| 13.10.7
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Fired black in patches. Incised decoration: groups of zig-zags and intersecting straight lines which stop at base without meeting.
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| 13.10.9
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Part of handle missing. White slip, with straight and wavy linear patterns in black. Cross in circle on base.
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| 14.9.21
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Two fragments joined. Core is reddish-brown. Inside is white with two wavy lines in red. Outside is white as well with two thick and two thin straight lines in red. Curves as though it may have been part of the neck of the vessel.
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| 14.9.69
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Black painted design. 2 thick lines diverging from medium-sized black section. 1 curves round, the other is straight with a subsidary line curving away. Over the top of the main black region is a largely worn away blob of red paint and there is wavy incised line through the bottom. More incised lines cross the black lines with most falling on the curved one. Pale buff Background. Inside painted black
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| 2003.6.18
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Base fragment of a small pot, decorated with three straight lines at the base, two of which are black; the middle one is of a faded purple colour. Above the lines is a large black pattern which takes up nearly all of the space left on the fragment. The interior is decorated with a black gloss.
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| 2005.3.28A-B
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A: Whitish slip with bands of decoration, zigzags in added red and straight lines in brown. Interior has a wide band of red at rim, rest is white slip, possibilty of an interior ornament, circular shape in red visible at edge of fragment. B: exterior and interior same as A.
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| 2007.2.80
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One side is decorated with three bands of a dark orange glaze; one a thick straight band, then two thin parallel bands that curve in the opposite direction to the large band.
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| 2007.4.188
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Shard painted brown, except along a straight line across shard of material colour
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| 2007.4.220
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Two lines of a wave-like pattern, followed by two further straight lines. Completely gone from half the fragment
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| 2007.4.221
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The lip and a section of the pot underneath painted a red-orange colour, with section of darker red, almost black. Coming straight down from this are siz dark red lines
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| 2008.2.1.54
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Robed woman standing next to a pillar. Her right hand is resting on the pillar and is holding two long, straight objects connected near the top, possibly a scroll.
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| 2008.7.145
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Interior: cream wash with 4 parallel horizontal lines overpainted in greyish-black creating 2 bands of pattern, one twice the width of the other. The narrower band contains 5 semi-circles, and the narrower a more irregular pattern of intersecting curved and straight lines. Exterior: Cream wash with narrow, evenly-spaced parallel horizontal lines overpainted in greyish-black. Patches of brownish glaze remain.
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| 2009.8.244
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Profile of a woman with straight, long hair, looking right. Cast number: 35
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| 2009.9.228
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Profile of a bearded man with short straight hair. A part of his cloak can be seen. Inscriptions on the bottom. Cast number: 68
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| 2009.9.238
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Profile of a man with a beard and straight hair, looking right. The top of his cloak can be seen. Cast number: 78
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| 2009.9.252
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Profile of a man with short straight hair, looking right. The top of his cloak can be seen. One letter on the left side and one on the right. Cast number: 92
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| 2009.9.253
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Profile of a man with short straight hair and a beard, looking right. His bare chest can be seen. Cast number: 93
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| 22.3.35
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Upper part possesses a unique pattern that could be intended to mimic a type of plant, consisting of a single white dot in the centre with six triangular shapes surrounding it, each with a white spot upon them, and a white line on each of their ends; both above and below this pattern are two straight lines, brown of colour. At the bottom is another unique pattern consisting of three white dots above what could be a type of pot drawing, with several straight lines upon it. Both these unique decorations are likely part of a larger pattern upon the original artefact's exterior.
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| 23.11.26
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Upper portion painted black; lower portion painted white. At one point around the middle section, there appears to be an orange straight line, which likely reached round the entire object.
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| 25.6.2
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Black on the inside except for a reserved disk in the centre approx 6.0 cm diam. Small handles moving straight out from side, black underneath but reserved on top. On the main zone; A and B. Man leaning on stick listens to a seated lyre player. Handle palmette behind musician has lotus attached to it on left. Between listener and other handle palmette a tall thin lotus bud. Beneath each handle is a small clover leaf. Beneath the main zone is a black disk leading down the stem to the foot. The rim and base of the foot are reserved except for a black band on the base.
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| 26.12.28
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Clay pale buff. Decoration streaky brownish-black, in parts fired to red. On shoulder, two wave bands between two straight. Rest of vase black. Bars across handle, black line round lip. Side of foot and bottom reserved.
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| 27.4.1
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Glazed black on the interior, except for a reserved band within 0.4 cm of the top edge. Exterior black glazed except, in the handle zone, a frieze decorated on each side with a pair of eyes between 5-petalled palmettes, above another reserved band. Each palmette is joined to the corresponding handle by a tendril. Each eye consists of a white circle within a black eye shape, surmounted by a black eyebrow decorated with white dots, and above a plain black curving line that mirrors the shape of the eyebrow. Between each pair of eyes is a straight vertical band, indicative of a nose, decorated with a row of white dots. Between the handle attachments and below each handle is a set of four sloppy spots arranged in a diamond form.
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| 27.4.4
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Paint is red-brown. Single handle with incised line down back creating two halves. Trefoil mouth with short bars around, leading to long straight neck. On neck are two parallel bands at the top, above four groups of three tongues with a red bar across top. Three bands separate neck design from shoulder design of three grazing deer facing right with zig-zag fill ornaments above shoulders and a small bird (?) on extreme left. On body is one zone of checks and then bands to base. Base is flat and reserved.
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| 30.11.2
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Handles turn outwards and end in small knob where they join body. Inside from top to bottom, vertical lines in groups, circular pattern of brown with some red showing through. Sides concave and decorated with groups of straight or wavy lines in four rows between bands of two or three. Base is plain.
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| 34.10.17
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Orange/buff clay. White slip, traces of red and black. Suspension hole blocked. Female protone / mask with long hair; almost straight across bottom. Label '115' inside.
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| 34.8.14
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Green glaze shabti, black pigment detail. There is a head-dress and the figure appears to be holding something in each hand which is depicted as a straight line going to each shoulder and meeting around the back of the neck.
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| 45.10.26
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Two small fragments i) two black shapes with incised straight and wavy details. ii) one black shape with incised straight, wavy and circular details
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| 47.6.2A-B
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Lid: Straight sides and a moulded rim at the top and bottom, both red. The plastic ring at the top of the lid black. The top is decorated with a depiction of a male figure, perhaps Dionysus (Ure) or Pan (Boardman) with horns springing from his head. He wears an animal skin (brownish dots) over his shoulders, with a hoof dangling. He seems to be stepping or sitting on another animal skin. In raised left hand he holds an indeterminate instrument (Ure: handleless fork; Boardman: syrinx) and he rests his right hand, brought before his body, on an oar-shaped object (trumpet; Ure: winnowing fan; Boardman: 'lagobolon'). To his left is the forepart of a pig (or dog?), and to his right, a basket with three corn stalks. There is also a red, thin line at the joining point of the plastic ring and the lid. The decoration of the side surface of the lid is a motif of vertical, hanging, wavy tongues, between reddish brown bands. There is also one inverted heart-shaped motif at some point between the tongues.
Body: There is a red line at the rim and another one at half the way up the body, both on the inside and the outside. On the interior there are two, concentric, reddish-brown circles. Exterior: There is also a red line at the bottom of the body, while the disk-shaped ring is reddish-brown. Wide rim at base. Underside is reserved and central section flat.
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| 47.6.3
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Dull brownish-black glaze all over. Ribbed handles with bearded masks instead of spurs, handles divided in two between mask and body. In handle zone, incised band of tendrils on straight stalk. White dots (v. worn) above and below. Round top of lower band some evidence of what was a wavy pattern. Lower band black as is base and the rest of the vessel.
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| 50.12.15
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Interior is mainly unpainted with a black line (faded to orange) directly on rim, another slightly lower. Exterior has a series of straight and curved lines to left of centre there are two parallel vertical lines and far left two horizontal parallel scalloped lines. To the right a single curved line and at the bottom a small semi-circle adjoining the lower end of the vertical lines with an larged dot in the middle.
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| 50.12.2
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Fragment of wall of krater or other open bowl. Pale clay, white slip inside and out. Glaze yellow to brown for black. Interior broad black band. Exterior, bands of curved and straight lines.
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| 50.12.29
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Interior plain, exterior decorated with red and reserved patches, divided by a fine line, partly curved, partly straight.
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| 51.7.3
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On the body, opposite the handle, is modelled a triangular human face, with slanted eyebrows, bulging closed eyes, a straight pointed nose, tight lips, and a pointed chin.
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| 73.6.3
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Black figure painting consisting mainly of two large straight lights, one at the bottom, and the other in the middle. There are several patterns on the upper part, though it is challenging to fully make out what they are, though it is likely they are forming part of a story portrayed across the rest of the pot.
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| 73.9.32
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Plus symbol and a straight line symbol painted on outside, likely part of a larger pattern on the object it is originally from. On inside are two differing shades, one a dark grey colour, and the other a dark brown, the grey being on the outer side, and the brown on the inner.
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| 79.1.16
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Two bands of laurel leavess with berries on either shoulder between the handle and nozzle, discus decorated in raised moulded relief of a fourteen petal warped rosette. Two very small circles are placed at the body end of the nozzle, on either ridge of its top. Moulded line along the crest of the handle with two small lines either side of it at the front of the handle. The back side of the body, under the handle are three lines; the central is straight and terminates at the base with a bud either side, the other two terminate in volutes. Red wash all over.
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| 87.2.1
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Horse decorated with white slip on pale orange, with dark red (for black?) stripes on chest, legs, mane, tail, and harness. Head and mouth of the horse shows representation of bridle, with thin horizontal bands down the neck representing the mane. There are two horizontal bands around the main torso of the horse. Horizontal bands also decorate the legs, chest and tail of the horse figurine. Front legs are slightly projected forward, as are the rear legs backwards. The legs are straight and disproportionately long compared to the head and torso.
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| E.23.11
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Straight base below a trapezoid shape (slightly better defined than E.23.10). Now grey in colour all over.
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| E.62.17
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The thorax is made of parallel straight lines. There appears to be a small amount of gold pigment between the beetle and the base, there is no other discernible pigment.
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| E.62.18
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Stone scarab, the beetle attatched to a flat base. The thorax consists of parallel straight lines, the upper body is flat, and the 'head' consists of parallelagram like shape a ceratted edge to represent the mouth.
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| E.62.2
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Sculptor's trial piece. White limestone, the sculptor is trying different ways of drawing hair. The bottom of the fragmet has a human head with one way of drawing hair, one braid at the from with several straight lines representing the rest of the hair alon with a band accross the top of the hair. Other methods include small squares, undulating lines and straight parrallel lines made up of small chips into the surphace.
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| E.62.38
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Alabaster, flat base. Slightly elliptical, with straight lip. No decoration.
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| E.62.59
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Reddish brown, slightly blackened inside, slight straight lip, fairly shallow. Similar indentations around the side of the bowl like E.62.37.
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| REDMG:1953.25.55
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Small jug with wide flaring mouth and rim which is reserved inside apart from a long smear of paint. Handle is made of two sections, not quite meeting at the top and extending along the rim. Straight neck with slight ridge at juncture with body. Thin groove at base around foot. Base is flat and black.
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| REDMG:1964.1688.1
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Slightly curved from left to right and curved from top to bottom, becoming steeper towards bottom of fragment. This suggests that the fragment may have belonged to a cup of some description which has straight rim and a sloping body (?) Fragment has the rim of the object. The rim is black and flat on the top. On the interior surface is a black band below rim, red, broad band, thin black band and red again. The exterior surface appears to have been black all over but faded to red. The material is thick and dark in colour.
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| REDMG:1964.1703.1
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Deep red colour inside and out and a black slip. Outward curving rim and a long neck. Two incised bands around shoulder. Body tapers to foot which then flares out to flat base. Object does not stand straight due to uneven base.
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| REDMG:1964.1704.1
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Straight tall neck, no rim. Pierced handle. Roughly cylindrical. The bottom is slightly convex. Hand made. Clay reddish.
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| REDMG:1964.1705.1
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Flaring lip tapering to straight cylindrical neck. Two small round vertical handles (string-holes) at base of neck, joining almost spherical body. Black slip but fired red on the base. Some incised decoration representing segments, with dotted infill.
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