| 11.10.13
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Black on buff, there are leaves around the inside and outside of the rim. Below the rim on the outside is a band of horizontal v shapes. On the main area of the fragment are three redish/black bands, the middle thicker than the other two. On the broad black band, Greek key pattern in applied white paint is still visible. On the lower edge of the fragment is the edge of a black circle. The back of the fragment, except for the rim, is red.
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| 11.10.19
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Shoulder: frieze of bars at base of neck; below, five palmettes, consisting of a central group of three, the middle one inverted, and one at each side with its stem on the side away from the handle. The lower branch of each stem curls into a spiral from the end of which a leaf grows. There are dots in the field. Body: black except for a pair of red lines around the top.
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| 13.10.17
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The interior of the lip has a thick black line about 1.0 cm from the top, with black painted on the rim. The neck is painted with alternating red and black thick lines. The handle appears to have been painted in black on the top and sides, but reserved underneath. Around the middle, vertically to the handle there is a pattern of black cross-hatched lozenges. The rest of the body has a pattern of thin black and thick red concentric bands, ending in a circle with a black Maltese cross on either side of the vase.
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| 14.9.108
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Inside and outside is black glaze. Curved foot is black on outside. Resting surface is reserved. Inside foot ring is black. Base, from middle to outside, has central dot and circle in thinned glaze and broad band in black, then a reserved band.
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| 14.9.22
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Red clay with white slip on both sides and decorative red stripes, angled like very open chevrons, on outside. Inside, trace of red across on corner perhaps evidence of lost interior design. No finished edges so it is a middle piece.
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| 14.9.29
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Pink surface with white slip on each side. Linear decoration in red. Outside is horizontally striped and inside is half red with half the surface with white diagonal stripes. The fragment is a middle piece as there are no finished edges.
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| 2003.6.18
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Base fragment of a small pot, decorated with three straight lines at the base, two of which are black; the middle one is of a faded purple colour. Above the lines is a large black pattern which takes up nearly all of the space left on the fragment. The interior is decorated with a black gloss.
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| 2003.7.21
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Single rim fragment of an open vessel. The interior is black. Exterior: rim white, between two rows of black dots; two black lines in the middle, with black squares between them.
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| 2003.7.24
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Possibly the top of a jar/bowl due to the smooth edge at the top and way it is curved at the middle. The interior is painted black, with a smooth surface similar to the exterior. The exterior is half painted in white, with narrow, parellel lines of black dots or bands, and a black square inbetween two black lines. There is a line of dark red below this, followed by an overlap of white then a black area.
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| 2003.8.56
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Small fragment with thin horizontal red line across the middle.
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| 2005.3.25A-C
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A: foot and base reserved, stem and exterior of kylix black, with reserved band. A second band has floral ornament with a chain-like band below. Interior is black except for a reserved circle in the middle, two small black circular bands mark the centre. B: Floral ornament on this fragment joins up with fragment A, pattern as before, interior and rim/lip black. C: interior, rim, lip and majority of exterior black, patterned floral band as before
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| 2007.10.2.265
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Three male figures positioned under a tree, two sitting and the one in the middle who appears to be younger is standing on a rock. They are possibly shepherds as one is holding a staff.
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| 2007.10.2.29
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Two cherubs with birds and a column in the middle, one of the cherubs is holding a feather
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| 2007.10.2.302
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Three female figures, two figures to the left standing, semi naked figure on the right is seated, middle figure also semi naked, two figures on either side appear to be helping the middle figure bathe left figure holding her hair and right figure touching her back
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| 2007.10.2.314
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Three figures, middle man sitting on a throne, indicating importance, the other two figures attending to him.
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| 2007.10.2.361
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Hephaistos, Aphrodite and Eros. Hephaistos is using an anvil and Aphrodite is in the middle holding a trident and Eros is holding her other hand. By Aphrodite's side is a shield with a face protruding out of it.
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| 2007.4.155
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One thin red line around the middle of the fragment, a thicker red line at the bottom, both bordered by darker red lines
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| 2007.4.206
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Black diamond, split into four by lines across the middle
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| 2007.9.3.48
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Three female figures - the 'Three Graces'. The two outer females are facing forwards whilst the middle female shows her back.
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| 2008.2.1.60
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Three male figures, the left male figure is playing the flute and the middle male figure is playing the lyre whilst seated. The figure on the far right is standing under a tree and restraining an animal, possibly a sheep.
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| 2008.7.126
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Exterior: reddish-brown wash. Fairly wide horizontal ridge across top of fragment a dip in the middle.
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| 2008.7.157
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Interior: grey-black wash. Exterior: greyish-black wash with a brassy-coloured metallic sheen overpainted. 11 smallish oval shapes in a horizontal line engraved across the middle of the fragment.
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| 2008.7.190
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Exterior: line of red overpaint from one corner of fragment to a middle side of fragment
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| 2008.7.25
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Exterior beige glaze overpainted by two black lines and one brown line (darker in the middle). Interior glazed black.
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| 2008.7.78
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Interior: greyish-black wash. Exterior: Parallel lines overpainted. Thick strip of dark-red colour in middle. One thin stripe of a geyish-black colour either side and one thicker greyish-black stripe either side of these.
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| 2009.8.121
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Profile of a man, looking right. Top of his clothes can be seen. At the bottom are three symbols: the one in the middle: two hands shaking; the one on the left could be a bird, the one on the right a flower. Cast number: 65
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| 2009.8.17
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A hooded woman in the middle holding the hand of a young man with a bare chest. A second man behind the woman, putting one hand on her shoulder. Cast number: 6
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| 2009.8.183
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A naked man with a beard holding a stick and putting one foot on a rock. There is a tree in the middle. On the other side of it a woman wearing a dress and a helmet. There is a serpent at her feet and another one behind her. Maybe Athena and Hercules.
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| 2009.8.208
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A temple with 4 columns, in the middle the statue of a god or goddess wearing a helmet and holding something in her hand. Next to the temple is a tree. Cast number: 62
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| 2009.8.271
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Two naked men on the left and on the right side, only wearing a cloak on their shoulders, hanging up a garland. In the middle, a man with a beard and fully dressed, holding something in his hand. Cast number: 2
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| 2009.8.273
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Two naked man, holding a stick, each standing on one side. In the middle a horse, above it a crescent moon. Cast number: 4
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| 2009.8.58
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A woman in the middle. On her left a profile of a young man wearing a helmet, looking right. On her right side a profile of a man with a beard and curly hair, looking left. Cast number: 157
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| 2009.8.69
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Temple with three gods. Probably Hera (left), Zeus (middle) and Athena, she is sitting on a chair (right). Cast number: 13
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| 2009.8.87
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A muscular man sitting in the middle on a fur. On his right side a naked woman, on the left a child. Cast number: 31
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| 2009.9.12
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Four column temple with a pointed gable. In the middle is a statue of a naked man leaning against a tree or pole. Cast number: 26
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| 2009.9.121
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Three naked winged children with robes around their waists gathered around a goat in the middle. Cast number: 55
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| 2009.9.193
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A fighting scene. The man in the middle is rising his sword to kill the man in front of him who is already falling down. The man on the right side is holding up his shield. There is a crescent moon on the left side above the dying man. Cast number: 28
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| 2009.9.202
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Three men fighting. The two men on the left and on the right are bigger than the one in the middle. They seem to hold a vessel and are naked except for their cloaks around their shoulders. Cast number: 37
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| 2009.9.24
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A woman wearing a dress, holding a spear and a cornucopia on the left side. A woman in the middle holding two vessels. A human figure with a dog's or jackal's head on the right side, holding a twig. Cast number: 38
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| 2009.9.37
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A ball or a globe from which two grow two serpent heads. On the head on the left side stands a man turning to the monster in the middle, on the head on the right side stands a woman also facing the monster. The monster in the middle has a male human body but two dog's heads, one facing the woman, the other the man. The scenery is enclosed by a serpent biting in its own tail. There are letters on the serpent heads. Cast number: 51
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| 2009.9.39
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On the right side an ibis, in the middle a monster with a lion's head and a serpent's body (Chnoubis) and on the left side a bird. Cast number: 53
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| 2009.9.53
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A lioness in the middle, maybe representing Sekhmet. On her right side a man's head with a beard, on her left side, some kind of figure. Cast number: 67
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| 2009.9.6
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A two column temple with a portrait of a woman wearing a crown in the middle. There is a disc surrounded by snakes and wings in the gable. Cast number: 20
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| 2009.9.8
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A woman holding a basket in her left hand, offering some kind of vessel to the naked winged child in the middle or the man on the right. The man and the woman are wearing what looks like a crown. The man is offering a ball or a fruit to the woman and holding a stick in his left hand. Cast number: 22
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| 22.3.20
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The upper overhanging section is decorated with an egg pattern; on the broad middle section is a laurel wreath, to left; on the narrow section are is a band of black dots above a thin line. The neck is decorated with a lotus-palmette frieze. The interior is glazed black.
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| 22.3.22
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There is a red line on the joining point of the rim and body (the bit of rim that is preserved is reserved). In the middle of the scene, there is a draped youth facing part of a second draped figure (on the right), who is holding a walking-stick. The details of the drapery are rendered with thick and thin lines. In the left bottom corner of the fragment there is the lowest right part of a palmette or tendril. There is also a double-meander pattern beneath, with a saltive square (cross with dots) and the rest of the fragment is black. The interior is also black.
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| 22.3.24
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Clay greyish. Inside, with reserved circle, woman running with tray in one hand, uncertain object in other. Rocky ground shown by black spots on reserved surface. Around the inside rim of the kylix are heart and flower shape patterns attached to long flowing lines.Added white, sometimes touched with yellow. On deep rim, ivy beneath. Outside A: two men facing each other holding different uncetain objects there are three circular objects around them, two with a dot in the middle and the other with a cross. Three palmette patterns surround each of the men, but as some of the kylix is missing these patterns are not all complete, the patterns also change slightly when under the handle. The lower quarter of presumably similar picture of the men can also be seen.
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| 22.3.25
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Rim has black wave design. Two female heads separated by palmettes. Knob has whole palmette design. And white, and yellow residue colouring around the whole of the pyxis. Central knob with rays and circle in middle. Inside and outside of rim on knob is black but top is reserved. Underside is reserved.
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| 22.3.36
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The exterior possesses several images of what appear to be flower like decorations, consisting of a large white spot with eight slightly smaller white dots scattered around them. These flowers are in alignment and stretch across the middle section of the object. Beneath these flowers are a series of smaller dots that form a line stretching from one side of the artefact to the other. The interior of the object possesses countless lines connecting one part of the pot to the other, and vary in shades of brown.
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| 22.3.37
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Around the middle there is a painting of what appears to be a sort of vine, with numerous flowers pods protruding out of it, and several other flowers that have blossomed. At the bottom there is a small part of what appears to be from a larger pattern upon the original artefact. The exterior of object in which the paintings are upon is itself painted black.
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| 23.11.26
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Upper portion painted black; lower portion painted white. At one point around the middle section, there appears to be an orange straight line, which likely reached round the entire object.
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| 25.4.2
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Black and red on creamy buff. Main zone flying birds in panels between chevron-panels. Red for middle band of three above main zone, and vertical lines of herringbone panels, and mid band below main zone. Bands on handles. On the inside are three thick black bands interspersed with reserved bands and a reserved circle in the middle.
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| 25.6.3
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Top of neck, back on handle, base of body, top of foot and edge of lower step of foot all black but have a streaky glaze. Rim of mouth reserved. Shoulder design is two rows of bars, the first shorter than the second. Body from top to bottom is three rows of black dots separated by lines. Symposium: Man reclining, woman lyre-player seated at foot of couch. At each side, woman on animal (perhaps mule [looks like llama]). Incised detail on drapery (black robes) and on lyre. Below are reserved bands on black glaze. Foot black on top and on lower edge, reserved in the middle. Base reserved.
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| 26.12.27
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The inside is streaky black, the outside is unpainted except the ledge at the bottom of the body which is streaky black. The flange supports the lid. The lid fits over the body to rest on the flange. The top of the lid is also flanged. From the middle of this flange rises a cut-off, grooved cone. The main surface of the lid is decorated with a streaky glaze with a repetitive pattern: two reserved vertical lines followed by a reserved oval. This seems to have been repeated around the whole body but one half of the glaze/pattern is missing.
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| 26.4.5
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On the flat top of the knob, there is a 16 rayed astar in black. On the stem of the lid, are four seperate bands. On the lid, there is an ivy wreath with a faint red stem running through the middle, in between two thin black bands. Outside this, there is a band of leaves and then a plain outer band that reaches the rim. The underneath of the lid is reserved and has a ridge about 1.5cm in.
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| 26.7.1
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Handles have a mixed pattern of horizontal lines at the top and bottom with vertical lines in the middle with the underneath reserved. Inside is almost ribbed in texture and painted black/brown with convex circle at centre. Outside is reserved apart from pattern which is similar both sides. Central design is a four-spoked wheel within two circles flanked by two horizontal patterns of crossed lines and three vertical lines. Below is two bands then brown almost to bottom except for a thin reserved band at base. Underneath is flat and reserved.
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| 26.8.2
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Top of mouth broad band between two pairs of lines with two bands on side. Grazing goat to right, body framed in dots. Added red on hindquarters. Field rosettes with incised circle at centre. Below goat three bands with the middle one broader. Behind goat is a heart shape within a circle. Large area left blank in the 'white style' on opposite face to goat. On base is three bands with a dot in the centre.
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| 27.3.6
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On rim, four concentric circles. On handle, three horizontal bars (bottom two somewhat slanted). On shoulder three dot rosettes comprised of seven dots each. From top to bottom; two lines, three rows of dots, twelve lines, and finally a band of six rays. The base is only slightly concave, with a slight protrusion in the middle, and is circumscribed with two black bands.
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| 27.4.12
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Rim decorated with black lines/petals. Inside of bowl, there is a thick band and then two smaller circles, accentuated by thin black bands. The outer circle contains small black dots, the inner circle, a star shape made out of seven lines with a black dot in the middle. Underside of the rim, shows same line/petal motif as other side, but then there is only a thin band. Inside this is an alternating swastika and dot rosette pattern, and then another thin band. A thick black band is around the neck of the foot, the rim and base of which are not glazed. The foot has a thin black band just inside the rim.
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| 30.11.1
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On mouth, daisy pattern between two pairs of circles; cross-hatching on one edge of rim. Daisy petals on neck. Main zone: In front large lotus cross with incised outline, small field rosettes, at back large rosettes with single or double incised circles at centre. Above and below main zone, seven thin bands with double row of vertical line patterns in the middle. On the base, band of leaves and a dot in the very centre, which is indented.
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| 33.4.1
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Four handles, three with decoration, one without. Decoration black (mostly fired red) and red (purple) on creamy-buff. Zones of pattern: vertical bars (which go up onto the rim and three handles); zigzag; dotted lozenges; triangles separated by hanging loops or dot rosettes. Red used for thin bands dividing each zone. Stem and foot have five redish/black bands round them. Rim of foot edged with small vertical lines. Foot and stem decorated with two more bands. Inside kylix, two black bands round outside, then three smaller in the middle.
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| 34.8.12
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The vase is black, both on the inside and the outside, with the exception of few, red lines. A sloping rim allows the lid to sit over the aperture. There is a reserved line on topside of the body, a red, carved circle and a groove around. There are also two, concentric carvings, one in the middle of the body's upper surface and the other one at its side. At the level where the body is divided in two areas there is a reserved line, while another one is apparent at the point where the body is narrower, above the point where it connects with the stem. The latter is divided in two areas by two, plastic, thin, red rings. Below, there are vertical ridges, one third the way down, wider towards the upper surface of the foot, whose larger part they cover with their moulded, tongue-shaped terminations. There is also a carved circle, surrounding these terminations. The foot is grooved and reserved in places. The surface underneath is irregularly painted black, with the central part reserved.
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| 35.4.3
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The top of the rim is reserved with a black line round the edge. The outside is decorated with two vertical bars between two horizontal lines; below which there is a line of black dots. The pot slopes inwards towards the foot and shows a black band. The rim of the foot itself, also has a thin black band round it, which is repeated on the inside of the rim. In the middle of the base of the foot is a roughly drawn black circle. The inside of the pot is completely black.
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| 35.4.4
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The vessel is decorated with impressed (stamped) decoration. Shoulder: there are six inverted palmettes (voluted with narrow divisions), linked with incised curving lines. There is also a ridge at the junction of the shoulder and body, below which there is the motif of ellipsoid tongues (eggs) contoured by a line each. Body: At about the middle, there are six, widely spread double-leaved motives (teardropped leaves) and a continuous, incised line that goes through them. The joining point of the body and foot is reserved and so is the edge of the foot and the resting surface.
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| 37.11.3
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The lip is decorated with five bands, of which the middle one is broad. On body, quatrefoil design, where all four leaves have red centres. On back, below handle, eight-rayed star. Bottom patterned with three arches (cf. RM.25.53.42).
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| 37.11.8
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The decoration is executed in a colour varying from dull black to brown, on pale buff ground. Rim: Concentric circles on the upper surface and spots (tongues) on the side one (stephane). At the joining point of rim and neck there is a band and at the upper part of the neck a horizontal row of spots. Central handle: Decorated with short, thick, leaning lines. Neck: An olive wreath, the ends of which meet at the front where there is a cluster of olives (?) (dots). Shoulder: There is another horizontal row of dots immediately below neck that seem to be hanging from a line. At the join of shoulder and body, there is a broad band in the middle of two thin, concentric lines. Body: In the front, between the two handles, an olive-tree branch, framed by (left and right) a vertical motif of a row of dots, a line, two rows of larger, ovaloid dots and another line. This motif can also be found at the other side of the handles, used to frame a linear pattern (from a short line appear to be emerging three longer ones. On either side a vertical line, which leans slightly towards the motif in the middle. From the centre of this line emerges a long, wavy line. Below: there are two, concentric bands and three more that are not very obvious(?). The handles are ornamented with large dots. The foot is black, but the colour looks uneven. Interior of neck: Two concentric circles.
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| 37.7.1
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On mouth, very broad band between two thin bands. Red oval pattern around neck with three red bands below Siren with outspread wings to left; on back a duck. Rosettes in field. Incision. Black, red in places. Purple for face and most of Siren, middle, part of wings, spots on upper part of wings.
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| 37.7.2
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On mouth three bands, middle one broad; on handle horizontal bands at top and bottom. Daisy petal pattern on shoulder. with three brown bands beneath. Bearded siren with outspread wings to left. In field dots and rough rosettes, one incised with parallel lines. Back left plain in the 'white style'. Bands around foot and two on base.
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| 45.1.1
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Mouth has rays from outer to inner edge. Handle is black (perhaps horizontal bars?) and on that side are three rings, middle one purplish. Five rows of dots join the two sides. The triple band pattern is repeated on opposite side.
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| 45.10.13
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(i) There is a small part of a motif (partially covered with plaster) that consists of wavy lines. Below it, there are two lines and underneath there are parts of two inverted, palmettes (voluted with petal-shaped divisions) that flank a three-pointed flower with two dots to represent pollen. ii) Between two pairs of lines there is a guilloche (fillets with teardropped terminations interwoven together) with dots among the lines. Below, there is a broad black band, which seems to be interrupted at the right side. (iii) At the left, three parts of vertical, black bands and incisions create part of an object (garment hanging from chair or couch?) In the middle, there is an object- as if it was a grave-stele with a cross-shaped ? ending above which spring two heraldic, white, voluted palmettes (now fadded away), a chiastic motif with dots and horizontal lines on top- but inverted (leg of a bed or couch?). Next to that, there are a figure's part of thighs, knees and calves, close to part of a palmette. (iv) A bearded satyr (seilinos) plays a chorded instrument (lyre), while his himation is hanging in the background. Next to him there is a draped female figure (Demeter?), holding a wreath (black circle) and branches with dots on both sides that surround her. The details on her drapery have been executed with added red and so are those for her head-dress. There are also traces of added white on her neck. On top of the fragment there is part of a motif of tongues contoured with ellipsoid lines and a line that encircles this pattern. v) On the left, there is part of the satyr's lower legs (above the knees towards the feet) and the lower end of his himation. Next to him there is the termination of the female figure's branch, close to a similar inverted grave-stele? and part of an object that resembles an animal paw (lion-shaped foot of chair or couch) . Below these, there is a line on which they seem to step on. Next, a guilloche between two pairs of lines and at the bottom part of a radial-shaped motif with a line that contours it on top. vi) A line and black, teardropped spot. vii) There is a line on whose right top side stands a rectangular object with a rectangular surface in the middle being reserved. Below, part of two lines on top of part of the guilloche. viii) Small part of shoulder and neck: there is a black spot, a thin band, a red line on top of a plastic ring (joining point of neck and shoulder) and part of a tongue-shaped pattern contoured by a line on the shoulder. There is also a part of two lines in the interior. ix) Part of the guilloche, the two lines underneath and the radial-shaped motif at the bottom. x) Tiny bit of the guilloche and the two lines below it and part of the radial-shaped motif. xi) Part of voluted palmette and tongue-shaped motif. xii) Part of the floral motif (of a three-pointed flower)? with lines that form a rhombus with a dot in the middle. xiii) Part of the shoulder and the spring of a handle. On the top there is the tongue-shaped motif, encicled by a line and below it an inverted palmette. The spring of the handle is black and next to it there are short, diagonal incisions. There is also a tiny spot of black colour in the interior. xiv) On the left, part of leaf-shaped (heart-like) motives (part of thyrsos?), close to a band of black colour, of undecipherable shape. Next to that, there is the lower part of a female draped figure, with small crosses on it. At the right side there is black and white colour that forms ovaloid shapes (?). xv) A black band and on the left part of the female drapery.
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| 45.10.14.1
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Interior: Black, apart from a thin band at the joining point of the rim and neck, and the top surface of the rim, which are reserved. Exterior: The rim is black and there is a thin reddish brown line below it. Neck: There is a thin, black line. Below, there is a fan-shaped palmette (three divisions, a central rectangular part, and the details have been rendered with incisions), between two parts of motifs. The left one may be a palmette (a petal-shaped division in the middle and below, two round? or voluted? motifs almost faded away. The right one could be part of a similar motif.
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| 45.10.20
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i) Part of a voluted palmette with petal-shaped divisions seems to be connected to part of a three-pointed floral motif by a thick, black, curving line. On the left there is another, identical three-pointed flower, only bigger and illustrated inverted and vertically and at the left end of the fragment another curving line. Below these, there is part of a perpetual meander pattern and the upper part of continuous, teardropped motives. Some form of greyish (light) brown plaster has been applied to the surface around the voluted palmette. ii) Small part of guilloche (thin fillets with tongue-shaped endings interwoven together) with dots among the lines. Below, there are traces of thin, black lines (but not visible because of burning). Underneath, radial-shaped motif. iii) Underneath two thin lines there is a meander pattern. iv) Part of the upper ending of a radial-shaped motif. v) larger part of a radial- shaped motif. There is part of a thin, horizontal line on the top of one of the divisions and more to the left there is a circle with a dot in the middle and two vertical lines (part of the guilloche). vi) Small part of the guilloche and radial-shaped motif below that.
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| 45.6.11
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Squat skyphos. Two handles on either side, one broken and one glued. Small closed mouth. Black band around middle of body. Added deep red colour all around the surface, flat base.
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| 45.6.36
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Trefoil lip, ribbon handle attachedfrom lip to middle of body. Ovaloid body and flat base. Two incised concentric circles in base.
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| 45.6.37
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Streaky black glaze applied through dipping, so that a reserved band remains in the middle of the body. Reserved also on resting surface, interior face of foot, and underside. Streaky appearance and reserved section of belly suggest the presence of kiln supports during firing, as found on the example in Toronto (see discussion of dating, below). Black on the interior of the mouth.
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| 47.10.3A-B
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Lid: glazed black, except for the underside. At the middle of the lid are two purlish-red narrow bands; a third narrow band surrounds the rim of the lid. Lekanis: glazed black, except for the underside. Interior decorated with a purplish-red band high up the outer wall, and two red bands in the bowl; exterior decorated also with three purplish-red bands, two higher up and one lower on the outer wall.
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| 47.7.3
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Outer rim has round pattern. Beneath each handle, palmette with side tendrils. A: Woman's head in hankerchief with hair out the back. B: Woman's head uncovered. Around foot is a broad black band then a reserved zone with a thin black band in the middle. Base is black and depressed in centre.
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| 48.11.8
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Diagonal rim directly aggached to a globular body; high swung round handle rises up from the top of the rim and rejoins the body at its middle. from the Small mouth, body is round and extends outwards from directly beneath mouth. Long handle reaches from mouth to middle of body on the side. Raised base. Pot entirely glossed, although (mis?)fired red on lower part of handle, back of body, and base.
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| 48.12.3
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Interior black glaze, except a reserved band just inside rim. Upper body reserved with darker red and black decoration; Three horizontal brown lines around the outside rim, six sets of five vertical lines spaced evenly around the upper body alternating with four occurrences of three concentric circles surrounding a central dot. Three horizontal lines below it separate this section from the lower body which is black except for one reserved band in the middle. Handles are a darker reddish brown (2.5YR 4/6). There is an incised cross on the inside of one handle only. The slightly flared foot is also black with a reserved resting surface and underside.
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| 48.5.1
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Inside: Central part reserved and decorated with black band in the centre surrounded by three black concertic bands. The rest is black, superimposed with two red and white bands. The top of the rim is decorated with a band of two rows of dots framed by thin black bands. The incurving rim is decorated with back and red thin bands.
A: Swan facing to the left with spread wings. Incised rosettes and dots in field. B: bird (owl?) facing to the right goat to the left coloured partly in red; Incised rosettes in the field C: Bird (goose?)partly coloured purple and facing grazing goat(?) to the left but very faded. Below, broad black band with superimposed white-red-white at top and bottom. Triangular rays on a black baseline extend from the base. Narrow black band around middle of foot. Black band with superimposed white on inside of footring. On base, two black bands and a central dot. Exterior and interior of ring foot black
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| 49.4.2
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Woman with a fan and a ball, seated in a naiskos; kalathos on either side.
The inner side of the rim bears a broad band (in the middle of the surface). The top surface bears traces of carelessly applied red colour. The edge is also black and its side surface bears a reserved line and a black line underneath, from which seem to be hanging short, vertical lines. The upper part of the neck is reserved, but bears a black band on its lower part. The rest of the neck is decorated with black colour, on top of which there is a tongue pattern in yellow (faded away) that contours the vessel (long, pointed on the bottom tongues). Below, there is a reserved line. Side A: The main scene depicts a female figure seated in a naiskos (monument with pediment, from whose upper part emerge palmettes and tendrils, epistylion, an ionic column on either side an top of a stylobates or crepis, the latter represented with a perpetual pattern of voluted motives and dots in between, framed by white lines, thin, black bands and white bands), on a diphros okladias. The woman is facing left, she is wearing a peplos, holding a fan with her right hand and a round object with the left one, below which there is a row of dots. She also wears a kalyptra and has her hair in a bun, from which emerge two wavy lines with round terminations. Behind her, at the level of her head, there is a window (square object with the middle part riddled). The naiskos is flanked by a kalathos on either side, decorated with black and yellow horizontal lines, tendrils and branches, as well as yellow tongues and yellow meander pattern. There is a row of yellow dots below each kalathos and a rosette on top. Below the row of dots underneath the left kalathos there is another rosette, whereas underneath the row of dots below the right kalathos there is a phiale. The details are executed with added yellow. The handles are black. The reverse is decorated with floral motifs: the area underneath the vertical handle is black, with an H-shaped black motif divided in two by a vertical line, on a round, brown background. The surface below the vertical handle depicts two fan-shaped palmettes, from which emerge elaborate, voluted floral patterns that expand to the surface below the horizontal handles. The lower part of the body is contoured by a wavy-like pattern on a brown background. The area below is black, although streaky on some areas, while the lowest part of the body is reserved but glazed. The foot is black, with a reserved resting surface.
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| 50.12.15
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Interior is mainly unpainted with a black line (faded to orange) directly on rim, another slightly lower. Exterior has a series of straight and curved lines to left of centre there are two parallel vertical lines and far left two horizontal parallel scalloped lines. To the right a single curved line and at the bottom a small semi-circle adjoining the lower end of the vertical lines with an larged dot in the middle.
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| 50.12.17
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Painted brown for black. Interior brown. Exterior: Has curved pattern down the middle in brown
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| 50.12.51
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Brown/black designs around top and bottom, with black/brown dot in the middle on each side.
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| 50.4.14
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Entirely glossed black. Just below the middle the body a zone of stamped palmette decoration framed by parallel incised lines. Row of eggs below the lower line. The underside of the foot is decorated with three incised concentric circles.
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| 50.4.8
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Black gloss on mouth, neck, shoulder, and handle (dipped). On shoulder, three rows of white spots: seven (tear-shaped) above, five (larger tear-shaped) in the middle, and below, five groups of three dots in a triangular pattern. The body is decorated with a diagonal net pattern of thin black lines with thin white spots inside the lozenges. Thick irregular black band at bottom of body, reserved stem, black foot, including resting surface, but otherwise reserved underside, with a spiral pattern etched at the centre. White paint dots added and traces of red wash over body.
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| 51.4.9
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The rim is black, both on the inside and on the outside. The back of the handle is also black, but the underside is reserved. The neck is reserved, but glazed apart from a thick purple band on its lower part. On the sloping junction of the neck with the shoulder, black tongues. Both interrupted at the joining point of the handle to the neck. The shoulder is covered with a guilloche (pattern of interwoven fillets) with teardropped terminations. In the middle of two upper and two lower black lines there are two rows of black dots that begin on the edge of the second left figure of the main scene and stop at the edge of the last person. In the centre of the scene, a male figure in profile to the right with as short mantle, a quiver on his back (Herakles) is attacking a kneeling Amazon. With his left hand, he is gradding her from the air and with the right he is holding a sword, with which he is ready to kill her. The Amazon, in profile to the left, is wearing a helmet, holding a very long spear with her arm and her shiled with the left. From his waist, her sword is hanging. This scene is flanked by two other battle scenes. On the left side, an Amazon is attacking a Greek. He is wearing a cuirass, helmet, he is hloding his spear and his shield and he is shown ready to fall down. Tha Amazon has atteacked him with her spear. She is wearing a helmet and a short chiton. On the right, an Amazon and a Greek are shown in profile running towards the left, projecting their spears. The Amazon is wearing a ahsort chiton and a helmet. She is holding her shield, covering large part of her body. A frontal head of a lion decorates the shield. A sword hanging from her waist. The male warrior wears a short chiton and has a shield and a helmet. The Amazons have long hair and wear helmets with longer and bigger crests. Incisions and added red are used for details. Added red: parts of the chitons of the warriors anad the Amazons, hair of the warrior in the middle, fillets on Amazon's heads and the frame of the shield of the running Amazon.
Below the scene, there are two lines (not evenly formed at all in their length) and a band of added red. Below that, the vessel is black, with two concentric circles on the surface of the foot. The resting surface is reserved.
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| 51.7.9
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Tapering body to wide splayed foot. Traces of black paint. Many bands of brown/yellow around body. Vine pattern (?) or leaves on stem (?) still surviving around middle in dark brown. Dark brown band just above the base.
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| 53.8.2
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Polished black surface. Relief decoration (exterior): three ridges with incised zig-zags on the middle ridge; four lions (incised details, especially on faces and tails) alternating with four moulded tongues; three ridges with incised zig-zags on the middle ridge.
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| 56.8.2
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Interior reserved, except for a narrow band of black glaze at the top. Exterior: black-glazed rim and handles, including handle attachment points, lower part of body, and foot. The shoulder is decorated with pendant leaves, vertically arranged, divided by a narrow black band from the body frieze which consists of, on either side, a 12-petalled horizontal palmette between two sideways 14-petalled palmettes central. Lines of dots emerge from either side of the middle leaf on each palmette. Underside reserved.
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| 56.8.4
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Black inside and out except for an egg-and-dot band framed by two black lines at the front of the base of the neck, the figural design, and the reserved underside. Body: A satyr seated between two similar palmettes (the left one larger; each is comprised of a flower in the middle of two volutes framed by a short half-heart-shaped pattern on either side). The satyr is seated in 3/4-view to the left on a rocky mass that is spotted (perhaps it is covered with an animal skin). He looks profile to the left and he wears a taenia or band on his head, as well as a long, beaded necklace over his left shoulder and across his chest. He holds a phiale (its rim is marked with yellowish dots) in his left hand and a fillet in his right hand. The fillet is purple. The taenia, necklace, and rim of the phiale are coloured white with yellow wash. On the back a drip of (probably accidental) white paint.
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| 56.8.5
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Black pointed knob with moulded purple ridge at base, in centre of lid. Three black bands, tongues alternating black and purple, three bands, broad black band with superimposed purple line on each edge, three black lines and then a ridge. The rim is lower after ridge and has a chain of interlaced black lotus buds with dots between each one. Underside is reserved with a rim for top to sit in lid. Centre is concave with a hole in the middle below knob handle.
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| 56.8.8
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On the exterior of the rim, S pattern. A fight of three warriors between onlookers; on the left, an onlooker between two runners, on the right, a runner between two onlookers and at the back a floral motif (lotus-palmette cross?): Two semi-spherical palmettes chained in the middle by circular bands, dotted in the centre, and held on a columnar motif with similar (only more conical) palmettes as endings (top and bottom) by black strips. Many of the figures appear to be holding spears (in the case of warriors) or have in front of them the same attribute (long, thin, vertical or diagonal lines). There are variations in the rendering of armour, hairstyles and drapery, mostly executed by incisions.
The scene is framed by bands, top and bottom. Above the top band is a reserved circle, a thin, red, circular band and then the vessel is black up to the base where there is another red circular band. The interior of the footring is black. The broad, reserved base has a black circle inside a black band in the centre. Additionally, there are six dots (four are bigger) placed randomly on the reserved area of the bottom.
Interior: The surface is black from the rim to the tondo, except for two, red, concentric bands approximately 1 cm within the carination, and a similar red band framing the tondo. Inside the tondo is a representaion of a cock in profile to the right with a flower-bud emerging in the background. Red paint: tail, wings. Moreover, incised over the red ring surrounding the tondo there is a mercantile graffito (?).
The handles are black but reserved within.
The underside of the foot decorated with black dot at the centre, surrounded by black band and 6 black dots around it, uncanonically placed
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| 57.3.1
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Clay pale, paint greyish brown: large closed vessel, interior unpainted. Exterior broad black line, and part of a circular spiral in black. One small faded black line in middle of fragment, a section of a semi circle to the left of the broad black line.
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| 57.3.15
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Middle part of draped female figure, seated on throne(?) Left hand emerging from draping, and left lef with knee bent. Clay pink. Pierced hole in extension on right side. Mould-made, with flat back, probably.
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| 57.7.9
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High, curved handle attached to triangular mouth. Traces of black paint. Many bands of brown/yellow around body. Vine pattern (?) or leaves on stem (?) still surviving around middle in dark brown. Dark brown band just above the base.
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| 59.6.1
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Glazed black on interior, except for a reserved concentric band in the middle of the bowl. Exterior: Black-glazed rim, exterior of handles, lowest part of body, stem, and upper part of foot. The lower part of the body is decorated with a floral frieze, consisting of (on either side) three palmettes. On side A, and the right palmette on side B, each palmette is dotted on either side of the central petal. The right-most palmette on side A has a vertical band (drip?) to its right. The left-most palmette on side B has a vertical worm on either side of it. Under each handle is an upright ivy leaf. Below this frieze are two narrow black bands.
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| 59.6.2
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Cylindrical with small circular hole in the middle. Made from a pale orangey yellow clay.
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| 73.6.3
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Black figure painting consisting mainly of two large straight lights, one at the bottom, and the other in the middle. There are several patterns on the upper part, though it is challenging to fully make out what they are, though it is likely they are forming part of a story portrayed across the rest of the pot.
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| 73.6.4
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On the outside surface is a figure zone, on the left edge of which appears to be the edge of a square. To the right of this is the lower half of what appears to be a swastika and below, a dot rosette. A vertical palmette is figured in the middle of the surface, to the right of which is the tail end of a bird, the head and neck missing. Below all of this, is a curved black line, and then the edge of what could be a circle. The inside is covered in black gloss.
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| 83.11.10
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Female head. Head tilted to right on long neck. Hair curled back over narrow stephane, from middle parting. Earrings. Traces of white on flesh.
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| 83.11.9
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Female head, raised and tilted over to right, on long neck. Hair waved from middle parting and gathered into bun at back.
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| 83.9.14
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the surface is decorated with a layer of black and opaque paint, in the middle of the dish there is a small hollow
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| 83.9.19
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One side is decorated with a black glaze with a singular stripe of brown. The other is decorated with a black glaze and an imprinted pattern of a circular floral design. Further into the middle of the fragment is a banded pattern.
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| 83.9.32
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On one side of fragment it is mostly terracotta with a small patch of black gloss, located on the end which is squared off. In, almost, the centre of this side there is a small, black circle with a tiny, black dot in the middle. On the other side of this fragment it is glazed black with a palmette design on. The flower pattern has a circle around half of it. This circle has 'U' shapes on it and appears as if it would have continued around the pot, from which the fragment came.
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| 83.9.5
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Flat, black, open bowl with moulded foot. Base of foot is reserved, with black inner ring and a tiny black dot in the middle of the inner ring. Outside the reserved area is a thick black ring outlining base of foot. Above the black ring there is a thin red line around the bottom of the body.
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| 83.9.6
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An almost round, single fragment of a foot to a pot. Base of foot is reserved, with a black indented inner ring; inside this are three more reserved rings, surrounded by thin black circles. In the middle of the rings is a tiny black dot. There is a thick black band all the way round the sides of the foot. The side of this fragment which would have been the inside of the pot, is black and details four flowers grouped together.
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| 83.9.9
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The underside has a circular striped pattern an additional spot on the outer ring of stripes. The upper surface has a series of three rings of different imprinted patterns. The middle pattern of outer rings appears to be repeated in the center of the rings.
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| E.23.4
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Inscribed band marking line of shoulder, three uneven lines around middle possibly created by string. Darker areas on the body denote a possible pattern/picture that has now warn away. Below this are four circular, grey patches with darker centres.
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| E.23.43.3
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Cylindrical bead, blue glaze. The bead is shaped somewhat like a bone in that the ends are bulbous either side of a thinner middle.
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| E.23.43.8
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Flat, circular bead with a hole for threading through the middle. Light blue in colour.
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| E.62.24
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Coarse red fabric. Flat base, widening to shoulders and pronounced, flat rim. Around the middle of the body there is a circular black mark inside of a diamond shaped mark.
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| E.62.57
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Shallow greywacke bowl in two pieces (evidence of further joins). Incomplete with middle section missing.
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| E.63.2
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Sacred eye of the god Horus, originally blue. There is a hole drilled horizontally through the middle of the piece to allow threading. The details are carved into the piece, the top is a line of slightly diagonal lines, below this is a small flat line below this the detail of the actual eye which is common to all sacred eye amulets.
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| L.2011.1.11
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Glass fragment with a raised ridge across the middle and remains of a pearl-white glaze
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| L.2011.1.64
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Pale green, grey, pale blue and dark blue/purple tesserae on a white mortar. Grey and green tesserae are in the background; darker colours (blue/purple) create a circular shape, with lighter colours in the middle (pale blue and green).
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| REDMG:1935.87.27
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Two handles, partially painted black. Inside is a red rim, then black with two red bands superimposed. Outside (from top to bottom) are two thin bands, three rows of uneven dots, middle row red, three bands, two rows of small dots, three bands, broad area left clear, three bands around foot, foot red. Highly ornate base with dots, red band (repeated) and in centre is a cross with four dots around it. The base has moulded ridges for added decoration.
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| REDMG:1935.87.31A
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Red rim; two handles, coloured black. In the handle zone pomegranate pattern in three rows, the middle row red; below, one red line between two black; a broad black band with a pair of superimposed red lines at top and bottom; one red line an done black immediately above foot. Foot-ring black outside, two black rings on resting surface; inside of foot-ring red; on the bottom a central dot and pair of small thin rings, near the circumference a broad ring, all black. The edge of the flange supporting the lid, red. Handles black. Inside of bowl originally black with traces of one pair of red circles.
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| REDMG:1951.138.1
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Black band around upper part of knob, around rounded part of knob, and around middle of stem, as well as bottom of stem. Lid decorated with two women's heads, profile to left, between palmettes enclosed in triangles. Each woman wears a spiked stephane and a sakkos on her hair, as well as beaded earrings and necklaces and head. Added colour (yellow on white) for details of headdresses and jewelery. Reserved areas reddened.
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| REDMG:1951.147.1
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Entirely black, except reserved on the inside of the spout and the underside including resting surface, and red figure decoration: line at middle of neck; ray band at lowest part of neck, above dots; figural scene between two sideways palmettes, enclosed, from the outside bottom of each emerges tendrils; short ray band at interior of lower handle attachment; 10-leaf palmette at exterior of lower handle attachment; flange decorated with egg-and-dot band, beneath a black line; the sides are decorated with an ivy design, effected through incision (tendrils) and added white (leaves). Reserved line band just below join of body and foot.
The figural scene on the shoulder depicts seated youth seated profile to the right, facing a woman, seated profile to the right, but turning profile to the left. The youth, nude except for a hairband, sits on drapery, alongside which he hangs his left arm, and reaches a wreath, held in his left hand, towards the woman; she, wearing a crenellated stephane and a belted chiton, is seated perhaps on a cushion (comprised of dots), helds her right arm, slightly lowered, towards the wreath, and holds a box in her slightly raised left hand. A four-petal rosette is beneath her right arm.
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| REDMG:1951.148
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Black interior, handles, neck and body except for decoration in panels (black figure in neck panels; red figure in body panels). Upper surface of rim decorated with ivy spray, with 3-dot clusters between ivy leaves; palmettes on tops of handles; ivy spray on lip, with palmettes at tops of handles; wave pattern to right on overhanging lip. Neck panels decorated with double ivy spray, on which 8-dot clusters alternate with leaves. Body panels bordered by rays (above), double rows of dots between black lines (sides), and band of stopt meander (4) alternating with dotted cross-in-square (1) (below). A: Youth wearing hairband, short-sleeved, belted chiton, and mid-calf boots, stands in 3/4-view to the right; he holds a pair of spears upright in his right hand and a wreath in his left hand, held slightly ahead of him; a chlamys is draped over his bent left arm. A warrior is seated 3/4-view to left, on a curvilinear seat (stones?). He is dressed identically to the youth, although with a plumed conical helmet. He holds a large phiale in his outstretched right hand, and his pair of spears in his upraised left hand. Behind him stands a woman in 3/4-view to the left. She wears a belted, sleeveless chiton, a kekryphylon (hair), pearl earrings, a beaded necklace, two bracelets on each wrist, and holds a fillet in her outstretched right hand and a situla in her lowered left hand. In the field above the figures are a four-petal rosette between two boucrania. B: Three draped youths in conversation, the middle one, standing profile to left, leans on a staff with his outstretched right hand; the other two youths face him. Halteres in upper left field and and bulls-eye in upper right field.
Much of the interior and side B are misfired orange.
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| REDMG:1953.25.15
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Black glaze all over; red band between two white lines on shoulder; red band at middle of body; lack-gloss over entire surface; two red bands around body.
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| REDMG:1953.25.50
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Black glaze, fired red in places. Red band on lower part of lip; traces of white palmette, with tendrils, on shoulder; red line between two white lines at shoulder; red band just below middle of body. Underside reserved.
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| REDMG:1953.25.68
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Black glaze on exterior except for a reserved band inscribing the top of the knob, two reserved bands in the middle of the top, two reserved bands at the join with the flange, and one reserved band at the rim. Interior reserved.
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| REDMG:1961.150.3
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Moulded ring on neck; 17 white bands arranged horizontally, between the top of the neck and the middle of the lower body.
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| REDMG:1964.1647
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Black glazed except reserved on lowest part of body and underside; two red bands on shoulder and single red band around the middle of the body.
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| REDMG:1964.1685.1
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Flat section of handle which slightly bends. Incised line runs down both surfaces of the handle in the middle. Reserved.
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| RM.87.35.22
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Decoration on the whole body, handle, mouth and beneath the aryballos. On the body you can see warriors marching right, carrying shields. On the underside and on the mouth, a floral design is visible (leafs). The handle has a zig-zag line design, with dots in the middle.
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| TEMP.2002.7.1
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Bowl with two handles, the rim has a black band around the top which goes both inside and outside the bowl. Below this on the inside, is a very thick black band that stops to leave an empty circle in the centre of the bowl. The handles begin about an inch below the rim on the outside of the bowl, but curve up and out to finish roughly on level with the rim. They are painted with black glaze only on the underside. Above the base of the handles there is a subtle ridge, below which there are three lines of pattern, which look like petals. Below these, there is a thin black band, a small space, and then a thick black band which goes down to the ridge of the foot. The foot itself appears to consist of two flattish disks, the lower with a black band round it. On the bottom of the foot, there is another black band part way in, and then a smaller one with a black dot in the middle.
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| TEMP.2003.2.3
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Long light-brown/buff object, from part of a figurine. Slightly thinner at the middle than at the outside and also slightly bent inwards. Small hole at one end.
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| TEMP.2003.6.22
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Grey surface. The mouth is flared out. At around the middle of the neck, there is a white band. This pattern continues down the Lacrymaterion every 2 cm. The base is grooved and curves inward until it connects with the stem.
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| TEMP.2003.6.24
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Fragment of pot, including slight buldge where handle begins. Exterior, black lines on white background. At the right edge of the top there is a triangluar bit of black that looks like it originally belonged to a square surrounded on both verticle sides by twin sets of thin brown verticle lines. Less than 1 from the top there are two brown lines that follow the curve of the jug horizontally spaced .3 apart. Under these lines on the left is a large2.5 hieght figure eight pattern made up of three lines that swirl around to create the eight, with little v's on the outside of the eight pointed away from where the figure eight lines cross. On the right side, two bworn/black lines curve around where the handle would have begun. The handle section is all black, although chipped. Under the figure eight is a .6 thick black lines running horizontally around the pot, broken by a thin pink line a little below the middle. there are two other thin pink lines equidistant from this first one, one above and one below it by about .4, the top pink line being right above the top of the black line. Underneith the bottom pink line is a segment of a different pattern. Interior is black over pink and white, which is worn away enough in many parts to see the pink and white colors. two thin and faded white lines form bands near the top.
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| TEMP.2003.6.25
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Fragment of the middle segment of a plate(?) chalice(?) with the stem that would have held it up broken off. Exterior, white, interior black with two slightly faded relatively thin white lines that would have made a circle, with a white blob (part of an X?) and a red dot on and in between the lines of the possible X within the circles.
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| TEMP.2003.6.6
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The interior is black, but there is a reserved band on the fragments that come from the vessel's rim (a, b, c, d), which also bear a reserved band on the upper internal side of the rim. a) The black colour appears streaky (it varies from reddish brown to brown) on the rim (interior and exterior), as well as on the handle. The colour of the decoration appears brown and reddish brown on some areas. There is a broad band that bears two palmettes (one on either side of the double handle), while the surface between the two springs is reserved. On the left side of the fragment there is the right part of a motif (front legs of horses?). Below, there is part of a black line. b) The rim is black. Below, there is the upper part of a charioteer, riding a chariot with four horses (part of them is preserved). Details of the horses have been rendered with incisions. c) The rim is black, however the black colour is uneven and leaves part of the right edge of the fragment's rim reserved. Underneath a thin, reserved line, there is a palmette and next to it part of the line that contoured the spring of the handle. d) The rim is black. Below, there is a female figure's head and in front of her (at the level of her face) there is part of a curving branch, with dots on either side (part of wreath?). e) Part of a palmette, a black line and a black band. f) There is a dot in the middle of the resting surface, contoured by a circle. There is also part of a wide, band, between thin lines, above which, there is a graffito? in the shape of X.
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| TEMP.2003.6.8
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The interior is black, apart from a reserved line on the upper part of the rim. a) The rim bears a black band. Below, there is a palmette on the left of the fragment (an almost round centre from which emerge petal-shaped divisions), as well as part of a carelessly rendered curving line. On the left there is the right part of a figure next to three barnches with dots on either side. There are also four large dots on the background. b)The rim bears a black band. The rest of the surface appears to be reserved. c)The rim bears a black band. On the right side there is the largest part of a palmette (round center, rendered with added red and petal-shaped divisions). There is part of a black line that contoured the handle (partially covered with adhesives and plaster). On the left, there is another figure (carelessly rendered, between three similar branches (on the right) and part of an (undecipherable) object that consists of black colour, incisions and added red colour. There are also four large dots on the background. d) The rim bears a black band. There is part of the object on the left side of c and on its left there is part of a black dot. e) On the left side there is part of a curving line with a voluted ending (tendril?), which is connected to a palmette (voluted, with round center and petal-shaped divisions). Next to that there is an object that consists of three parts. The upper is round and the details are rendered with incisions and added red, the middle part is a small dotted branch and the lowest part is a short, vertical, thin band (thyrsos?). From its middle part emerges another dotted branch. There are five large dots on the background. On the right side of the fragment there is the left part (small part) of a figure? (carelessly rendered). f) The part of the lowest body that is preserved bears the terminations of palmettes? depicted on the body (short, clumsily rendered bands are preserved). There is also a reserved thin line between two broad brown bands. The foot is also brown and so is the inner sude surface of the foot. The rest is reserved, with the exception of five thin, concentric circles on the base. g) The fragment bears the lowest part of a palmette (the left volute and part of the round center)on the left and part of the reserved area between the two brown bands.
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| TEMP.2003.7.30
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Small figurine, features not at all defined. Figure is very simple, small rounded shapes for head and arms. Both the back and front are relatively flat and smooth - the front is the side which has the base sticking out further than the back. There are indications that something was painted on it - black line by the right arm, on the front at the bottom, and on the back on the lower half of the body - here there are three vertical lines, the middle line being the longest. There are four black blobs on the square base.
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| TEMP.2003.7.36
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Fragment, clay beige colour. Side b has a small area of black at the bottom. Side a has a small area of black at the top, and a little at the bottom, with an area of red int the middle.
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| TEMP.2003.7.60
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Fragment is made up of six smaller fragments, which have been rejoined, comprising the base of a pot. Interior and exterior are glazed black. Just above rim of base is a strip of red with a black line in the middle. Top and underside of base rim is red. Side of rim is black. Underside of base is concaved, with a red center. The red center, under the base, has a black circle around.
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| TEMP.2003.7.74
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Inside is dark grey coloured, whereas outside is more light orange coloured. Upper part of outside appears to have a black line across the top that has been worn away over time. The middle section has a thicker brown line which likely went around the entirety of the original artefact. Lower part of object is dark grey, again likely part of a larger coloured section of the origional, complete object.
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