| 14.9.113
|
Moulded foot-ring with reserved groove in the wall of the vase immediately above it. Whole of foot ring black, including resting surface; base black with two reserved grooved bands and reserved centre. Inside, two concentric zones of incised tongues which have degenerated into hooks.
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| 14.9.33
|
Fragment belonging to the rim of a vase made of fine fabric. Dull black paint inside and out. The exterior surface had white band around rim above spirals or tendrils with three horizontal bands below. The interior had a white band round rim. The material gets thinner at the rim.
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| 14.9.38
|
Pinkish-buff clay with brick red paint. The exterior surface has a band at rim above a spiral with linking lines with small petal-like crescents between them. Inside, the surface is red.
|
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| 14.9.41
|
Pinkish clay with black paint. Outer surface has a narrow band at rim above two rows of dots between thin bands with plain bands below. Interior surface has a creamy-yellow slip.
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| 14.9.53
|
Brown, in places very pale, on buff. Scale pattern above three broad bands.
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| 14.9.57
|
Central circular knob with painted black cross and sides filled with lines. Side has bars and the stem of the handle is black. Three black bands, two roes of staggered bars, black bands, diagonal lines with dots above and below, black bands, horizontal bars in two rows but are entwined, black bands. Inside is reserved and with a rim so it sits inside the base section.
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| 14.9.64
|
2 thin horizontal black lines above handle, 8 below, 3 at right angles to these beside handle, all approx. equal width. 2 slightly thicker horizontal black lines on side of handle base. Background pale buff. Inside painted black.
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| 14.9.73
|
Pale slip; interior: black, with added red band lined in white; exterior: animal frieze decoration consisting of two goats grazing to left (one hind leg with added red of one and head with antlers, neck with added red, and forelegs of second remaining); crosses, stars, and pinwheel rosette as filling ornament; below, black band above band in added red.
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| 14.9.78
|
exterior: black-figure decoration consisting of part of possibly deer or boar (only hind leg remaining), to left; at right, painted streaky black handle zone; below, one narrow band above a wider black and a band in added red;
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| 14.9.8
|
Core red. Red surface with linear decor in dull black on both sides. The underside appears to have a zigzag pattern above a more dense and busy pattern of lines and zigzags. No finished edges.
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| 14.9.83
|
Interior black, with two concentric red circles; flat rim is decorated with three uneven rows of black dots; exterior decorated with a black band, just below rim; in figural zone, two confronting sirens with rosettes in field; below, two horizontal lines, above rays. Red for breast and base of wing of both and for streak across body of siren on left. Incisions.
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| 14.9.85
|
Interior black and glazed. Exterior is black above the scene of a youth riding a horse. Only top third of horse is visible. Added red on hair, horses mane, tail and flank.
|
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| 14.9.87
|
Black above and below. In reserved area a swan left, wings raised. To left, a pseudo-inscription.
|
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| 2003.3.37
|
Interior, 2 bands in added red. Exterior, vertical lines above a horizonatal line at rim, with band and line below all in added red. Additional patches of added red are visible below, probably forming a pattern
|
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| 2003.6.18
|
Base fragment of a small pot, decorated with three straight lines at the base, two of which are black; the middle one is of a faded purple colour. Above the lines is a large black pattern which takes up nearly all of the space left on the fragment. The interior is decorated with a black gloss.
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|
| 2004.8.6
|
Six, black palmettes (two only partially visible), set against a reserved background. Left of the palmettes is a verticle, thin black line. Above the palmettes there is a thick black band around the rim, with black paint on the rim itself too.
|
|
| 2005.3.38
|
Interior, band of added red, exterior, white slip with vertical line above a horizontal line at rim and lines below all in added red
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|
| 2006.12.37
|
Diamond pattern with chequers of black/brown, grey and orange above two dark coloured bands
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| 2006.12.46
|
Red/brown decoration with two parallel lines. Above this is what seems to be a leg of an animal, probably a duck or goose. The division of the foot into two toes is indicative of the geometric style.
|
|
| 2007.1.10.35
|
Centaur facing to the left with woman riding on its back holding a scarf above her head
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| 2007.10.2.130
|
Ox facing right. There is an inscription in Greek caracters above the figure.
|
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| 2007.10.2.142
|
Male/female bust, profile facing left, wearing a veil covering most of head and mouth and just above nose.
|
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| 2007.10.2.146
|
Male figure reclining on a carrage, surrounded by winged children one pushing the wheel, the other holding reigns and a whip, the third being embraced by the male figure, who is half naked. A tree trunk on the fair right of the cast, with branches stretching above the figures.
|
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| 2007.10.2.153
|
Three figures. A man, naked, is sitting on the floor. Behind him a woman (naked as well?) is sitting on a chair touching his shoulders with one hand and carrying something in the other. Above the man's head a winged-child is pouring water from a vase.
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| 2007.10.2.156
|
Frog seen from above
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| 2007.10.2.301
|
A naked man kneeling, both hands raised to another head(possibly wearing head-dress)body missing (possibly because of damage)branch above the figures (possible with fruit)
|
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| 2007.10.2.311
|
A large female figure reclines in the centre of the scene. She is dressed in robes and is wearing either a helmet or a cap (Phyrigian cap?). Her left arm is resting on a disembodied (bearded male) head and her left hand holds a staff which rests against her upper-arm or shoulder. Beneath the large female figure and to the left of the male head are two shapes which possibly represent boats or ships. These shapes might indicate that the portion of the scene below the female figure is in fact a river or the sea. In turn this might suggest that the disembodied head is emerging from the water (possibly identifying it as a river god). To the left of the scene a very small figure appears to be presenting the large female figure with something, possibly a basket or urn. A slightly larger figure, leaning on a stick, looks on from beneath a tree. Above the very small figures head are two animals (presumably intended to appear to be further off in the background). One at least of these animals is certainly a horse. To the right of the large female figure's head there is a representation of a stag. At the top of the scene in a central position are three shapes. It is unclear exactly what these are (possibly huts or houses of some description?).
|
|
| 2007.10.2.341
|
A dog lying down, viewed from above, raised from the surface of the gem cast.
|
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| 2007.10.2.62
|
Naked male figure, probably a child. He looks to be holding something in his hand above his head.
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|
| 2007.2.93
|
One side is decorated with a series of parallel lines. In the centre of the fragment is a thick black line with a thinner one present above it. Underneath this lines of a light brown colour that increase in darkness.
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| 2007.4.124
|
Black parallel lines next to broken handle; white paint under handle; faded black parallel lines perpendicular to other lines above and below area of handle; decoration worn, faded and chipped
|
|
| 2007.4.199
|
Three parallel black lines above "S" shapes with black line beneath them.
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| 2007.4.202
|
Thick black band around join between neck and main body of vessel, with black tear drops below o main body and black arcs on neck above; slightly worn and faded.
|
|
| 2007.9.1.110
|
Displays a modern style lion on its hind legs (although only the top half is visible) holding a cross with a large crown above its head. Surrounded by a simple lined border.
|
|
| 2007.9.1.19
|
Displaying three theatre masks, one facing left, one facing forward and another, situated above the other two, facing upwards.
|
|
| 2007.9.1.88
|
Displays the front view of four horses, with the top half of a human figure appearing above them, altogether possibly representing a four-horse chariot.
|
|
| 2007.9.1.95
|
Displays the front view of two horses, with the top half of a human figure above them, altogether showing a two-horse chariot.
|
|
| 2007.9.2.13
|
Displays a seated woman writing on a tablet, a lyre at her feet, whilst a winged figure, a small owl sitting behind his left foot, holds a small jug above a burning oil lamp. A latin inscription is beneath them. (Box Index = Virtue assissted by Genius)Tray 5, Layer 1, Gem 13
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|
| 2008.2.1.11
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Male figure standing with a bird by his feet. He holds something above his head in one hand.
|
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| 2008.2.1.20
|
Two figures with an animal between them. The figure on the right appears to be standing on a platform above a wheel. Possibly being pulled along by the animal.
|
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| 2008.2.1.34
|
Naked female figure facing to the right her right arm raised above her head. The figure is leaning on a column and looking at a small winged boy who is seemingly presenting the standing figure with a wreath.
|
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| 2008.2.1.61
|
There are a large group of 10 figures, 5 are standing and 5 are seated. They are engaged in festivities; the second and third figures from the left are holding bowls and appear to be offering them. Behind the seated figures are two standing women who appear to be balancing baskets of fruit on their heads. The two figures on the far right of the scene appear to be playing musical instruments. The scene is framed by two trees, with their branches intertwined above the group of figures. Above the figures there are two small winged figures, possibly cupids.
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| 2008.2.1.63
|
There are seven figures depicted, one the far right there appears to be a winged figure possible Eros. The male figure on the right next to the winged figure is sitting naked on a donkey, he is holding his right arm in the air above his head possibly in celebration. On the far left there is a male and a female figure possibly dancing, the female figure is holding what appears to be a cup. The third figure on the left is sitting on the floor and appears to be eating or drinking from a cup or bowl. The fourth figure from the left is playing a flute, on the right to this figure there is a woman holding a cup up in the air in her right hand and in her left hand she is holding a staff. They appear to be engaging in a celebration, possibly a drunken procession. The naked male figure riding the donkey is possibly identified as Dionysus.
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|
| 2008.7.168
|
Exterior: white glaze overpainted by one thick horizontal red line and one thin horizontal black line just above it, traces of other horizontal lines of indeterminate color; interior: black glaze.
|
|
| 2008.7.35
|
Exterior: one horizontal dark brown line running along the approximate intersection of shoulder and body. Just below this are two small dark brown dots of similar but different sizes. Above the line is a thick, wavy, erratic, dark brown line that dominates the fragment from the line up utn il just under the rim. Interior: two horizontal parallel dark brown lines. The top one is right up on the edge of the rim, the other slightly removed below it.
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|
| 2008.7.56
|
Exterior: two fairly thin horizontal parallel bands of brownish-red overpainted. One line of small circular dots running parallel above these, and two dots visible of a similar line below.
|
|
| 2008.7.67
|
Exterior: rectangles forming checked pattern overpainted in black. Running parallel to this, 4 thin horizontal parallel lines and above this a pattern of 5 short vertical lines in same colour.
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|
| 2008.7.68
|
Interior: reddish-brown wash. Exterior: Horizontal band overpainted in greyish-brown. Above this, a pattern of waved lines and short vertical lines. Below, 2 lines of similar colour run parallel.
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|
| 2008.7.70
|
Interior: reddish-brown wash. Exterior: rectangles overpainted in reddish-brown forming checked pattern at one end, with 2 thin lines running parallel above, next to a band containing a diamond-shaped pattern overpainted in same colour.
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|
| 2008.7.85
|
Interior: black wash. Exterior: black wash with thick, horizontal, parallel stripes overpainted. One dark red, with a thinner cream stripe parallel above and below.
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|
| 2008.7.88
|
Interior: greyish-black wash. Exterior: Traces of cream wash with thin vertical light grey stripes overpainted above and below lip.
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|
| 2008.8.2
|
Exterior: Greyish-black overpainting depicting 2 standing birds with curved necks. The bird on the right has wings spread and short horizontal lines on the wing and tail suggesting feathers. There is a reddish stripe overpainted across the body and across the tail. The bird on the left is cut off half-way across the body, but the same red body stripe and feather markings are present. Above the birds is a semicircle of thin bulb-shaped parallel vertical lines and around the birds are several circles of varying sizes.
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| 2008.9.12
|
Interior: greyish-black wash. Exterior: 1 fairly thick, slightly uneven, horizontal line overpainted in black accross centre of fragment, parallel to edges. Diagonally from this, above and below are shorter teardrop-shaped marks - 7 above and 9 below - forming a horizontal band, and greating a stem and leaf-like effect.
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| 2008.9.13
|
Interior: greyish-black wash. Exterior: wide greyish-black band overpainted, taking up roughly half the exterior. Above this is a narrower parallel strip of unfinished terracotta containing 14 small dots in a horizontal line towards the top if it. And above this, half of another parallel band overpainted in greyish-black is present.
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| 2008.9.15
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Interior: greyish-black wash with a band of unfinished terracotta running parallel to longest edge of fragment. Several narrowly and irregularly spaced parallel horizontal lines overpainted on the wash and unfinished section. Exterior: greyish-black wash overpainted, covering roughly half of exterior of fragment. Next to this is a band of unfinished terracotta bordered above and below by parallel lines overpained in a brownish-red colour.
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|
| 2008.9.19
|
Exterior: 5 parallel horizontal lines of differing thicknesses are overpainted accross one corner of the fragment. The bottom three are narrower and overpained in brownish-grey, above these is a pinkish-red wider line and above this another greyish-brown line.
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| 2008.9.21
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Interior: greyish-black wash. Exterior: several narrow parallel horizontal bands overpainted in a pinkish-red and greyish-brown across fragment, interspersed by a band of unfinished terracotta and another similar band above.
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|
| 2008.9.28
|
Interior: greyish-black wash covers half of the interior, the other half is left unfinished. Exterior: A wide pinkish-red strip is overpainted across the centre of the exterior. Above this is the remains of a parallel greyish-black line with 4 greyish black vertical lines attached to it. Below are 2 unfinshed circles, bordered by a greyish-black outline.
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|
| 2008.9.3
|
Exterior: back half of a quadraped animal is painted black with ribs, muscles, and tail inscribed on the object but unpainted. Animal is standing on a thin black line, below which is a thick black line. One other thin black line above the animal, and various round black decorations underneath the animal but above the black line base.
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|
| 2009.10.2.106
|
Figure leaning on a harp, in the background another very small figure stands on a podium holding a sceptre, with star above head.
Number 38.
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| 2009.10.2.216
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Figure of aphrodite crouching facing left, holding a cloth above her head with a pot in front of her.
Number 6
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| 2009.10.2.248
|
(?) Gateway or building with two pillars either side and a larger central pillar. A crescent moon and star above the central point and a bird on either side above the paired pillars.
Number 38
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|
| 2009.10.2.250
|
Hare inside a large ring centrally, figure in a chariot drawn by two birds above and a butterfly on the right hand side. ? flaming torches on either side and inscription below
Number 40
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|
| 2009.10.2.251
|
Hare inside a large ring centrally, figure in a four-horse chariot above, helmeted head on the left with an inscription, shiled on the right and a ? grasshpopper at the bottom
Number 41
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|
| 2009.10.2.255
|
Nude three graces standing one holding an apple above a shield with a helmet resting on it, another holding a wreath above a flaming altar, with a butterfly next to it.
Number 45
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|
| 2009.10.2.259
|
Nude Aphrodite lying on her front on a bed with drapery around her viewed from above. Inscription below.
Number 49
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|
| 2009.10.2.264
|
Central figure of nude Aphrodite holding an arrow in her right hand and holding a winged Eros' hand in her left, a shield with a face leaning against her left leg and armour on the floor. Winged Eros holding a bow on the right, and kneeling nude Hephaestus on the left with a hammer held above his head and an anvil in front of him.
Number 54
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|
| 2009.10.2.265
|
Central figure of nude Aphrodite wearing a cloak holding arrows in her left hand, with sitting Hephaestus in front of an anvil on the left holding a hammer above his head,and winged Eros holding a bow on the right.
Number 55
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|
| 2009.10.2.266
|
Nude standing Aphrodite holding a torch and another object, with a satyr on the right holding an object, and Eros with a bow and a seated Hephaestus on the left holding a hammer above his head with an anvil in front of him.
Number 56
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|
| 2009.10.2.278
|
Two male heads facing each other in profile, with a star above each head.
Number 68
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|
| 2009.10.2.280
|
Two nude male youths mirroring each other, both holding a spear in one hand and a sceptre and drapery in the other with a star above each of their heads.
Number 70
|
|
| 2009.10.2.33
|
Portrait of Jupiter Serapis pictured above an eagle, with two winged children on either side, on ladders placing wreaths into a pot placed on his head.
Number 33
|
|
| 2009.10.2.362
|
Pegasus flying above a male figure, possibly Bellerophon (?) who is running, holding a spear and drapery. Number 18
|
|
| 2009.10.2.369
|
Male figure wearing a cloak and helmet, holding a bow and arrow. He stands near a pillar with a bird on it and a snake wrapped around it. A dog stands at his feet and there is a star above his head. Number 25
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|
| 2009.10.2.393
|
Large bull with bearded man's face, with a star above on the left, a symbol on the right and a snake beneath the bull. With an inscription above the bull.
Number 49
|
|
| 2009.10.2.400
|
Bearded male centaur lying down, holding a shield above him with his left hand and pulling an arrow from his side with his right.
Number 56
|
|
| 2009.10.2.408
|
Figure in a tower on the right reaching out to a nude male figure in the sea, above whom is a flying Cupid holding a torch, with two heads blowing the winds on the left.
Number 64
|
|
| 2009.10.2.56
|
Man with scepter standing on ball with two figures on his left, one above the other. one is a woman and one is sitting down. Number 56.
|
|
| 2009.10.2.57
|
Jupiter with an eagle on his left side. Holding an object above his head. Number 57.
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|
| 2009.10.2.82
|
Partially naked figure of a man playing a harp above a kneeling female. Number - 14
|
|
| 2009.8.115
|
Profile of a man with wavy hair and a wreath. Head is above a scale and beside it are two ears of wheat. Inscription on the right side. Cast number: 59
|
|
| 2009.8.13
|
A man with a beard and wavy hear wearing a cloak around his waist, sitting on a rock, one arm placed on his knee. Next to him is a cow. On his other side is a club. There is an inscription above the cow. Cast number: n
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|
| 2009.8.167
|
A woman sitting on a throne, probably a goddess, with stars above her head. Cast number: 21
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|
| 2009.8.168
|
A woman with a spear riding on an eagle, stars are above her head. Eagle is probably Zeus. Cast number: 22
|
|
| 2009.8.170
|
A temple with four columns. Inside another building with a cupola and stars above it. Cast number: 24
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|
| 2009.8.19
|
A woman laying on waves, probably Aphrodite. Above her Cupid. A man wearing an armour and a spear, probably Ares. Cast number: 8
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|
| 2009.8.24
|
A dancing woman with a bare chest. Cloak or dress around her waist. Holding a timbrel in her hands above her head. There is also an inscription. Cast number: 34
|
|
| 2009.8.273
|
Two naked man, holding a stick, each standing on one side. In the middle a horse, above it a crescent moon. Cast number: 4
|
|
| 2009.8.274
|
A cow wearing some kind of crown. Above her are the insignia of the pharaoh. A bird sitting on a branch, maybe a hawk, referring to Horus. A sun with wings above it all. Cast number: 5
|
|
| 2009.8.28
|
A dancing woman with a bare chest. A ribbon or scarf flying above her head. There is an inscription. Cast number: 28
|
|
| 2009.8.35
|
A man with a beard standing on a globe and holding another above his head. There is a lion's fur around his waist. Probably Hercules carrying the earth for Atlas. Cast number: s3
|
|
| 2009.8.37
|
A muscular man holding something in one hand. The other arm is outstretched above his head. Probably an athlete. There is also an inscription on the bottom. Cast number: 69
|
|
| 2009.8.70
|
Profile of a man with a beard an curly hair and a sea shell above his ear. Maybe Poseidon. Cast number: 14
|
|
| 2009.8.9
|
Vase with a sphinx and two heads above it. Cast number: DD.15
|
|
| 2009.8.91
|
A sphinx. Some kind of creature above its head. A bell on its left side. Cast number: 35
|
|
| 2009.9.145
|
A naked winged figure is sitting on a dolphin and playing the lyre. Above them is a crescent moon and two stars. Cast number: 79
|
|
| 2009.9.193
|
A fighting scene. The man in the middle is rising his sword to kill the man in front of him who is already falling down. The man on the right side is holding up his shield. There is a crescent moon on the left side above the dying man. Cast number: 28
|
|
| 2009.9.205
|
A couple. A man wearing a helmet and holding a stick or spear, behind him a snake and a shield. He is holding hands with a woman wearing a dress, behind her there is also a snake. Above them is a crescent moon and between them a star. Cast number: 40
|
|
| 2009.9.212
|
A griffin attacking a woman with one of his claws. She is falling down. Above them a cresent moon. Cast number: 47
|
|
| 2009.9.282
|
A warrior in full armour holding a spear and a shield receiving a wreath from a small woman with wings, probably Nike, flying above a lion. Cast number: 20
|
|
| 2009.9.38
|
Monkey like figure with a long penis between its legs, holding up both arms with fingers that look like feathers. A bird maybe even a hawk sitting on its head. There are stars above each hand and a twig above the head. Cast number: 52
|
|
| 2009.9.68
|
A man lying on his back, face turned to an eagle which is flying above him and hitting him with the beak. Referring to the tale of Prometheus whose liver is eaten by an eagle every day. Cast number: 1
|
|
| 22.3.20
|
The upper overhanging section is decorated with an egg pattern; on the broad middle section is a laurel wreath, to left; on the narrow section are is a band of black dots above a thin line. The neck is decorated with a lotus-palmette frieze. The interior is glazed black.
|
|
| 22.3.26
|
The edge of the rim bears short, thick black lines. The interior of the plate is decorated with two rows of white lotus leaves (heraldic), separated by a reserved, thin line. Next, there is, a black, thick line, followed by a wave pattern around a reserved line that contours the central scene of a female head,in profile, facing left with a head dress (kalyptra) showing white details and her hair in a bun. Above her head, there are two ivy leaves and behind her is a tendril and small, fan-shaped palmette. In front of her there is a circular motif divided in four parts. The exterior is black apart from the edge of the rim , which is reserved and the lowest part of the body snd short stem. The foot (interior and exterior) is also black, with the exception of the reserved resting surface. The concave area is reserved, but bears a large, black round motif on the centre.
|
|
| 22.3.27
|
Black inside. Wave pattern around rim. Outside shows winged Eros on his knees (all above his waist is missing), garland in right hand, ribbon in left. Added yellow and white. At each handle is a palmette flanked by tendrils. Attached to tendril on left is a serrated leaf. Foot has ruddled band, black side and inside and a ruddled, flat base.
|
|
| 22.3.28
|
Youth walking right, holding ribboned ball. White on youth's foot. Edge of robe and part of foot of figure right. Above, rectangular object in white, white handle. Below, tray(?) edged with white dots. Line of white dots along ground level. White for bracelet and necklace.
|
|
| 22.3.31
|
On the exterior of the object, a series of wave like patterns can be found upon the upper section of the fragment. Beneath this pattern are a series of other decorations consisting of several relatively large lines, and in between these are numerous thin lines with moderately large dots above them. The interior of the fragment has no decorations however.
|
|
| 22.3.34
|
Upper part of neck and handle dipped in black. On lower part of neck are 16 narrow tongues and these are repeated on base of handle. Handle is enclosed in a heavy black loop. Egg and dot pattern on shoulder between thin bands. Enire body covered with net pattern with white dots in intersections. Heavy black band above and around the foot, with a reserved band in between. Resting surface and base are reserved and slightly convex.
|
|
| 22.3.35
|
Upper part possesses a unique pattern that could be intended to mimic a type of plant, consisting of a single white dot in the centre with six triangular shapes surrounding it, each with a white spot upon them, and a white line on each of their ends; both above and below this pattern are two straight lines, brown of colour. At the bottom is another unique pattern consisting of three white dots above what could be a type of pot drawing, with several straight lines upon it. Both these unique decorations are likely part of a larger pattern upon the original artefact's exterior.
|
|
| 22.3.5
|
Body: below the flanged rim, key; below, a broad band. On the reserved base a spiral incised when the vase was leather-hard. Inside reserved with a broad band immediately inside the rim and a line below it; at the centre two small concentric circles. Lid: knob reserved with a broad painted band between two mouleded fillets round its base; main zone, palmette-lotus band bordered above and below by a pair of fine lines and a broad band. Round the rim leaf and bar pattern. Inside reserved.
|
|
| 22.3.6
|
Black inside and out. Two superimposed red lines just below level of handles. Painted black on the outside and inside is left reserved. Just above foot is left resereved with black vertical lines serving as rays. Outer foot ring is black, as is resting surface. Base is red with two bands in centre.
|
|
| 23.4.1
|
Black inside, with 8 ivy leaves reserved on rim joined by a stem and with groups of white berries. At the base of the inside is a stamped pattern of 5 linked palmettes around a horse shoe pattern with ovules inside, and there are ovules around the outside between bands. Side A is a youth with discus and athlete holding aryballos and side B is an athlete and youth with a discus hanging on the wall. Below each handle is a group of three palmettes. Moulded ridge above foot, which is black all over. Base is reserved in centre with three black bands, two broad and one narrow.
|
|
| 25.4.2
|
Black and red on creamy buff. Main zone flying birds in panels between chevron-panels. Red for middle band of three above main zone, and vertical lines of herringbone panels, and mid band below main zone. Bands on handles. On the inside are three thick black bands interspersed with reserved bands and a reserved circle in the middle.
|
|
| 25.8.1
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Black inside and out but lip reserved. Neck is reserved as is underside of handle. Top of handle was once black with a ridge running down the centre. Shoulder has short bars at base of neck above a lotus bud chain with interlaced stems above a black band. Body shows a hoplite putting on greaves, facing right to a woman holding spear and shield. Two onlookers left and one on right, all facing him. Colour worn but corselet originally red and possibly hair too. Below is black to base, including top of foot, but not side, which is reserved. Base is reserved and concave.
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| 25.9.1
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Inside is black with a reserved band below where mouth begins to flare. The mouth is wide and flares outwards. On the exterior surface at the top is a patterned band of two rows of 'cccc' shapes, one row above the other. Two handles, one each side are black and it is hard to distinguish what is on the body behind the handle (maybe a panel with dots?). On side A, Eros flies towards a woman who retreats towards youth seated naked on a folding garment and holding alabastron. Side B shows 2 youths, clothed, the one on the right holding a stick. Brown for feathers at top of Eros' wing. White garland, neckless, bracelet of woman and fillet held by Eros. Below them is a reserved panle with egg shapes with dits in between. Stem and top of foot black, reserved band at top of foot. Base reserved.
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| 25.9.3
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The vessel bears impressed (stamped) decoration and is black inside, as well as outside. There is a rope-shaped plastic motif above the shoulder of the vessel and the body is ribbed (long, tongue-shaped motives). Below the handle there are ten impressed palmettes (voluted with narrow divisions), arranged in an inverted triangle. The resting surface bears traces of a red line, its shallow inner side bears a black band, the central part is red and there is a black circle with a dot at the centre.
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| 26.12.1
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On mouth two concentric circles. Three horizontal bands on the handle. No shoulder decoration. On body, six (or seven?) thin bands above three thick ones. Base is slightly concave and reserved.
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| 26.12.14
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Lip, handle, neck and back of body all black. Horizontal row of nine tongues at top, just below neck, above main, reserved panel, with two parallel, vertical black lines either side of panel (shields ?). Main design of warrior facing right, with helmet, shield, and spear. Ivy leaves on stems in field. Foot is black on top and side, but reserved on resting surface.
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| 26.12.3
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Handle with hole for suspension. On top of mouth are three concentric circles. On side is a band. Neck has daisy petal pattern. Body: bands above and below the main design of a man attacking a lion. At back large black circle with black centre. In field rosettes with incisions intersecting at centre and dots. Added red for decoration. Many bands on base.
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| 26.12.32
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Pale clay; greyish glaze, uneven reserved patches between handles (at join with body), inside of handles also reserved, reserved band above footring (possibly unintentional). Footring black with narrow reserved resting surface. Base reserved with large black disk in centre.
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| 26.12.4
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Top of mouth, bands; side, dots. On shoulder, daisy pattern. Between bands, two above and four below, four komasts in red chitons. Rosettes and dots in field. Bottom, large cetral spot and one thick circle.
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| 26.12.6
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Pale greenish clay once decorated with black paint, now brown. Two handles left reserved. Mouth black and on shoulder is a daisy-petal pattern. Just above the widest part of the body is a single row of dots and the rest is banded.
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| 26.12.9
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Lip black. Exterior of handle balck and interior reserved. Shoulder: broad band at base of neck, from which hang bars with a white dot at bottom of each. Body: six ivy leaves above six lotuses, buds alternating with flowers with white outer petals painted directly on the clay. Remander of the body and the foot in black. Resting surface and base reserved.
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| 26.2.19
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pale slip; interior: reserved at top of rim; black below, with band in added red lined in white; exterior: frieze of vertical black bars with added red at rim; below, black band above black-figure animal frieze: at left, part of lion or sphinx (rump and tail remaining) to left; on the right, part of large palmette with added red; dashes, star, and dots as filling ornament.
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| 26.2.23
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white slip; interior glazed black with part of three bands in added white; exterior: black maeander pattern above two wide black bands;
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| 26.2.24A-B
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Interlaced black lotuses and palmettes with details in red and incision, bordered above and below by two lines of thinned black less than a half centimeter apart, on yellowish buff ground. Underneith the second red line on the bottom there are three .1 width lines, with the bottom line bleeding into a broad black zone which contains two 2 thin .5 width red bands .5 apart from each other, the first starting immediately under the last of the three small black lines, while everything underneith and between the red lines is black. Inside black.
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| 26.2.36
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No finished edges. The underside is reserved but there is a small trace of a band in the lowest corner. The topside has possible traces of creamy slip. In the centre are six red on black alternating tongues and these are between two stalked and dotted rosettes. Above is the remains of a band with superimposed white and red on black and a similar band is below.
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| 26.2.39
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No finished edges. On the underside of the dish fragment, on creamy-buff slip, are the slight remains of floral(?) zone above a black band thinned to golden brown at bottom with black rays and rough dots below that. The topside is onate with a meander pattern inside two bands at bottom of fragment with black above with white-red-white band superimposed. Above this band are red and white swirls surrounded by dots.
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| 26.2.40
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Underside, black, turning to red within the double foot-ring; resting surface reserved. Upper side, winged feline (with incisions and applied red markings in the shape of inverted commas on soulder and down foreleg) to right with left paw raised above what may be the tail of a sitting bird or siren, red and incisions on field ornaments. Cream slip. Bands of red and white superimposed on black.
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| 26.2.42
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exterior: animal motif consisting of springing goat (forelegs, back, belly, and neck remaining) to left; cable pattern as filling ornament; below, wide black band above tips of rays.
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| 26.2.44
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pale slip; exterior:frieze of tongues, some with added red; below, narrow band above frieze with floral motif consisting of part of large palmette and tendril; part of spoked rosette, dots, and dashes as filling ornament.
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| 26.2.5
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pale slip; interior: painted streaky black; exterior: top of lip black; two dot rosettes preserved below, above triple band;
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| 26.2.54
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cream slip; interior unslipped; exterior: black-figure decoration consisting of sphinx (back and haunches with added red remaining) to right; incised rosette with red centre as filling ornament; below, two black bands above parts of five vertical tongues.
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| 26.2.56
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white slip; interior: black at top with traces of two narrow bands in added white; on top of rim, maeander frieze; on edge of rim, short vertical bars; exterior: neck glazed; below ridge at shoulder and neck join frieze of short vertical tongues above black-figure frieze consisting of winged creature (only tip of wing remaining) to left; part of incised splinter rosette as filling ornament;
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| 26.2.6
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Interior: black with added white and red bands; exterior: top of lip black; one dotted rosette preserved in lip zone, above wide black (fired red) band; outside of handle black;
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| 26.2.64
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Exterior creamy ground white with a pattern of nearly parallel brown curves that get increasingly shorter, creating a pie slice shape (perhaps the folds of skin on the neck of a bull, fracing right), along with part of a lower eyelid. Interior black with a red line alone one edge. Right above the red line is a white line. There are also a few other splotches of white, probably white outline of lotus flower (or two) with a red centre.
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| 26.2.69
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pale slip; interior: glazed vlack with part of two bands in added white above part of rosette with red and white petals; exterior reserved.;
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| 26.2.70
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white slip; interior: reserved band at rim, glazed black below; band of added white dots above frieze of petals in black and red lined in white; exterior reserved with one probably unintentional unslipped band.
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| 26.2.73
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white slip; interior glazed streaky black with wide band in added red lined in white below rim; below, band in white above one in red; top of rim glazed; exterior: frieze of vertical black strokes at rim, some in added red; below, two narrow black bands; below, from left, part of possibly dot rosette; vertical band of dots between narrow vertical bands; painted decoration consisting of part of pendent lotus bud and part of lotus flower petal; dot rosette as filling ornament;
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| 26.2.78
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interior: neck painted black, reserved below; exterior: black (fired red) on neck; narrow band in added red at turn to shoulder; four framed tongues preserved of frieze above panel below; handle zone to right painted;
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| 26.2.79
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interior and top of rim black; exterior of rim slipped creamy white; from top: frieze of black triangles above large broken maeander band between rows of black dots; neck glazed.
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| 26.2.82
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white slip; interior: tongue pattern at rim, some black, others with traces of added red; exterior: two bands above triple pomegranate pattern frieze with red dots on the fruit;
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| 26.2.84
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exterior: bands in black and added red above and below triple ridge handle; painted black on upper portion of handle.
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| 26.2.94
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interior: part of tondo decoration within glazed wall; frieze of alternate black and red tongues within a double dot band framed by triple lines; exterior: glazed black below; triple lines above, and band delimiting handle zone.
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| 26.4.4
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The rim of the mouth has a thin redish band round it, below is reserved, and then there is another thin reddish band. The handles begin just below this band, but rise above the mouth of the pot. The outside of the handles are black, the inside reserved. On either side of each handle are small blunt spurs (four in total). The main zone of the body is decorated, on either side, with lotuses between palmettes. Between the spurs and the handles are ivy leaves (three with stems, one without). Beneath each handle, there is a palmette. Below the main zone are three red bands, a thin one on either side of a thick one. There is then a reserved space, before another thin band, below which is a thick one. The molded foot has reserved ridges on either side of a reddish-black one. The base of the foot is also reserved. The inside of the pot is red.
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| 26.7.14
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Fragment. The top of the fragment has a black line around it, below which is a handle. Shape of the handle is completely round, with a flick on one side. To the right of the handle are two lines of dots that run one above the other. Below the handle are two parallel lines. The inside of the fragment is black, fired red.
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| 26.7.2
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The interior of the vessel is streaky black (uneven) except for the tondo (reddish brown), that depicts a (shadow of a) man, in a short chiton, facing right and advancing. He is holding a (thorny) club with his right hand and his himation with the left one (using it as a shield?), while his sword is visible at his right side. Exterior: The lip bears a thin, black line. The surface of the body is reserved (up to the point where the scene ends) but bears decoration in black. The scene is repeated on both sides; the myth of Heracles and the Bull. Herakles has captured the Bull from the head. Hanging in the background (above them) there are Herakles' club, cloak and quiver. The scene is flanked (left and right) by fan-shaped palmettes (voluted at the bottom with long, narrow divisions). The lower part of the handles' external surface is black and under either of them there is an ivy leaf (heart-shaped). Below the scene, there is a streaky black line and, after a reserved, thin band, the vessel is (streaky) black up to the end of the foot, whose side surface is reserved, though. The base is reserved but bears a red thin band at the center of the resting surface. No incisions or added colour have been used.
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| 26.7.6
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On top of mouth three bands and on the side are dots. Two vertical lines border the back of the handle. On shoulder is a daisy pattern. Main design is of three grazing deer, facing right, with three bands framing them above and below. On bottom small circle and round sunk centre.
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| 26.7.9
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Everted rim and flat base. Groove ca 0.3 cm above the base. Grey surface.
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| 26.8.1
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Interior black and exterior decorated with black ornament. Black band on handle extending down each side, with horizontal bars between. On the body are panels or vertical strips of check pattern, herring-bone, cross-hatched lozenges and (bordered above by a row of dots), chevrons flanked by horizontal zigzags and at each end a vertical zigzag and this pattern is repeated on the other side. The lower part of body is black to base, which is reserved and flat.
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| 27.3.9
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The decoration above the shoulder is unclear. A fish is probably depicted on the shoulder. On the body, black bands of varying thicknesses, range from top to bottom. The base is reserved and almost flat. Shallow groove between slight footing and central flat disk.
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| 27.4.1
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Glazed black on the interior, except for a reserved band within 0.4 cm of the top edge. Exterior black glazed except, in the handle zone, a frieze decorated on each side with a pair of eyes between 5-petalled palmettes, above another reserved band. Each palmette is joined to the corresponding handle by a tendril. Each eye consists of a white circle within a black eye shape, surmounted by a black eyebrow decorated with white dots, and above a plain black curving line that mirrors the shape of the eyebrow. Between each pair of eyes is a straight vertical band, indicative of a nose, decorated with a row of white dots. Between the handle attachments and below each handle is a set of four sloppy spots arranged in a diamond form.
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| 27.4.10
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On neck and bottom daisy pattern. On front of body, two cocks facing; between them a small swan. At back (very faded) above cocks' tails inverted lotus, below small duck. Field rosettes of early type. Incisions, added red.
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| 27.4.11
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The interior is black, but reserved at the bottom of the bowl. There is a red line around the lip. The body is decorated with figural scenes. A: Two sphinxes. B: A female figure (Artemis or 'Mistress of animals'?) between two lions (alternate stripes of white and red indicate the ribs and hindquarters of the lions). Beneath each handle stands a water bird (swan?) facing to the right. Rosettes and rows of dots in the field. Below the figural zone are two red lines, then a black band, a frieze of narrow black rays (slightly overlapping the black band above). The ring foot is black on the exterior and resting surface. The central part of the underside is decorated with a black dot at centre, surrounded by a black dircle and, farther out, a red circle. White is used on parts of the lions, necks and breasts of sphinxes and woman, and parts of the wings of birds.
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| 27.4.2
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Large part of one side smeared(?). The paint is fired red throughout. On the rim is a red band, the inside of the pot is completely red, though the glaze appears black towardes the centre. On the outside, a thick red band lies above two rows of leaves, separated by a thin band. Below the second row of leaves is another thick band, which reaches nearly to the rim of the foot. The foot rim and base are reserved.
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| 27.4.4
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Paint is red-brown. Single handle with incised line down back creating two halves. Trefoil mouth with short bars around, leading to long straight neck. On neck are two parallel bands at the top, above four groups of three tongues with a red bar across top. Three bands separate neck design from shoulder design of three grazing deer facing right with zig-zag fill ornaments above shoulders and a small bird (?) on extreme left. On body is one zone of checks and then bands to base. Base is flat and reserved.
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| 27.4.7
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Main design, framed, shows a baby with amulets slung around him and a thread on his ankle, leaning his hands on a table. Facing him is a duck, behind him a chous on the ground, over the table a bunch of grapes. Above the panel egg pattern part of the way around the neck. Otherwise the surface is black, except for the reserved resting surface and raised base.
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| 27.4.8
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Interior: lion, with red and white details, in a tondo framed by a red circle. Exterior: ivy leaves with short, curling stems, separated by chevrons (above) and dot rosettes (below). Black ring foot with reserved resting surface. Underside reserved also within foot, and decorated with three concentric circles: red, black, red.
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| 28.6.1
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Handle all black, as is neck and back of body. At the front on shoulder is an inverted swirl / wave pattern, consisting of four waves. Below is the main design of an athlete (naked) with a discus standing between two clothed youths, the left of them holding a discus. Robe detail is picked out in black paint. No relief contour. There is an reserved line incised above foot. Foot is black on the top and side but the underneath is reserved and flat.
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| 28.6.4
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Black inside and out. Main design is similar both sides and is of a youth facing right. Beneath each handle is a palmette with side tendrils reaching from the palmette to the figure. Ruddled band below design above foot-ring which is black inside and out whilst the resting surface is reserved. Underneath ruddled with 2 fine black circles at the centre.
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| 28.6.5
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On top, the helmeted head of Athena Parthenos in relief, very worn. Body grooved around the relief. Handle grooved and rises above body. Piece is black glazed throughout, including base. Surface pitted with a good deal of flaking of the glaze.
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| 28.6.6
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Vertical wavy lines from rim to horizontal band around the body above three running dogs facing right. Six rays, widely-spaced, above foot. On bottom three concentric circles, outermost covering underside of foot-ring.
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| 28.9.1
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Black inside rim but reserved in body. Neck is black. Shoulder is reasonably flat and has red and black tongues above a combat scene of seven warriors. Incised white and added red detail. Two horizontal handles all black, as is back of body. Front has panel belween two rows of ivy leaves. Scene is of horses and warriors facing right. Warriors are not mounted on horses but stood behind. Below this is a panel showing a lion facing a boar between palmettes. Bands above and below this. Black band to rays at foot. Side of foot is black half way with bottom half reserved. Base reserved.
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| 29.11.2
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Main zone of body cream ground. Mouth black inside and out, lip reserved. Handle black underneath reserved. Shoulder is decorated with two rows of rays or buds (the lower row is slanted to the right). The body is decorated with a symposium scene: a man reclines and a seated woman plays the lyre, framed by two seated women and branches. Above the panel are two irregular rows of dots. Below the main scene are two uneven black bands, then the bottom of the body and top of the foot are black. Side and base of foot reserved.
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| 29.11.6
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The vessel is divided in three horizontal zones by lines of unequal width. There are also very thin, vertical lines at the sides of and beneath the handles.
A (above): A youth (servant?), making a gesture as if offering something (perhaps a branch, which extends from the servant's wrist) to a bearded, draped man (possibly Dionysos), at centre. He holds a large kantharos and leans against a rock. Behind him is another youth, who is perhaps supporting the rock. On either side of the scene there are palmettes that seem to have sprung from the handles.
B (above): Similar to side A, except that the man reclines on a couch, and the vessel is offered to him by a (servant?) woman in front of him. The youth behind him looks to the left. The scene is framed vertically on both sides by a series of dots as well as the same palmettes as on side A.
A-B (below): A band of palmettes, every second one inverted; two lines; a band of of tongues; reserved band. Base black, with black concentric circles on the underside.
Interior: reserved band within lip. At centre, tondo decorated with the winged horse, Pegasus, advancing to the right.
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| 29.4.2
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Black band just below rim, painted more firmly on one side, narrow black glossed band around body just above handles, lower body black glossed continuing onto base, handles dipped, inside black excluding reserved band at rim and small reserved disk at center 1 cm wide, some white deposits inside, base reserved, further white deposits on underside.
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| 29.5.2
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The outer edge of the rim has a thick black band. Below this, is the main zone and the handles. The handles finish above the height of the kylix, and are black on the outside, reserved on the inside. On the main zone: A. Nike flying with garland; B. Pegasus. Either side of each figure, are palmettes which end in a curling vendril with a pendant. Below this is a thin black band, then a reserved one. The rest of the body is black, until two thirds of the way down the edge of the foot. The lower ridge of the foot is reserved. On the base of the foot, the edge is reserved. Most of the base is black except for a thin reserved band near the ridge and two bands on the inside of the well in the foot. Except for a reserved band around the inside rim, inside the body is entirely black.
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| 29.5.5
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Outside, thirteen palmettes separated by dot rosettes above and single large dots below; coarse incised line across heart of each. In handle zone zigzags. Inside and outside foot-ring and base within foot-ring black. Top of rim black. Inside black with reserved band, then black band, than reserved circle with image of Sphinx inside it.
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| 30.11.1
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On mouth, daisy pattern between two pairs of circles; cross-hatching on one edge of rim. Daisy petals on neck. Main zone: In front large lotus cross with incised outline, small field rosettes, at back large rosettes with single or double incised circles at centre. Above and below main zone, seven thin bands with double row of vertical line patterns in the middle. On the base, band of leaves and a dot in the very centre, which is indented.
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| 33.4.3
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The mouth, neck, and handle are black, with some reddish patches. There are two reddish brown lines above the shoulder carination and two below it. The body scene depicts a naked youth in profile to the right, offering a bird (duck?) to Charon (the ferryman who conducts souls to Hades). The latter, standing on his half-moon shaped boat, wearing reddish-brown clothing and a dotted ovaloid headdress, is accepting the offer. Below, there is a reddish brown line on a reserved (but glazed) area. The rest of the vessel is black, with the exception of a red line on the upper part of the foot and its reserved (but glazed) vertical element.
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| 34.10.2
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On rim, one broad then three narrow bands and one band inside opening. Single band on lower part of rim, above handle. Main design is a cinquefoil, with each leaf joined by a stalk to circumference of central four-spoke wheel. At back below handle is a six-spoke wheel. Three-line spiral incised around body. Rest reserved.
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| 34.10.4
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Inside, red rim, black band, red band, black and red band around centre. On outside, red rim, black with two red bands and two more above the reserved zone with vertical lines to base. Red band on outside of foot and five band and a central dot.
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| 34.10.7
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Black-glazed lip and rim (only ca. 0.2 cm on interior); orange band above the handles; between the handles, on either side, a bay wreath. Around the body, below handles: two thin orange lines on either side of a broad black bands; another broad black band lower on body; otherwise reserved. Handle zones reserved but tops of handles glazed black-glaze.
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| 34.2.2
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Black glazed except below the neck on the interior, on the friezes (between handles) on the exterior, and on the underside. Just above the handles a short frieze consists of a series of short bars, vertically arranged; below these is a frieze filled with a pair of sideways 7- to 9-petalled palmettes, and either side of upright palm fronds, which enclose an upright 9-petalled palmette. A pair of tendrils emerge from either side of each palmette.
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| 34.8.12
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The vase is black, both on the inside and the outside, with the exception of few, red lines. A sloping rim allows the lid to sit over the aperture. There is a reserved line on topside of the body, a red, carved circle and a groove around. There are also two, concentric carvings, one in the middle of the body's upper surface and the other one at its side. At the level where the body is divided in two areas there is a reserved line, while another one is apparent at the point where the body is narrower, above the point where it connects with the stem. The latter is divided in two areas by two, plastic, thin, red rings. Below, there are vertical ridges, one third the way down, wider towards the upper surface of the foot, whose larger part they cover with their moulded, tongue-shaped terminations. There is also a carved circle, surrounding these terminations. The foot is grooved and reserved in places. The surface underneath is irregularly painted black, with the central part reserved.
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| 34.8.7
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Cup mouth black inside and out and reserved on the rim. Single handle is black on outside and reserved underneath. Shoulder has inner ring of spots and outer ring of rays. Body has two rows of dots at top above the main design of a chariot with horses galloping right (heads of two horses, five hind legs). Beyond horses is Athena running left. Added white for Athena's flesh and helmet. Bands below and bottom of body os black. Foot is stepped with the side of the lower step reserved. Base reserved.
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| 35.4.6
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Interior: four stamped palmettes, with an egg at the base of each, linked by a small incised circle. Reserved line round body a little way above foot. Whole of foot-ring black. Base reserved and ruddled, with dot and black band. Inside is black as are both circular, horizontal handles.
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| 35.5.34A-Q
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(a) fragment, three joins. Decoration on both sides. Band of geometric pattern above which is person's foot and bottom of leg standing to the right, wearing a hymation. On the opposite side: floral pattern to the left of bottom half of a person and to the right of this person the hand and lower body of another. (b) curved, palmette on other side black. (c) large roughened patch to the top right where possibly a handle was attached, floral pattern around this. (d) small fragment, on one side band of geometric pattern, on the opposite side floral pattern. (e) large piece, three fragments joined. Bearded man in the centre facing to the right, left arm raised and holding a long stick, right arm tucked into hymation. To the right of the man, the arm of another person and to the left a floral pattern, inside black. (f) Very similar to fragment a. three pieces joined together. On one side in centre bottom half of a person, feet and lower legs facing left and wearing a hymation, to the right floral pattern. Opposite side, band with geometric pattern. (g) On one side to left part of a hymation, to right an arm. Opposite side band with geometric pattern. (h) On one side the feet and legs of a person standing on a platform with the bottom of a stick he/she is possibly holding to the left, in the right hand corner the edge of a geometric pattern. On the opposite side the feet of someone facing to the left wearing a hymation dropping behind them, to the right of them a floral pattern. (i) Small piece of two fragments joined together. Chest of a male with right arm extending, his hymation drapped over his right arm. (j) Head of a male facing left with hymation over his shoulder and part of large palmette to his right. (k) Small frgment, part of hymation. (l) Small fragment part of hymation (m) Small fragment part of hymation. (n,o,p) small fragments with no detail.
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| 37.11.2
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Top of mouth has one thick then one thin band. The handle has vertical zigzag (much worn) between bars. The shoulder has a daisy pattern above three bands. Bottom four circles round central spot. Over front of whole vase and covering part of bands is a large double palmette shape with projecting lines and groups of dots at one end and a circular pattern with dot at the other. Random dots over back area of body. Bands around base.
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| 37.7.3
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Long horizontal handles curved and twisted and painted black higher than the rim, which is offset. All black except reserved groove on body just above foot and another in the resting surface. Inside are four stamped palmettes, off centre, in an unusually thin rouletted ring. Base is concave and black.
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| 38.4.2
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Reddish-brown on pale buff ground. The false neck is decorated predominantly in a black band, with a narrow and broad black circular band in the centre of the false neck. The underside appears to be reserved, with a single thick black line at the base on the false neck. The true neck has a faded broad back band around and overlapping the lp. There is a broad black band at the base of the neck, and also a black blob on the side facing the false neck. On the shoulder there are six groups of narrow black lines painted horizontally. There is one group of either side of the true neck, both have eight horizontal lines, the one on the left has two rings of black to either side of it. The groups of lines on the other side, if faced with the true neck at the top, have groups of 6, 7, 9. 8 horizontal lines, all with a small ring of black in between them. The shoulder is outlined with a broad ring of black. The body has four broad black lines, which have faded to a reddish brown. Adjacent are narrow red rings; four above the first band, two within the first band, two within the second band, two or three below the second band. The fourth band does not overlap the base, which is slightly concave in shape, and has the suggestion of a foot ring.
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| 39.8.2
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Picture inside is of a bearded satyr, with his left hand on his side and his 4th and 5th figures bent under. He is stooping and reaching forward with his right hand. His long ear reaches well above the top of his bald head.
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| 44.1.2
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Black lip above reserved neck which has black tongues below fine ridge at base. Single handle is black on top and reserved underneath. Black lotus flowers with white outer petals alternating with black buds border the flat shoulder. The body has shiny black glaze with two red lines at top and another just above bottom of body. Disk foot is reserved around edge. Base reserved.
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| 44.6.1
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Clay and surface of vase ferruginous buff, black glaze fired in parts to a pale orange brown. Inside is black with traces of red bands and there are red bands on the inner rim. The upper surface has circular patterns of dots (lotuses?) alternating with vertical rows of dots. Below these and above the handle are three bands, red between two black. Below handles are two bands and another around foot. Three bands on base with central dot.
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| 45.10.1
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Entirely black, except reserved on the underside, and the resting surface. Red figure decoration begins at the lower part of the neck, with a band of rays, in imitation of ribbing. The shoulder has palmettes, rosettes and circles with central dots with added white. Wave on rim. Body decorated with white: chevrons between dot rosettes. Red band on lowest part of body, above foot.
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| 45.10.13
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(i) There is a small part of a motif (partially covered with plaster) that consists of wavy lines. Below it, there are two lines and underneath there are parts of two inverted, palmettes (voluted with petal-shaped divisions) that flank a three-pointed flower with two dots to represent pollen. ii) Between two pairs of lines there is a guilloche (fillets with teardropped terminations interwoven together) with dots among the lines. Below, there is a broad black band, which seems to be interrupted at the right side. (iii) At the left, three parts of vertical, black bands and incisions create part of an object (garment hanging from chair or couch?) In the middle, there is an object- as if it was a grave-stele with a cross-shaped ? ending above which spring two heraldic, white, voluted palmettes (now fadded away), a chiastic motif with dots and horizontal lines on top- but inverted (leg of a bed or couch?). Next to that, there are a figure's part of thighs, knees and calves, close to part of a palmette. (iv) A bearded satyr (seilinos) plays a chorded instrument (lyre), while his himation is hanging in the background. Next to him there is a draped female figure (Demeter?), holding a wreath (black circle) and branches with dots on both sides that surround her. The details on her drapery have been executed with added red and so are those for her head-dress. There are also traces of added white on her neck. On top of the fragment there is part of a motif of tongues contoured with ellipsoid lines and a line that encircles this pattern. v) On the left, there is part of the satyr's lower legs (above the knees towards the feet) and the lower end of his himation. Next to him there is the termination of the female figure's branch, close to a similar inverted grave-stele? and part of an object that resembles an animal paw (lion-shaped foot of chair or couch) . Below these, there is a line on which they seem to step on. Next, a guilloche between two pairs of lines and at the bottom part of a radial-shaped motif with a line that contours it on top. vi) A line and black, teardropped spot. vii) There is a line on whose right top side stands a rectangular object with a rectangular surface in the middle being reserved. Below, part of two lines on top of part of the guilloche. viii) Small part of shoulder and neck: there is a black spot, a thin band, a red line on top of a plastic ring (joining point of neck and shoulder) and part of a tongue-shaped pattern contoured by a line on the shoulder. There is also a part of two lines in the interior. ix) Part of the guilloche, the two lines underneath and the radial-shaped motif at the bottom. x) Tiny bit of the guilloche and the two lines below it and part of the radial-shaped motif. xi) Part of voluted palmette and tongue-shaped motif. xii) Part of the floral motif (of a three-pointed flower)? with lines that form a rhombus with a dot in the middle. xiii) Part of the shoulder and the spring of a handle. On the top there is the tongue-shaped motif, encicled by a line and below it an inverted palmette. The spring of the handle is black and next to it there are short, diagonal incisions. There is also a tiny spot of black colour in the interior. xiv) On the left, part of leaf-shaped (heart-like) motives (part of thyrsos?), close to a band of black colour, of undecipherable shape. Next to that, there is the lower part of a female draped figure, with small crosses on it. At the right side there is black and white colour that forms ovaloid shapes (?). xv) A black band and on the left part of the female drapery.
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| 45.10.22
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a: The upper surface of the rim is reserved, although glazed. However, the side surfaces (internal and external) are black (apart from a reserved area that would not have been visible if the handle was not missing). The neck is also black on the inside, however, there is a perpetual motif of palmettes on the external surface. These are double palmettes (5 narrow divisions upwards and 5 similar ones downwards) that look as if chained together by a horizontal row of small rings and each such palmette is separated from the other by a vertical line with wider endings, while thin, curved lines (above and below) frame each palmette. The sides of the handle bear a black band each and there is also a thin line underneath them that contours the end of the neck. On the carination that divides the neck from the shoulder there is a thin line with added red colour. The shoulder bears a motif of tongues, divided by vertical lines, while a line underneath contours them. The motif does not appear under the surface of the handle. At some point underneath this pattern there is the beginning of another motif (black with 3 dots of added red and scale-like incisions). The interior of the rest of the vessel is reserved, since it is an amphora. b: It bears exactly the same motif as the previous neck bit. c: From the branch of a three-peaked floral motif there emerge two curved lines that are downwards and upwards, each forming an ellipsoid-shaped frame from whose lower (in the case of the curved line that goes downwards) or upper (in the case of the other line) endings form one floral motif each. The left one is a voluted palmette with 5 petal shaped divisions and the right one is a three-pointed flower, similar to the central floral motif, but bigger. Although the upper part of this pattern is not preserved apart from the starting point of the motives, it is certain that this would have been the heraldic motif depicted. Underneath this area there is a thin, black line and below that, a pattern of guilloche ( branches with tear dropped endings interwoven together) with a row of dots, framed (above and below) by two pairs of concentric lines. Towards the end of the fragment (which is also towards the end of the vessel) there is a radial-shaped motif, two lines and the rest of the surface is black. d: It is a part of the body's area that bears the guilloche pattern and the radial-shaped motif underneath, but one third of it is not preserved. e: On the left there is the upper part of probably a palmette (two endings of petal-shaped divisions). Next to that there is the depiction of a draped lower body part. The drapery is formed by the incisions on a black surface. There are diagonal incisions and wavy endings to denote the folds of an himation, as well as the lower termination of the chiton, which is suggested by two almost horizontal incisions, a wavy line and another horizontal incision. the drawing is detailed and clear. f: The part between the surface above the knees and a bit below the calf of a male figure that wears a short chiton (incised, wavy folds are visible above the knee), as well as grieves with out curving terminations (Hermes?) of added red colour, now fadded away. On his left there is the upper part of a palmette and on his left there is a diagonal line, with rows of dots on either side (characteristic of Dionysus). Very clear drawing. g: Half of the three-peaked flower, a bit of a black line and two petal-shaped motives. On the side, there is part of the dotted branch and what appears to be part of a figure's drapery (upper right body part ?), with some incisions used to render details. h: Between the lower body part of two figures there is part of the dotted branch. What is preserved from the right figure is incised lines and circles on a black surface. The left figure's drapery (peplos and himation ?) is preserved (below the waist), consisting of incised diagonal and wavy lines to denote the folds. i: A central male figure's (Dionysus) body from shoulder to legs is visible and surrounded by a dotted branch. He is standing between two figures. The male figure (there is part of beard with added red) on the left holds part of the branch with his palm (upper body without the head is preserved). The only visible part of the draped figure on the right is part of the legs. Incisions are used to render details. j: Apollo playing his lyre (kithara). The head (in profile, facing right), right hand and part of the god's front side of the body is visible, as well as the largest part of the lyre. Part of a dotted branch exists in the background. Incisions have been used to render the chords of the lyre as well as for the eye, contour of hair, ear and contour of the god's body, while a taenia (fillet) on his head is in added black colour. k: Only part of a thin, black line is preserved. l: two broad black bands that overlap at some point. Incisions and the ending of a dotted branch (part of draped figure?). H & J on display in symposium
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| 45.10.3
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Upper part of bowl decorated with roller-stamped frieze, with three ridges above and one below. High stem, ridge moulding under top and bottom. Wide flaring foot. Stamp (apparently): figure seated to right in high-backed chair, standing female with win
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| 45.10.7A-B
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Lid: The top surface bears part of a central medallion (dots contoured by double, semi-spherical line), encircled by a black line, a red band, a broader black band and a red line. There is also an ivy spray between the last red line and a similar one. At the rim there is a rather careless tongue pattern, with inner dots (identical to the one of the central medallion, only frammed by thin, black lines). Sides: There is the representation of women pursued by the winged Eros. The naked Eros is flying and his himation with white spots on its top is falling over his forearm. At the level of his face there is an inscription, with white colour KALOS and underneath, KALH, above a bent fillet with thin, short, white lines emerging from its endings. The first of the women is headed right, having extended her right? hand towards Eros and holding and raising slightly her drapery (in order to run faster). Her head is missing, but she is probably looking backwards, to see the advancing Eros. The scene is reproduced again: Anoher Eros pursues another woman, who is running towards an altar? (rectangular, altar-shaped constuction, higher than the figures with a decoration of a large cross and dots in between). Among them there is again the inscribed KALOS, KALH. Many fragments have not survived, however this woman's head is not missing. She is looking backwards and wears a diadema, made of white lines. At the other side of the altar? there is another woman approaching it, having escaped the first Eros, but looking back to see him. She wears a white diadema and the same inscription is between her and the Eros. The scene is framed by two red, concentric lines (above and below the figures). The bottom surface is left reserved. Body: There is decoration of laurel stems and berries around the outer surface with details made of added white. This motif is framed (above and below with red, thick lines). The interior of both pieces is black. The feet have a black band on the side (ca 2 cm below their joining part to the body) and the rest of the surface is left reserved, apart from a black line at the rim. Half way up the inside surface of the feet there is a thin, black band. The base's central part is decorated with a broad black, circular band between thin black lines.
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| 45.6.10
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Finer fabric than RM.87.35.13 and 29.9.2. Black interior with reserved band on rim. Exterior of rim is black followed beneath by further reserved band. Black band above handles followed by reserved band. Handles black on outside only. Lower body and foot black. Reserved resting surface and inside of foot.
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| 45.6.12
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Inside has black bands and a central black dot. Outside has a rim with dotted rosettes in handle zone. Black band above main design of 9 inverted swans with red bodies and black necks. Groups of dashes in the field. Black band below design with vertical rays to foot. Foot is black on top, reserved on resting surface, black badn and reserved centre, which is convex.
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| 45.6.30
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Black gloss, with two white bands on the lower shoulder, above a moulded groove; then ribbing on the body; reserved and ruddled on the lower part of the body, upper part of the foot, and underside.
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| 45.8.2
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Mouth and rim all black and black inside down to base of rim, then reserved. Two handles, one each side, all black. Both sides have a wave pattern above scene. Between tall tendrils: Side A a youth running with a rosette in the field. Side B is a woman running with garland in hand and a fillet hanging up. Black background carelessly applied, overlapping parts of pattern. Reserved band under scene. Foot black on outside, the rest of the underneath is reserved and flat.
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| 46.5.1A-B
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Lid decorated with three vertical black bands above palmette frieze.
Body: dark bands on rim, narrow floral band consisting of ten alternating palmettes, six with lotus attached by long stem on right, two with lotus each side, two with none. Black at bottom of body and foot.
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| 46.9.1
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Mouth coloured black inside, outside, neck red. Handle black on outside and reserved underneath. On shoulder, black rays below fine ridge at base of neck, then lotus flowers - white outer petals alternating with black buds. Body has a silvery black glaze with two red lines at top, another just under the figure scene and another just in the junction with the base. In added white, bearded charioteer with two galloping horses. They are in profile to the left. He is holding the reigns of the horses. Naked with fillet on hair and belt, both shown incised. Row of white dots above the scene. Details of man's body and horses' incised. Disk foot has reserved edge, base is reserved.
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| 47.2.29
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Red tinge to body, suggesting originally covered in red wash. Black horizontal stripes across body and above left arm. Vertical black stripes on lower body. Black on back of head.
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| 47.2.7
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Black gloss on bowl, thinly applied on the lower part of the body. Reserved groove above foot, resting surface, and underside, except for concentric black bands around convex area.
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| 47.6.3
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Dull brownish-black glaze all over. Ribbed handles with bearded masks instead of spurs, handles divided in two between mask and body. In handle zone, incised band of tendrils on straight stalk. White dots (v. worn) above and below. Round top of lower band some evidence of what was a wavy pattern. Lower band black as is base and the rest of the vessel.
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| 48.12.2
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Black decoration. Interior: uneven band round rim; ring in base with ill-made join. Exterior: uneven band at rim; beneath it is a wavy line (decoration ceases temporarily above handles); paint thinner in places. Black band where the body tapers to the base, and another band around the foot. Base reserved.
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| 48.12.6
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Rim decorated with three bands, the the central one with added purple. Horizontal bars on handle. Long tongues on shoulder; figural zone framed by bands. Main design is of three crouching lions, facing right, with long tails forming s-curves above them, each reaching back to link to the next lion. Incisions and added purple on necks and shoulders. Base reserved.
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| 48.2.1
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The interior is glazed black. There are two zones of decoration. Top (A): water bird, horseman with dog, lion; top (B): lion, horseman, waterbird. Bottom: seven swans, three decorated with incisions, above a ray base. A few rosettes and a dotted rhombus in the field. The base and rim of the foot are reserved.
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| 49.1.1
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Interior reserved except for red central interior surrounded by thin red and black bands. The vertical part of the interior of the rim has black and brownish bands. Decoration of thin red and black bands, with dots at edge of mouth and outlined tongues round shoulder. Outside of handle black. The underside of the foot decorated with three concentric black bands and dot at the centre. The ring on the interior and exterior covered with brownish paint. The resting surface has two thin concentric brownish bands. Sloping part of the body two thin brown bands. Above the ridge, brown band and that part covered with brown paint.
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| 49.1.2
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The vessel is covered in black except for decorative bands at the lower part of the neck (red with black vertical lines) and the shoulder (egg-and-dot), the figural scene in the body zone, a frieze (stopt maeanders alternating with cross squares) below the figural zone, narrow bands at the join of body and foot as well as on each step of the foot, and the underside. The scene depicts a nude youth standing in a relaxed pose, 3/4-view to the right. He holds drapery, bunched up, under his left arm, and seems to converse with a drapped woman seated to the left on an undulating rock. She holds a mirror in her right hand. Both are diademed. A small, winged Eros flutters above them, and he has crowned the youth. A single branch emerges from behind the rock. Next comes an older Eros (depicted as an adolescent) seated near profile to the left (the seat is no longer visible), holding an opened box (the type that was used to house alabastra such as that which he decorates, according to Trendall and Cambitoglou 2.605). In the upper left field there is a rectangular motif with a short, black, vertical band on it (perhaps a window), and in the upper right field (behind Eros) a four-part rosette (rodakas) next to a strigil. Below, there is more vegetation. Relief dots detail xxx and added white has been used for xxx.
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| 49.8.1
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Handle in two pieces and entwined in knot and extending out to sides along rim. Mouth is wide and has small rim with moulding around edge. Neck is black and smooth with a ridge at juncture with body. The body has shallow vertical ribs, with a cross incised under handle. Horizontal groove halfway down body. Stem is ruddled above foot and reserved, decorated with a black bad. Upper and lower edge of foot reserved. Foot is conical with reserved resting surface and base, except for a black band inside of foot.
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| 49.8.3
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Interior: black with a central red dot. The underside of the rim has a leftwards laurel leaf pattern above a single red band. Palmette and tendril decoration below both handles. Side A: warrior with shield dressed in hoplite attire (but perhaps an Arimaspian, according to Schauenburg; cf. Hdt. 3.116), facing and fighting a griffin with traces of white on tail and mane. Rosettes in field. Side B: three robed women with yellow necklaces and hair decorations, facing left. Rhomboids with central crosses in field. Below the figures is a wave pattern. Stem, foot and base are black.
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| 49.8.4
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On the mouth, tonges framed by black bands. On the shoulder, tongues. Neck reserved. Lip has dots around the edge. On the handle, the decoration is hardly preserved, probably black bands zig-zag. Body has three purple bands with double rows of vertical dashes between them. There is a zone of tongues around the base, above of which thin brown line. On the underside of the base, black dot at the centre and traces of black band around it.
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| 49.8.7
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Inside is black with a reserved ring in centre (around hole) and a reserved band on the junction of the offset rim with the body. Rim is black outside and there is a moulded, reserved ridge above handles on the junction of the rim with the body. Two handles, one on each side are black on top and reserved underneath. Below the shoudler ridge is a band of lotus buds with dots all joined by a chain below, black band, band of eight inverted birds (cockerels and hens (?) one smudged) with a dot rosette. The figure zone is framed by thinly painted brown lines, two on each end. Black band follows and three thin brown lines which encircle the black rays rising out from the root of the stem.
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| 49.8.9
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Rim: There are three narrow, black bands (on a reserved area) between two thicker ones. The side of the rim, the neck and the underside of the handle are all reserved, however there are parallel horizontal bands framed by two thinner vertical lines on the back of the handle. The shoulder is decorated with black tongues. The body is covered with a scale-like motif and each of the scales is rendered with two incised lines at the edge. Additionally, each alternate column has a large purple dot and the columns between have a very small, incised dot. Above and below the scales there are two, broad, black bands, separated by reserved lines. The lower part of the body towards the foot is decorated with tongues (radial-shaped motif). The foot and the base and underside are reserved.
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| 50.10.2
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Interior glazed black. The rim is decorated with black dots (possibly modern?). The walls are decorated with a floral frieze, consisting of 9-petal palmettes alternating with vertical tendrils (one of which is single and 5 of which are comprised of interlocking ss), framed above and below by two black bands. The lower part of the body is decorated with a thick black band, between two reserved bands. The foot ring is decorated with black bands on the vertical surfaces. The underside is decorated with a narrow black band around a central black dot.
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| 50.10.6
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Front: in handle zone, white eggs, with incised line above; then, between pairs of incised lines, wavy white line; below this, row of white dots. Red vine branch with dendant grape-clusters, leaves and tendrils. Incised line all round below. Back: pair of lines of white dots with double incised line in between tapering to single line. Incised line continued from below decoration on side A. Handles and interior black. Bottom portion of body and top of footring red with single black band near top. Side of footring black, underside reserved.
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| 50.12.19
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Exterior: decoration in black, comprised of three black curved lines above and a thin (faded) horozontal line below; to the right a tiny black mark. Interior: reserved
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| 50.12.20
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Exterior: brown lines, curved line with horizontal waves above, and six vertical lines rising from the curve (perhaps a fish); broad band below. Interior: reserved.
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| 50.3.3
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Above foot, and again half-way up to handles, groups of five fine incised lines.
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| 50.4.20
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Exterior and interior of neck in black glaze, base is reserved. Fourteen, unevenly spaced vertical incisions around the lower body. From above, the lip and handle appear to form a grape leaf shape.
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| 50.4.8
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Black gloss on mouth, neck, shoulder, and handle (dipped). On shoulder, three rows of white spots: seven (tear-shaped) above, five (larger tear-shaped) in the middle, and below, five groups of three dots in a triangular pattern. The body is decorated with a diagonal net pattern of thin black lines with thin white spots inside the lozenges. Thick irregular black band at bottom of body, reserved stem, black foot, including resting surface, but otherwise reserved underside, with a spiral pattern etched at the centre. White paint dots added and traces of red wash over body.
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| 50.5.1
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Reserved on interior, starting ca. 5 cm below rim; otherwise black glazed, with some (modern?) white overpaint: traces of white vertical strokes around lip; two white bands around neck above groove; body pattern is in (modern) white flower motif inside oblong block pattern.
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| 50.5.6
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Vertical strap handle from rim to bottom ridge, extending over the rim, has parallel horizontal lines. Towards the top,a double bar cross. Inside is reserved except for the rim decorated with four groups of 8/10 vertical black lines, framed by a thin line above and two below, extnding to the upper part fo the body.The body has a zone of hanging spirals to the left,framed by two black lines. It is followed by a meander and four parallel black bands below, a zone of herring-bone. Either side of handle are three vertical lines. Herring-bone pattern sits on ridge which has two bands below. Base is flat and reserved.
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| 51.1.3
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All black except rim, which is covered with a whitish slip and decorated with a zone of stpe patterns framed by two lines above and below. Base reserved with two incised concentric rings.
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| 51.4.5
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Decoration in black and purplish-brown over a pale slip, with incised decoration on the back. At the top of the body is a broad band between two pairs of narrow bands. Above this is some evidence of a frieze of vertical bars. Below is a figural frieze, decorated at front with a geometricising bird flying profile to the right, holding a wavy line in his beak. He is surrounded by two crosses and two clusters of 8 dots (rudimentary rosettes) in the field. A floral decoration at the back is comprised of four interlocking palmettes, with purplish-brown petals and brownish-black hearts separated by incisions, with tendrils terminating in volutes emanating from either side of each sideways palmette. The lower part of the body is decorated with a thick black band between a pair of thin bands, above, and a thin band, below.
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| 51.4.8
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Neck and mouth, inside and outside, are black. Decoration in a panel. The top of th epanel is decorated with small balck tongues. Under them,lotus buds and flowers, purple patch on each flower, with a row of black dots above them. Cock to the right faces swan to the left, with extended wings. Added purple on wings. Above cock, dots and small line, ramines of an unidentified decorative pattern as background decoration? The rest of the body and three handles are black. The resting surface and interior of vessel are reserved. The glazed interior of the neck is decorated with 3 thin purple bands. Under the decorated panel, two thin purple bands, running all around the body of the vessel. Underside of the handles reserved.
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| 51.7.11
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The interior and rim are black, except for two reserved bands on the interior, at the top and bottom of the lip. Just under the rim is a laurel wreath, facing to the right. A palmette fills the space beneath each black handle; a series of dots mark each handle zone. The scene on each side is bordered by two tendrils that emerge from the ground, in most cases flanked by two smaller tendrils; at the centre of each large tendril is a volute, from which spring two demi-palmettes. Side A: Wreathed, draped Apollo stands in 3/4-view to the right, holding a laurel branch in his right hand and a phiale and fillet in his upraised left hand. He faces a white-haired, bearded Papposilen, who stands in profile to the left. The Papposilen wears a taenia on his head, an animal skin (nebris) over a shaggy-white body suit, and slippers. He holds a mirror in his upraised left hand and a lyre and a fillet in his lowered left hand. Above him is bust of a goddess, probably Hera (or Leto, or Cyllene?), with her face in profile to the right, enclosed within a window, outlined in white. She wears a high crown and jewellry and holds a sceptre in front of her left shoulder. There are ivy leaves in the field. Side B: Two standing, draped youths, facing each other and wearing wreaths. The left figure has a 'V' drape on his chest and his left hand is barely visible; the right hand of the right figure emerges from his himation; he holds a branch out to his companion. Beneath the scenes is a band of right-facing waves. The lower body and foot are black, except for a reserved band on a groove at the top of the vertical surface of the foot, and the reserved underside.
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| 51.7.14
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Swan with added white and incisions. Above, dot, white on black. Beneath handle, palmette flanked by tall tendrils. Glaze silvery. Mouth, upper part of neck, top of handle, black. Also lower part of body and foot, including resting surface.
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| 51.7.16
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Black mouth inside out, except for reserved top surface of the rim, exterior of handles, interior reserved and underside of the foot black; Between the handles are double (mirrored) lotus-enclosed palmette friezes, enclosed between red lines. Below the ridge at the base of the neck are alternating red and black tongues. Beneath each handle is a vegetal design comprised of three lotus buds, each arranged at right angles to each other, so that their stems form a diamond that encircles a dot, yet extend to four palmettes (two above and two below) that flank the figural zone. Beneath the figural zone is a series of friezes: two lines; a maeander (Greek key) to left; two lines; a frieze of upright leaves interlinked by arcuated stems; two lines; rays extending from the base. The preserved part of the base is entirely black. Side A shows a quadriga (four horse chariot) wheeling around, so that the front of the horses seem to pass a crouching warrior holding out a spear at a near horizontal. The helmeted charioteer holds a large shield. Side B shows a helmeted warrior, standing between two attendants. The warrior holds a shield with a lion-head sema, wears a chlamys, and holds a pair of spears at right angles. The (male) onlookers, both bearded, wear himatia that enclose their arms, and each holds a staff upright. Detail is incised on both designs. Top of foot and side are black and the underneath is concave and black. Added red on horses' manes and the contour of the shield.
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| 51.7.9
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Tapering body to wide splayed foot. Traces of black paint. Many bands of brown/yellow around body. Vine pattern (?) or leaves on stem (?) still surviving around middle in dark brown. Dark brown band just above the base.
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| 52.3.3
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Inside is black on neck and rim but reserved inside the body apart from numerous black splatters of paint. Diamond pattern with dots on rim, rays and palmettes on rim above each handle. Side has dots and two rows of wavy lines. Handles are black as is the neck between them. Neck design same as on rim. Row of tongues on shoulder. Scene similar on both sides. Each side is flanked by a vertical line of hearts/ivy leaves with dots between lines. Side A: three youths, robed, one with a staff, two facing left and one facing right. Side B: three youths, robed, around a stele (?), two facing left and one facing right. Figures are ruddled and detail picked out in black. Below is a band of ivy leaves. Foot is black and ridged. Base is reserved and conical inside foot.
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| 52.3.4
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Interior: black spots on lip; alternating black and reserved bands on interior (restored), surrounding a tondo decorated with sphinx, profile to the right. Exterior: Rim decorated with a band of zigzags, slanted to the right; body decorated with an animal frieze, above two thick black bands; exterior of handles and foot glazed black (restored). The animal frieze shows (from under the preserved handle): a water bird, left wing outspread, profile to the right; billy-goats (4) grazing profile to left, alternating with panthers (3), profile to the right, each with left forepaw raised and head frontal; spots of varying sizes in the field.
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| 53.8.3
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Lip and interior glazed black, except a ram protome, profile to right, at the centre of a reserved tondo, outlined with an orange band. Exterior: lotus petals on the rim, interrupted only by the glazed handles and lugs, above a a thin glazed band at the carination (mostly orange-red), an invertedanimal frieze on the body or bowl, above a pair of thin bands above a thick band; bands decorating the foot on exterior and interior vertical surfaces; underside decorated with concentric circles (black between two lighter orange circles, enclosed by two darker orange circles). The animal frieze shows (from just above the black handle): a panther advancing to the right, head frontal, licking the horns of a grazing deer, profile to the left, between two pinecones, with a dotted line above his back; a panther advancing to the left, head turned frontal, a dotted lozenge, a lion advancing to the right, tongue licking the horns of a deer grazing profile to the left, with a row of chevrons above; a dotted lozenge. Below each creature is a dotted bull's eye (comprised of central dot, surrounded by a band, surrounded by a circle of dots). Additional ornaments, including dots and chevrons, in the field.
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| 53.8.4
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Molded, downturned rim with a flange (for lid); incurved horizontal round handles; deep body with nearly vertical sides that are slightly concave above the handles and convex below, curving sharply at the bottom into a broad, short stem, on top of a molded disc foot, recessed underneath in two degrees. Black gloss with red figure decoration. Side A: a female head profile to left, with small dotted circles in the upper field on either side; side B: palmette. Interior: a reserved band within the rim. Exterior: a band of vertical bars under the rim (with applied red wash); a reserved band around each handle attachment (also with red wash); a stemless ivy beneath each handle; narrow reserved band beneath figural scene; reserved band on the upper part of the foot; underside of foot is reserved and stained with red wash.
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| 54.8.1
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Inside has a ribbed texture and is reserved apart from thin bands around rim with vertical bars overlapping the rim. Single ribbon handle which is unevenly bent, has horizontal lines down back and is reserved underneath. Procession of seven mourning women, in profile all facing right, framed by wavy lines, with two bands above and below and three vertical lines at right and left of panel. In front of the sevnth woman there ae three loop patterns, with dots. The women are wearing long garments, have long hair and ftech one arm over their head, as a mourning gesture. Face drawn in outline. No use of incision for any details. Below 'SSSS' pattern, then horizontal lines. Moulded ridge and groove below around foot. Base is flat and reserved.
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| 56.8.1
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Reserved inside. Paint on outside is black, lustreless and largely worn towards base of body. Two handles painted black on top but reserved underneath. In handle zone, within a panel framed with bands of dots is an ivy spray (on both sides). Lower band of dots carried round below handles. Bottom of object is black until reserved band just above foot. Flaring foot, black on top and reserved and conical underneath.
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| 56.8.8
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On the exterior of the rim, S pattern. A fight of three warriors between onlookers; on the left, an onlooker between two runners, on the right, a runner between two onlookers and at the back a floral motif (lotus-palmette cross?): Two semi-spherical palmettes chained in the middle by circular bands, dotted in the centre, and held on a columnar motif with similar (only more conical) palmettes as endings (top and bottom) by black strips. Many of the figures appear to be holding spears (in the case of warriors) or have in front of them the same attribute (long, thin, vertical or diagonal lines). There are variations in the rendering of armour, hairstyles and drapery, mostly executed by incisions.
The scene is framed by bands, top and bottom. Above the top band is a reserved circle, a thin, red, circular band and then the vessel is black up to the base where there is another red circular band. The interior of the footring is black. The broad, reserved base has a black circle inside a black band in the centre. Additionally, there are six dots (four are bigger) placed randomly on the reserved area of the bottom.
Interior: The surface is black from the rim to the tondo, except for two, red, concentric bands approximately 1 cm within the carination, and a similar red band framing the tondo. Inside the tondo is a representaion of a cock in profile to the right with a flower-bud emerging in the background. Red paint: tail, wings. Moreover, incised over the red ring surrounding the tondo there is a mercantile graffito (?).
The handles are black but reserved within.
The underside of the foot decorated with black dot at the centre, surrounded by black band and 6 black dots around it, uncanonically placed
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| 57.7.9
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High, curved handle attached to triangular mouth. Traces of black paint. Many bands of brown/yellow around body. Vine pattern (?) or leaves on stem (?) still surviving around middle in dark brown. Dark brown band just above the base.
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| 58.2.4
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The lip of the jug is decorated with black lines compartmentalising the area; within every other compartment there is a design of lines of black dots. This design is carried on part way into the interior of the vase and onto the spur. The underneath of the rim is delineated with a black line. The neck is decorated with three compartments of decoration of unequal size. The compartments are divided by two black lines which enclose crosses surrounded by diamonds. Within two of the compartments there is decoration consisting of lines of vertical dots hemmed in by horizontal lines on either side; underneath are crosses with dots in each section and above is a mixture of crosshatching, lines and dots. The third section is undecorated apart from six groups of three diagonal lines, which form a vertical stripe of decoration under the handle. The body has decoration of long and short double lines containing cross-hatching reaching for the base (within the gaps there is a cross with dots in each section), below two such lines enclosing a string of continuous horizontal diamonds. The base is decorated on both faces with lines and circles. The handle is also decorated with black lines.
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| 60.1.1
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Bird; three dots in triangle above tail. On either side two markings. Beneath handle palmette flanked by two markings. Neck (upper part), mouth, and top of handle black; also lower part of body and foot. Base underneath reserved.
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| 61.6.3
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Glazed black on the interior, except at the bottom of the bowl. Exterior glazed black (dipped) on the rim, handles, except near attachment (but a small line emerges to the front of the bowl, from either handle). The floral frieze consists of: palmette, upright, flanked by curling tendrils from which hang smaller palmettes (side A), a simple enclosed palmette (under missing handle); two upright palmettes with curling tendrils, although the palmette on the right has two curling tendrils at the left and none at the right (side B); simple palmette under handle. Beneath the floral frieze is a thin black band above a band of black dots. Black glaze also on the lower part of the body, stem, and top of foot, and interior surface of the foot (with extra paint spilling over onto the resting surface and the underside).
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| 62.10.1
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Black-glazed inside of rim and lip; broad black band at top of shoulder, above the handles; between the handles, on either side, a frieze of thin rays, a line of fine dots, and a simple maeander. Around the body two broad black bands, and black-glazed upper element of exterior of foot, but otherwise reserved. A faint rouletting marks the junction of the body and foot. Handle zones reserved but handles dipped in black-glaze, which drips from the left side of one handle. Under each handle a design comprised of a vertical band (?) above a series of four chevrons.
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| 65.6.1
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The mouth (exterior and interior), larger upper part of the neck and the handle are black (uneven and at most areas reddish brown) apart from the upper surface of the rim, which is red. There is a grey line on the neck and the surface of the shoulder bears decoration of voluted palmettes with narrow divisions and tendrils, widely spread to fill the space. The upper part of the body bears a meander pattern between two pairs of brown lines (above and below). Every fourth meander the pattern is interrupted by a saltive cross with a dot on each one of the triangular surfaces around it. The meander pattern continues as far as the scene below it is depicted. Main scene: A young man, wearing underwear? is seated on his himation, at the left side of a two-stepped tomb or pedimental funerary monument (grave-stele). At the right of the scene, a woman wearing a black and red peplos is bringing offerings. There is a brown line below them and the rest of the vessel is black, with the exception of two exteremely thin lines that are reserved at the joining point of the foot to the body and the side surface of the foot that is red, although the slip has not been evenly applied on the whole of the surface. Lastly, the resting surface is reserved.
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| 65.6.2
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Head and shoulders of a Neolithic deity. Square head and oblong arms. The top part has three holes bored through down either side and two partly bored holes near the top representing eyes and three partly bored holes representing the mouth in a horizontal line above 'neck'. Single partially bored hole on neck and one just above the break. Bored hole at the end of each arm. The other side is flatter than the side with the visible holes. Very smooth and highly polished object, creamy-yellow colour with naturally formed pattern.
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| 71.12.1
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The interior and the exterior of the mouth as well as the handle glazed. On the exterior, the black is fired brown. At base of neck, ridge in place of drip-ring painted purple. Shoulder: ivy leaves on each side of central purple line(six above, seven below); on body five inverted opening lotus flowers with central petals white. Above them row of white dots. Lower half of body and exterior of the foot glazed black (turning red in places). Resting surface and the underside of the foot reserved.
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| 73.9.2
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Handle, three quaters black glaze, situated above ivy leaf standing on tendrils and tips of two leaves of palmette on right. There is a thick black band around the rim and two thinner black bands beneath the ivy leaf.
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| 73.9.6
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A small fragment with possible figure of bird (front part and head missing) and above this, a circle design with a dot in the centre. The back of the fragment is covered in black glaze.
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| 73.9.8
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The rim, leading to a band on the ouside is black, as is the entire inside of the fragment. Below the band on the outside is a horizontal 'S' shape pattern with small dots above and below it. To the left of this is a big black blob, which is slightly raised to suggest a handle ? Below the 'S' shape are four parallel lines, below which is a thin brownish band, a gap, and then what looks like the edge of a black circle. The second fragment has no rim and also shows a black blob which looks like it should be the base of a second handle. The inside of the fragment is againentirely black. On the outside of this fragment, there is no 'S' shape pattern or parallel lines, but there is a brownish band, below which is the edge of what seems to be a black circle, the same as fragment 'a'.
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| 78.12.19
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Shoulder is decorated with a moulded pattern of a vine, on the discus is a standing figure orientated with head towards the nozzle, holding a hydra in right hand and to the left is an amphora. Above the figures head, on the decline of the discus is a pattern of rays. Pale yellow wash.
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| 78.7.1
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Two handles on opposite sides at top. Inside black with convex centre. Around rim are incised pendants on side A and two parallel lines with row of white dots above and below on side B. Below pendants is a pair of incised lines, a row of red dots, a grape vine with pendant grapes, leaves and tendrils. At base are three uneven circular shapes above reserved band. Black band around rim of foot. Base reserved and raised. Glaze partly faded.
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| 80.7.1
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Interior glazed black, except a reserved band around the bottom of the bowl. Lip, lugs and exterior of handles also glazed black. Exterior: a band of lotus leaves on the rim, and a figural frieze on the body, with black bands above and below it; another black band just above the foot; the exterior and interior sides of the foot ring are black, while the resting surface is reserved; the underside is reserved, except for a black dot with black and red circles (one each) around it. The figural frieze shows: two confronting sirens, in profile, on either side of an inverse lotus bud; a water bird, profile to the left, turning its head profile to the right, back over its bod; two confronting panthers, both turning their heads to the front, on either side of an inverse lotus bud; another water bird, similar to the first except its beak touches its back. A 6-pointed star decorates the field beneath each creature.
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| 83.9.35
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One side has a single flower on it. If you are looking at the fragment with the flower at the bottom, then above that there is a band which has up-side-down 'U' shapes inside it. The other side seems to have alternate black and terracotta strips on it. One of the terracotta strips appears to be indented.
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| 83.9.5
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Flat, black, open bowl with moulded foot. Base of foot is reserved, with black inner ring and a tiny black dot in the middle of the inner ring. Outside the reserved area is a thick black ring outlining base of foot. Above the black ring there is a thin red line around the bottom of the body.
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| 84.8.1
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30 fragments, largely side B, small part of side A, handle and rim fragments. Side B three youths. a) The top surface of the rim is black and so is the interior, apart from a reserved area at the end of the rim that bears a thin, black line. The neck is decorated with a vague representation of a brach with laurel leaves. The joining point of neck and body that is preserved bears part of a black, thick line. b) The interior and top surface of the rim is black, with the exception of a reserved band on the end of the rim (interior) that bears a thin, black line. c) The handle is black, except for the surface that would not have been visible if it was attached on the vessel, which is reserved (but glazed). Around the spring of the handle there is a motif between two thin lines that resembles the ionic cyma (egg-and-dot). The rest of the vessel is black, both on the outside and the inside. d) The handle is black, apart from the surface that would not have been visible, where there are two dots. Around the spring of the handle there is part of the ionic-cyma motif. e) There is part of the ionic cyma motif that the handle bears around its spring and the rest of the surface is black (interior and exterior), apart from part of a small chess-shaped motif, framed by a line above and two below. f) It is black apart from an area that bears a small part of the motif that contours the springs of the handles, a small, diagonal, reserved band (exterior) and a reserved band (interior). g) The surface is black (interior and exterior) except for three thin lines that are reserved. h) The interior is black. Exterior: Above a double-meander pattern, placed on a reserved band and between two lines, there are two heraldic lion paws, even though the details have fadded away. i) The interior is black. Exterior: The lower part of the drapery and the foot of a figure, surrounded by black colour. j) Black interior. Exterior: The lower part of a vertical, reserved thin band is standing on a broad, reserved band that bears between two black lines part of a pattern that consists of a meander and a cross on its right. The cross is contoured by a reserved area (around its sides), while its is executed on a black background. k) The interior bears a thin, reserved band. Exterior: The back part of a male figure's head and shoulder, as well as part of the drapery. l) Black interior. Exterior: The male figure's shoulder and part of his draped body. On his right there is the outer part of the motif that contours the springs of the handles. m) Part of the male figure's leg, knee and tibia, which is projected, as if he is ready to take a step. On the left top side there is part of a vertical, thin, reserved band (upper part of a walking-stick). n) Black interior. Exterior: The lowest part of the figure's drapery and a vague representation of his feet ? He appears to be standing on a pattern that consists of a chess-like motif close to two, double-meander ones, framed by two lines above and one below. o) Black interior. Exterior: The lower part of the figure's walking-stick that seems to stand on the double-meander pattern. On the left of the walking-stick, there is part of the back side of another draped figure (male), with the same careless rendering of the feet. p) Black interior. Exterior: Part of the walking-stick and drapery of the second figure. q) Black interior. Exterior: Small part of the second figure's drapery. r) Black interior. Exterior: Small part of the second figure's drapery. s) Small part of the second figure's drapery. t) Black interior. Exterior: Part of the lower termination of the second figure's drapery as well as his right foot? On the left, part of his walking-stick. He seems to be standing on part of the double-meander pattern. u) Black interior. Exterior: Part of the pattern that consists of the chess-like motif, next to part of a double-meander one, on top of which there is the lowest part of a figure's foot? (clumsily rendered). v) Black interior. Exterior: The lower part of the drapery and right foot of another similar figure that satnds on the double-meander pattern. w) Black interior. Exterior: Part of the figure's drapery. x) Black interior. Exterior: Part of the figure's drapery. y) Black interior. Exterior: Part of the figure's drapery. z) Black interior. Exterior: Part of a male figure's arm and hand. aa, ab and ac) Part of the rim and neck. The exterior bears a broad black band and the interior bears a reserved area between two black bands. ad) There is a reserved line on the interior, while the exterior is black, apart from a reserved spot of unclear shape and another, similar one that bears a thin, black line.
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| 85.3.1
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All around the neck (except where the handles would have been attached) is a band of chained together, inverted teardrop shapes and dots within two black lines. Main decoration on body consists of two bordered figural scenes; Side A: Dionysus on donkey led by boy; Side B: Hephaistos (Dionysos, according to Mannack) on donkey led by boy. Both scenes are bordered by two lines of vertical dots between three vertical black lines at the sides, and a series of alternating thick and thin vertical black lines above. At the bottom of the body is a band of upward pointing rays.
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| E.23.2
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Funerary stele with vulture wings surrounding the solar disk, common during the time period. Below the wings is the text of the stele, surviving intact. Two men are depicted adoring the god Re-Horakhty, whose presence is indicated not only by the uraeus and sun disk but also his name inscribed in the text. It has been suggested that the dress of the figures indicates that they are Nubians; this is confirmed by the oddity of their personal names. The sky is depicted above the winged disk, each end being supported by the symbol of the west (on the left, only the top of the feather survives) and the east (on the right, more or less complete). A signature, possibly belonging to Flinders Petrie has been found above the head of the right hand figure.
There is only one viable interpretation possible, when one combines the depictions with the details found within the text. The stele depicts the man Serep and his son Tkr-Irt-Hrw, not as has been assumed Serep with his Ka. A personal Ka has no need of the title m33 khrw, which is a title of the deceased, thus two deceased are depicted. There is no question that Serep is a man as he is depicted in male dress and has the male symbol after his name.
There is enough evidence to show that the stele was once painted. Red pigment on the sun disk of the god is the most apparent, though a similar (if not the same) is found in several of the hieroglyphics and on the deceased as well as faint traces on the column to the right. A yellow stain remains in the first two columns, which could be remains of the paint used to fill in the columns. The combination of colours matches well with the red pigment found in the glyphs.
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| E.23.44
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Glazed blue amulet in the shape of a head wearing a crown. The head is vaguely reminiscent of that of the dwarf god Bes. The top of the crown has been threaded for a string for wearing. The eyebrows are large triangles, above the sacred eyes which are joined. The nose is snout-like in between two puffed out cheeks. The mouth is thin lipped and small verticle lines indicate a beard.
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| E.62.28
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Tall red jar tapering to a narrow, flat base. Around the top there is a band of black pigment (th. ca. 3.0-4.0), above a band of yellow pigment (max. th. 4.0). Treated on the interior with haematite (iron oxide) and burnished.
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| E.62.5
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There is a small band of carved / incised detail at the thickest end. Carving is a simple cross-hatch pattern with three carved bands above and below; the pattern extends below the bottom bands, perhaps by mistake.
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| E.63.9
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Light green pendant. The image is the goddess of Hathor, goddess of music and dance. Here she is depicted in the form of a highly stylized cow. At the top of the pendant is a loop for threading. The pendant is flat and has the cow-head engraved in the centre with an arch of concentric lines above the head Below the head on either side are parallel vertical lines divided by one horizontal line on both sides.
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| L.2005.7.11
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Obv: Female head (Arethusa?) wearing olive wreath, surrounded by 4 dolphins. Rev: Quadriga, Flying Nike crowning horses, above; lion, below
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| L.2005.7.6
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Obv: Female head, wearing pendant earring and necklace, hair tied back and up; four dolphins. Rev: Quadriga (four-horse chariot), Nike flying above to crown charioteer; dolphin below.
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| L.2011.1.51
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Pattern on the handle(short horizontal lines on the edge, one on the left, two on the right); moulded ring at the junction between rim and neck, with a pattern (short vertical incised lines) above and below.
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| L.2011.1.53
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Red glaze. Two figures in low-relief: on the right a human figure with legs outturned, on the left a human face (mask) with a sort of base or plate on the head; above the plate two legs of an incomplete human figure. On the sides of this composition two vertical patterns, composed by short horizontal signs with below a six-ends star.
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| L.2013.10.5
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Obv: side profile of a man wearing a helmet, facing left, to the right of the helmet is an inscription. Rev: Romulus and Remus being suckled by a she-wolf, above the she-wolf is two stars. Below Romulus and Remus are the letters TRP or THP.
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| L.2014.8.2
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Obverse: Portrait personification of Roma facing left
Reverse: Wolf suckling twins with two stars above
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| REDMG:1926.99.54
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Mouth black interior and exterior; reserved neck; black on exterior of handle; band of black vertical bars above white band decorated black rays on shoulder, extending to carination. Body, top: white band decorated with two rows of black dots joined by a thin black zigzag (at front, only), above two black lines; figural scene (front only); white band; black band between two black lines; black to foot and on top of foot; otherwise reserved. Figural scene is of a chariot behind which stand three draped female figures (two women, standing profile to right, towards a third figure, standing profile to left. A fourth female figure sits profile to left, in front of the chariot. All four figures are draped, wreathed (with red bands), and have white faces.
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| REDMG:1935.87.1
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Black glaze except for reserved band at join with foot and underside, including resting surface. At the front of the body, the shoulder is decorated with an incised ovolo grieze between two incised lines; this frieze is accentuated with white inscribing the eggs and white dots between the eggs. Beneath is another pair of incised lines between two rows of white dots. The body is decorated with a red band from which emerges, above and below, (ivy) sprays, in added white gilded with yellow; two clusters of grapes (again white gilded with yellow) hang from this band. Some clusters of three red dots on lower part of body.
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| REDMG:1935.87.13
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Inside black except reserved band at rim 0.5cm wide. Red and black band around rim, beneath which is a reserved band. Thin black and red band just above handle followed by further wide reserved band approximately 1.2 cm wide. One handle reddish brown, the other black, both dipped. Lower body black with one dark red-brown patch below redddish brown handle. White deposits on joint between body and foot. Flared foot also black with reserved base and broad resting surface.
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| REDMG:1935.87.15
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Metallic black glaze except reserved band where body joins foot, slightly streaked above; reserved underside.
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| REDMG:1935.87.2
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Inside of mouth and exterior of rim black, while lip is reserved. Body is mostly reserved. Handles are black on the outside, and reserved on the insides. Below the handles are three thin black bands. The top of the foot and a thick band above it are black, but resting surface and base are reserved.
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| REDMG:1935.87.21
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Mouth: broad band between two narrow bands; handle: horizontal bars; shoulder: daisy pattern; body: band above and below zone of incised scale pattern on black, with incised dot in each scale; below: daisy pattern emerging from narrow band just above base.
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| REDMG:1935.87.25
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Black except for the figural design, with friezes above and below it; reserved but ruddled resting surface. A. Horizontal friezes on neck and below figural scene, consist of two vertical bars alternating with circles, reserved bands above and below. Scene: nude satyr, standing profile to right, with his left foot raised on a rock, faces a draped woman, seated 3/4-view to right, with her head turned profile to left. He raises his right hand towards her, and rests his left arm on his knee. She holds a mirror in her upraised left hand. Five ivy leaves in field between them. B. Horizontal friezes on neck and below figural scene consist of chevrons to left, between reserved bands. Scene: Two draped youths in conversation, face each other on either side of a stele. Yellow and white details: white fillet on satyr, bracelets and necklace on woman, and spots on the mirroron Red wash on reserved areas suggests imitation of Attic red figure. A pair of incised lines run horizontally across side A, and another line runs horizontally across side B; further incised lines around the upper body of the woman indicate that these might be an artists guidelines.
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| REDMG:1935.87.26
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Black with two broad bands of superimposed red around upper part of body, one on neck just above moulded ring, two more around lower part, two on foot. Underside reserved.
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| REDMG:1935.87.31A
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Red rim; two handles, coloured black. In the handle zone pomegranate pattern in three rows, the middle row red; below, one red line between two black; a broad black band with a pair of superimposed red lines at top and bottom; one red line an done black immediately above foot. Foot-ring black outside, two black rings on resting surface; inside of foot-ring red; on the bottom a central dot and pair of small thin rings, near the circumference a broad ring, all black. The edge of the flange supporting the lid, red. Handles black. Inside of bowl originally black with traces of one pair of red circles.
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| REDMG:1935.87.32
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There is a broad, black band at the interior of the rim. On the top of the rim there are black tongues, apart from the surface of the handles, decorated with palmettes. Waves are used to decorate the edge of the rim, while the handles bear small palmettes on their sides and the rest is painted black, as is the body between. Both neck panels have ivy and dots joined by vine. Both sides of the body show a female head, facing left and wearing a decorated cap with a spiked stephane over it. There is a small window (rectangular motif with black vertical line), top right on both sides. Side A, however, has a strigil with wavy endings above the head, top left. Side B has a knot of hair emerging through the apex of the cap. On both sides there are volute-shaped motives at the end of the cap and below the woman's chin. Side A: The woman wears a black earing (a circle and hanging dots) and a neclace of black beads. A hair with a heart-shaped ending falls vertically over her neck. On the other hand, the woman on side B wears a similar but yellow earing and a neclace made of yellow beads. Both women are framed by two vertical red bands, decorated with two similar motives of a vertical row of dots between thin lines. These columnar patterns seem to support a horizontal red band over the head, ornated with tongues between thin lines (one above and two below). However, the surface under the heads is not identical for both sides. Side A has a red band with dots between lines and side B has two parallel lines and the wave pattern. Both the scenes are partly ruddled and added yellow is used to render the details. Miltos apparently was applied last.The lower half of foot is ruddled.
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| REDMG:1947.13.1
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Black mouth inside and out, otherwise reserved inside. Below the rim, on the lip, is a white laurel wreath, to right. On neck, between black handles, a 9-leaf palmette, with a black dot for heart and black dot on either side of central petal; black ridge between two black lines; frieze of vertical bars beneath each handle; beneath each handle a large palmette above a pair of volutes, from which emerge vegetal ornament. A: Attenuated ovolo frieze between two black lines; white ribbing (painted); two reserved bands; floral frieze with white head, to left, at centre, emerging from a calyx from which emerge also tendrils, berries, volutes, and blossoms; reserved frieze; scene. B: Continuous maeander to right, between two pairs of lines; black ribbing (painted) between two black lines; flanked by vegetal ornament, from which emerges quarter palmettes and volutes, a female head, profile to left, wearing white stephane, and white sakkos, from which emerges curly black hair, at front and black; white drop earring on an inverted triangle. Below the body zone, around the entire vase, is a decorative band consisting of dotted cross squares (1) alternating with stopt maeanders to left (3) between two reserved bands; black below.
Scene, A: A woman, standing in 3/4-view to the right, with head profile to right, hair emerging from the back, a sleeveless, belted chiton, a himation draped over her left arm, a pair of white slippers, holds a palmette fan, with white detail, in her upraised left hand, and a branch (similar to a thyrsos) in her left hand, at a diagonal. She also wears a white stephane and a sakkos with black and white detail, from the back of which emerges a tuft of hair, a white beaded necklace between two thin chains (rendered by black lines), and white snake bracelets on each arm. She faces a naiskos enclosure, decorated in gilded white, with thin Corinthian columns and a black pediment, on a podium decorated with a simple continuous maeander to right, between a two pairs of white lines. Enclosed within the naiskos is a warrior, rendered in white with yellow details, seated in 3/4-view to the left, on a himation, with his legs crossed, and his left elbow resting on the back of his seat. He holds a crested helmet in 3/4-view to the right, at which he stares, and a diagonal spear in his left hand. On the ground below him is a small shield. To the right is a nude youth, standing in a reclining pose, 3/4-view to the left, wearing a white fillet in his hair, and white slippers. He holds a himation, bundled up around his left arm, and an opened box as well as a dotted, fringed sash, in his right hand. A thin rectangular element, perhaps a dagger, emerges from the opened box. A (heart shaped) ivy leaf hangs in the field above him.
White dotted lines indicate the groundline between all figures.
Details on the shoulder rays and, ornaments in the field, and all figural scenes are rendered in added white, sometimes 'gilded' with yellow wash.
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| REDMG:1950.25.1
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Black interior to bottom of rim. Laurel wreath, to right, on neck, above a row of widely spaced dots. Body decorated with egg-and-dot frieze, between reserved bands, which stops short of the handle on either side; figural zone except beneath handle (palmette with floral blossom at centre, three vertical lines at heart, vegetal ornament and flowing tendrils on either side); inverted waves, to right. Exterior surface of foot is ruddled on the upper part. Reserved resting surface and underside except for black circle at centre, surrounded by broad ruddled band, and black on inner foot ring.
The figural scene shows a female figure, dressed in a belted, sleeveless chiton, reclining on her front, profile to right, reaching towards a phiale held by Eros, who advances profile to left, crouched and holding a wreath in his lowered right hand and a phiale in his upraised left hand. Both wear their hair identically: spike stephanai, sakkoi, and pony tails. Behind Eros a bird, profile to the right, on a perirrhanterion (pedestal basin). Added white, gilded with yellow, on floral and vegetal ornament, headdresses, wings, and basin.
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| REDMG:1951.131.1
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Black rim and neck, except for a thin reserved band just above the join with the body; body decorated with three reserved bands above an egg-and-dot band and another reserved band; row of white dots at top of figural scene. Below, band comprised of stopt maeanders (3) alternating with cross-in-square (1), between two reserved bands; broad reserved band at join of body and foot; reserved band on lowest ridge of foot as well as resting surface and underside.
A: A draped woman runs in 3/4-view to the right but looks back, profile the left. She holds in her lowered right hand a wreath from which a garland hangs and in her upraised left hand a box (decorated with bands, chevrons, and zigzags, as well as white dots above the box), while drapery falls over her left arm. She wears a stephane and a kekryphylon with dangling ribbons, beaded earrings and double necklace (indicated by white dots), double bracelets on each wrist, a belted, sleeveless chiton, and slippers. In the field are a fillet (upper left), a rosette with five white dotted petals and a yellow centre (upper right), and a shrub with berries (lower centre), as well as a white dotted groundline rising slightly to the right. B: Eros, holding a beaded necklace in his extended right hand, is seated in 3/4-view to the left on a flower. The leaves and buds of the same plant elaborately fill the field beneath and around him. He wears attributes that are similar to those of the woman on A: stephane, kekryphylon, earring, double beaded necklace, double bracelets, and slippers. He also wears a beaded baldric diagonally across his chest and ankle bracelets (3 on each ankle) and a baldric comprised of a row of white dots arranged diagonally across his chest, over his left shoulder.
Added white is used for details of Eros' wings as well as the jewelry, box decoration, slippers, vegetation and groundlines, as well as the centre parts of the eggs on the egg-and-dot band.
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| REDMG:1951.132.1
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Metallic black gloss on entire surface (dipped) except for reserved (and ruddled) upper part of foot and underside, including resting surface. In addition to moulded mask, and ribbed shoulder decoration (see above), incised (although glazed) cross under spout.
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| REDMG:1951.133.1
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The surface is treated with a metallic black glaze, applied more casually (streaky) on the lower part of the body; reserved band just above foot and reserved (matte grey) underside except for a black concentric circle. There is a single incised concentric circle in the tondo.
The iridescence and matte grey areas suggest that the lower part of the vase was (inadvertently?) exposed to (too much) heat, either in the factory or afterwards.
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| REDMG:1951.134.1
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Black interior and handle; beneath each handle a palmette, flanked by tendrils; on each side a wave band, to right, above a woman's head, profile to left, surrounded by tendrils. Banded decoration below is comprised of a reserved band just below the figural scene, a pair of red bands above the foot, a red band on the upper surface of the foot, and reserved area at the centre of the underside.
The common use of red stain to effect a red (ruddled) surface on reserved areas is highlighted in this example by the almost complete loss of black glaze towards the foot, where the ruddled intervening bands strongly contrast with the buff/reserved (formerly black glazed) areas.
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| REDMG:1951.140.1
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Upper surface of rim reserved, black ridge, and outer edge of lip decorated with a wave pattern to right; black below lip, on neck and on handles except forward handle attachments (on horizontal handles) decorated with rays; reserved patches beneath horizontal handles. Lower part of neck decorated at front with a short laurel wreath, to left, between two narrow reserved bands. Beneath the figural scene is a groundline comprised of a frieze of alternating maeanders (three) and saltire squares (one). Narrow reserved line at join with base, bottom edge of base, and underside. The figural scene is framed between a tendril, above the left handle, and a larger vegetal ornament, from which emerges a lotus bud. A Youth stands in 3/4-view to the right. He is nude, except for drapery slung over his bent right arm and held in his lowered left hand, and a white taenia on his head. He also holds a staff in his slightly upraised right hand. At centre is a bird (crane), seated in a perirhanterion (basin), supported by a fluted, tapered column, with a dotted capital, on a two-stepped base. The steps are decorated with small black spots and thin diagonal lines that suggest a marbled appearance. On the other side of the perirhanterion stands a woman, in 3/4-view to the left, with her weight on her right leg and her left leg relaxed. She wears a belted, sleeveless chiton, double bracelets on each wrist, a beaded necklace, and a spiked stephane, as well as a short pony tail. She extends her right hand to the bird and holds a box, decorated on the sides with black spots and lines, and three white spots on top, in her slightly upraised right hand. Above the bird is a rectangular frame (sometimes called a window but perhaps a votive plaque); above the box is a cogwheel. Most of the reserved areas are darkened with red wash, and the jewelry and other details in added white.
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| REDMG:1951.141
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Black on interior except for a reserved band just below the lip. Black on exterior, except for a frieze of tongues underneath the rim on both sides, but not above handles; figural scenes on body. A: Partridge profile to the left; tendrils in lower left field; circle and tendrils in upper right field. B: Satyr head, profile to left; tendrils in lower left and right fields; quarter palmette in upper left field; single palm leaf in upper right field.
Although female heads are more popular in such contexts, the large red element in place of the ear is probably a horn and indicates that this is a representation of a satyr. The decoration in the lower left field of the B side indicates the addition of a second layer of black glaze, in a manner than changes the image (from a large tendril to a small tendril below an L-shaped element.
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| REDMG:1951.143.1
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Shoulder decorated with yellow ivy wreath from which dangles an actor's mask at centre: white face to left with yellowish-brown hair, head and features. On either side, a pair of purple-red fillets with white dots and white strings at the bottom, inside long yellow dotted branches. White line around shoulder, above vertical ribbing. Otherwise black glazed except for reserved areas in uneven band around join of at bottom of ribbing, foot and underside.
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| REDMG:1951.144.1
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Exterior black glaze with red figure decoration all over; underside reserved, except for broad black band at curve from plate to stem, black on exterior and interior vertical surfaces of foot, and broad black band around pointed centre of plate. 12-petal rosette in central well, surrounded by red band, wave pattern to left, and black and red bands; figural scene showing three different types of fish (bream in profile, xxx and cuttle fish, shown from above) advancing to the left. Mussel and 6-petal rosette in field, on either side of the xxx. Rim decorated with red band above a laurel band to left floral motif.
Red parts of decorative bands ruddled, whereas streaky brown has been used for artistic effect (shading to render a three-dimensional impression) on the fish. Some details on central rosettes and fish rendered with added white and yellow.
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| REDMG:1951.147.1
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Entirely black, except reserved on the inside of the spout and the underside including resting surface, and red figure decoration: line at middle of neck; ray band at lowest part of neck, above dots; figural scene between two sideways palmettes, enclosed, from the outside bottom of each emerges tendrils; short ray band at interior of lower handle attachment; 10-leaf palmette at exterior of lower handle attachment; flange decorated with egg-and-dot band, beneath a black line; the sides are decorated with an ivy design, effected through incision (tendrils) and added white (leaves). Reserved line band just below join of body and foot.
The figural scene on the shoulder depicts seated youth seated profile to the right, facing a woman, seated profile to the right, but turning profile to the left. The youth, nude except for a hairband, sits on drapery, alongside which he hangs his left arm, and reaches a wreath, held in his left hand, towards the woman; she, wearing a crenellated stephane and a belted chiton, is seated perhaps on a cushion (comprised of dots), helds her right arm, slightly lowered, towards the wreath, and holds a box in her slightly raised left hand. A four-petal rosette is beneath her right arm.
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| REDMG:1951.148
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Black interior, handles, neck and body except for decoration in panels (black figure in neck panels; red figure in body panels). Upper surface of rim decorated with ivy spray, with 3-dot clusters between ivy leaves; palmettes on tops of handles; ivy spray on lip, with palmettes at tops of handles; wave pattern to right on overhanging lip. Neck panels decorated with double ivy spray, on which 8-dot clusters alternate with leaves. Body panels bordered by rays (above), double rows of dots between black lines (sides), and band of stopt meander (4) alternating with dotted cross-in-square (1) (below). A: Youth wearing hairband, short-sleeved, belted chiton, and mid-calf boots, stands in 3/4-view to the right; he holds a pair of spears upright in his right hand and a wreath in his left hand, held slightly ahead of him; a chlamys is draped over his bent left arm. A warrior is seated 3/4-view to left, on a curvilinear seat (stones?). He is dressed identically to the youth, although with a plumed conical helmet. He holds a large phiale in his outstretched right hand, and his pair of spears in his upraised left hand. Behind him stands a woman in 3/4-view to the left. She wears a belted, sleeveless chiton, a kekryphylon (hair), pearl earrings, a beaded necklace, two bracelets on each wrist, and holds a fillet in her outstretched right hand and a situla in her lowered left hand. In the field above the figures are a four-petal rosette between two boucrania. B: Three draped youths in conversation, the middle one, standing profile to left, leans on a staff with his outstretched right hand; the other two youths face him. Halteres in upper left field and and bulls-eye in upper right field.
Much of the interior and side B are misfired orange.
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| REDMG:1951.149.1
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Wide flared mouth. Black inside with two reserved bands either end of rim. Outer surface has a laurel band around rim. Handles, all black, at the base of the body extend upwards. Side A shows seated woman (skin painted white) and Eros next to her with a satyr seated and holding a thysseus and pointing on Eros' left. Tendrils above and plants in field. Side B shows a woman standing, draped, facing right, between two satyrs, one reaching to a box the other dancing with a box above him to the right. Egg and dot pattern below both scenes. Black to top of foot which has a reserved band at top and bottom of side. Base is concave and reserved.
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| REDMG:1951.150.1
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Black except for decorative bands and figural scene on either side, and reserved band at lowest part of foot, as well as reserved underside. Neck decorated on either side with a laurel band, between two reserved bands. Beneath figural scenes are decorative bands, comprised of stopt maeanders (3) alternating with saltire squares (1).
A: A female figure, juggling 8 eggs and advancing profile to right, faces a youth, advancing in 3/4-view to the right, but turning his head profile to the left. The woman, wearing a sakkos, tear-drop earring, beaded necklace, belted, sleeveless chiton, and two bracelets on each arm. The youth, nude except for a wreath around his head and a chlamys slung over his left arm, holds a large palm frond in his left hand and a phiale, at waist level, in his right hand. Above the phiale are 7 eggs (slightly smaller than those juggled by the woman). Bulls eye (above) and tendril (below) in field between them. B: Two draped youths, face each other in conversation; between them a window (above) and a stele (below); the figure on the right supports himself on a staff that he holds in his right hand.
Added white and goldish-yellow on side A, for jewelry, balls, phiale, wreath, and vegetation. The saltire square have short lines in place of dots. The right-most saltire square on A is replaced with a box of vertical lines.
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| REDMG:1951.151.1
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Black glaze all over, except for red rim, two superimposed decorative friezes at the base of the neck (ribbing between two black lines, egg-and-dots between two black lines, yellow dots below); figural frieze between tendrils; beneath handle one palmette sits atop a second palmette enclosed in tendrils that terminate above in volutes from which emerge further tendrils, ending in volutes, that sprout yet another set of tendrils; egg frieze between two reserved bands encircles the entire body and serves as a groundline for the figures; reserved underside.
The scene depicts a youth, nude except for two bands in his hair and a chlamys draped over his bent left arm, advancing (dancing?) in 3/4-view to the right, following two maenads, all advancing in 3/4-view to the right, although the last two maenads turn their heads profile to the left. All three maenads wear two bands in their hair (the last, however, appears as a single thick band), beaded necklaces, belted, sleeveless chitons, and snake bracelets on their left arms (the first maenad has a similar bracelet on her right arm). The youth and the first two maenads hold thyrsoi in their left hands. The third maenad holds a wreath in her lowered left hand.
All red surfaces are ruddled, except for the underside, including resting surface. Some added white and yellow highlight details on heads, jewelery and thyrsoi.
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| REDMG:1951.152
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Rim and neck covered in black glaze; circumscribed palmette frieze on shoulder, with intervening triangles above and below (where two are outlined but not filled in); main body (white ground) decorated with net pattern between narrow reddish-black lines; the upper black band is decorated with white dots. Black glazed on lower part of body and foot, except for reserved underside, including resting surface.
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| REDMG:1951.153.1
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Decorated with geometric designs in medium brown paint: stripes in two directions on the head; two horizontal bands around neck, above vertical bands; scalloped designs on chest of bird; wings delineated with two bands on either side, filled with s-pattern; horizontal bands on neck; bands on either side of an x behind the handle; top of tail filled with tall zigzags. Reddened inside mouth and around the neck
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| REDMG:1951.154
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Interior of mouth black; lip decorated with concentric bands (black, reserved, purple, reserved, black); rim black; three brownish-black horizontal bars on handle; neck, reserved for black band just above bulge, frieze of tongues on upper part of bulge; brown band on lower part of bulge; body decorated with purple band, brownish-black band; reserved band decorated with three rows of brownish-black dots; thin purple band between two broader brownish-black bands; reserved on lower part of body and base.
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| REDMG:1951.156.1
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Mouth black inside and out, with a reserved lip; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body, top: black line at top of body. Body (at front, only): three rows of black dots between four black lines; black lines above and below figural scene; below, simple maeander to right, above a black line. Body, below: two black lines, thick black band, two thinner black bands, black to foot. Figural scene depicts a goddess mounting a quadriga, profile to right. Behind the horses are a seated (?) female figure, also profile to right, and a standing male (?) figure, from whom emerge, to either side, dotted branches; in front of the horses is a lyre player, seated profile to the left. All figures are heavily draped.
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| REDMG:1951.159.1
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On neck, between black handles, an enclosed palmette (11 petals on A and 9 petals on B; with two concentric arcs for heart on A, black dot for heart on B), black dot on either side of central petal, and black dot in the upper corners; black ridge below black line; frieze of vertical bars below each handle attachment; beneath each handle two superimposed palmettes, with a pair of volutes between, from which emerge tendrils, sprouting quarter palmettes. A: egg-and-dot frieze, between two black lines; white ribbing (painted); two reserved bands; floral frieze on shoulder (four volutes from which emerge flowers, tendrils and secondary volutes) emerging from the lower right; two reserved bands; scene. B: Continuous maeander to right, between two black lines; black ribbing (painted) between two pairs of black lines; a female head, profile to left, wearing a sakkos, from which emerges curly black hair, at front and back. Below the body zone, around the entire vase, is a decorative band consisting of dotted broken stopt maeanders to left (pattern doesnt match up on side B, to the left) between two reserved bands; black below.
Scene, A: A naiskos comprised of two Corinthian columns supporting a tapered epistyle and black pediment, on top of a podium (white maeander on a brown background, between alternating black and white horizontal bands). Two white female figures stand within the naiskos. The figure at left, standing in 3/4-view to the right, wears a himation over her left arm and hips, over a peplos (decorated with two vertical purple bands on the chest). Her hair is bound in a sakkos from which emerges hair at front and back; her jewelry includes a beaded necklace and two bracelets on each wrist. She holds a fan in her raised left hand as well as a wreath in her lowered right hand. She faces another woman (probably the deceased) who is seated in 3/4-view to the left on a stool (diphros) and rests her feet on a footrest (hypopodion). She wears a short sleeved chiton and a purple himation that she holds above her right shoulder in an unveiling gesture (anakalypteria). Her hair too is bound in a sakkos, from which emerges hair at the back; she wears two necklaces, one beaded, and two bracelets on each arm. A small ornament (or pures) hovers in the field between the two women. On either side of the naiskos is a kalathos (basket), below a rosette (red with added yellow and white), above a pair of white balls interspersed with clusters of three white dots, and above a double line of white dots. Each basket (both are identical) is decorated with a cross-square with intervening triangles (top) and alternating bands of zigzags, and white and black lines, as well as a band of vertical bars.
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| REDMG:1951.160.1
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within.
Interior and mouth glazed black with two reserved bands at top and bottom of rim. On exterior, below rim, a frieze of tendrils, with lotus buds above and below. Black handles, with reserved bands between attachments, and enclosed half palmettes below, from the sides of which emerge tendrils with volutes that encroach in the figural scenes. Below the figural scenes is a band of slanted zs, between two reserved bands. Black below, except for the recessed element at the top of the foot, which is reserved, a narrow band at the bottom of the foot on the exterior, and the reserved underside. The reserved parts of the volute frieze and figural scenes are reddened.
Scene, A: A woman standing in 3/4-view to the right, wears a black beaded necklace, a sleeveless belted chiton, and two black bracelets on each wrist. Her hair is tied in a ponytail. She holds a torch in her advanced left hand, while her right hand, downturned, is also slightly raised. She faces a youth, nude except for a chlamys draped over his left arm and slippers, who stands in 3/4 view to the left, reaching toward the woman with his right hand. Between the figures, in the upper field, is a window frame, while a large tendril, with volute, emerges from the ground, between them. In the field behind him is a leaf. B: Two robed youths, standing profile, with their right legs advanced, face eachother across a narrow stele. Above them is a circle with a black line vertically through the centre and an 'H' drawn on top (probably halteres).
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| REDMG:1953.25.14
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Black glaze but reserved band just above foot and reserved underside; red bands on lip, above and below moulded ridge; incised pairs of vertical lines radiating across shoulder; two white lines, each above a red band, at lower part of shoulder; red bands on lower third of body and exterior surface of foot.
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| REDMG:1953.25.22
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Mouth black inside and out, with a reserved lip; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body, top: black line. Body (at front, only): black line; two rows of black dots alternating with white dots; two black lines; figural scene. Body, below: two black lines, black band, black line, black to foot and on top of foot; black on torus; otherwise reserved. Figural scene depicts a charioteer, dressed in a white tunic, driving a quadriga profile to right; the horses raise their forelegs as they pass a white meta (post). Another figure, possibly Athena, with helmet and spear, runs alongside the horses, so that (s)he is obscured by them.
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| REDMG:1953.25.23
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Mouth black outside; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body (at front, only): black line; two rows of black dots alternating with white dots; two black lines; figural scene. Body, below: black band, black line, broad black band, black line, black to foot and on top of foot; black band on lower part of concave element; otherwise reserved. Figural scene depicts a male figure wrestling a bull. The figures are flanked by trees with black and white fruits and thin vines. The heros clothes hang on the left tree and his quiver hangs above him. While this scene might depict either Herakles with the Cretan bull or Theseus with the (same) bull of Marathon, the incisions on the head covering (slightly stippled) suggest that this is a schematic rendering of Herakles lion-scalp helmet. Added white is used for the rendering of details such as fruit on trees, as well as the forepart of the bull, and his tail, while incision is used to indicate the drapery, quiver, and musculature of the hero, as well as his head covering. On attribution, cf. CVA Cambridge 1, pls. 22, 21.
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| REDMG:1953.25.25
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Reserved neck; band of black vertical bars above a band of black rays on shoulder, extending to carination. Body: maeander to right (only at front), between two pairs of black lines; figural scene (front only); black band; black to foot and on top of foot, and top half of vertical surface of foot; otherwise reserved. Figural scene is of four seated figures, seemingly two women profile to right, the second playing a lyre, face a man reclining in 3/4-view to left on a kline (couch), with another female figure, profile to left, at his right. Dotted branches extend from the male figure (perhaps Dionysos) on either side. Added white for female flesh (faces) and fruit; incisions for drapery and fillets.
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| REDMG:1953.25.28
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Handle black on exterior. Shoulder: inner band of black diagonal lines and an outer band of longer black diagonal lines. Body: reserved band decorated at front with a pair of black lines above a simple maeander to right; broad black band; reserved band decorated at front with a band of black sloping zs between two black lines; black on lower part of body and upper part of foot; otherwise reserved.
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| REDMG:1953.25.44
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Interior: black line above reserved band on rim, below which entire surface is glazed black. Exterior: black line and reserved band at rim; black line at top of body; reserved band in handle zone; indications of black glaze at outer parts of handles (dipped?); glazed black below (glaze is thin in sections).
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| REDMG:1953.25.6
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Plain rim below which are attached two horizontal round handles; tapering sides and broad angled ring foot. Black gloss except for lower part of body and foot reserved. Overpainted on sides with red band at rim, red band below handles, red band at bottom of black gloss above a broad band of rays extending to the foot, with a black line at the join with the foot, and red on the exterior surface of the foot. Underside decorated with three thin concentric circles towards centre of base.
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| REDMG:1953.25.65
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Black band on mouth; upper surface of lip decorated with purple band above black band; neck reserved except for black band above ridge; body: alternating black, purple and orangey-brown bands, some applied in thin gloss; base reserved.
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| REDMG:1953.25.66
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Reserved except for black glaze on the handle top(s) (dipped), two black lines on shoulder, a narrow black band above a broader black band just above the foot, and a black band on the exterior of the foot.
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| REDMG:1953.25.85
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Top is flat and squared off. Groove below rim then the rim is diagonal, rounded ridge at base. Large flat section with design sculpted on top of it so it is in relief. Scene is of a griffin, a winged creature with bird head and lion-like paws. The ribs are clearly visible as are the lines in the wings. Front left paw is raised above a stick with snakes (?) curled around or a decorative branch (?). Below is a higher moulded ridge with raised egg and dot pattern beneath, before another moulded ridge. Bottom is flat but has diagonal scratches carved in - perhaps to help this section adhere to whatever it was originally part of. Many inclusions in material.
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| REDMG:1958.111.1
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Black glaze except reserved on the lower part of the foot, resting surface, and udnerside. Red figure palmette (11 leaves) with tendrils and leaves rising from either side. Small, dotted circle on left side, above tendril; round groundline.
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| REDMG:1958.112.1
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Black band on the inside of the mouth; reserved on rim; black exterior of mouth; reserved neck; black exterior of handle; shoulder decorated with two friezes of vertical lines. Body ( from top to bottom): simple maeander between two black lines, black neck frieze between two black bands, band of vertical lines between two black lines black line; two black bands; black zone reaches to foot, which is decorated with a black band above a black line; foot reserved on underside and interior.
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| REDMG:1997.209.4
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Mouth black on inside, with reserved lip, black exterior; outer part of handle black but otherwise reserved; shoulder reserved with band of dots above a band of rays reaching to the carination. Body: band of fat palmettes, decorated with slender white lines arcing over the the palmettes, and incisions, alternating with long lotus petals, above a 'cable'; black band; reserved band; black zone in lowest part of body and upper part of foot; lower part of foot and underside reserved.
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| REDMG:2003.92.1
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Two incised narrow bands around the neck above the handle, two others around the upper body, and a single incised band around the base.
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| REDMG:2004.96.1
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Decorated in black glaze except: narrow reserved band on interior, just within rim; tondo, reserved except for two concentric black circles at the centre; reserved interior of handles and handle zones; decorative frieze comprised of palmettes above chain, on both sides; narrow reserved band in lower part of bowl; reserved resting surface and interior of stem. Added white dots superposed on chain, at the centre of each link. Misfiring has rendered the lower part of the bowl, stem, and foot on one side streaky red.
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| REDMG:2004.98.1
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Black on interior and exterior of mouth; reserved upper lip; restored neck; handle black on exterior; shoulder: band of vertical bars above black rays pointing toward the carination. Body: double lotus-palmette frieze, bilaterally arranged, on either side of a 'chain' (row of dotted circles inscribing incised circles. Incisions also used for palmettes; attenuated white lines (side leaves of lotuses) arc over the palmettes. Below the main zone is a thin black band, a thick black band, and a black zone that extends to the top of the foot. The foot is also decorated with a black line at the lowest part of the vertical edge of the foot, and is reserved on the underside and resting surface.
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| TEMP.2002.7.1
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Bowl with two handles, the rim has a black band around the top which goes both inside and outside the bowl. Below this on the inside, is a very thick black band that stops to leave an empty circle in the centre of the bowl. The handles begin about an inch below the rim on the outside of the bowl, but curve up and out to finish roughly on level with the rim. They are painted with black glaze only on the underside. Above the base of the handles there is a subtle ridge, below which there are three lines of pattern, which look like petals. Below these, there is a thin black band, a small space, and then a thick black band which goes down to the ridge of the foot. The foot itself appears to consist of two flattish disks, the lower with a black band round it. On the bottom of the foot, there is another black band part way in, and then a smaller one with a black dot in the middle.
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| TEMP.2002.9.1
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Squat clay bowl with simple motif and two handles. Low foot painted with a black line. The bottom of the bowl is slightly angled (although irregular). The body (slightly lopsided) curves toward a carination where there is a slightly wavy horizontal band. Two handles, one either side and roughly with a line of black gloss. The rim flares slightly and is decorated with a line above a simple zig zag (which is of poor quality). The interior is almost plain with a ring painted at the base.
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| TEMP.2002.9.2
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Larger piece (1) is made of three fragments and shows the top of the front panel with a pattern of horizontal palmettes with dots in field above a scene of a woman, with head covered, facing a youth wearing a long tunic and holding a long stick (?). The vertical panel pattern on the left hand side is of two dots, staggered and joined by a line. Detail picked out in watery glaze and black. The inside surface of both pieces is almost ribbed and the glaze is streaky. The smaller piece (2) has remains of a thick handle with a palmette pattern below it. The design on the front has the same horizontal and vertical panels as the other piece but has an old (bearded) man facing left also in long tunic. Both pieces bend upwards to what would have been the mouth and there is a possibility this would have been trefoil shaped.
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| TEMP.2003.6.24
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Fragment of pot, including slight buldge where handle begins. Exterior, black lines on white background. At the right edge of the top there is a triangluar bit of black that looks like it originally belonged to a square surrounded on both verticle sides by twin sets of thin brown verticle lines. Less than 1 from the top there are two brown lines that follow the curve of the jug horizontally spaced .3 apart. Under these lines on the left is a large2.5 hieght figure eight pattern made up of three lines that swirl around to create the eight, with little v's on the outside of the eight pointed away from where the figure eight lines cross. On the right side, two bworn/black lines curve around where the handle would have begun. The handle section is all black, although chipped. Under the figure eight is a .6 thick black lines running horizontally around the pot, broken by a thin pink line a little below the middle. there are two other thin pink lines equidistant from this first one, one above and one below it by about .4, the top pink line being right above the top of the black line. Underneith the bottom pink line is a segment of a different pattern. Interior is black over pink and white, which is worn away enough in many parts to see the pink and white colors. two thin and faded white lines form bands near the top.
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| TEMP.2003.6.3
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(a) The handle is black, but the piece of the body that is preserved is a reserved, but glazed surface with very thin, parallel lines. (b) Black apart from a tiny area on the top, which is reserved, but glazed and bears small parts of parallel, thin lines and a reserved, thin line just above the foot. The bottom part of the foot is also reserved, so is the resting surface.
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| TEMP.2003.6.6
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The interior is black, but there is a reserved band on the fragments that come from the vessel's rim (a, b, c, d), which also bear a reserved band on the upper internal side of the rim. a) The black colour appears streaky (it varies from reddish brown to brown) on the rim (interior and exterior), as well as on the handle. The colour of the decoration appears brown and reddish brown on some areas. There is a broad band that bears two palmettes (one on either side of the double handle), while the surface between the two springs is reserved. On the left side of the fragment there is the right part of a motif (front legs of horses?). Below, there is part of a black line. b) The rim is black. Below, there is the upper part of a charioteer, riding a chariot with four horses (part of them is preserved). Details of the horses have been rendered with incisions. c) The rim is black, however the black colour is uneven and leaves part of the right edge of the fragment's rim reserved. Underneath a thin, reserved line, there is a palmette and next to it part of the line that contoured the spring of the handle. d) The rim is black. Below, there is a female figure's head and in front of her (at the level of her face) there is part of a curving branch, with dots on either side (part of wreath?). e) Part of a palmette, a black line and a black band. f) There is a dot in the middle of the resting surface, contoured by a circle. There is also part of a wide, band, between thin lines, above which, there is a graffito? in the shape of X.
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| TEMP.2003.7.31
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Small figurine, possibly an animal, because the nose/mouth is pointed like a snout. Has two small holes for the eyes, and three holes above them. The neck is thinner than the head, and the arms are clearly defined, although are broken. The figure is of a red colour, with remants of black paint on the head and lower back.
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| TEMP.2003.7.4
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Five sided fragment. Exterior white with a pattern of parallel brown curves that get increasingly shorter, creating a pie slice shape. Interior black with a red line alone one edge. Right above the red line is a white line. There are also a few other splotches of white.
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| TEMP.2003.7.53A-B
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a) Animal head (perhaps a bull); b) wave pattern above lines arranged in a triangle
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| TEMP.2003.7.60
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Fragment is made up of six smaller fragments, which have been rejoined, comprising the base of a pot. Interior and exterior are glazed black. Just above rim of base is a strip of red with a black line in the middle. Top and underside of base rim is red. Side of rim is black. Underside of base is concaved, with a red center. The red center, under the base, has a black circle around.
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| TEMP.2003.8.65
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Within a frame, a man's bust facing right. The man has a large nose, is veiled and wears a robe over his shoulders. The frame is decorated with incised horizontal lines on either side of the man, small flowers in each corner, a curtian above, and a circle in the centre.
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| TEMP.2003.8.8
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Floral pattern. Black band followed by reserved band followed by black band followed by a row of small dots above which are larger ones between which are fine elongated semi-circular lines.
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| TEMP.2007.3.51
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Obverse: head of Roma, no text, very ornate; Reverse: Dioscuri riding a horse, second horse and rider behind, stars above and below horse there is barley;
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| TEMP.2007.3.81
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Obverse: Head of Roma
Reverse: Dioscuri riding, stars above Roma, below horses ear of barley
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| TEMP.2007.3.86a-f
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a-old male head b-athlete/soldier
c- male head surrounded by dolphins d- chariot and winged human above
e-female face f-chariot and winged human above
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| TEMP.2014.9.20
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Blackened base of interior. Two incised rings, one near foot and the other near the lip. interior and above top incised line is smooth. Lower exterior, textured/coarse, grit. Evidence of use of a pottery wheel in making.
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