| 11.10.21
|
the interior. Exterior of the rim black; black ground line at bottom of figural → scene ←; black on lower part of body and exterior of foot, except for two reserved |
|
| 14.9.48
|
Interior surface has Two red bands, on on top of rim and one just below. Main → scene ← is a chariot with three passengers facing to right. The broad band below |
|
| 14.9.85
|
Interior black and glazed. Exterior is black above the → scene ← of a youth riding a horse. Only top third of horse is visible. Added red |
|
| 2007.10.2.124
|
Battle → scene ←: three men protecting the body of a dead companion from the enemies. Proba |
|
| 2007.10.2.160
|
Marriage → scene ←. The young wife, wearing a veil over her head, gives her hand to a young m |
|
| 2007.10.2.185
|
Fighting → scene ←. A creature with female body and a serpent instead of legs grabbing a man, |
|
| 2007.10.2.219
|
pears to be stirring a pot at the feet of both figures. On the far right of the → scene ← there is a pole with a serpent wrapped around it.
|
|
| 2007.10.2.237
|
far right of the cast (behind the central male figure) is a second soldier. The → scene ← possibly portrays an encounter between Theseus and Ariadne after the killi |
|
| 2007.10.2.244
|
nee-length dress is depicted resting against something in the background of the → scene ←, however, it is unclear whether it is vegetation or a structure. The figur |
|
| 2007.10.2.245
|
ts across his lap. A club rests against his left thigh in the foreground of the → scene ←. There is either a bull or cow depicted by the figure's right leg at the b |
|
| 2007.10.2.253
|
Two figures are depicted. The figure to the left of the → scene ← is a seated semi-naked female. Her dress or cloak lays across her lap and |
|
| 2007.10.2.295
|
Naked male figure facing into the → scene ← of the cast, his back to the 'viewer'. The figure appears to be holding a |
|
| 2007.10.2.303
|
Possible battle → scene ←, containing five horses and two men, figure to the far left(only wearing a |
|
| 2007.10.2.304
|
t. The animal skin (if it is lion) perhaps identifies the male as Herakles. The → scene ← might be a representation of one of Herakles tasks (yoking of the bulls).
|
|
| 2007.10.2.306
|
le figure. She is holding a rod or staff. Her attention is not upon the central → scene ←, she appears distracted by something which is occurring further left as he |
|
| 2007.10.2.307
|
it). To the far right of cast a tree is depicted, perhaps to simply denote the → scene ← is an exterior one (rural rather than urban might also be suggested).
|
|
| 2007.10.2.308
|
A large ox or bull is represented to the left and centre of the → scene ← taking up most of the space within the cast. The beast's head is turned as |
|
| 2007.10.2.311
|
A large female figure reclines in the centre of the → scene ←. She is dressed in robes and is wearing either a helmet or a cap (Phyrigia |
|
| 2007.7.1A-S
|
J: Left half is black, right half contains an unclear section of the symposion → scene ←; K: Drapery, most likely from the symposion → scene ←, with a drinking horn i |
|
| 2008.2.1.18
|
Group of 12 (?) figures, both male and female. Looks like a banqueting → scene ← with musicians and drinking cups.
|
|
| 2008.2.1.38
|
perhaps indicating pain. There is a third snake at her feet to the left of the → scene ←, and a vase with flowers in it at her feet to the right.
|
|
| 2008.2.1.43
|
rd figure is on the extreme right of the cast, apparently walking away from the → scene ← and carrying what appears to be a lantern.
|
|
| 2008.2.1.61
|
ancing baskets of fruit on their heads. The two figures on the far right of the → scene ← appear to be playing musical instruments. The → scene ← is framed by two trees |
|
| 2008.2.1.73
|
At the center of the → scene ← two horses pull a chariot one figure drives the chariot whilst another fig |
|
| 2008.2.1.74
|
To the left of the → scene ← is a semi-naked male figure appears to be sitting upon a table, there is a |
|
| 2008.2.1.95
|
An active → scene ← with at least 9 discernible male figures. There are two figures on a raise |
|
| 2009.10.2.307
|
A → scene ← depicting from left to right: Hercules , Athena, and a clothed woman. The |
|
| 2009.10.2.308
|
→ scene ← showing a naked man looking right
|
|
| 2009.10.2.309
|
→ scene ← showing Herakles sitting on the skin of the nemean lion and holding |
|
| 2009.10.2.310
|
A → scene ← showing Herakles facing left. In his right hand he carries his club and th |
|
| 2009.10.2.312
|
A → scene ← showing Herakles facing away, club in hand.
|
|
| 2009.10.2.313
|
→ scene ← showing the Farnese Herakles made by Lysippos.
|
|
| 2009.10.2.314
|
→ scene ← showing Herakles facing left and leaning on his club.
|
|
| 2009.10.2.315
|
A → scene ← depicting Herakles facing left. In his left hand he holds his club and in |
|
| 2009.10.2.317
|
A → scene ← depicting two figures. Herakles is holding his club on the right, standing |
|
| 2009.10.2.318
|
A → scene ← showing Herakles, club and bow in hand, standing victorious over a giant.
|
|
| 2009.10.2.319
|
A → scene ← showing Herakles on the left and a cowering giant on the right. Herakles s |
|
| 2009.10.2.320
|
A → scene ← depicting two warriors attacking a giant. The central warrior is wearing a |
|
| 2009.10.2.321
|
A → scene ← showing Herakles standing over Nessus, the centaur in a warlike pose.
|
|
| 2009.10.2.323
|
A → scene ← showing a man, possibly the titan Crius, facing left. He is holding a ram' |
|
| 2009.10.2.324
|
A → scene ← showing a man playing a lyre.
|
|
| 2009.10.2.325
|
A → scene ← depicting a Hydra fighting the Hydra.
|
|
| 2009.10.2.326
|
A → scene ← showing Herakles with his club, attacking the Hydra.
|
|
| 2009.10.2.327
|
A → scene ← showing Herakles, with club, fighting the Hydra.
|
|
| 2009.10.2.328
|
A → scene ← depicting Herakles with club. The Basket on the left hand side is possibly |
|
| 2009.10.2.330
|
A → scene ← showing a Herakles carrying a bulle Cretan Bull
|
|
| 2009.10.2.331
|
A → scene ← shoeing a man, possibly Herakles, carrying a bull (possibly the Cretan Bul |
|
| 2009.10.2.332
|
A → scene ← showing a Herakles carrying the Cretan bull.
|
|
| 2009.10.2.333
|
A → scene ← depicting a man Herakles carrying a bull Cretan Bull.
|
|
| 2009.10.2.334
|
A → scene ← depicting Herkales carrying the skin of the Nemean lion.
|
|
| 2009.10.2.335
|
A → scene ← showing two men standing either side of a jug.
|
|
| 2009.10.2.336
|
A → scene ← depicting a lion, possibly the Nemean lion.
|
|
| 2009.10.2.337
|
A → scene ← showing Herakles, club aside, strangling the Nemean lion.
|
|
| 2009.10.2.338
|
A → scene ← showing Herakles strangling the Nemean lion.
|
|
| 2009.10.2.339
|
A → scene ← showing Herakles strangling the Nemean lion.
|
|
| 2009.10.2.340
|
A → scene ← showing Herakles strangling the Nemean lion.
|
|
| 2009.10.2.341
|
A → scene ← showing Herakles fighting the Nemean lion.
|
|
| 2009.10.2.342
|
A → scene ← showing Herakles (left), with club, defeating a soldier (right) who kneels |
|
| 2009.10.2.344
|
A → scene ← showing Herakles (distinguished by the pelt of the Nemean lion) crushing A |
|
| 2009.10.2.500
|
A → scene ← showing Herakles fighting Antaeus.
|
|
| 2009.10.2.501
|
A → scene ← showing a Herakles fighting Antaeus.
|
|
| 2009.10.2.503
|
A → scene ← depicting showing Herakles (distinguished by his club) shooting two birds |
|
| 2009.10.2.504
|
A → scene ← showing Herakles (distinguished by his club) shooting three birds (possibl |
|
| 2009.8.89
|
A → scene ← of a feast. Women and men are dancing and playing instruments. A vase on a |
|
| 2009.9.188
|
A hunting → scene ←. Three men killing a boar with spears. On each side are two trees. Maybe a |
|
| 2009.9.193
|
A fighting → scene ←. The man in the middle is rising his sword to kill the man in front of him |
|
| 2009.9.222
|
A naked man lying on the ground, a chariot pulled by two horses is fleeing the → scene ←. Probably Phaeton after his fall from the chariot. Cast number: 57
|
|
| 2014.3.1
|
Fragment of Symposium → scene ← of female lyre player (exterior/convex side). Haimon Group. Black figure p |
|
| 2016.3.1
|
Moulded ring around the discus; there is a moulded decoration of a corpule |
|
| 22.3.22
|
m and body (the bit of rim that is preserved is reserved). In the middle of the → scene ←, there is a draped youth facing part of a second draped figure (on the rig |
|
| 22.3.26
|
ne, followed by a wave pattern around a reserved line that contours the central → scene ← of a female head,in profile, facing left with a head dress (kalyptra) show |
|
| 26.12.12
|
of two boxers between two seated men who are facing them. On each side of the → scene ← are the tips of the wings of sphinxes, who were presumably facing the hand |
|
| 26.12.19
|
nds either side. Lower step of foot black; base reserved.
This is probably the → scene ← in which Medea tricked the daughters of Peleus: she killed an old ram, cut |
|
| 26.2.95
|
glazed black; exterior: black-figure decoration consisting of possible warrior → scene ← (left thigh and right leg of warrior lunging to left; one hind leg and par |
|
| 26.7.2
|
hin, black line. The surface of the body is reserved (up to the point where the → scene ← ends) but bears decoration in black. The → scene ← is repeated on both sides; |
|
| 28.9.1
|
lack. Shoulder is reasonably flat and has red and black tongues above a combat → scene ← of seven warriors. Incised white and added red detail. Two horizontal han |
|
| 29.11.2
|
(the lower row is slanted to the right). The body is decorated with a symposium → scene ←: a man reclines and a seated woman plays the lyre, framed by two seated wo |
|
| 29.11.3
|
between dividing lines (three), interrupted at the back side of the vessel. The → scene ← depicted is that of a charioteer (woman) ridding a chariot of four horses |
|
| 29.11.6
|
him is another youth, who is perhaps supporting the rock. On either side of the → scene ← there are palmettes that seem to have sprung from the handles.
B (above): |
|
| 29.5.6
|
azzo Altemps. The original and the cast are of a three-sided relief, the middle → scene ← shows a cultic or mythic → scene ←, perhaps the sea birth of the Greek goddess |
|
| 29.5.7
|
rts, Boston. The original and the cast are of a three-sided relief, the central → scene ← seems to show the love god Eros, presiding at a psychostasia or weighing o |
|
| 29.6.1
|
d by two Horae (Seasons) on the shore who clothe the lower part of her body.The → scene ← probably represents the birth of the goddess. Alternative interpretations: |
|
| 33.4.3
|
wo reddish brown lines above the shoulder carination and two below it. The body → scene ← depicts a naked youth in profile to the right, offering a bird (duck?) to |
|
| 39.9.2
|
oulder has framed tongues with ivy leaf and dot at each join. Body has similar → scene ← either side. Side A shows combat of three warriors, with white detail on |
|
| 42.9.1
|
tween 2 dancing maenads, one of whom wears a spotted skin over her drapery. The → scene ← is surrounded (left and right) by vertical, bulleted zones in the form of |
|
| 45.10.12
|
Possible warrior → scene ←. i) black figure decoration. ii) black figure decoration including parts o |
|
| 45.10.15
|
ng palmette-lotus neck decoration, with crude tongues below, parts of a central → scene ← of female riders on horseback (possible Amazons) with male figures all fac |
|
| 45.10.7A-B
|
missing, but she is probably looking backwards, to see the advancing Eros. The → scene ← is reproduced again: Anoher Eros pursues another woman, who is running tow |
|
| 45.8.1
|
impression of a vague rendering of animal paws.
B: A youth in the centre of the → scene ← looks at his right, while in either of his sides, another youth is looking |
|
| 45.8.2
|
d. Two handles, one each side, all black. Both sides have a wave pattern above → scene ←. Between tall tendrils: Side A a youth running with a rosette in the fiel |
|
| 46.9.1
|
a silvery black glaze with two red lines at top, another just under the figure → scene ← and another just in the junction with the base. In added white, bearded ch |
|
| 48.5.2
|
The interior of the mouth is reserved except for a black band on its top. |
|
| 49.1.2
|
eck (red with black vertical lines) and the shoulder (egg-and-dot), the figural → scene ← in the body zone, a frieze (stopt maeanders alternating with cross squares |
|
| 49.4.1
|
Additionally, thinned glaze and black paint has been used for detail. Below the → scene ← there is a similar meander pattern on a white band. The rest of the vessel |
|
| 49.4.2
|
inted on the bottom tongues). Below, there is a reserved line. Side A: The main → scene ← depicts a female figure seated in a naiskos (monument with pediment, from |
|
| 50.5.2
|
ed. Palmettes occupy the spaces beneath each handle. On either side the figural → scene ← is bordered right and left with tendrils spouting two quarter palmettes fr |
|
| 51.1.2
|
h the shoulder. The neck is black (reddish brown on the reverse side). The main → scene ← begins from the top of the shoulder (under a red line), down the main part |
|
| 51.4.2
|
is reserved (but glossed), however the side bears a black meander pattern. The → scene ← consists of two chariots, the left one with three horses (below their knee |
|
| 51.4.4
|
specially for the tails and mane of the horses).There is a black line under the → scene ←, to render the ground. Body: It is black and so is the interior, apart fro |
|
| 51.4.9
|
rows of black dots that begin on the edge of the second left figure of the main → scene ← and stop at the edge of the last person. In the centre of the → scene ←, a mal |
|
| 51.7.11
|
he space beneath each black handle; a series of dots mark each handle zone. The → scene ← on each side is bordered by two tendrils that emerge from the ground, in m |
|
| 51.7.5
|
h a frieze consisting of 7 clusters of three white dots at the top of a figural → scene ← (arranged in upside down triangle shapes): a female figure, standing in 3/ |
|
| 52.3.3
|
Inside is black on neck and rim but reserved inside the body apart from nu |
|
| 53.8.4
|
wash); a stemless ivy beneath each handle; narrow reserved band beneath figural → scene ←; reserved band on the upper part of the foot; underside of foot is reserve |
|
| 56.8.8
|
rendering of armour, hairstyles and drapery, mostly executed by incisions.
The → scene ← is framed by bands, top and bottom. Above the top band is a reserved circl |
|
| 65.6.1
|
the triangular surfaces around it. The meander pattern continues as far as the → scene ← below it is depicted. Main → scene ←: A young man, wearing underwear? is seate |
|
| 70.3.1
|
served. Shoulder has dots, rays. Body, from top to bottom, two rows black dots, → scene ←. → scene ← shows a chariot travelling right at speed. Behind the chariot figur |
|
| REDMG:1926.99.54
|
joined by a thin black zigzag (at front, only), above two black lines; figural → scene ← (front only); white band; black band between two black lines; black to foo |
|
| REDMG:1935.87.25
|
ed but ruddled resting surface. A. Horizontal friezes on neck and below figural → scene ←, consist of two vertical bars alternating with circles, reserved bands abo |
|
| REDMG:1935.87.3
|
Large palmette with tendrils under handle on body and tendrils either side of → scene ←. → scene ← is a woman standing, facing right, holding mirror in right hand an |
|
| REDMG:1935.87.34
|
lower half of neck has ivy leaves with dot rosettes, black band, black tongues, → scene ← of three youths in conversation with crossed circles in field, double row |
|
| REDMG:1935.87.7
|
ck. Wave pattern on neck forms upper part of a reserved frame around a figural → scene ←. This → scene ← depicts a horned youth, running to right but facing profile t |
|
| REDMG:1947.13.1
|
om which emerge also tendrils, berries, volutes, and blossoms; reserved frieze; → scene ←. B: Continuous maeander to right, between two pairs of lines; black ribbin |
|
| REDMG:1950.25.1
|
e, surrounded by broad ruddled band, and black on inner foot ring.
The figural → scene ← shows a female figure, dressed in a belted, sleeveless chiton, reclining |
|
| REDMG:1951.131.1
|
egg-and-dot band and another reserved band; row of white dots at top of figural → scene ←. Below, band comprised of stopt maeanders (3) alternating with cross-in-sq |
|
| REDMG:1951.134.1
|
Banded decoration below is comprised of a reserved band just below the figural → scene ←, a pair of red bands above the foot, a red band on the upper surface of th |
|
| REDMG:1951.137.1
|
ack stem, reserved band at attachment to lid, which is decorated with a figural → scene ←. Bird (partridge or pigeon) standing profile to right, towards a female he |
|
| REDMG:1951.140.1
|
laurel wreath, to left, between two narrow reserved bands. Beneath the figural → scene ← is a groundline comprised of a frieze of alternating maeanders (three) and |
|
| REDMG:1951.142.1
|
Black except for body → scene ← (ruddled), and reserved resting surface and underside. → scene ← depicts a fem |
|
| REDMG:1951.144.1
|
surrounded by red band, wave pattern to left, and black and red bands; figural → scene ← showing three different types of fish (bream in profile, xxx and cuttle fi |
|
| REDMG:1951.147.1
|
n: line at middle of neck; ray band at lowest part of neck, above dots; figural → scene ← between two sideways palmettes, enclosed, from the outside bottom of each |
|
| REDMG:1951.150.1
|
Black except for decorative bands and figural → scene ← on either side, and reserved band at lowest part of foot, as well as reser |
|
| REDMG:1951.151.1
|
ntire body and serves as a groundline for the figures; reserved underside.
The → scene ← depicts a youth, nude except for two bands in his hair and a chlamys drape |
|
| REDMG:1951.156.1
|
ows of black dots between four black lines; black lines above and below figural → scene ←; below, simple maeander to right, above a black line. Body, below: two bla |
|
| REDMG:1951.157.1
|
zone (comprised of five vertical lines in panel) at front of neck, and figural → scene ← on the front of the body, and reserved underside at front half of lekythos |
|
| REDMG:1951.159.1
|
drils and secondary volutes) emerging from the lower right; two reserved bands; → scene ←. B: Continuous maeander to right, between two black lines; black ribbing ( |
|
| REDMG:1953.25.22
|
e; two rows of black dots alternating with white dots; two black lines; figural → scene ←. Body, below: two black lines, black band, black line, black to foot and o |
|
| REDMG:1953.25.23
|
e; two rows of black dots alternating with white dots; two black lines; figural → scene ←. Body, below: black band, black line, broad black band, black line, black |
|
| REDMG:1953.25.25
|
y: maeander to right (only at front), between two pairs of black lines; figural → scene ← (front only); black band; black to foot and on top of foot, and top half o |
|
| REDMG:1953.25.85
|
Top is flat and squared off. Groove below rim then the rim is diagonal, r |
|
| REDMG:2004.95.1
|
s riding on a mule, between two satyrs, one holding a maenad. Below the figural → scene ← is a black band, a reserved band, and then a black zone extending to the f |
|
| TEMP.2002.9.2
|
e front panel with a pattern of horizontal palmettes with dots in field above a → scene ← of a woman, with head covered, facing a youth wearing a long tunic and hol |
|
| TEMP.2003.6.7
|
a) The rim is black. Below that, the vessel bears the depiction of a symposium → scene ←. On the left, there is the upper part of two draped male figures facing e |
|