Ure Museum Database



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There are 176 objects for which Decoration contains → parallel
13.10.11.10 Incised pattern of parallel lines enclosing dots, between these features are undulating lines. There is also an incision around the girth of the bead.
13.10.11.16 Parallel zigzag lines incised on both the bottom and top sides of the bead as well as an incision of one line around the girth of the bead and around each end of the piercing.
13.10.11.3 Spherical bead with an incision around the girth, and parallel lines of 2 or 3 incisions either side of the girth.
13.10.11.4 Three parallel lines of incisions in diamond shapes on the surface of the bead
13.10.11.5 Incisions and dots on the surface. Pattern is such that the dots are in between two parallel, vertical lines. Incision around the girth too.
13.10.11.6 Groups of three incised parallel lines, arranged patterns.
13.10.11.8 Sets of three parallel lines of incisions all over the whole object.
14.9.34 Fragment of a flat base. Chocolate coloured paint inside and out, including a flat base, all glazed. Exterior has 6 horizontal bands of white near the bottom, the lowest one broader than the five upper ones. On base two white parallel lines.
14.9.54 Brownnish-black on pale buff. Design consisting of lozenges or perhaps triangles filled with trefoils, the vacant spaces being filled with waved parallel lines.
14.9.75 At the top is a triangle of black, with a smaller triangle below leading to a dark brown line. There is a similar line parallel to this one on the left. Both lines are at right angles to a braoder dark brown line. Nestled between two faint brown lines are five white circles with black circles in the centre. There is just a small area of dark brown/black on the bottom right hand corner. Other side is reserved.
2003.7.19 Possibly part of rim and body of a bowl/jar, due to the smoothness of the top of the fragment. Side is shows indication of being the interior, due to the plain black colour painted on. The exterior, side B, has been painted in white with a narrow area of black at the bottom. There is indication of two parallel lines of small black dots, in between which are two narrow parallel black bands with squares of black between them.
2003.7.20 Fragment of rim, body and stump of handle of a bowl/jar. Interior is painted in black. Exterior has the rim painted in a broad band of white, with signs of parallel lines of black dots at the edge of the white. There are also indications of two narrow parallel lines, with black squares in between them. The body/shoulder and handle are painted in black.
2003.7.26 Probably part of a jar due to the way the bottom of the fragment juts out at an angle - possibly the body of the jar. The interior is painted black/dark red, although most has rubbed off. The top half of the exterior has been painted white (barely visible), with parallel lines of small black dots, and black squares in between these two lines. The rest of the fragment is painted black.
2003.7.27 Small fragment, possibly part of a jar. Interior (side a) is painted black and curves slightly at the top - possibly a rim? The rest of the fragment has been painted in white, with four black narrow parallel lines, and a black square nestled inbetween the first two lines. There is also a dark red line at the bottom of the fragment.
2003.7.28 The interior is painted a solid black. The exterior has a black band at the top. There is a white background painted on, with three black parallel lines. Between the first two lines is a row of small black dots, the second and third line has a black circle lodged between them and there is a small black dot at the very tip of the fragment.
2004.8.5 Eleven, black palmettes in fan arrangement, two of which are joined at the stems. Left of the palmettes there is a verticle black line with a series of small black dots, parallel, either side (ten left of the line and eight right of the line) which is believed to be a branch of a tree. Right of the palmettes there is a solid, thin black line (L. 3.8).
2005.7.4 Two parallel bands (clavi) with tapestry foliate and zoomorphic design
2005.7.5 Two parallel bands (clavi) with foliate design
2006.12.40 Brown concentric circles around pot, 3 narrow, 2 broad. Parallel lines meet these circles at right angles, with zig-zag lines between the groups of parallel lines
2006.12.42 Unclear due to damage and fading, but appears to be black painted design. Two parallel lines and some chevrons distinguishable
2006.12.45 Parallel lines, hatching and a row of backward "S" shapes.
2006.12.46 Red/brown decoration with two parallel lines. Above this is what seems to be a leg of an animal, probably a duck or goose. The division of the foot into two toes is indicative of the geometric style.
2006.12.5 Two parallel lines and key design in orange-brown on a white painted background, slightly worn
2006.12.51 Black parallel and hatched lines; very worn
2006.12.55 Black and brown lines on white background running parallel; near edge of fragment others at perpendicular angle to other lines; worn decoration
2006.12.71 Black paint on inside; White paint with parallel black lines on outside
2007.2.80 One side is decorated with three bands of a dark orange glaze; one a thick straight band, then two thin parallel bands that curve in the opposite direction to the large band.
2007.2.93 One side is decorated with a series of parallel lines. In the centre of the fragment is a thick black line with a thinner one present above it. Underneath this lines of a light brown colour that increase in darkness.
2007.4.101 Black paint on inside; red and brown parallel lines on outside
2007.4.105 Parallel dark brown lines
2007.4.124 Black parallel lines next to broken handle; white paint under handle; faded black parallel lines perpendicular to other lines above and below area of handle; decoration worn, faded and chipped
2007.4.126 Black paint on inside; outside has lines of faded brown on a white background in both parallel line designs and chevrons; heavily worn
2007.4.13 Some black painting, stripes parallel to each other.
2007.4.167 parallel black lines of varying thickness
2007.4.171 black parallel lines
2007.4.173 parallel black lines
2007.4.174 thick parallel black lines
2007.4.175 Parallel
2007.4.176 faint parallel black lines across side
2007.4.182 Adjacent and parallel black lines; large portions of shard painted purely black
2007.4.199 Three parallel black lines above "S" shapes with black line beneath them.
2007.4.204 Three black parallel lines on one part of fragment; hatched area on other part of fragment
2007.4.208 Two parallel white lines with a white arc in corner
2007.4.214 White paint with 3 parallel black lines next to a hatched area
2007.4.22 Two stripes parallel to one another; one a brown colour while the other is black.
2007.4.6 Red painted lines parallel to each other, worn.
2007.4.72 Close inspection of outer surface shows a very faint parallel lines and zig zag pattern. Paint has presumably almost entirely worn away.
2007.4.77 Red, orange and brown lines in parallel, with lines from a ore complicated looking design perpendicular to them at edge of fragment
2007.4.9 Two black painted lines parallel to each other which are slightly worn.
2007.4.91 White slip with parallel brown lines painted on
2007.9.1.106 Displays a monogram, with parallel feathers, fern leaves or wheat sheaves underneath.
2008.7.101 Surface slipped with red-orange wash. Strap handle sloping inwards; black glazed on the outside; inside in reserve. Row of uniform parallel black lines at the junction of the shoulder and neck. On the shoulder, five black palmettes, the central one inverted, with black tendrils and dots in between. On the body, black glaze misfired with two red parallel lines just below the junction of the shoulder and body.
2008.7.117 Interior: Traces of a darker wash. Exterior: Traces of a greyish wash. 2 wide raised parallel vertical ridges at centre of fragment.
2008.7.125 Exterior: parallel 'V' shaped impressed into remnants of body of pot
2008.7.129 Interior: greyish-black wash. Exterior: greyish-black wash. 5 narrow, parallel, horizontal ridges accross centre of fragment.
2008.7.131 Interior: black wash. exterior: black wash. 5 narrow, parallel diagonal ridges accross rim.
2008.7.136 Exterior: greyish-black wash visible towards bottom of the fragment. Three horizontal, narrowly-spaced parallel lines etched towards upper edge.
2008.7.145 Interior: cream wash with 4 parallel horizontal lines overpainted in greyish-black creating 2 bands of pattern, one twice the width of the other. The narrower band contains 5 semi-circles, and the narrower a more irregular pattern of intersecting curved and straight lines. Exterior: Cream wash with narrow, evenly-spaced parallel horizontal lines overpainted in greyish-black. Patches of brownish glaze remain.
2008.7.152 Exterior: two horizontal parallel lines etched towards top of fragment. Below this, 3 vertical, non-parallel ridges, with narrower ridges coming off at shallow angles towards the bottom of them.
2008.7.158 Interior: 3 yellowish-brown horizontal parallel stripes towards upper edgde. Exterior: small handle towards righthand corner at 90 degrees to fragment. Underneath this, three parallel horizontal stripes overpainted in brown.
2008.7.159 Interior: reddish-brown wash. Exterior: 8 narrowly-spaced parallel horizontal lines overpainted in same reddish-brown colour.
2008.7.166 Interior: remnants of black wash/overpaint; Exterior: line of emall black overpainted dots underneath rim, beneath this is a parallel line of larger black overpainted dots beneath that sit between two thin parallel overpainted lines, beneath this is another line of parallel small overpainted dots
2008.7.167 Exterior: beige slip overpainted by remnants of three parallel horizontal reddish-brown lines; rim: probably had one reddish-brown line; interior: beige slip overpainted by vertical reddish-brown designs, not quite linear.
2008.7.179 Exterior: several (at least eight) horizontal parallel thin brown(?) lines; interior: brown glaze?
2008.7.18 Light brown exterior glaze with darker reddish-brown decoration. Seven parallel lines perpendicular to three other lines, all of the reddish-brown color. Also the edge of a rounded design, also reddish-brown. The interior is glazed reddish-brown, but a redder hue than the color from the exterior decoration.
2008.7.181 Exterior: white glaze with two (or three) overpainted parallel horizontal black lines; interior: black glaze.
2008.7.182 Exterior: white glaze with two overpainted parallel reddish-brown dashed(?) lines; interior: black glaze.
2008.7.187 Exterior: possible brown slip, entire surface is a series of parallel ridges.
2008.7.188 Exterior: white/beige glaze overpainted by two sets of two parallel thin black lines. Interior: black glaze.
2008.7.20 Exterior light-brown glaze. Overpainted by eleven dark-brown (black?) vertical lines that end in two parallel brown lines. There are six further brown horizontal lines parallel to these. All of the lines are of roughly the same thickness (ca. 0.2). Interior is reddish-brown glazed.
2008.7.21 On the exterior three parallel brown lines. Also, three curved reddish-brown lines (concentric circles?). On the interior, a dark brown glaze.
2008.7.22 Exterior is half natural baked color, half brown. Four parralel brown and reddish-brown horizontal lines overpainted of uniform thickness (ca. 0.1), one on brown half and three on natural half. Interior dark-brown or black glaze, nine brown and reddish-brown overpainted parallel horizontal lines of varying thickness.
2008.7.23 Exterior: beige slip overpainted by two parallel horizontal thick (0.6) brown lines outlined in black, two thick curved brown figures outlined in black, one small egg-shaped black mark. Interior: bottom third dark-brown to black, upper two thirds probably reddish-brown but heavily chipped and worn.
2008.7.24 Exterior beige slip overpainted by 12 parallel horizontal reddish-brown lines of uniform thickness (0.1). Interior reddish-brown slip.
2008.7.26 Exterior glazed light-brown, overpainted by three parallel horizontal brown lines - one slightly darker than the other two - and a black curved/spiral shape.
2008.7.28 Exterior: beige glaze overpainted by black horizontal line just under the rim, also four (three thin, one thick) parallel black lines running at a steep angle down from the rim. Rim: five thick black lines parallel to each other and perpendicular to the rim.
2008.7.3 9 parallel lines of brown slip beside which there is black glaze. Brown slip on sides of fragment
2008.7.30 Exterior glazed gray-beige, overpainted by two parallel thick (0.8) brown curving lines.
2008.7.32 Exterior has two parallel thick (0.8) brown curving lines.
2008.7.33 Exterior has two parallel thick (1.3 and 0.7) brown curving lines.
2008.7.34 Exterior glazed black overpainted by five horizontal parallel lines on the bottom half of the fragment. Three are brown, two are beige. The colors alternate. Interior glazed black.
2008.7.35 Exterior: one horizontal dark brown line running along the approximate intersection of shoulder and body. Just below this are two small dark brown dots of similar but different sizes. Above the line is a thick, wavy, erratic, dark brown line that dominates the fragment from the line up utn il just under the rim. Interior: two horizontal parallel dark brown lines. The top one is right up on the edge of the rim, the other slightly removed below it.
2008.7.37 Exterior has a light reddish-brown slip overpainted by six thin horizontal parallel red lines.
2008.7.39 Exterior: Base - 4 parallel red/brown lines. Top - single red/brown line parallel to lines on base, but set further up than base lines.
2008.7.43 Exterior has three (two thin, one thick) parallel brown curving lines.
2008.7.45 Exterior: three parallel black horizontal lines on the bottom of the fragment, a squiggly irregular black lines on the side of the rim, and a black line following the exterior edge of the rim; rim: seven parallel short brown lines, all perpendicular to the rim; interior: reddish-brown glaze, darker near the rim and fading slightly down the fragment.
2008.7.46 Exterior: two red parallel lines of different thicknesses overpainted.
2008.7.48 Exterior: two thick brown parallel horizontal lines, the upper of which has two thin brown parallel lines coming off at a shallow angle.
2008.7.52 Exterior: two parallel horizontal bands of a blueish-grey overpainted.
2008.7.53 Exterior has six thin horizontal parallel brown overpainted lines; interior glazed brown, with one or two possible thin reddish brown horizontal lines (could just be faded wash).
2008.7.54 Exterior: sigular line of black overpaint at top of fragment, parallel to this line but towards the base of the fragment are a further two parallel lines (closer together) in black overpaint.
2008.7.55 Exterior: two fairly thin, parallel, horizontal bands of an orangish-brown colour with part of a filled-in, curved shape surrounded by smaller circular dots of a similar colour overpainted.
2008.7.56 Exterior: two fairly thin horizontal parallel bands of brownish-red overpainted. One line of small circular dots running parallel above these, and two dots visible of a similar line below.
2008.7.61 Exterior: 7 black rectangles forming checked pattern overpainted. 4 narrow horizontal lines of the same colour run parallel to this .
2008.7.62 Interior: black wash. Exterior: thin parallel lines faintly visible at top and bottom of fragment. Between these, patches of overpainting in cream, black and brown remain.
2008.7.63 Exterior: 6 fairly thick, black, parallel, horizontal bands overpainted. Between the 2nd and 3rd there is a pattern of short vertical lines. Below this there is a pointed shape of the same colour.
2008.7.65 Exterior: 2 narrow, horizontal, parallel bands with triangular pattern between them overpainted in black towards rim. Traces of horizontal bands and geometrical patterns in same colour below.
2008.7.66 Interior: reddish-browm wash. Exterior: checked pattern created by rectangular shapes and horizontal parallel lines overpainted in reddish-brown. 2 thin horizontal bands run parallel to this.
2008.7.67 Exterior: rectangles forming checked pattern overpainted in black. Running parallel to this, 4 thin horizontal parallel lines and above this a pattern of 5 short vertical lines in same colour.
2008.7.68 Interior: reddish-brown wash. Exterior: Horizontal band overpainted in greyish-brown. Above this, a pattern of waved lines and short vertical lines. Below, 2 lines of similar colour run parallel.
2008.7.69 Exterior: 10 narrowly-spaced parallel horizontal lines overpainted in brown. below this 9 small circular grey dots in a horizontal band with a zig-zag pattern below in brown.
2008.7.70 Interior: reddish-brown wash. Exterior: rectangles overpainted in reddish-brown forming checked pattern at one end, with 2 thin lines running parallel above, next to a band containing a diamond-shaped pattern overpainted in same colour.
2008.7.71 Exterior: horizontal pattern of 11 narrowly-spaced parallel zig-zags overpainted in brown.
2008.7.72 Exterior: 10 thin, narrowly-spaced, parallel, horizontal lines overpainted in brown.
2008.7.73 Interior: black overpaint; exterior: two horizontal parallel black overpaint lines across centre of fragment with three spots of black overpaint in between them, either side of the parallel lines are small parellel lines of black overpainted dots
2008.7.74 Interior: black overpaint; exterior: thick black overpainted line with a parallel thin black overpainted line on the end with the slight vertical curvature
2008.7.76 Interior: black overpaint on entire side of fragment; exterior: across centre of fragment a set of five parallel horizontal overpainted lines, the central line is slightly thicker and a dark red/brown, the adjacent lines are a lighter red/brown colour
2008.7.77 Exterior: Thin, narrowly-spaced, horizontal parallel lines overpainted in light brown.
2008.7.78 Interior: greyish-black wash. Exterior: Parallel lines overpainted. Thick strip of dark-red colour in middle. One thin stripe of a geyish-black colour either side and one thicker greyish-black stripe either side of these.
2008.7.80 Interior: black overpaint; exterior: along one side of fragment are parallel black lines of overpaint with a spot of black overpaint between them in the centre, on one side of the parallel lines is a parallel line of overpainted black dots
2008.7.81 Interior: Reddish-brown wash, grey parallel horizontal stripes overpainted. Exterior: Cream wash, Reddish-brown parallel horizontal stripes of varying thicknesses overpainted, 2 thick and 3 thin towards one end and one thin at other. Line of small dots of same colour parallel to this.
2008.7.82 Interior: Greyish-black wash. Exterior: Cream wash. Fairly thick parallel horizontal bands towards one end overpainted in Reddish-brown and grey. Below this, the tips of horizontal triangular shapes overpainted in grey forming zig-zag pattern.
2008.7.85 Interior: black wash. Exterior: black wash with thick, horizontal, parallel stripes overpainted. One dark red, with a thinner cream stripe parallel above and below.
2008.7.86 Interior: cream wash with stripe of grey overpainted towards one end. Exterior: Cream wash with two widely-spaced parallel bands overpainted in greyish-black. Traces of another diagonal line of a similar colour and thickness joining these.
2008.7.87 Interior: greyish-black wash. Exterior: cream wash with horizontal parallel lines overpainted in brownish-red. 1 thick and 2 thin lines towards top. Curved pattern overpainted below in same colour.
2008.8.2 Exterior: Greyish-black overpainting depicting 2 standing birds with curved necks. The bird on the right has wings spread and short horizontal lines on the wing and tail suggesting feathers. There is a reddish stripe overpainted across the body and across the tail. The bird on the left is cut off half-way across the body, but the same red body stripe and feather markings are present. Above the birds is a semicircle of thin bulb-shaped parallel vertical lines and around the birds are several circles of varying sizes.
2008.9.12 Interior: greyish-black wash. Exterior: 1 fairly thick, slightly uneven, horizontal line overpainted in black accross centre of fragment, parallel to edges. Diagonally from this, above and below are shorter teardrop-shaped marks - 7 above and 9 below - forming a horizontal band, and greating a stem and leaf-like effect.
2008.9.13 Interior: greyish-black wash. Exterior: wide greyish-black band overpainted, taking up roughly half the exterior. Above this is a narrower parallel strip of unfinished terracotta containing 14 small dots in a horizontal line towards the top if it. And above this, half of another parallel band overpainted in greyish-black is present.
2008.9.14 Interior: greyish-black wash. Exterior: one horizontal line overpainted in brownish-black along longest edge of fragment. Underneath this are 4 solid figure-eight marks, forming a parallel line, overpainted in the same colour.
2008.9.15 Interior: greyish-black wash with a band of unfinished terracotta running parallel to longest edge of fragment. Several narrowly and irregularly spaced parallel horizontal lines overpainted on the wash and unfinished section. Exterior: greyish-black wash overpainted, covering roughly half of exterior of fragment. Next to this is a band of unfinished terracotta bordered above and below by parallel lines overpained in a brownish-red colour.
2008.9.17 Interior: brownish-red wash with a narrow band of unfinished terracotta parallel to one edge of the fragment with a thin parallel line of a darker red within this. Exterior: 2 widely spaced horizontal parallel lines overpainted in redish-brown.
2008.9.18 Interior: traces of a pinkish wash. 1 short diagonal line overpainted in brown remains. Exterior: narrow horizontal raised lip across longest edge of fragment with a narrow parallel line overpainted in brown below this. Several narrow vertical parallel lines join onto this and there are traces of a redish-brown wash.
2008.9.19 Exterior: 5 parallel horizontal lines of differing thicknesses are overpainted accross one corner of the fragment. The bottom three are narrower and overpained in brownish-grey, above these is a pinkish-red wider line and above this another greyish-brown line.
2008.9.20 Interior: greyish-black wash fading to a reddish-brown colour, leaving a small section of unfinished terracotta across one corner of fragment. Exterior: greyish-black wash with a narrow band of unfinished terracotta parallel to one edge, with 7 small dots overpainted in the same greayish black colour within it.
2008.9.21 Interior: greyish-black wash. Exterior: several narrow parallel horizontal bands overpainted in a pinkish-red and greyish-brown across fragment, interspersed by a band of unfinished terracotta and another similar band above.
2008.9.26 Interior: greyish-black wash. Exterior: 3 thin narrowly-spaced lines run parallel to one of the edges of the fragment. The upper of these is overpainted in a greayish-black colour, the 2 lower are a redish-brown. Below these lines are three greyish-black dots interspersed by vertical thick greyish black and thinner redish-brown lines.
2008.9.28 Interior: greyish-black wash covers half of the interior, the other half is left unfinished. Exterior: A wide pinkish-red strip is overpainted across the centre of the exterior. Above this is the remains of a parallel greyish-black line with 4 greyish black vertical lines attached to it. Below are 2 unfinshed circles, bordered by a greyish-black outline.
2008.9.4 Exterior: 2 front legs of an animal, joining onto a body is overpainted in greysh-black. 5 short vertical lines are etched across the body and a few other etched lines define the back legs and chest of the animal. 2 back legs and a tail are partially present. A thick horizontal band and below a thinner band run parallel to the bottom-edge of the fragment. The animal appears to be standing on the thinner band, and there are 2 circle between the front and back legs, and two circles to the right of it.
2008.9.7 Exterior: Three parallel horizontal curved lines overpainted in reddish-brown. 2 of them narrowly-spaced and 1 further apart.
22.3.5A-B Glaze fired red throughout. On the body below flanged rim, is key below a broad band, on reserved base an incised spiral. Inside is reserved with a broad band immediately inside the rim and a line below it, at the centre are two concentric circles. Lid: around the rim the pattern consists of leaves surroundered by parallel lines. A broad band separates another pattern of palmettes and decorative tendrils. Another broad band of concentric circles leading up to an acorn shaped knob with ridge at its base. Knob is red around bottom but reserved at top. There are also areas of white and black deposits on knob and inside on the underside of the lid and at base.
22.9.7 Black, mostly fired to orange-red, on buff ground. Possible added colour (white?) in groups of stripes. Mouth: broad band between two narrow bands. On the exterior of the mouth, band; shoulder: tongues. Body: three bands at top; deep painted zone divided vertically by incised lines (two parallel) dissecting into segments; four bands below. Base reserved. The exterior of the ring foot painted.
25.8.4 On top of mouth is a daisy pattern and there is one band on the side. In upper animal zone, ram facing lion (?) with head turned back. In lower, hare between two dogs. Centred circles in field. Bottom daisy pattern round small sunk centre. Zones separated by thin parallel bands.
26.12.13 Lip, handle, neck and back of body all black. Reserved panel in front with main design and two sets of parallel, vertical black lines either side of a double row of dots. Horizontal row of tongues at top. Main design of Amazon on horseback with pelta (shield) and two spears, wearing helmet. At the bottom of the panel, running all the way around is a painted red line, now hardly visible. Foot is black on top and side but reserved on resting surface and underside.
26.12.14 Lip, handle, neck and back of body all black. Horizontal row of nine tongues at top, just below neck, above main, reserved panel, with two parallel, vertical black lines either side of panel (shields ?). Main design of warrior facing right, with helmet, shield, and spear. Ivy leaves on stems in field. Foot is black on top and side, but reserved on resting surface.
26.2.64 Exterior creamy ground white with a pattern of nearly parallel brown curves that get increasingly shorter, creating a pie slice shape (perhaps the folds of skin on the neck of a bull, fracing right), along with part of a lower eyelid. Interior black with a red line alone one edge. Right above the red line is a white line. There are also a few other splotches of white, probably white outline of lotus flower (or two) with a red centre.
26.7.14 Fragment. The top of the fragment has a black line around it, below which is a handle. Shape of the handle is completely round, with a flick on one side. To the right of the handle are two lines of dots that run one above the other. Below the handle are two parallel lines. The inside of the fragment is black, fired red.
27.4.4 Paint is red-brown. Single handle with incised line down back creating two halves. Trefoil mouth with short bars around, leading to long straight neck. On neck are two parallel bands at the top, above four groups of three tongues with a red bar across top. Three bands separate neck design from shoulder design of three grazing deer facing right with zig-zag fill ornaments above shoulders and a small bird (?) on extreme left. On body is one zone of checks and then bands to base. Base is flat and reserved.
37.11.1 Black, partly fired to brick-red, on brownish-buff. On mouth and shoulder daisy pattern; on handle three bands of vertical zigzags. Main zone: scales, drawn with parallel incised lines with red teardrops occupying angle in alternate rows. Two bands below, then tongues. Base shows one band and a dot in the centre.
37.7.2 On mouth three bands, middle one broad; on handle horizontal bands at top and bottom. Daisy petal pattern on shoulder. with three brown bands beneath. Bearded siren with outspread wings to left. In field dots and rough rosettes, one incised with parallel lines. Back left plain in the 'white style'. Bands around foot and two on base.
45.10.24.3 Large portion of fragment covered in plain black glaze. Two thin parallel black stripes decorate the same side.
47.2.6 Black gloss except reserved resting surface and underside, decorated with a black dot at the centres, surrounded by two black concentric thin bands and a broaded black band. Reserved band on the junction of the ring foot and the body. Stamped decoration in the centre of the bowl, comprised of seven palmettes between two concentric bands of stamped eggs framed by parallel grooves.
48.12.1 Bowl of rather coarse clay. Interior glossed black, although only traces of brown remain. Two rounded handles, one on each side, with traces of faint brownish-black gloss. Outside, narrow bands immediately below rim and at base of handles. Between the handles is pair of parallel wavy lines (only on front). Black gloss from below handles to foot. Foot is rounded and base is concave and reserved.
48.12.10 Interior of the mouth and exterior of the handle black. Neck is reserved, as is the underside of the handle. Shoulder has two rows of rays radiating from neck. Body is cream ground and, from top to bottom, has two parallel horizontal black lines, meander 'key' pattern, three rows of grille and black line. In centre are three horizontal palmettes with a line, four row grille and black band. The pattern only covers the front of the pot and the back is left cream. Below this are three incised bands. Top of foot black. Reserved band on the foot. Underside reserved.
48.5.2 The interior of the mouth is reserved except for a black band on its top. On the mouth, three horizontal parallel lines. On the neck, zig-zag pattern. Shoulder: A:goose/swan and B: panther. Incised rosettes and dots for the filling. Four black bands. Body: deer flanked by panthers whose tails almost meet. In field: rosettes with spoke incisions, and some with circular centres; also dots. Some added purple on animals. Scene rests on a broad black band framed by two narrow black bands. Triangular spokes point upwards from the base to the lower black band. Foot is black, but base is reserved.
49.8.11 On mouth three concentric black bands; dots on edge. Zigzag pattern on handle. On the shoulder, black tongues. The figure decorated body zone is framed by three thin horizontal parallel black bands. On the body two confronted lions, between which an incized rosette. Dots and irregularly drawn rosettes on the background. Two concentric circles on the underside of the base.
49.8.5 Black tongues on mouth and black rim. Horizontal parallel black bars on handle. Black tongues on moulded ring level with bottom of handle. Upper part of body ridged, painted with black and purple bands, then black, purple bands with groups of vertical lines. Body has moulded rings. Around base tongues and black foot. Reserved, concave base.
49.8.9 Rim: There are three narrow, black bands (on a reserved area) between two thicker ones. The side of the rim, the neck and the underside of the handle are all reserved, however there are parallel horizontal bands framed by two thinner vertical lines on the back of the handle. The shoulder is decorated with black tongues. The body is covered with a scale-like motif and each of the scales is rendered with two incised lines at the edge. Additionally, each alternate column has a large purple dot and the columns between have a very small, incised dot. Above and below the scales there are two, broad, black bands, separated by reserved lines. The lower part of the body towards the foot is decorated with tongues (radial-shaped motif). The foot and the base and underside are reserved.
50.12.15 Interior is mainly unpainted with a black line (faded to orange) directly on rim, another slightly lower. Exterior has a series of straight and curved lines to left of centre there are two parallel vertical lines and far left two horizontal parallel scalloped lines. To the right a single curved line and at the bottom a small semi-circle adjoining the lower end of the vertical lines with an larged dot in the middle.
50.12.18 Fragment of fine clay cup or open dish. Exterior: series of five thin parallel curved lines, cut through by a broader vertical band. The curved lines have faded to orange while the more densely painted horizontal line has faded to dark brown. Interior: three thin parallel curved lines that have faded almost completely in parts. .
50.12.31 Clay pinkish; paint red for black, interior reserved with part of one red band, exterior: parallel fish bone lines, and two apsidal lines,
50.12.32 Interior reserved, exterior with cross hatched rectangles and parallel brown-black lines
50.12.37 White clay fragment slightly curved and the exterior shows detail of a pattern; parallel lines curve accross the fragment to the left there is part of a feather pattern that has a single scroll at the top. On the bottom right the the pattern may be bulb shaped and six curved lines across it. The black paintwork is faded in part while some is still dark. The interior has been painted black while the area below the top has been completely worn.
50.12.45 Exterior: brown band at the top, with two parallel lines at a slant to the band. At the bottom are part of two brown circles or semi-circles, with a dot or two in the centre, and dots around the circumference. Interior reserved.
50.4.14 Entirely glossed black. Just below the middle the body a zone of stamped palmette decoration framed by parallel incised lines. Row of eggs below the lower line. The underside of the foot is decorated with three incised concentric circles.
50.5.6 Vertical strap handle from rim to bottom ridge, extending over the rim, has parallel horizontal lines. Towards the top,a double bar cross. Inside is reserved except for the rim decorated with four groups of 8/10 vertical black lines, framed by a thin line above and two below, extnding to the upper part fo the body.The body has a zone of hanging spirals to the left,framed by two black lines. It is followed by a meander and four parallel black bands below, a zone of herring-bone. Either side of handle are three vertical lines. Herring-bone pattern sits on ridge which has two bands below. Base is flat and reserved.
54.2.1 Interior red for black. On outer surface are horizontal parallel bands of brownish black, increasing in width from neck downwards. Rim is slighlty outturned.
61.6.1.7 Rough reddish-pink fabric, fired grey on the surface. Parallel ridges in pairs on neck and shoulder.
73.10.1 The top of the knob is covered with brown paint, apart from the central part.The knob is decorated with three parallel brown bands ; reserved at join with lid; 9 rays radiating from the edge of the knob.Two thin concentric brown lines, red-brownish bands framing a band of double dots. Black line at the edge of the lid fired brown. The edge of the rim is painted black, fired to brown. The underside is reserved.
73.9.8 The rim, leading to a band on the ouside is black, as is the entire inside of the fragment. Below the band on the outside is a horizontal 'S' shape pattern with small dots above and below it. To the left of this is a big black blob, which is slightly raised to suggest a handle ? Below the 'S' shape are four parallel lines, below which is a thin brownish band, a gap, and then what looks like the edge of a black circle. The second fragment has no rim and also shows a black blob which looks like it should be the base of a second handle. The inside of the fragment is againentirely black. On the outside of this fragment, there is no 'S' shape pattern or parallel lines, but there is a brownish band, below which is the edge of what seems to be a black circle, the same as fragment 'a'.
78.7.1 Two handles on opposite sides at top. Inside black with convex centre. Around rim are incised pendants on side A and two parallel lines with row of white dots above and below on side B. Below pendants is a pair of incised lines, a row of red dots, a grape vine with pendant grapes, leaves and tendrils. At base are three uneven circular shapes above reserved band. Black band around rim of foot. Base reserved and raised. Glaze partly faded.
E.62.17 The thorax is made of parallel straight lines. There appears to be a small amount of gold pigment between the beetle and the base, there is no other discernible pigment.
E.62.18 Stone scarab, the beetle attatched to a flat base. The thorax consists of parallel straight lines, the upper body is flat, and the 'head' consists of parallelagram like shape a ceratted edge to represent the mouth.
E.63.13D Blue glaze fragment, part of the lip of a flat dish or bowl. On the exterior two concentric ridges encircle the lip. On the interior a series of darker blue lines run parallel to the exterior ridges.
E.63.9 Light green pendant. The image is the goddess of Hathor, goddess of music and dance. Here she is depicted in the form of a highly stylized cow. At the top of the pendant is a loop for threading. The pendant is flat and has the cow-head engraved in the centre with an arch of concentric lines above the head Below the head on either side are parallel vertical lines divided by one horizontal line on both sides.
L.2011.1.24 Three parallel lines incised across one of the faces
L.2011.1.4 Patterning around the edge, with short parallel incised lines between two incised lines.
L.2011.1.48 In the central discus one reclining figure recumbent on its right side; right leg bent, left leg outstretched. Behind the legs a fish tail. At the back of the figure a drapery, like a semi-circular frame around the head. (possibly a Nereid riding a sea-bull?). On the edge parallel lines in low-relief. On the underneath inscription and a small half-moon shaped stamp.
L.2016.3.15 Carved, continuous lines on black exterior. Two different parts of the parallel running lines; they intersect diagonal at centre of the fragment.
REDMG:1935.87.22 Tongues emerging from mouth between two bands. Dots around the rim and tongues again on shoulder. Zigzag with two dots on handles. Main design is five warrior figures facing left, carrying large shields. Each shield is bisected with incised vertical parallel lines and coloured one half red and the other half yellow. The outer ring of the shield is brown, and the helmets which the warriors appear to be wearing are yellow. The base has two bands around tongues with two bands the other side.
REDMG:1935.87.32 There is a broad, black band at the interior of the rim. On the top of the rim there are black tongues, apart from the surface of the handles, decorated with palmettes. Waves are used to decorate the edge of the rim, while the handles bear small palmettes on their sides and the rest is painted black, as is the body between. Both neck panels have ivy and dots joined by vine. Both sides of the body show a female head, facing left and wearing a decorated cap with a spiked stephane over it. There is a small window (rectangular motif with black vertical line), top right on both sides. Side A, however, has a strigil with wavy endings above the head, top left. Side B has a knot of hair emerging through the apex of the cap. On both sides there are volute-shaped motives at the end of the cap and below the woman's chin. Side A: The woman wears a black earing (a circle and hanging dots) and a neclace of black beads. A hair with a heart-shaped ending falls vertically over her neck. On the other hand, the woman on side B wears a similar but yellow earing and a neclace made of yellow beads. Both women are framed by two vertical red bands, decorated with two similar motives of a vertical row of dots between thin lines. These columnar patterns seem to support a horizontal red band over the head, ornated with tongues between thin lines (one above and two below). However, the surface under the heads is not identical for both sides. Side A has a red band with dots between lines and side B has two parallel lines and the wave pattern. Both the scenes are partly ruddled and added yellow is used to render the details. Miltos apparently was applied last.The lower half of foot is ruddled.
REDMG:1962.184.33.21 Traces of parallel vertical bars on shoulder and upper part of side walls; white ground on upper 2/3 of body; black glaze below; foot reserved on vertical surface and underside.
TEMP.2003.6.27 Exterior white with small chips. Interior black with a pair of white lines at one edge and a small white half circle from the exterior line to the edge. Parallel to these white lines towards the opposite edge is a incised line.
TEMP.2003.6.3 (a) The handle is black, but the piece of the body that is preserved is a reserved, but glazed surface with very thin, parallel lines. (b) Black apart from a tiny area on the top, which is reserved, but glazed and bears small parts of parallel, thin lines and a reserved, thin line just above the foot. The bottom part of the foot is also reserved, so is the resting surface.
TEMP.2003.7.3 Exterior white with brown patterns. Following one edge abour 1.0 down is a set of faded brown lines. Between the edge and these brown lines on one side are five brown lines perpendicular to the two lines, while on the other is a single parallel brown line with 5 short perpendicular lines crossing. Below the two brown lines is a brown blob that looks like it may have once been a horses leg, but is nothing in particular now. Interior is brown.
TEMP.2003.7.4 Five sided fragment. Exterior white with a pattern of parallel brown curves that get increasingly shorter, creating a pie slice shape. Interior black with a red line alone one edge. Right above the red line is a white line. There are also a few other splotches of white.
TEMP.2003.7.78 Fragment, glazed black on both sides. On the outside half way down are two very thin, parallel, slightly faded, white lines. On the inside are two thin, parallel, brown lines along one edge.
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