a perpetual motif of palmettes on the external surface. These are double palmettes (5 narrow divisions upwards and 5 similar ones downwards) that look as if chained together by a horizontal row of small rings and each such palmette is separated from the other by a vertical line with wider endings, while thin, curved lines (above and below) frame each palmette. The sides of the handle bear a black band each and there is also a thin line underneath them that contours the end of the neck. On the carination that divides the neck from the shoulder there is a thin line with added red colour. The shoulder bears a motif of tongues, divided by vertical lines, while a line underneath contours them. The motif does not appear under the surface of the handle. At some point underneath this pattern there is the beginning of another motif (black with 3 dots of added red and scale-like incisions). The interior of the rest of the vessel is reserved, since it is an amphora. b: It bears exactly the same motif as the previous neck bit. c: From the branch of a three-peaked floral motif there emerge two curved lines that are downwards and upwards, each forming an ellipsoid-shaped frame from whose lower (in the case of the curved line that goes downwards) or upper (in the case of the other line) endings form one floral motif each. The left one is a voluted palmette with 5 petal shaped divisions and the right one is a three-pointed flower, similar to the central floral motif, but bigger. Although the upper part of this pattern is not preserved apart from the starting point of the motives, it is certain that this would have been the heraldic motif depicted. Underneath this area there is a thin, black line and below that, a pattern of guilloche ( branches with tear dropped endings interwoven together) with a row of dots, framed (above and below) by two pairs of concentric lines. Towards the end of the fragment (which is also towards the end of the vessel) there is a radial-shaped motif, two lines and the rest of the surface is black. d: It is a part of the body's area that bears the guilloche pattern and the radial-shaped motif underneath, but one third of it is not preserved. e: On the left there is the upper part of probably a palmette (two endings of petal-shaped divisions). Next to that there is the depiction of a draped lower body part. The drapery is formed by the incisions on a black surface. There are diagonal incisions and wavy endings to denote the folds of an himation, as well as the lower termination of the chiton, which is suggested by two almost horizontal incisions, a wavy line and another horizontal incision. the drawing is detailed and clear. f: The part between the surface above the knees and a bit below the calf of a male figure that wears a short chiton (incised, wavy folds are visible above the knee), as well as grieves with out curving terminations (Hermes?) of added red colour, now fadded away. On his left there is the upper part of a palmette and on his left there is a diagonal line, with rows of dots on either side (characteristic of Dionysus). Very clear drawing. g: Half of the three-peaked flower, a bit of a black line and two petal-shaped motives. On the side, there is part of the dotted branch and what appears to be part of a figure's drapery (upper right body part ?), with some incisions used to render details. h: Between the lower body part of two figures there is part of the dotted branch. What is preserved from the right figure is incised lines and circles on a black surface. The left figure's drapery (peplos and himation ?) is preserved (below the waist), consisting of incised diagonal and wavy lines to denote the folds. i: A central male figure's (Dionysus) body from shoulder to legs is visible and surrounded by a dotted branch. He is standing between two figures. The male figure (there is part of beard with added red) on the left holds part of the branch with his palm (upper body without the head is preserved). The only visible part of the draped figure on the right is part of the legs. Incisions are used to render details. j: Apollo playing his lyre (kithara). The head (in profile, facing right), right hand and part of the god's front side of the body is visible, as well as the largest part of the lyre. Part of a dotted branch exists in the background. Incisions have been used to render the chords of the lyre as well as for the eye, contour of hair, ear and contour of the god's body, while a taenia (fillet) on his head is in added black colour. k: Only part of a thin, black line is preserved. l: two broad black bands that overlap at some point. Incisions and the ending of a dotted branch (part of draped figure?). H & J on display in symposium
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| 45.10.9
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A: Draped youth playing pipes and draped man holding a branch; B: group, probably in a procession, including a draped youth with a staff and a draped man with a branch. The interior is reserved. The details that form the folds of the figure(s) drapery are rendered with thin, black and red lines. a) Black with part of a tongue motif on the top (tongues flanked by thin lines, on a reserved but glazed band). b) Part of a draped male figure's neck, shoulder and bust. c) Part of the figure's himation folds. d) Lower part of a male figure's drapery folds and part of feet? (carelessly rendered). e) Part of a draped figure's folds, next to a black area. f) Part of a draped figure's folds. g) Part of a figure's arm, forearm and hand, with the largest part of a flute. h) On the right side there is part of a figure's drapery folds. On a black area on the left side there is a figure's hand that holds a komos or sprig with added white, short diagonal lines around it. i) On top of a meander pattern with a black line on top there is part of a red band with traces of thin, black lines (a figure's foot?). j) On the left, there is part of a figure's drapery folds and part of his walking-stick. On the right side there is part of another figure's folds?
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| 45.6.20
|
Top decorated with black concentric band around double palmette (each palmette comprised of 5 petals), symmetrically arranged, with a line of black dots in between (three on either side). Black on sides, black band around underside; hastily glazed neck, black below.
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| 45.6.29
|
Black glazed; 7 sets of three incised vertical lines on the shoulder stretching down to the base.
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| 47.10.3A-B
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Lid: glazed black, except for the underside. At the middle of the lid are two purlish-red narrow bands; a third narrow band surrounds the rim of the lid. Lekanis: glazed black, except for the underside. Interior decorated with a purplish-red band high up the outer wall, and two red bands in the bowl; exterior decorated also with three purplish-red bands, two higher up and one lower on the outer wall.
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| 47.2.3
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Black glazed except reserved interior of handles, panels beneath handles, foot except inner surface of foot ring and concentric black circle around central black dot.
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| 47.2.4
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The vessel's tondo is ornated with impressed (stamped) decoration, of thirteen ellipsoid motives (eggs, some not fully formed) that seem to be hanging from an impressed circle, on whose border rest thirteen palmettes (voluted with narrow divisions) on stalks. There is a reserved, but glazed line at the lowest part of the body and the concave area of the base is reserved, but glazed, apart from two, concentric, reddish brown lines with a dot in the centre.
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| 48.2.1
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The interior is glazed black. There are two zones of decoration. Top (A): water bird, horseman with dog, lion; top (B): lion, horseman, waterbird. Bottom: seven swans, three decorated with incisions, above a ray base. A few rosettes and a dotted rhombus in the field. The base and rim of the foot are reserved.
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| 48.5.3
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Top 2/3 and handle are glazed.
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| 49.12.1
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Black glazed all over, but fired red in places, especially on the underside.
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| 49.4.2
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Woman with a fan and a ball, seated in a naiskos; kalathos on either side.
The inner side of the rim bears a broad band (in the middle of the surface). The top surface bears traces of carelessly applied red colour. The edge is also black and its side surface bears a reserved line and a black line underneath, from which seem to be hanging short, vertical lines. The upper part of the neck is reserved, but bears a black band on its lower part. The rest of the neck is decorated with black colour, on top of which there is a tongue pattern in yellow (faded away) that contours the vessel (long, pointed on the bottom tongues). Below, there is a reserved line. Side A: The main scene depicts a female figure seated in a naiskos (monument with pediment, from whose upper part emerge palmettes and tendrils, epistylion, an ionic column on either side an top of a stylobates or crepis, the latter represented with a perpetual pattern of voluted motives and dots in between, framed by white lines, thin, black bands and white bands), on a diphros okladias. The woman is facing left, she is wearing a peplos, holding a fan with her right hand and a round object with the left one, below which there is a row of dots. She also wears a kalyptra and has her hair in a bun, from which emerge two wavy lines with round terminations. Behind her, at the level of her head, there is a window (square object with the middle part riddled). The naiskos is flanked by a kalathos on either side, decorated with black and yellow horizontal lines, tendrils and branches, as well as yellow tongues and yellow meander pattern. There is a row of yellow dots below each kalathos and a rosette on top. Below the row of dots underneath the left kalathos there is another rosette, whereas underneath the row of dots below the right kalathos there is a phiale. The details are executed with added yellow. The handles are black. The reverse is decorated with floral motifs: the area underneath the vertical handle is black, with an H-shaped black motif divided in two by a vertical line, on a round, brown background. The surface below the vertical handle depicts two fan-shaped palmettes, from which emerge elaborate, voluted floral patterns that expand to the surface below the horizontal handles. The lower part of the body is contoured by a wavy-like pattern on a brown background. The area below is black, although streaky on some areas, while the lowest part of the body is reserved but glazed. The foot is black, with a reserved resting surface.
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| 49.8.10
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Trefoil lip with black glossed rim, three narrow black glossed bands below. Three ducks in profile moving to the right. Underneath, broad black and red glossed striped band (approx. 1.5 cm wide); wings painted with black brush strokes on a red gloss, red beaks and black heads. Narrow black band on the junction of the foot with the body. Exterior of foot glazed black. Brown resting surface but reserved underside with white deposits. Blobs on the handle.
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| 50.10.2
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Interior glazed black. The rim is decorated with black dots (possibly modern?). The walls are decorated with a floral frieze, consisting of 9-petal palmettes alternating with vertical tendrils (one of which is single and 5 of which are comprised of interlocking ss), framed above and below by two black bands. The lower part of the body is decorated with a thick black band, between two reserved bands. The foot ring is decorated with black bands on the vertical surfaces. The underside is decorated with a narrow black band around a central black dot.
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| 50.12.41
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Interior: glazed black; exterior: part of a spiral motif, black faded to (or fired) brown.
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| 50.4.19
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Cup mouth with slightly out-turned rim and flat lip; narrow neck, bulbous body, broad raised base, and strap handle rising from the top of the neck, extending to the top of the body in a near right-angled shape. A slight ridge marks the join of neck and body. The body is decorated with 9 pairs of vertical grooves giving the appearance of a 'segmented orange'. Black glazed except on base, which is reserved and treated with red wash.
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| 50.5.1
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Reserved on interior, starting ca. 5 cm below rim; otherwise black glazed, with some (modern?) white overpaint: traces of white vertical strokes around lip; two white bands around neck above groove; body pattern is in (modern) white flower motif inside oblong block pattern.
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| 51.1.1
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Glazed on the interior. Exterior: thick band on underside of rim and top of body; a figural and floral frieze, between a pair of thin bands. depict vertical 6-7 petalled palmettes, alternating between upright and inverted, joined by tendrils, and a silhouetted rearing lion, profile to right. Lower part of body glazed black, fading to brownish-orange; brownish-orange band overlapping from inside of foot to resting surface.
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| 51.1.4
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Exterior reserved. Interior glazed black except for a reserved band below the rim, and a figural tondo, decorated with a black silhouette siren, profile to right, with rows of black dots surrounding her wings and emerging behind her right leg. The figural design is surrounded by a band of vertical bars enclosed by two horizontal rings.
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| 51.4.1
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The top surface of the rim is reserved (but glazed), however, the side one bears a black meander pattern. Neck: at the left side there is the front part of a horse (head and two feet) and the right leg (thigh to toe) of the horse-rider, with incisions for detail (denoting also the bridle) and added white. At the other end there are two men, one behind the other. The fragment's termination is at the level of their knees. The first one (right end) has extended his arms, as if being a charioteer. Besides, the back part of the chariot can be seen over his white chiton. The stephane on his hair is executed with red. The black, male figure at the same level behind him makes a gesture as if holding something (invisible). He is wearing a short chiton and he is probably on the chariot too. Interior: There is a red, thin band at the rim and the rest of the surface is black.
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| 51.4.10
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Offset rim and interior is glazed black but streaky allowing red to show through. The two handles are also black on the top and reserved underneath. Beneath each handle is an ivy leaf on a long curling stalk. The main design on both sides is flanked by eyes, which have red centres and white incised bands around them, superimposed onto black. Side A is a seated youth in profile to the rightin chiton and himation (?. Added white on stool and red on chimation and fillet on his head. Side B is a tree (?) with detail added in red-purple . No substantial foot, but a reserved, flat base.
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| 51.4.11
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Glaze is dark brown, sometimes with a reddish hue. Glazed on rim, neck (interior and exterior), handles, at junction of body and stand, and on exterior of foot. Cartoon-ish black-figure scenes on body and stand, with incised detail. Body, side A: Legless horseman, with arms spread on either side, to right on a horse held by a bearded man in a short tunic, with a dagger at his right side, who stands to his left. Behind him stands another bearded man wearing a short tunic, who holds a branch in his outstretched right hand, and bends his left arm at his side. Body, side B: Another legless horseman advances to the right, also with arms outstretched, on a horse, galloping towards a bearded, male figure, wearing a long tunic, who stands profile to the left. Stand, side A: Two confronting water birds, with 3 flecks behind the right water bird. Stand, side B: Two male figures in profile to the right, with a dagger at his left side; the second figure, who is shorter, seems to be bound.
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| 51.4.4
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Rim: The side surface bears a black, meander pattern. Neck: A procession of two chariots, each with four horses (four pairs of feet) but only the first charioteer is visible, wearing a chiton, whose added white colour has faded away. There are incisions to denote the details, as well as added red (especially for the tails and mane of the horses).There is a black line under the scene, to render the ground. Body: It is black and so is the interior, apart from the top surface of the rim that is reserved (but glazed) and a red, thin band at the upper neck.
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| 51.4.8
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Neck and mouth, inside and outside, are black. Decoration in a panel. The top of th epanel is decorated with small balck tongues. Under them,lotus buds and flowers, purple patch on each flower, with a row of black dots above them. Cock to the right faces swan to the left, with extended wings. Added purple on wings. Above cock, dots and small line, ramines of an unidentified decorative pattern as background decoration? The rest of the body and three handles are black. The resting surface and interior of vessel are reserved. The glazed interior of the neck is decorated with 3 thin purple bands. Under the decorated panel, two thin purple bands, running all around the body of the vessel. Underside of the handles reserved.
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| 51.4.9
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The rim is black, both on the inside and on the outside. The back of the handle is also black, but the underside is reserved. The neck is reserved, but glazed apart from a thick purple band on its lower part. On the sloping junction of the neck with the shoulder, black tongues. Both interrupted at the joining point of the handle to the neck. The shoulder is covered with a guilloche (pattern of interwoven fillets) with teardropped terminations. In the middle of two upper and two lower black lines there are two rows of black dots that begin on the edge of the second left figure of the main scene and stop at the edge of the last person. In the centre of the scene, a male figure in profile to the right with as short mantle, a quiver on his back (Herakles) is attacking a kneeling Amazon. With his left hand, he is gradding her from the air and with the right he is holding a sword, with which he is ready to kill her. The Amazon, in profile to the left, is wearing a helmet, holding a very long spear with her arm and her shiled with the left. From his waist, her sword is hanging. This scene is flanked by two other battle scenes. On the left side, an Amazon is attacking a Greek. He is wearing a cuirass, helmet, he is hloding his spear and his shield and he is shown ready to fall down. Tha Amazon has atteacked him with her spear. She is wearing a helmet and a short chiton. On the right, an Amazon and a Greek are shown in profile running towards the left, projecting their spears. The Amazon is wearing a ahsort chiton and a helmet. She is holding her shield, covering large part of her body. A frontal head of a lion decorates the shield. A sword hanging from her waist. The male warrior wears a short chiton and has a shield and a helmet. The Amazons have long hair and wear helmets with longer and bigger crests. Incisions and added red are used for details. Added red: parts of the chitons of the warriors anad the Amazons, hair of the warrior in the middle, fillets on Amazon's heads and the frame of the shield of the running Amazon.
Below the scene, there are two lines (not evenly formed at all in their length) and a band of added red. Below that, the vessel is black, with two concentric circles on the surface of the foot. The resting surface is reserved.
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| 51.7.2
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Lid: The centre of the top of the lid is reserved, surrounded by two concentric bandsone red, one reserved then a red circle, from which a band of tongues radiates. This is surrounded by a scallopped black band (fired red on one side), then an inverse wave pattern (waves leaning to the right), and finally a reserved band. The outer edge of the flange and the upper part of the body are glazed black. The remainder of the body is decorated with an egg and dot band (for which each eggs is a thick u circumscribed with a thin u), then a black band, then a wave band (with waves leaning to the right). The lower rim is reserved. The interior is glazed black, misfired to red on the underside of the top. Pyxis: Entirely glazed, fired mostly black on the exterior (with some red patches on the flange and the top of the body), and red on the interior.
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| 51.7.5
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Interior reserved; black glaze on mouth and upper half of neck, as well as upper half of handle; lower part of neck decorated with tongues that suggest ribbing; shoulder decorated (except under handle) with an egg-and-dot frieze between two black lines; reserved space at lower part of handle and handle attachment (interior) suggest that the mouth and neck were dipped. Body decorated with a frieze consisting of 7 clusters of three white dots at the top of a figural scene (arranged in upside down triangle shapes): a female figure, standing in 3/4-view to the left, in a relaxed posture with her left leg crossing her right, and her left elbow resting on a pillar (the curvy element in added white suggests that this is meant to represent natural rock). She wears a hairband and kekrphylon on her head, triple-dot earrings, two or three necklaces (two strands of white beads beneath a black line), two white bracelets on each wrist; a belted sleeveless chiton, and white slippers. She holds, in her upraised right hand, a mirror surrounded by white dots, and, in her left hand, a phiale that is surrounded by white beads, as well as a beaded sash. A large palmette, with a white dot on the heart and white dots on each volute, fills the space beneath the handle. From each volute emerges tendrils and floral decoration that frame the image of the woman. A 6-petal rosette fills the space to the right of the woman; to her left are a window and a dotted circle (cog-wheel?) in the upper left field, and an olive branch in the lower left field. On the body, beneath the figural scene, are a single reserved band and a thicker black band. The foot is reserved on the top element, and glazed black on the ridge and lower element; the underside and resting surface are reserved.
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| 52.3.4
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Interior: black spots on lip; alternating black and reserved bands on interior (restored), surrounding a tondo decorated with sphinx, profile to the right. Exterior: Rim decorated with a band of zigzags, slanted to the right; body decorated with an animal frieze, above two thick black bands; exterior of handles and foot glazed black (restored). The animal frieze shows (from under the preserved handle): a water bird, left wing outspread, profile to the right; billy-goats (4) grazing profile to left, alternating with panthers (3), profile to the right, each with left forepaw raised and head frontal; spots of varying sizes in the field.
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| 53.8.1
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Glazed black except for a reddish band around the omphalos. Relief decoration encircling the omphalos consists of (from centre out) eight raised dots; two ridges, a figural frieze, and a vine wreath. The figural frieze depicts the apotheosis of Herakles (procession to Mount Olympos). Four quadrigae (four-horse chariots) are driven in 3/4-view to the left by winged victories, each with a different passenger: (1) Athena, (2) Herakles, (3) Ares and (4) Dionysos (?). Small flying Erotes hover behind each chariot.
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| 53.8.3
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Lip and interior glazed black, except a ram protome, profile to right, at the centre of a reserved tondo, outlined with an orange band. Exterior: lotus petals on the rim, interrupted only by the glazed handles and lugs, above a a thin glazed band at the carination (mostly orange-red), an invertedanimal frieze on the body or bowl, above a pair of thin bands above a thick band; bands decorating the foot on exterior and interior vertical surfaces; underside decorated with concentric circles (black between two lighter orange circles, enclosed by two darker orange circles). The animal frieze shows (from just above the black handle): a panther advancing to the right, head frontal, licking the horns of a grazing deer, profile to the left, between two pinecones, with a dotted line above his back; a panther advancing to the left, head turned frontal, a dotted lozenge, a lion advancing to the right, tongue licking the horns of a deer grazing profile to the left, with a row of chevrons above; a dotted lozenge. Below each creature is a dotted bull's eye (comprised of central dot, surrounded by a band, surrounded by a circle of dots). Additional ornaments, including dots and chevrons, in the field.
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| 56.8.7
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Interior glazed. On top, curved surface, are tongues which alternate black and white, the black ones also framed by black lines. The underside of the rim is black fired reddish brown. Thick stem and wide, with a plastic ring to the joint with the base. Flat base, curving upwards. Resting surface and concave base both reserved.
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| 59.6.1
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Glazed black on interior, except for a reserved concentric band in the middle of the bowl. Exterior: Black-glazed rim, exterior of handles, lowest part of body, stem, and upper part of foot. The lower part of the body is decorated with a floral frieze, consisting of (on either side) three palmettes. On side A, and the right palmette on side B, each palmette is dotted on either side of the central petal. The right-most palmette on side A has a vertical band (drip?) to its right. The left-most palmette on side B has a vertical worm on either side of it. Under each handle is an upright ivy leaf. Below this frieze are two narrow black bands.
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| 61.6.3
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Glazed black on the interior, except at the bottom of the bowl. Exterior glazed black (dipped) on the rim, handles, except near attachment (but a small line emerges to the front of the bowl, from either handle). The floral frieze consists of: palmette, upright, flanked by curling tendrils from which hang smaller palmettes (side A), a simple enclosed palmette (under missing handle); two upright palmettes with curling tendrils, although the palmette on the right has two curling tendrils at the left and none at the right (side B); simple palmette under handle. Beneath the floral frieze is a thin black band above a band of black dots. Black glaze also on the lower part of the body, stem, and top of foot, and interior surface of the foot (with extra paint spilling over onto the resting surface and the underside).
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| 61.6.4
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Decoration fired medium-dark reddish-brown rather than black, except at the centre of the front. Interior glazed, except for a narrow reserved band at the top. Exterior glazed on rim, exterior of handles, lower part of body, exterior and interior of foot, and thick band around a bull's eye on underside (namely a band around a dot. Body decorated on either side with a tall 5-petalled lotus between two 15-18-petalled palmettes. A single ivy leaf, upright, floats beneath each handle. Beneath the palmettes and ivy leaves are two black bands.
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| 61.6.5
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Lid reserved except for beveled interior of knob top, exterior surface of knob and stem, top of lid, where knob is attached, which is encircled by a black line, then a floral band, comprised of alternating 3 11-petal palmettes with 3 5-petal palmettes (or lotuses), then a black band on the vertical surface of the rim. One-handler glazed on the interior, handle, zone between handle attachments, lower part of body (below handle attachment, and ring foot except for reserved resting surface. The upper part of the body is also decorated with vertically arranged zigzags, while the underside is decorated with a 'bull's eye', that is, a central black dot, surrounded by a small black ring.
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| 68.12.2
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Decorated with streaky black glaze, which becomes dark red in placces. Knob black glazed on exterior of two recesses, side, and underside, as well as stem and inner part of domed top. Beyond this a frieze of 9-leaf palmettes alternating with water birds, profile to the left, with intervening spots between palmettes and swan. This frieze is surrounded by a band of vertical bars between two glazed bands. The underside is reserved.
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| 71.12.1
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The interior and the exterior of the mouth as well as the handle glazed. On the exterior, the black is fired brown. At base of neck, ridge in place of drip-ring painted purple. Shoulder: ivy leaves on each side of central purple line(six above, seven below); on body five inverted opening lotus flowers with central petals white. Above them row of white dots. Lower half of body and exterior of the foot glazed black (turning red in places). Resting surface and the underside of the foot reserved.
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| 80.7.1
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Interior glazed black, except a reserved band around the bottom of the bowl. Lip, lugs and exterior of handles also glazed black. Exterior: a band of lotus leaves on the rim, and a figural frieze on the body, with black bands above and below it; another black band just above the foot; the exterior and interior sides of the foot ring are black, while the resting surface is reserved; the underside is reserved, except for a black dot with black and red circles (one each) around it. The figural frieze shows: two confronting sirens, in profile, on either side of an inverse lotus bud; a water bird, profile to the left, turning its head profile to the right, back over its bod; two confronting panthers, both turning their heads to the front, on either side of an inverse lotus bud; another water bird, similar to the first except its beak touches its back. A 6-pointed star decorates the field beneath each creature.
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| 83.9.31
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One side of fragment is glazed black with a palmette design. Flowers are situated around a small, indented circle with six tiny indented 'U' shapes inside it. The other side of the fragment is mostly rserved, with a black band at the rounded part of the piece. Near the pointed part of the fragment there is an outer black circle, followed by a smaller black inner circle. Inside the inner circle there is a black dot.
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| 83.9.32
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On one side of fragment it is mostly terracotta with a small patch of black gloss, located on the end which is squared off. In, almost, the centre of this side there is a small, black circle with a tiny, black dot in the middle. On the other side of this fragment it is glazed black with a palmette design on. The flower pattern has a circle around half of it. This circle has 'U' shapes on it and appears as if it would have continued around the pot, from which the fragment came.
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| 83.9.33
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One side of this fragment is black glazed with four flowers on it. The flowers seem to be separated off into pairs, as in between them there is a line with up-side-down 'U' shapes inside it. The other side of this fragment seems to have the remains of what would have, perhaps, been a rim. The rim has black strips on either edge and a strip of terracotta on the top. This 'rim' has more fragment on each of it's sides, which are glazed black.
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| 83.9.34
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One side of this fragment is all glazed black and has three flowers on it. It also has two rounded lines, with up-side-down 'U' shapes inside them. The other side of this fragment also has a black glaze and seems to have a rim coming out of it, which could have been part of a base of a pot.
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| 84.8.1
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30 fragments, largely side B, small part of side A, handle and rim fragments. Side B three youths. a) The top surface of the rim is black and so is the interior, apart from a reserved area at the end of the rim that bears a thin, black line. The neck is decorated with a vague representation of a brach with laurel leaves. The joining point of neck and body that is preserved bears part of a black, thick line. b) The interior and top surface of the rim is black, with the exception of a reserved band on the end of the rim (interior) that bears a thin, black line. c) The handle is black, except for the surface that would not have been visible if it was attached on the vessel, which is reserved (but glazed). Around the spring of the handle there is a motif between two thin lines that resembles the ionic cyma (egg-and-dot). The rest of the vessel is black, both on the outside and the inside. d) The handle is black, apart from the surface that would not have been visible, where there are two dots. Around the spring of the handle there is part of the ionic-cyma motif. e) There is part of the ionic cyma motif that the handle bears around its spring and the rest of the surface is black (interior and exterior), apart from part of a small chess-shaped motif, framed by a line above and two below. f) It is black apart from an area that bears a small part of the motif that contours the springs of the handles, a small, diagonal, reserved band (exterior) and a reserved band (interior). g) The surface is black (interior and exterior) except for three thin lines that are reserved. h) The interior is black. Exterior: Above a double-meander pattern, placed on a reserved band and between two lines, there are two heraldic lion paws, even though the details have fadded away. i) The interior is black. Exterior: The lower part of the drapery and the foot of a figure, surrounded by black colour. j) Black interior. Exterior: The lower part of a vertical, reserved thin band is standing on a broad, reserved band that bears between two black lines part of a pattern that consists of a meander and a cross on its right. The cross is contoured by a reserved area (around its sides), while its is executed on a black background. k) The interior bears a thin, reserved band. Exterior: The back part of a male figure's head and shoulder, as well as part of the drapery. l) Black interior. Exterior: The male figure's shoulder and part of his draped body. On his right there is the outer part of the motif that contours the springs of the handles. m) Part of the male figure's leg, knee and tibia, which is projected, as if he is ready to take a step. On the left top side there is part of a vertical, thin, reserved band (upper part of a walking-stick). n) Black interior. Exterior: The lowest part of the figure's drapery and a vague representation of his feet ? He appears to be standing on a pattern that consists of a chess-like motif close to two, double-meander ones, framed by two lines above and one below. o) Black interior. Exterior: The lower part of the figure's walking-stick that seems to stand on the double-meander pattern. On the left of the walking-stick, there is part of the back side of another draped figure (male), with the same careless rendering of the feet. p) Black interior. Exterior: Part of the walking-stick and drapery of the second figure. q) Black interior. Exterior: Small part of the second figure's drapery. r) Black interior. Exterior: Small part of the second figure's drapery. s) Small part of the second figure's drapery. t) Black interior. Exterior: Part of the lower termination of the second figure's drapery as well as his right foot? On the left, part of his walking-stick. He seems to be standing on part of the double-meander pattern. u) Black interior. Exterior: Part of the pattern that consists of the chess-like motif, next to part of a double-meander one, on top of which there is the lowest part of a figure's foot? (clumsily rendered). v) Black interior. Exterior: The lower part of the drapery and right foot of another similar figure that satnds on the double-meander pattern. w) Black interior. Exterior: Part of the figure's drapery. x) Black interior. Exterior: Part of the figure's drapery. y) Black interior. Exterior: Part of the figure's drapery. z) Black interior. Exterior: Part of a male figure's arm and hand. aa, ab and ac) Part of the rim and neck. The exterior bears a broad black band and the interior bears a reserved area between two black bands. ad) There is a reserved line on the interior, while the exterior is black, apart from a reserved spot of unclear shape and another, similar one that bears a thin, black line.
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| E.23.40.1-4
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One is a complete ring with an oblong panel on the top / front. The second piece is half a ring with what appears to be a crocodile (?) moulded on to the front. The third piece presumably was the top of the ring and is an oblong panel with incisions. All three are blue and glazed.
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| E.23.44
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Glazed blue amulet in the shape of a head wearing a crown. The head is vaguely reminiscent of that of the dwarf god Bes. The top of the crown has been threaded for a string for wearing. The eyebrows are large triangles, above the sacred eyes which are joined. The nose is snout-like in between two puffed out cheeks. The mouth is thin lipped and small verticle lines indicate a beard.
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| E.62.56
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Glazed dark (black), with relief decoration around the neck
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| E.63.17
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All beads are blue glazed (faience style), shell with mother-of-pearl surface inside.
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| E.65.15
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Fragment of glazed faience inlay, blue in colour, flat underside, shape unclear although detail suggests scaraboid or serpertine.
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| REDMG:1951.113.3
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Black glazed except for reserved areas: lower part of body, reserved (interrupted by a black line); upper part of foot, and underside (resting surface glazed black except for a reserved band). Back decorated with a (white) wavy ivy garland beneath handle; front decorated with two incised lines, egg-and-dot frieze on which eggs are surrounded by incised lines; another pair of incised lines; waves to right, garland from which hang alternating fronds and bunches of grapes, with longer sprays at sides; on a pair of dotted groundlines stands a bird (wren?), profile to left, between two flowers.
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| REDMG:1951.132.1
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Metallic black gloss on entire surface (dipped) except for reserved (and ruddled) upper part of foot and underside, including resting surface. In addition to moulded mask, and ribbed shoulder decoration (see above), incised (although glazed) cross under spout.
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| REDMG:1951.134.1
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Black interior and handle; beneath each handle a palmette, flanked by tendrils; on each side a wave band, to right, above a woman's head, profile to left, surrounded by tendrils. Banded decoration below is comprised of a reserved band just below the figural scene, a pair of red bands above the foot, a red band on the upper surface of the foot, and reserved area at the centre of the underside.
The common use of red stain to effect a red (ruddled) surface on reserved areas is highlighted in this example by the almost complete loss of black glaze towards the foot, where the ruddled intervening bands strongly contrast with the buff/reserved (formerly black glazed) areas.
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| REDMG:1951.143.1
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Shoulder decorated with yellow ivy wreath from which dangles an actor's mask at centre: white face to left with yellowish-brown hair, head and features. On either side, a pair of purple-red fillets with white dots and white strings at the bottom, inside long yellow dotted branches. White line around shoulder, above vertical ribbing. Otherwise black glazed except for reserved areas in uneven band around join of at bottom of ribbing, foot and underside.
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| REDMG:1951.152
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Rim and neck covered in black glaze; circumscribed palmette frieze on shoulder, with intervening triangles above and below (where two are outlined but not filled in); main body (white ground) decorated with net pattern between narrow reddish-black lines; the upper black band is decorated with white dots. Black glazed on lower part of body and foot, except for reserved underside, including resting surface.
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| REDMG:1951.160.1
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within.
Interior and mouth glazed black with two reserved bands at top and bottom of rim. On exterior, below rim, a frieze of tendrils, with lotus buds above and below. Black handles, with reserved bands between attachments, and enclosed half palmettes below, from the sides of which emerge tendrils with volutes that encroach in the figural scenes. Below the figural scenes is a band of slanted zs, between two reserved bands. Black below, except for the recessed element at the top of the foot, which is reserved, a narrow band at the bottom of the foot on the exterior, and the reserved underside. The reserved parts of the volute frieze and figural scenes are reddened.
Scene, A: A woman standing in 3/4-view to the right, wears a black beaded necklace, a sleeveless belted chiton, and two black bracelets on each wrist. Her hair is tied in a ponytail. She holds a torch in her advanced left hand, while her right hand, downturned, is also slightly raised. She faces a youth, nude except for a chlamys draped over his left arm and slippers, who stands in 3/4 view to the left, reaching toward the woman with his right hand. Between the figures, in the upper field, is a window frame, while a large tendril, with volute, emerges from the ground, between them. In the field behind him is a leaf. B: Two robed youths, standing profile, with their right legs advanced, face eachother across a narrow stele. Above them is a circle with a black line vertically through the centre and an 'H' drawn on top (probably halteres).
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| REDMG:1953.25.16
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Black glazed, except for interior (beyond mouth), lower part of body, and underside. Superimposed (faded) decoration: dotted spray around lower part of neck; mask falling between two dotted sprays; red band on reserved area at lower part of body.
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| REDMG:1953.25.2
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Glazed black all over except on the reserved underside, including resting surface. A large gouge (blown out from the firing process) mars the lower body.
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| REDMG:1953.25.20
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Black glazed (but fired red in places) except for reserved underside including resting surface. Shoulder: six narrow red bands between two pairs of narrow white bands. On widest part of body, two red bands between white lines, with an intervening white line. Broad red band on exterior of foot.
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| REDMG:1953.25.36
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Glazed black except for a palmette pattern, on the front, and a reserved base, including underside.
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| REDMG:1953.25.44
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Interior: black line above reserved band on rim, below which entire surface is glazed black. Exterior: black line and reserved band at rim; black line at top of body; reserved band in handle zone; indications of black glaze at outer parts of handles (dipped?); glazed black below (glaze is thin in sections).
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| REDMG:1953.25.62
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Black glazed except on reserved underside.
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| REDMG:1953.25.64
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Glazed black all over; red and white bands on centre of shoulder; finely ribbed body.
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| REDMG:1953.25.9
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Black glaze except reserved handle zone and upper part of foot, and lowest part of body, decorated with net pattern. Traces of white ribbing pattern on lower third of glazed portion. Underside reserved except for concentric black band and black central dot.
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| REDMG:1961.150.4
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Glazed all over (so that fabric colour is indeterminate) and burnished to red (2.5YR 4/6) and black (GLEY 1 2.5/N). Linear ornament (incisions) on handle
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| REDMG:1964.1154.1
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The interior and the rim are coated with a black glaze. On the exterior of the lip, a band of vertical bars, interrupted in each handle zone, where the surface is reserved. Each handle is glazed black on the exterior; under each handle is a palmette with 13 leaves (14 on right side), outlined, with a dotted hemicircle at its heart. Each palmette is flanked by a tendril from which emerges a lotus blossom. On each side a female head, profile to left: stephanai with 6 white spikes, grape-cluster earring, beaded necklace; kekryphylon. The woman on A has a Roman nose; on B has a ski-jump nose.
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| REDMG:1964.1620
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Upper part, body, and some of foot glazed black; otherwise reserved.
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| REDMG:1964.1622
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Black glazed; reserved base
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| REDMG:1964.1630
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Traces of glaze indicate that the entire surface was glazed black, but fired red in places, especially towards the bottom.
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| REDMG:1964.1639.1
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Circular handle attached to a rim - possibly of a cup or skyphos. Traces of black/brown paint suggest the object may have been glazed (?)
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| REDMG:1964.1647
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Black glazed except reserved on lowest part of body and underside; two red bands on shoulder and single red band around the middle of the body.
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| REDMG:1964.1656.1
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Mouth has a flat rim and a thin neck. Body is widest around shoulder height. Foot flares out from stem to a flat base. Traces of black on body, suggesting it may once have been glazed (?) Some traces of red on body which may be the result of firing or remains of painted design.
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| REDMG:1964.1667.1
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Black glazed except for the lowest part of the body and the base.
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| REDMG:1964.1691
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Remains of black glaze on underside and around the rim suggest that the entire piece may have been glazed.
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| REDMG:1964.1698.1
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Wide mouth with curved rim and a curved rim around neck. Curved handle joins top of neck and shoulder. Globular body. Small foot with raised base underneath. Unsure of colour - possibly was glazed but reserved (?). Dark colour present now appears to be deposits rather than paint.
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| TEMP.2003.6.10
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All of the fragments bear part of the same decoration: the interior surface is glossy black as are the side surfaces of the foot (both on the exterior and interior), apart from a reserved (but glazed line) on the resting surface. The base is glazed so that it appears yellowish-brown and is decorated with four concentric circles and a dot at the central part of the base.
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| TEMP.2003.6.14
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The two fragments bear part of the same decoration, apart from the parts of two lines in added red on top of a (which is preserved higher than b). There is a large black area below which there are two lines in added red. Underneath, there is the upper part of a radial-shaped motif on a reserved, but glazed, surface.
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| TEMP.2003.6.17
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The interior of the vessel is black apart from the lowest part of o, whose lower part bears a reserved but glazed line. Exterior: a) On the right side, there is the upper part of a seated woman (part below her waist is missing). She is draped and wears a stephane (fillet) on her head. On the left side there is a floral motif whose stem is a wavy line that expands to the left. b) There is the back side of another seated draped female figure. c) The front side of the previous female figure. She is holding an alabastron with both her hands. d) On the lower left part there is the largest part of a voluted palmette with petal shaped divisions, connected with a tendril. The area next to the spring of the one part of the handle is reserved. e) On the bottom right there is the rest of the previous palmette, also connected with a tendril. f) On the bottom right there is the upper part of a palmette and on the upper left there is part of a tendril's volute. The area on the left of teh one spring of the handle is reserved, but glazed (plaster on top). g) Uneven black surface. h) A small part of the volute of the tendril of f and the stalk of a flower. i) Part of an inverted palmette, connceted with (part of ) a tendril, with (occasional) leaves on its sides. j) Small line, part of a tendril. k) Part of a tendril's volute. l) A figure's projected forearm and hand (figure's depicted on n?). m) On the right side, there is the stalk and part of the stem of a flower and a line that seems to be part of a tendril. n) Part (head missing, neck and shoulder are scraped off, area below the knees missing) of a draped standing figure that has the left hand around the waist. o) The lowest part of a figure's drapery.
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| TEMP.2003.6.3
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(a) The handle is black, but the piece of the body that is preserved is a reserved, but glazed surface with very thin, parallel lines. (b) Black apart from a tiny area on the top, which is reserved, but glazed and bears small parts of parallel, thin lines and a reserved, thin line just above the foot. The bottom part of the foot is also reserved, so is the resting surface.
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| TEMP.2003.6.7
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The interior is entirely black apart from a, which, although black, bears a reserved band on the interior of the rim. a) The rim is black. Below that, the vessel bears the depiction of a symposium scene. On the left, there is the upper part of two draped male figures facing each other. Between them there is a carelessly rendered figure (background); a servant? and a branch with dots on either side. Another, identical branch can be found behind the person on the right. Next to that, there is the upper part of another figure (servant?) from whose arm another branch is hanging. He is facing right, towards a palmette (voluted with petal-shaped divisions), from which the beginning of a tendril seems to spring. There is also part of the bad that covered the back of the handle. b) The lower part of the male figures that face each other. They are draped and seated on similar chairs (diphros okladias). Below them there is a thick line and underneath, the beginning of a band. c) The lower part of another seated (on a similar chair), draped figure, with part of the thick line and the band below. d) The back of the handle is covered with black colour (carelessly rendered at some areas and streaky). The rest of the surface is reserved (but glazed), however, there are some spots on the handles's inner surface. e) The back of the handle is black, but the black colour is streaky at some areas, There is part of a branch on the right side. f) The back bears black colour. g) The back of the handle is black, although streaky on some areas.
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| TEMP.2003.7.51
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Front of fragment has red-figure decoration on it, however the design is unclear. Underside of fragment is glazed black.
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| TEMP.2003.7.54
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Both sides glazed black. No decorations or figures.
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| TEMP.2003.7.55
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Glazed on both sides
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| TEMP.2003.7.57
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Small fragment. Pointed at each end. Both sides glazed black.
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| TEMP.2003.7.59
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Small fragment. Black glazed on both sides. One side has slightly raised area. Perhaps it would have been the start of a handle.
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| TEMP.2003.7.60
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Fragment is made up of six smaller fragments, which have been rejoined, comprising the base of a pot. Interior and exterior are glazed black. Just above rim of base is a strip of red with a black line in the middle. Top and underside of base rim is red. Side of rim is black. Underside of base is concaved, with a red center. The red center, under the base, has a black circle around.
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| TEMP.2003.7.61
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One side glazed black. Other side glazed black, with a strip of red in one of the corners.
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| TEMP.2003.7.62A-C
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Three fragments. Both sides of each fragment are glazed black.
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| TEMP.2003.7.64
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Fragment from the neck of a closed shape, with a flat, thick rim (1.4cm). Flat, top of rim seems to have been painted white. The side of the rim has a pattern around it. The pattern has a thin, black line parting small 'U' shapes. The top half of the pattern has 'U' shapes in it, which have tiny, verticle, red lines inside them. The bottom half is the same, however the 'U' shapes are up-side-down. The neck and small piece of the body, on the fragment, is glazed black and appears to have once had white paint on it. The fragment has a small piece of the pot's body on either side of the neck. One of the sides of the fragment of the body has the top of two figures on it. The right hand side figure is the top of a head but its features are unclear. The left-hand-side figure appears to be a women, with her left arm raised. The underside of fragment is terracotta colour. The inside of rim is glazed black and the inside of the pot appears to have been left terracotta.
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| TEMP.2003.7.72
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Black glazed, with the interior decorated with a reserved medallion circumscribed by a red stripe.
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| TEMP.2003.7.78
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Fragment, glazed black on both sides. On the outside half way down are two very thin, parallel, slightly faded, white lines. On the inside are two thin, parallel, brown lines along one edge.
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