| 2009.10.2.198
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Three quarter profile to the right of a woman with a man standing behind her, he is holding a spear.
Number 70.
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| 11.10.21
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Black glaze covers the interior. Exterior of the rim black; black ground line at bottom of figural scene; black on lower part of body and exterior of foot, except for two reserved grooved lines on the top and lower part of foot. Reserved resting surface. Underside decorated with black circle at the center, surrounded by a thin black band. Interior of the foot black . Scene is similar on both sides: between palmettes a charioteer driving a quadriga, or two-horse chariot, to the right. Incised detail on all figures. Careless design, no details.
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| 11.10.6
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Cup mouth with deep flange with six bands in two groups of three. Side band is continued across top of handle but otherwise it is plain. Three warriors, heads left, feet right. Spears slope left and shields are red in centre but have a black rim with white dots. The six band pattern is in two groups of three again on the base.
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| 13.10.36
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Some traces of red on right arm.
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| 13.10.38
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Right hand side has lock of hair, lost on left. May have been painted in read wash, although no other paint remains.
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| 14.9.114
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Small areas of white at the top of the right thigh, and to the left of feet, suggest that the figure was coverd with white slip (painted?).
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| 14.9.15
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Part of base and side of vessel with a white core. The interior surface is pink. Exterior surface is white with horizontal stripes on right half in red, and red line at base of side all on a white slip. What is the base is apparently reserved.
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| 14.9.39
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Clear buff clay with brownish-black paint. Outside broad band at rim with some red showing through. Below, on body are linked spirals with red glaze appearing through black. Inside the rim is black with the lower part of the fragment reserved. There is however, the start of a line running downwards at right.
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| 14.9.47
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Panel decoration. Broken wave band on neck; below this the end of a broad band and the beginning of a thinner vertical line bordering the panel on the right; within this frame a network composed of papyrus motives, horizontal and facing left with circles in the blank spaces. Inside a broad band extends from the top of the fragment (and presumably from the top of the vase) to the level fo the top of the band on the outside, the rest reserved.
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| 14.9.48
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Brick red paint on pinkish buff clay. Interior surface has Two red bands, on on top of rim and one just below. Main scene is a chariot with three passengers facing to right. The broad band below rim has practically obliterated the heads and shoulders. On outer surface is a red band just below rim.
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| 14.9.51
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Underside is reserved. Chocolate brown on whitish-buff. The topside has the lower part of a bird including a leg and foot at top with two broad bands below. The bird may be a duck or the like and appears to be running to the right.
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| 14.9.64
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2 thin horizontal black lines above handle, 8 below, 3 at right angles to these beside handle, all approx. equal width. 2 slightly thicker horizontal black lines on side of handle base. Background pale buff. Inside painted black.
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| 14.9.66
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Yellow band, followed by brown band, then black irregular shape (possibly a flower) with a thick S shape next to it both partially obscured by red band. This is followed by three pale bands and 7 black line at right angles to these, 6 of which reach down to the 2nd pale band passing over the 3rd and the last only reaches the 3rd band. Background is pale buff. Inside painted black.
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| 14.9.67
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2 black lines at 45 degrees to each other. Black painted design with incised lines marking 7 thin rectangular sections with rounded ends all next to each other and getting shorter towards one side, every other one purple. (feathers? leather strips on armour?) 2 other small incised lines at right angles to each other on black, no clear design. All on coarse grey/buff background. Inside painted black.
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| 14.9.70
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Black petals around small circular indentation. Black painted section split into 3 sections by incised lines; 1 plain, 2nd with red paint over black, 3rd with incised lines at right angles to section lines. Further small black painted section. Background pale buff. Inside reserved.
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| 14.9.72
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Fragment with no finished edges. Exterior: animal procession consisting grazing goats (only head, part of one antler and one foreleg of one and one hind leg of second ramaining)to right; dashes, quatrefoil, and hooked swastikas as filling ornament; below, black band and part of lower frieze - antlers of goat to left; dashes as filling ornament; at right, possibly more antlers.
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| 14.9.74
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Interior: glazed black with traces of narrow bands in added white; exterior: from top, part of wide vertical black band between pairs of dilute lines; two dilute lines; guilloche pattern; at right, two narrow vertical black bands flanking black handle root; below; wide black band between two narrow dilute bands; part of meander frieze.
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| 14.9.75
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At the top is a triangle of black, with a smaller triangle below leading to a dark brown line. There is a similar line parallel to this one on the left. Both lines are at right angles to a braoder dark brown line. Nestled between two faint brown lines are five white circles with black circles in the centre. There is just a small area of dark brown/black on the bottom right hand corner. Other side is reserved.
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| 14.9.76
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exterior: from left, painted black handle zone; black figure decoration consisting of cloaked woman (only back, tresses and part of cloak in added white remaining), to right.
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| 14.9.77
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exterior: black-figure decoration consisting of swan confronting siren (only traces swan's head, neck, breast and right wing outstretched, to right; siren's face and neck in added white and breast in added red, to left); the chests of the creatures overlap each other.
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| 14.9.78
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exterior: black-figure decoration consisting of part of possibly deer or boar (only hind leg remaining), to left; at right, painted streaky black handle zone; below, one narrow band above a wider black and a band in added red;
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| 14.9.79
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exterior: black-figure decoration consisting of possibly a horse (only haunch and hind leg remaining), to right
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| 14.9.80
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exterior: top and right, black frame or panel; in panel black-figure decoration consisting of horse (only part of mane with added red and part of right ear remaining), to right. The other side is reserved.
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| 14.9.84
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Interior: reserved band below junction of bowl and lip; below, glazed black; exterior: lip glazed with thin reserved line at join with bowl; below, black figure decoration consisting of horseback riders (only head including mane and reins, neck and breast with added red, shoulder and upper forelegs of one horse and tail of second remaining), to right; at far right, possibly incised pinwheel rosette as filling ornament;
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| 14.9.86
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Interior black as is handle on top although it is reserved underneath. The design appears to the right of existing handle, and is of a satyr, facing right, with horn in thinned paint. To his right is an eye pattern. Detail is incised.
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| 14.9.91
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Bearded man riding horse at left, dark featureless figure at right.
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| 2002.9.5
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A reconstruction of a kithara. Similarly to the barbitos, wooden frame with a horizontal bar resting across the top to which the seven strings are attached. Ornate carving and curls down each side. The lower part is a thicker section of wood with a bridge (as on our stringed instruments of today) to hold the strings taught. Zig zag carving at base for decoration and a red ribbon for the musician to hold attached to bottom right.
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| 2002.9.6
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A red ribbon attached to bottom right.
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| 2003.7.15
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Piece of fragment made of red clay with pattern both sides. Fragment is slightly curved, with a small rim at the top suggesting it could be part of a decorative plate or bowl. Side A, which is possible the interior, has a broad black line at the bottom - possibly this was the colour of the interior, with five rough circles in a row, alternating black and red from the left hand side, painted on top of a white background. Side B has a similar broad black line at the bottom, with a broad white line painted at the top and several faded black vertical lines painted over the white. The shape of the fragment is rectangular, and it slopes to a point at the right hand side.
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| 2003.8.62
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Curved fragment with three faded black diagonal black lines across the bottom right.
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| 2004.10.2
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Part of a female figure, half draped, seated profile to the right, reaching to the left with a wreath; vegetal ornament.
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| 2004.8.3
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Nine, black palmettes in a fan arrangement, with unidentified black object to the right, which has a reversed 'z' incision. The reverse side is black in colour.
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| 2004.8.4
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The rim is decorated with a thin black band, with a reserved band below and another black band below this. Two youths (black in colour) stand facing each other, with the figure on the right presenting a white cock, of which, elements remain (painted over the figure). Behind each figure the tail and part of a sphinx can be seen. The sphinx behind the right figure has incised lines dividing the wing feathers. The centre of the sphinx's wing appears purple in colour. There are faint, incised lines that give the outline of the youths' heads (where paint has been worn away). The reverse of the fragment is black with a reserved circle on top of the rim.
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| 2004.8.5
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Eleven, black palmettes in fan arrangement, two of which are joined at the stems. Left of the palmettes there is a verticle black line with a series of small black dots, parallel, either side (ten left of the line and eight right of the line) which is believed to be a branch of a tree. Right of the palmettes there is a solid, thin black line (L. 3.8).
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| 2005.9.10
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Obv: Head of Athena, helmeted, three upright olive leaves on helmet; Rev: Owl, facing right, olive branch on left.
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| 2005.9.12
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Obv: Head of Apollo-Helios, hair suggestive of rays; Rev: Rose with a bud on shoot to right, vine-spray with grapes to left.
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| 2005.9.7
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Obv: Head of Athena, helmeted, three upright olive leaves on helmet; Rev: Owl, facing right, olive branch and crescent moon on left
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| 2005.9.8
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Obv: Head of Athena, helmeted, three upright olive leaves on helmet; Rev: Owl, facing right, olive branch on left.
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| 2006.12.40
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Brown concentric circles around pot, 3 narrow, 2 broad. Parallel lines meet these circles at right angles, with zig-zag lines between the groups of parallel lines
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| 2006.12.44
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Three brown painted bands with two lines joining them at right angle, with two small lines at right angle at edge of fragment, possibly an animal's leg
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| 2006.12.48
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Thick brown lines with narrower lines joining at right angles, with a possible ray joining one of the bands
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| 2006.6.1
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Coin of Alexander the Great, Obv: Head of youthful Heracles, wearing a lion-scalp headdress. Rev: Zeus seated on a throne to left, with eagle perched on right hand and sceptre in upraised left hand. Kantharos (or amphora?) under throne.
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| 2007.1.10.34
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Centaur facing to the right with cupid on his back
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| 2007.1.10.38
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A profile of head of a man with curly hair and beard in front of a profile of a head of a woman both looking right, to the right is some Greek letters
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| 2007.1.10.47
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Portrait in profile of man facing right, with lion's skin on his head
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| 2007.1.10.48
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Exceptionally raised portrait of man facing slightly towards the right, with lion's skin on his head
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| 2007.1.10.49
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Portrait of profile of man facing to the right, with lion's skin on his head. (Possibly Hercules).
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| 2007.1.10.50
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Portrait in profile of man facing right, with lion's skin on his head
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| 2007.1.10.52
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Portrait in profile of man facing to the right, slightly raised, with lion's skin on his head.
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| 2007.1.10.54
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Portrait in profile of man facing right, with lion's skin on his head.
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| 2007.1.10.56
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Portrait in profile of man facing right, with lion's skin on his head.
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| 2007.1.10.57
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Portrait in profile of man facing right, with lion's skin on his head.
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| 2007.1.10.58
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Portrait in profile of man facing right, with lion's skin on his head
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| 2007.1.10.59
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Portrait in profile of man facing right, baring his arms, his left hand is holding part of the loin's skin draped from his head. His right hand is holding a club.
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| 2007.1.10.60
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Portrait of man from waist up, facing left. Lion's skin is draped over his right shoulder, as well as a club.
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| 2007.1.10.61
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Full body portrait of woman facing right. Partly clothed, carrying a lion's skin and a club.
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| 2007.1.10.62
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Full body portrait of a woman facing right. Partly clothed, carrying a lion's skin and a club.
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| 2007.10.1.1
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Tree with fruit, snake to the right
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| 2007.10.1.17
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Man fighting big animal (possibly horse) with tree in background (on right hand side)
Cast Number 81
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| 2007.10.1.2
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Naked man with helmet holding a club in the right hand and a snake in the left
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| 2007.10.1.20
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Man standing with stick in his right hand and an animal like a scorpion in his left.
Cast Number 84
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| 2007.10.1.21
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Man with wings possibly. Has something draped from his left shoulder to his right side.
Cast number 85
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| 2007.10.1.25
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Naked man with right hand behind his back and small winged man behind him.
Cast Number 89
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| 2007.10.1.27
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Bearded man with short curly hair kneeling down on one knee and facing to the left of the image with his right arm raised. Small winged boy behind him.
Cast number 91
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| 2007.10.1.29
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Naked bearded man kneeling down on left knee facing the left of the image and touching head with right hand. Cloths hanging down from his left arm. Tiny winged boy behind him.
Cast number 93.
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| 2007.10.1.3
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Possibly Hercules on the left, holding a club and Aphrodite on the right. Tree behind Aphrodite with snake coiled round.
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| 2007.10.1.4
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Naked man holding a club and a tree branch. Face (incomplete) turning right.
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| 2007.10.1.5
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Naked man to the left, leaning on a stick. Woman sitting on a rock to the right.
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| 2007.10.2.100
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Bearded male head in profile facing right. He is wearing a helmet and to his left is a small naked female figure.
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| 2007.10.2.101
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Head in profile facing right.
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| 2007.10.2.102
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Naked male figure leaning on a column to his right. In his hand he carries a bow and on the floor is a lyre leaning against the column.
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| 2007.10.2.107
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Male figure holding a bow. To his right is a column with the bottom half in the shape of a female.
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| 2007.10.2.111
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2 warriors with shields and a naked male figure standing between them (he may also be a warrior but he isn't wearing any armour and he isn't carrying a shield). The warrior on the right is moving behind a wall so only 1 leg and his shield is visible.
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| 2007.10.2.121
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Woman's head. Profile looking right.
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| 2007.10.2.122
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Topless man sitting down and holding his head with his right hand.In the background are visible the shades of some trees.
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| 2007.10.2.126
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Male nude. Profile facing left. The man is sitting down and resting his head on his right hand. He his carrying a sward. On the left side there is an inscription in Greek letters.
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| 2007.10.2.127
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Woman's bust. Frontal view. The woman is wearing a veil over her head and a necklace. On the right of the figure there is a "cornucopia"
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| 2007.10.2.128
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Winged Child riding a horse. Profile facing right.
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| 2007.10.2.129
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Ox facing right.
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| 2007.10.2.130
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Ox facing right. There is an inscription in Greek caracters above the figure.
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| 2007.10.2.132
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Parrot facing right.
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| 2007.10.2.136
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Young man's head. Profile facing right.
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| 2007.10.2.138
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Standing man, profile facing right, wearing a cape and un-Greek looking clothes, with a strange head-cover, looking at a statue of a naked man.
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| 2007.10.2.139
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Male bust, profile facing right, long curley hair and beard, clothed
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| 2007.10.2.14
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Man holding a bowl in his right hand and a feather in his left, with something by his feet. Partially clothed
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| 2007.10.2.143
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Female head, profile facing right, elaborate hair stye, possibly with a hair band containing a jewel, near the head is an ear of corn or grain.
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| 2007.10.2.146
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Male figure reclining on a carrage, surrounded by winged children one pushing the wheel, the other holding reigns and a whip, the third being embraced by the male figure, who is half naked. A tree trunk on the fair right of the cast, with branches stretching above the figures.
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| 2007.10.2.148
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Male head, profile facing right, bearded, wearing a hat.
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| 2007.10.2.15
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Athletic man seated with woman standing over him, seducing, holding something in right hand
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| 2007.10.2.150
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Two warriors, naked with helmets. The first is facing left and carries a sward in one hand and a shield in the other; he is on his knees. The second is facing right and he seems to be holding back something with his spear.
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| 2007.10.2.161
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Male riding a swan and fishing with a trident. Nude, profile facing right.
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| 2007.10.2.162
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Male walking and carrying a dead animal on his shoulders. Nude, entire figure. Profile facing right.
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| 2007.10.2.165
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A pregnant lioness (?), indicated by the teets. In profile, walking facing right
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| 2007.10.2.169
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A cow profile facing right
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| 2007.10.2.170
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Female boar, profile facing right
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| 2007.10.2.175
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Bust of Athena, facing right, wearing a helmet, with a strap across her chest. Holding a cornucopia
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| 2007.10.2.178
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Female bust. Profile facing right. Looking towards a male bearded face (reminiscent of a dramatic mask).
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| 2007.10.2.179
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Male head, profile facing right with an unusual hair style
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| 2007.10.2.18
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Portrait in profile of Hermes facing right
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| 2007.10.2.186
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Head of a man with a band on his hair. Profile facing right.
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| 2007.10.2.19
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Head and shoulders of a young man facing to the right, with small spear and shield to his left
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| 2007.10.2.196
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Cupid carrying a feather in his right hand, and something else in his left hand.
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| 2007.10.2.2
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Displays a man wearing robes and holding a spear falling down. There is also a small snake to the right of the man's face.
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| 2007.10.2.212
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A female bust in profile facing right.
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| 2007.10.2.216
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2 figures. Figure on left bearded with horns (possibly a Satyr). Figure on right (possibly young male) seen from back, struggling with the other figure.
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| 2007.10.2.217
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Bust of female from behind (3/4) facing to the right. Hair loose. Dress pulled down revealing the shoulders.
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| 2007.10.2.218
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Head of female in profile facing to the right. Hair tied up. Possibly wearing ear-rings. Face turned downwards, possibly representing modesty.
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| 2007.10.2.219
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2 male figures, one seated (left figure) and one standing (right figure). Seated figure carrying a staff, possibly denoting older age or social class. Standing figure is wearing a cape, possibly suggesting that he, or both figures, are travellers. He also appears to be stirring a pot at the feet of both figures. On the far right of the scene there is a pole with a serpent wrapped around it.
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| 2007.10.2.222
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Bust of male in profile facing the right wearing a helmet. Helmet decorated with an animal, possibly a big cat (lion etc).
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| 2007.10.2.224
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Bust of figure facing to the right wearing what appears to be a 'Phrygian Cap' or possibly a helmet. Clothing suggests that the figure might be female (possibly Athena if the head dress is in fact a helmet). Not enough of hair-style visible to conclusively decide gender.
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| 2007.10.2.225
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Frontal bust of young female figure (3/4). Facing to the right. Loose hair (possibly wet). Dress fixed with broach or clasp at the shoulder.
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| 2007.10.2.227
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Bust of possibly Athena's profile facing right, wearing a helmet and the aegis.
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| 2007.10.2.229
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A naked male figure carrying a club in his right hand and a bow in the left hand, (possibly Heracles)
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| 2007.10.2.230
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A bust of a figure's profile facing right showing the back of the shoulder, possibly a woman. She is touching her long hair with her right hand and wearing some form of headpiece.
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| 2007.10.2.233
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Bust of a woman, profile facing right, with long curly hair.
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| 2007.10.2.236
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A powerfully built male figure kneeling with one arm (right) raised, his hand making a fist. The other arm is lowered and appears to bound (possibly) behind his back. His head is bowed. The figure appears to have a small winged figure upon his back. It is not clear if he is carrying the second figure or if there is some sort of struggle in process.
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| 2007.10.2.237
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A group of figures. The centre of the cast is a male figure who appears to be dressed in armour (helmet, shield, and cuirass). He appears to be standing on the deck of a ship. The figure is presenting or showing the head of a bull to a second figure (female) who appears to standing on the quay of a harbour. On the far right of the cast (behind the central male figure) is a second soldier. The scene possibly portrays an encounter between Theseus and Ariadne after the killing of the Minotaur.
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| 2007.10.2.238
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Naked male figure (athlete) holding a discuss. He has his left arm raised with the discuss held low in his right hand. Presumably he is in the process of throwing the discuss.
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| 2007.10.2.239
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Bust of young female figure facing to the right. Her hair is gathered in a pony tail.
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| 2007.10.2.24
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Portrait in profile of a bearded man wearing a head dress facing right
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| 2007.10.2.240
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Bust of a female figure facing to the right. Her hair is tied up. There is possibly a double-headed (battle) axe represented at her back.
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| 2007.10.2.243
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Depiction of a slender figure (almost certainly female) with right arm raised and hand possibly reaching towards the back of the head or hair. Behind the figure is what appears to be a 'Capricornus'. Both figures are facing to the right.
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| 2007.10.2.245
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A bearded, muscular, and semi-naked seated figure. His clothing is possibly an animal skin (paws seem to be apparent). He appears to be resting as his right arm rests on his knee and his right hand supports his bowed head. He is also holding an unidentified object in his right hand which also rests against his leg. His other hand appears to be holding a further (unidentified) object which rests across his lap. A club rests against his left thigh in the foreground of the scene. There is either a bull or cow depicted by the figure's right leg at the bottom-left of the scene.
The figure shown is almost certainly Herakles, possibly resting after one his labours (herding the cattle of Geryon?).
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| 2007.10.2.247
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A bearded, extremely muscular, and semi-naked male figure standing and facing to the left. He has a cloak tied at the neck and carries a club in his left hand. His right arm is raised and he is holding an (unidentified) object in his right hand. The figure is almost certainly Herakles.
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| 2007.10.2.248
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A slender female figure is depicted playing a lyre. She faces to the right and is clothed in a long flowing dress.
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| 2007.10.2.252
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The bust of what appears to be a woman in rear 3/4 aspect with her head turned back and to the right so that her face is presented in profile.
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| 2007.10.2.253
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Two figures are depicted. The figure to the left of the scene is a seated semi-naked female. Her dress or cloak lays across her lap and is gathered up in her left hand. Her head is bowed slightly. In the centre of the foreground is a semi-circle which crosses the female figure's left ankle or calf. It is unclear what this might represent. The second figure (to the right) is a smaller winged male facing to the left and the larger figure. He appears to be carrying a bow and stands under a tree. The two figures are almost certainly Aphrodite and Eros.
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| 2007.10.2.256
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Bust of a woman facing right with a headscarf on.
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| 2007.10.2.26
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Profile portrait of a man with a head dress facing right
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| 2007.10.2.268
|
A male head, with lots of curly, wild hair covering the face. In the top right there is what appears to be a pointed ear or a horn, it could possibly be the god Pan or a faun.
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|
| 2007.10.2.27
|
Figure riding a hippocampus facing right
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| 2007.10.2.272
|
But of a woman facing right.
|
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| 2007.10.2.277
|
A baby sat up, facing to the right, possibly sucking his thumb.
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| 2007.10.2.283
|
Profile of a bearded man facing to the right, possibly Zeus with an ancient Greek inscription on his right side.
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| 2007.10.2.294
|
A young winged figure seated on the ground (probably Eros). The figure's body is facing to the left while the head is turned back looking to the right. The figure is possibly looking at a stand to its right which has a complete set of armour placed upon it.
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| 2007.10.2.297
|
Naked male figure facing to the right and carrying, or struggling with, an animal (possibly a goat).
|
|
| 2007.10.2.298
|
Naked male figure seated and playing a lyre. The figure is surrounded by armour and weaponry: a helmet to his left, a shield with a face at its centre at his feet to the right, and a sword hanging from some kind of frame or resting against it. The figure is possibly identified as Achilles as he was found by the embassy from Agamemnon at the beginning of book IX of Homer's Iliad.
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| 2007.10.2.30
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Profile portrait of a bearded man facing right
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| 2007.10.2.302
|
Three female figures, two figures to the left standing, semi naked figure on the right is seated, middle figure also semi naked, two figures on either side appear to be helping the middle figure bathe left figure holding her hair and right figure touching her back
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|
| 2007.10.2.303
|
Possible battle scene, containing five horses and two men, figure to the far left(only wearing a cloak) is on horse back and figure to the right is falling from a chariot (naked), pot at the bottom with contents spilling out, possible bird to its left
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| 2007.10.2.304
|
A male figure wearing a skin (possibly a lion skin) struggles with a bull. The bull's head is lowered perhaps indicating that it is charging. Behind the bull, to the right of the cast, there is what appears to be a statue (possibly of female form) with two faces in profile, one facing left and the other right. The animal skin (if it is lion) perhaps identifies the male as Herakles. The scene might be a representation of one of Herakles tasks (yoking of the bulls).
|
|
| 2007.10.2.305
|
A male figure stands over another figure, prostrate on the ground. The standing figure (probably male) is dressed in a cloak and tunic and holds a blade or scythe in his right hand. The standing figure appears to be holding the decapitated head of the second figure in his left hand. Behind the figure prostrate on the ground is an ox whose front legs are raised from the ground. To the right of the cast a tree or bush is depicted with a large bird (possibly a peacock) perched on one of its branches. At the centre of the cast there is what appears to be a standard or post with two serpents coiled about it. The serpent's heads face each other at the top of the post.
|
|
| 2007.10.2.306
|
At the centre of the cast is a naked young male, he is seated on what appears to be a large smooth rock. A large serpent is coiled beneath the male figure and to the right a lyre is placed on a stand or podium. On the far right of the cast a second stand or podium is carved, this one has what appears to be a tripod standing upon it. To the far left of the cast stands a clothed female figure. She is holding a rod or staff. Her attention is not upon the central scene, she appears distracted by something which is occurring further left as her gaze is directed that way.
|
|
| 2007.10.2.307
|
A bearded male figure crouches before a large handled urn. The urn is decorated with a simple line pattern. The figure appears to be holding a small hammer in his right hand, which he is possibly in the process of using (his gaze/concentration appears fixed upon it). To the far right of cast a tree is depicted, perhaps to simply denote the scene is an exterior one (rural rather than urban might also be suggested).
|
|
| 2007.10.2.308
|
A large ox or bull is represented to the left and centre of the scene taking up most of the space within the cast. The beast's head is turned as if it is looking towards the viewer. To the right a figure (probably male) is seated beneath a tree holding a staff. At the figure's feet there appears to be a second (much smaller) creature.
|
|
| 2007.10.2.309
|
Bust of a figure (male?) in profile facing right. The figure has long hair and wears a wreath (which type is not clear). He is dressed in a tunic which is fastened at the right shoulder, although the right side of the chest is revealed and appears quite muscular. There is some vague detail at both his back and chest. These appear to be a quivver and a bow, which would almost certainly identify the figure as Apollo.
|
|
| 2007.10.2.310
|
A bearded male crouches in front of a large handled urn. He appears to be holding a small hammer in his right hand which he is possibly using (gaze/concentration are directed towards it). The urn is decorated with what is possibly a sphynx. Very similar image to cast no.597.
|
|
| 2007.10.2.311
|
A large female figure reclines in the centre of the scene. She is dressed in robes and is wearing either a helmet or a cap (Phyrigian cap?). Her left arm is resting on a disembodied (bearded male) head and her left hand holds a staff which rests against her upper-arm or shoulder. Beneath the large female figure and to the left of the male head are two shapes which possibly represent boats or ships. These shapes might indicate that the portion of the scene below the female figure is in fact a river or the sea. In turn this might suggest that the disembodied head is emerging from the water (possibly identifying it as a river god). To the left of the scene a very small figure appears to be presenting the large female figure with something, possibly a basket or urn. A slightly larger figure, leaning on a stick, looks on from beneath a tree. Above the very small figures head are two animals (presumably intended to appear to be further off in the background). One at least of these animals is certainly a horse. To the right of the large female figure's head there is a representation of a stag. At the top of the scene in a central position are three shapes. It is unclear exactly what these are (possibly huts or houses of some description?).
|
|
| 2007.10.2.34
|
Robed man holding staff with something on top of it, facing right
|
|
| 2007.10.2.346
|
At first sight, what appears to be a dual profile of a bearded man and an elephant with their heads attached but facing in opposite directions. At the tip of the elephant's trunk there is a scorpion. When the cast is turned 90 degrees anti-clockwise, there appears to be a second male profile, facing to the right and wearing a hat.
|
|
| 2007.10.2.355
|
A profile of a young man facing right, with a band around his head.
|
|
| 2007.10.2.38
|
Head and shoulders of a man with two faces, one facing left the other right, bearded
|
|
| 2007.10.2.4
|
Side profile of a woman wearing robes and holding up a bunch of grapes with her left arm and holding a bowl in her right hand
|
|
| 2007.10.2.45
|
Three women, Left hand one is poking a stick in a tree, centre one is seated, right hand one is catching babies that fall out of tree from poking.
|
|
| 2007.10.2.48
|
Profile portrait of Hercules with lion skin on head facing right
|
|
| 2007.10.2.495
|
Right profile of a figures body, with a long robe flowing behind, possibly wearing a small headress, holding a piece of material in frount of itself.
|
|
| 2007.10.2.496
|
Semi naked man, his head facing to his right (our left), leaning on what is possibly a harp on his left hand side. A smaller figure is situated at his right, a possible statue possibly wearing a helmet and holding a spear in its right hand.
|
|
| 2007.10.2.498
|
Winged figure walking, his right sided profile shown, wearing long flowing robe and helmet
|
|
| 2007.10.2.499
|
Muscular,bearded naked man sitting on a rock, facing to the the left where a much thinner figure is hunched over standing. The sitting figure has his right arm on the stading figures left shoulder
|
|
| 2007.10.2.5
|
Displays a full body profile of a man standing wearing only briefs, holding a stick over his left shoulder and holding a head of an animal on his right hand
|
|
| 2007.10.2.500
|
Cast is very worn, figure appears to be half man and half of the sea, holding a trumpet in his left and and a net in his right. Posiibly Posiedon
|
|
| 2007.10.2.501
|
Kneeling man, facing right, with something possibly around his neck, from facial expression seems to be in pain
|
|
| 2007.10.2.502
|
Cast is made concave, has the image of possibly outline of a temples fround, with wreath at the top of the arch. There is a figure inside, holding a bow in its left hand and possibly reaching for an arrow from its back with its right hand. This is possibly Apollo.
|
|
| 2007.10.2.503
|
Right sided profile of long haired women, wearing possible headband of flowers on her forehead
|
|
| 2007.10.2.51
|
Profile protrait of a woman facing right with flowers in her hair and a stick with orb on top in background
|
|
| 2007.10.2.52
|
Profile portrait of a woman with leaves in her hair facing right, some greek lettering by her face
|
|
| 2007.10.2.54
|
Male head in profile facing right.
|
|
| 2007.10.2.59
|
Male (?) head in profile facing right. He has a wreath of leaves in his hair.
|
|
| 2007.10.2.61
|
6 figures - 5 standing and 1 seated. The seated male appears to be crying with his head in his hands. 3 women stand to his left while another naked man and a warrior stand to his right.
|
|
| 2007.10.2.7
|
Portrait in profile of man (possibly Zeus) facing right
|
|
| 2007.10.2.8
|
Two centaurs facing right. Centaur on right is holding a bowl and something else over his shoulder
|
|
| 2007.10.2.81
|
Female bust facing right. She is holding a male head up to her face. Presumably she has cut it off.
|
|
| 2007.10.2.87
|
Female figure facing right, carrying something over her shoulder.
|
|
| 2007.10.2.88
|
Male bust in profile facing right. He rests his chin upon his hand.
|
|
| 2007.10.2.91
|
Female torso facing forwards. In her hair is a wreath and she clasps her hands together under her breasts. To her right appears to be hanging a bunch of fruit.
|
|
| 2007.7.1A-S
|
Rim (A-D) has tongues on the top, a design with dots and traigular shapes on the sides, with palmettes below; Side A (H-K) shows a symposion, with a bearded man (Dionysos?) and possibly the hoof of a satyr; Side B (L-N) shows a battle. A, B, C: Rim with tongues, side design and palmettes below; D: Rim with tongues and side design, no palmettes below; E: Fragment from just below the rim with the palmette design; F: Fragment from below the rim, all black with part of a palmette on the lower left; G: Black on both sides; H: Head and shoulders of a bearded man(Dionysos?) with the circle and triangular motif running vertically on the right; I: Arm and torso of the bearded man on the upper part, on the lower part there is another object which could be his couch; J: Left half is black, right half contains an unclear section of the symposion scene; K: Drapery, most likely from the symposion scene, with a drinking horn in the lower right corner and possibly the hoof of a satyr; L: Top half of the battle scene, with a nude man holding a spear, and probably a tree running vertically along the left side. The scene is bounded by the circle and triangle design; M: Lower half of L, with the lower body of the nude man, drapery on the left side; N: Leg of the nude man, with the lower part of the tree running vertically on the left; O-P: Plain black; Q: Black, with part of the circle and triangle design; R: Black, with part of a design on the top; S: Base, tongue design
|
|
| 2007.9.1.1
|
Displaying the head and shoulders of a human figure with fairly long hair and wearing a headband, profile facing right.
|
|
| 2007.9.1.10
|
Displaying the head and shoulders of a woman who has her hair tied back and is wearing a necklace and earrings, profile facing right.
|
|
| 2007.9.1.102
|
Displays a long, thin indentation on the left, hieroglyphs on the right and three raised dots on the top and on the bottom.
|
|
| 2007.9.1.104
|
Displays an Egyptian god, possibly Amun, facing left, with an ankh on the right.
|
|
| 2007.9.1.11
|
Displaying the head of Jupiter Ammon, profile facing right.
|
|
| 2007.9.1.114
|
Displays a shield topped by a crown and divided into three sections, the right depicting a lion with a cross over each shoulder.
|
|
| 2007.9.1.12
|
Displaying a running centaur wearing a lion skin cloak, facing right.
|
|
| 2007.9.1.14
|
Displaying two naked male figures, the kneeling man on the left removing something from the out-stretched foot of the man in pain seated on the right.
|
|
| 2007.9.1.16
|
Displaying the head of a young man, profile facing right.
|
|
| 2007.9.1.2
|
Displaying the head of a human figure with long hair and wearing a headband, profile facing right.
|
|
| 2007.9.1.23
|
Displaying the head and shoulders of a man (left) and a woman (right) facing each other.
|
|
| 2007.9.1.27
|
Displays a coin showing the head and shoulders of a young man wearing a wreath, profile facing right, with unrecognisable writing around the outside.
|
|
| 2007.9.1.38
|
Displays the figure of a medieval knight, mid stride, wearing a helmet and carrying a sword, facing right.
|
|
| 2007.9.1.4
|
Displaying the head of a man, profile facing right.
|
|
| 2007.9.1.40
|
Displays a man (left) and a woman (right) kneeling facing each other, the woman inspecting the man's out-stretched foot, with a plant growing between them.
|
|
| 2007.9.1.42
|
Displays the naked figure of a woman wearing a cloak, facing right.
|
|
| 2007.9.1.52
|
Displays a naked man, bent over slightly, facing right, and carrying a spear and long, unidentifiable object.
|
|
| 2007.9.1.55
|
Displays a naked woman wearing a cloak, her left arm raised and her right hand pointing towards the ground.
|
|
| 2007.9.1.56
|
Displays a very thin human figure in a walking pose, facing right. There is a large, unidentifiable shape behind the figure, but this may be due to a fault with the plaster cast or the original gem.
|
|
| 2007.9.1.57
|
Displays four pigs, one on all fours facing right in the foreground, the other three are in the background on their hind legs facing upwards.
|
|
| 2007.9.1.6
|
Displaying the head of a man with curly hair and a beard, profile facing right.
|
|
| 2007.9.1.62
|
Displays two roosters pulling a chariot, which is ridden by another animal, possibly a mouse, all facing right.
|
|
| 2007.9.1.65
|
Displays a lion, facing right.
|
|
| 2007.9.1.7
|
Displaying the head and shoulders of a man with curly hair and a beard, profile facing right.
|
|
| 2007.9.1.70
|
Displays an ant, with the letters C on the left side and A on the right.
|
|
| 2007.9.1.76
|
Displays a human figure kneeling or lying down, facing right, with five or six pots lined up behind them.
|
|
| 2007.9.1.77
|
Displays a human figure, kneeling facing right, holding a sack possibly made from a cows udder.
|
|
| 2007.9.1.9
|
Displaying the head of a man with a beard, possibly wearing a wreath, profile facing right.
|
|
| 2007.9.1.92
|
Displays a human figure, facing left, seated on a sphere with their head bowed and holding a staff in their right hand.
|
|
| 2007.9.2.1
|
Displays a winged woman in flight, holding flowers in her hands, and carrying a naked child on her back who is holding a torch aloft in his right hand. (Box Index = Personification of Morning/Day). Tray 5, Layer 1, Gem 1
|
|
| 2007.9.2.12
|
Displays a young woman with her head covered, apparently airborne without wings, and holding a cross in her left hand, whilst a cherub in the lower right corner leans on his trumpet. (Box Index = A happy soul flying to the sky). Tray 5, Layer 1, Gem 12
|
|
| 2007.9.2.16
|
Displays the figure of a naked woman, her head turned away to the right, trying to cover herself with a piece of cloth. (Box Index = Venus).
|
|
| 2007.9.2.17
|
Displays a seated woman sitting in front of a column topped by the bust of a man, upon which her left hand rests, whilst in her right hand she holds a pen. (Box Index = Goddess Happiness with the portrait of His Excellence Prince Zizindorph).
|
|
| 2007.9.2.19
|
Displays a seated woman, bent over, her head resting on her right hand. A bird with a long beak is visible in the background. (Box Index = Goddess of Friendship crying for the dead friend).
|
|
| 2007.9.2.2
|
Displays the seated figures of a man and a woman on the left hand side, with a shield bearing the image of two arrows in the foreground, whilst a mostly naked soldier weraing a helmet and cloak and carrying a spear stands on the right hand side. (Box Index = Hektor reprimanding Paris). Tray 5, Layer 1, Gem 2
|
|
| 2007.9.2.21
|
Displays a woman, standing up, head facing right, with her hands on her hips. (Box Index = Ballerina).
|
|
| 2007.9.2.22
|
Displays the head of a man, possibly Hermes, profile facing right, wearing a winged hat. (Box Index = Head of Perseus).
|
|
| 2007.9.2.26
|
Displays the head of a woman with an elaborate, bound-up hairstyle, profile facing right. (Box Index = Head of "Beneficenza" in the deposit of St. Maria Cristina in Vienna).
|
|
| 2007.9.2.29
|
Displays a half naked woman, her right arm held up, obscuring most of her head, holding a small jug in the same hand, and a cup in the left. (Box Index = Head of Hebe).
|
|
| 2007.9.2.31
|
Displays a woman, her back to us and her head looking right, standing next to a small pillar and holding a lyre in her left hand. (Box Index = A Muse).
|
|
| 2007.9.2.32
|
Displays the front view of a naked man, standing by what may be a tree stump, holding a tall, thin object in his right hand. Some Greek writing around the outside. (Box Index = Palamede).
|
|
| 2007.9.2.4
|
Displays the seated figure of a woman on the left hand side, her arms outstretched, being handed a child by Hermes, standing on the right. (Box Index = Mercury giving baby Bacchus to a Nymph of the covern of Nysa). Tray 5, Layer 1, Gem 4
|
|
| 2007.9.2.5
|
Displays four human figures. From left to right: a man with his head bowed and a hammer raised in his right hand, whilst holding a spear or an arrow in his left; a seated woman, her head turned away to the right, holding an arrow in her right hand, pointed down into a bowl she is holding in her left; a cherub, holding a long pole, his left arm outstretched and looking upwards at the figure behind him; a naked man wearing a helmet and holding a bundle of cloth and an arrow, and looking down at the cherub. (Box Index = Vulcan, Venus, Cupid, and Mars).Tray 5, Layer 1, gem 5
|
|
| 2007.9.2.6
|
Displays a mostly naked woman, her lower half draped in cloth, who is seated and holding the right arm of a cherub standing in front of her. A small flowering plant, a bee and two birds are also visible. (Box Index = Venus with crying Cupid who has been stung by a bee). Tray 5, Layer 1, Gem 6
|
|
| 2007.9.2.8
|
Displays a seated naked man, one hand resting on the handle of a club, the other holding a bowl, whilst a woman stands in front of him, holding a small jug in her raised right hand. (Box Index = Hercules and Hebe). Tray 5, Layer 1, Gem 8
|
|
| 2007.9.3.1
|
Displays the head of a mostly bald and bearded man, profile facing right.
|
|
| 2007.9.3.101
|
Head of winged female in profile facing right.
|
|
| 2007.9.3.103
|
Bust of bearded male in profile facing right. Probably Asclepius as he holds a staff with a snake wound around it.
|
|
| 2007.9.3.104
|
Two male heads in profile facing right. The male in the foreground is older and bearded while the male behind is younger and beardless with wild hair.
|
|
| 2007.9.3.106
|
Head of male figure in profile facing right. He has a wreath of leaves in his long hair.
|
|
| 2007.9.3.107
|
Male head in profile facing right.
|
|
| 2007.9.3.108
|
Male head in profile facing right.
|
|
| 2007.9.3.109
|
Child's head in profile facing right. He's wearing a bulla (a charm worn around the neck to protect the child in their youth).
|
|
| 2007.9.3.110
|
Male bust in profile facing right. He has a comic mask to his right, implying association with the theatre.
|
|
| 2007.9.3.111
|
Male head in profile facing right. He has a wreath of leaves in his hair.
|
|
| 2007.9.3.112
|
Male head in profile facing right.
|
|
| 2007.9.3.113
|
Male head in profile facing right. The cast is missing the neck of the man.
|
|
| 2007.9.3.114
|
Female head in profile facing right. She has her hair in a bun, implying that she is a respectable woman.
|
|
| 2007.9.3.116
|
Head of male youth in profile facing right.
|
|
| 2007.9.3.118
|
Male head in profile facing right. The cast is missing the neck of the man.
|
|
| 2007.9.3.120
|
Male bust in profile facing right. He is wearing a helmet.
|
|
| 2007.9.3.121
|
Male head in profile facing right. He appears to be wearing a hat.
|
|
| 2007.9.3.123
|
Male head in profile facing right. He has a wreath around his head.
|
|
| 2007.9.3.125
|
Male head in profile facing right. He has a wreath around his head.
|
|
| 2007.9.3.126
|
Female head in profile facing right. Her hair is tied up.
|
|
| 2007.9.3.127
|
Male bust in profile facing right. He is wearing armour and has a wreath in his hair.
|
|
| 2007.9.3.128
|
Male head in profile facing right. His long hair is tied up.
|
|
| 2007.9.3.129
|
Male head in profile facing right. He has a wreath in his hair.
|
|
| 2007.9.3.131
|
Male head in profile facing right. He is bearded and wears a cloak. Probably uniform of the army.
|
|
| 2007.9.3.135
|
Male head in profile facing right. He has a wreath tied round his head. Possibly Augustus.
|
|
| 2007.9.3.136
|
Male head in profile facing right.
|
|
| 2007.9.3.137
|
Male head in profile facing right. Probably Augustus.
|
|
| 2007.9.3.138
|
Male head in profile facing right.
|
|
| 2007.9.3.139
|
Male head in profile facing right.
|
|
| 2007.9.3.140
|
Female head in profile facing right. Her hair is tied back.
|
|
| 2007.9.3.144
|
Female head in profile facing right.
|
|
| 2007.9.3.145
|
Female head in profile facing right. Her hair is tied up.
|
|
| 2007.9.3.146
|
Female head in profile facing right.
|
|
| 2007.9.3.148
|
Female bust in profile facing right.
|
|
| 2007.9.3.149
|
Male head in profile facing right.
|
|
| 2007.9.3.152
|
Bust of a mature male in profile facing right. He has a wreath round his head.
|
|
| 2007.9.3.153
|
Female bust in profile facing right. Her hair is tied up.
|
|
| 2007.9.3.154
|
Male head in profile facing right. He is a mature, bearded man.
|
|
| 2007.9.3.16
|
Displays a winged, female sphinx, a shield held under her front right leg.
|
|
| 2007.9.3.161
|
Two heads in profile facing right. Figure in foreground is male, figure in background is female.
|
|
| 2007.9.3.2
|
Displays a three-quater view of the head of a man, who has a beard and is wearing a wreath, facing right.
|
|
| 2007.9.3.21
|
Displays a front view of a seated woman, a small lion at her right side.
|
|
| 2007.9.3.27
|
Male figure standing with a lyre (?) hanging on the wall to the right.
|
|
| 2007.9.3.3
|
Displays a seated man, head bowed slightly, holding a dagger in his right hand.
|
|
| 2007.9.3.33
|
The shepherd Faustolus finding Romulus and Remus with the she-wolf. Also a grape vine to the right.
|
|
| 2007.9.3.34
|
The shepherd Faustolus finding Romulus and Remus with the she-wolf. To the right is an olive tree.
|
|
| 2007.9.3.35
|
Elderly man's head in profile facing right. He has curly hair and a beard.
|
|
| 2007.9.3.36
|
Youthful male figure standing facing right, holding something in his hands. Some sort of plant to his left.
|
|
| 2007.9.3.38
|
Profile of male to the right. He is resting his chin on his hand, in a thoughtful looking pose.
|
|
| 2007.9.3.41
|
Male bust in profile facing right. He looks to be wearing a helmet tied under the chin.
|
|
| 2007.9.3.42
|
Female bust in 3/4 profile, facing right. She has short/tied up hair and her breasts are exposed.
|
|
| 2007.9.3.43
|
Female bust facing forward with the head tilted slightly to the right.
|
|
| 2007.9.3.44
|
Depicts story of Gaius Mucius Scaevola, a general who burns his right hand as punishment after killing the wrong man.
|
|
| 2007.9.3.47
|
Naked male figure - an athlete carrying a discus in his right hand.
|
|
| 2007.9.3.55
|
Child, probably a slave, pouring water(?) from an amphora onto an older man's feet. There is also a column to the right of the slave.
|
|
| 2007.9.3.56
|
Female head in profile, facing right. Her head is covered and complex hairstyle indicates she's a women of the upper class.
|
|
| 2007.9.3.63
|
Male head in profile to the right, with a band tied around his head. Underneath is the word 'STRATO'.
|
|
| 2007.9.3.69
|
Bust of a young male with curly hair, facing right.
|
|
| 2007.9.3.7
|
Displays a standing woman (left) and a seated man (right) who is possibly wearing a crown.
|
|
| 2007.9.3.72
|
Male head in profile facing right. He has curly hair.
|
|
| 2007.9.3.73
|
Male head in profile facing right. He has curly hair and a beard.
|
|
| 2007.9.3.76
|
Male bust in profile facing right. He has a wreath of leaves on his head.
|
|
| 2007.9.3.77
|
Male head in profile facing right. He has a wreath of leaves in his hair.
|
|
| 2007.9.3.79
|
Male head in profile facing right. He is beardless.
|
|
| 2007.9.3.8
|
Displays the head of a woman with hair that is plaited and tied up, profile facing right.
|
|
| 2007.9.3.83
|
Male head in profile facing right. He is beardless but wrinkly.
|
|
| 2007.9.3.85
|
Male head in profile facing right.
|
|
| 2007.9.3.87
|
Female head in profile facing right. Her hair is tied up with plaits.
|
|
| 2007.9.3.88
|
Young female bust in profile facing right. Her hair is up and she appears to be wearing some sort of crown.
|
|
| 2007.9.3.92
|
Head of a mature bearded male in profile facing right.
|
|
| 2007.9.3.93
|
Head of a male youth in profile facing right.
|
|
| 2007.9.3.94
|
Head of bearded male in profile facing right.
|
|
| 2007.9.3.95
|
Head of male figure facing right.
|
|
| 2007.9.3.98
|
Head of Cleopatra in profile facing right.
|
|
| 2008.2.1.10
|
Head ofZeus in profile facing right.
|
|
| 2008.2.1.100
|
Profile view of a man facing right with short wavey hair.
|
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| 2008.2.1.101
|
Profile view of a bearded man facing the right. He has short, slightly wavey hair.
|
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| 2008.2.1.102
|
Profile view of a short haired man facing to the right. Under the profile is a spherical helmet and two daggers on either side. Under the helmet is an inscription: (L or E)ID MAR.
|
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| 2008.2.1.104
|
2 youthful male figures on the left, look at 1 other on the right.all have short curly hair. on the left there is a vase, on the right there possibly a scroll.
|
|
| 2008.2.1.14
|
Female figure standing in profile facing right. She's holding some sort of stick.
|
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| 2008.2.1.15
|
Head in profile facing right.
|
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| 2008.2.1.17
|
Male bust in 3/4 profile facing right.
|
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| 2008.2.1.20
|
Two figures with an animal between them. The figure on the right appears to be standing on a platform above a wheel. Possibly being pulled along by the animal.
|
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| 2008.2.1.23
|
Two heads facing forward. To the left a bearded male, to the right a woman. Both look quite old.
|
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| 2008.2.1.24
|
Male head in profile facing right.
|
|
| 2008.2.1.26
|
Bearded male head in 3/4 profile facing right.
|
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| 2008.2.1.27
|
Male head in profile facing right. Looks to have a lions skin on his head, so possibly Hercules.
|
|
| 2008.2.1.3
|
Two birds (ostriches?). The one on the right is pecking at the ground.
|
|
| 2008.2.1.31
|
Two figures in profile facing right. In front is a bearded male and behind, a woman.
|
|
| 2008.2.1.33
|
Female figure with back to the 'viewer' her head is turned to look over her right shoulder. The figure appears to be undressing as she is lifting her dress up towards her head, exposing her bottom.
|
|
| 2008.2.1.34
|
Naked female figure facing to the right her right arm raised above her head. The figure is leaning on a column and looking at a small winged boy who is seemingly presenting the standing figure with a wreath.
|
|
| 2008.2.1.35
|
Naked female figure seated and resting against a column. To the right of the figure is a small winged boy who seems to have his hands cupped round his mouth, suggesting that he is shouting at the female figure. It is possibly a representation of Eros waking Psyche.
|
|
| 2008.2.1.38
|
Semi-naked female figure kneeling on a plinth and facing away from the 'viewer'. The figure is struggling with two snakes,and her head is thrown back perhaps indicating pain. There is a third snake at her feet to the left of the scene, and a vase with flowers in it at her feet to the right.
|
|
| 2008.2.1.41
|
A small naked and winged male figure in frontal aspect facing slightly to the right. The figure is holding a bow and a club (which is resting upon his left shoulder)in his left hand. At the feet of the figure on the right side of the cast is a quivver.
|
|
| 2008.2.1.43
|
Three naked and winged figures, two of which are certainly male. Two figures on the left appear to be dancing or struggling. One is positioned behind the other forming a chiastic pattern. The third figure is on the extreme right of the cast, apparently walking away from the scene and carrying what appears to be a lantern.
|
|
| 2008.2.1.45
|
The bust of a female figure front on with her head turned slightly to the right. Her hair is tied up and there appears to be a band around her head. The figure appears to winged.
|
|
| 2008.2.1.52
|
Seated robed woman focused on something in her left hand, possibly reading a piece of parchment. Her right hand is held upright.
|
|
| 2008.2.1.54
|
Robed woman standing next to a pillar. Her right hand is resting on the pillar and is holding two long, straight objects connected near the top, possibly a scroll.
|
|
| 2008.2.1.58
|
A male figure standing on one leg, possibly dancing. His arms are outstretched, over his right arm there is an animal skin and in his left hand he is holding an elaborate staff. His head is thrown back against his left shoulder.
|
|
| 2008.2.1.59
|
Profile of a female facing to the right, her hair is tied up in an elaborate style.
|
|
| 2008.2.1.60
|
Three male figures, the left male figure is playing the flute and the middle male figure is playing the lyre whilst seated. The figure on the far right is standing under a tree and restraining an animal, possibly a sheep.
|
|
| 2008.2.1.61
|
There are a large group of 10 figures, 5 are standing and 5 are seated. They are engaged in festivities; the second and third figures from the left are holding bowls and appear to be offering them. Behind the seated figures are two standing women who appear to be balancing baskets of fruit on their heads. The two figures on the far right of the scene appear to be playing musical instruments. The scene is framed by two trees, with their branches intertwined above the group of figures. Above the figures there are two small winged figures, possibly cupids.
|
|
| 2008.2.1.62
|
A bull from the left side, appears to be standing on a long staff. The bull seems to have something tied around its chest, possibly vine leaves. It's head is bowed and it's front right leg is raised from the ground.
|
|
| 2008.2.1.63
|
There are seven figures depicted, one the far right there appears to be a winged figure possible Eros. The male figure on the right next to the winged figure is sitting naked on a donkey, he is holding his right arm in the air above his head possibly in celebration. On the far left there is a male and a female figure possibly dancing, the female figure is holding what appears to be a cup. The third figure on the left is sitting on the floor and appears to be eating or drinking from a cup or bowl. The fourth figure from the left is playing a flute, on the right to this figure there is a woman holding a cup up in the air in her right hand and in her left hand she is holding a staff. They appear to be engaging in a celebration, possibly a drunken procession. The naked male figure riding the donkey is possibly identified as Dionysus.
|
|
| 2008.2.1.65
|
A group of six figures. In the centre of the image are three figures, an older male figure who is seated; there is a female figure to either side of him. The female figure to the left is embracing the seated male. To the left of this central group is a young man holding the reins of a horse, which is on the extreme left of the image. To the extreme right of the image are two elderly male figures standing in the background. There is a temple in the background.
|
|
| 2008.2.1.66
|
Bust of a male figure facing to the right. Over the figure's right shoulder is a shield with an image of a Medusa upon it. A spear is visible over the figure's left shoulder. Upon the figure's head is a helmet decorated with a griffin.
|
|
| 2008.2.1.71
|
Nude male figure leans on a stone column topped with a bores head, cloak wrapped round shoulders and coiled round right arm. Dog stands next to figure.
|
|
| 2008.2.1.73
|
At the center of the scene two horses pull a chariot one figure drives the chariot whilst another figure wearing armour holding a spear and shield stands in the chariot. Another figure is depicted up-side-down next to the chariot possibly knocked over the chariot or fallen out of the chariot. In the bottom right of the scene another figure depicting leaning on a shield. In the center at the top of the scene a figure is shown with their hands aloft possibly celebrating. to the right of this central figure is another clad in armour, it is unclear what this figure is doing.
|
|
| 2008.2.1.75
|
The image depicts two male figures fighting. the figure on the right stands nude with sword raised with his left hand he is pulling the head of the second figure back. The second figure is facing away from the first figure, on his left knee. In his left hand is a shield. His right hand is held back over his head. He appears to be trying to break the hold the right-hand figure is trying to hold.
|
|
| 2008.2.1.8
|
Male head in profile facing right. Ram's horn in head indicates this is Apollo Karneois, the ram god.
|
|
| 2008.2.1.85
|
Profile of a man facing to the right. The man is bearded with curly hair and wearing robes.
|
|
| 2008.2.1.88
|
Profile of a curly haired woman facing right. Her hair is elaborately styled with what appears to be ribbons.
|
|
| 2008.2.1.89
|
On the right there is a standing woman holding a spear in her right hand and a shield on the ground with her left. She is wearing a type of headdress (possibly a helmet) and could either be robed or naked. to her right there is a standing animal, possibly a sheep, on top of whom is standing a winged cherub holding a bow and arrow, possibly cupid. On the far left of the cast there is a large stalk of corn.
|
|
| 2008.2.1.90
|
Profile of Herakles looking to the right.
|
|
| 2008.2.1.92
|
Profile of a female facing right possibly wearing a type of decorated cap. The hair can be seen in a bun at the nape of the neck. The top of a dress or robe can be seen around her shoulders.
|
|
| 2008.2.1.93
|
Profile of a young male looking right with short curly hair and a band around his head that is tied in the back. The top of his robes can be seen at the base of the neck.
|
|
| 2008.2.1.94
|
Profile of a woman facing to the right. She is wearing fabric covering her head and just a small part of her hair is visible at her forehead. Her robes are visible on her shoulders.
|
|
| 2008.2.1.97
|
Standing male-possibly female-figure facing right with curly hair wearing a laurel wreath and playing a lyre. He is wearing robes.
|
|
| 2008.2.1.99
|
Profile view of a bald man facing right. He is wearing some kind of fabric around his neck that ties or hangs in the front.
|
|
| 2008.7.35
|
Exterior: one horizontal dark brown line running along the approximate intersection of shoulder and body. Just below this are two small dark brown dots of similar but different sizes. Above the line is a thick, wavy, erratic, dark brown line that dominates the fragment from the line up utn il just under the rim. Interior: two horizontal parallel dark brown lines. The top one is right up on the edge of the rim, the other slightly removed below it.
|
|
| 2008.8.2
|
Exterior: Greyish-black overpainting depicting 2 standing birds with curved necks. The bird on the right has wings spread and short horizontal lines on the wing and tail suggesting feathers. There is a reddish stripe overpainted across the body and across the tail. The bird on the left is cut off half-way across the body, but the same red body stripe and feather markings are present. Above the birds is a semicircle of thin bulb-shaped parallel vertical lines and around the birds are several circles of varying sizes.
|
|
| 2008.9.4
|
Exterior: 2 front legs of an animal, joining onto a body is overpainted in greysh-black. 5 short vertical lines are etched across the body and a few other etched lines define the back legs and chest of the animal. 2 back legs and a tail are partially present. A thick horizontal band and below a thinner band run parallel to the bottom-edge of the fragment. The animal appears to be standing on the thinner band, and there are 2 circle between the front and back legs, and two circles to the right of it.
|
|
| 2009.10.1.12
|
Zeus seated and half clothed, wearing a helmet or sun rays, holding a staff in his right hand and a club in his left. Cast Number - 959
|
|
| 2009.10.1.13
|
Image of five men riding horses from the right side.
Cast Number - 960
|
|
| 2009.10.1.2
|
Right side view of a deer.
Cast Number - 949
|
|
| 2009.10.1.6
|
Right profile view of an eagle, accompanied by an inscription.
Cast Number - 953
|
|
| 2009.10.1.7
|
Right side profile view of a balding, bearded man. Cast Number - 954
|
|
| 2009.10.2.107
|
Portrait of a woman in profile, turning to the right. Her hair is tied back.
Number 39.
|
|
| 2009.10.2.109
|
Portrait of a woman in profile turning to the right, with a quiver across her back, hair tied back.
Number 41.
|
|
| 2009.10.2.110
|
Portrait of a woman in profile turned to the right, with a quiver across her back. Wearing headband. Number 42.
|
|
| 2009.10.2.12
|
Figure of a man with a beard walking, holding a wreath in his left hand and pointing to it with his right.
|
|
| 2009.10.2.13
|
figure of a man walking, holding a sickle in his right hand and holding a cloth to his mouth with the other. He is unclothed.
Number 13
|
|
| 2009.10.2.143
|
Portrait in right profile of man in flat helmet (appears to be Hermes).
Number 15.
|
|
| 2009.10.2.144
|
Portrait of Hermes with a caduceus over his right shoulder, on his left appears to be a child.
Number 16.
|
|
| 2009.10.2.145
|
Figure of Hermes leaning on pillar, holding cloth in right hand and a caduceuse in his left.
Number 17.
|
|
| 2009.10.2.146
|
Figure of Hermes holding sceptre upside down in right hand and a reed or feather in this left. A small animal is at his feet. Number 18.
|
|
| 2009.10.2.149
|
Naked figure of Hermes in a cloak with caduceus. On his right the initals M A and on his left G F.
Number 21.
|
|
| 2009.10.2.162
|
Standing Hermes wearing a cloak and a hat and holding a caduceus with a baby clinging to him and another figure to his right seated and wearing a cloak. Number 34
|
|
| 2009.10.2.176
|
Large caduceus with a bird on the left and a scorpion on the right.
|
|
| 2009.10.2.18
|
Woman in crown sitting on a lion, with scepter in left hand and a scroll in right. Probably Cybele.
|
|
| 2009.10.2.183
|
Left to right: woman seating on a tree, an other one holding a baby on top of a dog and picking something from the tree. Man holding something. Latin insription.
|
|
| 2009.10.2.210
|
Depiction of a man, with a smaller figure behind his shoulder, a face or a mask in the foreground, on the bottom right.
Number 82.
|
|
| 2009.10.2.220
|
Nude figure of Aphrodite viewed from behind, holding drapery. Winged Eros on her right holding a torch. Number 10
|
|
| 2009.10.2.221
|
Aphrodite semi-nude, holding drapery around her waist, accompanied by winged Eros on her right. Number 11
|
|
| 2009.10.2.227
|
Nude female figure (? Artemis) leaning on a pillar and holding a bow in her left hand and an arrow in her right hand.
Number 17
|
|
| 2009.10.2.229
|
Semi-nude female figure seated on a chair with drapery over her lap, holding an object in her right hand.
Number 19
|
|
| 2009.10.2.230
|
Semi-nude female figure with drapery around her waist leaning on a pillar holding an object in her right hand
Number 20
|
|
| 2009.10.2.232
|
Semi-nude female figure with drapery around her waist, seated on a rock with a basket and two winged children, holding a ? fishing rod in her right hand with an inscription
Number 22
|
|
| 2009.10.2.234
|
Nude female (? Aphrodite) ciewed from behind, leaning on a shield covered in drapery with a spear leaning on her left shoulder holding an object in her right hand. Accompanied by winged Eros handing her a helmet
Number 24
|
|
| 2009.10.2.235
|
Nude female figure with drapery over her shoulders, holding an arrow in her right hand, accompanied by winged Eros and an animal, possibly standing on a snake
Number 25
|
|
| 2009.10.2.237
|
Female figure holding a branch in her right hand, accompanied by a winged child holding an object
Number 27
|
|
| 2009.10.2.239
|
Clothed female figure, walking with flowing drapery holding plants in her left hand and a bow and arrow in her right. Accompanied by a winged Eros holding an arrow and with a quiver.
Number 29
|
|
| 2009.10.2.243
|
Standing female figure leaning on a pillar, atop of which is a herm, holding a torch in her right hand. Accompanied by a butterfly and a winged Eros
Number 33
|
|
| 2009.10.2.244
|
Nude Aphrodite with drapery across her shoulders, holding an arrow in her right hand, accompanied by winged Eros on the right and a quiver of arrows on the left.
Number 34
|
|
| 2009.10.2.245
|
Nude Aphrodite leaning on a pillar and holding a small object in her right hand, accompanied by a winged Eros carrying a torch and offering a wreath to Aphrodite.
Number 35
|
|
| 2009.10.2.250
|
Hare inside a large ring centrally, figure in a chariot drawn by two birds above and a butterfly on the right hand side. ? flaming torches on either side and inscription below
Number 40
|
|
| 2009.10.2.251
|
Hare inside a large ring centrally, figure in a four-horse chariot above, helmeted head on the left with an inscription, shiled on the right and a ? grasshpopper at the bottom
Number 41
|
|
| 2009.10.2.26
|
Sarapis with greek letters in background ( Delta, Rho, Gamma, Eplison) on left (Pi, Nu, Delta, Omicron) on right.
Number 26.
|
|
| 2009.10.2.262
|
Nude male wearing a cloak and holding a spear in his right hand, accompanied by a dog and flying winged child holding an object
Number 52
|
|
| 2009.10.2.264
|
Central figure of nude Aphrodite holding an arrow in her right hand and holding a winged Eros' hand in her left, a shield with a face leaning against her left leg and armour on the floor. Winged Eros holding a bow on the right, and kneeling nude Hephaestus on the left with a hammer held above his head and an anvil in front of him.
Number 54
|
|
| 2009.10.2.266
|
Nude standing Aphrodite holding a torch and another object, with a satyr on the right holding an object, and Eros with a bow and a seated Hephaestus on the left holding a hammer above his head with an anvil in front of him.
Number 56
|
|
| 2009.10.2.267
|
Nude Ares and Aphrodite embracing on a bed to the right, with Hephaestus standing over them and casting a net over them, and a fourth figure (?) reclining in the left corner.
Number 57
|
|
| 2009.10.2.268
|
Standing nude youth wearing a helmet and holding a spear in his left hand and a shield in his right.
Number 58
|
|
| 2009.10.2.272
|
Standing nude male figure wearing a cloak and helmet, holding a spear. Male has his arm around a semi-nude female who has one foot resting on a pillar, with a second pillar on the right.
Number 62
|
|
| 2009.10.2.273
|
Nude male figure holding a large shield in his left hand, with armour at his feet, accompanied by a semi-nude female figure wearing a cloak or necklace and holding a bow in her right hand.
Number 63
|
|
| 2009.10.2.274
|
Nude male figure on the right with drapery (? and a spear) on the right, passing a spherical object with a nude (?) female figure on the left, with a pillar on the far left. A small child is stood between them holding a bow.
Number 64
|
|
| 2009.10.2.275
|
Central figure of a seated nude male wearing a helmet, surrounded by drapery, with a standing semi-nude female on the right resting a sheild against her leg, and a torch-bearing child on the left, standing on armour.
Number 65
|
|
| 2009.10.2.276
|
Standing nude male figure wearing a helmet and a cloak, holding a spear in his right hand and embracing a semi-nude female figure with his left. Female figure has drapery over her legs and is resting her right foot on a ball.
Number 66
|
|
| 2009.10.2.277
|
Armed Athena wearing an aegis and helmet, holding a spear in her right hand and a shield emblazoned with Medusa's head in her left.
Number 67
|
|
| 2009.10.2.285
|
Depicts Hercules standing to his right. He is naked and carrying the skin of a lion, there is a club to the right of the image.
Number - 1
|
|
| 2009.10.2.286
|
Depicts Hercules naked standing to the right, with a lions skin draped over him and a club to his right. Number - 2
|
|
| 2009.10.2.287
|
Right profile view of Herakles with curly hair. Number - 3
|
|
| 2009.10.2.289
|
Right profile view of Herakles with curly hair, lionskin at his neck.
Number - 4
|
|
| 2009.10.2.290
|
Right profile view of Herakles with curly hair and lionskin at his neck.
Number - 5
|
|
| 2009.10.2.291
|
Right profile view of Herakles with curly hair and lionskin at his neck.
Number - 6
|
|
| 2009.10.2.293
|
Right profile view of Herakles with curly hair and a garment around his neck.
Number - 7
|
|
| 2009.10.2.294
|
Right profile view of a bearded Herakles with curly hair and a garment around his neck.
Number - 9
|
|
| 2009.10.2.295
|
Right profile view of bearded Herakles with curly hair.
Number - 10
|
|
| 2009.10.2.299
|
Right profile view of Herakles with curly hair. Number - 14
|
|
| 2009.10.2.300
|
Side profile of Herakles, looking right
|
|
| 2009.10.2.302
|
Profile of a bearded man looking right
|
|
| 2009.10.2.303
|
Profile of Herakles with helmet, looking right.
|
|
| 2009.10.2.304
|
Profile of Herakles with helmet, looking right
|
|
| 2009.10.2.305
|
Profile of Herakles with helmet, looking right.
|
|
| 2009.10.2.306
|
Profile of Herakles, looking right.
|
|
| 2009.10.2.307
|
A scene depicting from left to right: Hercules , Athena, and a clothed woman. The two figures on the outside are looking towards a helmeted Athena who is holding an olive branch and spear.
|
|
| 2009.10.2.308
|
Scene showing a naked man looking right
|
|
| 2009.10.2.310
|
A scene showing Herakles facing left. In his right hand he carries his club and the head of the nemean lion. The lion's skin is draped over his back
|
|
| 2009.10.2.311
|
Herakles is depicted facing left. With his right hand he rests his club upon his shoulder whilst with his left he holds the skin the nemean lion.
|
|
| 2009.10.2.315
|
A scene depicting Herakles facing left. In his left hand he holds his club and in his right he has a bowl (possibly the one given to him by Helios, the sun god)
|
|
| 2009.10.2.317
|
A scene depicting two figures. Herakles is holding his club on the right, standing next to a bound woman (on the left).
|
|
| 2009.10.2.319
|
A scene showing Herakles on the left and a cowering giant on the right. Herakles stands about to strike with club and shield.
|
|
| 2009.10.2.342
|
A scene showing Herakles (left), with club, defeating a soldier (right) who kneels away.
|
|
| 2009.10.2.346
|
The image shows the left side of a man making a statue, which has a head and a torso. There is a sheep looking on from the left and a horse looking on from the right. Number 2
|
|
| 2009.10.2.347
|
Profile of seated figure holding a spear on the left with a standing figure behind, faced by a seated figure on the right, also holding a spear, with a third seated figure on the far right, and an armed figure wearing a helmet and holding a shield and spear between the two. Inscriptions around the edges of the image and between the first and second set of facing figures.
Number 3
|
|
| 2009.10.2.348
|
Frontal image of a nude male, leaning to the left, possibly scraping oil from his right leg with a strigil, with an inscription down the left hand side.
Number 4
|
|
| 2009.10.2.367
|
Male figure covered with drapery, holding object in his right hand and drapery in his left. His foot is resting on a rock. number 23
|
|
| 2009.10.2.379
|
Male figure wearing a hat leaning over a sphinx. He is holding the head of the sphinx with his right hand, with a knife in his left hand held at the sphinx' head.
Number 35
|
|
| 2009.10.2.380
|
Standing nude male figure wearing a helmet and a shield on his right arm, holding the hair of a fallen nude male figure. There is a shield, spear and helmet on the right-hand side, and a pillar topped with an (animal?) figure behind the two males. Number 36
|
|
| 2009.10.2.381
|
Seated semi-nude bearded male with a female figure on the left leaning over him with her hands on his shoulders. A male figure with his left hand raised and leading a horse is on the left of the figures, and a standing female figure on the right holding drapery. There is a temple behind the figures and a tree on either side, with two bearded male figures under the right-hand tree.
Number 37
|
|
| 2009.10.2.382
|
Seated bearded male figure holding an object in his right hand with a raised left hand, instructing a standing nude male youth wearing a cloak and leaning on a spear.
Number 38
|
|
| 2009.10.2.383
|
Nude male figure lying on a couch or bed in front of four horses and a smaller standing figure on the right, holding an object in their right hand, and a tree on the left.
Number 39
|
|
| 2009.10.2.393
|
Large bull with bearded man's face, with a star above on the left, a symbol on the right and a snake beneath the bull. With an inscription above the bull.
Number 49
|
|
| 2009.10.2.399
|
Walking bearded male centaur holding a horn in his right hand and carrying a branch over his left shoulder. Number 55
|
|
| 2009.10.2.400
|
Bearded male centaur lying down, holding a shield above him with his left hand and pulling an arrow from his side with his right.
Number 56
|
|
| 2009.10.2.401
|
Bearded male centaur carrying an ornate staff over his left shoulder and a lion skin and basket on his right shoulder. There is a faint inscription below the figure.
Number 57
|
|
| 2009.10.2.402
|
Bearded male centaur rearing up on his back legs and aiming a bow and arrow to the right.
Number 58
|
|
| 2009.10.2.403
|
Profile head and frontal chest of a young male figure looking to the right, with shoulder-length hair and drapery across his left shoulder.
Number 59
|
|
| 2009.10.2.408
|
Figure in a tower on the right reaching out to a nude male figure in the sea, above whom is a flying Cupid holding a torch, with two heads blowing the winds on the left.
Number 64
|
|
| 2009.10.2.409
|
Central nude male figure wearing a helmet leaning down towards a jar on the floor, with a nude male holding a staff on the left and an armoured male holding a shield on the right.
Number 65
|
|
| 2009.10.2.410
|
Central male figure wearing a helmet reaching down towards a vase on the floor, with a male figure on the left, an armoured male holding a shield on the right and a pillar with a vase atop behind the central figure.
Number 66
|
|
| 2009.10.2.413
|
Nude winged female figure holding drapery behind her, with her right arm around a dolphin, over the sea.
Number 69
|
|
| 2009.10.2.44
|
A large cast with a depiction of the zodiac signs as a border. Four men are pictured, on the far left a man with winged shoes and hat (Hermes), with a cockerel standing next to him, bearded man on throne(Zeus) who is standing on Poseidon, on the right another man with a helmet and sheild (Ares).
Number 44.
|
|
| 2009.10.2.502
|
A Herakles fighting Antaeus on the whilst on the right stands a figure with a helmet and shield (possibly Athena)
|
|
| 2009.10.2.52
|
Jupiter Serapis sitting on throne holding sceptre in left hand and round object in right. Eagle standing on his right hand side.
Number 52
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|
| 2009.10.2.60
|
Figure of a naked man with ram's head, holding a sceptre in his left hand and grain in his right hand. Number 60
|
|
| 2009.10.2.64
|
This cast portrays Zeus, with the scepter in his left hand and the thunderbolt in his right one, in the act of driving a chariot and thunderstriking two Giants with snakes for legs, prostrate on the ground, one of whom is brandishing a torch (?).
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| 2009.10.2.69
|
Right profile view of a woman with curly hair, adorned with a necklace. Gem Cast Number - 1
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|
| 2009.10.2.7
|
Figure of a man wearing a hat (maybe Hermes or Paris) holding a staff in right hand and small round object in left. Number 7
|
|
| 2009.10.2.70
|
Facial view of a man looking to his right, with curly hair and a head dress. Number - 2
|
|
| 2009.10.2.72
|
Profile view of the right side of a woman, she has curly hair and is wearing a head garland. A part of her clothing is shown. Number - 4
|
|
| 2009.10.2.73
|
Right profile view of a man with curly hair. Number - 5
|
|
| 2009.10.2.77
|
Right profile view of a man with long curly hair and head garland, and a harp to his left. Number - 9
|
|
| 2009.10.2.78
|
Right side view of a man with curly hair and wearing a head garland. His torso is partially naked. Number - 10
|
|
| 2009.10.2.79
|
Right profile view of a man with curly hair and wearing a head garland. You can see the top part of his clothes. Number - 11
|
|
| 2009.10.2.8
|
Figure of a man wearing a hat and a cape, holding a round object in right hand. By his feet are two pictures, the left is perhaps a scroll and the right an animal.
Number 8
|
|
| 2009.10.2.80
|
Right profile view of a man with curly hair and wearing a head garland. Number - 12
|
|
| 2009.10.2.81
|
There is a centaur standing with a woman to his right, there is also a man playing an instrument to the back left of him. Number - 13
|
|
| 2009.10.2.86
|
Figure of naked man holding a harp and a bow, standing behind Eros, who is to his right and holding arrows.
Gem Cast Number - 18
|
|
| 2009.10.2.87
|
Standing figure of a naked man with a bow and arrow, looking to his right. Number - 19
|
|
| 2009.10.2.88
|
A figure of a man, looking to his right, standing by a tree, with a sack on the floor to his left.Number - 20
|
|
| 2009.10.2.9
|
Small figure wearing a hat with a staff in right hand and with a small winged person balancing on the left hand.
|
|
| 2009.10.2.90
|
A view of the left side of a naked man sitting and holding a stick in his right hand.
Gem cast number - 22
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|
| 2009.10.2.93
|
Naked man standing with a harp, on the right of which there is a small child at his feet, next to whom there is a man who is sitting in front of a tree. There is an inscription: "LAVRAIED"
Gem cast number - 25
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|
| 2009.10.2.94
|
Naked man standing with a harp, on the right of which there is a small child at his feet, next to whom there is a man who is sitting in front of a tree.
Gem cast number - 26
|
|
| 2009.2.1.91
|
Profile of a female facing the right with a scarf knotted at the front. Her hair is held back in a type of band.
|
|
| 2009.8.1
|
Profile of a man with beard and curly hair looking right. The man has a wreath on his head.
Cast number AA.133
|
|
| 2009.8.102
|
Profile of a young woman. A cithara and a butterfly on her right side. Cast number: 46
|
|
| 2009.8.103
|
Two face profile. Looking right is a young warrior with a helmet. Looking left an older man with a beard also wearing a helmet. Maybe Ianus. Cast number: 47
|
|
| 2009.8.104
|
Profile of a woman with wavy hair and a wreath looking right. Cast number: 48
|
|
| 2009.8.110
|
Profile of a man with short hair. Birds on his left and right side. A club under his neck. Cast number: 54
|
|
| 2009.8.111
|
Profile of a man with short wavy hair, looking right. Cast number: 55
|
|
| 2009.8.115
|
Profile of a man with wavy hair and a wreath. Head is above a scale and beside it are two ears of wheat. Inscription on the right side. Cast number: 59
|
|
| 2009.8.117
|
Profile of a man with a curly beard and hair wearing a wreath, looking right. Eyes are goggled. Cast number: 61
|
|
| 2009.8.118
|
Profile of a man with a curly beard and hair, looking right. Cast number: 62
|
|
| 2009.8.119
|
Profile of a man with wavy hair, looking right. Top of his cloak can be seen. Cast number: 63
|
|
| 2009.8.12
|
Profile of a man wearing some kind of fur, looking right. Could be a lion's fur. Cast number: 2
|
|
| 2009.8.120
|
Profile of a man with curly hair looking right. Inscription on the left side. Cast number: 64
|
|
| 2009.8.121
|
Profile of a man, looking right. Top of his clothes can be seen. At the bottom are three symbols: the one in the middle: two hands shaking; the one on the left could be a bird, the one on the right a flower. Cast number: 65
|
|
| 2009.8.130
|
Profile of a man with a beard and wavy hair on a plate, looking right. Cast number: 76
|
|
| 2009.8.139
|
A young man dancing, holding a cup in his hands. Caduceus on the right side. Probably Hermes. Cast number: first one in the last row
|
|
| 2009.8.143
|
Profile of a child with wings, maybe Eros, looking right. Cast number: fifth gem in the last row
|
|
| 2009.8.144
|
Profile of a woman wearing a hat, looking right. Cast number: sixth gem in the last row
|
|
| 2009.8.145
|
Profile of a man with a beard and wavy hair wearing a wreath, looking right. Cast number: seventh gem in the last row.
|
|
| 2009.8.151
|
A man with a beard caressing a young man with wings (?). Ganymed and Zeus. There seems to be an eagle on the right side. Cast number: 5
|
|
| 2009.8.165
|
A woman wearing a dress with a bare chest. On her right side a bird, maybe a crane. Cast number: 19
|
|
| 2009.8.173
|
Profile of a man with a beard and a ribbon in his wavy hair, looking right. Cast number: 27
|
|
| 2009.8.174
|
Bare torso of a man with a beard and a wreath in his hair, looking right. Cast number: 28
|
|
| 2009.8.18
|
Profile of a man with wavy hair and a wreath, looking right. Cast number: 7
|
|
| 2009.8.185
|
Profile of a man with a beard and curly hair, in capite velato, looking right. Cast number: 39
|
|
| 2009.8.188
|
Profile of a woman wearing a helmet with an animal on it, looking right. Cast number: 42
|
|
| 2009.8.189
|
Profile of a woman with wavy hair wearing a helmet. One breast is exposed, looking right. Cast number: 43
|
|
| 2009.8.192
|
Profile of a woman wearing a helmet and the aegis, looking right. Probably Athena. Cast number: 46
|
|
| 2009.8.194
|
Profile of Athena Promachos wearing a helmet and the aegis with the head of the gorgon medusa, looking right. Cast number: 48
|
|
| 2009.8.197
|
Profile of Athena wearing a helmet and the aegis with the head of the gorgon Medusa, looking right. Cast number: 51
|
|
| 2009.8.2
|
Profile of a man with a short beard and curly hair looking right. Can be seen to be wearing a cloak. Cast number AA.154
|
|
| 2009.8.21
|
Four male profiles with wavy hair. Two looking left, the other two looking right. They look at each other. The ones in the front is concealing a bit of the ones in the back. Cast number: 10
|
|
| 2009.8.211
|
Profile of a man with a wreath in his hair and a star next to his head, looking right. The top of his cloak can be seen. Cast number: 2
|
|
| 2009.8.212
|
Profile of a man with a wreath in his hair and a star in front of his head, looking right. The top of his cloak, probably a paludamentum. Cast number: 3
|
|
| 2009.8.213
|
Profiles of three men, two looking right overlapping each other, one looking left. Their hair is curly and on the left side behind the heads is a vessel. Cast number: 4
|
|
| 2009.8.214
|
Profile of a man and a woman. He has rather thick face with a small mouth and a double chin, maybe Nero. She has a ribbon or wreath in her hair, the top of her dress or cloak can be seen. They are both looking right. Cast number: 5
|
|
| 2009.8.215
|
Profile of a man with short hair and a rather large nose, looking right. Cast number: 6
|
|
| 2009.8.216
|
Profile of a man with short hair, looking right. Cast number: 7
|
|
| 2009.8.217
|
Profile of a man with a wreath in his hair and a prominent chin, looking right. Cast number: 8
|
|
| 2009.8.219
|
Profile of a man with a prominent chin and short wavy hair, looking right. Maybe Augustus. Cast number: 10
|
|
| 2009.8.220
|
On the left side, an eagle sitting on the head of a cow, holding a twig in his hand. Probably referring to Jupiter. On the right side, profile of a man with a wreath in his wavy hair, looking right. Cast number: 11
|
|
| 2009.8.221
|
Profile of a man with a wreath in his hair, looking right. Inscription on the ride side. Cast number: 12
|
|
| 2009.8.224
|
Profile of a woman in capite velato and a wreath in her hair, looking right. Inscription on the right side. Cast number: 15
|
|
| 2009.8.225
|
Profile of a woman in capite velato with a tiara in her hair, looking right. Cast number: 16
|
|
| 2009.8.226
|
Profile of a man with a wreath in his hair and a prominent chin, looking right. Cast number: 17
|
|
| 2009.8.229
|
Profiles of two young men, one looking right, the other looking left. There are inscriptions on the top and on the bottom. Cast number: 20
|
|
| 2009.8.230
|
Profile of a young man with wavy short hair, looking right. Cast number: 21
|
|
| 2009.8.231
|
Profile of a man with short wavy hair, looking right. Cast number: 22
|
|
| 2009.8.232
|
Profile of a man with short hair, looking right. Cast number: 23
|
|
| 2009.8.234
|
Profile of a man with a wreath in his hair and a slightly prominent chin, looking right. Cast number: 25
|
|
| 2009.8.235
|
Profile of a man with a wreath in his hair and a prominent chin, looking right. Cast number: 26
|
|
| 2009.8.236
|
Profile of a man and a woman, looking right. He has a wreath in his hair and a prominent chin. She wears a tiara and the top of her dress can be seen. Probably Augustus and his wife Livia. Cast number: 27
|
|
| 2009.8.241
|
Profile of a man with short hair and a prominent chin, looking right. Cast number: 32
|
|
| 2009.8.242
|
Profile of a woman with a lavish hairstyle and a chubby face, looking right. Maybe Valeria Messalina, third wife of Emperor Claudius. Cast number: 33
|
|
| 2009.8.243
|
Profile of a woman with long hair, maybe Faustina Minor, looking right. Cast number: 34
|
|
| 2009.8.244
|
Profile of a woman with straight, long hair, looking right. Cast number: 35
|
|
| 2009.8.245
|
Profile of a young man with short wavy hair, looking right. Maybe Tiberius. Cast number: 36
|
|
| 2009.8.246
|
Profile of a man with wavy hair, looking right. Probably Caligula. Cast number: 37
|
|
| 2009.8.247
|
Profile of a man and a woman, looking right. The top of her cloak can be seen. Cast number: 38
|
|
| 2009.8.248
|
Profile of a woman with a lavish hairstyle, looking right. Cast number: 39
|
|
| 2009.8.250
|
Profile of a man with short wavy hair and a wreath, looking right. The top of his cloak, probably a paludamentum can be seen. Cast number: 41
|
|
| 2009.8.251
|
Profile of a man and a woman, looking right. He has a wreath in his hair and the top of his cloak, probably a paludamentum can be seen. Cast number: 42
|
|
| 2009.8.252
|
Profile of a woman with a lavish hairstyle and a tiara, looking right. The top of her dress can be seen. Cast number: 43
|
|
| 2009.8.253
|
Profile of a man with short wavy hair, wearing a wreath, looking right. Cast number: 44
|
|
| 2009.8.255
|
Profile of a man with short wavy hair and a wreath, lavish hairstyle and a prominent chin, looking right. Probably Nero. Cast number: 46
|
|
| 2009.8.256
|
Profile of a woman with a lavish hairstyle, looking right. The top of her dress can be seen. In front of her are two ears of wheat. Cast number: 47
|
|
| 2009.8.258
|
Profile of a man with short wavy hair, looking right. The top of his cloak, probably a paludamentum, can be seen. Cast number: 49
|
|
| 2009.8.259
|
Profile of a man with short hair and a bare chest, looking right. A cloak is hanging on his shoulder. Cast number: 50
|
|
| 2009.8.260
|
Profile of a man with short wavy hair in a lavish style and a beard wearing a wreath, looking right. Probably Nero. Cast number: 51
|
|
| 2009.8.261
|
Profile of a man with wavy hair in a lavish style and a beard, wearing a wreath, looking right. Rather chubby face. Probably Nero. Cast number: 52
|
|
| 2009.8.262
|
Profile of a woman with slightly lavish hairstyle and a rather chubby face, looking right. The top of her dress can be seen. Maybe Livia. Cast number: 53
|
|
| 2009.8.263
|
Profile of a woman with a lavish hairstyle, looking right. The top of her dress can be seen. Cast number: 54
|
|
| 2009.8.264
|
Profile of a woman with a lavish hairstyle, looking right. The top of her dress can be seen. Cast number: 55
|
|
| 2009.8.268
|
Profile of a man with a lavish hairstyle, looking right. Cast number: 59
|
|
| 2009.8.269
|
Profile of a man with a lavish hairstyle and a rather chubby face, looking right. Cast number: 60
|
|
| 2009.8.271
|
Two naked men on the left and on the right side, only wearing a cloak on their shoulders, hanging up a garland. In the middle, a man with a beard and fully dressed, holding something in his hand. Cast number: 2
|
|
| 2009.8.275
|
A cow and a naked woman with a crown, holding a vessel, sitting on a flower, are in a barque which has a lion's head on the left end and a ram's head on the right end. Cast number: 6
|
|
| 2009.8.277
|
Profile of a woman wearing ancient Egyptian's clothes, looking right. Cast number: 8
|
|
| 2009.8.279
|
Profile of a woman with a slightly lavish hairstyle, looking right. The top of her clothes can be seen. There is a symbol on her right side. Cast number: 10
|
|
| 2009.8.280
|
Profile of a woman with a lavish hairstyle, maybe a tiara, looking right. A necklace or top of her clothes can be seen. Cast number: 11
|
|
| 2009.8.29
|
Profile of a woman with wavy hair and a ribbon or wreath, looking right. There is an inscription on the left side. Cast number: 121
|
|
| 2009.8.3
|
Profile of a man with a beard and wavy hair looking right. Top of a cloak can be seen.
Cast number: BB.1
|
|
| 2009.8.39
|
A young man naked except for his cloak. Holding a dagger in one hand. Inscription on the right side. Cast number: 43
|
|
| 2009.8.4
|
Profile of a woman with wavy hair looking right. The top of a cloak can be seen. Cast number: BB.n
|
|
| 2009.8.44
|
Profile of a young man with curly hair looking right. Inscription on the right side. Cast number: 17
|
|
| 2009.8.5
|
Profile of a man wearing a head and a cloak, looking right. Cast number: BB.11
|
|
| 2009.8.51
|
A young muscular man, shown in contrapposto. Probably an athlete. Inscription on the right side. Cast number: 16
|
|
| 2009.8.55
|
Profile of a young man with wavy hair looking right. Maybe Alexander the Great. Inscription on the bottom. Cast number: 80
|
|
| 2009.8.58
|
A woman in the middle. On her left a profile of a young man wearing a helmet, looking right. On her right side a profile of a man with a beard and curly hair, looking left. Cast number: 157
|
|
| 2009.8.62
|
Profile of a young woman wearing a cap or cloth, looking right. Inscription on the bottom. Cast number: 119
|
|
| 2009.8.67
|
Profile of a young woman with curly hair wearing a shawl, looking right. Cast number: -
|
|
| 2009.8.68
|
Profile of a young woman wearing a shawl, looking right. Cast number: 12
|
|
| 2009.8.69
|
Temple with three gods. Probably Hera (left), Zeus (middle) and Athena, she is sitting on a chair (right). Cast number: 13
|
|
| 2009.8.7
|
Profile of a man wearing a head and a cloak, looking right. Cast number: Pio VI
|
|
| 2009.8.72
|
Profile of a young woman with wavy hair and a wreath, looking right. Inscription on the right side. Cast number: 16
|
|
| 2009.8.79
|
Profile of a young woman with ribbons in her hair, looking right. Inscription on the left side. Cast number: 23
|
|
| 2009.8.83
|
Potrait of a man with wavy hair and a big ear. Top of his cloak can be seen, looking right. Cast number: 27
|
|
| 2009.8.87
|
A muscular man sitting in the middle on a fur. On his right side a naked woman, on the left a child. Cast number: 31
|
|
| 2009.8.88
|
Profile of a young woman with a wreath in her hair, looking right. Cast number: 32
|
|
| 2009.8.90
|
A bird. Maybe a crane. Inscription on the right side. Cast number: 34
|
|
| 2009.9.10
|
A woman with a hooded head wearing some kind of flower crown or a feather, looking right. Cast number: 24
|
|
| 2009.9.101
|
A naked winged child sitting on the floor. In the background on the right side the entrance to a cave (?). Cast number: 34
|
|
| 2009.9.108
|
A naked man holding a caduceus in his left hand and a cornucopia in his right hand, leaning against a pole. Maybe Hermes. Cast number: 41
|
|
| 2009.9.119
|
Two naked winged children with cloaks around their shoulders. The one on the left side is laying one arm around the other. The one on the right side is holding a scepter. Cast number: 52
|
|
| 2009.9.137
|
Two naked winged children. One sitting on a rock on the left side, the other on a rock on the right side. They are fishing and the child on the right side caught a crab. Cast number: 71
|
|
| 2009.9.138
|
A naked winged child sitting on a rock on the right side, holding a basket and a fishing-rod with a fish. On the left side, a naked man holding a spear and wearing a cloak. Cast number: 72
|
|
| 2009.9.155
|
On the left side, two naked boys wrestling, one is holding a torch. On the right a naked winged child tiptoeing away from the others, holding a vessel. Cast number: 89
|
|
| 2009.9.156
|
Three naked children with wings playing around a tree or gathering fruits. One is sitting in the tree, the others are on the right and left side of the stem. Cast number: 90
|
|
| 2009.9.157
|
Three naked children playing around a tree or gathering the fruits. One is sitting in the tree, the others standing on the left and right side of the stem. Cast number: 91
|
|
| 2009.9.163
|
A naked winged child standing on the right side of a pole and a dressed woman standing on the left side. They are both looking to the left. Cast number: 97
|
|
| 2009.9.164
|
A naked man with wings, a quiver and a bow are lying next to his feet, is kissing a winged half naked woman. Inscription on the right side. Cast number: 98
|
|
| 2009.9.166
|
Profile of a young man wearing a helmet with a griffin and holding a shield with the head of the gorgon Medusa,looking right. Behind his shoulder the top of a spear or lance can be seen. Maybe referring to Perseus. Cast number: 1
|
|
| 2009.9.167
|
Profile of a man wearing a helmet with a griffin, looking right. Cast number: 2
|
|
| 2009.9.169
|
A naked young man with a cloak and club (?) in his right hand, with the other he touches the shield which lays on a pile of arms. On the shield is the head of the gorgo Medusa. Maybe Perseus. Cast number: 4
|
|
| 2009.9.170
|
A young naked man holding a cloak in the right hand and with the other he touches a shield lying on a rock with the head of the gorgon Medusa. On his right side, there is a pile of arms. Maybe Perseus. Cast number: 5
|
|
| 2009.9.172
|
A naked man wearing a cloak, holding a club or sword in his right hand and a human head in his left. Cast number: 7
|
|
| 2009.9.173
|
A naked man wearing a cloak, holding a sword or club in the left hand and a human head in the right. Cast number: 8
|
|
| 2009.9.176
|
A young naked man wearing a cloak, holding the reins of a horse with wings standing next to him. There is a tree on the right side. Maybe Perseus and Pegasus. Cast number: 11
|
|
| 2009.9.179
|
Profile of a young man with wings in his hair, looking right. The top of his cloak can be seen. Maybe Perseus. Cast number: 14
|
|
| 2009.9.183
|
Profile of a young man with wings in his curly hair, looking right. The top of his clothes can be seen. Cast number: 18
|
|
| 2009.9.185
|
Profile of a young man with curly hair, looking right. Cast number: 20
|
|
| 2009.9.186
|
Profile of a young man with wavy hair, looking right. Cast number: 21
|
|
| 2009.9.191
|
A two face head. The one looking to the right is a human face, the other is the head of a boar. Refering to Meleager and the Calydonian Hunt. Cast number: 26
|
|
| 2009.9.192
|
A young naked man wearing a cloak, putting one hand behind his back, the other resting on a boar's head on a pole. On his right side, there is a dog. Referring to Meleager and the Calydonian Hunt. Cast number: 27
|
|
| 2009.9.193
|
A fighting scene. The man in the middle is rising his sword to kill the man in front of him who is already falling down. The man on the right side is holding up his shield. There is a crescent moon on the left side above the dying man. Cast number: 28
|
|
| 2009.9.198
|
A naked winged boy or statue standing on a rostrum with an inscription. On the left side are a half naked satyr who is touching the statues arm and a woman who is touching its wings. On the right side is a warrior but might also be female. Cast number: 33
|
|
| 2009.9.2
|
A man wearing a crown on top of ram antlers, holding a stick in his left hand and the anch-symbol in his right. Cast number: 16
|
|
| 2009.9.200
|
A naked young man standing between two poles, taking of the robe. On the right side, there is a statuette standing on the pole. Cast number: 35
|
|
| 2009.9.202
|
Three men fighting. The two men on the left and on the right are bigger than the one in the middle. They seem to hold a vessel and are naked except for their cloaks around their shoulders. Cast number: 37
|
|
| 2009.9.206
|
Four naked winged children. One is flying, two are sitting on poles on the right and left side, the last one is sitting and leaning against the left side pole. Cast number: 41
|
|
| 2009.9.207
|
Profile of a woman with a wreath in her hair, looking right. The top of her clothes can be seen. Cast number: 42
|
|
| 2009.9.21
|
There is a box with a snake on it on the bottom, on the box a globe with Greek letters, and coming out of the ball a dog's head, looking right. Inscriptions around and on the globe. Cast number: 35
|
|
| 2009.9.211
|
Profile of a woman with wavy hair looking right. The top of her clothes can be seen. Cast number: 46
|
|
| 2009.9.216
|
A man in armour holding a shield, standing on a barque. There is crane on his left and on his right side. Cast number: 51
|
|
| 2009.9.223
|
Profile of a man with culry hair and a beard, looking right. The top of his cloak can be seen. Cast number: 63
|
|
| 2009.9.23
|
A figure with a jackal's or dog's head wearing a robe, holding a twig in his left hand and a caduceus in his right hand, looking left. Cast number: 37
|
|
| 2009.9.234
|
Profile of a man with wavy hair and a beard, looking right. The top of his cloak can be seen. Cast number: 74
|
|
| 2009.9.236
|
Profile of a man with wavy hair and a beard, looking right. The top of his cloak can be seen. Cast number: 76
|
|
| 2009.9.238
|
Profile of a man with a beard and straight hair, looking right. The top of his cloak can be seen. Cast number: 78
|
|
| 2009.9.24
|
A woman wearing a dress, holding a spear and a cornucopia on the left side. A woman in the middle holding two vessels. A human figure with a dog's or jackal's head on the right side, holding a twig. Cast number: 38
|
|
| 2009.9.240
|
Profile of a man with a beard, looking right. The top of his cloak as well as one of his hands can be seen. Cast number: 80
|
|
| 2009.9.241
|
Profile of a man with wavy longer hair and a ribbon, looking right. The hair on his forehead is moved, reminding of a anastole and Alexander the Great. Cast number: 81
|
|
| 2009.9.242
|
Profile of a woman with a wreath in her hair, looking right. The top of her dress can be seen. Cast number: 82
|
|
| 2009.9.243
|
Profile of a woman wearing a cloth, looking right. The top of her dress can be seen. Cast number: 83
|
|
| 2009.9.244
|
Profile of a woman wearing a cloth, looking right. The top of her dress can be seen. There is a tendril surrounding her. Cast number: 84
|
|
| 2009.9.245
|
Profile of a woman wearing a wreath, looking right. The top of her dress can be seen. Cast number: 85
|
|
| 2009.9.246
|
Profile of a man with a wreath in his hair and a beard, looking right. The top of his cloak can be seen. Cast number: 86
|
|
| 2009.9.247
|
Profile of a man with a beard and an open mouth looking right. Cast number: 87
|
|
| 2009.9.248
|
Profile of a half-bald man with a beard, looking right. Cast number: 88
|
|
| 2009.9.25
|
Profile of a man wearing an aureole and some kind of wear. The top of his cloak can be seen, looking right. There is a "C" or a half moon on the right side. Cast number: 39
|
|
| 2009.9.250
|
Profile of a man with a large nose looking right. Cast number: 90
|
|
| 2009.9.251
|
Profile of a man with a beard and wavy hair looking right. Cast number: 91
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|
| 2009.9.252
|
Profile of a man with short straight hair, looking right. The top of his cloak can be seen. One letter on the left side and one on the right. Cast number: 92
|
|
| 2009.9.253
|
Profile of a man with short straight hair and a beard, looking right. His bare chest can be seen. Cast number: 93
|
|
| 2009.9.254
|
Profile of a man with a wreath in his long wavy hair, looking right at a bust of a man with a feather (?) in his hair. Cast number: 94
|
|
| 2009.9.255
|
Profile of a man with a larger nose and short hair, looking right. Inscriptions in Greek letters on both sides. Cast number: 95
|
|
| 2009.9.256
|
Profile of a man with a wreath in his hair, looking right. The top of his cloak can be seen. There is a letter on each side of him, in front of his face a twig.
|
|
| 2009.9.258
|
Profile of a man with short hair, looking right. Inscription the left side. Cast number: 98
|
|
| 2009.9.259
|
Profile of a woman with a ribbon in her hair, looking right. The top of her dress can be seen. Cast number: 99
|
|
| 2009.9.26
|
A naked man with an aureole, holding a scepter, sitting on a dog, looking right. Cast number: 40
|
|
| 2009.9.260
|
Profiles of a couple. The man on the left side wearing a cloth looking right. The woman on the right wearing a hood looking left. Cast number: 100
|
|
| 2009.9.261
|
Profile of a man with wavy hair and beard, looking right. The top of his cloak can be seen. Cast number: 101
|
|
| 2009.9.262
|
Profile of a man with short wavy hair, looking right. The top of his cloak can be seen. Cast number: 102
|
|
| 2009.9.266
|
Profile of a man wearing a helmet with long wavy hair, looking right. Cast number: 4
|
|
| 2009.9.267
|
Profile of a woman wearing a helmet, looking right. Probably Athena. Cast number: 5
|
|
| 2009.9.268
|
Profile of a man with wavy hair wearing a helmet, looking right. The top of his cloak can be seen. Cast number: 6
|
|
| 2009.9.27
|
A human figure with a lions head surrounded by some kind of halo, looking right. Maybe Sekhmet. Cast number: 41
|
|
| 2009.9.270
|
Profile of a man with wavy hair and a ram's horn behind his ear, looking right. Cast number: 8
|
|
| 2009.9.273
|
Profile of a young man with a ribbon or wreath in his wavy hair, looking right. Cast number: 11
|
|
| 2009.9.276
|
Profile of a young man with a ribbon in his wavy hair and a ram's horn behind his ear, looking right. Probably Alexander the Great.Cast number: 14
|
|
| 2009.9.277
|
Profile of a man with wavy hair and a lions fur on his head, looking right. The top of his cloak can be seen. Probably Alexander the Great. Cast number: 15
|
|
| 2009.9.28
|
A monster with a lion's head, a man's chest and two serpent tails wearing an aureole, looking right. Cast number: 42
|
|
| 2009.9.283
|
A warrior with a beard wearing a helmet and holding a spear and a shield, receiving a wreath from a woman with wings, probably Nike. On the left side next to Nike is a cornucopia, on the right there is a basket with fruits and wheat ears as well as a bird. Cast number: 21
|
|
| 2009.9.284
|
Profile of a young man with a ribbon in his wavy hair, looking right. Cast number: 22
|
|
| 2009.9.285
|
Profile of a man with a ribbon in his short wavy hair, looking right. The top of his cloak can be seen. Cast number: 23
|
|
| 2009.9.286
|
Profiles of a couple, looking left. The woman is in the foreground wearing a ribbon and a hood and the top of her dress can be seen. The man is behind her, has wavy hair and a ribbon. On the right side behind the heads a cornucopia can be seen. Cast number: 24
|
|
| 2009.9.287
|
Profile of a young man with a ribbon in his wavy hair, looking right. Cast number: 25
|
|
| 2009.9.288
|
Profile of a young man with a ribbon in his wavy hair, looking right. Cast number: 26
|
|
| 2009.9.289
|
Profile of a young man with a beard and a ribbon in his wavy hair, looking right. Cast number: 27
|
|
| 2009.9.29
|
A monster with a rooster's head, a man's torso and instead of feet it has two serpents, holding a weapon and a spear. On the right side a star, on the left side another weapon, looks like a dagger. Inscription at the bottom. Cast number: 43
|
|
| 2009.9.290
|
Profile of a young man with a rope or ribbon in his curly hair with a knot on his forehead, looking right. Cast number: 28
|
|
| 2009.9.291
|
Profile of a young man with a ribbon in his curly hair, looking right. Cast number: 30
|
|
| 2009.9.293
|
A naked woman wearing a cloak and a ribbon in her hair, holding a vessel in her hands. On the right side a rooster or bird can be seen, on the left side a spider (?). Cast number: 32
|
|
| 2009.9.3
|
A girl holding a stick with a jackal sitting on it in her right hand, and a chrysalis in the other. She is wearing a crown and is surrounded by stars. Cast number: 17
|
|
| 2009.9.31
|
A monster with an eagle's head, a man's chest and two serpents instead of legs, holding a shield and a scepter. There is a star and a half moon on its right side. There is also a star underneath it. Cast number: 45
|
|
| 2009.9.32
|
A monster with an eagle's head, a man's chest and two serpents instead of legs, holding a spear and a shield with Greek letters on it. The serpents are surrounding the monster. There are inscriptions on the left and right side as well as underneath the creature. Cast number: 46
|
|
| 2009.9.33
|
A naked man with wings and a crown, holding two spears in his right hand. There are two stars on his right side and a half moon on his upper left side. He is standing in a skiff. Cast number: 47
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|
| 2009.9.34
|
A naked winged man with sticks and a crown and a bird's tail. Inscription on the top and on the right side. Cast number: 48
|
|
| 2009.9.37
|
A ball or a globe from which two grow two serpent heads. On the head on the left side stands a man turning to the monster in the middle, on the head on the right side stands a woman also facing the monster. The monster in the middle has a male human body but two dog's heads, one facing the woman, the other the man. The scenery is enclosed by a serpent biting in its own tail. There are letters on the serpent heads. Cast number: 51
|
|
| 2009.9.39
|
On the right side an ibis, in the middle a monster with a lion's head and a serpent's body (Chnoubis) and on the left side a bird. Cast number: 53
|
|
| 2009.9.40
|
A monster with a lion's head and a serpent's body sitting on a box with inscriptions. There is also an inscription on the left and right side of the monster. Cast number: 54
|
|
| 2009.9.41
|
A naked man with long hair or a hood holding a spear and another weapon, looking right. Cast number: 55
|
|
| 2009.9.43
|
A man holding a tambourine (?) in his left hand and a sistrum in his right hand. He is naked except for the cloth around his waist. Cast number: 57
|
|
| 2009.9.44
|
Portrait of a man wearing an egyptian crown looking left. The top of his clothes can be seen. Inscription on the right side. Cast number: 58
|
|
| 2009.9.45
|
A naked man holding some kind of vessel in his left hand and two ears of cereal in his right hand. On his left side is a naked child or a small woman holding a cornucopia. Cast number: 59
|
|
| 2009.9.5
|
A woman sitting on a chair, looking right. A feather on her head, probably Ma'at. Cast number: 19
|
|
| 2009.9.53
|
A lioness in the middle, maybe representing Sekhmet. On her right side a man's head with a beard, on her left side, some kind of figure. Cast number: 67
|
|
| 2009.9.60
|
A sphinx wearing the Egyptian Nemes crown, looking right. Cast number: 74
|
|
| 2009.9.70
|
A herme with the torso of a satyr with an erect penis, an ecstatically dancing half naked woman holding a puppet or little man playing the flute in a hand. On her right side a small man sitting in some kind of basket playing another musical instrument. Cast number: 3
|
|
| 2009.9.8
|
A woman holding a basket in her left hand, offering some kind of vessel to the naked winged child in the middle or the man on the right. The man and the woman are wearing what looks like a crown. The man is offering a ball or a fruit to the woman and holding a stick in his left hand. Cast number: 22
|
|
| 2009.9.93
|
A winged child holding a twig standing next to a falcon/hawk. On the right side another winged naked child, standing next to a bird which bended its head. Cast number: 26
|
|
| 2009.9.96
|
A man kneeled down next to a rooster, holding a twig. On the right side another rooster. Cast number: 29
|
|
| 2009.9.97
|
A young naked man with wings sitting on a rooster. Inscription on the right bottom side. Cast number: 30
|
|
| 2016.3.1
|
Moulded ring around the discus; there is a moulded decoration of a corpulent bearded male figure (satyr), riding a goat, on the discus. The satyr is grasping the animal's horn with the right and the tail with the left hand. Scene is depicted in left side view.
Three punched dots decorate the shoulder in the section of the nozzle. Incised ring around the base with Greek inscription at centre.
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|
| 22.3.1
|
A: Between sphinxes, both facing right, Athena attacking a giant. Branches and grape clusters in the field. B: Similar, but mainly missing. Under each handle is the tail of a sphinx. Interior, reserved band at lip. Medallion very worn, but seems to depict a figure. Added white.
|
|
| 22.3.13
|
Inside reserved. Outside: feet and bottom of garment of figure running right; vertical line to right, bottom of stick or thryssos. Meander and dotted square pattern. Ruddled.
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|
| 22.3.19
|
Standing youth in himation facing right, behind him part of an uncertain object; tablets hanging on a wall. Outline of hair reserved; relief contour for lower part of the back of the himation.
|
|
| 22.3.21
|
Lower part of draped woman facing left towards a stele. Framed on right by vertical reserved band containing double row of joined dots between lines. Below, egg and tongue pattern covered with streaky black.
|
|
| 22.3.22
|
There is a red line on the joining point of the rim and body (the bit of rim that is preserved is reserved). In the middle of the scene, there is a draped youth facing part of a second draped figure (on the right), who is holding a walking-stick. The details of the drapery are rendered with thick and thin lines. In the left bottom corner of the fragment there is the lowest right part of a palmette or tendril. There is also a double-meander pattern beneath, with a saltive square (cross with dots) and the rest of the fragment is black. The interior is also black.
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| 22.3.27
|
Black inside. Wave pattern around rim. Outside shows winged Eros on his knees (all above his waist is missing), garland in right hand, ribbon in left. Added yellow and white. At each handle is a palmette flanked by tendrils. Attached to tendril on left is a serrated leaf. Foot has ruddled band, black side and inside and a ruddled, flat base.
|
|
| 22.3.28
|
Youth walking right, holding ribboned ball. White on youth's foot. Edge of robe and part of foot of figure right. Above, rectangular object in white, white handle. Below, tray(?) edged with white dots. Line of white dots along ground level. White for bracelet and necklace.
|
|
| 22.3.29
|
Youth looking back right, heading left. Cloak on left arm, holding flowering stem in right hand. Stem and spots white, leaves red; white garland. Part of tendril to left.
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| 22.3.30
|
Upper part of draped female figure looking right, holding a box (cista), wearing sleevless gown, bracelet, necklace, earrings, headress. There is part of another figure at the upper right. Added white is used on jewellery.
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| 22.3.33
|
The fragment bears the depiction of a youth in three-quarter face, while drawing a bow. What is illustrated is the face, except for part of the hair (left side), part of an himation over his left shoulder, the arms (the right one before the hands, the left one before the forearm), the chest and the left side of the abdominals?, behind which emerges the ending of the himation. The cheek and the back have been executed with relief contour, whereas thinned brown glaze has been used for part of the hair. The interior is black, with a reserved band ca. 1 cm wide.
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|
| 22.3.39
|
Black glaze but slightly silvery front and back. Bands of decoration from top to bottom; white 'v' shapes and dots, two thin bands, white 's' shapes facing right, two narrow bands, blocks of red and white, two bands, white dots with swirls and circular leaf pattern, red band, indistinguishable circular pattern due to break.
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|
| 22.3.40
|
Black glaze except for reserved base. Incised horizontal ivy branch (slightly sloping to the right) on neck, from which descend four streams over the shoulder. Painted leaves and three dot berry groups, once white but now faded.
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|
| 23.11.31F
|
Profile figure facing right. Face visible through a helmet, with a potential eye socket marked out. Complete shield with an ornate bike spokes formation. Appears to have once held a spear. Two prominent thin legs emerge from underneath shield. Lead is an off-colour white-grey.
|
|
| 23.11.31G
|
Profile figure facing right and wearing a helmet. Holding a small shield with a compact bike spokes formation. Lead is off-colour white-grey.
|
|
| 23.11.31H
|
Profile figure facing right wearing a flat helmet. The face is visible, and a marking shows a potential eye socket. He carries a shield which is intact, with no defining pattern. Appears to have once held a spear. Small wide legs emerge from underneath the shield. Lead is off-colour brown-grey.
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|
| 23.11.31OO
|
Profile figure facing the direction right. does not appear to be a Spartan warrior. possibly a Persian warrior or leader? face. helm and armour slightly visible though. defining feature is a ponytail at the back of his helm. not clear whether he is carrying any weaponry. representation of Persian King Darius or Xerxes from the Persian Wars? lead figures part of a large relief commemorating the war? or just used for ritual purposes with the flogging at the Temple of Artemis Orthia? pretty good condition. lead is an off-colour brown grey, similar to 23.11.31h. bears no similarity to the other lead warriors, as it is a lot thinner than them and lacks a shield.
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|
| 25.8.1
|
Black inside and out but lip reserved. Neck is reserved as is underside of handle. Top of handle was once black with a ridge running down the centre. Shoulder has short bars at base of neck above a lotus bud chain with interlaced stems above a black band. Body shows a hoplite putting on greaves, facing right to a woman holding spear and shield. Two onlookers left and one on right, all facing him. Colour worn but corselet originally red and possibly hair too. Below is black to base, including top of foot, but not side, which is reserved. Base is reserved and concave.
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|
| 25.8.2
|
Paint fired red. The rim of the bowl is red. Inside has an eight pointed cross whose spokes reach from the rim to the base. Outside has a red band around rim and a main design of seven long-necked birds facing right with dot rosettes in the field. On bottom is an uneven, eight-spoked wheel with two holes pierced in bottom, one opposite the other.
|
|
| 25.8.5
|
The handle is black with a reserved line at the foot of each tier. The surface of the lid shows alternate palmettes and lotuses, four of each, joined by tendrils. Towards the edge of the lip is a thin black line, with a thicker one outside it that goes right to the edge of the rim. The underside of the lid is reserved.
|
|
| 25.9.1
|
Inside is black with a reserved band below where mouth begins to flare. The mouth is wide and flares outwards. On the exterior surface at the top is a patterned band of two rows of 'cccc' shapes, one row above the other. Two handles, one each side are black and it is hard to distinguish what is on the body behind the handle (maybe a panel with dots?). On side A, Eros flies towards a woman who retreats towards youth seated naked on a folding garment and holding alabastron. Side B shows 2 youths, clothed, the one on the right holding a stick. Brown for feathers at top of Eros' wing. White garland, neckless, bracelet of woman and fillet held by Eros. Below them is a reserved panle with egg shapes with dits in between. Stem and top of foot black, reserved band at top of foot. Base reserved.
|
|
| 26.12.14
|
Lip, handle, neck and back of body all black. Horizontal row of nine tongues at top, just below neck, above main, reserved panel, with two parallel, vertical black lines either side of panel (shields ?). Main design of warrior facing right, with helmet, shield, and spear. Ivy leaves on stems in field. Foot is black on top and side, but reserved on resting surface.
|
|
| 26.12.16
|
Probably Kleinmeister type. Forepart of horse?, woman to right in mantle decorated with purple, white and incisions, facing man to left in black mantle. Lower part only of figures preserved. Below a black band. Interior is black.
|
|
| 26.2.100
|
interior black; exterior black with garland of leaves around neck in added white and yellow; below at right, part of undetermined pendent motif in added white; below modelled junction of neck and shoulder, traces of undetermined decoration in added white.
|
|
| 26.2.14
|
pale slip; interior: reserved band at top of lip; below, black; top of lip glazed; exterior: lip and handle zone reserved, with black line between; lower wall glazed; black around root of handle; at right of sherd, part of inscription;
|
|
| 26.2.17
|
pale slip; interior black; exterior: band just below rim; below, to left, part of eye motif with rosette fill; to right, lotus bud and part of a palmette; below, wide black band with added white line;
|
|
| 26.2.18
|
In the top zone, oblique palmette, wild goat to right with head turned back (only tip of beard preserved), added red on black and haunch, reserved line on belly, in field dot rosette, crossed dumb-bell ornament, dotted double spiral; black zone with bands white-red-white superimposed; rays (tip of one preserved). Inside black with a reserved band a little below rim and two groups of bands, white-red-white, roughly on a level with the top and bottom of the broad black band outside.
|
|
| 26.2.19
|
pale slip; interior: reserved at top of rim; black below, with band in added red lined in white; exterior: frieze of vertical black bars with added red at rim; below, black band above black-figure animal frieze: at left, part of lion or sphinx (rump and tail remaining) to left; on the right, part of large palmette with added red; dashes, star, and dots as filling ornament.
|
|
| 26.2.22
|
white slip; interior black with added red band lined in white; exterior: black-figure decoration consisting of feline (hind claw, belly, and right forleg joint remaining) to right; half pinwheel rosette and one splinter rosette as filling ornament; below, maeander frieze between wide black bands; at bottom of sherd, tips of possible tongues or dot frieze. Rough drill hole.
|
|
| 26.2.32
|
Red painted designs on cream-buff slip on orange red clay. On the underside on the rim there are four .5 wide dashes at one side and a 2 horizontal bar at the other while on the underside body there are four red bands following the contours of the dish all between 1 and 3 apart. On the topside, from top to bottom are four verticle bars alternating with 9 dot rosettes on rim, of which survive from left to right two verticle lines, nine dots, four verticle lines, and nine dots before the fragment ends. On the top of the face of the dish itself is a ca. 1.5 broad red band and below this is a zone of lotus flowers and buds with a final 1 broad band below.
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| 26.2.40
|
Underside, black, turning to red within the double foot-ring; resting surface reserved. Upper side, winged feline (with incisions and applied red markings in the shape of inverted commas on soulder and down foreleg) to right with left paw raised above what may be the tail of a sitting bird or siren, red and incisions on field ornaments. Cream slip. Bands of red and white superimposed on black.
|
|
| 26.2.41
|
pale slip; exterior: black band on ridge at neck join; below, animal frieze consisting of deer (head, forlegs, and rump missing) to left; four petalled rosette and dots as filling ornament; at right, decorative motif consisting of two vertical wavy lines (or tail of bull?); below, two lines.
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|
| 26.2.43
|
yellowish slip; exterior: part of two animal friezes consisting of grazing goats, separated by band with aded red line; of upper frieze head, ear, antler and one foreleg of one goat and one hind leg of second remain, to right; part of dot rosette and lozenges as filling ornament; lower frieze preserves shoulder, back, and antler of one goat to left, with triangles and dot rosettes as filling ornament.
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|
| 26.2.46
|
pale slip; exterior: from top, part of frieze of tongues; below from left, black-figure decoration consisting of possibly part of a wing with added red; to right, part of large palmette with pinwheel and dot rosettes and dashes as filling ornament; below, black band with superimposed band in added white;
|
|
| 26.2.48
|
pale slip; exterior, from top: frieze with black-figure decoration consisting of breast and right foreleg of crounching feline to right; on right, possible blob rosette as filling ornament; below, wide black band with traces of bands in added white and red; below, animal procession to left in silhouette style (rump, tail, and part of hind legs of possible goat remaining); part two rosettes and dashes as filling ornament.
|
|
| 26.2.49
|
white slip; black-figure decoration consisting of confronted winged creatures (only breast with added red and leg of bird or siren to right, and breast with added red of bird or siren to left remaining); incised splinter rosettes and dots as filling ornament;
|
|
| 26.2.50
|
white slip; exterior: below shoulder and neck join, frieze of tongues with added red; black zone at right below handle; below, wide black band with band in added white; frieze below in black-figure consisting of feline to left (part of back, rump, left hind leg and right hind thigh and tail remaining); dots and incised splinter rosettes as filling ornament; below, part of wide black band with bands in added white and red;
|
|
| 26.2.54
|
cream slip; interior unslipped; exterior: black-figure decoration consisting of sphinx (back and haunches with added red remaining) to right; incised rosette with red centre as filling ornament; below, two black bands above parts of five vertical tongues.
|
|
| 26.2.58
|
pale slip; interior: black band at top of wall, reserved below; stepped maeander frieze on top of rim, edge glazed; black band below neck and shoulder join; on shoulder, large floral/star pattern at left; maeander or square pattern at right;
|
|
| 26.2.62
|
white slip; interior: glazed streaky black (fired yellowish brown) with traces of single band in added white; exterior: painted decoration consisting of seated sphinx (part of belly and hind leg remaining), to left; below, pair of narrow glaze (fired brown) bands; below, in handle zone doble saw-edged metope pattern; at right, group of five vertical strokes; part of ancient repair hole on right edge of sherd.
|
|
| 26.2.64
|
Exterior creamy ground white with a pattern of nearly parallel brown curves that get increasingly shorter, creating a pie slice shape (perhaps the folds of skin on the neck of a bull, fracing right), along with part of a lower eyelid. Interior black with a red line alone one edge. Right above the red line is a white line. There are also a few other splotches of white, probably white outline of lotus flower (or two) with a red centre.
|
|
| 26.2.7
|
pale slip; interior black with band in added red, lined in white; top of rim black; exterior: left and bit of right eye with triangular brow;
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|
| 26.2.78
|
interior: neck painted black, reserved below; exterior: black (fired red) on neck; narrow band in added red at turn to shoulder; four framed tongues preserved of frieze above panel below; handle zone to right painted;
|
|
| 26.2.85
|
exterior: black-figure decoration consisting of animal (one hind leg of goat or deer remaining) to right; incised blob and splinter rosettes as filling ornament; below, band in added red and black band;
|
|
| 26.2.86
|
interior: glazed streaky black; exterior: frieze of wavy vertical strokes between pairs of black bands at rim;below, black-figure decoration consisting of animal frieze (back and part of rump of possibly feline remaining) to right; dots as filling ornament;
|
|
| 26.2.91
|
pale red slip; interior glazed black; exterior: black-figure decoration consisting of winged creature, possibly a bird or siren with outspread wings (breast with added red and right wing remaining) to right; incised dotted rosette with red as filling ornament.
|
|
| 26.2.93
|
exterior: black-figure decoration consisting of animal motif (possibly lion's paw) to right; incised blob rosette with added red as filling ornament.
|
|
| 26.2.95
|
interior glazed black; exterior: black-figure decoration consisting of possible warrior scene (left thigh and right leg of warrior lunging to left; one hind leg and part of hoof from foreleg of horse in the foreground, to right).
|
|
| 26.2.97
|
exterior: on shoulder, trace of tendril decoration; below junction of shoulder and body, triple dot band between pairs of narrow black bands; below, black-figure decoration consisting of horse (top of head with ear and mane with added red remaining) to right.
|
|
| 26.7.14
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Fragment. The top of the fragment has a black line around it, below which is a handle. Shape of the handle is completely round, with a flick on one side. To the right of the handle are two lines of dots that run one above the other. Below the handle are two parallel lines. The inside of the fragment is black, fired red.
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| 26.7.2
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The interior of the vessel is streaky black (uneven) except for the tondo (reddish brown), that depicts a (shadow of a) man, in a short chiton, facing right and advancing. He is holding a (thorny) club with his right hand and his himation with the left one (using it as a shield?), while his sword is visible at his right side. Exterior: The lip bears a thin, black line. The surface of the body is reserved (up to the point where the scene ends) but bears decoration in black. The scene is repeated on both sides; the myth of Heracles and the Bull. Herakles has captured the Bull from the head. Hanging in the background (above them) there are Herakles' club, cloak and quiver. The scene is flanked (left and right) by fan-shaped palmettes (voluted at the bottom with long, narrow divisions). The lower part of the handles' external surface is black and under either of them there is an ivy leaf (heart-shaped). Below the scene, there is a streaky black line and, after a reserved, thin band, the vessel is (streaky) black up to the end of the foot, whose side surface is reserved, though. The base is reserved but bears a red thin band at the center of the resting surface. No incisions or added colour have been used.
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| 26.7.3
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Covered in white slip with traces of red on right arm and polos.
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| 26.7.4
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Top of mouth one thick and four thin bands. Dots appear on side. Four horizontal lines appear on the handle. Daisy pattern on shoulder and below that three bands. Three warriors marching right in snowstorm, spears sloping forwards. Shield of central warrior blazoned with flying bird, other two divided vertically, one half red and the other brown. All figures and shields are incised. Six bands down to base.
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| 26.7.5
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On top of mouth are four equal width bands and on the side are dots. Horizontal bands appear on the handle. Daisy pattern on shoulder. Three warriors marching right in snowstorm; spears sloping forwards. Shields divided vertically by three incised lines; some added red paint. Below, three narrow bands, three wider and small inverted base. Large area left plain in the 'white style'.
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| 26.7.6
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On top of mouth three bands and on the side are dots. Two vertical lines border the back of the handle. On shoulder is a daisy pattern. Main design is of three grazing deer, facing right, with three bands framing them above and below. On bottom small circle and round sunk centre.
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| 26.7.8
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Incised band along the right hand side of the handle, black wash all over.
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| 26.8.2
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Top of mouth broad band between two pairs of lines with two bands on side. Grazing goat to right, body framed in dots. Added red on hindquarters. Field rosettes with incised circle at centre. Below goat three bands with the middle one broader. Behind goat is a heart shape within a circle. Large area left blank in the 'white style' on opposite face to goat. On base is three bands with a dot in the centre.
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| 27.3.10
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On shoulder two dogs running to left. On body, below four lines, three dogs running to right, then four lines and three bands. Base reserved; well-marked foot-ring and protrusion in the center.
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| 27.3.5
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Decoration faded brick-red. On lip five concentric circles, on handle is a vertical zigzag between two thin lines. On shoulder are two dogs running to the right. On body are a group of four lines, between two bands, then six lines, below which are four bands. The base is reserved and concave with a small central protrusion.
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| 27.4.11
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The interior is black, but reserved at the bottom of the bowl. There is a red line around the lip. The body is decorated with figural scenes. A: Two sphinxes. B: A female figure (Artemis or 'Mistress of animals'?) between two lions (alternate stripes of white and red indicate the ribs and hindquarters of the lions). Beneath each handle stands a water bird (swan?) facing to the right. Rosettes and rows of dots in the field. Below the figural zone are two red lines, then a black band, a frieze of narrow black rays (slightly overlapping the black band above). The ring foot is black on the exterior and resting surface. The central part of the underside is decorated with a black dot at centre, surrounded by a black dircle and, farther out, a red circle. White is used on parts of the lions, necks and breasts of sphinxes and woman, and parts of the wings of birds.
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| 27.4.4
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Paint is red-brown. Single handle with incised line down back creating two halves. Trefoil mouth with short bars around, leading to long straight neck. On neck are two parallel bands at the top, above four groups of three tongues with a red bar across top. Three bands separate neck design from shoulder design of three grazing deer facing right with zig-zag fill ornaments above shoulders and a small bird (?) on extreme left. On body is one zone of checks and then bands to base. Base is flat and reserved.
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| 27.4.6
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The bowl shows linear decoration in black (fired orange-red) and (purple) red on buff. Groups of four bars on rim and inside, a thin band just underneath the lip. Large red/orange disk in centre of bowl. Outside of bowl features a pattern of wave-like pattern beginning underneath the handles, with one thin band either side. Below this, more plain bands are evident, one thick, the rest thin until the base. Foot contains one thin band right at the top, and then a thick one on the inside.
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| 28.6.2
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Mouth, handle, neck and back of body are all black. Main design is of a woman dancing, facing right and standing beside a box. Her right hand has the fingers bent in an ungainly manner. Pair of krotala hanging on wall. Reserved line beneath the picture. Foot is moulded and black on the top and reserved on the side and underneath.
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| 28.6.4
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Black inside and out. Main design is similar both sides and is of a youth facing right. Beneath each handle is a palmette with side tendrils reaching from the palmette to the figure. Ruddled band below design above foot-ring which is black inside and out whilst the resting surface is reserved. Underneath ruddled with 2 fine black circles at the centre.
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| 28.6.6
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Vertical wavy lines from rim to horizontal band around the body above three running dogs facing right. Six rays, widely-spaced, above foot. On bottom three concentric circles, outermost covering underside of foot-ring.
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| 28.9.1
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Black inside rim but reserved in body. Neck is black. Shoulder is reasonably flat and has red and black tongues above a combat scene of seven warriors. Incised white and added red detail. Two horizontal handles all black, as is back of body. Front has panel belween two rows of ivy leaves. Scene is of horses and warriors facing right. Warriors are not mounted on horses but stood behind. Below this is a panel showing a lion facing a boar between palmettes. Bands above and below this. Black band to rays at foot. Side of foot is black half way with bottom half reserved. Base reserved.
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| 29.11.1
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Mouth black inside and out with a reserved rim. Neck and underside of single curved handle are reserved. Shoulder has bars at base of neck with a ring of lotus buds on edge - circular mistake between rows. Thin black band around edge of shoulder. Body design has two men each leading a horse to right. Both wear cloaks, first helmet, second petasos. Red for beards, manes, tails and peytrels. White on helmet and design on horses, but badly faded. Black band followed by reserved band, then black stem. Disk foot is black on top but reserved on the edge with a flat, reserved base with a central circular concave section.
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| 29.11.2
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Main zone of body cream ground. Mouth black inside and out, lip reserved. Handle black underneath reserved. Shoulder is decorated with two rows of rays or buds (the lower row is slanted to the right). The body is decorated with a symposium scene: a man reclines and a seated woman plays the lyre, framed by two seated women and branches. Above the panel are two irregular rows of dots. Below the main scene are two uneven black bands, then the bottom of the body and top of the foot are black. Side and base of foot reserved.
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| 29.11.3
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The vessel is grey (burnt), apart from the rim, the back of the handle, the lower body and upper foot surface, which are black. There is added white on the lower neck, shoulder and upper body surface. There is also a row of black dots and pointed tongues on the shoulder, as well as the motif two rows of black dots between dividing lines (three), interrupted at the back side of the vessel. The scene depicted is that of a charioteer (woman) ridding a chariot of four horses (quadriga). There is a woman at the horses' tails, another standing on the far side of the horses and another seated at the right of the scene. Added red has been used for the faces of the women and for the ornament of the horses' harness. Below the scene, there is a broad, black band between carelessly executed lines and the rest of the vessel is black, apart from the side surface of the foot and the resting surface, which are reserved.
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| 29.11.6
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The vessel is divided in three horizontal zones by lines of unequal width. There are also very thin, vertical lines at the sides of and beneath the handles.
A (above): A youth (servant?), making a gesture as if offering something (perhaps a branch, which extends from the servant's wrist) to a bearded, draped man (possibly Dionysos), at centre. He holds a large kantharos and leans against a rock. Behind him is another youth, who is perhaps supporting the rock. On either side of the scene there are palmettes that seem to have sprung from the handles.
B (above): Similar to side A, except that the man reclines on a couch, and the vessel is offered to him by a (servant?) woman in front of him. The youth behind him looks to the left. The scene is framed vertically on both sides by a series of dots as well as the same palmettes as on side A.
A-B (below): A band of palmettes, every second one inverted; two lines; a band of of tongues; reserved band. Base black, with black concentric circles on the underside.
Interior: reserved band within lip. At centre, tondo decorated with the winged horse, Pegasus, advancing to the right.
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| 29.11.7
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The rim turns sharply out and has a thick black band round it, below which is a thick reserved band. The interior is mostly black with a well (approx 3.7 cm) in the centre of the dish that has a thin reserved band just outside it, and a small reserved disk in the centre. The handles are rounded at the far end, and have black tips. On the main zone; A: Curling tendril and leaf between upright palmettes. B to A, with addition of vertical wavy line between palmette on right and handle. Below is a thin coloured band, a reserved band, and then colour down to and including the stem of the foot. The edge of the foot has two ridges on it, the lower of which is black, the upper one reserved. The base of the rim is also reserved. The base of the foot slopes inwards, the walls of the slope are red, then the centre is reserved except for a thin red band and a red dot in the centre.
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| 29.5.3
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The decoration is executed with red colour and incisions. Rim: There are petal-shaped tongues on the top surface and dots at the side one. The back of the handle bears three, almost vertical (the central one is wavy) lines. Below the handle on the body there are five (the one smaller) rosettes (leaved rodakes), with incisions intersecting at the centre. The main design is a swan with outspread wings, facing right. Details are incised and there is some added red on its wings and tail. The swan appears to step on a row of petal-shaped spots that contours the sunk centre of the vessel, serving as a base.
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| 29.6.1
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Plaster cast of the Ludovisi Throne (Original in Museo Nazionale Romano di Palazzo Altemps). Central panel: Aphrodite (Roman Venus) rises from the sea assisted by two Horae (Seasons) on the shore who clothe the lower part of her body.The scene probably represents the birth of the goddess. Alternative interpretations: Persephones return from the Hades or Hera emerging from the Kanathos waters (Hera Parthenos). Left panel: Seated naked female figure (hetaira?)wearing a sakkos (hairnet) plays the double aulos. Right panel: Seated crouched veiled woman with a pyxis in her left hand in front of an incense burner (thymiaterion)
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| 33.4.3
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The mouth, neck, and handle are black, with some reddish patches. There are two reddish brown lines above the shoulder carination and two below it. The body scene depicts a naked youth in profile to the right, offering a bird (duck?) to Charon (the ferryman who conducts souls to Hades). The latter, standing on his half-moon shaped boat, wearing reddish-brown clothing and a dotted ovaloid headdress, is accepting the offer. Below, there is a reddish brown line on a reserved (but glazed) area. The rest of the vessel is black, with the exception of a red line on the upper part of the foot and its reserved (but glazed) vertical element.
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| 34.10.1
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Top of mouth four even bands, side one band. Three warriors on one side of body. On opposite side, right to left, two vertical leaves / bars, a squat cross, a large circle with dot in centre, a smaller squat cross, with incisions. Shields divided by incisions. Four bands around base with a dot in the centre.
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| 34.10.13
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On front of body is the head of an Amazon facing right. Hair black and wearing head scarf with black dots. Foot ring is reserved. Base is ruddled and the outer circle slopes into the central circle which is convex.
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| 34.10.20
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Squatting youth; entirely hollow. Right leg drawn up, hand on knee, left leg bent round in front, left hand on ground. Clay deep orange. Trace of pink on body, red at back of head.
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| 34.10.24
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Standing female (Leda), left leg slightly bent. Naked with cloak over left leg and held up behind by left hand; swan, with neck stretched upwards, held against right hip. Clay light brown. White slip, blue on cloak. Large rectangular opening in back. On the back of the base is a piece of paper with the number 140 written on it.
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| 34.10.25
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Standing female, left arm akimbo, right arm at side, holding jar, wearing long flowing robes. Large opening at back. Paper number 13. Clay pink. White slip.
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| 34.8.13
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Standing nude male, arms at sides. Legs apart, right knee slightly bent. Clay light brown. Plentiful red colouring. Solid; rectangular base.
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| 34.8.2
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Winged Eros stepping tort and approaching something to the right. Under Eros there is a decorative chain composed of u" shapes.
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| 34.8.3
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Black mouth (despite flat reserved rim), exterior of handle, lower part of body, and top of foot. Neck reserved, as is underside of the handle. Two bands of tongues on shoulder. Body covered with firm white slip with Greek 'key' / meander to right at top of body, between two pairs of lines; single line. Side of foot reserved in groove at top.
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| 34.8.5
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Mouth black on inside and out but with a reserved rim. Neck and underside of single handle are reserved. Shoulder design is of rays and long, thin buds. Body, from top to bottom, double row of dots joined by zig-zags on white background, black bands, main design, 'key' pattern on white background, black bands and black stem. Main design is, from left to right, a chariot being driven right, a woman facing right, four horses facing right with attendant behind, seated figure facing left, holding a spear. Detail is incised and some parts are picked out in white. Foot is black on top and half the side is black, the rest reserved. The base is reserved.
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| 34.8.6
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Lip reserved. Inside is black. Single curved handle is black on top and reserved underneath. Shoulder has bars at base of neck with lotus buds at edge. Main zone of body is drawn on cream ground. Part of the way around the body is a double row of black dots. Charioteer driving four (?) horses to right at speed with a person (possibly Athena ?)running beside in the background. Below are black bands. Foot steps down twice and the lower step is black. Base is reserved and concave in the center.
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| 34.8.7
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Cup mouth black inside and out and reserved on the rim. Single handle is black on outside and reserved underneath. Shoulder has inner ring of spots and outer ring of rays. Body has two rows of dots at top above the main design of a chariot with horses galloping right (heads of two horses, five hind legs). Beyond horses is Athena running left. Added white for Athena's flesh and helmet. Bands below and bottom of body os black. Foot is stepped with the side of the lower step reserved. Base reserved.
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| 34.8.8
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Mouth red on inside and outside, with lip reserved. Single handle which is red on top and reserved underneath, as is neck. Shoulder design is a cockrel with red on is facing right between stemmed ivy leaves. Black band around shoulder, faded to red. Body design is, from left to right, a standing man facing right, a seated man facing right, a standing man with robes draped over shoulder, facing left, a man standing facing left. All men have spears. Men are balck faded to red but eith red headbands. Detail is incised. Irregular black band then balck stem. Foot is balck on top and reserved on side and base which has central concave circle.
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| 35.4.2
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Black on mouth and neck. Lower part of neck has vertical black lines which are thicker at the bottom. Palmette design on body with chevron heart framed in tendrils and with dots in groups of three either side of central leaf. Right and left a cluster of leaves and beyond, on either side of handle, similar cluster reversed. Beneath handle, cluster of leaves. Black band at bottom of base and foot. Base reserved.
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| 35.5.1-3
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Meander border, showing corner of drapery. (1) Exterior showing part of palmette complex with heel on extreme right. (2) Legs with very pale diluted gloss for markings. (3) Volute and 2 leaves of a palmette; relief contour for most of the tendrils and central
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| 35.5.27-29
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(27) Interior, remnants of black background, geometric border at the bottom. Exterior, clothes of a human, possibly male to the left, with signs of another human beside the person to the right. (28) Interior is reserved, with a line around the rim. Exterior, head and shoulder of youth; tablets hanging on wall, strings in added red; also a head of another youth. (29) Interior black, with signs of a border in red at the bottom left. Exterior, pattern of swirls and leaves iin red - covers entire fragment.
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| 35.5.34
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Inside, reserved line around the rim; in a medallion framed by a key pattern broken by a chequered square, a male in himation leaning on a stick in conversation with an athlete (legs only). Outside, between palmettes an athlete with his arm resting on a pillar over which his cloak falls; on his right a man with a stick, on his left another male (face missing). Relief contour for pillar, walking sticks, and back of neck of all the figures. Hair contour reserved. Added colour, probably red, for fillet of bearded man, white for garland of the clothed figure in the medallion.
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| 35.5.34A-Q
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(a) fragment, three joins. Decoration on both sides. Band of geometric pattern above which is person's foot and bottom of leg standing to the right, wearing a hymation. On the opposite side: floral pattern to the left of bottom half of a person and to the right of this person the hand and lower body of another. (b) curved, palmette on other side black. (c) large roughened patch to the top right where possibly a handle was attached, floral pattern around this. (d) small fragment, on one side band of geometric pattern, on the opposite side floral pattern. (e) large piece, three fragments joined. Bearded man in the centre facing to the right, left arm raised and holding a long stick, right arm tucked into hymation. To the right of the man, the arm of another person and to the left a floral pattern, inside black. (f) Very similar to fragment a. three pieces joined together. On one side in centre bottom half of a person, feet and lower legs facing left and wearing a hymation, to the right floral pattern. Opposite side, band with geometric pattern. (g) On one side to left part of a hymation, to right an arm. Opposite side band with geometric pattern. (h) On one side the feet and legs of a person standing on a platform with the bottom of a stick he/she is possibly holding to the left, in the right hand corner the edge of a geometric pattern. On the opposite side the feet of someone facing to the left wearing a hymation dropping behind them, to the right of them a floral pattern. (i) Small piece of two fragments joined together. Chest of a male with right arm extending, his hymation drapped over his right arm. (j) Head of a male facing left with hymation over his shoulder and part of large palmette to his right. (k) Small frgment, part of hymation. (l) Small fragment part of hymation (m) Small fragment part of hymation. (n,o,p) small fragments with no detail.
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| 35.5.37
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Interior side plain black. Exterior black with a red leaf or shield on the left hand side, with a red oval shape to the lower right. There is a curling s-shape red figure work, with a large red area to the right of this - possibly part of a human clothing?
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| 35.5.8-9
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12, part of body of male in himation to right leaning on a stick; 13, upper part of body of a figure in himation. Relief contour for stick of 12.
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| 37.11.8
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The decoration is executed in a colour varying from dull black to brown, on pale buff ground. Rim: Concentric circles on the upper surface and spots (tongues) on the side one (stephane). At the joining point of rim and neck there is a band and at the upper part of the neck a horizontal row of spots. Central handle: Decorated with short, thick, leaning lines. Neck: An olive wreath, the ends of which meet at the front where there is a cluster of olives (?) (dots). Shoulder: There is another horizontal row of dots immediately below neck that seem to be hanging from a line. At the join of shoulder and body, there is a broad band in the middle of two thin, concentric lines. Body: In the front, between the two handles, an olive-tree branch, framed by (left and right) a vertical motif of a row of dots, a line, two rows of larger, ovaloid dots and another line. This motif can also be found at the other side of the handles, used to frame a linear pattern (from a short line appear to be emerging three longer ones. On either side a vertical line, which leans slightly towards the motif in the middle. From the centre of this line emerges a long, wavy line. Below: there are two, concentric bands and three more that are not very obvious(?). The handles are ornamented with large dots. The foot is black, but the colour looks uneven. Interior of neck: Two concentric circles.
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| 38.4.1
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Black glaze except for added white decoration: (A) a bearded man running profile to the rightright but with his head turned back, cloak over his arm; (B) a man standing profile to the right, wearing a himation and holding a wreath. Wavy lines and spray of leaves on each side of figures.
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| 38.4.8
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Mouth black inside and out with red lip. Shoulder has ivy leaf at front upright between two inverted lotus flowers. Body has a siren between two draped (male) onlookers, the right one holding a spear upright. No added colour, no incisions. Beneath figural zone is a horizontal band and then solid back to the top of the foot. Side of foot and underside reserved.
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| 38.4.9
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Blackglaze except for white decoration and reserved base of the foot. A: grotesque bearded god with large head reclining on ground; bird perched on right hand, budding stick as sceptre in left. B. Hermes wearing petasos and short chiton leaning on stick; caduccus in field behind him. Retrograde inscription; letters shown look like W,H,I,O...
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| 39.8.2
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Picture inside is of a bearded satyr, with his left hand on his side and his 4th and 5th figures bent under. He is stooping and reaching forward with his right hand. His long ear reaches well above the top of his bald head.
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| 39.9.1
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Short narrow neck of jug is glazed black. Handle begins at top of neck and carries on to top of the body. The part of the jug joining the neck and the body, has a palmette design on it, in a circle. This circle is broken for the black part of the handle. There is a large palmatee decoration underneath the handle, where it ends on the body of the jug. Body of jug has red-figures on it. Starting from right-hand side of the handle, going from left to right: First figure looks like a women in traditional Greek clothing, kneeling down. She is facing right. The figure to the right of her looks like a naked man with wings. He is standing on one leg and facing right. He is reaching one of his arms out. Underneath that arm there appears to be a duck. To the right-hand side of the duck, there is a man sitting on a stool. He is in traditional Greek cloting and is holding a large box. This figure is also facing right.Underneath the box there seems to be another object, but it is unclear. Perhaps it is a head? Or perhaps it is where the black glaze has been rubbed away, to reveal a patch which looks like decoration on the jug. He has a winged man kneeling in front of him. This man is facing left, towards the sitting figure. The next figure looks like a women in traditional Greek clothing, kneeling down. She appears to be holding something in her hand, perhaps a mirror. She is facing right. Inbetween her and the next figure there is a bird, facing right. The next figure looks like another women in traditional Greek clothing. She is standing on one leg, with her right arm reaching out. She is facing left. Behind her is a 'T' shaped object, perhaps a stool?. Rim of the base is a red/terracotta colour. underside of base is slightly concaved, with many black rings inside. There is a black dot in the centre of the bottom of the base.
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| 39.9.6
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Ground varies from cream to buff. Inside is coloured black. The mouth is red. Two handles are placed vertically on top of shoulder and under each is a goose (?) From top to bottom there is a band with the shoulder design below. Pictures are of a stag and a panther facing right (A) and panther and a goat (?) facing each other (B). Separating this from the main design are two rows of dots between bands. Main zone: Griffin-bird between two panthers (A) and two panthers facing a pattern of a palmette complex(B). Various incised rosettes and dots in field. Below main zone is seven bands and a red base.
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| 39.9.7
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Underneath, between palmettes; A: Two satyrs around an amphora (oxypythmenos), the left satyr leaning towards and pushing the amphora, while the right satyr, also leaning towards the amphora, rests his hands on his left thigh; B: Two satyrs advancing to the right, the one in the rear holding either a branch with a heart-shaped ending, or a rhyton. The right satyr's stance makes him appear to be running.
The rest of the vessel's body is black. The interior is also black with a reserved disk, 8.5 in diameter, containing a central dot and two concentric circles, the one close to the dot and broader than the other, which is closer to the edge of the reserved disk. Underneath, part of the base's hollow, conical surface of the stem is painted with a broad circular band.
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| 42.9.1
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The rim (stephane) is decorated with a double horizontal bulleted strap. The neck of side A has a broad band ornamented with elleipsoid lines with lotus leaf-shaped endings. Body: Side A: Dionysos holding leafless vine branch and kantharos between 2 dancing maenads, one of whom wears a spotted skin over her drapery. The scene is surrounded (left and right) by vertical, bulleted zones in the form of antae that seem to support a horizontal band with tongues over the heads of the figures, making the scene look as if under a building. B: 3 youths (but with beards?) wrapped in himatia, with a pair of halteres hanging between the second and third youths, relief contour on A none on B, outline of hair (and beards?) reserved. The same decoration surrounds the 3.
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| 45.10.10
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The interior of the vessel is black apart from the lowest part of o, whose lower part bears a reserved but glazed line. Exterior: a) On the right side, there is the upper part of a seated woman (part below her waist is missing). She is draped and wears a stephane (fillet) on her head. On the left side there is a floral motif whose stem is a wavy line that expands to the left. b) There is the back side of another seated draped female figure. c) The front side of the previous female figure. She is holding an alabastron with both her hands. d) On the lower left part there is the largest part of a voluted palmette with petal shaped divisions, connected with a tendril. The area next to the spring of the one part of the handle is reserved. e) On the bottom right there is the rest of the previous palmette, also connected with a tendril. f) On the bottom right there is the upper part of a palmette and on the upper left there is part of a tendril's volute. The area on the left of teh one spring of the handle is reserved, but glazed (plaster on top). g) Uneven black surface. h) A small part of the volute of the tendril of f and the stalk of a flower. i) Part of an inverted palmette, connceted with (part of ) a tendril, with (occasional) leaves on its sides. j) Small line, part of a tendril. k) Part of a tendril's volute. l) A figure's projected forearm and hand (figure's depicted on n?). m) On the right side, there is the stalk and part of the stem of a flower and a line that seems to be part of a tendril. There is also the spring of a handle. n) Part (head missing, neck and shoulder are scraped off, area below the knees missing) of a draped standing figure that has the left hand around the waist. o) The lowest part of a figure's drapery. p) Base. Inside tondo: seated woman with septre and standing woman holding out box. Exterior: part of floral ornament under handle. Outer and inner side of footring black, resting surface and underside reserved except for central black dot surrounded by three concentric bands. Moulded circle c.1.0 wide houses thickest, central black band.
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| 45.10.13
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(i) There is a small part of a motif (partially covered with plaster) that consists of wavy lines. Below it, there are two lines and underneath there are parts of two inverted, palmettes (voluted with petal-shaped divisions) that flank a three-pointed flower with two dots to represent pollen. ii) Between two pairs of lines there is a guilloche (fillets with teardropped terminations interwoven together) with dots among the lines. Below, there is a broad black band, which seems to be interrupted at the right side. (iii) At the left, three parts of vertical, black bands and incisions create part of an object (garment hanging from chair or couch?) In the middle, there is an object- as if it was a grave-stele with a cross-shaped ? ending above which spring two heraldic, white, voluted palmettes (now fadded away), a chiastic motif with dots and horizontal lines on top- but inverted (leg of a bed or couch?). Next to that, there are a figure's part of thighs, knees and calves, close to part of a palmette. (iv) A bearded satyr (seilinos) plays a chorded instrument (lyre), while his himation is hanging in the background. Next to him there is a draped female figure (Demeter?), holding a wreath (black circle) and branches with dots on both sides that surround her. The details on her drapery have been executed with added red and so are those for her head-dress. There are also traces of added white on her neck. On top of the fragment there is part of a motif of tongues contoured with ellipsoid lines and a line that encircles this pattern. v) On the left, there is part of the satyr's lower legs (above the knees towards the feet) and the lower end of his himation. Next to him there is the termination of the female figure's branch, close to a similar inverted grave-stele? and part of an object that resembles an animal paw (lion-shaped foot of chair or couch) . Below these, there is a line on which they seem to step on. Next, a guilloche between two pairs of lines and at the bottom part of a radial-shaped motif with a line that contours it on top. vi) A line and black, teardropped spot. vii) There is a line on whose right top side stands a rectangular object with a rectangular surface in the middle being reserved. Below, part of two lines on top of part of the guilloche. viii) Small part of shoulder and neck: there is a black spot, a thin band, a red line on top of a plastic ring (joining point of neck and shoulder) and part of a tongue-shaped pattern contoured by a line on the shoulder. There is also a part of two lines in the interior. ix) Part of the guilloche, the two lines underneath and the radial-shaped motif at the bottom. x) Tiny bit of the guilloche and the two lines below it and part of the radial-shaped motif. xi) Part of voluted palmette and tongue-shaped motif. xii) Part of the floral motif (of a three-pointed flower)? with lines that form a rhombus with a dot in the middle. xiii) Part of the shoulder and the spring of a handle. On the top there is the tongue-shaped motif, encicled by a line and below it an inverted palmette. The spring of the handle is black and next to it there are short, diagonal incisions. There is also a tiny spot of black colour in the interior. xiv) On the left, part of leaf-shaped (heart-like) motives (part of thyrsos?), close to a band of black colour, of undecipherable shape. Next to that, there is the lower part of a female draped figure, with small crosses on it. At the right side there is black and white colour that forms ovaloid shapes (?). xv) A black band and on the left part of the female drapery.
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| 45.10.14.1
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Interior: Black, apart from a thin band at the joining point of the rim and neck, and the top surface of the rim, which are reserved. Exterior: The rim is black and there is a thin reddish brown line below it. Neck: There is a thin, black line. Below, there is a fan-shaped palmette (three divisions, a central rectangular part, and the details have been rendered with incisions), between two parts of motifs. The left one may be a palmette (a petal-shaped division in the middle and below, two round? or voluted? motifs almost faded away. The right one could be part of a similar motif.
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| 45.10.14.2
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Interior: The rim is reserved and the neck is black. Exterior: There is a red line on the plastic ring that joins the rim with the neck. Neck: There is a black line, below which, on the left of the fragment, there is the right part of a fan-shaped? palmette (three, short divisions and a rectangular central part, the details rendered with incisions). On the right, there is part of a floral motif: part of a petal (vertical) and part of another one (horizontal).
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| 45.10.22
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a: The upper surface of the rim is reserved, although glazed. However, the side surfaces (internal and external) are black (apart from a reserved area that would not have been visible if the handle was not missing). The neck is also black on the inside, however, there is a perpetual motif of palmettes on the external surface. These are double palmettes (5 narrow divisions upwards and 5 similar ones downwards) that look as if chained together by a horizontal row of small rings and each such palmette is separated from the other by a vertical line with wider endings, while thin, curved lines (above and below) frame each palmette. The sides of the handle bear a black band each and there is also a thin line underneath them that contours the end of the neck. On the carination that divides the neck from the shoulder there is a thin line with added red colour. The shoulder bears a motif of tongues, divided by vertical lines, while a line underneath contours them. The motif does not appear under the surface of the handle. At some point underneath this pattern there is the beginning of another motif (black with 3 dots of added red and scale-like incisions). The interior of the rest of the vessel is reserved, since it is an amphora. b: It bears exactly the same motif as the previous neck bit. c: From the branch of a three-peaked floral motif there emerge two curved lines that are downwards and upwards, each forming an ellipsoid-shaped frame from whose lower (in the case of the curved line that goes downwards) or upper (in the case of the other line) endings form one floral motif each. The left one is a voluted palmette with 5 petal shaped divisions and the right one is a three-pointed flower, similar to the central floral motif, but bigger. Although the upper part of this pattern is not preserved apart from the starting point of the motives, it is certain that this would have been the heraldic motif depicted. Underneath this area there is a thin, black line and below that, a pattern of guilloche ( branches with tear dropped endings interwoven together) with a row of dots, framed (above and below) by two pairs of concentric lines. Towards the end of the fragment (which is also towards the end of the vessel) there is a radial-shaped motif, two lines and the rest of the surface is black. d: It is a part of the body's area that bears the guilloche pattern and the radial-shaped motif underneath, but one third of it is not preserved. e: On the left there is the upper part of probably a palmette (two endings of petal-shaped divisions). Next to that there is the depiction of a draped lower body part. The drapery is formed by the incisions on a black surface. There are diagonal incisions and wavy endings to denote the folds of an himation, as well as the lower termination of the chiton, which is suggested by two almost horizontal incisions, a wavy line and another horizontal incision. the drawing is detailed and clear. f: The part between the surface above the knees and a bit below the calf of a male figure that wears a short chiton (incised, wavy folds are visible above the knee), as well as grieves with out curving terminations (Hermes?) of added red colour, now fadded away. On his left there is the upper part of a palmette and on his left there is a diagonal line, with rows of dots on either side (characteristic of Dionysus). Very clear drawing. g: Half of the three-peaked flower, a bit of a black line and two petal-shaped motives. On the side, there is part of the dotted branch and what appears to be part of a figure's drapery (upper right body part ?), with some incisions used to render details. h: Between the lower body part of two figures there is part of the dotted branch. What is preserved from the right figure is incised lines and circles on a black surface. The left figure's drapery (peplos and himation ?) is preserved (below the waist), consisting of incised diagonal and wavy lines to denote the folds. i: A central male figure's (Dionysus) body from shoulder to legs is visible and surrounded by a dotted branch. He is standing between two figures. The male figure (there is part of beard with added red) on the left holds part of the branch with his palm (upper body without the head is preserved). The only visible part of the draped figure on the right is part of the legs. Incisions are used to render details. j: Apollo playing his lyre (kithara). The head (in profile, facing right), right hand and part of the god's front side of the body is visible, as well as the largest part of the lyre. Part of a dotted branch exists in the background. Incisions have been used to render the chords of the lyre as well as for the eye, contour of hair, ear and contour of the god's body, while a taenia (fillet) on his head is in added black colour. k: Only part of a thin, black line is preserved. l: two broad black bands that overlap at some point. Incisions and the ending of a dotted branch (part of draped figure?). H & J on display in symposium
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| 45.10.29
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Fragments that join 45.10.23: a)The handle's back is black. On the shoulder there is a voluted palmette with petal-shaped divisions between two male draped figures that are facing it, holding their himatia? with their left hands. b) There is part of a thin line that contours the lower part of the shoulder. c) The upper part of a warrior, wearing a red helmet and carrying a shield. Behind him , there is part of an object? in added red. d) The right part bears the left part of the previous warrior's shield. The left part of the fragment depicts the upper part of another draped male figure holding a spear.
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| 45.10.3
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Upper part of bowl decorated with roller-stamped frieze, with three ridges above and one below. High stem, ridge moulding under top and bottom. Wide flaring foot. Stamp (apparently): figure seated to right in high-backed chair, standing female with win
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| 45.10.7A-B
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Lid: The top surface bears part of a central medallion (dots contoured by double, semi-spherical line), encircled by a black line, a red band, a broader black band and a red line. There is also an ivy spray between the last red line and a similar one. At the rim there is a rather careless tongue pattern, with inner dots (identical to the one of the central medallion, only frammed by thin, black lines). Sides: There is the representation of women pursued by the winged Eros. The naked Eros is flying and his himation with white spots on its top is falling over his forearm. At the level of his face there is an inscription, with white colour KALOS and underneath, KALH, above a bent fillet with thin, short, white lines emerging from its endings. The first of the women is headed right, having extended her right? hand towards Eros and holding and raising slightly her drapery (in order to run faster). Her head is missing, but she is probably looking backwards, to see the advancing Eros. The scene is reproduced again: Anoher Eros pursues another woman, who is running towards an altar? (rectangular, altar-shaped constuction, higher than the figures with a decoration of a large cross and dots in between). Among them there is again the inscribed KALOS, KALH. Many fragments have not survived, however this woman's head is not missing. She is looking backwards and wears a diadema, made of white lines. At the other side of the altar? there is another woman approaching it, having escaped the first Eros, but looking back to see him. She wears a white diadema and the same inscription is between her and the Eros. The scene is framed by two red, concentric lines (above and below the figures). The bottom surface is left reserved. Body: There is decoration of laurel stems and berries around the outer surface with details made of added white. This motif is framed (above and below with red, thick lines). The interior of both pieces is black. The feet have a black band on the side (ca 2 cm below their joining part to the body) and the rest of the surface is left reserved, apart from a black line at the rim. Half way up the inside surface of the feet there is a thin, black band. The base's central part is decorated with a broad black, circular band between thin black lines.
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| 45.10.9
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A: Draped youth playing pipes and draped man holding a branch; B: group, probably in a procession, including a draped youth with a staff and a draped man with a branch. The interior is reserved. The details that form the folds of the figure(s) drapery are rendered with thin, black and red lines. a) Black with part of a tongue motif on the top (tongues flanked by thin lines, on a reserved but glazed band). b) Part of a draped male figure's neck, shoulder and bust. c) Part of the figure's himation folds. d) Lower part of a male figure's drapery folds and part of feet? (carelessly rendered). e) Part of a draped figure's folds, next to a black area. f) Part of a draped figure's folds. g) Part of a figure's arm, forearm and hand, with the largest part of a flute. h) On the right side there is part of a figure's drapery folds. On a black area on the left side there is a figure's hand that holds a komos or sprig with added white, short diagonal lines around it. i) On top of a meander pattern with a black line on top there is part of a red band with traces of thin, black lines (a figure's foot?). j) On the left, there is part of a figure's drapery folds and part of his walking-stick. On the right side there is part of another figure's folds?
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| 45.3.1
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Decorated on top of mouth and neck with black tongues. Handle with two dots (rows?). Body decorated with two figural zones with plain bands framing and between. Top: two facing cocks and a long-billed bird to the right; incised rosettes in field. Bottom: two panthers facing a long-billed bird; incised rosettes in field. Incised details on birds and rosettes (divided into four, six, or eight sections). Traces of purple on all animals. Bottom: small ring inside two concentric bands.
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| 45.6.13
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Handles: black on top and reserved underneath. Inside and outside of mouth is black but the top is reserved, with accidental smears of paint. Neck is reserved and there are black tongues on the shoulder. Side A shows 3 mantled onlookers separated by objects like long leaves tapering downwards. Two are facing left and one is facing right. On side B is a runner holding an indistinguishable object. Ivy leaf under one handle and leaves in the field. Below picture is black to foot which is reserved on the side and underneath.
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| 45.8.1
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The rim (interior) bears two, concentric circles, the first at the edge and the second at the curve between the neck and the body, where traces of white colour can be found. The neck of the vessel is ornamented with a continuous floral motif (branch bearing two long leafs; laurels?) that covers the whole of the surface. A: Scene of a symposium of four, reclining, male figures; 2 men and 2 youths (in turns), in pairs looking at one another. All of them wear their himatia, loose around their waists, a fact that leaves the upper part of their bodies naked, and are crowned with identical three-pointed diadems, made of added, yellowish and white colour. They also have identical hairstyles. The youth on the left side makes a gesture, pointing left with his right hand, but facing the man on his right who touches his chest with his right hand. The third person looks as if holding a white thread with his right-hand fingers, while the man on his right is trying to put a white, spotted garland on the third figure with his right hand. They all recline on a horizontal sort of bed, supported by three feet, of equal distance between them, but of unequal width. However, the lower parts of the three feet are similar; rectangular and vertical to the stem. Under this construction, in the surface between the two gaps that are left between the feet of the bed, there are two tables, that carry food(?) (fruit and bread ?), painted with added white colour. Both of the tables bear two, broad, black, bands around their edges, the left ones being larger than the right ones. As regards the endings of the tables' feet, they give the impression of a vague rendering of animal paws.
B: A youth in the centre of the scene looks at his right, while in either of his sides, another youth is looking at him. All of them are fully-clad with himatia. The left one is holding a strigil (stleggis) with his right hand, while the one at the right side of the scene makes a gesture with his feast.
The spring of the handles bears part of a circle (it stops, leaving the surface between the beginning of the two handles undecorated), with small, semi-cercular patterns. Beneath each handle there is a large, complex palmette. A band with maeander-shaped patterns runs through the vessel under the main scenes. The base is in the form of a disk, with a high foot, separated from the disk-shaped surface by a carved, reserved circle, as well as an also circle at the lowest end of the base's foot.
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| 46.5.1A-B
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Lid decorated with three vertical black bands above palmette frieze.
Body: dark bands on rim, narrow floral band consisting of ten alternating palmettes, six with lotus attached by long stem on right, two with lotus each side, two with none. Black at bottom of body and foot.
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| 47.6.2A-B
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Lid: Straight sides and a moulded rim at the top and bottom, both red. The plastic ring at the top of the lid black. The top is decorated with a depiction of a male figure, perhaps Dionysus (Ure) or Pan (Boardman) with horns springing from his head. He wears an animal skin (brownish dots) over his shoulders, with a hoof dangling. He seems to be stepping or sitting on another animal skin. In raised left hand he holds an indeterminate instrument (Ure: handleless fork; Boardman: syrinx) and he rests his right hand, brought before his body, on an oar-shaped object (trumpet; Ure: winnowing fan; Boardman: 'lagobolon'). To his left is the forepart of a pig (or dog?), and to his right, a basket with three corn stalks. There is also a red, thin line at the joining point of the plastic ring and the lid. The decoration of the side surface of the lid is a motif of vertical, hanging, wavy tongues, between reddish brown bands. There is also one inverted heart-shaped motif at some point between the tongues.
Body: There is a red line at the rim and another one at half the way up the body, both on the inside and the outside. On the interior there are two, concentric, reddish-brown circles. Exterior: There is also a red line at the bottom of the body, while the disk-shaped ring is reddish-brown. Wide rim at base. Underside is reserved and central section flat.
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| 47.8.1
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Inside is reserved except for picture of Heracles in a black corselet over spotted chiton with flame borders. Club in his right hand and bow and arrow in his left. Originally only red for framing circle inside the black band around rim but much has faded to red that was black. Two handles, one either side have been dipped. Outside are dots around rim with band below. Reserved then to resting surface and inner foot-ring which are red. Base is concave and reserved except for small red circle at center.
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| 48.12.11
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Flared mouth, black inside, with flat rim which is reserved. Outside of mouth and handle black but neck and underside of handle reserved. Shoulder has two rings, the inner of dots and the outer of rays or lotus buds. Body is black with lustrious glaze except for a reserved band at top and bottom of main design which is a woman walking to right with her hand extended. Stem and foot are black and side of foot is reserved. Base is flat and reserved.
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| 48.12.6
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Rim decorated with three bands, the the central one with added purple. Horizontal bars on handle. Long tongues on shoulder; figural zone framed by bands. Main design is of three crouching lions, facing right, with long tails forming s-curves above them, each reaching back to link to the next lion. Incisions and added purple on necks and shoulders. Base reserved.
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| 48.5.1
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Inside: Central part reserved and decorated with black band in the centre surrounded by three black concertic bands. The rest is black, superimposed with two red and white bands. The top of the rim is decorated with a band of two rows of dots framed by thin black bands. The incurving rim is decorated with back and red thin bands.
A: Swan facing to the left with spread wings. Incised rosettes and dots in field. B: bird (owl?) facing to the right goat to the left coloured partly in red; Incised rosettes in the field C: Bird (goose?)partly coloured purple and facing grazing goat(?) to the left but very faded. Below, broad black band with superimposed white-red-white at top and bottom. Triangular rays on a black baseline extend from the base. Narrow black band around middle of foot. Black band with superimposed white on inside of footring. On base, two black bands and a central dot. Exterior and interior of ring foot black
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| 49.1.2
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The vessel is covered in black except for decorative bands at the lower part of the neck (red with black vertical lines) and the shoulder (egg-and-dot), the figural scene in the body zone, a frieze (stopt maeanders alternating with cross squares) below the figural zone, narrow bands at the join of body and foot as well as on each step of the foot, and the underside. The scene depicts a nude youth standing in a relaxed pose, 3/4-view to the right. He holds drapery, bunched up, under his left arm, and seems to converse with a drapped woman seated to the left on an undulating rock. She holds a mirror in her right hand. Both are diademed. A small, winged Eros flutters above them, and he has crowned the youth. A single branch emerges from behind the rock. Next comes an older Eros (depicted as an adolescent) seated near profile to the left (the seat is no longer visible), holding an opened box (the type that was used to house alabastra such as that which he decorates, according to Trendall and Cambitoglou 2.605). In the upper left field there is a rectangular motif with a short, black, vertical band on it (perhaps a window), and in the upper right field (behind Eros) a four-part rosette (rodakas) next to a strigil. Below, there is more vegetation. Relief dots detail xxx and added white has been used for xxx.
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| 49.4.1
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The mouth is black inside and out with a reserved rim. The back of the handle is also black. The neck and underside of the handle are ruddled, as is the shoulder which has black dots and radial-shaped motif. There is a white band at the upper body surface with a yellow meander pattern, between yellow lines. The main design is that of a flying Nike facing right with a mirror in her left hand and a globular object in her right. She wears a kalyptra (head dress) and she is draped. Additionally, thinned glaze and black paint has been used for detail. Below the scene there is a similar meander pattern on a white band. The rest of the vessel is black.
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| 49.4.2
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Woman with a fan and a ball, seated in a naiskos; kalathos on either side.
The inner side of the rim bears a broad band (in the middle of the surface). The top surface bears traces of carelessly applied red colour. The edge is also black and its side surface bears a reserved line and a black line underneath, from which seem to be hanging short, vertical lines. The upper part of the neck is reserved, but bears a black band on its lower part. The rest of the neck is decorated with black colour, on top of which there is a tongue pattern in yellow (faded away) that contours the vessel (long, pointed on the bottom tongues). Below, there is a reserved line. Side A: The main scene depicts a female figure seated in a naiskos (monument with pediment, from whose upper part emerge palmettes and tendrils, epistylion, an ionic column on either side an top of a stylobates or crepis, the latter represented with a perpetual pattern of voluted motives and dots in between, framed by white lines, thin, black bands and white bands), on a diphros okladias. The woman is facing left, she is wearing a peplos, holding a fan with her right hand and a round object with the left one, below which there is a row of dots. She also wears a kalyptra and has her hair in a bun, from which emerge two wavy lines with round terminations. Behind her, at the level of her head, there is a window (square object with the middle part riddled). The naiskos is flanked by a kalathos on either side, decorated with black and yellow horizontal lines, tendrils and branches, as well as yellow tongues and yellow meander pattern. There is a row of yellow dots below each kalathos and a rosette on top. Below the row of dots underneath the left kalathos there is another rosette, whereas underneath the row of dots below the right kalathos there is a phiale. The details are executed with added yellow. The handles are black. The reverse is decorated with floral motifs: the area underneath the vertical handle is black, with an H-shaped black motif divided in two by a vertical line, on a round, brown background. The surface below the vertical handle depicts two fan-shaped palmettes, from which emerge elaborate, voluted floral patterns that expand to the surface below the horizontal handles. The lower part of the body is contoured by a wavy-like pattern on a brown background. The area below is black, although streaky on some areas, while the lowest part of the body is reserved but glazed. The foot is black, with a reserved resting surface.
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| 49.8.10
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Trefoil lip with black glossed rim, three narrow black glossed bands below. Three ducks in profile moving to the right. Underneath, broad black and red glossed striped band (approx. 1.5 cm wide); wings painted with black brush strokes on a red gloss, red beaks and black heads. Narrow black band on the junction of the foot with the body. Exterior of foot glazed black. Brown resting surface but reserved underside with white deposits. Blobs on the handle.
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| 49.8.8
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Inside and outside of mouth and handle is black as is neck and back of body. At base of neck is a key / meander design between two moulded ridges and only appears on the front. On the body, metope bearing the figure decoration. On the top of the metope. black tongues.Main design is in a panel showing a Quadriga moving to the left. Horses' heads turned towards different directions. One to the left, other three run their heads to the centre facng each other. On the quadriga, hoplites in profile either side both facing right, holding shields and spears and wearing helmets. One of the shields is decorated with a feline picked out in white, only the back part of which can be seen. Behind the quadriga, a hoplite in profile to the right. He is holding his spear and seems ready to attack. He has a shield decorated with three dots with added white, he wears a short chiton, a cuirass and a Corinthian helmet. In front of the chariot, hoplite in profile, moving to the left, having his head turned backwards. He is wearing cuirass, short chiton, a helmet. He is holding his shield and two spears. Added red-purple on reins of horses and headbands and tunic of warriors, as well as contours of the shields. Added white on lion of the shield and decoration of the shield of the second hoplite which is not clear, the edge of the sword of the first hoplite, the dots on the shiled and a band on the body of the last hoplite. Red band at base of panel running all around the vase's body and foot is black on top, but reserved on side. Resting surface reserved.
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| 50.10.1
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The interior, from the lip down, is reserved. There is a thick band on the lip and vertical bars on the exterior of the rim, then five bands, evenly spaced, between the rim and where the handles start. Neck (A,B): Panel between two triglyphs, each consisting of three vertical lines, a band of diagonal lines, and another three vertical lines. Panel filled with a long-legged bird facing left (body outlined and filled with vertical lines), filling splotches, and a horizontal triangle, cross-hatched, to the right. Shoulder (A,B): Seven vertical lines, panel, seven vertical lines. The panels are filled with (A) dog (silhouette) runing to right, with filling ornament, (B) same, but the dog chasing a hare. Horizontal bands cover the exterior of both handles, and the handle zones are outlined with a very thick band. Body: three horizontal bands; close zigzag; seven more bands; a large black band covering the lower part of the body and the foot. Resting surface and underside reserved.
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| 50.10.4
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The mouth is black inside and out with a reserved rim. The neck and underside of handle are also reserved, while the top of the handle is black. The shoulder is decorated with short lines and four palmettes (of which one is upside down) linked with tendrils. The back of the body is black and the front bears the representation of a draped woman in an unnaturalistic posture. She is facing right with her head and chest turned back to her left. She is holding a case (kiste? with drawers?) in her right hand and extends out her left (the gesture is as if holding a phiale). There is reserved line under her feet and the woman looks as if she stepps on it. Additionally, the foot's upper surface is black. There is also a small, concave section at the centre of the base.
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| 50.12.14
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Black paint faded to red. Interior: fine line on rim, below it one broader band. Exterior: broad horizontal band across the top with series of fine vertical lines at right angles to it. Two fine lines are joined together by fine horizontal lines, creating a square pattern.
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| 50.12.15
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Interior is mainly unpainted with a black line (faded to orange) directly on rim, another slightly lower. Exterior has a series of straight and curved lines to left of centre there are two parallel vertical lines and far left two horizontal parallel scalloped lines. To the right a single curved line and at the bottom a small semi-circle adjoining the lower end of the vertical lines with an larged dot in the middle.
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| 50.12.19
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Exterior: decoration in black, comprised of three black curved lines above and a thin (faded) horozontal line below; to the right a tiny black mark. Interior: reserved
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| 50.12.37
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White clay fragment slightly curved and the exterior shows detail of a pattern; parallel lines curve accross the fragment to the left there is part of a feather pattern that has a single scroll at the top. On the bottom right the the pattern may be bulb shaped and six curved lines across it. The black paintwork is faded in part while some is still dark. The interior has been painted black while the area below the top has been completely worn.
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| 50.4.25
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Two moulded rings around the outer edge of the discus, within stands a ram facing the right with odysseus straped to the underneath of it. The ram satands on a base line. Dark wash all over.
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| 50.5.2
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The interior and rim are black, except for two red bands just inside the rim. The underside of the rim is decorated with a leaf-like band of design. The spaces between the attachment points of the handles are reserved. Palmettes occupy the spaces beneath each handle. On either side the figural scene is bordered right and left with tendrils spouting two quarter palmettes from volutes. Side A: A nude youth, standing profile to the right, with his left leg stepping on a rock, holds a stemmed plate in his upraised right hand (supported by his left hand). He faces a satyr, standing in 3/4-view to the left, who holds a bell in his right hand and a thrysos in his left; a himation is draped over his left shoulder and arm. Side B: Two standing, draped youths with walking sticks face each other. A reserved band, a reserved line, and a band of waves appear below the figural zones. The lower part of the body and base are black. Added white and yellow are used for details on both sides.
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| 50.5.4
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Shows partial body of youth, dressed in himation and headband, with arm outstretched. Unidentified shape in upper right corner.
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| 51.1.1
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Glazed on the interior. Exterior: thick band on underside of rim and top of body; a figural and floral frieze, between a pair of thin bands. depict vertical 6-7 petalled palmettes, alternating between upright and inverted, joined by tendrils, and a silhouetted rearing lion, profile to right. Lower part of body glazed black, fading to brownish-orange; brownish-orange band overlapping from inside of foot to resting surface.
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| 51.1.2
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Interior and exterior of the mouth, neck exterior of handles black, fired mostly reddish brown. The underside of the rim has a reserved band. Underside of the handles reserved. The body is all black apart from the metope carryint the figure decoration and a reserved band decorated with radial-shaped motif beofre the black foot, decorated with two red concentric bands. Resting surface, underside of the foot. The top surface of the rim is decorated with two, concentric, red lines. Another marks the junction of the neck with the shoulder. The neck is black (reddish brown on the reverse side). The main scene begins from the top of the shoulder (under a red line), down the main part of the body. There are two confronted bulls with their heads bent downwards. Added red on partsof their bodies. Between them, there is an ivy leaf (heart-shaped). They step on a thin, black line, which separates the shoulder zone from the body metope.
On the body, two warriors attack other two. All warriors have spears with teardroped terminations (three terminations are visible, the fourth is on a missing area) and wear helmets with coverings for the cheeks (only the right pair's are visible) with details (dots for the first and fillet for the second warrior) in added white (now fadded away). They all held shields as well. All are round, except for one. The right pair's episemata on the shields are visible (upper part of seated lion / tripod, rendered with added white that has fadded away), while the other pair's shields' interior is visible and so the porpax (handle) can be seen on the left warrior. Additionally, they all wear greaves. Added red on the contour of the shields, the interior of the shileds, helmest, one hoplite's greaves. Between the pairs there is an eight-pointed star. There are also two horizontal red lines below running around the body of the vase. Two horizontal red lines frame the reserved lower zone decorated with the linear motif. The foot is black, with two red horizontal lines. The base is reserved.
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| 51.1.4
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Exterior reserved. Interior glazed black except for a reserved band below the rim, and a figural tondo, decorated with a black silhouette siren, profile to right, with rows of black dots surrounding her wings and emerging behind her right leg. The figural design is surrounded by a band of vertical bars enclosed by two horizontal rings.
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| 51.4.1
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The top surface of the rim is reserved (but glazed), however, the side one bears a black meander pattern. Neck: at the left side there is the front part of a horse (head and two feet) and the right leg (thigh to toe) of the horse-rider, with incisions for detail (denoting also the bridle) and added white. At the other end there are two men, one behind the other. The fragment's termination is at the level of their knees. The first one (right end) has extended his arms, as if being a charioteer. Besides, the back part of the chariot can be seen over his white chiton. The stephane on his hair is executed with red. The black, male figure at the same level behind him makes a gesture as if holding something (invisible). He is wearing a short chiton and he is probably on the chariot too. Interior: There is a red, thin band at the rim and the rest of the surface is black.
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| 51.4.11
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Glaze is dark brown, sometimes with a reddish hue. Glazed on rim, neck (interior and exterior), handles, at junction of body and stand, and on exterior of foot. Cartoon-ish black-figure scenes on body and stand, with incised detail. Body, side A: Legless horseman, with arms spread on either side, to right on a horse held by a bearded man in a short tunic, with a dagger at his right side, who stands to his left. Behind him stands another bearded man wearing a short tunic, who holds a branch in his outstretched right hand, and bends his left arm at his side. Body, side B: Another legless horseman advances to the right, also with arms outstretched, on a horse, galloping towards a bearded, male figure, wearing a long tunic, who stands profile to the left. Stand, side A: Two confronting water birds, with 3 flecks behind the right water bird. Stand, side B: Two male figures in profile to the right, with a dagger at his left side; the second figure, who is shorter, seems to be bound.
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| 51.4.2
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The top surface of the rim is reserved (but glossed), however the side bears a black meander pattern. The scene consists of two chariots, the left one with three horses (below their knees the piece is missing) and the right one with four (only two of the heads remain). The left hand side charioteer is not visible, however it is obvious that he was holding and stretching the bridle. The upper part of the chariot is also visible. The second charioteer wears white chiton and red stephane (fillet) on the head and his chariot is visible. Each figure has incisions around its edges, as well as for the depiction of details. Some parts of the horse bodies are emphasized by added red colour. Body: The surface is black. The interior of the neck and body is also black, apart from a red band at the top of the rim.
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| 51.4.5
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Decoration in black and purplish-brown over a pale slip, with incised decoration on the back. At the top of the body is a broad band between two pairs of narrow bands. Above this is some evidence of a frieze of vertical bars. Below is a figural frieze, decorated at front with a geometricising bird flying profile to the right, holding a wavy line in his beak. He is surrounded by two crosses and two clusters of 8 dots (rudimentary rosettes) in the field. A floral decoration at the back is comprised of four interlocking palmettes, with purplish-brown petals and brownish-black hearts separated by incisions, with tendrils terminating in volutes emanating from either side of each sideways palmette. The lower part of the body is decorated with a thick black band between a pair of thin bands, above, and a thin band, below.
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| 51.4.8
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Neck and mouth, inside and outside, are black. Decoration in a panel. The top of th epanel is decorated with small balck tongues. Under them,lotus buds and flowers, purple patch on each flower, with a row of black dots above them. Cock to the right faces swan to the left, with extended wings. Added purple on wings. Above cock, dots and small line, ramines of an unidentified decorative pattern as background decoration? The rest of the body and three handles are black. The resting surface and interior of vessel are reserved. The glazed interior of the neck is decorated with 3 thin purple bands. Under the decorated panel, two thin purple bands, running all around the body of the vessel. Underside of the handles reserved.
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| 51.4.9
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The rim is black, both on the inside and on the outside. The back of the handle is also black, but the underside is reserved. The neck is reserved, but glazed apart from a thick purple band on its lower part. On the sloping junction of the neck with the shoulder, black tongues. Both interrupted at the joining point of the handle to the neck. The shoulder is covered with a guilloche (pattern of interwoven fillets) with teardropped terminations. In the middle of two upper and two lower black lines there are two rows of black dots that begin on the edge of the second left figure of the main scene and stop at the edge of the last person. In the centre of the scene, a male figure in profile to the right with as short mantle, a quiver on his back (Herakles) is attacking a kneeling Amazon. With his left hand, he is gradding her from the air and with the right he is holding a sword, with which he is ready to kill her. The Amazon, in profile to the left, is wearing a helmet, holding a very long spear with her arm and her shiled with the left. From his waist, her sword is hanging. This scene is flanked by two other battle scenes. On the left side, an Amazon is attacking a Greek. He is wearing a cuirass, helmet, he is hloding his spear and his shield and he is shown ready to fall down. Tha Amazon has atteacked him with her spear. She is wearing a helmet and a short chiton. On the right, an Amazon and a Greek are shown in profile running towards the left, projecting their spears. The Amazon is wearing a ahsort chiton and a helmet. She is holding her shield, covering large part of her body. A frontal head of a lion decorates the shield. A sword hanging from her waist. The male warrior wears a short chiton and has a shield and a helmet. The Amazons have long hair and wear helmets with longer and bigger crests. Incisions and added red are used for details. Added red: parts of the chitons of the warriors anad the Amazons, hair of the warrior in the middle, fillets on Amazon's heads and the frame of the shield of the running Amazon.
Below the scene, there are two lines (not evenly formed at all in their length) and a band of added red. Below that, the vessel is black, with two concentric circles on the surface of the foot. The resting surface is reserved.
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| 51.7.11
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The interior and rim are black, except for two reserved bands on the interior, at the top and bottom of the lip. Just under the rim is a laurel wreath, facing to the right. A palmette fills the space beneath each black handle; a series of dots mark each handle zone. The scene on each side is bordered by two tendrils that emerge from the ground, in most cases flanked by two smaller tendrils; at the centre of each large tendril is a volute, from which spring two demi-palmettes. Side A: Wreathed, draped Apollo stands in 3/4-view to the right, holding a laurel branch in his right hand and a phiale and fillet in his upraised left hand. He faces a white-haired, bearded Papposilen, who stands in profile to the left. The Papposilen wears a taenia on his head, an animal skin (nebris) over a shaggy-white body suit, and slippers. He holds a mirror in his upraised left hand and a lyre and a fillet in his lowered left hand. Above him is bust of a goddess, probably Hera (or Leto, or Cyllene?), with her face in profile to the right, enclosed within a window, outlined in white. She wears a high crown and jewellry and holds a sceptre in front of her left shoulder. There are ivy leaves in the field. Side B: Two standing, draped youths, facing each other and wearing wreaths. The left figure has a 'V' drape on his chest and his left hand is barely visible; the right hand of the right figure emerges from his himation; he holds a branch out to his companion. Beneath the scenes is a band of right-facing waves. The lower body and foot are black, except for a reserved band on a groove at the top of the vertical surface of the foot, and the reserved underside.
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| 51.7.16
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Black mouth inside out, except for reserved top surface of the rim, exterior of handles, interior reserved and underside of the foot black; Between the handles are double (mirrored) lotus-enclosed palmette friezes, enclosed between red lines. Below the ridge at the base of the neck are alternating red and black tongues. Beneath each handle is a vegetal design comprised of three lotus buds, each arranged at right angles to each other, so that their stems form a diamond that encircles a dot, yet extend to four palmettes (two above and two below) that flank the figural zone. Beneath the figural zone is a series of friezes: two lines; a maeander (Greek key) to left; two lines; a frieze of upright leaves interlinked by arcuated stems; two lines; rays extending from the base. The preserved part of the base is entirely black. Side A shows a quadriga (four horse chariot) wheeling around, so that the front of the horses seem to pass a crouching warrior holding out a spear at a near horizontal. The helmeted charioteer holds a large shield. Side B shows a helmeted warrior, standing between two attendants. The warrior holds a shield with a lion-head sema, wears a chlamys, and holds a pair of spears at right angles. The (male) onlookers, both bearded, wear himatia that enclose their arms, and each holds a staff upright. Detail is incised on both designs. Top of foot and side are black and the underneath is concave and black. Added red on horses' manes and the contour of the shield.
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| 51.7.2
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Lid: The centre of the top of the lid is reserved, surrounded by two concentric bandsone red, one reserved then a red circle, from which a band of tongues radiates. This is surrounded by a scallopped black band (fired red on one side), then an inverse wave pattern (waves leaning to the right), and finally a reserved band. The outer edge of the flange and the upper part of the body are glazed black. The remainder of the body is decorated with an egg and dot band (for which each eggs is a thick u circumscribed with a thin u), then a black band, then a wave band (with waves leaning to the right). The lower rim is reserved. The interior is glazed black, misfired to red on the underside of the top. Pyxis: Entirely glazed, fired mostly black on the exterior (with some red patches on the flange and the top of the body), and red on the interior.
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| 51.7.5
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Interior reserved; black glaze on mouth and upper half of neck, as well as upper half of handle; lower part of neck decorated with tongues that suggest ribbing; shoulder decorated (except under handle) with an egg-and-dot frieze between two black lines; reserved space at lower part of handle and handle attachment (interior) suggest that the mouth and neck were dipped. Body decorated with a frieze consisting of 7 clusters of three white dots at the top of a figural scene (arranged in upside down triangle shapes): a female figure, standing in 3/4-view to the left, in a relaxed posture with her left leg crossing her right, and her left elbow resting on a pillar (the curvy element in added white suggests that this is meant to represent natural rock). She wears a hairband and kekrphylon on her head, triple-dot earrings, two or three necklaces (two strands of white beads beneath a black line), two white bracelets on each wrist; a belted sleeveless chiton, and white slippers. She holds, in her upraised right hand, a mirror surrounded by white dots, and, in her left hand, a phiale that is surrounded by white beads, as well as a beaded sash. A large palmette, with a white dot on the heart and white dots on each volute, fills the space beneath the handle. From each volute emerges tendrils and floral decoration that frame the image of the woman. A 6-petal rosette fills the space to the right of the woman; to her left are a window and a dotted circle (cog-wheel?) in the upper left field, and an olive branch in the lower left field. On the body, beneath the figural scene, are a single reserved band and a thicker black band. The foot is reserved on the top element, and glazed black on the ridge and lower element; the underside and resting surface are reserved.
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| 52.3.2
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Flared, cup mouth, black in and out and on rim. Neck is black, as is handle, except for a palmette pattern at base. Intricate tongue pattern around base of neck with a circular palmette pattern below. Main design, from left to right, shows Eutychia (EUTUXIA) standing to the right, holding a box in her left hand, with a string of embossed flowers (?) hanging down from her right hand. Beside her is a diphros with a cushion. Aphrodite ([A]FRODITH) sits, profile to left, in the centre and to left is small Himeros (IMEROS) in white, holding a wreath. To her right is a standing Makaria ([MAK]ARIA). Black egg pattern beneath main design. Moulded foot ring with grooves around the side. Black on top but reserved underneath.
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| 52.3.3
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Inside is black on neck and rim but reserved inside the body apart from numerous black splatters of paint. Diamond pattern with dots on rim, rays and palmettes on rim above each handle. Side has dots and two rows of wavy lines. Handles are black as is the neck between them. Neck design same as on rim. Row of tongues on shoulder. Scene similar on both sides. Each side is flanked by a vertical line of hearts/ivy leaves with dots between lines. Side A: three youths, robed, one with a staff, two facing left and one facing right. Side B: three youths, robed, around a stele (?), two facing left and one facing right. Figures are ruddled and detail picked out in black. Below is a band of ivy leaves. Foot is black and ridged. Base is reserved and conical inside foot.
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| 52.3.4
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Interior: black spots on lip; alternating black and reserved bands on interior (restored), surrounding a tondo decorated with sphinx, profile to the right. Exterior: Rim decorated with a band of zigzags, slanted to the right; body decorated with an animal frieze, above two thick black bands; exterior of handles and foot glazed black (restored). The animal frieze shows (from under the preserved handle): a water bird, left wing outspread, profile to the right; billy-goats (4) grazing profile to left, alternating with panthers (3), profile to the right, each with left forepaw raised and head frontal; spots of varying sizes in the field.
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| 53.8.3
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Lip and interior glazed black, except a ram protome, profile to right, at the centre of a reserved tondo, outlined with an orange band. Exterior: lotus petals on the rim, interrupted only by the glazed handles and lugs, above a a thin glazed band at the carination (mostly orange-red), an invertedanimal frieze on the body or bowl, above a pair of thin bands above a thick band; bands decorating the foot on exterior and interior vertical surfaces; underside decorated with concentric circles (black between two lighter orange circles, enclosed by two darker orange circles). The animal frieze shows (from just above the black handle): a panther advancing to the right, head frontal, licking the horns of a grazing deer, profile to the left, between two pinecones, with a dotted line above his back; a panther advancing to the left, head turned frontal, a dotted lozenge, a lion advancing to the right, tongue licking the horns of a deer grazing profile to the left, with a row of chevrons above; a dotted lozenge. Below each creature is a dotted bull's eye (comprised of central dot, surrounded by a band, surrounded by a circle of dots). Additional ornaments, including dots and chevrons, in the field.
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| 54.8.1
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Inside has a ribbed texture and is reserved apart from thin bands around rim with vertical bars overlapping the rim. Single ribbon handle which is unevenly bent, has horizontal lines down back and is reserved underneath. Procession of seven mourning women, in profile all facing right, framed by wavy lines, with two bands above and below and three vertical lines at right and left of panel. In front of the sevnth woman there ae three loop patterns, with dots. The women are wearing long garments, have long hair and ftech one arm over their head, as a mourning gesture. Face drawn in outline. No use of incision for any details. Below 'SSSS' pattern, then horizontal lines. Moulded ridge and groove below around foot. Base is flat and reserved.
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| 56.8.4
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Black inside and out except for an egg-and-dot band framed by two black lines at the front of the base of the neck, the figural design, and the reserved underside. Body: A satyr seated between two similar palmettes (the left one larger; each is comprised of a flower in the middle of two volutes framed by a short half-heart-shaped pattern on either side). The satyr is seated in 3/4-view to the left on a rocky mass that is spotted (perhaps it is covered with an animal skin). He looks profile to the left and he wears a taenia or band on his head, as well as a long, beaded necklace over his left shoulder and across his chest. He holds a phiale (its rim is marked with yellowish dots) in his left hand and a fillet in his right hand. The fillet is purple. The taenia, necklace, and rim of the phiale are coloured white with yellow wash. On the back a drip of (probably accidental) white paint.
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| 56.8.6
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Interior: black not carefully applied , not lustrous. Purple band towards the the edge framed by two thinner black bands. Exterior: around rim black band with white dots; Animal frieze on the bowl. Four swans (water birds), facing right, alternating with incised rosettes. Background filled with small decorative patterns of undefined shape that often bear incisions. Black band below. Black stem and upper surface of foot; reserved groove on vertical surface of foot; reserved underside. Added purple and white on the birds' wings and the rosettes.
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| 56.8.8
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On the exterior of the rim, S pattern. A fight of three warriors between onlookers; on the left, an onlooker between two runners, on the right, a runner between two onlookers and at the back a floral motif (lotus-palmette cross?): Two semi-spherical palmettes chained in the middle by circular bands, dotted in the centre, and held on a columnar motif with similar (only more conical) palmettes as endings (top and bottom) by black strips. Many of the figures appear to be holding spears (in the case of warriors) or have in front of them the same attribute (long, thin, vertical or diagonal lines). There are variations in the rendering of armour, hairstyles and drapery, mostly executed by incisions.
The scene is framed by bands, top and bottom. Above the top band is a reserved circle, a thin, red, circular band and then the vessel is black up to the base where there is another red circular band. The interior of the footring is black. The broad, reserved base has a black circle inside a black band in the centre. Additionally, there are six dots (four are bigger) placed randomly on the reserved area of the bottom.
Interior: The surface is black from the rim to the tondo, except for two, red, concentric bands approximately 1 cm within the carination, and a similar red band framing the tondo. Inside the tondo is a representaion of a cock in profile to the right with a flower-bud emerging in the background. Red paint: tail, wings. Moreover, incised over the red ring surrounding the tondo there is a mercantile graffito (?).
The handles are black but reserved within.
The underside of the foot decorated with black dot at the centre, surrounded by black band and 6 black dots around it, uncanonically placed
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| 57.3.15
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Middle part of draped female figure, seated on throne(?) Left hand emerging from draping, and left lef with knee bent. Clay pink. Pierced hole in extension on right side. Mould-made, with flat back, probably.
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| 59.6.1
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Glazed black on interior, except for a reserved concentric band in the middle of the bowl. Exterior: Black-glazed rim, exterior of handles, lowest part of body, stem, and upper part of foot. The lower part of the body is decorated with a floral frieze, consisting of (on either side) three palmettes. On side A, and the right palmette on side B, each palmette is dotted on either side of the central petal. The right-most palmette on side A has a vertical band (drip?) to its right. The left-most palmette on side B has a vertical worm on either side of it. Under each handle is an upright ivy leaf. Below this frieze are two narrow black bands.
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| 60.8.2
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Decoration in panel, shoulder: Two black lotus flowers (fired red) with white sepals alternating with buds (purple). Body: mantled woman in profile standing to right holding wreath between two mantled male figures. Black dots decorate part of their garments. The rest of the body is very patchy and is both red and black. Base is reserved.
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| 61.6.3
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Glazed black on the interior, except at the bottom of the bowl. Exterior glazed black (dipped) on the rim, handles, except near attachment (but a small line emerges to the front of the bowl, from either handle). The floral frieze consists of: palmette, upright, flanked by curling tendrils from which hang smaller palmettes (side A), a simple enclosed palmette (under missing handle); two upright palmettes with curling tendrils, although the palmette on the right has two curling tendrils at the left and none at the right (side B); simple palmette under handle. Beneath the floral frieze is a thin black band above a band of black dots. Black glaze also on the lower part of the body, stem, and top of foot, and interior surface of the foot (with extra paint spilling over onto the resting surface and the underside).
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| 64.7.1
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Black band on the interior of the rim, underneath of which a red line. On the interior, bust of a female figure drawn in outline and shown in profile to the left. She has a freckled face (six spots rather than the usual three found on faces in the Sam Wide Group). Her hair is bound up with a spotted kekryphylon (scarf) tied over her forehead. She wears a pine-cone shaped earring and a beaded necklace. Her drapery is clumsily rendered: a himation decorated with a banded (tongues?) border (shown on her left shoulder) over a thin dark chiton (shown on her right shoulder). She holds a thymiaterion (incense burner) out of which streams some smoke (six strands in diluted glaze). The remaining handle is dipped black on the side. On the exterior of the rim, a frieze of black tongues below the rim, with a thin line below. The foot is reserved, except for the interior of the sloping ring.
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| 65.6.1
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The mouth (exterior and interior), larger upper part of the neck and the handle are black (uneven and at most areas reddish brown) apart from the upper surface of the rim, which is red. There is a grey line on the neck and the surface of the shoulder bears decoration of voluted palmettes with narrow divisions and tendrils, widely spread to fill the space. The upper part of the body bears a meander pattern between two pairs of brown lines (above and below). Every fourth meander the pattern is interrupted by a saltive cross with a dot on each one of the triangular surfaces around it. The meander pattern continues as far as the scene below it is depicted. Main scene: A young man, wearing underwear? is seated on his himation, at the left side of a two-stepped tomb or pedimental funerary monument (grave-stele). At the right of the scene, a woman wearing a black and red peplos is bringing offerings. There is a brown line below them and the rest of the vessel is black, with the exception of two exteremely thin lines that are reserved at the joining point of the foot to the body and the side surface of the foot that is red, although the slip has not been evenly applied on the whole of the surface. Lastly, the resting surface is reserved.
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| 67.6.3
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Standing woman, left arm akimbo, holding palm leaf far in right hand. Wearing head dress and robes. Possibly portrayed as pregnant (?).
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| 67.7.1
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Standing male youth, nude. Grey, apparently from burnt grave; small depression in base. Traces of white slip, colour lost, but probably once red. Standing with arms by sides, elbows pressed back, legs apart, right knee slightly bent. Rectangular base. Paper slip marked 'Thebes' on back.
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| 67.7.3
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Long aulos (probably the right half of a double aulos, a wind instrument played through [missing] reeds) which appears to have an inner surface of wood (?) with a bronze sheath and silver mounting (in four sections). Mouth is silver and has two grooves towards rim. Neck has small hole below mouth and no silver. Bulbous section to neck with bronze section between two silver sections below. Four holes down the length of the body, one apart from the lower three with a fifth on the reverse side in the gap. The hole of the reverse has a small thumb plate around it. Bronze section below which may have originally been silver, with a grooved silver section flaring slightly to end. Hollow inside.
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| 70.3.1
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Chimney mouth is black inside and out but with a reserved lip. Neck and underneath of handle reserved. Shoulder has dots, rays. Body, from top to bottom, two rows black dots, scene. Scene shows a chariot travelling right at speed. Behind the chariot figure with long garment and helmet running to left (Athena?). White added to charioteer and back side of chariot. Black to top of stepped foot, the side of which is reserved.Incision carelessly used for horses. The lower part of the body black with the excepton of three thin reserved bands under the decorated zone. Foot reserved. Underside reserved, two incised concentric circles.
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| 71.6.3
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Inside is streaky black showing red through. Handles and outside are also black. Side A: A woman standing with her back to a chair, holding out a fillet in her right hand. Side B: A youth in himation holding two spears (?) of which heads are not visible, being too tall for space avaliable. The detail on both figures is picked out in black paint. Two ruddled bands run around base of pot below figures. Foot is black on top and side and inside foot ring; resting surface and underside reserved. Base is ruddled and has three black bands and a central black dot.
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| 73.6.1
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Fragment appears to be showing two characters, though only their legs and part of the robes they are wearing are visible; it could be part of a story being told. Beneath the feet of the characters are two circular lines which, probably part of a pattern. On the left side of the fragment are several lines with dots around the outside of them which could be a visual representation of grape vines. Around both the vines and next to one of the characters are several larger black dots that could be larger fruits. The right side of the fragment appears to portray another pattern consisting of several wavy lines, though this one is harder to fully make out than the others.
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| 73.6.4
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On the outside surface is a figure zone, on the left edge of which appears to be the edge of a square. To the right of this is the lower half of what appears to be a swastika and below, a dot rosette. A vertical palmette is figured in the middle of the surface, to the right of which is the tail end of a bird, the head and neck missing. Below all of this, is a curved black line, and then the edge of what could be a circle. The inside is covered in black gloss.
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| 73.9.2
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Handle, three quaters black glaze, situated above ivy leaf standing on tendrils and tips of two leaves of palmette on right. There is a thick black band around the rim and two thinner black bands beneath the ivy leaf.
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| 73.9.23
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Fragment with both red and black on it. On the surface (depending which way up you hold it!?)On the left there is the edge of a curve with two black dots inside it, to the right of this is a vertical line. To the right of this line are what could be the edge of two big petals or leaves., in the centre of the first there is a dot and a line. Underneath all of these shapes is the edge of what seems to be a big circle in a red coloured gloss. The back of the fragment is covered in a black glaze that has come out as red in patches(?)
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| 73.9.3
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Singular arm of handle remains, outside of which has a black glaze, the inside does not. Remains of rim, same colour as this handle. Dot rosette and dotted swastika below handle, tip of palmette leaf on right of handle. Two dark brown bands at bottom edge of fragment.
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| 77.5.1.1-17
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The interior is reserved (although covered with plaster on most of the fragments), apart from the upper parts of 13, 14 and 15, that are black (unevenly applied). 1) On the left, there is part of a naked male figure (thighs to toe), facing right and next to him there is the lowest part of another similar figure facing right. Below them, there is part of a black band. 2) There is part of the right part of the previous figure (chest to toe). On the right side of the fragment, there is a figure's forearms (projected to the left, the right hand holding a round object) and part of the right knee. 3) Part of a naked male figure, leaning to the left. Details with incisions and added red. 4) Part of a lions's paws and below it part of a broad, black band. 5) A male figure's thighs and part of a bird? (executed with incisions and added red). 6) The right part of the previous bird? and the right tibia of a male figure , facing left. 7) The thighs of a male figure facing right. On the left side of the fragment there is part of a black and red motif? 8) The upper part (chest to thighs) of a naked male figure, facing right. 9) Part of a male figure's thighs, facing right. 10) The previous figures lower part of legs and part of a black band. 11) The biggest part of a bird, executed with black, added red and incisions. 12) On the left, there is the rest of the previous bird. Next there is the lower part of a lion, executed with black, addeed red and incisions. Behind the lion, there is the lower part of another male figure (chest to feet), facing left and behind him there is part of a bird. 13) The upper part of a satyr (head to thighs), facing right. His hair and beard have been rendered in added red. 14) The lower part of the satyr, chasing a maenad on the right (her right leg is only visible). The details of her drapery are in red and her tibia is white. 15) The left left of the running maenad. On the right, another satyr chasing a maenad (lower part of the figures is visible). 16) Part of a broad, black band. 17. Bit of plaster.
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| 78.12.19
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Shoulder is decorated with a moulded pattern of a vine, on the discus is a standing figure orientated with head towards the nozzle, holding a hydra in right hand and to the left is an amphora. Above the figures head, on the decline of the discus is a pattern of rays. Pale yellow wash.
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| 78.12.20
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Discus is surrounded by three moulded rings, inside is a moulded decoration of a hare, facing right, 'nibbling' foliage. Single volutes decorate either side of the nozzle. Red wash all over.
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| 78.12.22
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Moulded ring around discus, within is a "Throx" gladiator in relief standing on base-line; helmet, shield, sword, top of greaves distinguishable. Moulded single volutes on either side of the nozzle shaft, at their termination are raised marks towards the base. A faint raised line next to the gladiator on the right. Red slip all over.
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| 78.12.5
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Discus is surrounded by three moulded rings, within is a moulded stag, running towards the right. The nozzle is decorated with single volutes on each side that run down the bottom of the nozzle. Pale wash.
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| 78.12.6
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Two moulded rings frame the discus, within is a moulded figure of a stag running towards the right. Single volutes on each side of the nozzle. red-brown wash.
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| 79.1.15
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Handle is the stem of the moulded bunch of grapes, extended from the grapes, to the left, are four round circles resembling fish scales; extended from them are five long, thin leaves resembling feathers. Top right of grapes is an opening; a purpose built hole.
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| 80.7.1
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Interior glazed black, except a reserved band around the bottom of the bowl. Lip, lugs and exterior of handles also glazed black. Exterior: a band of lotus leaves on the rim, and a figural frieze on the body, with black bands above and below it; another black band just above the foot; the exterior and interior sides of the foot ring are black, while the resting surface is reserved; the underside is reserved, except for a black dot with black and red circles (one each) around it. The figural frieze shows: two confronting sirens, in profile, on either side of an inverse lotus bud; a water bird, profile to the left, turning its head profile to the right, back over its bod; two confronting panthers, both turning their heads to the front, on either side of an inverse lotus bud; another water bird, similar to the first except its beak touches its back. A 6-pointed star decorates the field beneath each creature.
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| 83.10.1
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Standing female figure in cloak, with halo-shaped hat (or hair style). Rectangular hole in back. Hollow. Right leg bent, right arm across breast. White slip on clothes and face, pink on head, and shoulders of garment.
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| 83.11.1
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Torso of seated female figurine, and legs to just below knees. Right arm (articulated). Blobs representing (?) jewlery arranged in a saltine cross over front of body, and horizontal row at waist. Tow incised lines on left thigh. Clay orange pink.
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| 83.11.10
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Female head. Head tilted to right on long neck. Hair curled back over narrow stephane, from middle parting. Earrings. Traces of white on flesh.
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| 83.11.7
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Front part of female head from figurine. Hair waved on top, ringlet down side on right side. Earrings. Clay dark orange, coarse, and bown in patterns.
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| 83.11.9
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Female head, raised and tilted over to right, on long neck. Hair waved from middle parting and gathered into bun at back.
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| 84.8.1
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30 fragments, largely side B, small part of side A, handle and rim fragments. Side B three youths. a) The top surface of the rim is black and so is the interior, apart from a reserved area at the end of the rim that bears a thin, black line. The neck is decorated with a vague representation of a brach with laurel leaves. The joining point of neck and body that is preserved bears part of a black, thick line. b) The interior and top surface of the rim is black, with the exception of a reserved band on the end of the rim (interior) that bears a thin, black line. c) The handle is black, except for the surface that would not have been visible if it was attached on the vessel, which is reserved (but glazed). Around the spring of the handle there is a motif between two thin lines that resembles the ionic cyma (egg-and-dot). The rest of the vessel is black, both on the outside and the inside. d) The handle is black, apart from the surface that would not have been visible, where there are two dots. Around the spring of the handle there is part of the ionic-cyma motif. e) There is part of the ionic cyma motif that the handle bears around its spring and the rest of the surface is black (interior and exterior), apart from part of a small chess-shaped motif, framed by a line above and two below. f) It is black apart from an area that bears a small part of the motif that contours the springs of the handles, a small, diagonal, reserved band (exterior) and a reserved band (interior). g) The surface is black (interior and exterior) except for three thin lines that are reserved. h) The interior is black. Exterior: Above a double-meander pattern, placed on a reserved band and between two lines, there are two heraldic lion paws, even though the details have fadded away. i) The interior is black. Exterior: The lower part of the drapery and the foot of a figure, surrounded by black colour. j) Black interior. Exterior: The lower part of a vertical, reserved thin band is standing on a broad, reserved band that bears between two black lines part of a pattern that consists of a meander and a cross on its right. The cross is contoured by a reserved area (around its sides), while its is executed on a black background. k) The interior bears a thin, reserved band. Exterior: The back part of a male figure's head and shoulder, as well as part of the drapery. l) Black interior. Exterior: The male figure's shoulder and part of his draped body. On his right there is the outer part of the motif that contours the springs of the handles. m) Part of the male figure's leg, knee and tibia, which is projected, as if he is ready to take a step. On the left top side there is part of a vertical, thin, reserved band (upper part of a walking-stick). n) Black interior. Exterior: The lowest part of the figure's drapery and a vague representation of his feet ? He appears to be standing on a pattern that consists of a chess-like motif close to two, double-meander ones, framed by two lines above and one below. o) Black interior. Exterior: The lower part of the figure's walking-stick that seems to stand on the double-meander pattern. On the left of the walking-stick, there is part of the back side of another draped figure (male), with the same careless rendering of the feet. p) Black interior. Exterior: Part of the walking-stick and drapery of the second figure. q) Black interior. Exterior: Small part of the second figure's drapery. r) Black interior. Exterior: Small part of the second figure's drapery. s) Small part of the second figure's drapery. t) Black interior. Exterior: Part of the lower termination of the second figure's drapery as well as his right foot? On the left, part of his walking-stick. He seems to be standing on part of the double-meander pattern. u) Black interior. Exterior: Part of the pattern that consists of the chess-like motif, next to part of a double-meander one, on top of which there is the lowest part of a figure's foot? (clumsily rendered). v) Black interior. Exterior: The lower part of the drapery and right foot of another similar figure that satnds on the double-meander pattern. w) Black interior. Exterior: Part of the figure's drapery. x) Black interior. Exterior: Part of the figure's drapery. y) Black interior. Exterior: Part of the figure's drapery. z) Black interior. Exterior: Part of a male figure's arm and hand. aa, ab and ac) Part of the rim and neck. The exterior bears a broad black band and the interior bears a reserved area between two black bands. ad) There is a reserved line on the interior, while the exterior is black, apart from a reserved spot of unclear shape and another, similar one that bears a thin, black line.
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| E.23.2
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Funerary stele with vulture wings surrounding the solar disk, common during the time period. Below the wings is the text of the stele, surviving intact. Two men are depicted adoring the god Re-Horakhty, whose presence is indicated not only by the uraeus and sun disk but also his name inscribed in the text. It has been suggested that the dress of the figures indicates that they are Nubians; this is confirmed by the oddity of their personal names. The sky is depicted above the winged disk, each end being supported by the symbol of the west (on the left, only the top of the feather survives) and the east (on the right, more or less complete). A signature, possibly belonging to Flinders Petrie has been found above the head of the right hand figure.
There is only one viable interpretation possible, when one combines the depictions with the details found within the text. The stele depicts the man Serep and his son Tkr-Irt-Hrw, not as has been assumed Serep with his Ka. A personal Ka has no need of the title m33 khrw, which is a title of the deceased, thus two deceased are depicted. There is no question that Serep is a man as he is depicted in male dress and has the male symbol after his name.
There is enough evidence to show that the stele was once painted. Red pigment on the sun disk of the god is the most apparent, though a similar (if not the same) is found in several of the hieroglyphics and on the deceased as well as faint traces on the column to the right. A yellow stain remains in the first two columns, which could be remains of the paint used to fill in the columns. The combination of colours matches well with the red pigment found in the glyphs.
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| E.23.49.5
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Triangular, serrated on longest edge; right angle where held, slight notch for gripping. Underside flat, word 'Scraper'written on otherside, light brown in colour.
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| E.23.54
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Green shabti, arms folded, shoulders are indicated by the drawing of the figure 'A' on either side of the upper body, there is an inscription in hieroglyphs. The figure is carrying a sack indicating that it is a worker, this is painted on the back of the right shoulder in black.
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| E.23.55
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Light green in colour, arms crossed, details painted in black: eyes, the shoulders ('A' shapes), a basket indicating a worker on the back of the right shoulder, an inscription vertically down/up the front of the body.
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| E.23.56
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Light green in colour, arms crossed, black pigment gives the details of the eyes, the shoulders ('A' shapes). a basket on the back of the right shoulder indicating a workman, an inscription running up/down the centre of the body.
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| E.23.57
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Light green in colour. Black pigment gives the details of the eyes, the shoulders ('A' shapes). a basket on the back of the right shoulder indicates that this represents a workman.
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| E.62.23
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Triangular shaped fragment of white limestone, with inscription in relief as well as a bull in the bottom right corner.
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| E.62.49
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Painted with scenes and inscriptions. Vivid yellow pigment used for background. Female figure painted in red outline. Inscriptions use blue, red and green pigments. Figure is "singer of Amun". The right hand side appears to have a wooden peg going through this part of the coofin, like this was part construction of the original coffin.
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| L.2005.7.15
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Obv: Bust of Artemis wearing stephane; bow and quiver at shoulder. Rev: Nude Apollo standing on maeander pattern, holding in right hand a branch and resting left elbow against tripod; all within laurel wreath.
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| L.2011.1.36
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Image of a winged Eros holding a shell in left hand and an object in the right hand (alabastron?). Volute patterning between body and nozzle.
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| L.2011.1.48
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In the central discus one reclining figure recumbent on its right side; right leg bent, left leg outstretched. Behind the legs a fish tail. At the back of the figure a drapery, like a semi-circular frame around the head. (possibly a Nereid riding a sea-bull?). On the edge parallel lines in low-relief. On the underneath inscription and a small half-moon shaped stamp.
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| L.2011.1.51
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Pattern on the handle(short horizontal lines on the edge, one on the left, two on the right); moulded ring at the junction between rim and neck, with a pattern (short vertical incised lines) above and below.
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| L.2011.1.53
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Red glaze. Two figures in low-relief: on the right a human figure with legs outturned, on the left a human face (mask) with a sort of base or plate on the head; above the plate two legs of an incomplete human figure. On the sides of this composition two vertical patterns, composed by short horizontal signs with below a six-ends star.
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| L.2011.1.56
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Raised frontal image of a bearded man in a short tunic and hat, holding a rectangular shield in his left hand and leaning on a (?) club with his right, and with a wheel on his left hand side
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| L.2013.10.3
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Details of the scarab body is incised, but now faded. Base damaged especially in the top right hand corner. Hieroglyphic inscription damaged and illegible.
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| L.2013.10.5
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Obv: side profile of a man wearing a helmet, facing left, to the right of the helmet is an inscription. Rev: Romulus and Remus being suckled by a she-wolf, above the she-wolf is two stars. Below Romulus and Remus are the letters TRP or THP.
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| L.2013.10.6
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Obv:Man wearing helmet facing right with inscription around the edge Rev: unclear but looks like a seated figure with an inscription around the left side
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| L.2013.10.7
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Obv: head facing right Rev: figure seated
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| L.2013.10.8
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Obverse: Male figure facing right with inscription around the right edge Reverse: unclear
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| L.2013.10.9
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Obv: Man facing right inscription around the edge Rev: Two standing figures facing each other. Smaller figure flies between them (top) with an alter or cup between them (bottom). There is an inscription around the top, possible inscription 'CONCORDIA'.
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| L.2016.3.14
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The dancer wears a short chiton, only fixed on the right shoulder; left breast and shoulder are bare. Those characteristics are associated with a Maenad. Her hair is tied together to a long plait.
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| L.2016.3.24
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Obverse: Portrait of Alexandros III. to the right, wearing Heracles' lion skin exuvia
Reverse: (From left to right) quiver, Greek inscription, Heracles' club, Greek inscription
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| L.2016.3.25
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Obverse: Portrait head to the right, reverse: Quiver, with another object below (?)
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| L.2016.3.26
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Obverse: Portrait head to the right, probably Artemis with long curly hair and laurel wreath.
Reverse: cow/bull, Greek inscription
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| L.2016.3.27
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Obverse: ?, reverse: one person (barely discernible) is riding a horse to the right
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| L.2016.3.28
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Obverse: Portrait head of Zeus to the right, bearded and wearing a diadem, reverse: thunderbolt with two letters around the centre.
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| L.2016.3.30
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Obverse: Portrait head of bearded Heracles to the right, reverse: bow and club with Greek letters below
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| L.2016.3.31
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Few traces of different coloured paints. Few, small black or dark brown flecks allover the surface, a little more at the saddle, belly and mane. There are very few traces of green glaze at the top of the nose and front part of belly and saddle (and white as well as red-brownish flecks at the rare part) on the right.
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| REDMG:1926.99.50
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Black band on inside of mouth; three black bands on rim; exterior off lip decorated with a series of dots; handle decorated with vertical bars on either side. Daisy petals extend from the neck (each petal is decorated with a white dot), below which are two lines, a warrior frieze, two lines, and a black band . The three warriors, lightly incised, each stand profile to the right, and are indicated by two lines (extending from the top right and bottom left) for the spears, and two more lines (extending below) for the legs; each carries a large round shield decorated with incised circles.
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| REDMG:1926.99.54
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Mouth black interior and exterior; reserved neck; black on exterior of handle; band of black vertical bars above white band decorated black rays on shoulder, extending to carination. Body, top: white band decorated with two rows of black dots joined by a thin black zigzag (at front, only), above two black lines; figural scene (front only); white band; black band between two black lines; black to foot and on top of foot; otherwise reserved. Figural scene is of a chariot behind which stand three draped female figures (two women, standing profile to right, towards a third figure, standing profile to left. A fourth female figure sits profile to left, in front of the chariot. All four figures are draped, wreathed (with red bands), and have white faces.
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| REDMG:1935.87.19
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Traces of four (?) bands on mouth and three lines on handle. Tongues on shoulder with two bands below. Main design (starting from below handle going left to right) a human (?) figure on a horse facing right, a lion biting the foot of a warrior who is defending himself with shield, a large creature (possibly a panther), and a man. These pictures are all incised. Dots and rosettes incised with asterisks in field. Five bands around base.
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| REDMG:1935.87.25
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Black except for the figural design, with friezes above and below it; reserved but ruddled resting surface. A. Horizontal friezes on neck and below figural scene, consist of two vertical bars alternating with circles, reserved bands above and below. Scene: nude satyr, standing profile to right, with his left foot raised on a rock, faces a draped woman, seated 3/4-view to right, with her head turned profile to left. He raises his right hand towards her, and rests his left arm on his knee. She holds a mirror in her upraised left hand. Five ivy leaves in field between them. B. Horizontal friezes on neck and below figural scene consist of chevrons to left, between reserved bands. Scene: Two draped youths in conversation, face each other on either side of a stele. Yellow and white details: white fillet on satyr, bracelets and necklace on woman, and spots on the mirroron Red wash on reserved areas suggests imitation of Attic red figure. A pair of incised lines run horizontally across side A, and another line runs horizontally across side B; further incised lines around the upper body of the woman indicate that these might be an artists guidelines.
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| REDMG:1935.87.3
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Black inside, outside and rim. Handle is black all over as is top half of neck. Lower half of neck has an umbrella pattern with 12 tongues on top. Large palmette with tendrils under handle on body and tendrils either side of scene. Scene is a woman standing, facing right, holding mirror in right hand and a box in left looking at seated Eros who is holding a mirror in his right hand. Added yellow over white, and white on Eros's wings, mirrors, box and headresses. Traces of miltos. Reserved band beneath scene. Black foot but reserved resting surface and base. (Modern) red cross drawn on base.
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| REDMG:1935.87.31B
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Lid: on the rim of the knob, black silhouetted triangles pointing outwards; below teh knob, black rays; four circles, the second and fourth red; round the edge below the animal zone a black band between two black lines; on the vertical rim a red band, and again a black band between lines. In the animal zone, on one side a palmette-lotus complex, flanked by a pair of sirens; on the other a siren flanked by a panther on the left and a lion on the right. Small incised circles on the body of teh panther, incisions on the lion. Field ornaments include rings of dots with or without a circle at the centre, scattered dots, amorphous and cruciform rosettes with incisions crossing at centre, rosettes with incisions forming small arcs facing away from the center. Some remains of added red on neck, breast, and tail of sphinxes, heart of palmette and petals of lotus. Inside of lid reserved.
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| REDMG:1935.87.32
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There is a broad, black band at the interior of the rim. On the top of the rim there are black tongues, apart from the surface of the handles, decorated with palmettes. Waves are used to decorate the edge of the rim, while the handles bear small palmettes on their sides and the rest is painted black, as is the body between. Both neck panels have ivy and dots joined by vine. Both sides of the body show a female head, facing left and wearing a decorated cap with a spiked stephane over it. There is a small window (rectangular motif with black vertical line), top right on both sides. Side A, however, has a strigil with wavy endings above the head, top left. Side B has a knot of hair emerging through the apex of the cap. On both sides there are volute-shaped motives at the end of the cap and below the woman's chin. Side A: The woman wears a black earing (a circle and hanging dots) and a neclace of black beads. A hair with a heart-shaped ending falls vertically over her neck. On the other hand, the woman on side B wears a similar but yellow earing and a neclace made of yellow beads. Both women are framed by two vertical red bands, decorated with two similar motives of a vertical row of dots between thin lines. These columnar patterns seem to support a horizontal red band over the head, ornated with tongues between thin lines (one above and two below). However, the surface under the heads is not identical for both sides. Side A has a red band with dots between lines and side B has two parallel lines and the wave pattern. Both the scenes are partly ruddled and added yellow is used to render the details. Miltos apparently was applied last.The lower half of foot is ruddled.
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| REDMG:1935.87.4
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Mouth is black just inside rim but interior walls are reserved. The handle is black all over as is back of neck and back of body. On neck at the front is a wave pattern which forms the horizontal part of a reserved outline to the picture. Within this box is a woman with flowing robes, facing to the right holding a wreath in her right hand and a plate / tray in her left. Tendril pattern to her right at bottom of picture and a rosette in the field. Added white to bracelets, head dress and rosette. Foot was originally black outside with reserved resting surface and flat base.
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| REDMG:1935.87.7
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Mouth is blacked just inside rim, leaving interior walls reserved. Handle, back of neck, and back of body are all black. Wave pattern on neck forms upper part of a reserved frame around a figural scene. This scene depicts a horned youth, running to right but facing profile to left, with cloak over his left arm, carrying a tray in his right hand. Tendrils each side of him emerge from the base and four rosettes and one fillet are in the field. Added white and yellow on horns, rosettes, tray and head dress. Foot is black on outside and the base is reserved.
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| REDMG:1947.13.1
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Black mouth inside and out, otherwise reserved inside. Below the rim, on the lip, is a white laurel wreath, to right. On neck, between black handles, a 9-leaf palmette, with a black dot for heart and black dot on either side of central petal; black ridge between two black lines; frieze of vertical bars beneath each handle; beneath each handle a large palmette above a pair of volutes, from which emerge vegetal ornament. A: Attenuated ovolo frieze between two black lines; white ribbing (painted); two reserved bands; floral frieze with white head, to left, at centre, emerging from a calyx from which emerge also tendrils, berries, volutes, and blossoms; reserved frieze; scene. B: Continuous maeander to right, between two pairs of lines; black ribbing (painted) between two black lines; flanked by vegetal ornament, from which emerges quarter palmettes and volutes, a female head, profile to left, wearing white stephane, and white sakkos, from which emerges curly black hair, at front and black; white drop earring on an inverted triangle. Below the body zone, around the entire vase, is a decorative band consisting of dotted cross squares (1) alternating with stopt maeanders to left (3) between two reserved bands; black below.
Scene, A: A woman, standing in 3/4-view to the right, with head profile to right, hair emerging from the back, a sleeveless, belted chiton, a himation draped over her left arm, a pair of white slippers, holds a palmette fan, with white detail, in her upraised left hand, and a branch (similar to a thyrsos) in her left hand, at a diagonal. She also wears a white stephane and a sakkos with black and white detail, from the back of which emerges a tuft of hair, a white beaded necklace between two thin chains (rendered by black lines), and white snake bracelets on each arm. She faces a naiskos enclosure, decorated in gilded white, with thin Corinthian columns and a black pediment, on a podium decorated with a simple continuous maeander to right, between a two pairs of white lines. Enclosed within the naiskos is a warrior, rendered in white with yellow details, seated in 3/4-view to the left, on a himation, with his legs crossed, and his left elbow resting on the back of his seat. He holds a crested helmet in 3/4-view to the right, at which he stares, and a diagonal spear in his left hand. On the ground below him is a small shield. To the right is a nude youth, standing in a reclining pose, 3/4-view to the left, wearing a white fillet in his hair, and white slippers. He holds a himation, bundled up around his left arm, and an opened box as well as a dotted, fringed sash, in his right hand. A thin rectangular element, perhaps a dagger, emerges from the opened box. A (heart shaped) ivy leaf hangs in the field above him.
White dotted lines indicate the groundline between all figures.
Details on the shoulder rays and, ornaments in the field, and all figural scenes are rendered in added white, sometimes 'gilded' with yellow wash.
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| REDMG:1950.25.1
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Black interior to bottom of rim. Laurel wreath, to right, on neck, above a row of widely spaced dots. Body decorated with egg-and-dot frieze, between reserved bands, which stops short of the handle on either side; figural zone except beneath handle (palmette with floral blossom at centre, three vertical lines at heart, vegetal ornament and flowing tendrils on either side); inverted waves, to right. Exterior surface of foot is ruddled on the upper part. Reserved resting surface and underside except for black circle at centre, surrounded by broad ruddled band, and black on inner foot ring.
The figural scene shows a female figure, dressed in a belted, sleeveless chiton, reclining on her front, profile to right, reaching towards a phiale held by Eros, who advances profile to left, crouched and holding a wreath in his lowered right hand and a phiale in his upraised left hand. Both wear their hair identically: spike stephanai, sakkoi, and pony tails. Behind Eros a bird, profile to the right, on a perirrhanterion (pedestal basin). Added white, gilded with yellow, on floral and vegetal ornament, headdresses, wings, and basin.
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| REDMG:1951.113.3
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Black glazed except for reserved areas: lower part of body, reserved (interrupted by a black line); upper part of foot, and underside (resting surface glazed black except for a reserved band). Back decorated with a (white) wavy ivy garland beneath handle; front decorated with two incised lines, egg-and-dot frieze on which eggs are surrounded by incised lines; another pair of incised lines; waves to right, garland from which hang alternating fronds and bunches of grapes, with longer sprays at sides; on a pair of dotted groundlines stands a bird (wren?), profile to left, between two flowers.
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| REDMG:1951.130.1
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Black band on interior, reaching to ca. 1.0 cm. below the lip; black neck and handle. Shoulder: reserved tongues, alternatively red and black at centre, on a black band (tongues extend partly over the upper ridge, on the right side). Body: komos comprised of eight nude male dancers with purple hair and incisions delineating hair, eyes, muscular and other bodily details; under handle, black column krater (decorated with two incised lines on shoulder, purple band and incised rays band between incised lines on body); in field between dancers, seven rosettes with single or double incised central circle and incised petals. Below, broad black band between two black lines; black rays emerge from base. Foot black on exterior, otherwise reserved.
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| REDMG:1951.131.1
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Black rim and neck, except for a thin reserved band just above the join with the body; body decorated with three reserved bands above an egg-and-dot band and another reserved band; row of white dots at top of figural scene. Below, band comprised of stopt maeanders (3) alternating with cross-in-square (1), between two reserved bands; broad reserved band at join of body and foot; reserved band on lowest ridge of foot as well as resting surface and underside.
A: A draped woman runs in 3/4-view to the right but looks back, profile the left. She holds in her lowered right hand a wreath from which a garland hangs and in her upraised left hand a box (decorated with bands, chevrons, and zigzags, as well as white dots above the box), while drapery falls over her left arm. She wears a stephane and a kekryphylon with dangling ribbons, beaded earrings and double necklace (indicated by white dots), double bracelets on each wrist, a belted, sleeveless chiton, and slippers. In the field are a fillet (upper left), a rosette with five white dotted petals and a yellow centre (upper right), and a shrub with berries (lower centre), as well as a white dotted groundline rising slightly to the right. B: Eros, holding a beaded necklace in his extended right hand, is seated in 3/4-view to the left on a flower. The leaves and buds of the same plant elaborately fill the field beneath and around him. He wears attributes that are similar to those of the woman on A: stephane, kekryphylon, earring, double beaded necklace, double bracelets, and slippers. He also wears a beaded baldric diagonally across his chest and ankle bracelets (3 on each ankle) and a baldric comprised of a row of white dots arranged diagonally across his chest, over his left shoulder.
Added white is used for details of Eros' wings as well as the jewelry, box decoration, slippers, vegetation and groundlines, as well as the centre parts of the eggs on the egg-and-dot band.
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| REDMG:1951.134.1
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Black interior and handle; beneath each handle a palmette, flanked by tendrils; on each side a wave band, to right, above a woman's head, profile to left, surrounded by tendrils. Banded decoration below is comprised of a reserved band just below the figural scene, a pair of red bands above the foot, a red band on the upper surface of the foot, and reserved area at the centre of the underside.
The common use of red stain to effect a red (ruddled) surface on reserved areas is highlighted in this example by the almost complete loss of black glaze towards the foot, where the ruddled intervening bands strongly contrast with the buff/reserved (formerly black glazed) areas.
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| REDMG:1951.137.1
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Inset circle of knob decorated with a cross with chevrons in the angles. Bars on rim of knob. Black stem, reserved band at attachment to lid, which is decorated with a figural scene. Bird (partridge or pigeon) standing profile to right, towards a female head (Aphrodite), profile to left, wearing dotted spiked stephane, sakkos, and a pony tail, as well as white hoop earrings and a dotted necklace. Two dotted four-petal rosettes in field behind her. Scene flanked by two sets of tendrils from which emerge lotus buds, on either side of a palmette from the top of which emerges a lotus bud. Added colour (yellow on white) for details of bird, stephane, jewelry, and flowers. Flange on edge and underside of lid are reserved.
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| REDMG:1951.139.1
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Black, except for double palmette on top of knob, reserved line on groove below stem. On top of lid, two female heads, each wearing a sakkos, one with a spiked stephane, profile to left, between palmettes. More tendrils and vegetal ornament, emerge from the palmettes. Wave to right, around lip. Added colour only for stephane.
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| REDMG:1951.140.1
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Upper surface of rim reserved, black ridge, and outer edge of lip decorated with a wave pattern to right; black below lip, on neck and on handles except forward handle attachments (on horizontal handles) decorated with rays; reserved patches beneath horizontal handles. Lower part of neck decorated at front with a short laurel wreath, to left, between two narrow reserved bands. Beneath the figural scene is a groundline comprised of a frieze of alternating maeanders (three) and saltire squares (one). Narrow reserved line at join with base, bottom edge of base, and underside. The figural scene is framed between a tendril, above the left handle, and a larger vegetal ornament, from which emerges a lotus bud. A Youth stands in 3/4-view to the right. He is nude, except for drapery slung over his bent right arm and held in his lowered left hand, and a white taenia on his head. He also holds a staff in his slightly upraised right hand. At centre is a bird (crane), seated in a perirhanterion (basin), supported by a fluted, tapered column, with a dotted capital, on a two-stepped base. The steps are decorated with small black spots and thin diagonal lines that suggest a marbled appearance. On the other side of the perirhanterion stands a woman, in 3/4-view to the left, with her weight on her right leg and her left leg relaxed. She wears a belted, sleeveless chiton, double bracelets on each wrist, a beaded necklace, and a spiked stephane, as well as a short pony tail. She extends her right hand to the bird and holds a box, decorated on the sides with black spots and lines, and three white spots on top, in her slightly upraised right hand. Above the bird is a rectangular frame (sometimes called a window but perhaps a votive plaque); above the box is a cogwheel. Most of the reserved areas are darkened with red wash, and the jewelry and other details in added white.
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| REDMG:1951.141
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Black on interior except for a reserved band just below the lip. Black on exterior, except for a frieze of tongues underneath the rim on both sides, but not above handles; figural scenes on body. A: Partridge profile to the left; tendrils in lower left field; circle and tendrils in upper right field. B: Satyr head, profile to left; tendrils in lower left and right fields; quarter palmette in upper left field; single palm leaf in upper right field.
Although female heads are more popular in such contexts, the large red element in place of the ear is probably a horn and indicates that this is a representation of a satyr. The decoration in the lower left field of the B side indicates the addition of a second layer of black glaze, in a manner than changes the image (from a large tendril to a small tendril below an L-shaped element.
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| REDMG:1951.147.1
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Entirely black, except reserved on the inside of the spout and the underside including resting surface, and red figure decoration: line at middle of neck; ray band at lowest part of neck, above dots; figural scene between two sideways palmettes, enclosed, from the outside bottom of each emerges tendrils; short ray band at interior of lower handle attachment; 10-leaf palmette at exterior of lower handle attachment; flange decorated with egg-and-dot band, beneath a black line; the sides are decorated with an ivy design, effected through incision (tendrils) and added white (leaves). Reserved line band just below join of body and foot.
The figural scene on the shoulder depicts seated youth seated profile to the right, facing a woman, seated profile to the right, but turning profile to the left. The youth, nude except for a hairband, sits on drapery, alongside which he hangs his left arm, and reaches a wreath, held in his left hand, towards the woman; she, wearing a crenellated stephane and a belted chiton, is seated perhaps on a cushion (comprised of dots), helds her right arm, slightly lowered, towards the wreath, and holds a box in her slightly raised left hand. A four-petal rosette is beneath her right arm.
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| REDMG:1951.148
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Black interior, handles, neck and body except for decoration in panels (black figure in neck panels; red figure in body panels). Upper surface of rim decorated with ivy spray, with 3-dot clusters between ivy leaves; palmettes on tops of handles; ivy spray on lip, with palmettes at tops of handles; wave pattern to right on overhanging lip. Neck panels decorated with double ivy spray, on which 8-dot clusters alternate with leaves. Body panels bordered by rays (above), double rows of dots between black lines (sides), and band of stopt meander (4) alternating with dotted cross-in-square (1) (below). A: Youth wearing hairband, short-sleeved, belted chiton, and mid-calf boots, stands in 3/4-view to the right; he holds a pair of spears upright in his right hand and a wreath in his left hand, held slightly ahead of him; a chlamys is draped over his bent left arm. A warrior is seated 3/4-view to left, on a curvilinear seat (stones?). He is dressed identically to the youth, although with a plumed conical helmet. He holds a large phiale in his outstretched right hand, and his pair of spears in his upraised left hand. Behind him stands a woman in 3/4-view to the left. She wears a belted, sleeveless chiton, a kekryphylon (hair), pearl earrings, a beaded necklace, two bracelets on each wrist, and holds a fillet in her outstretched right hand and a situla in her lowered left hand. In the field above the figures are a four-petal rosette between two boucrania. B: Three draped youths in conversation, the middle one, standing profile to left, leans on a staff with his outstretched right hand; the other two youths face him. Halteres in upper left field and and bulls-eye in upper right field.
Much of the interior and side B are misfired orange.
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| REDMG:1951.149.1
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Wide flared mouth. Black inside with two reserved bands either end of rim. Outer surface has a laurel band around rim. Handles, all black, at the base of the body extend upwards. Side A shows seated woman (skin painted white) and Eros next to her with a satyr seated and holding a thysseus and pointing on Eros' left. Tendrils above and plants in field. Side B shows a woman standing, draped, facing right, between two satyrs, one reaching to a box the other dancing with a box above him to the right. Egg and dot pattern below both scenes. Black to top of foot which has a reserved band at top and bottom of side. Base is concave and reserved.
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| REDMG:1951.150.1
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Black except for decorative bands and figural scene on either side, and reserved band at lowest part of foot, as well as reserved underside. Neck decorated on either side with a laurel band, between two reserved bands. Beneath figural scenes are decorative bands, comprised of stopt maeanders (3) alternating with saltire squares (1).
A: A female figure, juggling 8 eggs and advancing profile to right, faces a youth, advancing in 3/4-view to the right, but turning his head profile to the left. The woman, wearing a sakkos, tear-drop earring, beaded necklace, belted, sleeveless chiton, and two bracelets on each arm. The youth, nude except for a wreath around his head and a chlamys slung over his left arm, holds a large palm frond in his left hand and a phiale, at waist level, in his right hand. Above the phiale are 7 eggs (slightly smaller than those juggled by the woman). Bulls eye (above) and tendril (below) in field between them. B: Two draped youths, face each other in conversation; between them a window (above) and a stele (below); the figure on the right supports himself on a staff that he holds in his right hand.
Added white and goldish-yellow on side A, for jewelry, balls, phiale, wreath, and vegetation. The saltire square have short lines in place of dots. The right-most saltire square on A is replaced with a box of vertical lines.
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| REDMG:1951.151.1
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Black glaze all over, except for red rim, two superimposed decorative friezes at the base of the neck (ribbing between two black lines, egg-and-dots between two black lines, yellow dots below); figural frieze between tendrils; beneath handle one palmette sits atop a second palmette enclosed in tendrils that terminate above in volutes from which emerge further tendrils, ending in volutes, that sprout yet another set of tendrils; egg frieze between two reserved bands encircles the entire body and serves as a groundline for the figures; reserved underside.
The scene depicts a youth, nude except for two bands in his hair and a chlamys draped over his bent left arm, advancing (dancing?) in 3/4-view to the right, following two maenads, all advancing in 3/4-view to the right, although the last two maenads turn their heads profile to the left. All three maenads wear two bands in their hair (the last, however, appears as a single thick band), beaded necklaces, belted, sleeveless chitons, and snake bracelets on their left arms (the first maenad has a similar bracelet on her right arm). The youth and the first two maenads hold thyrsoi in their left hands. The third maenad holds a wreath in her lowered left hand.
All red surfaces are ruddled, except for the underside, including resting surface. Some added white and yellow highlight details on heads, jewelery and thyrsoi.
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| REDMG:1951.155
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Brownish-black band on inside of mouth; purplish-red band on top of lip; black band on rim; three black dots in a vertical row, on and just below handle. Purple tongues extend over shoulder; main body zone, comprised of hare-hound chase (one hare, two hounds, profile to right) bordered framed by two sets of purplish-red bands between black band.
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| REDMG:1951.156.1
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Mouth black inside and out, with a reserved lip; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body, top: black line at top of body. Body (at front, only): three rows of black dots between four black lines; black lines above and below figural scene; below, simple maeander to right, above a black line. Body, below: two black lines, thick black band, two thinner black bands, black to foot. Figural scene depicts a goddess mounting a quadriga, profile to right. Behind the horses are a seated (?) female figure, also profile to right, and a standing male (?) figure, from whom emerge, to either side, dotted branches; in front of the horses is a lyre player, seated profile to the left. All figures are heavily draped.
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| REDMG:1951.157.1
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Entirely black except for reserved line around edge of rim, ribbed zone (comprised of five vertical lines in panel) at front of neck, and figural scene on the front of the body, and reserved underside at front half of lekythos (similarly the front half of the interior is reserved).
Scene: double tendril, with a blossom emerging from the larger tendril; female head, profile to left; rosette in upper right field; small tendril in lower left field. The female wears her hair in a sakkos, tied at the back, from which emerges a tuft of curly hair around the ear. The reserved areas are ruddled, except on the underside. Some of the glaze beneath the handle has fired red.
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| REDMG:1951.159.1
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On neck, between black handles, an enclosed palmette (11 petals on A and 9 petals on B; with two concentric arcs for heart on A, black dot for heart on B), black dot on either side of central petal, and black dot in the upper corners; black ridge below black line; frieze of vertical bars below each handle attachment; beneath each handle two superimposed palmettes, with a pair of volutes between, from which emerge tendrils, sprouting quarter palmettes. A: egg-and-dot frieze, between two black lines; white ribbing (painted); two reserved bands; floral frieze on shoulder (four volutes from which emerge flowers, tendrils and secondary volutes) emerging from the lower right; two reserved bands; scene. B: Continuous maeander to right, between two black lines; black ribbing (painted) between two pairs of black lines; a female head, profile to left, wearing a sakkos, from which emerges curly black hair, at front and back. Below the body zone, around the entire vase, is a decorative band consisting of dotted broken stopt maeanders to left (pattern doesnt match up on side B, to the left) between two reserved bands; black below.
Scene, A: A naiskos comprised of two Corinthian columns supporting a tapered epistyle and black pediment, on top of a podium (white maeander on a brown background, between alternating black and white horizontal bands). Two white female figures stand within the naiskos. The figure at left, standing in 3/4-view to the right, wears a himation over her left arm and hips, over a peplos (decorated with two vertical purple bands on the chest). Her hair is bound in a sakkos from which emerges hair at front and back; her jewelry includes a beaded necklace and two bracelets on each wrist. She holds a fan in her raised left hand as well as a wreath in her lowered right hand. She faces another woman (probably the deceased) who is seated in 3/4-view to the left on a stool (diphros) and rests her feet on a footrest (hypopodion). She wears a short sleeved chiton and a purple himation that she holds above her right shoulder in an unveiling gesture (anakalypteria). Her hair too is bound in a sakkos, from which emerges hair at the back; she wears two necklaces, one beaded, and two bracelets on each arm. A small ornament (or pures) hovers in the field between the two women. On either side of the naiskos is a kalathos (basket), below a rosette (red with added yellow and white), above a pair of white balls interspersed with clusters of three white dots, and above a double line of white dots. Each basket (both are identical) is decorated with a cross-square with intervening triangles (top) and alternating bands of zigzags, and white and black lines, as well as a band of vertical bars.
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| REDMG:1951.160.1
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within.
Interior and mouth glazed black with two reserved bands at top and bottom of rim. On exterior, below rim, a frieze of tendrils, with lotus buds above and below. Black handles, with reserved bands between attachments, and enclosed half palmettes below, from the sides of which emerge tendrils with volutes that encroach in the figural scenes. Below the figural scenes is a band of slanted zs, between two reserved bands. Black below, except for the recessed element at the top of the foot, which is reserved, a narrow band at the bottom of the foot on the exterior, and the reserved underside. The reserved parts of the volute frieze and figural scenes are reddened.
Scene, A: A woman standing in 3/4-view to the right, wears a black beaded necklace, a sleeveless belted chiton, and two black bracelets on each wrist. Her hair is tied in a ponytail. She holds a torch in her advanced left hand, while her right hand, downturned, is also slightly raised. She faces a youth, nude except for a chlamys draped over his left arm and slippers, who stands in 3/4 view to the left, reaching toward the woman with his right hand. Between the figures, in the upper field, is a window frame, while a large tendril, with volute, emerges from the ground, between them. In the field behind him is a leaf. B: Two robed youths, standing profile, with their right legs advanced, face eachother across a narrow stele. Above them is a circle with a black line vertically through the centre and an 'H' drawn on top (probably halteres).
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| REDMG:1951.161.1
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Black interior, except for two reserved bands, at the top and bottom of the everted lip. Under the rim is a laurel wreath, to left, between two reserved bands. Beneath the figural scenes and surrounding the lower part of the vase, is a decorative band, comprised of stopt maeanders (3) alternating with saltire squares (1), between two reserved bands. The handle zones are reserved, and ray bands decorate each handle attachment; beneath each handle is a palmette, between two tendrils. Reserved bands decorate the base, on the groove at the top, and on the bottom; the underside is reserved.
A: A woman and a youth advance in 3/4-view to the right. She wears a stephane, a kekryphylon with ribbons, a beaded earring and beaded necklace, double braceless, a sleeveless, belted chiton, and slippers. She holds a tympanon (drum) in her upraised right hand and a kantharos, in her upraised left hand, which she lifts from a tray held by the youth, in his right hand. There are three white dots on top of the tray. He is nude except for a yellowed fillet, a thick white necklace, and a robe draped over his right hand. He turns his head profile to the left, to face the woman, and also holds a fillet in his outstretched left hand. There is a grape cluster in the upper right field. Added colour (white with yellow) is used for the jewelry and slippers.
B: Two robed youths in conversation, stand profile towards each other, each with his weight on his left leg. Both are enveloped in their himatia except for their right hands; the left-most figure holds a staff in his advanced right hand, while the other figure gestures to him, with his upturned right hand. There is a bulls eye in the field between them.
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| REDMG:1953.25.102
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Recumbent lion, with head turned to the right. Pale orange clay, with inclusions; surface has traces of white slip.
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| REDMG:1953.25.105
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Upper part of female(?) figure with bouffant hair-do with traces of pink. Traces of red on lips. Figure is wearing white tunic with vertical red stripes, and green belt with large buckle. Perhaps holding an eagle on right arm. Made of white plaster and is coarse. Back plain.
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| REDMG:1953.25.106
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Large fragment of coloured relief from a larger work (building or fireplace for example). Flat upper surface. Decoration, from top to bottom: red line; band of red with semi-circular patterns with leaf patterns; band divided into blocks painted into different colours (blue, red, green from left to right). Inside the red panel is a drawing in white of a four legged animal with a tail, possibly a bull.
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| REDMG:1953.25.21
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Trefoil mouth with thickened rim and flattened lip; broad neck joining bulbous body in a continuous curve (except for a slight ridge around base of neck [CHECK]), down to the low ring foot. A vertical strap handle slopes down slightly from the mouth and turns at a right angle back to rejoin the broadest part of the body. Black gloss except on underside.
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| REDMG:1953.25.22
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Mouth black inside and out, with a reserved lip; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body, top: black line. Body (at front, only): black line; two rows of black dots alternating with white dots; two black lines; figural scene. Body, below: two black lines, black band, black line, black to foot and on top of foot; black on torus; otherwise reserved. Figural scene depicts a charioteer, dressed in a white tunic, driving a quadriga profile to right; the horses raise their forelegs as they pass a white meta (post). Another figure, possibly Athena, with helmet and spear, runs alongside the horses, so that (s)he is obscured by them.
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| REDMG:1953.25.25
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Reserved neck; band of black vertical bars above a band of black rays on shoulder, extending to carination. Body: maeander to right (only at front), between two pairs of black lines; figural scene (front only); black band; black to foot and on top of foot, and top half of vertical surface of foot; otherwise reserved. Figural scene is of four seated figures, seemingly two women profile to right, the second playing a lyre, face a man reclining in 3/4-view to left on a kline (couch), with another female figure, profile to left, at his right. Dotted branches extend from the male figure (perhaps Dionysos) on either side. Added white for female flesh (faces) and fruit; incisions for drapery and fillets.
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| REDMG:1953.25.28
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Handle black on exterior. Shoulder: inner band of black diagonal lines and an outer band of longer black diagonal lines. Body: reserved band decorated at front with a pair of black lines above a simple maeander to right; broad black band; reserved band decorated at front with a band of black sloping zs between two black lines; black on lower part of body and upper part of foot; otherwise reserved.
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| REDMG:1953.25.8
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Body: band of vertical bars; two bands, animal frieze with three dogs running profile to the right; two bands. One band encircles the underside.
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| REDMG:1953.25.87
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Mounted horseman to right. Horses legs moulded onto flat background. Brown clay. Hollow with a hole in flat, unmoulded back, possibly for hanging.
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| REDMG:1958.39.1
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Headdress with decorative segmented fillets reaching to shoulders. Hand-made thick club-like arms with individual fingers, right hand lost, probably held offering. Area object covered suggests it was larger than a tambourine. Traces of red paint, especially on right lower body and one breast painted red.
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| REDMG:1964.1154.1
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The interior and the rim are coated with a black glaze. On the exterior of the lip, a band of vertical bars, interrupted in each handle zone, where the surface is reserved. Each handle is glazed black on the exterior; under each handle is a palmette with 13 leaves (14 on right side), outlined, with a dotted hemicircle at its heart. Each palmette is flanked by a tendril from which emerges a lotus blossom. On each side a female head, profile to left: stephanai with 6 white spikes, grape-cluster earring, beaded necklace; kekryphylon. The woman on A has a Roman nose; on B has a ski-jump nose.
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| REDMG:1964.1609.1
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Viewed from the nozzle; circular raised moulded rings around the discus, moulded decoration within however indistinguishable. two bands on the crest of the handle. Moulded line from the handle going across the discus decoration and ending to the right of the nozzle.
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| REDMG:1964.1616.1
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Viewed from the nozzle; circular raised moulded rings around the discus, moulded decoration within however indistinguishable. Two bands on the crest of the handle. Moulded line from the handle going across the discus decoration and ending to the right of the nozzle.
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| REDMG:1964.1688.1
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Slightly curved from left to right and curved from top to bottom, becoming steeper towards bottom of fragment. This suggests that the fragment may have belonged to a cup of some description which has straight rim and a sloping body (?) Fragment has the rim of the object. The rim is black and flat on the top. On the interior surface is a black band below rim, red, broad band, thin black band and red again. The exterior surface appears to have been black all over but faded to red. The material is thick and dark in colour.
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| REDMG:2004.95.1
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Interior of mouth black; lip reserved; exterior of mouth black, as is handle (repainted); vertical bars at the bottom of the neck; lotus-dot chain on the shoulder; Dionysos riding on a mule, between two satyrs, one holding a maenad. Below the figural scene is a black band, a reserved band, and then a black zone extending to the foot, which is black on the top, reserved on the convex surface and the underside.
Figural scene: A nude satyr (in a crouching pose) runs profile to the right, holding a maenad on his shoulder; the maenad, who turns her head profile to the left, stretches her arms to either side and holds a rhyton in her slightly upraised left hand. She wears a kekryphylon (red), necklace (incised) and himation. Dionysos, seated on a mule, rides profile to the right; the god, wearing a red and blck ivy wreath and a himation decorated with red dots, holds a red keras (horn of plenty) from which emerge ivy tendrils that serve as a backdrop for the entire scene. Leading the mule (through use of a white rein, of which a ghost remains) is another nude satyr, running profile to the right, while he turns his head profile to the left. Other details include red on the beards and tails of satyrs and a red fringe for the foremost satyr. Incision is used extensively for anatomy and drapery. An unusual effect is created through the use of incision for the forearm of the leading satyr, which he lays across his torso, which is not incised save for two small circles to indicate his nipples.
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| RM.87.35.22
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Decoration on the whole body, handle, mouth and beneath the aryballos. On the body you can see warriors marching right, carrying shields. On the underside and on the mouth, a floral design is visible (leafs). The handle has a zig-zag line design, with dots in the middle.
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| TEMP.2003.6.12
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The internal surface of all the fragments is black. External: a) The rim is black, however,it appears red on an area. The back of the handle is black (the inner surface is reserved), but the area between the two parts of the handle creates a horizontal, reserved band. Below that, there is part of a black band and part of a reserved area. b) the rim is black. Below, on the left, there is part of a wavy? vertical black band, while on the right there are two small, black spots, parts of a motif. c) There is part of the black band that decorates the rim. d) There is a black band on a reserved area and part of a motif that resembles a ribbon? below which spring thin lines.
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| TEMP.2003.6.17
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The interior of the vessel is black apart from the lowest part of o, whose lower part bears a reserved but glazed line. Exterior: a) On the right side, there is the upper part of a seated woman (part below her waist is missing). She is draped and wears a stephane (fillet) on her head. On the left side there is a floral motif whose stem is a wavy line that expands to the left. b) There is the back side of another seated draped female figure. c) The front side of the previous female figure. She is holding an alabastron with both her hands. d) On the lower left part there is the largest part of a voluted palmette with petal shaped divisions, connected with a tendril. The area next to the spring of the one part of the handle is reserved. e) On the bottom right there is the rest of the previous palmette, also connected with a tendril. f) On the bottom right there is the upper part of a palmette and on the upper left there is part of a tendril's volute. The area on the left of teh one spring of the handle is reserved, but glazed (plaster on top). g) Uneven black surface. h) A small part of the volute of the tendril of f and the stalk of a flower. i) Part of an inverted palmette, connceted with (part of ) a tendril, with (occasional) leaves on its sides. j) Small line, part of a tendril. k) Part of a tendril's volute. l) A figure's projected forearm and hand (figure's depicted on n?). m) On the right side, there is the stalk and part of the stem of a flower and a line that seems to be part of a tendril. n) Part (head missing, neck and shoulder are scraped off, area below the knees missing) of a draped standing figure that has the left hand around the waist. o) The lowest part of a figure's drapery.
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| TEMP.2003.6.23
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a) The upper part (head to chest) of a draped youth, with a fillet on his head (faded), facing left. b) Another youth (part of his face is missing). He is wearing a himation on his arm and waist and his right hand is extended to the left. c) The rest of the previous figure's face and below, the biggest part of a lyre. The rest of the fragments are black, with the exception of part of a thin line on e.
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| TEMP.2003.6.24
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Fragment of pot, including slight buldge where handle begins. Exterior, black lines on white background. At the right edge of the top there is a triangluar bit of black that looks like it originally belonged to a square surrounded on both verticle sides by twin sets of thin brown verticle lines. Less than 1 from the top there are two brown lines that follow the curve of the jug horizontally spaced .3 apart. Under these lines on the left is a large2.5 hieght figure eight pattern made up of three lines that swirl around to create the eight, with little v's on the outside of the eight pointed away from where the figure eight lines cross. On the right side, two bworn/black lines curve around where the handle would have begun. The handle section is all black, although chipped. Under the figure eight is a .6 thick black lines running horizontally around the pot, broken by a thin pink line a little below the middle. there are two other thin pink lines equidistant from this first one, one above and one below it by about .4, the top pink line being right above the top of the black line. Underneith the bottom pink line is a segment of a different pattern. Interior is black over pink and white, which is worn away enough in many parts to see the pink and white colors. two thin and faded white lines form bands near the top.
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| TEMP.2003.6.6
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The interior is black, but there is a reserved band on the fragments that come from the vessel's rim (a, b, c, d), which also bear a reserved band on the upper internal side of the rim. a) The black colour appears streaky (it varies from reddish brown to brown) on the rim (interior and exterior), as well as on the handle. The colour of the decoration appears brown and reddish brown on some areas. There is a broad band that bears two palmettes (one on either side of the double handle), while the surface between the two springs is reserved. On the left side of the fragment there is the right part of a motif (front legs of horses?). Below, there is part of a black line. b) The rim is black. Below, there is the upper part of a charioteer, riding a chariot with four horses (part of them is preserved). Details of the horses have been rendered with incisions. c) The rim is black, however the black colour is uneven and leaves part of the right edge of the fragment's rim reserved. Underneath a thin, reserved line, there is a palmette and next to it part of the line that contoured the spring of the handle. d) The rim is black. Below, there is a female figure's head and in front of her (at the level of her face) there is part of a curving branch, with dots on either side (part of wreath?). e) Part of a palmette, a black line and a black band. f) There is a dot in the middle of the resting surface, contoured by a circle. There is also part of a wide, band, between thin lines, above which, there is a graffito? in the shape of X.
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| TEMP.2003.6.7
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The interior is entirely black apart from a, which, although black, bears a reserved band on the interior of the rim. a) The rim is black. Below that, the vessel bears the depiction of a symposium scene. On the left, there is the upper part of two draped male figures facing each other. Between them there is a carelessly rendered figure (background); a servant? and a branch with dots on either side. Another, identical branch can be found behind the person on the right. Next to that, there is the upper part of another figure (servant?) from whose arm another branch is hanging. He is facing right, towards a palmette (voluted with petal-shaped divisions), from which the beginning of a tendril seems to spring. There is also part of the bad that covered the back of the handle. b) The lower part of the male figures that face each other. They are draped and seated on similar chairs (diphros okladias). Below them there is a thick line and underneath, the beginning of a band. c) The lower part of another seated (on a similar chair), draped figure, with part of the thick line and the band below. d) The back of the handle is covered with black colour (carelessly rendered at some areas and streaky). The rest of the surface is reserved (but glazed), however, there are some spots on the handles's inner surface. e) The back of the handle is black, but the black colour is streaky at some areas, There is part of a branch on the right side. f) The back bears black colour. g) The back of the handle is black, although streaky on some areas.
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| TEMP.2003.6.8
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The interior is black, apart from a reserved line on the upper part of the rim. a) The rim bears a black band. Below, there is a palmette on the left of the fragment (an almost round centre from which emerge petal-shaped divisions), as well as part of a carelessly rendered curving line. On the left there is the right part of a figure next to three barnches with dots on either side. There are also four large dots on the background. b)The rim bears a black band. The rest of the surface appears to be reserved. c)The rim bears a black band. On the right side there is the largest part of a palmette (round center, rendered with added red and petal-shaped divisions). There is part of a black line that contoured the handle (partially covered with adhesives and plaster). On the left, there is another figure (carelessly rendered, between three similar branches (on the right) and part of an (undecipherable) object that consists of black colour, incisions and added red colour. There are also four large dots on the background. d) The rim bears a black band. There is part of the object on the left side of c and on its left there is part of a black dot. e) On the left side there is part of a curving line with a voluted ending (tendril?), which is connected to a palmette (voluted, with round center and petal-shaped divisions). Next to that there is an object that consists of three parts. The upper is round and the details are rendered with incisions and added red, the middle part is a small dotted branch and the lowest part is a short, vertical, thin band (thyrsos?). From its middle part emerges another dotted branch. There are five large dots on the background. On the right side of the fragment there is the left part (small part) of a figure? (carelessly rendered). f) The part of the lowest body that is preserved bears the terminations of palmettes? depicted on the body (short, clumsily rendered bands are preserved). There is also a reserved thin line between two broad brown bands. The foot is also brown and so is the inner sude surface of the foot. The rest is reserved, with the exception of five thin, concentric circles on the base. g) The fragment bears the lowest part of a palmette (the left volute and part of the round center)on the left and part of the reserved area between the two brown bands.
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| TEMP.2003.7.30
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Small figurine, features not at all defined. Figure is very simple, small rounded shapes for head and arms. Both the back and front are relatively flat and smooth - the front is the side which has the base sticking out further than the back. There are indications that something was painted on it - black line by the right arm, on the front at the bottom, and on the back on the lower half of the body - here there are three vertical lines, the middle line being the longest. There are four black blobs on the square base.
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| TEMP.2003.7.32
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Small figurine, possibly an animal. Pinkish colour, with remnants of black paint on the back, on the left arm and on the main body. Appears to be scratching head with the right arm, and the feet are distinguishable from the legs because they are at an angle.
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| TEMP.2003.7.4
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Five sided fragment. Exterior white with a pattern of parallel brown curves that get increasingly shorter, creating a pie slice shape. Interior black with a red line alone one edge. Right above the red line is a white line. There are also a few other splotches of white.
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| TEMP.2003.7.44
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One broad band with horse shoe pattern, beneath diamond to the right with rope pattern in the centre, to either side, floral pattern-leaf.
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| TEMP.2003.7.47
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Obverse: head of Augustus Caesar, facing right, wearing a laurel wreath. Reverse: a man riding a horse and holding a sword.
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| TEMP.2003.7.49
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Obverse: Head of Julius Caesar, facing right, inscribed (behind head) 'Julius'. Reverse: the bare head of Augustus, facing right, inscribed (around head) 'Caesar. Divi. F.'
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| TEMP.2003.7.64
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Fragment from the neck of a closed shape, with a flat, thick rim (1.4cm). Flat, top of rim seems to have been painted white. The side of the rim has a pattern around it. The pattern has a thin, black line parting small 'U' shapes. The top half of the pattern has 'U' shapes in it, which have tiny, verticle, red lines inside them. The bottom half is the same, however the 'U' shapes are up-side-down. The neck and small piece of the body, on the fragment, is glazed black and appears to have once had white paint on it. The fragment has a small piece of the pot's body on either side of the neck. One of the sides of the fragment of the body has the top of two figures on it. The right hand side figure is the top of a head but its features are unclear. The left-hand-side figure appears to be a women, with her left arm raised. The underside of fragment is terracotta colour. The inside of rim is glazed black and the inside of the pot appears to have been left terracotta.
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| TEMP.2003.8.3
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The body of a person probably standing to the left as right arm is bent at elbow across body and pointing left holding a small black ball. The person is wearing a himation.
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| TEMP.2003.8.4
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Geometric band on which stand feet, facing right.
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| TEMP.2003.8.5
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Person standing to the left, feet and lower legs, wearing a himation standing on a platform to the right, another person (part of a himation).
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| TEMP.2003.8.65
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Within a frame, a man's bust facing right. The man has a large nose, is veiled and wears a robe over his shoulders. The frame is decorated with incised horizontal lines on either side of the man, small flowers in each corner, a curtian above, and a circle in the centre.
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| TEMP.2005.8.1
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Decoration in relief: On lower part of wall is a frieze including two tall birds (cranes?), the first in 3/4-view to left with wings outspread and head turned to the right, the second advancing profile to the left. They are enclosed in a rectangle outlined with relief dots. Below a row of relief dots, on lower part of body, is a floral frieze, consisting of inverted lotus buds, tendrils, and rising acanthus leaves.
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