| 13.10.14
|
Naked standing female in relief. The figure has short hair, fastened up, broad shoulders, arms close to her sides, and legs together.
|
|
| 14.9.114
|
Small areas of white at the top of the right thigh, and to the left of feet, suggest that the figure was coverd with white slip (painted?).
|
|
| 14.9.76
|
exterior: from left, painted black handle zone; black figure decoration consisting of cloaked woman (only back, tresses and part of cloak in added white remaining), to right.
|
|
| 14.9.84
|
Interior: reserved band below junction of bowl and lip; below, glazed black; exterior: lip glazed with thin reserved line at join with bowl; below, black figure decoration consisting of horseback riders (only head including mane and reins, neck and breast with added red, shoulder and upper forelegs of one horse and tail of second remaining), to right; at far right, possibly incised pinwheel rosette as filling ornament;
|
|
| 14.9.89
|
Two figures, facing, holding hands. Vines with leaves in the background. Unidentified figure (cloth?) in upper right-hand corner.
|
|
| 14.9.90
|
Female figure, clad in himation, with head turned to left. Has arms outstretched, as though holding hands in a circle. Vine with leaves in the field.
|
|
| 14.9.91
|
Bearded man riding horse at left, dark featureless figure at right.
|
|
| 2004.10.2
|
Part of a female figure, half draped, seated profile to the right, reaching to the left with a wreath; vegetal ornament.
|
|
| 2004.8.4
|
The rim is decorated with a thin black band, with a reserved band below and another black band below this. Two youths (black in colour) stand facing each other, with the figure on the right presenting a white cock, of which, elements remain (painted over the figure). Behind each figure the tail and part of a sphinx can be seen. The sphinx behind the right figure has incised lines dividing the wing feathers. The centre of the sphinx's wing appears purple in colour. There are faint, incised lines that give the outline of the youths' heads (where paint has been worn away). The reverse of the fragment is black with a reserved circle on top of the rim.
|
|
| 2005.3.12
|
Three dots, band and head of a figure in a head-dress(?) in black
|
|
| 2005.3.24
|
Black figure with added red, on the body is a siren with added red and incision dor the details. foot is black with base a combination of black and reserved circular bands
|
|
| 2005.6.1
|
Incision pattern into exterior, reddish-black figure image in horn shape
|
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| 2005.6.2
|
Incision in flower shape, reddish-brown-black figure circular motions
|
|
| 2006.12.50
|
Largely black and white with brown and orange rings. Part of a figure pattern is visible, but not enough to make an analysis
|
|
| 2007.10.1.14
|
Man with another figure (possibly a bearded man shaking hands).
Cast number 78.
|
|
| 2007.10.1.24
|
Two figures standing next to each other. Figure on the left possibly holding fruit.
|
|
| 2007.10.2.100
|
Bearded male head in profile facing right. He is wearing a helmet and to his left is a small naked female figure.
|
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| 2007.10.2.102
|
Naked male figure leaning on a column to his right. In his hand he carries a bow and on the floor is a lyre leaning against the column.
|
|
| 2007.10.2.104
|
Naked male figure facing left. He is carrying something, possibly a small child, in his arms.
|
|
| 2007.10.2.107
|
Male figure holding a bow. To his right is a column with the bottom half in the shape of a female.
|
|
| 2007.10.2.110
|
Naked figure lying down facing away from the viewer. By the feet is a winged infant. There appears to be a serpent/snake entwined around the figure.
|
|
| 2007.10.2.111
|
2 warriors with shields and a naked male figure standing between them (he may also be a warrior but he isn't wearing any armour and he isn't carrying a shield). The warrior on the right is moving behind a wall so only 1 leg and his shield is visible.
|
|
| 2007.10.2.118
|
Figure of a naked man touching the skull of an animal which is sitting on top of a column.
|
|
| 2007.10.2.119
|
Male figure holding a stick.
|
|
| 2007.10.2.127
|
Woman's bust. Frontal view. The woman is wearing a veil over her head and a necklace. On the right of the figure there is a "cornucopia"
|
|
| 2007.10.2.130
|
Ox facing right. There is an inscription in Greek caracters above the figure.
|
|
| 2007.10.2.140
|
Male, sitting down, bare chested, caring a cornucopia in one hand and a branch with leaves (possibly olive), iconography suggests figure is a god.
|
|
| 2007.10.2.146
|
Male figure reclining on a carrage, surrounded by winged children one pushing the wheel, the other holding reigns and a whip, the third being embraced by the male figure, who is half naked. A tree trunk on the fair right of the cast, with branches stretching above the figures.
|
|
| 2007.10.2.147
|
3 male figures, and a cow. All warriors with shields and armour, the predominent figure bringing cow to an altar, carrying a vessel or bowl.
|
|
| 2007.10.2.149
|
Bearded male seated figure in front of a pillar, half naked, learning towards a young male figure emerging from a vase.
|
|
| 2007.10.2.162
|
Male walking and carrying a dead animal on his shoulders. Nude, entire figure. Profile facing right.
|
|
| 2007.10.2.166
|
Male soldier, holding a shield, wearing a shield, sitting down, facing a shield (?). Another figure in the background.
|
|
| 2007.10.2.181
|
A naked, male, child-like figure, with a robe draped around his back and arm stretched out in front of him. Sitting on top of a small laurel wreathed plinth.
|
|
| 2007.10.2.189
|
Frontal figure of a naked man standing up and rubbing his back with a cloth. On the background a small table with a vase on it.
|
|
| 2007.10.2.193
|
Naked man standing up, leaning on a tree. Another figure sitting down. A bird in the background.
|
|
| 2007.10.2.205
|
Male figure resting on a lyre, semi naked (Apollo?)
|
|
| 2007.10.2.207
|
A female winged figure wearing a helmet
|
|
| 2007.10.2.208
|
Two figures: one bearded, naked, sitting down with his hand resting on the second figure, which is standing, also naked
|
|
| 2007.10.2.211
|
The outine of the front of a temple, depicting a pediment resting on two columns. A female figure covering most of the space in between holds a bow.
|
|
| 2007.10.2.216
|
2 figures. Figure on left bearded with horns (possibly a Satyr). Figure on right (possibly young male) seen from back, struggling with the other figure.
|
|
| 2007.10.2.219
|
2 male figures, one seated (left figure) and one standing (right figure). Seated figure carrying a staff, possibly denoting older age or social class. Standing figure is wearing a cape, possibly suggesting that he, or both figures, are travellers. He also appears to be stirring a pot at the feet of both figures. On the far right of the scene there is a pole with a serpent wrapped around it.
|
|
| 2007.10.2.223
|
Standing naked male figure. Looking at what appears to be a small statue. Something has been placed at the foot of the statue, possibly an offering of some description. Detail too shallow to identify.
|
|
| 2007.10.2.224
|
Bust of figure facing to the right wearing what appears to be a 'Phrygian Cap' or possibly a helmet. Clothing suggests that the figure might be female (possibly Athena if the head dress is in fact a helmet). Not enough of hair-style visible to conclusively decide gender.
|
|
| 2007.10.2.225
|
Frontal bust of young female figure (3/4). Facing to the right. Loose hair (possibly wet). Dress fixed with broach or clasp at the shoulder.
|
|
| 2007.10.2.226
|
Seated male figure, bearded and naked from the waist up. He is holding what appears to be a scythe (possibly identifying him as Kronos). Elaborate seat, possibly a throne. Detail at bottom left of cast is possibly a temple on the summit of a hill or mountain.
|
|
| 2007.10.2.229
|
A naked male figure carrying a club in his right hand and a bow in the left hand, (possibly Heracles)
|
|
| 2007.10.2.235
|
Two figures, both facing towards us, one standing behind the other. The one on the foreground is a warrior, possibly a Greek soldier (because he's naked) carrying a spear and shield and wearing a helmet. Behind him is a fully clothed figure, possibly a goddess.
|
|
| 2007.10.2.236
|
A powerfully built male figure kneeling with one arm (right) raised, his hand making a fist. The other arm is lowered and appears to bound (possibly) behind his back. His head is bowed. The figure appears to have a small winged figure upon his back. It is not clear if he is carrying the second figure or if there is some sort of struggle in process.
|
|
| 2007.10.2.237
|
A group of figures. The centre of the cast is a male figure who appears to be dressed in armour (helmet, shield, and cuirass). He appears to be standing on the deck of a ship. The figure is presenting or showing the head of a bull to a second figure (female) who appears to standing on the quay of a harbour. On the far right of the cast (behind the central male figure) is a second soldier. The scene possibly portrays an encounter between Theseus and Ariadne after the killing of the Minotaur.
|
|
| 2007.10.2.238
|
Naked male figure (athlete) holding a discuss. He has his left arm raised with the discuss held low in his right hand. Presumably he is in the process of throwing the discuss.
|
|
| 2007.10.2.239
|
Bust of young female figure facing to the right. Her hair is gathered in a pony tail.
|
|
| 2007.10.2.240
|
Bust of a female figure facing to the right. Her hair is tied up. There is possibly a double-headed (battle) axe represented at her back.
|
|
| 2007.10.2.241
|
Single figure of a young winged (male) child holding a bow and club in his left hand, the club rests over his shoulder. His quivver is possibly depicted on the ground at his feet. The figure is presumably Eros or Cupid, although the club is an unusual addition (possibly indicating the imitation of Herakles, as in examples found at Pompeii).
|
|
| 2007.10.2.242
|
A tall and slender female figure carrying a bow and depicted with a stag, possibly identifying the figure as Artemis. The unusual dress might suggest that the gem showed an unknown female depicted as Artemis.
|
|
| 2007.10.2.243
|
Depiction of a slender figure (almost certainly female) with right arm raised and hand possibly reaching towards the back of the head or hair. Behind the figure is what appears to be a 'Capricornus'. Both figures are facing to the right.
|
|
| 2007.10.2.244
|
A female figure in short knee-length dress is depicted resting against something in the background of the scene, however, it is unclear whether it is vegetation or a structure. The figure appears to have a quivver on her shoulder, possibly identifying her as Artemis.
|
|
| 2007.10.2.245
|
A bearded, muscular, and semi-naked seated figure. His clothing is possibly an animal skin (paws seem to be apparent). He appears to be resting as his right arm rests on his knee and his right hand supports his bowed head. He is also holding an unidentified object in his right hand which also rests against his leg. His other hand appears to be holding a further (unidentified) object which rests across his lap. A club rests against his left thigh in the foreground of the scene. There is either a bull or cow depicted by the figure's right leg at the bottom-left of the scene.
The figure shown is almost certainly Herakles, possibly resting after one his labours (herding the cattle of Geryon?).
|
|
| 2007.10.2.247
|
A bearded, extremely muscular, and semi-naked male figure standing and facing to the left. He has a cloak tied at the neck and carries a club in his left hand. His right arm is raised and he is holding an (unidentified) object in his right hand. The figure is almost certainly Herakles.
|
|
| 2007.10.2.248
|
A slender female figure is depicted playing a lyre. She faces to the right and is clothed in a long flowing dress.
|
|
| 2007.10.2.250
|
A young male figure is depicted standing and facing to the left. He is naked from the waist up. The figure is holding a sword which he appears to be examining. The point of the blade is pointed towards the figure's body, the hilt away from the body.
|
|
| 2007.10.2.253
|
Two figures are depicted. The figure to the left of the scene is a seated semi-naked female. Her dress or cloak lays across her lap and is gathered up in her left hand. Her head is bowed slightly. In the centre of the foreground is a semi-circle which crosses the female figure's left ankle or calf. It is unclear what this might represent. The second figure (to the right) is a smaller winged male facing to the left and the larger figure. He appears to be carrying a bow and stands under a tree. The two figures are almost certainly Aphrodite and Eros.
|
|
| 2007.10.2.254
|
Bust of an older male figure in high relief. He has a philosopher's beard and curly hair. His high forehead might indicate that he is balding. Clothing is evident draped over his left shoulder.
|
|
| 2007.10.2.255
|
Three figures, one on a chariot, pulled by two horses. Another figure, a man, wearing a helmet is being handed some sort of cloth by the other figure who appears to be a woman.
|
|
| 2007.10.2.257
|
A naked and winged female figure riding a chariot pulled by two horses with their front legs reared.
|
|
| 2007.10.2.258
|
Bust facing forward of a young figure, possibly male with curly hair.
|
|
| 2007.10.2.27
|
Figure riding a hippocampus facing right
|
|
| 2007.10.2.275
|
A male figure riding a wild cat
|
|
| 2007.10.2.284
|
A naked male figure sitting down with the inscription of "Nicolas" in ancient Greek written beside him.
|
|
| 2007.10.2.294
|
A young winged figure seated on the ground (probably Eros). The figure's body is facing to the left while the head is turned back looking to the right. The figure is possibly looking at a stand to its right which has a complete set of armour placed upon it.
|
|
| 2007.10.2.295
|
Naked male figure facing into the scene of the cast, his back to the 'viewer'. The figure appears to be holding a staff which is mostly obscured behind his body. The attention of the figure is on something in the bottom left of the scene; however, the detail is not clear enough to reliably identify what it is.
|
|
| 2007.10.2.296
|
Winged female figure driving a chariot drawn by two horses which are rearing up giving the impression of fast movement. The figure is possibly either Nike or Selene.
|
|
| 2007.10.2.297
|
Naked male figure facing to the right and carrying, or struggling with, an animal (possibly a goat).
|
|
| 2007.10.2.298
|
Naked male figure seated and playing a lyre. The figure is surrounded by armour and weaponry: a helmet to his left, a shield with a face at its centre at his feet to the right, and a sword hanging from some kind of frame or resting against it. The figure is possibly identified as Achilles as he was found by the embassy from Agamemnon at the beginning of book IX of Homer's Iliad.
|
|
| 2007.10.2.299
|
Semi-naked female figure with a robe draped over her outsretched left arm. The figure is standing next to a plinth upon which a large bird is standing (probably a peacock).
|
|
| 2007.10.2.300
|
Standing frontal image of a clothed male figure. The figure appears to be holding something in each hand; however, damage to the surface makes it impossible to identify the items.
|
|
| 2007.10.2.302
|
Three female figures, two figures to the left standing, semi naked figure on the right is seated, middle figure also semi naked, two figures on either side appear to be helping the middle figure bathe left figure holding her hair and right figure touching her back
|
|
| 2007.10.2.303
|
Possible battle scene, containing five horses and two men, figure to the far left(only wearing a cloak) is on horse back and figure to the right is falling from a chariot (naked), pot at the bottom with contents spilling out, possible bird to its left
|
|
| 2007.10.2.304
|
A male figure wearing a skin (possibly a lion skin) struggles with a bull. The bull's head is lowered perhaps indicating that it is charging. Behind the bull, to the right of the cast, there is what appears to be a statue (possibly of female form) with two faces in profile, one facing left and the other right. The animal skin (if it is lion) perhaps identifies the male as Herakles. The scene might be a representation of one of Herakles tasks (yoking of the bulls).
|
|
| 2007.10.2.305
|
A male figure stands over another figure, prostrate on the ground. The standing figure (probably male) is dressed in a cloak and tunic and holds a blade or scythe in his right hand. The standing figure appears to be holding the decapitated head of the second figure in his left hand. Behind the figure prostrate on the ground is an ox whose front legs are raised from the ground. To the right of the cast a tree or bush is depicted with a large bird (possibly a peacock) perched on one of its branches. At the centre of the cast there is what appears to be a standard or post with two serpents coiled about it. The serpent's heads face each other at the top of the post.
|
|
| 2007.10.2.306
|
At the centre of the cast is a naked young male, he is seated on what appears to be a large smooth rock. A large serpent is coiled beneath the male figure and to the right a lyre is placed on a stand or podium. On the far right of the cast a second stand or podium is carved, this one has what appears to be a tripod standing upon it. To the far left of the cast stands a clothed female figure. She is holding a rod or staff. Her attention is not upon the central scene, she appears distracted by something which is occurring further left as her gaze is directed that way.
|
|
| 2007.10.2.307
|
A bearded male figure crouches before a large handled urn. The urn is decorated with a simple line pattern. The figure appears to be holding a small hammer in his right hand, which he is possibly in the process of using (his gaze/concentration appears fixed upon it). To the far right of cast a tree is depicted, perhaps to simply denote the scene is an exterior one (rural rather than urban might also be suggested).
|
|
| 2007.10.2.308
|
A large ox or bull is represented to the left and centre of the scene taking up most of the space within the cast. The beast's head is turned as if it is looking towards the viewer. To the right a figure (probably male) is seated beneath a tree holding a staff. At the figure's feet there appears to be a second (much smaller) creature.
|
|
| 2007.10.2.309
|
Bust of a figure (male?) in profile facing right. The figure has long hair and wears a wreath (which type is not clear). He is dressed in a tunic which is fastened at the right shoulder, although the right side of the chest is revealed and appears quite muscular. There is some vague detail at both his back and chest. These appear to be a quivver and a bow, which would almost certainly identify the figure as Apollo.
|
|
| 2007.10.2.311
|
A large female figure reclines in the centre of the scene. She is dressed in robes and is wearing either a helmet or a cap (Phyrigian cap?). Her left arm is resting on a disembodied (bearded male) head and her left hand holds a staff which rests against her upper-arm or shoulder. Beneath the large female figure and to the left of the male head are two shapes which possibly represent boats or ships. These shapes might indicate that the portion of the scene below the female figure is in fact a river or the sea. In turn this might suggest that the disembodied head is emerging from the water (possibly identifying it as a river god). To the left of the scene a very small figure appears to be presenting the large female figure with something, possibly a basket or urn. A slightly larger figure, leaning on a stick, looks on from beneath a tree. Above the very small figures head are two animals (presumably intended to appear to be further off in the background). One at least of these animals is certainly a horse. To the right of the large female figure's head there is a representation of a stag. At the top of the scene in a central position are three shapes. It is unclear exactly what these are (possibly huts or houses of some description?).
|
|
| 2007.10.2.329
|
A male figure fallen in the foreground with a chariot with two horses with front legs reared in the background.
|
|
| 2007.10.2.350
|
A seated male figure playing a harp, his left foot seens to be resting on what appears to be a large urn.
|
|
| 2007.10.2.358
|
A tall male figure with a spear, wearing only a cloak and using it to protect a smaller person.
|
|
| 2007.10.2.360
|
A naked, young male figure, holding what appears to be a piece of cloth and he is leaning against some sort of post.
|
|
| 2007.10.2.494
|
Cast has concave shape to it, contains a possible a figure wearing a turban and long robe, possibly holding a vase it its left hand.
|
|
| 2007.10.2.496
|
Semi naked man, his head facing to his right (our left), leaning on what is possibly a harp on his left hand side. A smaller figure is situated at his right, a possible statue possibly wearing a helmet and holding a spear in its right hand.
|
|
| 2007.10.2.498
|
Winged figure walking, his right sided profile shown, wearing long flowing robe and helmet
|
|
| 2007.10.2.499
|
Muscular,bearded naked man sitting on a rock, facing to the the left where a much thinner figure is hunched over standing. The sitting figure has his right arm on the stading figures left shoulder
|
|
| 2007.10.2.500
|
Cast is very worn, figure appears to be half man and half of the sea, holding a trumpet in his left and and a net in his right. Posiibly Posiedon
|
|
| 2007.10.2.502
|
Cast is made concave, has the image of possibly outline of a temples fround, with wreath at the top of the arch. There is a figure inside, holding a bow in its left hand and possibly reaching for an arrow from its back with its right hand. This is possibly Apollo.
|
|
| 2007.10.2.505
|
Smiling face of a young figure, with pointed ears, with a curly head of hair.
|
|
| 2007.10.2.60
|
Naked male figure dancing. He appears to be holding some sort of percussive instrument in his hands.
|
|
| 2007.10.2.62
|
Naked male figure, probably a child. He looks to be holding something in his hand above his head.
|
|
| 2007.10.2.64
|
Naked male figure holding a short staff and a cloak draped over his arm. He is bearded and very muscular.
|
|
| 2007.10.2.66
|
Naked young male figure wearing a cloak and carrying a staff.
|
|
| 2007.10.2.68
|
Naked male figure dancing with a spear.
|
|
| 2007.10.2.76
|
Male figure carrying a staff, possibly wearing a theatrical mask.
|
|
| 2007.10.2.79
|
Female figure dancing with a lyre.
|
|
| 2007.10.2.80
|
Female figure dancing gracefully.
|
|
| 2007.10.2.85
|
Winged female figure holding a plate in 1 hand and some sort of fruit (?) in the other. Possibly Nike.
|
|
| 2007.10.2.87
|
Female figure facing right, carrying something over her shoulder.
|
|
| 2007.10.2.89
|
A male figure leaning against a wall (?). He balances something on his knee whilst holding a small child (?) on his shoulders.
|
|
| 2007.10.2.95
|
Male figure leaning against a wall. Some sort of bird, possibly an eagle, is pecking from his hand.
|
|
| 2007.10.2.96
|
Naked male figure sitting/leaning against an inscribed chest. In one hand he holds a small pointed stick/dagger and in the other he holds what looks to be a model warrior. Over his arm is draped a cloak.
|
|
| 2007.10.2.97
|
2 figures, 1 of which appears to be half man and half snake. The hybrid seems to be carrying the other figure. To the left is an inscription.
|
|
| 2007.9.1.1
|
Displaying the head and shoulders of a human figure with fairly long hair and wearing a headband, profile facing right.
|
|
| 2007.9.1.2
|
Displaying the head of a human figure with long hair and wearing a headband, profile facing right.
|
|
| 2007.9.1.21
|
Displaying a naked human figure leaning against a modern harp and holding a flower or a mirror.
|
|
| 2007.9.1.25
|
Displaying a human figure carrying a staff and a ceramic vessel, profile facing left.
|
|
| 2007.9.1.37
|
Displays a forward facing human figure holding a stick or staff.
|
|
| 2007.9.1.38
|
Displays the figure of a medieval knight, mid stride, wearing a helmet and carrying a sword, facing right.
|
|
| 2007.9.1.39
|
Dislays a male figure, holding a stick or staff, facing left.
|
|
| 2007.9.1.41
|
Displays a female figure walking, wearing a flowing dress, facing left.
|
|
| 2007.9.1.42
|
Displays the naked figure of a woman wearing a cloak, facing right.
|
|
| 2007.9.1.43
|
Displays figure of naked woman.
|
|
| 2007.9.1.44
|
Displays figure of naked woman holding stick or staff, facing left.
|
|
| 2007.9.1.50
|
Displays the figure of a man carrying a stick standing behind a cow. A small tree can be seen in the background.
|
|
| 2007.9.1.51
|
Displays the figure of a naked human, resting their arm on a post or similar object.
|
|
| 2007.9.1.53
|
Displays the figure of a half naked woman, facing left, holding a staff and possibly a basket.
|
|
| 2007.9.1.54
|
Displays a seated human figure, facing left, possibly an image of Athena Parthenos holding Victory in one hand and a shield in the other.
|
|
| 2007.9.1.56
|
Displays a very thin human figure in a walking pose, facing right. There is a large, unidentifiable shape behind the figure, but this may be due to a fault with the plaster cast or the original gem.
|
|
| 2007.9.1.59
|
Displays a naked human figure riding a hippocampus, probably a Nereid, holding a cornucopia and possibly wearing a helmet, both facing left.
|
|
| 2007.9.1.66
|
Displays the figure of an eagle holding a wreath in its claws.
|
|
| 2007.9.1.76
|
Displays a human figure kneeling or lying down, facing right, with five or six pots lined up behind them.
|
|
| 2007.9.1.77
|
Displays a human figure, kneeling facing right, holding a sack possibly made from a cows udder.
|
|
| 2007.9.1.78
|
Displays a winged human figure, facing left, holding a thin, curled object in his left hand, with a dog lying down at his feet.
|
|
| 2007.9.1.79
|
Displays a human figure, facing left, carrying a sword and a shield.
|
|
| 2007.9.1.80
|
Displays a human figure, facing left, holding one long, thin object in each hand.
|
|
| 2007.9.1.84
|
Displays the poorly defined figure of a horse with its head bowed.
|
|
| 2007.9.1.88
|
Displays the front view of four horses, with the top half of a human figure appearing above them, altogether possibly representing a four-horse chariot.
|
|
| 2007.9.1.92
|
Displays a human figure, facing left, seated on a sphere with their head bowed and holding a staff in their right hand.
|
|
| 2007.9.1.94
|
Displays a human figure kneeling facing left, tending to a small plant.
|
|
| 2007.9.1.95
|
Displays the front view of two horses, with the top half of a human figure above them, altogether showing a two-horse chariot.
|
|
| 2007.9.2.11
|
Displays a naked man with fairly long hair reclining in his seat, whilst a smaller winged figure of indeterminate gender stands in front of him, holding a bowl up to their mouth. (Box Index = Bacchus giving a drink to Love). Tray 5, layer 1, Gem 11
|
|
| 2007.9.2.13
|
Displays a seated woman writing on a tablet, a lyre at her feet, whilst a winged figure, a small owl sitting behind his left foot, holds a small jug above a burning oil lamp. A latin inscription is beneath them. (Box Index = Virtue assissted by Genius)Tray 5, Layer 1, Gem 13
|
|
| 2007.9.2.16
|
Displays the figure of a naked woman, her head turned away to the right, trying to cover herself with a piece of cloth. (Box Index = Venus).
|
|
| 2007.9.2.25
|
Displaying a naked man with a cloak draped over one arm, holding a large pole in one hand, and a sphere topped with a small figure in the other. (Box Index = Figure of Napoleon).
|
|
| 2007.9.2.4
|
Displays the seated figure of a woman on the left hand side, her arms outstretched, being handed a child by Hermes, standing on the right. (Box Index = Mercury giving baby Bacchus to a Nymph of the covern of Nysa). Tray 5, Layer 1, Gem 4
|
|
| 2007.9.2.5
|
Displays four human figures. From left to right: a man with his head bowed and a hammer raised in his right hand, whilst holding a spear or an arrow in his left; a seated woman, her head turned away to the right, holding an arrow in her right hand, pointed down into a bowl she is holding in her left; a cherub, holding a long pole, his left arm outstretched and looking upwards at the figure behind him; a naked man wearing a helmet and holding a bundle of cloth and an arrow, and looking down at the cherub. (Box Index = Vulcan, Venus, Cupid, and Mars).Tray 5, Layer 1, gem 5
|
|
| 2007.9.3.105
|
Head of bearded male figure in profile facing left. He wears a crown.
|
|
| 2007.9.3.106
|
Head of male figure in profile facing right. He has a wreath of leaves in his long hair.
|
|
| 2007.9.3.161
|
Two heads in profile facing right. Figure in foreground is male, figure in background is female.
|
|
| 2007.9.3.20
|
Displays a centaur sitting on his hind legs, his arms around a man standing next to him, whilst another figure in the background plays a pipe.
|
|
| 2007.9.3.27
|
Male figure standing with a lyre (?) hanging on the wall to the right.
|
|
| 2007.9.3.28
|
Male seated figure.
|
|
| 2007.9.3.30
|
Naked male figure holding musical instrument, possibly a lyre.
|
|
| 2007.9.3.31
|
Two naked men, possibly wrestling. The figure on the left is wearing a helmet.
|
|
| 2007.9.3.32
|
Four male figures; One kneeling, two standing and one seated. The kneeling figure is holding a bowl, possibly an offering. The standing male on the left looks to be holding a flaming torch.
|
|
| 2007.9.3.36
|
Youthful male figure standing facing right, holding something in his hands. Some sort of plant to his left.
|
|
| 2007.9.3.47
|
Naked male figure - an athlete carrying a discus in his right hand.
|
|
| 2007.9.3.50
|
Male figure with 'Cornucopia'(Horn of Plenty).
|
|
| 2007.9.3.54
|
Naked male figure holding a sword and a bow. He is embarking or disembarking a boat.
|
|
| 2007.9.3.57
|
Partially naked male figure. A lyre and tripod are also present, indicating that he is perhaps Apollo.
|
|
| 2007.9.3.59
|
Male figure riding an eagle.
|
|
| 2007.9.3.61
|
Male and female figure standing together holding hands. Look to be holding an offering of a plant. Perhaps a marriage.
|
|
| 2007.9.3.64
|
Female figure, with Eastern jewellery and dress. A snake is biting her breast. Likely to be Cleopatra.
|
|
| 2007.9.3.66
|
Female figure. Pose indicates movement - her dress flows behind her.
|
|
| 2007.9.3.90
|
A figure standing under a shelter/frame. A winged boy, most likely Cupid, is to the left.
|
|
| 2007.9.3.95
|
Head of male figure facing right.
|
|
| 2007.9.3.96
|
Male figure, looks to be putting on his leg armour. He also has his sword.
|
|
| 2008.2.1.107
|
Left profile view of an older male figure, with a laurel wreath.
|
|
| 2008.2.1.11
|
Male figure standing with a bird by his feet. He holds something above his head in one hand.
|
|
| 2008.2.1.12
|
Male figure standing with a staff in one hand.
|
|
| 2008.2.1.14
|
Female figure standing in profile facing right. She's holding some sort of stick.
|
|
| 2008.2.1.2
|
Male (child?) figure standing holding what looks like a cornucopia (horn of plenty).
|
|
| 2008.2.1.20
|
Two figures with an animal between them. The figure on the right appears to be standing on a platform above a wheel. Possibly being pulled along by the animal.
|
|
| 2008.2.1.33
|
Female figure with back to the 'viewer' her head is turned to look over her right shoulder. The figure appears to be undressing as she is lifting her dress up towards her head, exposing her bottom.
|
|
| 2008.2.1.34
|
Naked female figure facing to the right her right arm raised above her head. The figure is leaning on a column and looking at a small winged boy who is seemingly presenting the standing figure with a wreath.
|
|
| 2008.2.1.35
|
Naked female figure seated and resting against a column. To the right of the figure is a small winged boy who seems to have his hands cupped round his mouth, suggesting that he is shouting at the female figure. It is possibly a representation of Eros waking Psyche.
|
|
| 2008.2.1.37
|
Naked male figure holding a spear. The figure is leaning against a column. At the foot of the column is a small animal (probably a dog) partly obscured by the column. The animal is looking up at the male figure.
|
|
| 2008.2.1.38
|
Semi-naked female figure kneeling on a plinth and facing away from the 'viewer'. The figure is struggling with two snakes,and her head is thrown back perhaps indicating pain. There is a third snake at her feet to the left of the scene, and a vase with flowers in it at her feet to the right.
|
|
| 2008.2.1.39
|
Frontal depiction of a small winged male figure with wings spread. The figure is holding what appears to be a container in his left hand. The figure seems to be dangling what is possibly a bunch of grapes over a bird (possibly a goose).
|
|
| 2008.2.1.4
|
Male figure, standing. Looks to have a cane hung over one arm.
|
|
| 2008.2.1.40
|
A small winged figure (probably male) with a quivver upon its back. The figure is seated, upon what appears to be an upturned helmet, and is facing to the left.
|
|
| 2008.2.1.41
|
A small naked and winged male figure in frontal aspect facing slightly to the right. The figure is holding a bow and a club (which is resting upon his left shoulder)in his left hand. At the feet of the figure on the right side of the cast is a quivver.
|
|
| 2008.2.1.42
|
Two small winged and naked male figures. They appear to be fighting. One figure is on its knees on the ground an arm raised to protect its head, which the other figure (to the left) is striking.
|
|
| 2008.2.1.43
|
Three naked and winged figures, two of which are certainly male. Two figures on the left appear to be dancing or struggling. One is positioned behind the other forming a chiastic pattern. The third figure is on the extreme right of the cast, apparently walking away from the scene and carrying what appears to be a lantern.
|
|
| 2008.2.1.45
|
The bust of a female figure front on with her head turned slightly to the right. Her hair is tied up and there appears to be a band around her head. The figure appears to winged.
|
|
| 2008.2.1.46
|
A female figure, naked from the thigh up. She appears to be dancing, her robe billowing around her suggesting movement.
|
|
| 2008.2.1.56
|
Seated chubby male figure facing forward holding a long stick in each hand. Figure is naked and is either sitting on a cloth and wearing a faint crown or has the horns and tail of a satyr.
|
|
| 2008.2.1.57
|
Female robed turned and walking away from Male figure who appears to be holding robes to stop her
|
|
| 2008.2.1.58
|
A male figure standing on one leg, possibly dancing. His arms are outstretched, over his right arm there is an animal skin and in his left hand he is holding an elaborate staff. His head is thrown back against his left shoulder.
|
|
| 2008.2.1.6
|
Male figure walking, holding a circular object in his hand.
|
|
| 2008.2.1.60
|
Three male figures, the left male figure is playing the flute and the middle male figure is playing the lyre whilst seated. The figure on the far right is standing under a tree and restraining an animal, possibly a sheep.
|
|
| 2008.2.1.63
|
There are seven figures depicted, one the far right there appears to be a winged figure possible Eros. The male figure on the right next to the winged figure is sitting naked on a donkey, he is holding his right arm in the air above his head possibly in celebration. On the far left there is a male and a female figure possibly dancing, the female figure is holding what appears to be a cup. The third figure on the left is sitting on the floor and appears to be eating or drinking from a cup or bowl. The fourth figure from the left is playing a flute, on the right to this figure there is a woman holding a cup up in the air in her right hand and in her left hand she is holding a staff. They appear to be engaging in a celebration, possibly a drunken procession. The naked male figure riding the donkey is possibly identified as Dionysus.
|
|
| 2008.2.1.64
|
A semi-naked female figure stands before a branch, upon which is a disembodied male head. At the foot of the branch is a helmet and a shield. The figure appears to be making some sort of offering from a bowl like object.
|
|
| 2008.2.1.65
|
A group of six figures. In the centre of the image are three figures, an older male figure who is seated; there is a female figure to either side of him. The female figure to the left is embracing the seated male. To the left of this central group is a young man holding the reins of a horse, which is on the extreme left of the image. To the extreme right of the image are two elderly male figures standing in the background. There is a temple in the background.
|
|
| 2008.2.1.66
|
Bust of a male figure facing to the right. Over the figure's right shoulder is a shield with an image of a Medusa upon it. A spear is visible over the figure's left shoulder. Upon the figure's head is a helmet decorated with a griffin.
|
|
| 2008.2.1.68
|
Profile of a female face. The figure has elaborate hair with what appears to be wing decoration.
|
|
| 2008.2.1.69
|
portrait of female face, with elaborate hair possibly snakes coiled with the hair. the figure can possibly be identified as Medusa.
|
|
| 2008.2.1.7
|
Male seated figure holding a scythe.
|
|
| 2008.2.1.71
|
Nude male figure leans on a stone column topped with a bores head, cloak wrapped round shoulders and coiled round right arm. Dog stands next to figure.
|
|
| 2008.2.1.72
|
Bust of bearded male figure with what appears to be a snake wrapped around shoulders.
|
|
| 2008.2.1.73
|
At the center of the scene two horses pull a chariot one figure drives the chariot whilst another figure wearing armour holding a spear and shield stands in the chariot. Another figure is depicted up-side-down next to the chariot possibly knocked over the chariot or fallen out of the chariot. In the bottom right of the scene another figure depicting leaning on a shield. In the center at the top of the scene a figure is shown with their hands aloft possibly celebrating. to the right of this central figure is another clad in armour, it is unclear what this figure is doing.
|
|
| 2008.2.1.74
|
To the left of the scene is a semi-naked male figure appears to be sitting upon a table, there is a second male figure on his knees in front of the other fully clothes and bearded he seems to be much elder than the first. This figure is grasping the seated figures knees possibly in an act of supplication. Behind these figures two further male figures on look, one of these throws his hand out, he's mouth is open suggesting he is surprised or angry. The background setting is heavily draped so is perhaps the interior of a tent.
|
|
| 2008.2.1.75
|
The image depicts two male figures fighting. the figure on the right stands nude with sword raised with his left hand he is pulling the head of the second figure back. The second figure is facing away from the first figure, on his left knee. In his left hand is a shield. His right hand is held back over his head. He appears to be trying to break the hold the right-hand figure is trying to hold.
|
|
| 2008.2.1.76
|
Profile of an older male bearded male figure. Appears to have his head tied with a band.
|
|
| 2008.2.1.77
|
Bust of a clothed older male figure. The figure is bearded with a band tied in his hair.
|
|
| 2008.2.1.78
|
Profile of a older male figure. The figure is bearded with a band tied round his head
|
|
| 2008.2.1.79
|
Bust of a older male figure. The figure is bearded and has his hair tie with a band. There is a robe covering his left shoulder.
|
|
| 2008.2.1.95
|
An active scene with at least 9 discernible male figures. There are two figures on a raised platform on the far left, one standing wearing armour and the other seated wearing robes. In front of them is a gathering of men, some wearing armour, some only wearing the lower half of their armour, and one, possibly two, who is naked carrying a shield. There appears to be a robed shorter figure among them, possibly a child or adolescent. In the background the outline of a columned building can be seen.
|
|
| 2009.10.1.11
|
Naked male figure, probably injured, kneeling underneath an arch. Cast Number - 958
|
|
| 2009.10.1.15
|
Naked male figure swinging a club or sword, with a horse rearing either side and a man and a horse laying on the floor. Possibly Hercules and the Mares of Diomedes. Cast Number - 962
|
|
| 2009.10.1.4
|
Left side view of galloping horse and male figure with spear.
Cast Number - 951
|
|
| 2009.10.1.5
|
Oblique angle to the left of bearded male figure wearing a helmet. Cast Number - 952
|
|
| 2009.10.1.9
|
Front view of a figure commanding ten horses, which appears through a window.
Cast Number - 956
|
|
| 2009.10.2.10
|
Figure of a man with wings and a beard, lying down with a cloth draped over his legs, holding and looking at a sword, with an open book next to him.
Number 10.
|
|
| 2009.10.2.104
|
Figure of a woman riding a chariot drawn by two horses. Number 36.
|
|
| 2009.10.2.106
|
Figure leaning on a harp, in the background another very small figure stands on a podium holding a sceptre, with star above head.
Number 38.
|
|
| 2009.10.2.11
|
Figure of a man with wings and a beard squatting over another man who is crouching down dangling a club from his hand. Number 11
|
|
| 2009.10.2.113
|
Figure of Artemis standing with a deer. Number 45.
|
|
| 2009.10.2.114
|
Figure of Artemis, standing with a deer.
Number 46.
|
|
| 2009.10.2.12
|
Figure of a man with a beard walking, holding a wreath in his left hand and pointing to it with his right.
|
|
| 2009.10.2.120
|
Figure of Diana of Ephesus. Appears to be twirling cloth.
Number 52
|
|
| 2009.10.2.122
|
Figure of Goddess Diana of Ephesus. Number 54.
|
|
| 2009.10.2.123
|
Figure of Diana of Ephesus. Pictured holding two forks, with two animals standing behind.
Number 55.
|
|
| 2009.10.2.127
|
Figure of a man holding a stick over his shoulder. Two dogs are at his feet.
Number 59.
|
|
| 2009.10.2.128
|
Figure of a naked man holding a cloth behind him. Moon symbol in the bottom corner. Number 60.
|
|
| 2009.10.2.13
|
figure of a man walking, holding a sickle in his right hand and holding a cloth to his mouth with the other. He is unclothed.
Number 13
|
|
| 2009.10.2.135
|
Figure of a woman sitting on a chair, holding 2 stalks of wheat.
|
|
| 2009.10.2.136
|
Figure of a woman sitting, a child is presenting her with wheat.
Number 8.
|
|
| 2009.10.2.139
|
Figure of a man driving a chariot, holding a whip and a sceptre, led by four horses.
Lion pictured underneath.
Number 11.
|
|
| 2009.10.2.14
|
Figure of a man walking with a staff in one hand and a dead scorpian in the other.
Number 14
|
|
| 2009.10.2.140
|
Figure of a woman lying underneath a tree containing large bird. Two male figures stand to the left.
Number 12.
|
|
| 2009.10.2.145
|
Figure of Hermes leaning on pillar, holding cloth in right hand and a caduceuse in his left.
Number 17.
|
|
| 2009.10.2.146
|
Figure of Hermes holding sceptre upside down in right hand and a reed or feather in this left. A small animal is at his feet. Number 18.
|
|
| 2009.10.2.149
|
Naked figure of Hermes in a cloak with caduceus. On his right the initals M A and on his left G F.
Number 21.
|
|
| 2009.10.2.150
|
Naked figure of a man in cloak with scepter. Number 22.
|
|
| 2009.10.2.151
|
Figure of a cloaked man holding an object in his left hand and wearing a hat. Number 23
|
|
| 2009.10.2.153
|
Naked figure of a man (possibly Hermes) holding objects (possibly Hermes' helmet and caduceus; same as 24. Number 25.
|
|
| 2009.10.2.158
|
Cloaked figure holding some form of rod (possibly a sword) and another object, with a basket at his feet on the left side. Number 30
|
|
| 2009.10.2.162
|
Standing Hermes wearing a cloak and a hat and holding a caduceus with a baby clinging to him and another figure to his right seated and wearing a cloak. Number 34
|
|
| 2009.10.2.180
|
A figure standing in a temple. Probably this is a cult statue between two columns.
|
|
| 2009.10.2.184
|
Human figure.
|
|
| 2009.10.2.197
|
Figure on a chariot being pulled by another male figure with a shepherd's crook, with two sheep one on either side. star in the top center. Number 69
|
|
| 2009.10.2.205
|
Male figure seated holding spear and wearing a wreath, pictured with a child and a dog.
Number 77
|
|
| 2009.10.2.206
|
Male figure leaning a lion. holding a spear.
Number 78.
|
|
| 2009.10.2.208
|
Figure of seated woman and satyr, he has his arm around her.
Number 80.
|
|
| 2009.10.2.210
|
Depiction of a man, with a smaller figure behind his shoulder, a face or a mask in the foreground, on the bottom right.
Number 82.
|
|
| 2009.10.2.211
|
Figure of a naked woman covering her modesty, with a water jug by her legs.
Number 1
|
|
| 2009.10.2.212
|
figure of a naked lady from behind, appears to be undressing.
Number 2
|
|
| 2009.10.2.213
|
Figure of Aphrodite leaning on a pillar looking round from behind.
Number 3
|
|
| 2009.10.2.215
|
Figure of Aphrodite from behind, with a cloth draped around her legs. She is holding a pot.
Number 5
|
|
| 2009.10.2.216
|
Figure of aphrodite crouching facing left, holding a cloth above her head with a pot in front of her.
Number 6
|
|
| 2009.10.2.217
|
Figure of Aphrodite crouching to her left with a bowl in front of her.
Number 7
|
|
| 2009.10.2.220
|
Nude figure of Aphrodite viewed from behind, holding drapery. Winged Eros on her right holding a torch. Number 10
|
|
| 2009.10.2.222
|
Clothed female figure standing in front of a hippocampus.
|
|
| 2009.10.2.227
|
Nude female figure (? Artemis) leaning on a pillar and holding a bow in her left hand and an arrow in her right hand.
Number 17
|
|
| 2009.10.2.228
|
Nude female figure reclining on a couch surrounded by drapery, with an inscription on the couch
Number 18
|
|
| 2009.10.2.229
|
Semi-nude female figure seated on a chair with drapery over her lap, holding an object in her right hand.
Number 19
|
|
| 2009.10.2.230
|
Semi-nude female figure with drapery around her waist leaning on a pillar holding an object in her right hand
Number 20
|
|
| 2009.10.2.231
|
Semi-nude female figure sitting on a rock with drapery around her waist, holding an object. Accompanied by two winged children and a basket
Number 21
|
|
| 2009.10.2.232
|
Semi-nude female figure with drapery around her waist, seated on a rock with a basket and two winged children, holding a ? fishing rod in her right hand with an inscription
Number 22
|
|
| 2009.10.2.235
|
Nude female figure with drapery over her shoulders, holding an arrow in her right hand, accompanied by winged Eros and an animal, possibly standing on a snake
Number 25
|
|
| 2009.10.2.236
|
Walking female figure with flowing drapery carrying plants, accompanied by winged child carrying a ?spear and another object
Number 26
|
|
| 2009.10.2.237
|
Female figure holding a branch in her right hand, accompanied by a winged child holding an object
Number 27
|
|
| 2009.10.2.238
|
Nude female figure with drapery (?Aphrodite) seated under a vine/branch, accompanied by a winged child
Number 28
|
|
| 2009.10.2.239
|
Clothed female figure, walking with flowing drapery holding plants in her left hand and a bow and arrow in her right. Accompanied by a winged Eros holding an arrow and with a quiver.
Number 29
|
|
| 2009.10.2.242
|
Standing female figure facing standing winged child.
Number 32
|
|
| 2009.10.2.243
|
Standing female figure leaning on a pillar, atop of which is a herm, holding a torch in her right hand. Accompanied by a butterfly and a winged Eros
Number 33
|
|
| 2009.10.2.250
|
Hare inside a large ring centrally, figure in a chariot drawn by two birds above and a butterfly on the right hand side. ? flaming torches on either side and inscription below
Number 40
|
|
| 2009.10.2.251
|
Hare inside a large ring centrally, figure in a four-horse chariot above, helmeted head on the left with an inscription, shiled on the right and a ? grasshpopper at the bottom
Number 41
|
|
| 2009.10.2.256
|
Reclining nude Aprhodite with drapery under a tree with a bird in it, accompanied by one winged child playing a lyre, another fanning her and a third figure under the tree.
Number 46
|
|
| 2009.10.2.263
|
Nude male figure leaning against a pillar holding a spear in his left hand and accompanied by a dog. Inscription down the left hand side
Number 53
|
|
| 2009.10.2.264
|
Central figure of nude Aphrodite holding an arrow in her right hand and holding a winged Eros' hand in her left, a shield with a face leaning against her left leg and armour on the floor. Winged Eros holding a bow on the right, and kneeling nude Hephaestus on the left with a hammer held above his head and an anvil in front of him.
Number 54
|
|
| 2009.10.2.265
|
Central figure of nude Aphrodite wearing a cloak holding arrows in her left hand, with sitting Hephaestus in front of an anvil on the left holding a hammer above his head,and winged Eros holding a bow on the right.
Number 55
|
|
| 2009.10.2.267
|
Nude Ares and Aphrodite embracing on a bed to the right, with Hephaestus standing over them and casting a net over them, and a fourth figure (?) reclining in the left corner.
Number 57
|
|
| 2009.10.2.269
|
Walking male figure wearing a helmet, holding a spear or staff and a variety of other objects, with a star and another object by his feet.
Number 59
|
|
| 2009.10.2.272
|
Standing nude male figure wearing a cloak and helmet, holding a spear. Male has his arm around a semi-nude female who has one foot resting on a pillar, with a second pillar on the right.
Number 62
|
|
| 2009.10.2.273
|
Nude male figure holding a large shield in his left hand, with armour at his feet, accompanied by a semi-nude female figure wearing a cloak or necklace and holding a bow in her right hand.
Number 63
|
|
| 2009.10.2.274
|
Nude male figure on the right with drapery (? and a spear) on the right, passing a spherical object with a nude (?) female figure on the left, with a pillar on the far left. A small child is stood between them holding a bow.
Number 64
|
|
| 2009.10.2.275
|
Central figure of a seated nude male wearing a helmet, surrounded by drapery, with a standing semi-nude female on the right resting a sheild against her leg, and a torch-bearing child on the left, standing on armour.
Number 65
|
|
| 2009.10.2.276
|
Standing nude male figure wearing a helmet and a cloak, holding a spear in his right hand and embracing a semi-nude female figure with his left. Female figure has drapery over her legs and is resting her right foot on a ball.
Number 66
|
|
| 2009.10.2.282
|
Male figure wearing a helmet and holding a spear, leading a horse through a doorway or between pillars.
Number 72
|
|
| 2009.10.2.283
|
Kneeling female figure holding a staff-like object and another object in her hands.
Number 73
|
|
| 2009.10.2.284
|
Central seated figure touching a free-standing skeleton, with a standing figure on the left and a winged child holding an object on the left.
Number 74
|
|
| 2009.10.2.345
|
figure of a man seated he is bald with a beard, and working on a bust ontop of a pedistal.
Number 1.
|
|
| 2009.10.2.347
|
Profile of seated figure holding a spear on the left with a standing figure behind, faced by a seated figure on the right, also holding a spear, with a third seated figure on the far right, and an armed figure wearing a helmet and holding a shield and spear between the two. Inscriptions around the edges of the image and between the first and second set of facing figures.
Number 3
|
|
| 2009.10.2.354
|
Male figure climbing up a wall/battlements, ladders are also seen
|
|
| 2009.10.2.362
|
Pegasus flying above a male figure, possibly Bellerophon (?) who is running, holding a spear and drapery. Number 18
|
|
| 2009.10.2.363
|
Male figure Bellerophon (?)riding Pegasus, holding a spear
number 19
|
|
| 2009.10.2.367
|
Male figure covered with drapery, holding object in his right hand and drapery in his left. His foot is resting on a rock. number 23
|
|
| 2009.10.2.368
|
Male figure wearing a cloak and helmet, standing near a pillar with a bird on top. There is also a snake wrapped around the pillar and a dog at his feet. There is a Latin inscription 'POTITI'
number 24
|
|
| 2009.10.2.369
|
Male figure wearing a cloak and helmet, holding a bow and arrow. He stands near a pillar with a bird on it and a snake wrapped around it. A dog stands at his feet and there is a star above his head. Number 25
|
|
| 2009.10.2.370
|
Male figure wearing a cloak and helmet, holding a bow and arrow. He is standing near a pillar with a bird on top and a snake wrapped around it. A also dog stands at his feet. Number 26
|
|
| 2009.10.2.371
|
Male figure wearing a cloak and a helmet, holding a bow and arrow, standing near a pillar with a snake wrapped around it.
number 27
|
|
| 2009.10.2.373
|
Male figure is being attacked by a sphinx, possibly showing the sphinxs attacking Thebes (?)
number 29
|
|
| 2009.10.2.374
|
Male figure is lying on the floor, a sphinx is on top of him, male figure is being attacked (?) Possibly attacking the people of Thebes (?). Number 30
|
|
| 2009.10.2.377
|
Standing nude male figure, facing a small sphinx sitting on some stones/stone wall. Possibly Oedipus solving the sphinx's riddle (?). Number 33
|
|
| 2009.10.2.379
|
Male figure wearing a hat leaning over a sphinx. He is holding the head of the sphinx with his right hand, with a knife in his left hand held at the sphinx' head.
Number 35
|
|
| 2009.10.2.380
|
Standing nude male figure wearing a helmet and a shield on his right arm, holding the hair of a fallen nude male figure. There is a shield, spear and helmet on the right-hand side, and a pillar topped with an (animal?) figure behind the two males. Number 36
|
|
| 2009.10.2.381
|
Seated semi-nude bearded male with a female figure on the left leaning over him with her hands on his shoulders. A male figure with his left hand raised and leading a horse is on the left of the figures, and a standing female figure on the right holding drapery. There is a temple behind the figures and a tree on either side, with two bearded male figures under the right-hand tree.
Number 37
|
|
| 2009.10.2.382
|
Seated bearded male figure holding an object in his right hand with a raised left hand, instructing a standing nude male youth wearing a cloak and leaning on a spear.
Number 38
|
|
| 2009.10.2.383
|
Nude male figure lying on a couch or bed in front of four horses and a smaller standing figure on the right, holding an object in their right hand, and a tree on the left.
Number 39
|
|
| 2009.10.2.384
|
Front view of a gem cast showing Medea driving her chariot pulled my her drakones, and there is a male figure in front of them .
Number 40
|
|
| 2009.10.2.385
|
Figure in a chariot drawn by two large serpents, with a nude male figure holding drapery and a shield in the foreground. Number 41
|
|
| 2009.10.2.387
|
Male figure driving a plough pulled by two yoked oxen, passing an object to a standing figure behind the oxen.
Number 43
|
|
| 2009.10.2.390
|
Nude male figure wearing a cloak and seen from behind, pushing against a large rock, with a sword at his feet and another object behind him. Number 46
|
|
| 2009.10.2.391
|
Nude male figure stooped over and lifting a large rock between his legs, with a sword at his feet
Number 47
|
|
| 2009.10.2.392
|
kneeling nude male figure wearing a cloak and carrying an unconscious nude female in his arms, with a club at his feet and his cloak flying out behind him. Number 48
|
|
| 2009.10.2.394
|
Figure of a half-man, half-bull Minotaur in the centre of a maze. Number 50
|
|
| 2009.10.2.395
|
Standing nude male figure seen from behind, holding a staff and facing a figure emerging from a hole in a wall. Number 51
|
|
| 2009.10.2.396
|
Nude male figure wearing a cloak leading a large bull behind him.
Number 52
|
|
| 2009.10.2.397
|
Nude male figure lying on the ground with a chimera standing over him.
Number 53
|
|
| 2009.10.2.401
|
Bearded male centaur carrying an ornate staff over his left shoulder and a lion skin and basket on his right shoulder. There is a faint inscription below the figure.
Number 57
|
|
| 2009.10.2.403
|
Profile head and frontal chest of a young male figure looking to the right, with shoulder-length hair and drapery across his left shoulder.
Number 59
|
|
| 2009.10.2.407
|
Figure in a tower on the left reaching out to a male figure in the sea.
Number 63
|
|
| 2009.10.2.408
|
Figure in a tower on the right reaching out to a nude male figure in the sea, above whom is a flying Cupid holding a torch, with two heads blowing the winds on the left.
Number 64
|
|
| 2009.10.2.409
|
Central nude male figure wearing a helmet leaning down towards a jar on the floor, with a nude male holding a staff on the left and an armoured male holding a shield on the right.
Number 65
|
|
| 2009.10.2.410
|
Central male figure wearing a helmet reaching down towards a vase on the floor, with a male figure on the left, an armoured male holding a shield on the right and a pillar with a vase atop behind the central figure.
Number 66
|
|
| 2009.10.2.412
|
Nude female figure holding a staff entwined with (?) snakes and drapery behind her, walking in front of a nude male wearing a helmet and travellers boots and carrying a staff over his left shoulder.
Number 68
|
|
| 2009.10.2.413
|
Nude winged female figure holding drapery behind her, with her right arm around a dolphin, over the sea.
Number 69
|
|
| 2009.10.2.502
|
A Herakles fighting Antaeus on the whilst on the right stands a figure with a helmet and shield (possibly Athena)
|
|
| 2009.10.2.532
|
In center, a kneeling warrior, holding a sword and shield, also wearing a helmet. either side stand two male figures wearing helmets, possibly capturing the central figure (?)
|
|
| 2009.10.2.55
|
Figure of Jupiter (?) with staff and other object in left hand, a large bird. some greek lettersby his legs. Number 55
|
|
| 2009.10.2.58
|
Figure of a Jupiter standing with a sceptre, holding lightning in his left hand. Number 58
|
|
| 2009.10.2.59
|
Figure of a bearded man with a scepter, there is a child to his left who he is shielding with his cloak. Number 59.
|
|
| 2009.10.2.60
|
Figure of a naked man with ram's head, holding a sceptre in his left hand and grain in his right hand. Number 60
|
|
| 2009.10.2.63
|
A figure wearing a cape, whilst holding a gazelle. Number 63.
|
|
| 2009.10.2.7
|
Figure of a man wearing a hat (maybe Hermes or Paris) holding a staff in right hand and small round object in left. Number 7
|
|
| 2009.10.2.8
|
Figure of a man wearing a hat and a cape, holding a round object in right hand. By his feet are two pictures, the left is perhaps a scroll and the right an animal.
Number 8
|
|
| 2009.10.2.82
|
Partially naked figure of a man playing a harp above a kneeling female. Number - 14
|
|
| 2009.10.2.84
|
Figure of naked standing man looking to his left, holding a bow with a harp at his feet.
Gem Cast Number - 16
|
|
| 2009.10.2.85
|
Figure of standing man holding a harp by a tree, with Eros at his feet.
Gem cast number - 17
|
|
| 2009.10.2.86
|
Figure of naked man holding a harp and a bow, standing behind Eros, who is to his right and holding arrows.
Gem Cast Number - 18
|
|
| 2009.10.2.87
|
Standing figure of a naked man with a bow and arrow, looking to his right. Number - 19
|
|
| 2009.10.2.88
|
A figure of a man, looking to his right, standing by a tree, with a sack on the floor to his left.Number - 20
|
|
| 2009.10.2.9
|
Small figure wearing a hat with a staff in right hand and with a small winged person balancing on the left hand.
|
|
| 2009.10.2.91
|
Semi-naked figure of a man.
Gem cast number - 23
|
|
| 2009.10.2.92
|
Semi naked figure of a man, leaning on a post to his right.
Gem cast - 24
|
|
| 2009.8.128
|
Winged child with a trident fights of a sea serpent. A figure on a pole in the background. Cast number: 74
|
|
| 2009.9.123
|
One figure sitting on a bear holding a stick and wearing a cloak around the shoulders. Another is standing in front of the animal. Cast number: 57
|
|
| 2009.9.128
|
A figure with a stick and a cape sitting on a lion. Cast number: 62
|
|
| 2009.9.145
|
A naked winged figure is sitting on a dolphin and playing the lyre. Above them is a crescent moon and two stars. Cast number: 79
|
|
| 2009.9.194
|
A naked man wearing a cloak around his shoulders, standing next to a horse which has a little figure on his head. Cast number: 29
|
|
| 2009.9.23
|
A figure with a jackal's or dog's head wearing a robe, holding a twig in his left hand and a caduceus in his right hand, looking left. Cast number: 37
|
|
| 2009.9.24
|
A woman wearing a dress, holding a spear and a cornucopia on the left side. A woman in the middle holding two vessels. A human figure with a dog's or jackal's head on the right side, holding a twig. Cast number: 38
|
|
| 2009.9.27
|
A human figure with a lions head surrounded by some kind of halo, looking right. Maybe Sekhmet. Cast number: 41
|
|
| 2009.9.38
|
Monkey like figure with a long penis between its legs, holding up both arms with fingers that look like feathers. A bird maybe even a hawk sitting on its head. There are stars above each hand and a twig above the head. Cast number: 52
|
|
| 2009.9.49
|
An ibis holding a caduceus and having a human figure sitting on its head which is holding a cornucopia (?). Cast number: 63
|
|
| 2009.9.53
|
A lioness in the middle, maybe representing Sekhmet. On her right side a man's head with a beard, on her left side, some kind of figure. Cast number: 67
|
|
| 2009.9.58
|
A figure with a baboon's torso and a male human's body bedding over a lying sphinx from behind. Probably alluding to the Egyptian God Thot.
|
|
| 2014.3.1
|
Fragment of Symposium scene of female lyre player (exterior/convex side). Haimon Group. Black figure pottery. Interior (concave side) completely black.
|
|
| 2016.3.1
|
Moulded ring around the discus; there is a moulded decoration of a corpulent bearded male figure (satyr), riding a goat, on the discus. The satyr is grasping the animal's horn with the right and the tail with the left hand. Scene is depicted in left side view.
Three punched dots decorate the shoulder in the section of the nozzle. Incised ring around the base with Greek inscription at centre.
|
|
| 22.3.1
|
A: Between sphinxes, both facing right, Athena attacking a giant. Branches and grape clusters in the field. B: Similar, but mainly missing. Under each handle is the tail of a sphinx. Interior, reserved band at lip. Medallion very worn, but seems to depict a figure. Added white.
|
|
| 22.3.13
|
Inside reserved. Outside: feet and bottom of garment of figure running right; vertical line to right, bottom of stick or thryssos. Meander and dotted square pattern. Ruddled.
|
|
| 22.3.15
|
Obverse: Upper body of red figure
|
|
| 22.3.17
|
Knee of figure in leimation, stele, part of tendril.
|
|
| 22.3.22
|
There is a red line on the joining point of the rim and body (the bit of rim that is preserved is reserved). In the middle of the scene, there is a draped youth facing part of a second draped figure (on the right), who is holding a walking-stick. The details of the drapery are rendered with thick and thin lines. In the left bottom corner of the fragment there is the lowest right part of a palmette or tendril. There is also a double-meander pattern beneath, with a saltive square (cross with dots) and the rest of the fragment is black. The interior is also black.
|
|
| 22.3.28
|
Youth walking right, holding ribboned ball. White on youth's foot. Edge of robe and part of foot of figure right. Above, rectangular object in white, white handle. Below, tray(?) edged with white dots. Line of white dots along ground level. White for bracelet and necklace.
|
|
| 22.3.30
|
Upper part of draped female figure looking right, holding a box (cista), wearing sleevless gown, bracelet, necklace, earrings, headress. There is part of another figure at the upper right. Added white is used on jewellery.
|
|
| 23.11.31D
|
Profile figure facing lef, wearing a helmet and holding a shield. Appears to have once held a spear. Two prominent wide legs emerge from underneath shield. Lead is an off-colour black-grey.
|
|
| 23.11.31F
|
Profile figure facing right. Face visible through a helmet, with a potential eye socket marked out. Complete shield with an ornate bike spokes formation. Appears to have once held a spear. Two prominent thin legs emerge from underneath shield. Lead is an off-colour white-grey.
|
|
| 23.11.31G
|
Profile figure facing right and wearing a helmet. Holding a small shield with a compact bike spokes formation. Lead is off-colour white-grey.
|
|
| 23.11.31H
|
Profile figure facing right wearing a flat helmet. The face is visible, and a marking shows a potential eye socket. He carries a shield which is intact, with no defining pattern. Appears to have once held a spear. Small wide legs emerge from underneath the shield. Lead is off-colour brown-grey.
|
|
| 23.11.31I
|
Profile figure facing left and wearing a helmet. Holding a shield with a compact bike spokes pattern. Wide legs emerge from underneath the shield. Lead is an off-colour brown-grey.
|
|
| 23.11.31J
|
It is unclear which side is meant to be the front and whether the figure is intened to be in profile. The shield has an ornate bike spokes pattern. Lead is off-colour brown-grey.
|
|
| 23.11.31M
|
Profile figure wearing a helmet and holding a circular shield with a possible bike spokes pattern. Appears to have once held a spear. Thin legs emerge from underneath the shield. Lead is an off-colour brown-grey.
|
|
| 23.11.31OO
|
Profile figure facing the direction right. does not appear to be a Spartan warrior. possibly a Persian warrior or leader? face. helm and armour slightly visible though. defining feature is a ponytail at the back of his helm. not clear whether he is carrying any weaponry. representation of Persian King Darius or Xerxes from the Persian Wars? lead figures part of a large relief commemorating the war? or just used for ritual purposes with the flogging at the Temple of Artemis Orthia? pretty good condition. lead is an off-colour brown grey, similar to 23.11.31h. bears no similarity to the other lead warriors, as it is a lot thinner than them and lacks a shield.
|
|
| 26.2.47
|
glaze fired orange-brown; pale slip; from top, black figure decoration, possibly a duck; maeander frieze between wide bands with traces of bands in added white and red; glazed area;
|
|
| 26.2.89
|
on top, black figure decoration consisting of dolphin (back, dorsal fin, and part of tail missing) to left; incised splinter rosette as filling ornament; black around edges with band of added red; black with traces of red on underside;
|
|
| 26.4.2
|
The rim on the outside has a thick black band round it, which stops at the top of the handles. On both sides of the handle, the same images are repeated, showing the figure of a bird in between two palmettes with stems ending in a curling ventril with a pendant pointing down towards the foot. Beneath each handle is an ivy leaf with a curled stem. Below these images, is a thin black band, and then a thick one that also encompasses the top side of the foot. The edge of the foot is grooved and reserved, as is the outer rim of the base of the foot. On the base of the foot, there is a well approx 3.8cm wide and 1.5cm deep. The inside of this well and a rim around the edge is fired black, but is mostly red. The inside of the Kylix shows a thin black band that has been extended from the outside. Then there is a thin reserved band, the rest of the inside entirely glazed, except for a small reserved circle in the centre.
|
|
| 27.4.11
|
The interior is black, but reserved at the bottom of the bowl. There is a red line around the lip. The body is decorated with figural scenes. A: Two sphinxes. B: A female figure (Artemis or 'Mistress of animals'?) between two lions (alternate stripes of white and red indicate the ribs and hindquarters of the lions). Beneath each handle stands a water bird (swan?) facing to the right. Rosettes and rows of dots in the field. Below the figural zone are two red lines, then a black band, a frieze of narrow black rays (slightly overlapping the black band above). The ring foot is black on the exterior and resting surface. The central part of the underside is decorated with a black dot at centre, surrounded by a black dircle and, farther out, a red circle. White is used on parts of the lions, necks and breasts of sphinxes and woman, and parts of the wings of birds.
|
|
| 28.6.4
|
Black inside and out. Main design is similar both sides and is of a youth facing right. Beneath each handle is a palmette with side tendrils reaching from the palmette to the figure. Ruddled band below design above foot-ring which is black inside and out whilst the resting surface is reserved. Underneath ruddled with 2 fine black circles at the centre.
|
|
| 29.5.2
|
The outer edge of the rim has a thick black band. Below this, is the main zone and the handles. The handles finish above the height of the kylix, and are black on the outside, reserved on the inside. On the main zone: A. Nike flying with garland; B. Pegasus. Either side of each figure, are palmettes which end in a curling vendril with a pendant. Below this is a thin black band, then a reserved one. The rest of the body is black, until two thirds of the way down the edge of the foot. The lower ridge of the foot is reserved. On the base of the foot, the edge is reserved. Most of the base is black except for a thin reserved band near the ridge and two bands on the inside of the well in the foot. Except for a reserved band around the inside rim, inside the body is entirely black.
|
|
| 29.6.1
|
Plaster cast of the Ludovisi Throne (Original in Museo Nazionale Romano di Palazzo Altemps). Central panel: Aphrodite (Roman Venus) rises from the sea assisted by two Horae (Seasons) on the shore who clothe the lower part of her body.The scene probably represents the birth of the goddess. Alternative interpretations: Persephones return from the Hades or Hera emerging from the Kanathos waters (Hera Parthenos). Left panel: Seated naked female figure (hetaira?)wearing a sakkos (hairnet) plays the double aulos. Right panel: Seated crouched veiled woman with a pyxis in her left hand in front of an incense burner (thymiaterion)
|
|
| 34.10.23
|
Figure is decorated on the front and the back of the head with a white slip, previously coloured.
|
|
| 34.8.14
|
Green glaze shabti, black pigment detail. There is a head-dress and the figure appears to be holding something in each hand which is depicted as a straight line going to each shoulder and meeting around the back of the neck.
|
|
| 34.8.5
|
Mouth black on inside and out but with a reserved rim. Neck and underside of single handle are reserved. Shoulder design is of rays and long, thin buds. Body, from top to bottom, double row of dots joined by zig-zags on white background, black bands, main design, 'key' pattern on white background, black bands and black stem. Main design is, from left to right, a chariot being driven right, a woman facing right, four horses facing right with attendant behind, seated figure facing left, holding a spear. Detail is incised and some parts are picked out in white. Foot is black on top and half the side is black, the rest reserved. The base is reserved.
|
|
| 35.5.30-33
|
Inside, a fine reserved line round rim; 5b, a pair of reserved lines framing a medallion; 6b, part of the outer line of this fram; 7b, shoulder and lower part of face of bearded man. Outside, 4 and 5a, part of palmette complex around handle; 6a, part of figure wearing chlamys, tendril, and lotus; 7a, foot, two reserved lines beneath figure zone. Relief contour for most of the tendrils, but not for drapery nor palmette leaves nor lotus. Remains of red ochre on the reserved patch under the handle.
|
|
| 35.5.34
|
Inside, reserved line around the rim; in a medallion framed by a key pattern broken by a chequered square, a male in himation leaning on a stick in conversation with an athlete (legs only). Outside, between palmettes an athlete with his arm resting on a pillar over which his cloak falls; on his right a man with a stick, on his left another male (face missing). Relief contour for pillar, walking sticks, and back of neck of all the figures. Hair contour reserved. Added colour, probably red, for fillet of bearded man, white for garland of the clothed figure in the medallion.
|
|
| 35.5.37
|
Interior side plain black. Exterior black with a red leaf or shield on the left hand side, with a red oval shape to the lower right. There is a curling s-shape red figure work, with a large red area to the right of this - possibly part of a human clothing?
|
|
| 35.5.8-9
|
12, part of body of male in himation to right leaning on a stick; 13, upper part of body of a figure in himation. Relief contour for stick of 12.
|
|
| 39.8.3
|
Inside in frame of two reserved lines, one foot of figure astride a pointed amphora seen from the side and wreathed in ivy, inscription in red, retrograde, XAIP[E]. Relief contour; relief lines for ankle, handle stem of ivy. Exterior black, with small part of reserved pattern.
|
|
| 39.9.1
|
Short narrow neck of jug is glazed black. Handle begins at top of neck and carries on to top of the body. The part of the jug joining the neck and the body, has a palmette design on it, in a circle. This circle is broken for the black part of the handle. There is a large palmatee decoration underneath the handle, where it ends on the body of the jug. Body of jug has red-figures on it. Starting from right-hand side of the handle, going from left to right: First figure looks like a women in traditional Greek clothing, kneeling down. She is facing right. The figure to the right of her looks like a naked man with wings. He is standing on one leg and facing right. He is reaching one of his arms out. Underneath that arm there appears to be a duck. To the right-hand side of the duck, there is a man sitting on a stool. He is in traditional Greek cloting and is holding a large box. This figure is also facing right.Underneath the box there seems to be another object, but it is unclear. Perhaps it is a head? Or perhaps it is where the black glaze has been rubbed away, to reveal a patch which looks like decoration on the jug. He has a winged man kneeling in front of him. This man is facing left, towards the sitting figure. The next figure looks like a women in traditional Greek clothing, kneeling down. She appears to be holding something in her hand, perhaps a mirror. She is facing right. Inbetween her and the next figure there is a bird, facing right. The next figure looks like another women in traditional Greek clothing. She is standing on one leg, with her right arm reaching out. She is facing left. Behind her is a 'T' shaped object, perhaps a stool?. Rim of the base is a red/terracotta colour. underside of base is slightly concaved, with many black rings inside. There is a black dot in the centre of the bottom of the base.
|
|
| 45.10.1
|
Entirely black, except reserved on the underside, and the resting surface. Red figure decoration begins at the lower part of the neck, with a band of rays, in imitation of ribbing. The shoulder has palmettes, rosettes and circles with central dots with added white. Wave on rim. Body decorated with white: chevrons between dot rosettes. Red band on lowest part of body, above foot.
|
|
| 45.10.10
|
The interior of the vessel is black apart from the lowest part of o, whose lower part bears a reserved but glazed line. Exterior: a) On the right side, there is the upper part of a seated woman (part below her waist is missing). She is draped and wears a stephane (fillet) on her head. On the left side there is a floral motif whose stem is a wavy line that expands to the left. b) There is the back side of another seated draped female figure. c) The front side of the previous female figure. She is holding an alabastron with both her hands. d) On the lower left part there is the largest part of a voluted palmette with petal shaped divisions, connected with a tendril. The area next to the spring of the one part of the handle is reserved. e) On the bottom right there is the rest of the previous palmette, also connected with a tendril. f) On the bottom right there is the upper part of a palmette and on the upper left there is part of a tendril's volute. The area on the left of teh one spring of the handle is reserved, but glazed (plaster on top). g) Uneven black surface. h) A small part of the volute of the tendril of f and the stalk of a flower. i) Part of an inverted palmette, connceted with (part of ) a tendril, with (occasional) leaves on its sides. j) Small line, part of a tendril. k) Part of a tendril's volute. l) A figure's projected forearm and hand (figure's depicted on n?). m) On the right side, there is the stalk and part of the stem of a flower and a line that seems to be part of a tendril. There is also the spring of a handle. n) Part (head missing, neck and shoulder are scraped off, area below the knees missing) of a draped standing figure that has the left hand around the waist. o) The lowest part of a figure's drapery. p) Base. Inside tondo: seated woman with septre and standing woman holding out box. Exterior: part of floral ornament under handle. Outer and inner side of footring black, resting surface and underside reserved except for central black dot surrounded by three concentric bands. Moulded circle c.1.0 wide houses thickest, central black band.
|
|
| 45.10.11
|
Offset rim is black inside and out and the handle that originally existed just below rim appears also to have been black. Exterior walls are black as is interior except for the main design which is reserved. This picture is of a youth reclining, seen from behind. Detail is picked out in black paint and the figure is painted inside a circle. On the underside, there was originally a stem which was also black.
|
|
| 45.10.12
|
Possible warrior scene. i) black figure decoration. ii) black figure decoration including parts of palmette and lotus. iii) black figure with parts of palmette, lotus and shield-incised lines on shield. iv) decorated with part of shield, incised decoration on parts of shield. v) part of human leg and two small black dots of unknown decoration. vi) part of two different human legs.
|
|
| 45.10.13
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(i) There is a small part of a motif (partially covered with plaster) that consists of wavy lines. Below it, there are two lines and underneath there are parts of two inverted, palmettes (voluted with petal-shaped divisions) that flank a three-pointed flower with two dots to represent pollen. ii) Between two pairs of lines there is a guilloche (fillets with teardropped terminations interwoven together) with dots among the lines. Below, there is a broad black band, which seems to be interrupted at the right side. (iii) At the left, three parts of vertical, black bands and incisions create part of an object (garment hanging from chair or couch?) In the middle, there is an object- as if it was a grave-stele with a cross-shaped ? ending above which spring two heraldic, white, voluted palmettes (now fadded away), a chiastic motif with dots and horizontal lines on top- but inverted (leg of a bed or couch?). Next to that, there are a figure's part of thighs, knees and calves, close to part of a palmette. (iv) A bearded satyr (seilinos) plays a chorded instrument (lyre), while his himation is hanging in the background. Next to him there is a draped female figure (Demeter?), holding a wreath (black circle) and branches with dots on both sides that surround her. The details on her drapery have been executed with added red and so are those for her head-dress. There are also traces of added white on her neck. On top of the fragment there is part of a motif of tongues contoured with ellipsoid lines and a line that encircles this pattern. v) On the left, there is part of the satyr's lower legs (above the knees towards the feet) and the lower end of his himation. Next to him there is the termination of the female figure's branch, close to a similar inverted grave-stele? and part of an object that resembles an animal paw (lion-shaped foot of chair or couch) . Below these, there is a line on which they seem to step on. Next, a guilloche between two pairs of lines and at the bottom part of a radial-shaped motif with a line that contours it on top. vi) A line and black, teardropped spot. vii) There is a line on whose right top side stands a rectangular object with a rectangular surface in the middle being reserved. Below, part of two lines on top of part of the guilloche. viii) Small part of shoulder and neck: there is a black spot, a thin band, a red line on top of a plastic ring (joining point of neck and shoulder) and part of a tongue-shaped pattern contoured by a line on the shoulder. There is also a part of two lines in the interior. ix) Part of the guilloche, the two lines underneath and the radial-shaped motif at the bottom. x) Tiny bit of the guilloche and the two lines below it and part of the radial-shaped motif. xi) Part of voluted palmette and tongue-shaped motif. xii) Part of the floral motif (of a three-pointed flower)? with lines that form a rhombus with a dot in the middle. xiii) Part of the shoulder and the spring of a handle. On the top there is the tongue-shaped motif, encicled by a line and below it an inverted palmette. The spring of the handle is black and next to it there are short, diagonal incisions. There is also a tiny spot of black colour in the interior. xiv) On the left, part of leaf-shaped (heart-like) motives (part of thyrsos?), close to a band of black colour, of undecipherable shape. Next to that, there is the lower part of a female draped figure, with small crosses on it. At the right side there is black and white colour that forms ovaloid shapes (?). xv) A black band and on the left part of the female drapery.
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| 45.10.22
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a: The upper surface of the rim is reserved, although glazed. However, the side surfaces (internal and external) are black (apart from a reserved area that would not have been visible if the handle was not missing). The neck is also black on the inside, however, there is a perpetual motif of palmettes on the external surface. These are double palmettes (5 narrow divisions upwards and 5 similar ones downwards) that look as if chained together by a horizontal row of small rings and each such palmette is separated from the other by a vertical line with wider endings, while thin, curved lines (above and below) frame each palmette. The sides of the handle bear a black band each and there is also a thin line underneath them that contours the end of the neck. On the carination that divides the neck from the shoulder there is a thin line with added red colour. The shoulder bears a motif of tongues, divided by vertical lines, while a line underneath contours them. The motif does not appear under the surface of the handle. At some point underneath this pattern there is the beginning of another motif (black with 3 dots of added red and scale-like incisions). The interior of the rest of the vessel is reserved, since it is an amphora. b: It bears exactly the same motif as the previous neck bit. c: From the branch of a three-peaked floral motif there emerge two curved lines that are downwards and upwards, each forming an ellipsoid-shaped frame from whose lower (in the case of the curved line that goes downwards) or upper (in the case of the other line) endings form one floral motif each. The left one is a voluted palmette with 5 petal shaped divisions and the right one is a three-pointed flower, similar to the central floral motif, but bigger. Although the upper part of this pattern is not preserved apart from the starting point of the motives, it is certain that this would have been the heraldic motif depicted. Underneath this area there is a thin, black line and below that, a pattern of guilloche ( branches with tear dropped endings interwoven together) with a row of dots, framed (above and below) by two pairs of concentric lines. Towards the end of the fragment (which is also towards the end of the vessel) there is a radial-shaped motif, two lines and the rest of the surface is black. d: It is a part of the body's area that bears the guilloche pattern and the radial-shaped motif underneath, but one third of it is not preserved. e: On the left there is the upper part of probably a palmette (two endings of petal-shaped divisions). Next to that there is the depiction of a draped lower body part. The drapery is formed by the incisions on a black surface. There are diagonal incisions and wavy endings to denote the folds of an himation, as well as the lower termination of the chiton, which is suggested by two almost horizontal incisions, a wavy line and another horizontal incision. the drawing is detailed and clear. f: The part between the surface above the knees and a bit below the calf of a male figure that wears a short chiton (incised, wavy folds are visible above the knee), as well as grieves with out curving terminations (Hermes?) of added red colour, now fadded away. On his left there is the upper part of a palmette and on his left there is a diagonal line, with rows of dots on either side (characteristic of Dionysus). Very clear drawing. g: Half of the three-peaked flower, a bit of a black line and two petal-shaped motives. On the side, there is part of the dotted branch and what appears to be part of a figure's drapery (upper right body part ?), with some incisions used to render details. h: Between the lower body part of two figures there is part of the dotted branch. What is preserved from the right figure is incised lines and circles on a black surface. The left figure's drapery (peplos and himation ?) is preserved (below the waist), consisting of incised diagonal and wavy lines to denote the folds. i: A central male figure's (Dionysus) body from shoulder to legs is visible and surrounded by a dotted branch. He is standing between two figures. The male figure (there is part of beard with added red) on the left holds part of the branch with his palm (upper body without the head is preserved). The only visible part of the draped figure on the right is part of the legs. Incisions are used to render details. j: Apollo playing his lyre (kithara). The head (in profile, facing right), right hand and part of the god's front side of the body is visible, as well as the largest part of the lyre. Part of a dotted branch exists in the background. Incisions have been used to render the chords of the lyre as well as for the eye, contour of hair, ear and contour of the god's body, while a taenia (fillet) on his head is in added black colour. k: Only part of a thin, black line is preserved. l: two broad black bands that overlap at some point. Incisions and the ending of a dotted branch (part of draped figure?). H & J on display in symposium
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| 45.10.29
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Fragments that join 45.10.23: a)The handle's back is black. On the shoulder there is a voluted palmette with petal-shaped divisions between two male draped figures that are facing it, holding their himatia? with their left hands. b) There is part of a thin line that contours the lower part of the shoulder. c) The upper part of a warrior, wearing a red helmet and carrying a shield. Behind him , there is part of an object? in added red. d) The right part bears the left part of the previous warrior's shield. The left part of the fragment depicts the upper part of another draped male figure holding a spear.
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| 45.10.3
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Upper part of bowl decorated with roller-stamped frieze, with three ridges above and one below. High stem, ridge moulding under top and bottom. Wide flaring foot. Stamp (apparently): figure seated to right in high-backed chair, standing female with win
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| 45.8.1
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The rim (interior) bears two, concentric circles, the first at the edge and the second at the curve between the neck and the body, where traces of white colour can be found. The neck of the vessel is ornamented with a continuous floral motif (branch bearing two long leafs; laurels?) that covers the whole of the surface. A: Scene of a symposium of four, reclining, male figures; 2 men and 2 youths (in turns), in pairs looking at one another. All of them wear their himatia, loose around their waists, a fact that leaves the upper part of their bodies naked, and are crowned with identical three-pointed diadems, made of added, yellowish and white colour. They also have identical hairstyles. The youth on the left side makes a gesture, pointing left with his right hand, but facing the man on his right who touches his chest with his right hand. The third person looks as if holding a white thread with his right-hand fingers, while the man on his right is trying to put a white, spotted garland on the third figure with his right hand. They all recline on a horizontal sort of bed, supported by three feet, of equal distance between them, but of unequal width. However, the lower parts of the three feet are similar; rectangular and vertical to the stem. Under this construction, in the surface between the two gaps that are left between the feet of the bed, there are two tables, that carry food(?) (fruit and bread ?), painted with added white colour. Both of the tables bear two, broad, black, bands around their edges, the left ones being larger than the right ones. As regards the endings of the tables' feet, they give the impression of a vague rendering of animal paws.
B: A youth in the centre of the scene looks at his right, while in either of his sides, another youth is looking at him. All of them are fully-clad with himatia. The left one is holding a strigil (stleggis) with his right hand, while the one at the right side of the scene makes a gesture with his feast.
The spring of the handles bears part of a circle (it stops, leaving the surface between the beginning of the two handles undecorated), with small, semi-cercular patterns. Beneath each handle there is a large, complex palmette. A band with maeander-shaped patterns runs through the vessel under the main scenes. The base is in the form of a disk, with a high foot, separated from the disk-shaped surface by a carved, reserved circle, as well as an also circle at the lowest end of the base's foot.
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| 46.9.1
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Mouth coloured black inside, outside, neck red. Handle black on outside and reserved underneath. On shoulder, black rays below fine ridge at base of neck, then lotus flowers - white outer petals alternating with black buds. Body has a silvery black glaze with two red lines at top, another just under the figure scene and another just in the junction with the base. In added white, bearded charioteer with two galloping horses. They are in profile to the left. He is holding the reigns of the horses. Naked with fillet on hair and belt, both shown incised. Row of white dots above the scene. Details of man's body and horses' incised. Disk foot has reserved edge, base is reserved.
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| 47.2.35
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Standing female figure. Wheelmade body, moulded head. Woman in veil. Holding at breast level an object now broken off. Traces of black on head and eyes, red on face and clothes. Clay orange.
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| 47.6.2A-B
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Lid: Straight sides and a moulded rim at the top and bottom, both red. The plastic ring at the top of the lid black. The top is decorated with a depiction of a male figure, perhaps Dionysus (Ure) or Pan (Boardman) with horns springing from his head. He wears an animal skin (brownish dots) over his shoulders, with a hoof dangling. He seems to be stepping or sitting on another animal skin. In raised left hand he holds an indeterminate instrument (Ure: handleless fork; Boardman: syrinx) and he rests his right hand, brought before his body, on an oar-shaped object (trumpet; Ure: winnowing fan; Boardman: 'lagobolon'). To his left is the forepart of a pig (or dog?), and to his right, a basket with three corn stalks. There is also a red, thin line at the joining point of the plastic ring and the lid. The decoration of the side surface of the lid is a motif of vertical, hanging, wavy tongues, between reddish brown bands. There is also one inverted heart-shaped motif at some point between the tongues.
Body: There is a red line at the rim and another one at half the way up the body, both on the inside and the outside. On the interior there are two, concentric, reddish-brown circles. Exterior: There is also a red line at the bottom of the body, while the disk-shaped ring is reddish-brown. Wide rim at base. Underside is reserved and central section flat.
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| 49.4.2
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Woman with a fan and a ball, seated in a naiskos; kalathos on either side.
The inner side of the rim bears a broad band (in the middle of the surface). The top surface bears traces of carelessly applied red colour. The edge is also black and its side surface bears a reserved line and a black line underneath, from which seem to be hanging short, vertical lines. The upper part of the neck is reserved, but bears a black band on its lower part. The rest of the neck is decorated with black colour, on top of which there is a tongue pattern in yellow (faded away) that contours the vessel (long, pointed on the bottom tongues). Below, there is a reserved line. Side A: The main scene depicts a female figure seated in a naiskos (monument with pediment, from whose upper part emerge palmettes and tendrils, epistylion, an ionic column on either side an top of a stylobates or crepis, the latter represented with a perpetual pattern of voluted motives and dots in between, framed by white lines, thin, black bands and white bands), on a diphros okladias. The woman is facing left, she is wearing a peplos, holding a fan with her right hand and a round object with the left one, below which there is a row of dots. She also wears a kalyptra and has her hair in a bun, from which emerge two wavy lines with round terminations. Behind her, at the level of her head, there is a window (square object with the middle part riddled). The naiskos is flanked by a kalathos on either side, decorated with black and yellow horizontal lines, tendrils and branches, as well as yellow tongues and yellow meander pattern. There is a row of yellow dots below each kalathos and a rosette on top. Below the row of dots underneath the left kalathos there is another rosette, whereas underneath the row of dots below the right kalathos there is a phiale. The details are executed with added yellow. The handles are black. The reverse is decorated with floral motifs: the area underneath the vertical handle is black, with an H-shaped black motif divided in two by a vertical line, on a round, brown background. The surface below the vertical handle depicts two fan-shaped palmettes, from which emerge elaborate, voluted floral patterns that expand to the surface below the horizontal handles. The lower part of the body is contoured by a wavy-like pattern on a brown background. The area below is black, although streaky on some areas, while the lowest part of the body is reserved but glazed. The foot is black, with a reserved resting surface.
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| 49.8.11
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On mouth three concentric black bands; dots on edge. Zigzag pattern on handle. On the shoulder, black tongues. The figure decorated body zone is framed by three thin horizontal parallel black bands. On the body two confronted lions, between which an incized rosette. Dots and irregularly drawn rosettes on the background. Two concentric circles on the underside of the base.
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| 49.8.7
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Inside is black with a reserved ring in centre (around hole) and a reserved band on the junction of the offset rim with the body. Rim is black outside and there is a moulded, reserved ridge above handles on the junction of the rim with the body. Two handles, one on each side are black on top and reserved underneath. Below the shoudler ridge is a band of lotus buds with dots all joined by a chain below, black band, band of eight inverted birds (cockerels and hens (?) one smudged) with a dot rosette. The figure zone is framed by thinly painted brown lines, two on each end. Black band follows and three thin brown lines which encircle the black rays rising out from the root of the stem.
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| 49.8.8
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Inside and outside of mouth and handle is black as is neck and back of body. At base of neck is a key / meander design between two moulded ridges and only appears on the front. On the body, metope bearing the figure decoration. On the top of the metope. black tongues.Main design is in a panel showing a Quadriga moving to the left. Horses' heads turned towards different directions. One to the left, other three run their heads to the centre facng each other. On the quadriga, hoplites in profile either side both facing right, holding shields and spears and wearing helmets. One of the shields is decorated with a feline picked out in white, only the back part of which can be seen. Behind the quadriga, a hoplite in profile to the right. He is holding his spear and seems ready to attack. He has a shield decorated with three dots with added white, he wears a short chiton, a cuirass and a Corinthian helmet. In front of the chariot, hoplite in profile, moving to the left, having his head turned backwards. He is wearing cuirass, short chiton, a helmet. He is holding his shield and two spears. Added red-purple on reins of horses and headbands and tunic of warriors, as well as contours of the shields. Added white on lion of the shield and decoration of the shield of the second hoplite which is not clear, the edge of the sword of the first hoplite, the dots on the shiled and a band on the body of the last hoplite. Red band at base of panel running all around the vase's body and foot is black on top, but reserved on side. Resting surface reserved.
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| 50.12.23
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'Psi' figurine, representing human figure with small head and upraised arms. Thin red-brown lines separated from eachother by a few millimetres are aranged horizontally across the figurine.
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| 50.12.50
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The figurine probably represents the body of a woman (a 'phi'figurine). The figure is decorated with a series of slightly wavy brown lines, arranged vertically.
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| 50.4.5
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Interior of the neck until almost the beginning of the shoulder black. The rest of the interior reserved. On the exterior, neck and handle black. The lower part of the neck is decorated with a row of eggs. The lower part of the handle, at the height of the shoulder bears part of the decoration of a palmette the rest of which covers the body and is hown upside down. The body is decorated in black figure with a palmette-lotus frieze below with double-chevron palmette heart. The lower part of the body remains black fired brownish.
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| 51.1.2
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Interior and exterior of the mouth, neck exterior of handles black, fired mostly reddish brown. The underside of the rim has a reserved band. Underside of the handles reserved. The body is all black apart from the metope carryint the figure decoration and a reserved band decorated with radial-shaped motif beofre the black foot, decorated with two red concentric bands. Resting surface, underside of the foot. The top surface of the rim is decorated with two, concentric, red lines. Another marks the junction of the neck with the shoulder. The neck is black (reddish brown on the reverse side). The main scene begins from the top of the shoulder (under a red line), down the main part of the body. There are two confronted bulls with their heads bent downwards. Added red on partsof their bodies. Between them, there is an ivy leaf (heart-shaped). They step on a thin, black line, which separates the shoulder zone from the body metope.
On the body, two warriors attack other two. All warriors have spears with teardroped terminations (three terminations are visible, the fourth is on a missing area) and wear helmets with coverings for the cheeks (only the right pair's are visible) with details (dots for the first and fillet for the second warrior) in added white (now fadded away). They all held shields as well. All are round, except for one. The right pair's episemata on the shields are visible (upper part of seated lion / tripod, rendered with added white that has fadded away), while the other pair's shields' interior is visible and so the porpax (handle) can be seen on the left warrior. Additionally, they all wear greaves. Added red on the contour of the shields, the interior of the shileds, helmest, one hoplite's greaves. Between the pairs there is an eight-pointed star. There are also two horizontal red lines below running around the body of the vase. Two horizontal red lines frame the reserved lower zone decorated with the linear motif. The foot is black, with two red horizontal lines. The base is reserved.
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| 51.4.1
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The top surface of the rim is reserved (but glazed), however, the side one bears a black meander pattern. Neck: at the left side there is the front part of a horse (head and two feet) and the right leg (thigh to toe) of the horse-rider, with incisions for detail (denoting also the bridle) and added white. At the other end there are two men, one behind the other. The fragment's termination is at the level of their knees. The first one (right end) has extended his arms, as if being a charioteer. Besides, the back part of the chariot can be seen over his white chiton. The stephane on his hair is executed with red. The black, male figure at the same level behind him makes a gesture as if holding something (invisible). He is wearing a short chiton and he is probably on the chariot too. Interior: There is a red, thin band at the rim and the rest of the surface is black.
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| 51.4.11
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Glaze is dark brown, sometimes with a reddish hue. Glazed on rim, neck (interior and exterior), handles, at junction of body and stand, and on exterior of foot. Cartoon-ish black-figure scenes on body and stand, with incised detail. Body, side A: Legless horseman, with arms spread on either side, to right on a horse held by a bearded man in a short tunic, with a dagger at his right side, who stands to his left. Behind him stands another bearded man wearing a short tunic, who holds a branch in his outstretched right hand, and bends his left arm at his side. Body, side B: Another legless horseman advances to the right, also with arms outstretched, on a horse, galloping towards a bearded, male figure, wearing a long tunic, who stands profile to the left. Stand, side A: Two confronting water birds, with 3 flecks behind the right water bird. Stand, side B: Two male figures in profile to the right, with a dagger at his left side; the second figure, who is shorter, seems to be bound.
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| 51.4.2
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The top surface of the rim is reserved (but glossed), however the side bears a black meander pattern. The scene consists of two chariots, the left one with three horses (below their knees the piece is missing) and the right one with four (only two of the heads remain). The left hand side charioteer is not visible, however it is obvious that he was holding and stretching the bridle. The upper part of the chariot is also visible. The second charioteer wears white chiton and red stephane (fillet) on the head and his chariot is visible. Each figure has incisions around its edges, as well as for the depiction of details. Some parts of the horse bodies are emphasized by added red colour. Body: The surface is black. The interior of the neck and body is also black, apart from a red band at the top of the rim.
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| 51.4.9
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The rim is black, both on the inside and on the outside. The back of the handle is also black, but the underside is reserved. The neck is reserved, but glazed apart from a thick purple band on its lower part. On the sloping junction of the neck with the shoulder, black tongues. Both interrupted at the joining point of the handle to the neck. The shoulder is covered with a guilloche (pattern of interwoven fillets) with teardropped terminations. In the middle of two upper and two lower black lines there are two rows of black dots that begin on the edge of the second left figure of the main scene and stop at the edge of the last person. In the centre of the scene, a male figure in profile to the right with as short mantle, a quiver on his back (Herakles) is attacking a kneeling Amazon. With his left hand, he is gradding her from the air and with the right he is holding a sword, with which he is ready to kill her. The Amazon, in profile to the left, is wearing a helmet, holding a very long spear with her arm and her shiled with the left. From his waist, her sword is hanging. This scene is flanked by two other battle scenes. On the left side, an Amazon is attacking a Greek. He is wearing a cuirass, helmet, he is hloding his spear and his shield and he is shown ready to fall down. Tha Amazon has atteacked him with her spear. She is wearing a helmet and a short chiton. On the right, an Amazon and a Greek are shown in profile running towards the left, projecting their spears. The Amazon is wearing a ahsort chiton and a helmet. She is holding her shield, covering large part of her body. A frontal head of a lion decorates the shield. A sword hanging from her waist. The male warrior wears a short chiton and has a shield and a helmet. The Amazons have long hair and wear helmets with longer and bigger crests. Incisions and added red are used for details. Added red: parts of the chitons of the warriors anad the Amazons, hair of the warrior in the middle, fillets on Amazon's heads and the frame of the shield of the running Amazon.
Below the scene, there are two lines (not evenly formed at all in their length) and a band of added red. Below that, the vessel is black, with two concentric circles on the surface of the foot. The resting surface is reserved.
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| 51.7.11
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The interior and rim are black, except for two reserved bands on the interior, at the top and bottom of the lip. Just under the rim is a laurel wreath, facing to the right. A palmette fills the space beneath each black handle; a series of dots mark each handle zone. The scene on each side is bordered by two tendrils that emerge from the ground, in most cases flanked by two smaller tendrils; at the centre of each large tendril is a volute, from which spring two demi-palmettes. Side A: Wreathed, draped Apollo stands in 3/4-view to the right, holding a laurel branch in his right hand and a phiale and fillet in his upraised left hand. He faces a white-haired, bearded Papposilen, who stands in profile to the left. The Papposilen wears a taenia on his head, an animal skin (nebris) over a shaggy-white body suit, and slippers. He holds a mirror in his upraised left hand and a lyre and a fillet in his lowered left hand. Above him is bust of a goddess, probably Hera (or Leto, or Cyllene?), with her face in profile to the right, enclosed within a window, outlined in white. She wears a high crown and jewellry and holds a sceptre in front of her left shoulder. There are ivy leaves in the field. Side B: Two standing, draped youths, facing each other and wearing wreaths. The left figure has a 'V' drape on his chest and his left hand is barely visible; the right hand of the right figure emerges from his himation; he holds a branch out to his companion. Beneath the scenes is a band of right-facing waves. The lower body and foot are black, except for a reserved band on a groove at the top of the vertical surface of the foot, and the reserved underside.
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| 51.7.5
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Interior reserved; black glaze on mouth and upper half of neck, as well as upper half of handle; lower part of neck decorated with tongues that suggest ribbing; shoulder decorated (except under handle) with an egg-and-dot frieze between two black lines; reserved space at lower part of handle and handle attachment (interior) suggest that the mouth and neck were dipped. Body decorated with a frieze consisting of 7 clusters of three white dots at the top of a figural scene (arranged in upside down triangle shapes): a female figure, standing in 3/4-view to the left, in a relaxed posture with her left leg crossing her right, and her left elbow resting on a pillar (the curvy element in added white suggests that this is meant to represent natural rock). She wears a hairband and kekrphylon on her head, triple-dot earrings, two or three necklaces (two strands of white beads beneath a black line), two white bracelets on each wrist; a belted sleeveless chiton, and white slippers. She holds, in her upraised right hand, a mirror surrounded by white dots, and, in her left hand, a phiale that is surrounded by white beads, as well as a beaded sash. A large palmette, with a white dot on the heart and white dots on each volute, fills the space beneath the handle. From each volute emerges tendrils and floral decoration that frame the image of the woman. A 6-petal rosette fills the space to the right of the woman; to her left are a window and a dotted circle (cog-wheel?) in the upper left field, and an olive branch in the lower left field. On the body, beneath the figural scene, are a single reserved band and a thicker black band. The foot is reserved on the top element, and glazed black on the ridge and lower element; the underside and resting surface are reserved.
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| 53.8.4
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Molded, downturned rim with a flange (for lid); incurved horizontal round handles; deep body with nearly vertical sides that are slightly concave above the handles and convex below, curving sharply at the bottom into a broad, short stem, on top of a molded disc foot, recessed underneath in two degrees. Black gloss with red figure decoration. Side A: a female head profile to left, with small dotted circles in the upper field on either side; side B: palmette. Interior: a reserved band within the rim. Exterior: a band of vertical bars under the rim (with applied red wash); a reserved band around each handle attachment (also with red wash); a stemless ivy beneath each handle; narrow reserved band beneath figural scene; reserved band on the upper part of the foot; underside of foot is reserved and stained with red wash.
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| 57.3.15
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Middle part of draped female figure, seated on throne(?) Left hand emerging from draping, and left lef with knee bent. Clay pink. Pierced hole in extension on right side. Mould-made, with flat back, probably.
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| 64.7.1
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Black band on the interior of the rim, underneath of which a red line. On the interior, bust of a female figure drawn in outline and shown in profile to the left. She has a freckled face (six spots rather than the usual three found on faces in the Sam Wide Group). Her hair is bound up with a spotted kekryphylon (scarf) tied over her forehead. She wears a pine-cone shaped earring and a beaded necklace. Her drapery is clumsily rendered: a himation decorated with a banded (tongues?) border (shown on her left shoulder) over a thin dark chiton (shown on her right shoulder). She holds a thymiaterion (incense burner) out of which streams some smoke (six strands in diluted glaze). The remaining handle is dipped black on the side. On the exterior of the rim, a frieze of black tongues below the rim, with a thin line below. The foot is reserved, except for the interior of the sloping ring.
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| 70.3.1
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Chimney mouth is black inside and out but with a reserved lip. Neck and underneath of handle reserved. Shoulder has dots, rays. Body, from top to bottom, two rows black dots, scene. Scene shows a chariot travelling right at speed. Behind the chariot figure with long garment and helmet running to left (Athena?). White added to charioteer and back side of chariot. Black to top of stepped foot, the side of which is reserved.Incision carelessly used for horses. The lower part of the body black with the excepton of three thin reserved bands under the decorated zone. Foot reserved. Underside reserved, two incised concentric circles.
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| 73.6.3
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Black figure painting consisting mainly of two large straight lights, one at the bottom, and the other in the middle. There are several patterns on the upper part, though it is challenging to fully make out what they are, though it is likely they are forming part of a story portrayed across the rest of the pot.
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| 73.6.4
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On the outside surface is a figure zone, on the left edge of which appears to be the edge of a square. To the right of this is the lower half of what appears to be a swastika and below, a dot rosette. A vertical palmette is figured in the middle of the surface, to the right of which is the tail end of a bird, the head and neck missing. Below all of this, is a curved black line, and then the edge of what could be a circle. The inside is covered in black gloss.
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| 73.9.4
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Figure of a dog or goat (head missing), stands under missing handle, bordered with spots. Behind the dog's tail, we can see the edge of a palmette. The figure of the dog stands on a black band, below this, there is the edge of a black circle. Rosette and palmette decoration.
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| 73.9.6
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A small fragment with possible figure of bird (front part and head missing) and above this, a circle design with a dot in the centre. The back of the fragment is covered in black glaze.
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| 77.5.1.1-17
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The interior is reserved (although covered with plaster on most of the fragments), apart from the upper parts of 13, 14 and 15, that are black (unevenly applied). 1) On the left, there is part of a naked male figure (thighs to toe), facing right and next to him there is the lowest part of another similar figure facing right. Below them, there is part of a black band. 2) There is part of the right part of the previous figure (chest to toe). On the right side of the fragment, there is a figure's forearms (projected to the left, the right hand holding a round object) and part of the right knee. 3) Part of a naked male figure, leaning to the left. Details with incisions and added red. 4) Part of a lions's paws and below it part of a broad, black band. 5) A male figure's thighs and part of a bird? (executed with incisions and added red). 6) The right part of the previous bird? and the right tibia of a male figure , facing left. 7) The thighs of a male figure facing right. On the left side of the fragment there is part of a black and red motif? 8) The upper part (chest to thighs) of a naked male figure, facing right. 9) Part of a male figure's thighs, facing right. 10) The previous figures lower part of legs and part of a black band. 11) The biggest part of a bird, executed with black, added red and incisions. 12) On the left, there is the rest of the previous bird. Next there is the lower part of a lion, executed with black, addeed red and incisions. Behind the lion, there is the lower part of another male figure (chest to feet), facing left and behind him there is part of a bird. 13) The upper part of a satyr (head to thighs), facing right. His hair and beard have been rendered in added red. 14) The lower part of the satyr, chasing a maenad on the right (her right leg is only visible). The details of her drapery are in red and her tibia is white. 15) The left left of the running maenad. On the right, another satyr chasing a maenad (lower part of the figures is visible). 16) Part of a broad, black band. 17. Bit of plaster.
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| 78.12.19
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Shoulder is decorated with a moulded pattern of a vine, on the discus is a standing figure orientated with head towards the nozzle, holding a hydra in right hand and to the left is an amphora. Above the figures head, on the decline of the discus is a pattern of rays. Pale yellow wash.
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| 78.12.6
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Two moulded rings frame the discus, within is a moulded figure of a stag running towards the right. Single volutes on each side of the nozzle. red-brown wash.
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| 83.10.1
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Standing female figure in cloak, with halo-shaped hat (or hair style). Rectangular hole in back. Hollow. Right leg bent, right arm across breast. White slip on clothes and face, pink on head, and shoulders of garment.
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| 84.8.1
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30 fragments, largely side B, small part of side A, handle and rim fragments. Side B three youths. a) The top surface of the rim is black and so is the interior, apart from a reserved area at the end of the rim that bears a thin, black line. The neck is decorated with a vague representation of a brach with laurel leaves. The joining point of neck and body that is preserved bears part of a black, thick line. b) The interior and top surface of the rim is black, with the exception of a reserved band on the end of the rim (interior) that bears a thin, black line. c) The handle is black, except for the surface that would not have been visible if it was attached on the vessel, which is reserved (but glazed). Around the spring of the handle there is a motif between two thin lines that resembles the ionic cyma (egg-and-dot). The rest of the vessel is black, both on the outside and the inside. d) The handle is black, apart from the surface that would not have been visible, where there are two dots. Around the spring of the handle there is part of the ionic-cyma motif. e) There is part of the ionic cyma motif that the handle bears around its spring and the rest of the surface is black (interior and exterior), apart from part of a small chess-shaped motif, framed by a line above and two below. f) It is black apart from an area that bears a small part of the motif that contours the springs of the handles, a small, diagonal, reserved band (exterior) and a reserved band (interior). g) The surface is black (interior and exterior) except for three thin lines that are reserved. h) The interior is black. Exterior: Above a double-meander pattern, placed on a reserved band and between two lines, there are two heraldic lion paws, even though the details have fadded away. i) The interior is black. Exterior: The lower part of the drapery and the foot of a figure, surrounded by black colour. j) Black interior. Exterior: The lower part of a vertical, reserved thin band is standing on a broad, reserved band that bears between two black lines part of a pattern that consists of a meander and a cross on its right. The cross is contoured by a reserved area (around its sides), while its is executed on a black background. k) The interior bears a thin, reserved band. Exterior: The back part of a male figure's head and shoulder, as well as part of the drapery. l) Black interior. Exterior: The male figure's shoulder and part of his draped body. On his right there is the outer part of the motif that contours the springs of the handles. m) Part of the male figure's leg, knee and tibia, which is projected, as if he is ready to take a step. On the left top side there is part of a vertical, thin, reserved band (upper part of a walking-stick). n) Black interior. Exterior: The lowest part of the figure's drapery and a vague representation of his feet ? He appears to be standing on a pattern that consists of a chess-like motif close to two, double-meander ones, framed by two lines above and one below. o) Black interior. Exterior: The lower part of the figure's walking-stick that seems to stand on the double-meander pattern. On the left of the walking-stick, there is part of the back side of another draped figure (male), with the same careless rendering of the feet. p) Black interior. Exterior: Part of the walking-stick and drapery of the second figure. q) Black interior. Exterior: Small part of the second figure's drapery. r) Black interior. Exterior: Small part of the second figure's drapery. s) Small part of the second figure's drapery. t) Black interior. Exterior: Part of the lower termination of the second figure's drapery as well as his right foot? On the left, part of his walking-stick. He seems to be standing on part of the double-meander pattern. u) Black interior. Exterior: Part of the pattern that consists of the chess-like motif, next to part of a double-meander one, on top of which there is the lowest part of a figure's foot? (clumsily rendered). v) Black interior. Exterior: The lower part of the drapery and right foot of another similar figure that satnds on the double-meander pattern. w) Black interior. Exterior: Part of the figure's drapery. x) Black interior. Exterior: Part of the figure's drapery. y) Black interior. Exterior: Part of the figure's drapery. z) Black interior. Exterior: Part of a male figure's arm and hand. aa, ab and ac) Part of the rim and neck. The exterior bears a broad black band and the interior bears a reserved area between two black bands. ad) There is a reserved line on the interior, while the exterior is black, apart from a reserved spot of unclear shape and another, similar one that bears a thin, black line.
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| E.23.1
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Below a cornice, sunk within a square frame, figure of deceased (in Roman clothing), stood frontal between Anubis (stood) and Osiris (seated). Red pigment preserved on lower part of Anubis.
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| E.23.2
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Funerary stele with vulture wings surrounding the solar disk, common during the time period. Below the wings is the text of the stele, surviving intact. Two men are depicted adoring the god Re-Horakhty, whose presence is indicated not only by the uraeus and sun disk but also his name inscribed in the text. It has been suggested that the dress of the figures indicates that they are Nubians; this is confirmed by the oddity of their personal names. The sky is depicted above the winged disk, each end being supported by the symbol of the west (on the left, only the top of the feather survives) and the east (on the right, more or less complete). A signature, possibly belonging to Flinders Petrie has been found above the head of the right hand figure.
There is only one viable interpretation possible, when one combines the depictions with the details found within the text. The stele depicts the man Serep and his son Tkr-Irt-Hrw, not as has been assumed Serep with his Ka. A personal Ka has no need of the title m33 khrw, which is a title of the deceased, thus two deceased are depicted. There is no question that Serep is a man as he is depicted in male dress and has the male symbol after his name.
There is enough evidence to show that the stele was once painted. Red pigment on the sun disk of the god is the most apparent, though a similar (if not the same) is found in several of the hieroglyphics and on the deceased as well as faint traces on the column to the right. A yellow stain remains in the first two columns, which could be remains of the paint used to fill in the columns. The combination of colours matches well with the red pigment found in the glyphs.
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| E.23.3
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Model of Nile boat, with six rowers with six oars and a steersman standing and steering with paddle. Another figure standing in front of steersman, by mast, and a final figure sitting behind the rowers. Figures are painted with brown pigment for skin, black pigment for hair. There is a faint red pigment on the 'deck', going from top to bottom and then several horizontal lines. It is unlikely that all of the figures are originally from this boat. The number 886 (988) is visable on the boat, which likely the tomb number.
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| E.23.53
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Originally green in colour although little remains. The shabti is decorated in black pigment the details being a hieroglyph inscription up/down the legs, a crook, a basket (both denoting work and being'held' by the figure) and some kind of head decoration.
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| E.23.54
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Green shabti, arms folded, shoulders are indicated by the drawing of the figure 'A' on either side of the upper body, there is an inscription in hieroglyphs. The figure is carrying a sack indicating that it is a worker, this is painted on the back of the right shoulder in black.
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| E.62.3
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Fragment of Memphite stele with figure worshipping and offering to Ptah, god of Memphis. The God can only be seen in the form of an arm and the crook he holds. The offering table between them holds a vase and two loaves. The underside of the frament appears to have rough inscriptions like some kind of practice work.
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| E.62.49
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Painted with scenes and inscriptions. Vivid yellow pigment used for background. Female figure painted in red outline. Inscriptions use blue, red and green pigments. Figure is "singer of Amun". The right hand side appears to have a wooden peg going through this part of the coofin, like this was part construction of the original coffin.
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| E.63.14
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Naked, male figure standing on base. Some hieroglyphics on the side of the base.
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| E.63.3
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Light green figurine of the dwarf god Bes, dancing in a lion's skin with a feather head-dress. There is a hole for threading on the back/base of the head-dress. Although the figure is dancing it appears quite somber.
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| E.63.4
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Light green figurine, partner of Reading E.63.3. It is the dwarf god Bes, dancing in a lion's skin with feather head-dress. There is a hole to enable threading at base/back of the head-dress. The figure stands on a flat base.
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| E.63.7
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Light blue figure of Sakhmet (lion-headed goddess, wife of Ptah). Behind the head is a hole for threading. The figure has the left arm folded over the stomach and is apparently wearing a skirt.
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| E.63.8
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A miniature blue figure of the gods Isis and Horus, Horus as her child is sat on her lap. The detail is not clear and there is a hole in the crown of Isis presumably so the necklace could be strung for wearing.
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| E.65.16
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Minute figure of a deity, identity unclear. The figure is light blue in colour although one area of dark blue pigment remains.
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| L.2011.1.37
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On the shoulder a herring-bone pattern in relief; in the central discus a figure in relief, possibly part of a chi-rho monogram.
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| L.2011.1.48
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In the central discus one reclining figure recumbent on its right side; right leg bent, left leg outstretched. Behind the legs a fish tail. At the back of the figure a drapery, like a semi-circular frame around the head. (possibly a Nereid riding a sea-bull?). On the edge parallel lines in low-relief. On the underneath inscription and a small half-moon shaped stamp.
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| L.2011.1.53
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Red glaze. Two figures in low-relief: on the right a human figure with legs outturned, on the left a human face (mask) with a sort of base or plate on the head; above the plate two legs of an incomplete human figure. On the sides of this composition two vertical patterns, composed by short horizontal signs with below a six-ends star.
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| L.2012.9.1
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The discus contains a frontal, bearded figure of Zeus Sarapis behind an eagle with outstretched wings. A continuous border of volutes, possibly foliate, interspersed with dots with volutes enclosing the round nozzle. Three swastikas evenly spaced around the underside of the lamp.
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| L.2013.10.6
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Obv:Man wearing helmet facing right with inscription around the edge Rev: unclear but looks like a seated figure with an inscription around the left side
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| L.2013.10.7
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Obv: head facing right Rev: figure seated
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| L.2013.10.8
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Obverse: Male figure facing right with inscription around the right edge Reverse: unclear
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| L.2013.10.9
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Obv: Man facing right inscription around the edge Rev: Two standing figures facing each other. Smaller figure flies between them (top) with an alter or cup between them (bottom). There is an inscription around the top, possible inscription 'CONCORDIA'.
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| L.2014.8.6
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Obverse:Portrait facing right.
Reverse:Human figure faintly visible.
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| REDMG:1926.99.52
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Daisy pattern on upper surface of rim; vertical bars on lip; crouching sphinx, profile to the left, on the body, with her feet curled down to the base, which is decorated with a 8 'pointed' star, surrounded by four 8-quadrant rosettes (five similar rosettes also in the field). Added colour (red) on the chest, wing, and underside of body. Incisions on figure and rosettes.
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| REDMG:1926.99.54
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Mouth black interior and exterior; reserved neck; black on exterior of handle; band of black vertical bars above white band decorated black rays on shoulder, extending to carination. Body, top: white band decorated with two rows of black dots joined by a thin black zigzag (at front, only), above two black lines; figural scene (front only); white band; black band between two black lines; black to foot and on top of foot; otherwise reserved. Figural scene is of a chariot behind which stand three draped female figures (two women, standing profile to right, towards a third figure, standing profile to left. A fourth female figure sits profile to left, in front of the chariot. All four figures are draped, wreathed (with red bands), and have white faces.
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| REDMG:1935.87.19
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Traces of four (?) bands on mouth and three lines on handle. Tongues on shoulder with two bands below. Main design (starting from below handle going left to right) a human (?) figure on a horse facing right, a lion biting the foot of a warrior who is defending himself with shield, a large creature (possibly a panther), and a man. These pictures are all incised. Dots and rosettes incised with asterisks in field. Five bands around base.
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| REDMG:1935.87.25
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Black except for the figural design, with friezes above and below it; reserved but ruddled resting surface. A. Horizontal friezes on neck and below figural scene, consist of two vertical bars alternating with circles, reserved bands above and below. Scene: nude satyr, standing profile to right, with his left foot raised on a rock, faces a draped woman, seated 3/4-view to right, with her head turned profile to left. He raises his right hand towards her, and rests his left arm on his knee. She holds a mirror in her upraised left hand. Five ivy leaves in field between them. B. Horizontal friezes on neck and below figural scene consist of chevrons to left, between reserved bands. Scene: Two draped youths in conversation, face each other on either side of a stele. Yellow and white details: white fillet on satyr, bracelets and necklace on woman, and spots on the mirroron Red wash on reserved areas suggests imitation of Attic red figure. A pair of incised lines run horizontally across side A, and another line runs horizontally across side B; further incised lines around the upper body of the woman indicate that these might be an artists guidelines.
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| REDMG:1935.87.33
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Rim has terracotta concentric circle around the centre, leading to with a continous olive leaf pattern underneath. A: Satyr in diadem and shoes, carrying flaming torch and situle, follows woman carrying barrel of grapes and ornamented box (cista). Goats skull and rosettes in field. B: two youths with sticks in conversation. Three rosettes can be found on either side of the youth. Palmette design can be found under each handle and a dash pattern circles around every handle. Yellow and white colour can be found added to the pieces especially the picture of the satyr. Underneath each figure is a continous wave pattern which continues around the base of the krater.
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| REDMG:1950.25.1
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Black interior to bottom of rim. Laurel wreath, to right, on neck, above a row of widely spaced dots. Body decorated with egg-and-dot frieze, between reserved bands, which stops short of the handle on either side; figural zone except beneath handle (palmette with floral blossom at centre, three vertical lines at heart, vegetal ornament and flowing tendrils on either side); inverted waves, to right. Exterior surface of foot is ruddled on the upper part. Reserved resting surface and underside except for black circle at centre, surrounded by broad ruddled band, and black on inner foot ring.
The figural scene shows a female figure, dressed in a belted, sleeveless chiton, reclining on her front, profile to right, reaching towards a phiale held by Eros, who advances profile to left, crouched and holding a wreath in his lowered right hand and a phiale in his upraised left hand. Both wear their hair identically: spike stephanai, sakkoi, and pony tails. Behind Eros a bird, profile to the right, on a perirrhanterion (pedestal basin). Added white, gilded with yellow, on floral and vegetal ornament, headdresses, wings, and basin.
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| REDMG:1951.142.1
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Black except for body scene (ruddled), and reserved resting surface and underside. Scene depicts a female figure, profile to left, between tendrils from which emerge flower buds; a bulls eye in the lower left field. The woman wears a veil over her head and across her shoulders; some curly hair emerges from the edge of the veil.
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| REDMG:1951.144.1
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Exterior black glaze with red figure decoration all over; underside reserved, except for broad black band at curve from plate to stem, black on exterior and interior vertical surfaces of foot, and broad black band around pointed centre of plate. 12-petal rosette in central well, surrounded by red band, wave pattern to left, and black and red bands; figural scene showing three different types of fish (bream in profile, xxx and cuttle fish, shown from above) advancing to the left. Mussel and 6-petal rosette in field, on either side of the xxx. Rim decorated with red band above a laurel band to left floral motif.
Red parts of decorative bands ruddled, whereas streaky brown has been used for artistic effect (shading to render a three-dimensional impression) on the fish. Some details on central rosettes and fish rendered with added white and yellow.
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| REDMG:1951.147.1
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Entirely black, except reserved on the inside of the spout and the underside including resting surface, and red figure decoration: line at middle of neck; ray band at lowest part of neck, above dots; figural scene between two sideways palmettes, enclosed, from the outside bottom of each emerges tendrils; short ray band at interior of lower handle attachment; 10-leaf palmette at exterior of lower handle attachment; flange decorated with egg-and-dot band, beneath a black line; the sides are decorated with an ivy design, effected through incision (tendrils) and added white (leaves). Reserved line band just below join of body and foot.
The figural scene on the shoulder depicts seated youth seated profile to the right, facing a woman, seated profile to the right, but turning profile to the left. The youth, nude except for a hairband, sits on drapery, alongside which he hangs his left arm, and reaches a wreath, held in his left hand, towards the woman; she, wearing a crenellated stephane and a belted chiton, is seated perhaps on a cushion (comprised of dots), helds her right arm, slightly lowered, towards the wreath, and holds a box in her slightly raised left hand. A four-petal rosette is beneath her right arm.
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| REDMG:1951.148
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Black interior, handles, neck and body except for decoration in panels (black figure in neck panels; red figure in body panels). Upper surface of rim decorated with ivy spray, with 3-dot clusters between ivy leaves; palmettes on tops of handles; ivy spray on lip, with palmettes at tops of handles; wave pattern to right on overhanging lip. Neck panels decorated with double ivy spray, on which 8-dot clusters alternate with leaves. Body panels bordered by rays (above), double rows of dots between black lines (sides), and band of stopt meander (4) alternating with dotted cross-in-square (1) (below). A: Youth wearing hairband, short-sleeved, belted chiton, and mid-calf boots, stands in 3/4-view to the right; he holds a pair of spears upright in his right hand and a wreath in his left hand, held slightly ahead of him; a chlamys is draped over his bent left arm. A warrior is seated 3/4-view to left, on a curvilinear seat (stones?). He is dressed identically to the youth, although with a plumed conical helmet. He holds a large phiale in his outstretched right hand, and his pair of spears in his upraised left hand. Behind him stands a woman in 3/4-view to the left. She wears a belted, sleeveless chiton, a kekryphylon (hair), pearl earrings, a beaded necklace, two bracelets on each wrist, and holds a fillet in her outstretched right hand and a situla in her lowered left hand. In the field above the figures are a four-petal rosette between two boucrania. B: Three draped youths in conversation, the middle one, standing profile to left, leans on a staff with his outstretched right hand; the other two youths face him. Halteres in upper left field and and bulls-eye in upper right field.
Much of the interior and side B are misfired orange.
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| REDMG:1951.150.1
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Black except for decorative bands and figural scene on either side, and reserved band at lowest part of foot, as well as reserved underside. Neck decorated on either side with a laurel band, between two reserved bands. Beneath figural scenes are decorative bands, comprised of stopt maeanders (3) alternating with saltire squares (1).
A: A female figure, juggling 8 eggs and advancing profile to right, faces a youth, advancing in 3/4-view to the right, but turning his head profile to the left. The woman, wearing a sakkos, tear-drop earring, beaded necklace, belted, sleeveless chiton, and two bracelets on each arm. The youth, nude except for a wreath around his head and a chlamys slung over his left arm, holds a large palm frond in his left hand and a phiale, at waist level, in his right hand. Above the phiale are 7 eggs (slightly smaller than those juggled by the woman). Bulls eye (above) and tendril (below) in field between them. B: Two draped youths, face each other in conversation; between them a window (above) and a stele (below); the figure on the right supports himself on a staff that he holds in his right hand.
Added white and goldish-yellow on side A, for jewelry, balls, phiale, wreath, and vegetation. The saltire square have short lines in place of dots. The right-most saltire square on A is replaced with a box of vertical lines.
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| REDMG:1951.156.1
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Mouth black inside and out, with a reserved lip; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body, top: black line at top of body. Body (at front, only): three rows of black dots between four black lines; black lines above and below figural scene; below, simple maeander to right, above a black line. Body, below: two black lines, thick black band, two thinner black bands, black to foot. Figural scene depicts a goddess mounting a quadriga, profile to right. Behind the horses are a seated (?) female figure, also profile to right, and a standing male (?) figure, from whom emerge, to either side, dotted branches; in front of the horses is a lyre player, seated profile to the left. All figures are heavily draped.
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| REDMG:1951.159.1
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On neck, between black handles, an enclosed palmette (11 petals on A and 9 petals on B; with two concentric arcs for heart on A, black dot for heart on B), black dot on either side of central petal, and black dot in the upper corners; black ridge below black line; frieze of vertical bars below each handle attachment; beneath each handle two superimposed palmettes, with a pair of volutes between, from which emerge tendrils, sprouting quarter palmettes. A: egg-and-dot frieze, between two black lines; white ribbing (painted); two reserved bands; floral frieze on shoulder (four volutes from which emerge flowers, tendrils and secondary volutes) emerging from the lower right; two reserved bands; scene. B: Continuous maeander to right, between two black lines; black ribbing (painted) between two pairs of black lines; a female head, profile to left, wearing a sakkos, from which emerges curly black hair, at front and back. Below the body zone, around the entire vase, is a decorative band consisting of dotted broken stopt maeanders to left (pattern doesnt match up on side B, to the left) between two reserved bands; black below.
Scene, A: A naiskos comprised of two Corinthian columns supporting a tapered epistyle and black pediment, on top of a podium (white maeander on a brown background, between alternating black and white horizontal bands). Two white female figures stand within the naiskos. The figure at left, standing in 3/4-view to the right, wears a himation over her left arm and hips, over a peplos (decorated with two vertical purple bands on the chest). Her hair is bound in a sakkos from which emerges hair at front and back; her jewelry includes a beaded necklace and two bracelets on each wrist. She holds a fan in her raised left hand as well as a wreath in her lowered right hand. She faces another woman (probably the deceased) who is seated in 3/4-view to the left on a stool (diphros) and rests her feet on a footrest (hypopodion). She wears a short sleeved chiton and a purple himation that she holds above her right shoulder in an unveiling gesture (anakalypteria). Her hair too is bound in a sakkos, from which emerges hair at the back; she wears two necklaces, one beaded, and two bracelets on each arm. A small ornament (or pures) hovers in the field between the two women. On either side of the naiskos is a kalathos (basket), below a rosette (red with added yellow and white), above a pair of white balls interspersed with clusters of three white dots, and above a double line of white dots. Each basket (both are identical) is decorated with a cross-square with intervening triangles (top) and alternating bands of zigzags, and white and black lines, as well as a band of vertical bars.
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| REDMG:1951.161.1
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Black interior, except for two reserved bands, at the top and bottom of the everted lip. Under the rim is a laurel wreath, to left, between two reserved bands. Beneath the figural scenes and surrounding the lower part of the vase, is a decorative band, comprised of stopt maeanders (3) alternating with saltire squares (1), between two reserved bands. The handle zones are reserved, and ray bands decorate each handle attachment; beneath each handle is a palmette, between two tendrils. Reserved bands decorate the base, on the groove at the top, and on the bottom; the underside is reserved.
A: A woman and a youth advance in 3/4-view to the right. She wears a stephane, a kekryphylon with ribbons, a beaded earring and beaded necklace, double braceless, a sleeveless, belted chiton, and slippers. She holds a tympanon (drum) in her upraised right hand and a kantharos, in her upraised left hand, which she lifts from a tray held by the youth, in his right hand. There are three white dots on top of the tray. He is nude except for a yellowed fillet, a thick white necklace, and a robe draped over his right hand. He turns his head profile to the left, to face the woman, and also holds a fillet in his outstretched left hand. There is a grape cluster in the upper right field. Added colour (white with yellow) is used for the jewelry and slippers.
B: Two robed youths in conversation, stand profile towards each other, each with his weight on his left leg. Both are enveloped in their himatia except for their right hands; the left-most figure holds a staff in his advanced right hand, while the other figure gestures to him, with his upturned right hand. There is a bulls eye in the field between them.
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| REDMG:1953.25.101
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Hollow figure showing head and shoulders of bearded male figure, head tilted to one side. Possibly a satyr(?). Coarse material with small stone inclusions.
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| REDMG:1953.25.105
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Upper part of female(?) figure with bouffant hair-do with traces of pink. Traces of red on lips. Figure is wearing white tunic with vertical red stripes, and green belt with large buckle. Perhaps holding an eagle on right arm. Made of white plaster and is coarse. Back plain.
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| REDMG:1953.25.22
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Mouth black inside and out, with a reserved lip; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body, top: black line. Body (at front, only): black line; two rows of black dots alternating with white dots; two black lines; figural scene. Body, below: two black lines, black band, black line, black to foot and on top of foot; black on torus; otherwise reserved. Figural scene depicts a charioteer, dressed in a white tunic, driving a quadriga profile to right; the horses raise their forelegs as they pass a white meta (post). Another figure, possibly Athena, with helmet and spear, runs alongside the horses, so that (s)he is obscured by them.
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| REDMG:1953.25.23
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Mouth black outside; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body (at front, only): black line; two rows of black dots alternating with white dots; two black lines; figural scene. Body, below: black band, black line, broad black band, black line, black to foot and on top of foot; black band on lower part of concave element; otherwise reserved. Figural scene depicts a male figure wrestling a bull. The figures are flanked by trees with black and white fruits and thin vines. The heros clothes hang on the left tree and his quiver hangs above him. While this scene might depict either Herakles with the Cretan bull or Theseus with the (same) bull of Marathon, the incisions on the head covering (slightly stippled) suggest that this is a schematic rendering of Herakles lion-scalp helmet. Added white is used for the rendering of details such as fruit on trees, as well as the forepart of the bull, and his tail, while incision is used to indicate the drapery, quiver, and musculature of the hero, as well as his head covering. On attribution, cf. CVA Cambridge 1, pls. 22, 21.
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| REDMG:1953.25.25
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Reserved neck; band of black vertical bars above a band of black rays on shoulder, extending to carination. Body: maeander to right (only at front), between two pairs of black lines; figural scene (front only); black band; black to foot and on top of foot, and top half of vertical surface of foot; otherwise reserved. Figural scene is of four seated figures, seemingly two women profile to right, the second playing a lyre, face a man reclining in 3/4-view to left on a kline (couch), with another female figure, profile to left, at his right. Dotted branches extend from the male figure (perhaps Dionysos) on either side. Added white for female flesh (faces) and fruit; incisions for drapery and fillets.
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| REDMG:1953.25.32
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Interior and handles black, as are the lower part of the body, stem, and upper surface of foot. Reserved band around rim, interrupted on either side by handles. Reserved vertical band in each handle zone; on each side a female head, profile to the left, between two white vertical bands, each crowned by a circle near the top of the band; red diagonal surface of foot; reserved underside including resting surface.
Each female wears a stephane and a sakkos from which emerges a bundle of hair, also tied with a white ribbon; earring comprised of triangular element (missing from side B) beneath hoop; beaded necklace The figure on side B has a fleur-de-lys in the lower left field. The surface is ruddled on both heads and the exterior of the foot; added yellow, in places gilded with yellow, for details of hair ornament, jewelry, and fleur-de-lys.
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| REDMG:1953.25.34
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A standing male figure in front of a kneeling female
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| REDMG:1953.25.91
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Figure on a horse, moulded both back and front. On back can be seen a circular shield. The front shows the horses mane and the figures face. Red coarse clay with flecks of white. Hole completely through nose of horse perhaps for suspension(?). Horse has two legs, each with a concave base.
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| REDMG:1953.41.1
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Decorated entirely in black glaze except for the decorated tondo, the reserved resting surface (and perhaps also reserved handle zones which are, however, unclear because it is obscured by deposits). The centre of the bowl is decorated with a reserved circle in which is seated an abstracted human figure, perhaps a Scythian (wearing a mitra), holding a drinking horn.
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| REDMG:1958.111.1
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Black glaze except reserved on the lower part of the foot, resting surface, and udnerside. Red figure palmette (11 leaves) with tendrils and leaves rising from either side. Small, dotted circle on left side, above tendril; round groundline.
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| TEMP.2003.2.1
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Fragment with the head and torso of a figure, white marking on the figure's head. Quite deep incisions to outline the figure.
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| TEMP.2003.6.17
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The interior of the vessel is black apart from the lowest part of o, whose lower part bears a reserved but glazed line. Exterior: a) On the right side, there is the upper part of a seated woman (part below her waist is missing). She is draped and wears a stephane (fillet) on her head. On the left side there is a floral motif whose stem is a wavy line that expands to the left. b) There is the back side of another seated draped female figure. c) The front side of the previous female figure. She is holding an alabastron with both her hands. d) On the lower left part there is the largest part of a voluted palmette with petal shaped divisions, connected with a tendril. The area next to the spring of the one part of the handle is reserved. e) On the bottom right there is the rest of the previous palmette, also connected with a tendril. f) On the bottom right there is the upper part of a palmette and on the upper left there is part of a tendril's volute. The area on the left of teh one spring of the handle is reserved, but glazed (plaster on top). g) Uneven black surface. h) A small part of the volute of the tendril of f and the stalk of a flower. i) Part of an inverted palmette, connceted with (part of ) a tendril, with (occasional) leaves on its sides. j) Small line, part of a tendril. k) Part of a tendril's volute. l) A figure's projected forearm and hand (figure's depicted on n?). m) On the right side, there is the stalk and part of the stem of a flower and a line that seems to be part of a tendril. n) Part (head missing, neck and shoulder are scraped off, area below the knees missing) of a draped standing figure that has the left hand around the waist. o) The lowest part of a figure's drapery.
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| TEMP.2003.6.24
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Fragment of pot, including slight buldge where handle begins. Exterior, black lines on white background. At the right edge of the top there is a triangluar bit of black that looks like it originally belonged to a square surrounded on both verticle sides by twin sets of thin brown verticle lines. Less than 1 from the top there are two brown lines that follow the curve of the jug horizontally spaced .3 apart. Under these lines on the left is a large2.5 hieght figure eight pattern made up of three lines that swirl around to create the eight, with little v's on the outside of the eight pointed away from where the figure eight lines cross. On the right side, two bworn/black lines curve around where the handle would have begun. The handle section is all black, although chipped. Under the figure eight is a .6 thick black lines running horizontally around the pot, broken by a thin pink line a little below the middle. there are two other thin pink lines equidistant from this first one, one above and one below it by about .4, the top pink line being right above the top of the black line. Underneith the bottom pink line is a segment of a different pattern. Interior is black over pink and white, which is worn away enough in many parts to see the pink and white colors. two thin and faded white lines form bands near the top.
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| TEMP.2003.6.7
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The interior is entirely black apart from a, which, although black, bears a reserved band on the interior of the rim. a) The rim is black. Below that, the vessel bears the depiction of a symposium scene. On the left, there is the upper part of two draped male figures facing each other. Between them there is a carelessly rendered figure (background); a servant? and a branch with dots on either side. Another, identical branch can be found behind the person on the right. Next to that, there is the upper part of another figure (servant?) from whose arm another branch is hanging. He is facing right, towards a palmette (voluted with petal-shaped divisions), from which the beginning of a tendril seems to spring. There is also part of the bad that covered the back of the handle. b) The lower part of the male figures that face each other. They are draped and seated on similar chairs (diphros okladias). Below them there is a thick line and underneath, the beginning of a band. c) The lower part of another seated (on a similar chair), draped figure, with part of the thick line and the band below. d) The back of the handle is covered with black colour (carelessly rendered at some areas and streaky). The rest of the surface is reserved (but glazed), however, there are some spots on the handles's inner surface. e) The back of the handle is black, but the black colour is streaky at some areas, There is part of a branch on the right side. f) The back bears black colour. g) The back of the handle is black, although streaky on some areas.
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| TEMP.2003.6.8
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The interior is black, apart from a reserved line on the upper part of the rim. a) The rim bears a black band. Below, there is a palmette on the left of the fragment (an almost round centre from which emerge petal-shaped divisions), as well as part of a carelessly rendered curving line. On the left there is the right part of a figure next to three barnches with dots on either side. There are also four large dots on the background. b)The rim bears a black band. The rest of the surface appears to be reserved. c)The rim bears a black band. On the right side there is the largest part of a palmette (round center, rendered with added red and petal-shaped divisions). There is part of a black line that contoured the handle (partially covered with adhesives and plaster). On the left, there is another figure (carelessly rendered, between three similar branches (on the right) and part of an (undecipherable) object that consists of black colour, incisions and added red colour. There are also four large dots on the background. d) The rim bears a black band. There is part of the object on the left side of c and on its left there is part of a black dot. e) On the left side there is part of a curving line with a voluted ending (tendril?), which is connected to a palmette (voluted, with round center and petal-shaped divisions). Next to that there is an object that consists of three parts. The upper is round and the details are rendered with incisions and added red, the middle part is a small dotted branch and the lowest part is a short, vertical, thin band (thyrsos?). From its middle part emerges another dotted branch. There are five large dots on the background. On the right side of the fragment there is the left part (small part) of a figure? (carelessly rendered). f) The part of the lowest body that is preserved bears the terminations of palmettes? depicted on the body (short, clumsily rendered bands are preserved). There is also a reserved thin line between two broad brown bands. The foot is also brown and so is the inner sude surface of the foot. The rest is reserved, with the exception of five thin, concentric circles on the base. g) The fragment bears the lowest part of a palmette (the left volute and part of the round center)on the left and part of the reserved area between the two brown bands.
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| TEMP.2003.7.30
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Small figurine, features not at all defined. Figure is very simple, small rounded shapes for head and arms. Both the back and front are relatively flat and smooth - the front is the side which has the base sticking out further than the back. There are indications that something was painted on it - black line by the right arm, on the front at the bottom, and on the back on the lower half of the body - here there are three vertical lines, the middle line being the longest. There are four black blobs on the square base.
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| TEMP.2003.7.31
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Small figurine, possibly an animal, because the nose/mouth is pointed like a snout. Has two small holes for the eyes, and three holes above them. The neck is thinner than the head, and the arms are clearly defined, although are broken. The figure is of a red colour, with remants of black paint on the head and lower back.
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| TEMP.2003.7.64
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Fragment from the neck of a closed shape, with a flat, thick rim (1.4cm). Flat, top of rim seems to have been painted white. The side of the rim has a pattern around it. The pattern has a thin, black line parting small 'U' shapes. The top half of the pattern has 'U' shapes in it, which have tiny, verticle, red lines inside them. The bottom half is the same, however the 'U' shapes are up-side-down. The neck and small piece of the body, on the fragment, is glazed black and appears to have once had white paint on it. The fragment has a small piece of the pot's body on either side of the neck. One of the sides of the fragment of the body has the top of two figures on it. The right hand side figure is the top of a head but its features are unclear. The left-hand-side figure appears to be a women, with her left arm raised. The underside of fragment is terracotta colour. The inside of rim is glazed black and the inside of the pot appears to have been left terracotta.
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| TEMP.2007.3.66
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Obverse: Head of Trajan with laurels
Reverse: A figure seated behind a trophy
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| TEMP.2007.3.67
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Obverse: Female figure with wings Nike?
Reverse: Caduceus
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| TEMP.2007.3.72
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Obverse: Head of Commodus with thorned crown
Reverse: Female figure standing holding corn and Cornucopiae
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