Ure Museum Database



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There are 171 objects for which Condition contains → away
11.10.16 Both handles missing. Glaze faded to grey and worn away on rim and grooves. Several chips on rim, including one large one. White deposits on body and interior.
11.10.21 Comprised of rejoined fragments, restored where fragments were missing (e.g. in handle zones) and slightly repainted. Blaze is not shiny on the interior and exterior. On the lower part of the body and the foot it is fired brownish. Parts of the clay have been scratched away om the lower part of the body and the exterior of the foot leaving an uneven surface. Small chips on the body.
11.10.3 Complete and intact. There are tiny air bubbles over the surface, as well as small areas of brownish deposit. Detailed markings on face and hands are slightly worn away. The left eyebrow, left eye, nose and mouth however, are all still clearly visible. Material on the resting surface has flaked away in areas. Originally painted red all over.
13.10.17 Intact, half of neck and rim missing, on one side by the cross there is a section which has been chipped away. There are various chips on the body, and the paint has faded significantly on the handle and around the shoulder.
13.10.18 Good, one handle slightly worn, rim worn away round edges. Large amounts of browny-grey deposit around the rim (exterior and interior), causing wearing of some of the interior decoration. Small string tied to handle (modern)
14.9.107 Rim is chipped away, as is foot, so that object stands unevenly. Gloss worn and scratched on the interior and exterior. It retains lustre.
14.9.18 White paint on interior surface has become discoloured and there is a large area of deposit. Surface of exterior is also damaged where paint had flaked away.
14.9.2 Foot broken. Large parts of surface of body chipped away, but still intact.
14.9.21 Joined unevenly due to erosion of the edges. Small spots of dark deposit on exterior surface. Surface damage to underside where paint has been rubbed away.
14.9.38 Small areas of paint have flaked away from the surface allowing reserved clay to show through. Larger flake from rim. Streaky red inside. Free from deposits.
14.9.39 There are sharp points where the fragment has broken away. The black on rim is eroding and some red is showing through. Some small chips to the rim.
14.9.42 The paint on the exterior surface is in bad condition having eroded away and become dull in the places where it remains. The middle swirl of the pattern is nearly lost completely. Reasonably free from deposits.
14.9.48 Red paint nearly entirely worn from rim. Some surface damage to the outer surface as paint has flaked away. Some dark deposits on the outer surface too.
14.9.49 Surface chips have taken away some paint and the part that has suffered most has the main design. Hardly any deposits apart from some dusty parts on the fractured edges.
14.9.5 Paint flaked away inside mouth. Slight chip in rim. The clay has discoloured maybe due to age of firing. Black deposits inside.
14.9.8 Paint is dull and wearing away on both sides. Surface is smooth with no particular damage.
2003.7.16 Intact, a lot of the paint has been chipped off/scraped away on the exterior.
2003.7.19 Intact, paint faded/scraped away on the exterior (side B)
2003.7.20 Intact, paint has worn/faded away significantly on the exterior
2004.8.7 Worn surfaces, with the base of the loom weight heavily worn away and missing. A small amount of white deposits on the surface. Surface of loom weight is scratched and worn, with a partial piercing, cylindrical hole on one side, 1.2 below the piercing hole proper.
2005.3.33 Reasonable, white and red is worn away in places
2005.3.34 Red is heavily worn away in places
2006.12.103 Chipped; decoration mostly worn away.
2006.8.4.98 Chipped with the glaze worn away around the edges
2007.10.2.209 The head has been worn away - no detail left.
2007.4.72 Fragment; decoration is almost entirely worn away; Heraeum is written on in pencil
2008.7.105 Fragment, chipped along edges. Wash is worn away and scratched.
2008.7.117 Fragment , chipped at edges. Wash on interior and exterior has almost entirely worn away.
2008.7.136 Fragment, chipped. Large v-shaped scratch on the interior. Wash is almost entirely worn away on the exterior.
2008.7.137 Fragment, chipped at edges. Most of the etched lines on the exterior have been worn away.
2008.7.138 Fragment, chipped. The wash is almost entirely worn away, leaving just small spots.
2008.7.141 Fragment, heavily chipped on exterior, leaving only a rectangular raised section. Wash is almost entirely worn away.
2008.7.147 Fragment. Wash on interior and exterior is heavily chipped. Both ridges are chipped away at one end.
2008.7.149 Fragment, chipped. Exterior a deep scratch towards the centre, and the darker wash is wearing away to reveal a different wash beneath.
2008.7.150 Fragment, chipped. Etching has largely worn away.
2008.7.166 Interior and Exterior: decoration mostly worn away or covered by dirt(?)
2008.7.36 Fragment. Much of exterior decoration worn away; interior worn as well. "Aegina Aphrodite" handwritten in pencil on interior.
2008.7.73 Fragment broken on four sides; interior: black overpaint worn; exterior: some of the decoration is worn away
2008.7.75 Fragment, possibly base, possibly lid. Broken on four sides; overpaint mostly worn away
2008.7.76 Overpaint mostly worn away on both sides. Exterior: chips running vertically down the centre of the fragment through the decoration
2008.7.80 Interior: some of the black overpaint on the fragment edges is chipped; exterior: there are some chips to the surface of the fragment and some of the detail is worn away
2008.7.97 Fragment, chipped. Engraving wearing away. Illegible handwritten pencil marks on interior.
2008.9.1 Fragment, chipped at edges. Extensive white spotting on interior. Exterior wash is worn away in places.
2008.9.25 Fragment, decoration on exterior almost entirely faded away.
2008.9.9 Fragment, wash is heavily chipped and worn away, paricularly on exterior.
23.11.31B2 The head of the figure is missing, as is the right lower quarter of the skirt. The remaining left quarter of the skirt has almost broken away.
23.11.31T The head is missing, and the left leg has broken away at mid-thigh.
23.11.31X1 The top of the headdress has broken away, and the bottom half of the figure is missing from just beneath the waistband.
23.11.31XXXX The top of the figure has broken away. The right arm is absent from just below the shoulder, and the feet are missing.
25.6.2 Intact except for the edge of the rim which is missing on one side. The inside show small areas of general wear, as well as a small patch of what looks like yellow varnish near the broken rim. There is also some white deposit in the reserved disk in the centre, and on one of the handles. The black glaze on the handles has been rubbed away in patches, as has the decoration on the main zone. There is more white deposit on the main zone, some of which runs in circles, showing the gradient of the material. There are cracks on the glaze around the top of the foot, below which are some denser patches of white deposit. This deposit is also evident on the base of the foot and inside it.
25.9.2 Chipped at base. The paint on the exterior surface underneath is badly damaged and has worn away / badly fired to reveal different colours. Topside of exterior surface is worn leaving only traces of pattern.
26.12.12 Soft material, prone to crumbling and surface is dusty. Design is still clear although paint has begun to flake away.
26.12.20 Missing handle, but we can see the remains of where it should have been. There are small chips on the rim of the neck, and the black has begun to rub away. At the base of the neck is a small amount of white deposit, which we can also see on the main zone. The main zone has been worn away in the middle and near one edge. There are small scratches and flaking decoration at the top of the foot.
26.12.34 Complete and intact. One fragment on lip rejoined. Other small chips around lip and one chip on resting surface. Black glaze faded and worn away in most areas to a dull grey.
26.2.19 Underside has badly worn paint as it has flaked off, although traces of white can be seen. On the topside some of the paint has discoloured to brown. Paint has worn away from rim.
26.2.28 Painted bands on underside are wearing away considerably compared to the topside which has retained most of its colour apart from some white but it is now a little dull. Surfaces are all still smooth with no significant damage.
26.2.36 Underside has some discolouration, deposits and scratches. Topside has good colour remaining but some of the surface has rubbed away.
26.2.39 On underside paint has faded to red in some areas and in others the paint has flaked away. The topside has lost much of its white dots and bands. Small bits arte flaking away as well. Black meander faded to red.
26.4.4 Restored from many separate pieces. Glaze on the rim is slightly worn, as are the handles. The outer surface is worn. There is a greyish-white deposit in patches all over the surface, especially around the spurs and the reserved area of the main zone, as well as the top of the foot. On the top ridge of the foot, there is a hole. Colour on the inside of the pot has mostly worn away, leaving only more of the same grey deposit. Lid missing.
26.7.10 Incomplete. Apart from the head missing, there is little damage. There are small holes and scratches on the surface, front and back. The white slip has almost completely worn away, evident now only in small areas.
26.7.11 Intact. Beneath the handle, the top of the bell is not smooth, it appears to have been a hole, which has been stoppered with a ball of clay that remains connected and does not move. The lower black band on the main zone has been completely rubbed away on one side, revealing a darker brown clay. The entire surface shows small scratches, and some whitish deposit is evident, especially around the handle. The inside surface is rough, due to a lot of brown/grey deposit.
27.4.12 Complete; repaired from seven pieces. The rim is uneven, and contains two small but definite chips. All over the surface are small scratches and patches of wear. The pattern on the rim contains few subtle patches of red, the same colour as patches on the handles. Patterns in the centre of the bowl appear to have rubbed away in patches. Underneath, the patterns remain more prominant, but again small patches of wear are evident, especially around the rim. Inside the foot are greyish white deposits, that are also found underneath the rim in small patches near the handles.
27.4.2 Incomplete and repaired in seven pieces. The band on the rim, has mostly been rubbed away and on the inside there is a lot of greyish/white deposit. There are lots of small scratches all over the surface, including one long, deeper one at the base of the pot on the inside. On the outside, the glaze has also been rubbed away in patches, and on the leaves there are patches where it has come away in flakes. The foot is in pretty good condition, except for a white/cream deposit.
27.4.5 Intact. The rim, inside of the bowl and handles, all show evidence of wear, and there are considerable patches where all of the glaze has been removed. There are also small chips to be found on the handles, and on the inside of the rim. Where the glaze has been rubbed away, it has revealed a grey colour. There is also a thin crack running from the edge of the rim, to half way down the first black band. The well in the centre of the bowl is also slightly worn, to reveal a whitish grey colour, as well as a small crack running across the side. On the underside of the bowl, there is more evidence of general wear, including a chip just under the rim next to one of the handles. The bottom rim of the foot also reveals small chips, as well as a crack running across the middle.
27.4.6 Intact. Some of the glaze appears faded through use, with patches of wear around the top of the rim. Red/orange disk in the centre has big patches of wear in it that has rubbed away the colour. The handles contain small chips and one has a patch of brown deposit. The outside shows one or two small holes and small chips. The base shows small areas of grey deposit and small flakes have been knocked away through use.
27.4.7 Lip, neck and handle missing. Surface of paint has cracked and begun to flake away.
27.4.9 Mouth and handle missing. Goat has worn away slightly but is still distinguishable.
29.11.1 Clay has chipped away at the side at the base of design, leaving a rough surface and a section of exposed clay. Paint is slighlty chipped around the mouth rim and the base.
29.11.11 Incomplete. The sides of the mask have broken away, and the slip is covered in patches of grey/brown deposit. Detail of the face are still evident, but the nose shows areas of wear on the tip. The inside is a pinkish colour, with little evidence of deposit, though the surface feels rough to touch.
29.11.5 Incomplete and repaired in many pieces. Paint remains clear although the gloss inside has worn away.
29.5.2 The rim next to one handle has a small area of sandy deposit and shows where the glaze has been slightly rubbed away. On the rim near the other handle is a larger amount of a more whitish deposit, which is also on the inside of the pot. The glaze on the handles is marred by large amounts of greyish/green deposit, which also covers a large amount of the glaze lower down the body and on the base of the foot. On the main zone on side A, there is a whiter deposit. On side B, at the foot of Pegasus, there is a deep scratch. In the base of the foot, there is a crack down one side of the well.
30.4.1 Incomplete. Two missing handles and pieces glued back together. The decoration has faded and shows red instead of black. On the outside especially, much of the decoration has faded or flaked away. Band around the top of the foot very worn. Some small patches of grey deposit on the surface.
34.10.1 Intact. Small chips on mouth. Paint on shields partly worn away.
34.10.10 Intact. White, gritty deposits inside the object. Lustre has worn away on mouth and top half of body. Small chips out of rim. Small scratches on base.
34.10.17 Complete. The white slip has worn away in places, and there is a smooth grey deposit evident in patches. Also, the munsell colour shows through. The features of the face are still fairly clear, but the eyes seem worn. The surface all over feels smooth, but the base of the neck is slightly uneven and a bit chipped.
34.10.18 Complete and intact. The surface is uneven all over, and the red glaze has been rubbed away in areas of prominance; for example, knees, stomach, chest and features of the face. There are indentations and air bubbles around the chest area, and on the back of the figurine. Here, there are also lots of scratches on the surface.
34.10.19 Complete and intact. The surface of the woman is incredibly smooth, the features of the face nearly worn away. There is a large scratch on the woman's right shoulder. As well as patches of white slip that is still evident, there is a smoky covering to the head, chest and knees. The base is very uneven.
34.10.21 Badly cobered with deposits. Top part is missing. Much surface colour lost and detail have eroded away making relief hard to distinguish.
34.10.22 Incomplete. Back broken away - had long rectangular opening. Scratches evident all over surface, and white deposit at top of head and down left arm.
34.10.26 Intact but not complete. Detail of the hair remains very clear, but the features on the face are less so. The eyes have been worn almost completely away, and the nose has a chip in one side. At the top of the forhead, just where the hair begins, is a hole. The top and back are uneven and show small holes on the surface. There is a small amount of dirty deposit at the base of the neck, and inside the hollow of the head.
34.10.27 Much colour loss and erosion of relief makes it hard to see. Some small parts have crumbled away at the base. Dark deposits in small amounts all over.
34.10.8 Intact and complete except for two chips to the rim, one on either side. The surface is dulled by a yellowish-brown deposit. The glaze has also worn away in patches.
34.8.14 Intact and complete. Much of the glaze remains but in areas where it has rubbed of the green pigment is also missing. The painted detail remains in good condition, the face detail however was not painted and has greatly worn away. It would also seem that the left arm has worn down since the pigment is missing and the arm seems stunted cvompared to its companion. There are several obvious cracks around the feet.
34.8.3 Neck and handle rejoined. Small chips to shoulder; small areas of white slip have flaked away.
34.8.4 Intact. On back, below handle, the cream ground surface has cracked away almost entirely leaving the surface rough. Part of black main design has been worn but enough remains to distinguish pattern. Deposits inside mouth.
37.11.1 Intact and shape undamaged. Colouring is worn away but the pattern of scales still remains clear. Most worn is the handle and the top of the mouth.
37.7.2 Intact but base of handle coming away slightly from the shoulder. Good condition design of siren and clearly incised lines. Some areas of red on handle ande below, possibly where darker paint has worn away. Some chips to underside of the mouth.
38.12.1 Glaze remains shiny and the paint has only worn away in small sections at the back. Large chips taken from the front of the object obscuring parts of the picture.
38.4.3 Complete, appears intact. Paint extremely faded. Inside of mouth has over three small chips. There is one noticeable chip on the outside of the lip. The paint on the neck appears to have been worn away, because a pinkish clay is showing which does not appear to be a fading of the black decoration. There are at least two hairline cracks on the shoulder, with some of the clay worn away. The handles are in good condition with no noticeable chips, whereas the body has several chips and cracks. The base has a few small chips but is in very good condition.
39.9.7 In two places, part of the rim has broken away. There is also a deep crack in side A, from the part of the rim next to one handle, almost up to the part where the other handle springs from. Colour has peeled off in some places, especially the interior. The body of the satyr to the right of the amphora was a bit damaged when paint was still wet.
44.1.1 Intact (tiny bits have chipped off from the rim). There is large loss of paint on the whole of the vessel (parts of the top surface, as well as the greater part of the lion design is lost, as paint has worn away).
45.10.13 Thirteen fragments that belong to the same amphora. i Traces of white plaster (exterior) and adhesives (interior). ii) It has been burnt. iii) There are traces of adhesives and added white colour has fadded away. iv) Should be rejoined to xiii Traces of adhesives (interior). v) Should be rejoined to iv and ix. Adhesives inside. vi) Traces of adhesives. vii) Should be rejoined to ix. White plaster (exterior) and adhesives (interior). viii) Plaster on the exterior. ix) Should be rejoined to v, vii and x. Plaster (exterior) and adhesives (interior). Part of the slip has been peeled off and shallow bits have been pitted off. x) Should be rejoined to ix. Plaster on the exterior. xi) Plaster on the exterior. xii) Adhesives on the interior. xiii) Should be rejoined to iv. Plaster on the exterior. xiv) Plaster on the exterior, some scratches and few tiny bits that have been pitted off. xv) Plaster on the exterior.
45.10.14.1 Fragment from the rim and neck. There is white plaster on both surfaces. Colour has been pitted off, especially on the external surface of the rim, and peeled off from several spots. The decoration is fadded away on some areas.
45.10.20 There are six fragments probably from the body of the same closed-shape vase (amphora). i) Small bits of the colour have been peeled off and few small spots have been pitted off. ii) The fragment has been burnt. Tiny bits are pitted off. iii) The colour has faded away and has been peeled off from spots. Chips are missing from the edges. iv) The colour has faded away on the contour of the motives. v) The fragment is burnt. Bits of colour have been pitted off. vi) Bits of the colour have been pitted off, especially at the top and right side of the fragment.
45.10.22 There are only 18 fragments preserved from this vessel. These consist of parts of the rim, neck, shoulder and body. a: It is repaired from two fragments, rejoined. Part of the rim (the smallest part of two), neck (including the spring of a triple handle) and shoulder (these consist the second part of this fragment). The fragment is chipped off in many areas (rim: ca. 5 spots/ interior of neck: ca. 10 spots/ neck: ca. 4 spots. There are also gouges on the joining points of the two parts. The upper part (bigger part) of the handle is missing. Apart from tiny bits that have been peeled off from the interior and few deposits, the glaze and colour are preserved in a good condition. b: It consists of three rejoined parts from the vessel's neck. Few bits are missing on the joining point and a spot has even been chipped off, there are deposits and cracking of the colour on the interior, as well as another spot that has been chipped off. Three shallow carvings are also apparent. c: It consists of three parts joined together (two big ones and a small one). Deposits on the interior, three scratches on the exterior, tiny bits that have pitted off and spot that has chipped off from the lower left end. d: Part of the body, colour has fadded away in some spots, and a part has been peeled off. Deposits. e: Part of the body. Deposits but in very good condition, apart from two areas that are chipped off and small bits that are pitted off. f: Part of the body. Apart from deposits in a very good condition. g: Part of the body. Deposits, otherwise in a very good condition. h: Part of the body. Few, tiny bits have been peeled off, also few deposits. i: It consists of two parts of the body. ca. 5 bits have been pitted off and three spots are chipped off; deposits. j: Small fragment in very good condition. k: Small fragment from the body; deposits. l: Small fragment from the body; deposits.
45.10.9 Ten fragments that probably belong to the same vessel. a) Tiny bit of the vessel's lower neck, part of the shoulder and the spring of the handle, which is missing. There are scratches on the exterior and two bits that have been chipped off. Deposits and plaster? on the interior. (The rest of the fragments are from the vessel's body) b) Should be rejoined to c. White plaster on the exterior and traces of it on the interior. A small bit has been chipped off. c) Should be rejoined to b. White plaster on the exterior and traces f it on the interior d) Few deposits on both sides and a small bit that has been pitted off from the exterior. e) Few deposits on the interior and traces of white plaster. A tiny bit has been chipped off from the exterior. f) White plaster and deposits on the interior. Two bits have been chipped off from the exterior. g) The decoration appears as if it has been scraped off and there is a spot that has been chipped off from the exterior. h) A small spot has been chipped off. Deposits and traces of plaster on the interior. Added white colour has fadded away. i) There are adhesives on both sides and white plaster on the exterior. The decoration looks as if it has been scraped off, a tiny bit has been pitted off and a small spot has been chipped off. j) Traces of white plaster, especially on the interior. There is a small spot that has been pitted off.
45.6.13 Intact, but badly worn on the surface so that the design is crude and lacking detail. Black paint at neck, mouth and towards base has almost completely worn away. 'Chunks' of clay missing in three or four places on body.
45.6.16 Black gloss is still shiny at parts. Large flakes of clay have come away from the lower part of the body. Paint flaked off on mouth, handle, on a large part of the body decoration, shoulder and foot.
45.6.35 Complete and intact. Black glaze only on neck lip and handle, completely worn away on the rest of the vessel. Chipped around rim.
45.6.42 Poorly made/fired. Handle missing, black glaze only visible on lip and upper body completly worn away eleswhere. Surface rough and uneven, grey deposits over surface.
45.6.57 Complete and intact. Black glaze worn away apart from on neck.
45.6.60 Mouth broken, base chipped. Original grey worn away to show then pale orange terracotta.
45.6.66 Intact, one side of the top of the central tube has chipped away, numerous small chips to the outer body. The black glaze is worn in places. There is a white deposit over areas of the exterior, the interior has a deposit too, wick hole is almost completely blocked with deposit.
45.6.69 Nozzle broken off, small amount of foot chipped away. Greyish white deposit in areas of interior and exterior.
45.9.1 Possibly repaired. Paint is in bad condition and surface feels rough as paint has flaked away. Glaze has been lost and the paint on the foot and inside the mouth is untidy and streaky.
47.2.13 Intact. Gloss chipped away, scratches near base and interior, chips on lower exterior.
48.4.1 Complete, but stuck back together from six seperate pieces. The rim shows one definite chip, and several small ones. The leaves on top of the rim have worn away in patches. The main zone also shows patches of wear, the surface revealing different colours, some paler clay, and some more orange. A white deposit is evident on the thick black band above the foot as well as some small scratches. The thin black band around the rim of the foot has mostly worn away. Inside, the black has scratches and flaked away to reveal the reserved clay. There is also more white deposit on the inside walls of the pot.
49.4.1 The mouth is a little chipped and the neck has been repaired. There are bits missing from the shoulder, too. The largest part of the white bands has worn away, as has some of the paint on the foot. There are white and gritty deposits in the mouth and under the handle. The glaze below the meander is streaky. There is also colour loss on the back of the body but this appears to be due to firing.
50.12.39 Single fragment, quite chipped, decoration somewhat worn away.
50.12.41 Interior chipped and worn away.
50.4.5 Intact. Pattern badly worn away. Chip to rim at front and a few to base. Part of the decoration fired brownish. White deposits covering the entire underside of the foot. Gloss worn at aprts on the neck. Small chips and scratches on the body.
51.7.3 Intact. The rim mended from 2 fragments. Small chips to rim. Lustre remains although some paint has chipped away around rim, handle. Slight scratches and chips on body. White deposits on the underside of the foot.
52.3.2 Body and base surfaces are terribly damaged with large chunks missing although these do not go all the way through. Paint worn from inside mouth. Glaze and paint remain relatively undamaged on areas that have not been chipped away.
60.8.2 Complete and intact, but in fairly bad condition. It has been badly fired, which has left the glaze patchy, especially on the back of the body. Fired to reddish brown. Around the rim of the mouth, the glaze has been worn and scratched away to reveal the reserved clay, as it has around the handles. The decoration on the main zone is still fairly visible, but is worn in patches and flaking around the edges. At many parts, clay flaked off. Around the top of the foot is greyish white deposit, also evident around the handles. There is a large chip in the foot. White has faded.
61.6.1.7 Intact; but part of the body of the container have broken away, and there are small chips on the rim
67.7.1 Incomplete. The figure has broken in half and been glued back together, however, at the back, there is a chip missing still. The grey colour is interspersed with deposit of a dark brown colour, which is even more prominant on the back. The features of the face have almost all worn away, except for the nose. Around the front and sides of the base are white and dark grey deposits.
67.7.3 Reed not preserved. Silver has broken away in places but has lost some of its glaze and lustre in others. The bronze has deteriorated to green in places. Some repair to silver and bulbous neck. The instrument is in fact sturdy despite its outward appearance.
71.12.6 Large parts of bronze have broken away from the sides of the curved section. The most important aspect to note is the deterioration in colour to blue, green, black and brown. Only in a couple of areas does the true colour of the bronze show through. Deposits under the handle where it joins the body. Small hole to one side of the curved section.
71.6.3 Complete but repaired. Figures remain clear but the black glaze has become streaky. Paint surface flaked away inside by one handle revealing the clay.
73.9.7 Incomplete, only a small amount of the cup remains, including one handle. Two pieces are glued back together. The glaze on the outside edge of the rim has completley worn away, and there are small scratches all over the surface. Both inside and out, there are traces of a whitish deposit, except on the foot where the deposit is more of a pinky colour.
84.8.2 Fragment. Upper word on the stamp has almost worn away. There are a few chips and scratches. Black and white deposits on the surface.
91.12.2 Intact, however top partially chipped away towards right edge left side. Covered in soil deposits.
E.23.20 Several small chips on lip. Some dark red and black has worn away. There is a large amount of white deposit all over the vase, sometimes in large patches.
E.23.34 Intact and complete. There is a large amount of green deposit on the front of the figure. Some detail on the extremities, particularly the right hand, has worn away.
E.23.43.4 Intact, altough the ends are rough and distorted suggesting they have been damaged. The glaze has completey worn away.
E.23.43.8 Intact, the glaze is worn in some ares leading to the blue colouring being partially worn away
E.23.43.9 Intact, the glaze has worn away leading to some loss of the blue colour.
E.23.44 Intact and complete. The blue glaze is quite worn in some areas, most notably at the top of the crown where it has toally worn away and reveals the original terracotta material. This is slightly true also around the ears.
E.23.51 In tact and complete (although presumabley once part of a necklace). Most of the blue glaze has worn away.
E.23.54 Intact and complete, the glaze has worn away as has a lot of the green colour particularly around the head and shoulders.
E.23.61 Intact and complete. The only detail missing is the curl from the end of the line originating from the underside of the eye. The glaze has totally rubbed away.
E.62.25 There is a chip out of the lip, and there is a large crack going arond the widest point of the body. There is also a large amount of wearing away of the red colouring oof the vase.
E.62.32 Intact. There is a large area where the top layer of limestone has worn away revealing the orginal colour of the limestone. There is a large amount of brown deposit all over the artefact.
E.62.48 Intact if only a fragment. The glyphs are still very clear, except one of the right hand side, the fourt glyph down, that has been rubbed away. There is also a white deposit at the bottom of the object on the right. Overall there has been very little degredation of the wood.
E.62.52 Intact. There are chips all over the object, some that just remove paint others that take some wood as well, particularly on the the left side of the beetle its self. There is a large white deposit on the right wing whcih has collected where some paint has chipped away.
E.63.10 Intact and complete. Around the base a large amount of the blue glaze has worn away.
E.63.17 Shell is chipped at edges and small shard of inner surface has come away but remains with the shell.
E.63.23 Intact, two large chips in the lip, the surface on the body and base is worn away in large patches.
E.63.4 Intact and complete. Much of the glaze and colour has rubbed away particularly on the right side of the front. There is also some dark miscolouration at the top of the head-dress. Compared to it's partner the details of the face are much more vague.
E.63.6 Intact and complete. The blue glaze is largely intact although where it has worn away the blue colour has also gone and there is only a light brown rough surface remaining.
E.65.3 Complete, but repaired. There three large breaks in the pot that have been repaired but are still very evident near the rim. Although the surphace is still smooth a large amount of the red pigment on the out side has worn away while similar occurances inside have meant that some of the decoration has been lost.
REDMG:1935.87.10 Intact. Part of one handle coming away at join. Badly eroded inside and towards top on the outer surface.
REDMG:1935.87.4 Intact. Paint is dirty thus losing its glaze in most areas and appearing very dull. Large areas of black have worn away, especially on back of oinochoe, below handle. Base has large area of deposit.
REDMG:1935.87.8 Intact. Paint inside has flaked away in small areas. Glaze remains shiny on exterior.
REDMG:1942.5.6.2 Intact. Some areas of black glaze have worn away
REDMG:1951.1718 Surface slightly stained on interior, where much of the surface has eroded away; white deposits around lip on interior and on exterior. There are fingerprints on the base and one side of the vase is lower than the other.
REDMG:1953.25.17 Intact. Some areas of black glaze have worn away
REDMG:1953.25.23 Mouth missing. The surface has flaked away on much of the object, and it is pitted at the back; base and top of foot are chipped.
REDMG:1953.25.30 Handle missing, leaving a hole at the lower (shoulder) attachment; white/red surface almost entirely worn away; black glaze surfaces chipped; deposits on lip, body, and centre of underside.
REDMG:1953.25.43 One third of the rim is missing and the right side of the handle is chipped. The black glaze has chipped away, and there are tan deposits, especially around the mouth and the lower body.
REDMG:1953.25.61 Glaze around mouth and neck is worn away leaving a dark grey colour.
REDMG:1953.25.90 Features worn away, especially on child.
REDMG:1964.1627.1 Two pieces. Deposits on both parts. Black worn away allowing the clay to show through.
REDMG:1964.1630 Almost complete but missing one large and one small fragment from the rim. The surface almost entirely worn away.
REDMG:1964.1639.1 Handle is unchipped and in good condition. Paint has worn away and there are small traces of deposits on handle.
REDMG:1964.1666.1 Intact. Large area of deposits on one side of body and some around mouth. On opposite side the glaze has scratched away.
REDMG:1964.1677.1 Decoration eroded away; rim chipped; tan stains and grayish-white deposits
REDMG:1964.1691 Intact. Black glaze chipped away; whitish-gray deposits particularly on upper surface; rim slightly chipped.
REDMG:1964.1718 Surface slightly stained on interior, where much of the surface has eroded away; white deposits around lip on interior and on exterior. There are fingerprints on the base and one side of the vase is lower than the other.
TEMP.2002.2.54 Fragment, glaze worn away in spots on both sides
TEMP.2002.9.29 The paint on the underside is in very bad condition; streaky, dull and flaking away at the edges. The paint on the topside is dull but not flaking. Paint has worn badly from rim. Deposits are on the edges.
TEMP.2003.6.6 a) Should be rejoined to b. It consists of part of the rim, one handle (the other one is missing) and body of the vessel. Small bits have been pitted off, as well as parts of the colour on some areas. The glaze also seems to be scraped off, apart from the surfaces decorated with palmettes. There are traces of white plaster (on the exterior), especially at the upper part of the handle's springs. b) Should be rejoined to a and c. Part of the rim and body of the vessel. The area above the decoration on the body seems scraped off. c) Should be rejoined to b. It consists of part of the rim, one of the springs of the other handle (that is missing) and part of the vessel's body. White plaster is apparent on most of the external surface. Traces of adhesives? exist on the internal surface of the rim d) Part of the rim and body of the vessel. Adhesives on the rim (interior and exterior). e) Part of the vessel's lower body. Tiny bits have been pitted off from both sides and colour has fadded away on some areas. f) Part of the vessel's resting surface. The foot is missing and there are adhesives and white plaster on the joining point of the foot with the base.
TEMP.2003.7.6 The exterior is dirtier than the other slide, and slightly scratched at the left end. The other side is in a better condition, with a few areas where paint has been scratched away.
TEMP.2003.7.74 Well kept overall, though inner section has a few points where the paint has been chipped away slightly,and the line at the top also appears to have been worn away over time. Edges on the right side are slightly chipped.
TEMP.2007.2.42 Fragment, glaze is worn away in many spots and faded on the interior
TEMP.2007.2.43 Gragment, black glaze is worn away in many spots
TEMP.2007.2.44 Fragment, glaze worn away on parts of the exterior and interior
TEMP.2007.2.45 Fragment, chipped in many places, glaze worn away, possibly burnt on the bottom part
TEMP.2007.2.56 Fragment of a rim, glaze worn away, traces of white all over
TEMP.2007.2.61 Fragment, glaze chipped away in many spots
TEMP.2007.3.50 red in colour, clear on the reverse, worn away on the obverse; worn on right side of obverse; complete
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