Ure Museum Database



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There are 53 objects for which Attribution contains → and
22.3.22 Trendall → and ← Cambitoglou, RFVA 1.124.210, attribute this fragment to the 'developed style
22.3.26 Trendall → and ← Cambitoglou, RFVA 2.680.297.
22.3.30 Trendall → and ← Cambitoglou, RFVA 1.201.75, attributes this fragment to the Iliupersis Paint
26.12.13 Beazley ('Group of the Athena Painter' → and ← 'Perhaps Class of Copenhagen 68'): ABV 705.82bis
26.12.14 Beazley (attributed to 'Perhaps the Athena Painter', → and ← 'Compare to Copenhagen 68'; certainly belongs to the 'Group of the Athena Pa
26.8.3 ibutes this to the Emporion Painter, on the basis of the extensive use of black → and ← absence of white, as well as the many black dots. Beazley attributed itto th
27.3.5 Attributed by Neeft (1987, 148 → and ← n. 512)
27.4.1 Cf. P. Ure, Sixth → and ← Fifth Century Pottery from Rhitsona, p. 67
29.5.1 he Group of the Arming Lekythoi'); Beazley ('Group of the Hoplite-Leaving-Home' → and ←, formerly, 'Phanyllis Group')
37.7.2 Attributed by Szilagyi 1957 ('probably') → and ← Amyx 141.4
45.10.1 A.C. Smith. The lotus bud is quite unusual, → and ← this → and ← other decorative elements relate this epichysis to the Egg → and ← Wave
45.6.30 Related to, possible (→ and ← this group moves to Metaponto at some time): see Green 2001.
45.8.2 Trendall → and ← Cambitoglou, RFVA 1.282.196, class this pelike with 'vases near in style or
48.2.1 A.D. Ure, JHS 1929 → and ← 1935
49.1.2 Trendall → and ← Cambitoglou, RVAP 2.605.1, class this work close to that of the Gioia del Co
49.4.2 Trendall → and ← Cambitoglou, RFVA 2.955, 2.956.375, class this hydria among the 'naiskos vas
49.8.2 Trendall → and ← Cambitoglou, RVAp 2.892.309, attribute this lekanis lid to the Stoke-on-Tren
50.10.4 Name vase of of the Painter of Reading 50 X 4 (ARV2 676.13), → and ← 'Manner of the Carlsruhe Painter' (739.1), according to Beazley.
50.4.12 D.W. Gill: cf. London, BM 1978.121.2 → and ← 29; Oxford 1968.1530.
50.4.16 Belongs to the same workshop as 14.9.109, according to D.W.J. Gill. Sparkes → and ← Talcott, in Agora 12, 140 no. 17, suggest that this piece is probably from t
51.4.10 Ure attributes it to the same h→ and ← as mastoid cups in Vienna (Vienna 296) → and ← in New York (ex Coll. Gallatin):
51.7.13 Trendall → and ← Cambitoglou (2.937) have designated this vase the name vase of the 'Group of
51.7.5 s, albeit one with broader proportions, is favored by the painters in the Clevel→ and ← Group. Further this vase indicates other characteristics of the work attribu
56.8.6 nthian Vase-Painters' in Studi Banti (1965) 3-4; D.A. Amyx, 'The Mingor Painter → and ← others: Etrusco-Corinthian Addenda', StEtr 35 (1967) 101-104; Szilágyi 1975
61.6.4 ns that this skyphos provides a link between the Group of the Athens Hydria (F) → and ← the Group of the Reading Lekanis (G).
61.6.5 Ure (BSA 1960) identifies this vase as from the same workshop (→ and ← probably same h→ and ←) as Chalcis 938 (deep h→ and ←leless bowl).
78.7.1 JRG 14.11.2003 says from the way the vine is used → and ← the shape (skyphos of Attic type rather than kotyle) it might be 'Circle of
REDMG:1935.87.11 Corinth 15.3, 369 → and ← 370 n. 6: classed, along with similar miniatures, to a group of 'lotos kylik
REDMG:1935.87.23 Trendall → and ← Cambitoglou, 2.1014 → and ← 2.1015.906-907, class this kantharos, as well as Rea
REDMG:1935.87.32 Trendall → and ← Cambitoglou, RFVA 2.765, 2.772.91, assign this column krater to the Group of
REDMG:1935.87.33 Trendall → and ← Cambitoglou, RFVA 1.381 → and ← 1.382.164, attribute this bell krater to the Sch
REDMG:1935.87.4 Trendall → and ← Cambitoglou, RFVA 2.622.150 → and ← 2.622.165, attribute this oinochoe, → and ← a si
REDMG:1935.87.7 Trendall → and ← Cambitoglou, RFVA 2.622.150 → and ← 2.622.165, attribute this oinochoe, → and ← a si
REDMG:1947.13.1 Trendall → and ← Cambitoglou, RVAP 2.815, attributes this amphora to the Split-mouth Group, w
REDMG:1951.130.1 Banti notes a similarity between the dancers → and ← those on Vienna 1041 (neck amphora) attributed to the Polyphemos Group (see
REDMG:1951.131.1 Trendall → and ← Cambitoglou, RFVA 21/18
REDMG:1951.134.1 Trendall → and ← Cambitoglou, RFVA 2.714.798
REDMG:1951.137.1 Trendall → and ← Cambitoglou, 1.285.233, attribute this lekanis lid to the Lampas Painter, a
REDMG:1951.138.1 Trendall → and ← Cambitoglou, RFVA 2.1004.243, attribute this lid to the Kantharos Group.
REDMG:1951.139.1 Trendall → and ← Cambitoglou, RFVA 2.717.851, class this vessel with vases 'associated in sty
REDMG:1951.140.1 Trendall → and ← Cambitoglou, 2.137 → and ← 2.139.32, class this hydria among the early vases att
REDMG:1951.141 Trendall → and ← Cambitoglou, RFVA 2.710.762, classes this bell krater as 'connected in style
REDMG:1951.142.1 No precise compar→ and ←a have been found but the ornament on this vase relates it to the works of th
REDMG:1951.144.1 McPhee → and ← Trendall 1987, IVA/118, 127-28: The cuttlefish, with body outlined in white
REDMG:1951.147.1 A.C. Smith prefers to attribute this vase to the Za→ and ←am Group or one the other workshops of the Iliupersis Painter → and ← the followe
REDMG:1951.148 Trendall → and ← Cambitoglou, RFVA 1.317 → and ← 1.320.25, class this among vases in the 'develop
REDMG:1951.150.1 Trendall → and ← Cambitoglou, RFVA 1.253.223, attribute this pelike to the Verona Painter, wh
REDMG:1951.151.1 Trendall → and ← Cambitoglou, RFVA 1.278.149, attribute this lekythos to the Thyrsus Painter,
REDMG:1951.157.1 The ornament on this vase relates it to the works of the minor painters → and ← workshops associated with the Iliupersis Painter → and ← other painters (Cambito
REDMG:1951.159.1 Trendall → and ← Cambitoglou, RVAP 2.815, attributes this amphora to the Split-mouth Group, w
REDMG:1951.160.1 ainter's developed style, e.g. the Z pattern, the palmette between the figures, → and ← the stocky style of the figures.
REDMG:1951.161.1 Trendall → and ← Cambitoglou, RFVA 1.234 → and ← 1.235.73, attribute this bell krater to the Pain
REDMG:1953.25.32 Trendall → and ← Cambitoglou, 2.1014 → and ← 2.1015.906-907, class this kantharos, as well as Rea
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