| 13.10.16
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Interior: red with concentric black circles inside thick black bands halfway down body, and at base. Exterior: red, with one broad black band. Coarse brownish clay. Handles are also black.
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| 13.10.18
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Interior: halfway down, a series of uneven thin black concentric lines between two thick black lines; at base two concentric black circles. Exterior (from top to bottom): two black concentric lines, uneven thin black lines inside two thick black lines, one wide red band, black line, black line around footring and three concentric black lines on base.
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| 14.9.23
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Red with white slip on both sides and traces of red decoration on the exterior surface with a band and then a band with design attached to it. On the interior surface is a red line down one side with a whte 'S' on it. No finished edges.
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| 14.9.66
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Yellow band, followed by brown band, then black irregular shape (possibly a flower) with a thick S shape next to it both partially obscured by red band. This is followed by three pale bands and 7 black line at right angles to these, 6 of which reach down to the 2nd pale band passing over the 3rd and the last only reaches the 3rd band. Background is pale buff. Inside painted black.
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| 2002.9.5
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A reconstruction of a kithara. Similarly to the barbitos, wooden frame with a horizontal bar resting across the top to which the seven strings are attached. Ornate carving and curls down each side. The lower part is a thicker section of wood with a bridge (as on our stringed instruments of today) to hold the strings taught. Zig zag carving at base for decoration and a red ribbon for the musician to hold attached to bottom right.
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| 2003.7.22
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Possibly top part of a bowl/jug due to smooth edge of rim and the way it curves half way down. The interior side is painted in black. The exterior has the top half painted in white, with two lines of small black dots parellel to each other at the edges of the white paint. There are two dark brown/faded blakc parellel lines which have two black squares at either end of them. There is a narrow red line beneath the white, with a black area beneath that. The clay is quite smooth.
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| 2007.1.10.40
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Naked man sitting down with his arm on a half crouching woman
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| 2007.10.1.27
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Bearded man with short curly hair kneeling down on one knee and facing to the left of the image with his right arm raised. Small winged boy behind him.
Cast number 91
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| 2007.10.1.29
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Naked bearded man kneeling down on left knee facing the left of the image and touching head with right hand. Cloths hanging down from his left arm. Tiny winged boy behind him.
Cast number 93.
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| 2007.10.2.10
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Man on left with staff waving, short old man in centre grabbing clothes of falling down woman with cupid in background.
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| 2007.10.2.110
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Naked figure lying down facing away from the viewer. By the feet is a winged infant. There appears to be a serpent/snake entwined around the figure.
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| 2007.10.2.120
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Temple at the top of the cast with steps leading down to a building at the bottom.
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| 2007.10.2.122
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Topless man sitting down and holding his head with his right hand.In the background are visible the shades of some trees.
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| 2007.10.2.126
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Male nude. Profile facing left. The man is sitting down and resting his head on his right hand. He his carrying a sward. On the left side there is an inscription in Greek letters.
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| 2007.10.2.140
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Male, sitting down, bare chested, caring a cornucopia in one hand and a branch with leaves (possibly olive), iconography suggests figure is a god.
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| 2007.10.2.145
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3 figures indoors, shown by hanging drapes and furniture: old man sitting on floor long hair, bearded, wearing robes, chest showing, young woman standing wearing also wearing robes, holding the old man's hand and a young man sitting down bare-chested holding a long object, while looking at the other two figures.
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| 2007.10.2.166
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Male soldier, holding a shield, wearing a shield, sitting down, facing a shield (?). Another figure in the background.
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| 2007.10.2.188
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Woman sitting down and touching her left bare foot with a hand. She is wearing a Peplum draped around her body.
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| 2007.10.2.193
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Naked man standing up, leaning on a tree. Another figure sitting down. A bird in the background.
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| 2007.10.2.2
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Displays a man wearing robes and holding a spear falling down. There is also a small snake to the right of the man's face.
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| 2007.10.2.201
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A woman wearing a peplum, sitting on a chair holding a mirror (?) and looking down to it.
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| 2007.10.2.208
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Two figures: one bearded, naked, sitting down with his hand resting on the second figure, which is standing, also naked
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| 2007.10.2.217
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Bust of female from behind (3/4) facing to the right. Hair loose. Dress pulled down revealing the shoulders.
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| 2007.10.2.261
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Two figures, one is a naked and bearded man standing, the other is a female sitting down. He is holding what looks like a staff or club, which could identify him as Heracles and she is balancing something on her knee. There are trees and vines in the background.
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| 2007.10.2.284
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A naked male figure sitting down with the inscription of "Nicolas" in ancient Greek written beside him.
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| 2007.10.2.313
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Man lying down, with a jug by his side, two deer and a tree in the background.
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| 2007.10.2.333
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Three figures, two semi-naked and lying down, one playing a flute. With some sort of wild cat beside the bed.
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| 2007.10.2.341
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A dog lying down, viewed from above, raised from the surface of the gem cast.
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| 2007.10.2.94
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Bearded male sitting down. To his left lie 2 sticks on the ground.
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| 2007.4.146
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Red painted pattern on one side, starting at the top with pale red line, followed by a section of darker red block colour, then red zigzags going down, then another section of red block colour and finally orangey red stripes
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| 2007.4.221
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The lip and a section of the pot underneath painted a red-orange colour, with section of darker red, almost black. Coming straight down from this are siz dark red lines
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| 2007.4.42
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Black glaze, completely worn down one side, slightly worn on other
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| 2007.9.1.46
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Displays a man, wearing a hat and a cloak, kneeling down and tending to a small animal. Some letters around the outside.
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| 2007.9.1.49
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Displays a man, wearing a hat and a cloak, kneeling down and tending to a small animal. Some letters around the outside.
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| 2007.9.1.76
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Displays a human figure kneeling or lying down, facing right, with five or six pots lined up behind them.
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| 2007.9.1.78
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Displays a winged human figure, facing left, holding a thin, curled object in his left hand, with a dog lying down at his feet.
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| 2007.9.2.5
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Displays four human figures. From left to right: a man with his head bowed and a hammer raised in his right hand, whilst holding a spear or an arrow in his left; a seated woman, her head turned away to the right, holding an arrow in her right hand, pointed down into a bowl she is holding in her left; a cherub, holding a long pole, his left arm outstretched and looking upwards at the figure behind him; a naked man wearing a helmet and holding a bundle of cloth and an arrow, and looking down at the cherub. (Box Index = Vulcan, Venus, Cupid, and Mars).Tray 5, Layer 1, gem 5
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| 2007.9.2.7
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Displays a winged man, crouching down on one knee, a quiver of arrows on his back and a bow at his feet are visible, whilst a woman reclines on the ground, only her lower half covered in cloth, resting her upper body agaist his knee. (Box Index = Amore e Psiche or Love and Psyche). Box 5, Layer 1, Gem 7
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| 2007.9.3.25
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Displays a man crouching down in front of a tree.
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| 2008.2.1.49
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Clothed woman walking amoung naked men, some of whom are bending over either to pick up or put down flowers behind her, and one of which stands in front of her handing her flowers. Tree in the background.
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| 2008.7.128
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Interior: greyish-black wash. Exterior: greyish-black wash. 7 thin non-parallel vertical lines scratched into surface from rim to half-way down fragment.
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| 2008.7.142
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Exterior: black wash. Curved horiontal groove impressed half-way down fragment with short vertical narrowly-spaced grooves within it.
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| 2008.7.186
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Exterior: beige/white slip, overpainted by one horizontal maroon lines, traces of black decoration on the very bottom of the fragment. Base(?): continuation of the beige/white slip from the side. Interior: black glaze; continues down onto the interior of the base(?) as well.
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| 2008.7.28
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Exterior: beige glaze overpainted by black horizontal line just under the rim, also four (three thin, one thick) parallel black lines running at a steep angle down from the rim. Rim: five thick black lines parallel to each other and perpendicular to the rim.
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| 2008.7.45
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Exterior: three parallel black horizontal lines on the bottom of the fragment, a squiggly irregular black lines on the side of the rim, and a black line following the exterior edge of the rim; rim: seven parallel short brown lines, all perpendicular to the rim; interior: reddish-brown glaze, darker near the rim and fading slightly down the fragment.
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| 2009.10.2.10
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Figure of a man with wings and a beard, lying down with a cloth draped over his legs, holding and looking at a sword, with an open book next to him.
Number 10.
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| 2009.10.2.11
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Figure of a man with wings and a beard squatting over another man who is crouching down dangling a club from his hand. Number 11
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| 2009.10.2.146
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Figure of Hermes holding sceptre upside down in right hand and a reed or feather in this left. A small animal is at his feet. Number 18.
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| 2009.10.2.169
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Naked Hermes with caduceus lie down on top of the sheep.
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| 2009.10.2.263
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Nude male figure leaning against a pillar holding a spear in his left hand and accompanied by a dog. Inscription down the left hand side
Number 53
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| 2009.10.2.348
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Frontal image of a nude male, leaning to the left, possibly scraping oil from his right leg with a strigil, with an inscription down the left hand side.
Number 4
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| 2009.10.2.360
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Lion, lying down with two heads, one is a goat's head, Chimera (?) has a snake tail
number 16
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| 2009.10.2.400
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Bearded male centaur lying down, holding a shield above him with his left hand and pulling an arrow from his side with his right.
Number 56
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| 2009.10.2.409
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Central nude male figure wearing a helmet leaning down towards a jar on the floor, with a nude male holding a staff on the left and an armoured male holding a shield on the right.
Number 65
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| 2009.10.2.410
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Central male figure wearing a helmet reaching down towards a vase on the floor, with a male figure on the left, an armoured male holding a shield on the right and a pillar with a vase atop behind the central figure.
Number 66
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| 2009.10.2.48
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A portrait of a man with a beard and curly hair. Some letters down the side. MIIHO. Number 48.
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| 2009.10.2.56
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Man with scepter standing on ball with two figures on his left, one above the other. one is a woman and one is sitting down. Number 56.
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| 2009.10.2.61
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There is a gathering of eight male and female figures and an Eros. Two of the males are sitting down and the rest are standing. Number 61.
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| 2009.8.136
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A bull kneeling down. Cast number: 81
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| 2009.8.272
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Two cows, one is lying down, the other standing behind it. Cast number: 3
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| 2009.9.115
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Two naked winged men. One is standing next to the other, the other is sitting down. Cast number: 48
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| 2009.9.154
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A naked man with wings kneeling down. Cast number: 88
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| 2009.9.159
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Procession of four naked winged children and one wearing a dress. The one on the left side is trying to sit down on a daybed, the one behind him is carrying a torch, they are both looking over their shoulders to the last two children. The third child is accompanied with a child wearing a dress, they are standing very close together. The last child is carrying a basket with fruits over his head. Cast number: 93
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| 2009.9.193
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A fighting scene. The man in the middle is rising his sword to kill the man in front of him who is already falling down. The man on the right side is holding up his shield. There is a crescent moon on the left side above the dying man. Cast number: 28
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| 2009.9.212
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A griffin attacking a woman with one of his claws. She is falling down. Above them a cresent moon. Cast number: 47
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| 2009.9.221
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On the upper part, a man falling down with a chariot pulled by 4 horses. On the bottom, a bearded man looks up and three naked women holding twigs. The downfall of Phaeton. Cast number: 56
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| 2009.9.50
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Two cranes looking for food. One is bending its head down, the other is clapping its wings. Cast number: 64
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| 2009.9.59
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A creature with an animal head, maybe a cat, and a male human body, kneeling down, holding a vessel in its left hand. Cast number: 73
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| 2009.9.83
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A naked winged child, kneeling down, aiming at two butterflies with his bow and arrow. Cast number: 16
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| 2009.9.96
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A man kneeled down next to a rooster, holding a twig. On the right side another rooster. Cast number: 29
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| 25.6.2
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Black on the inside except for a reserved disk in the centre approx 6.0 cm diam. Small handles moving straight out from side, black underneath but reserved on top. On the main zone; A and B. Man leaning on stick listens to a seated lyre player. Handle palmette behind musician has lotus attached to it on left. Between listener and other handle palmette a tall thin lotus bud. Beneath each handle is a small clover leaf. Beneath the main zone is a black disk leading down the stem to the foot. The rim and base of the foot are reserved except for a black band on the base.
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| 25.8.1
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Black inside and out but lip reserved. Neck is reserved as is underside of handle. Top of handle was once black with a ridge running down the centre. Shoulder has short bars at base of neck above a lotus bud chain with interlaced stems above a black band. Body shows a hoplite putting on greaves, facing right to a woman holding spear and shield. Two onlookers left and one on right, all facing him. Colour worn but corselet originally red and possibly hair too. Below is black to base, including top of foot, but not side, which is reserved. Base is reserved and concave.
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| 25.9.2
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The inside is black at the base and reserved up the interior walls. On the upper surface around mouth are alternating black and red tongues surrounded by double row of dots between lines. Outside these is black around the curved body down the stem to the foot. Black glaze badly fired revealing many colours. Side of foot is reserved as is resting surface and central base section which is flat but raised a long way inside the footring which is black inside.
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| 26.12.15
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Inside is black with a reserved line halfway down rim and a reserved centre circle with a black band and a central dot. The rim is vertical and offset slightly. Two handles are black all over. Outside design, from top to bottom is, black rim, lotus bud and dots linked with chain, black band with narrower bands either side, alternating buds and dots slighlty diagonal, black band with narrower bands either side, rays. At top is a red ridge that then leads to a ribbed and reserved stem. The lower half is black as is the top of the foot and the side. The foot has a thicker ridge around the edge resulting in a channel effect going all the way around it. The resting surface and conical base are reserved apart from the inner ring of the foot which is black.
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| 26.12.2A-B
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Two handles, round with projections. Base has concave sides. Red band on rim. In handle zone are black zigzags, on body black and red bands. Flat base reserved. Inside is a black band below rim and then a black band in the base. Lid: Central circular knob with bands on top and down lid itself; rim set back to allow the lid to sit in pyxis.
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| 26.2.30
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Outside, a band below the rim, three lower down, faded black on greyish-buff clay. Inside, on a thin pale slip, large dots on the flat rim, a broad black band with thinner bands of red (and white?) superimposed, and what might be the top of a horse's head to left, showing the beginning of the eye on the extreme left, the ear in the centre, and the main impinging on the framing broad band.
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| 26.2.4
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On top of mouth frieze of dots between narrow black bands; dots on edge; horizontal strokes between narrow black bands down outside of handle; ring hole painted black; around ring hole, wide and narrow black bands with incision lines; around edge, black-figure decoration;consisting of horse riders (only incision marks of horse's head and traces of black remaining) to left;
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| 26.2.40
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Underside, black, turning to red within the double foot-ring; resting surface reserved. Upper side, winged feline (with incisions and applied red markings in the shape of inverted commas on soulder and down foreleg) to right with left paw raised above what may be the tail of a sitting bird or siren, red and incisions on field ornaments. Cream slip. Bands of red and white superimposed on black.
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| 26.4.2
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The rim on the outside has a thick black band round it, which stops at the top of the handles. On both sides of the handle, the same images are repeated, showing the figure of a bird in between two palmettes with stems ending in a curling ventril with a pendant pointing down towards the foot. Beneath each handle is an ivy leaf with a curled stem. Below these images, is a thin black band, and then a thick one that also encompasses the top side of the foot. The edge of the foot is grooved and reserved, as is the outer rim of the base of the foot. On the base of the foot, there is a well approx 3.8cm wide and 1.5cm deep. The inside of this well and a rim around the edge is fired black, but is mostly red. The inside of the Kylix shows a thin black band that has been extended from the outside. Then there is a thin reserved band, the rest of the inside entirely glazed, except for a small reserved circle in the centre.
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| 26.7.15
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On main zone, both A and B show a spray of leaves in applied white. There is a long stem leading down to the foot, the base of which has a thin wash of glaze on it.
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| 26.7.4
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Top of mouth one thick and four thin bands. Dots appear on side. Four horizontal lines appear on the handle. Daisy pattern on shoulder and below that three bands. Three warriors marching right in snowstorm, spears sloping forwards. Shield of central warrior blazoned with flying bird, other two divided vertically, one half red and the other brown. All figures and shields are incised. Six bands down to base.
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| 26.8.1
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Interior black and exterior decorated with black ornament. Black band on handle extending down each side, with horizontal bars between. On the body are panels or vertical strips of check pattern, herring-bone, cross-hatched lozenges and (bordered above by a row of dots), chevrons flanked by horizontal zigzags and at each end a vertical zigzag and this pattern is repeated on the other side. The lower part of body is black to base, which is reserved and flat.
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| 27.4.4
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Paint is red-brown. Single handle with incised line down back creating two halves. Trefoil mouth with short bars around, leading to long straight neck. On neck are two parallel bands at the top, above four groups of three tongues with a red bar across top. Three bands separate neck design from shoulder design of three grazing deer facing right with zig-zag fill ornaments above shoulders and a small bird (?) on extreme left. On body is one zone of checks and then bands to base. Base is flat and reserved.
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| 29.11.7
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The rim turns sharply out and has a thick black band round it, below which is a thick reserved band. The interior is mostly black with a well (approx 3.7 cm) in the centre of the dish that has a thin reserved band just outside it, and a small reserved disk in the centre. The handles are rounded at the far end, and have black tips. On the main zone; A: Curling tendril and leaf between upright palmettes. B to A, with addition of vertical wavy line between palmette on right and handle. Below is a thin coloured band, a reserved band, and then colour down to and including the stem of the foot. The edge of the foot has two ridges on it, the lower of which is black, the upper one reserved. The base of the rim is also reserved. The base of the foot slopes inwards, the walls of the slope are red, then the centre is reserved except for a thin red band and a red dot in the centre.
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| 29.5.2
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The outer edge of the rim has a thick black band. Below this, is the main zone and the handles. The handles finish above the height of the kylix, and are black on the outside, reserved on the inside. On the main zone: A. Nike flying with garland; B. Pegasus. Either side of each figure, are palmettes which end in a curling vendril with a pendant. Below this is a thin black band, then a reserved one. The rest of the body is black, until two thirds of the way down the edge of the foot. The lower ridge of the foot is reserved. On the base of the foot, the edge is reserved. Most of the base is black except for a thin reserved band near the ridge and two bands on the inside of the well in the foot. Except for a reserved band around the inside rim, inside the body is entirely black.
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| 34.10.5
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Inside, is black but partly misfired red around the rim. Outside, from top to bottom, red and black depending on how it was fired. Traces of two red bands, blank band with leaning vertical lines down to base. Red foot and on base black, red, black lines.
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| 34.2.3
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Black, paint carelessly applied, not reaching down to foot. Bands of white, red, white, red, white at bottom of handle, plain red band on body, and on foot, also on lower part of mouth.
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| 34.8.12
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The vase is black, both on the inside and the outside, with the exception of few, red lines. A sloping rim allows the lid to sit over the aperture. There is a reserved line on topside of the body, a red, carved circle and a groove around. There are also two, concentric carvings, one in the middle of the body's upper surface and the other one at its side. At the level where the body is divided in two areas there is a reserved line, while another one is apparent at the point where the body is narrower, above the point where it connects with the stem. The latter is divided in two areas by two, plastic, thin, red rings. Below, there are vertical ridges, one third the way down, wider towards the upper surface of the foot, whose larger part they cover with their moulded, tongue-shaped terminations. There is also a carved circle, surrounding these terminations. The foot is grooved and reserved in places. The surface underneath is irregularly painted black, with the central part reserved.
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| 34.8.6
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Lip reserved. Inside is black. Single curved handle is black on top and reserved underneath. Shoulder has bars at base of neck with lotus buds at edge. Main zone of body is drawn on cream ground. Part of the way around the body is a double row of black dots. Charioteer driving four (?) horses to right at speed with a person (possibly Athena ?)running beside in the background. Below are black bands. Foot steps down twice and the lower step is black. Base is reserved and concave in the center.
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| 35.5.20-22
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Inside, 21, 22, meander border broken by square (rubbed and indistinct). Outside, 20, arm and part of body of woman dancing, the sleeve of her chiton pulled down over her hand; watching her a male in himation with stick, behind him a dropping lotus; 21, legs of male in himation with stick; 22, palmette. No relief contour; brown for bottom edge of himation.
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| 38.4.7
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Inside is reserved with black rim inside and with crosses on the outside. Handle has horizontal bars and crosses. On neck, grazing horse with degenerate long-legged bird between each pair of legs. From shoulder to base bands, lozenge and other ornaments in the field, flanked by vertical lines, slanting bars and horizontal zigzags. Horizontal handles, attached halfway down body, decorated with vertical bars. Lower part of base is black to foot. Base is concave and reserved.
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| 39.9.1
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Short narrow neck of jug is glazed black. Handle begins at top of neck and carries on to top of the body. The part of the jug joining the neck and the body, has a palmette design on it, in a circle. This circle is broken for the black part of the handle. There is a large palmatee decoration underneath the handle, where it ends on the body of the jug. Body of jug has red-figures on it. Starting from right-hand side of the handle, going from left to right: First figure looks like a women in traditional Greek clothing, kneeling down. She is facing right. The figure to the right of her looks like a naked man with wings. He is standing on one leg and facing right. He is reaching one of his arms out. Underneath that arm there appears to be a duck. To the right-hand side of the duck, there is a man sitting on a stool. He is in traditional Greek cloting and is holding a large box. This figure is also facing right.Underneath the box there seems to be another object, but it is unclear. Perhaps it is a head? Or perhaps it is where the black glaze has been rubbed away, to reveal a patch which looks like decoration on the jug. He has a winged man kneeling in front of him. This man is facing left, towards the sitting figure. The next figure looks like a women in traditional Greek clothing, kneeling down. She appears to be holding something in her hand, perhaps a mirror. She is facing right. Inbetween her and the next figure there is a bird, facing right. The next figure looks like another women in traditional Greek clothing. She is standing on one leg, with her right arm reaching out. She is facing left. Behind her is a 'T' shaped object, perhaps a stool?. Rim of the base is a red/terracotta colour. underside of base is slightly concaved, with many black rings inside. There is a black dot in the centre of the bottom of the base.
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| 45.6.15
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Black lip on mouth. Neck is reserved as is the underside of the single handle. Black tongues under fine ridge at base of neck followed by a circle of black lotus flowers with white outer petals alternating with black buds. Body has black glaze, rather ruddled. Two thin red lines at top of body just below shoulder and one two thirds of the way down the body. Black disk foot with edge reserved. Base flat and reserved except for a concave central circle.
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| 45.6.29
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Black glazed; 7 sets of three incised vertical lines on the shoulder stretching down to the base.
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| 45.6.72
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Mouth is red on top and black down neck until a moulded ridge when there are rays down to black square blocks on shoulder. Band of vine leaves. Handle is black and below it is a palmette complex with tendrils either side joining to two more palmette designs. On front, is head and shoulders of a woman facing left, wearing tight-fitting black cap, with hair emerging in two curls at top. Serrated leaf and rosettes in field.
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| 45.8.2
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Mouth and rim all black and black inside down to base of rim, then reserved. Two handles, one each side, all black. Both sides have a wave pattern above scene. Between tall tendrils: Side A a youth running with a rosette in the field. Side B is a woman running with garland in hand and a fillet hanging up. Black background carelessly applied, overlapping parts of pattern. Reserved band under scene. Foot black on outside, the rest of the underneath is reserved and flat.
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| 45.9.1
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Mouth black inside and outside. Reserved rim. Handles painted black on top and reserved underneath. Each handle has two lines down the back dividing it into three sections and a dolphin (?) painted in black below each one. The neck has two rows of ivy leaves separated by a band of dots. Ridge at base of neck and petals around shoulder. Both sides have a similar design of a warrior setting out between two onlookers. Detail is incised. Below is a double row of staggered dots and rays. Foot is black on top and side, but reserved on resting surface and base.
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| 47.2.30
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Facial features prominent. Traces of red wash on face and body, red stripe down centre. Black on head, bands and stripes on clothes.
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| 48.4.1
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The rim of the mouth has leaves all round it. The outside of the rim has a thick black band. On the main zone are pairs of ivy leaves (one pointing up the other down), joined by their vines. In between these are pairs of dot flowers. All of this lies between two pairs of horizontal lines. The slight slope towards the foot is black. The top of the foot is reserved but appears to have once been black. The base of the foot is reserved except for a thin black band on the inside of the rim, another about halfway in, and then a small dot in the centre of the base. The inside of the pot is completely black.
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| 49.8.1
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Handle in two pieces and entwined in knot and extending out to sides along rim. Mouth is wide and has small rim with moulding around edge. Neck is black and smooth with a ridge at juncture with body. The body has shallow vertical ribs, with a cross incised under handle. Horizontal groove halfway down body. Stem is ruddled above foot and reserved, decorated with a black bad. Upper and lower edge of foot reserved. Foot is conical with reserved resting surface and base, except for a black band inside of foot.
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| 49.8.2
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It has a central knob handle with moulded ridges that bears a red spoked wheel and a red band with a reserved rim. Additionally, it has a black and red down moulded handle with two bads at the bottom. Both sides depict a female head with ornate head dress, made of whitish thin bands and dots, shorter and thinner yellow ones, as well as of ovaloid or curving mottifs. A lock falls over, accross the neck. A spiral pattern is used to fill the surface between the end of the kalyptra (hair dress) and the beginning of another motif; a palmette, used as decoration on either side, while a floral pattern fills the space between the chin and the other side of the palmette. One of the heads wears a neclace made of yellow beads, while her earing is painted over the hair with big round spots. Between the two heads there are palmettes (fan-shaped ornament composed of narrow divisions) with added yellow for few details. Around the bottom of the rim there is a wave pattern to the left. The underside is completely reserved.
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| 50.10.1
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The interior, from the lip down, is reserved. There is a thick band on the lip and vertical bars on the exterior of the rim, then five bands, evenly spaced, between the rim and where the handles start. Neck (A,B): Panel between two triglyphs, each consisting of three vertical lines, a band of diagonal lines, and another three vertical lines. Panel filled with a long-legged bird facing left (body outlined and filled with vertical lines), filling splotches, and a horizontal triangle, cross-hatched, to the right. Shoulder (A,B): Seven vertical lines, panel, seven vertical lines. The panels are filled with (A) dog (silhouette) runing to right, with filling ornament, (B) same, but the dog chasing a hare. Horizontal bands cover the exterior of both handles, and the handle zones are outlined with a very thick band. Body: three horizontal bands; close zigzag; seven more bands; a large black band covering the lower part of the body and the foot. Resting surface and underside reserved.
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| 50.10.4
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The mouth is black inside and out with a reserved rim. The neck and underside of handle are also reserved, while the top of the handle is black. The shoulder is decorated with short lines and four palmettes (of which one is upside down) linked with tendrils. The back of the body is black and the front bears the representation of a draped woman in an unnaturalistic posture. She is facing right with her head and chest turned back to her left. She is holding a case (kiste? with drawers?) in her right hand and extends out her left (the gesture is as if holding a phiale). There is reserved line under her feet and the woman looks as if she stepps on it. Additionally, the foot's upper surface is black. There is also a small, concave section at the centre of the base.
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| 50.10.5
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Black inside with a reserved rim and a central circular reserved section with two black bands and a black dot. Two handles, one each side, are black except for the reserved insides and panels underneath. The exterior is black, with the exception of the handle zone decorated with palmettes and lotus buds on cable and a reserved band further down on the body. Reserved is the ridge at the junction of the stem and the foot, the side of the foot and the resting surface.
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| 50.12.17
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Painted brown for black. Interior brown. Exterior: Has curved pattern down the middle in brown
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| 50.12.24
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Interior: black with pair of purple red lines just below rim; exterior: black with purple-red band at rim, pair of narrower purple red bands immediately below it and another pair, broader, lower down.
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| 50.12.48
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Single fragment preserves the cylindrical torso of a 'phi' or 'psi' figurine (probably the latter), with red-brown painted lines running vertically down its edge.
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| 50.4.5
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Interior of the neck until almost the beginning of the shoulder black. The rest of the interior reserved. On the exterior, neck and handle black. The lower part of the neck is decorated with a row of eggs. The lower part of the handle, at the height of the shoulder bears part of the decoration of a palmette the rest of which covers the body and is hown upside down. The body is decorated in black figure with a palmette-lotus frieze below with double-chevron palmette heart. The lower part of the body remains black fired brownish.
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| 50.5.3
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Shoulder: two cocks facing each other, heads downwards. Purple for comb and wattles. Body: two swans facing each other with their heads down and wings open: Added red on wings. It has faded on the left one. Added white bands on wings of swand and cocks that has mostly faded. The rest of the body is black, fired to brown. Ring on the junction of neck and shoulder, foot and handle black. Underside of the foot reserved.
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| 51.1.2
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Interior and exterior of the mouth, neck exterior of handles black, fired mostly reddish brown. The underside of the rim has a reserved band. Underside of the handles reserved. The body is all black apart from the metope carryint the figure decoration and a reserved band decorated with radial-shaped motif beofre the black foot, decorated with two red concentric bands. Resting surface, underside of the foot. The top surface of the rim is decorated with two, concentric, red lines. Another marks the junction of the neck with the shoulder. The neck is black (reddish brown on the reverse side). The main scene begins from the top of the shoulder (under a red line), down the main part of the body. There are two confronted bulls with their heads bent downwards. Added red on partsof their bodies. Between them, there is an ivy leaf (heart-shaped). They step on a thin, black line, which separates the shoulder zone from the body metope.
On the body, two warriors attack other two. All warriors have spears with teardroped terminations (three terminations are visible, the fourth is on a missing area) and wear helmets with coverings for the cheeks (only the right pair's are visible) with details (dots for the first and fillet for the second warrior) in added white (now fadded away). They all held shields as well. All are round, except for one. The right pair's episemata on the shields are visible (upper part of seated lion / tripod, rendered with added white that has fadded away), while the other pair's shields' interior is visible and so the porpax (handle) can be seen on the left warrior. Additionally, they all wear greaves. Added red on the contour of the shields, the interior of the shileds, helmest, one hoplite's greaves. Between the pairs there is an eight-pointed star. There are also two horizontal red lines below running around the body of the vase. Two horizontal red lines frame the reserved lower zone decorated with the linear motif. The foot is black, with two red horizontal lines. The base is reserved.
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| 51.4.9
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The rim is black, both on the inside and on the outside. The back of the handle is also black, but the underside is reserved. The neck is reserved, but glazed apart from a thick purple band on its lower part. On the sloping junction of the neck with the shoulder, black tongues. Both interrupted at the joining point of the handle to the neck. The shoulder is covered with a guilloche (pattern of interwoven fillets) with teardropped terminations. In the middle of two upper and two lower black lines there are two rows of black dots that begin on the edge of the second left figure of the main scene and stop at the edge of the last person. In the centre of the scene, a male figure in profile to the right with as short mantle, a quiver on his back (Herakles) is attacking a kneeling Amazon. With his left hand, he is gradding her from the air and with the right he is holding a sword, with which he is ready to kill her. The Amazon, in profile to the left, is wearing a helmet, holding a very long spear with her arm and her shiled with the left. From his waist, her sword is hanging. This scene is flanked by two other battle scenes. On the left side, an Amazon is attacking a Greek. He is wearing a cuirass, helmet, he is hloding his spear and his shield and he is shown ready to fall down. Tha Amazon has atteacked him with her spear. She is wearing a helmet and a short chiton. On the right, an Amazon and a Greek are shown in profile running towards the left, projecting their spears. The Amazon is wearing a ahsort chiton and a helmet. She is holding her shield, covering large part of her body. A frontal head of a lion decorates the shield. A sword hanging from her waist. The male warrior wears a short chiton and has a shield and a helmet. The Amazons have long hair and wear helmets with longer and bigger crests. Incisions and added red are used for details. Added red: parts of the chitons of the warriors anad the Amazons, hair of the warrior in the middle, fillets on Amazon's heads and the frame of the shield of the running Amazon.
Below the scene, there are two lines (not evenly formed at all in their length) and a band of added red. Below that, the vessel is black, with two concentric circles on the surface of the foot. The resting surface is reserved.
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| 51.7.5
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Interior reserved; black glaze on mouth and upper half of neck, as well as upper half of handle; lower part of neck decorated with tongues that suggest ribbing; shoulder decorated (except under handle) with an egg-and-dot frieze between two black lines; reserved space at lower part of handle and handle attachment (interior) suggest that the mouth and neck were dipped. Body decorated with a frieze consisting of 7 clusters of three white dots at the top of a figural scene (arranged in upside down triangle shapes): a female figure, standing in 3/4-view to the left, in a relaxed posture with her left leg crossing her right, and her left elbow resting on a pillar (the curvy element in added white suggests that this is meant to represent natural rock). She wears a hairband and kekrphylon on her head, triple-dot earrings, two or three necklaces (two strands of white beads beneath a black line), two white bracelets on each wrist; a belted sleeveless chiton, and white slippers. She holds, in her upraised right hand, a mirror surrounded by white dots, and, in her left hand, a phiale that is surrounded by white beads, as well as a beaded sash. A large palmette, with a white dot on the heart and white dots on each volute, fills the space beneath the handle. From each volute emerges tendrils and floral decoration that frame the image of the woman. A 6-petal rosette fills the space to the right of the woman; to her left are a window and a dotted circle (cog-wheel?) in the upper left field, and an olive branch in the lower left field. On the body, beneath the figural scene, are a single reserved band and a thicker black band. The foot is reserved on the top element, and glazed black on the ridge and lower element; the underside and resting surface are reserved.
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| 52.3.2
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Flared, cup mouth, black in and out and on rim. Neck is black, as is handle, except for a palmette pattern at base. Intricate tongue pattern around base of neck with a circular palmette pattern below. Main design, from left to right, shows Eutychia (EUTUXIA) standing to the right, holding a box in her left hand, with a string of embossed flowers (?) hanging down from her right hand. Beside her is a diphros with a cushion. Aphrodite ([A]FRODITH) sits, profile to left, in the centre and to left is small Himeros (IMEROS) in white, holding a wreath. To her right is a standing Makaria ([MAK]ARIA). Black egg pattern beneath main design. Moulded foot ring with grooves around the side. Black on top but reserved underneath.
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| 54.8.1
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Inside has a ribbed texture and is reserved apart from thin bands around rim with vertical bars overlapping the rim. Single ribbon handle which is unevenly bent, has horizontal lines down back and is reserved underneath. Procession of seven mourning women, in profile all facing right, framed by wavy lines, with two bands above and below and three vertical lines at right and left of panel. In front of the sevnth woman there ae three loop patterns, with dots. The women are wearing long garments, have long hair and ftech one arm over their head, as a mourning gesture. Face drawn in outline. No use of incision for any details. Below 'SSSS' pattern, then horizontal lines. Moulded ridge and groove below around foot. Base is flat and reserved.
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| 58.2.2
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Brown paint on lip, one line halfway down neck, two round edge of shoulder. Incised lines around body. Small depression in centre of base. Small metallic particles in clay.
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| 65.6.2
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Head and shoulders of a Neolithic deity. Square head and oblong arms. The top part has three holes bored through down either side and two partly bored holes near the top representing eyes and three partly bored holes representing the mouth in a horizontal line above 'neck'. Single partially bored hole on neck and one just above the break. Bored hole at the end of each arm. The other side is flatter than the side with the visible holes. Very smooth and highly polished object, creamy-yellow colour with naturally formed pattern.
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| 67.7.3
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Long aulos (probably the right half of a double aulos, a wind instrument played through [missing] reeds) which appears to have an inner surface of wood (?) with a bronze sheath and silver mounting (in four sections). Mouth is silver and has two grooves towards rim. Neck has small hole below mouth and no silver. Bulbous section to neck with bronze section between two silver sections below. Four holes down the length of the body, one apart from the lower three with a fifth on the reverse side in the gap. The hole of the reverse has a small thumb plate around it. Bronze section below which may have originally been silver, with a grooved silver section flaring slightly to end. Hollow inside.
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| 73.9.7
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The inside is black with a reserved band around the inside of the rim and again roughly half way down the inside. In the centre is the remains of a brown disk. On the outside, only part of the rim and main zone of skyphos remains, as well as one handle. The handle is mostly black, but reserved on the inside. The main zone shows: parts of three palmettes, one upright, one reversed, then another upright in black. A thick black band runs round the outside of the rim, a thin one underneath the main zone. The stem is black as is the upper ridge of rim of the foot. The lower ridge is reserved, as is the base of the foot, except for a band of red/brown about half a cm in. The inside of the foot is hollow and reserved, except for a very thin red/brown band, and a dot in the centre.
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| 78.12.5
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Discus is surrounded by three moulded rings, within is a moulded stag, running towards the right. The nozzle is decorated with single volutes on each side that run down the bottom of the nozzle. Pale wash.
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| 79.1.2
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Moulded ring around the filling hole, depressed ring outside the moulded ring. Black glaze on the interior which has leaked out of the wick hole and run down part of the nozzle.
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| 81.9.1
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Surface decorated with red slip. Two narrow black bands around bottom of neck, with six sets of narrow black vertical bands (alternating from three to four) extending down from the neck to the base; each set of four bands has a vertical row of small circles down the centre.
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| 83.11.7
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Front part of female head from figurine. Hair waved on top, ringlet down side on right side. Earrings. Clay dark orange, coarse, and bown in patterns.
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| 87.2.1
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Horse decorated with white slip on pale orange, with dark red (for black?) stripes on chest, legs, mane, tail, and harness. Head and mouth of the horse shows representation of bridle, with thin horizontal bands down the neck representing the mane. There are two horizontal bands around the main torso of the horse. Horizontal bands also decorate the legs, chest and tail of the horse figurine. Front legs are slightly projected forward, as are the rear legs backwards. The legs are straight and disproportionately long compared to the head and torso.
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| E.62.12
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Blue scarab on a flat base, which has vertical lines down the top of the beetle from its throat, and patterned legs. The wings are detached, both with spanned wing decorations. Base is plain. There are 6 small holes on the points of the compass, with 2 at East and at West by the side of the scarab, and three holes on each of the wings. These are at the corners of the joining part to the body of the scarab and one at each end of the wing spans.
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| E.62.8
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Incised band two thirds of the way down toward centre of inside. At centre are two pairs of two incised lines with a single circle and a sunken dot incised in centre.
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| E.63.16
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Small blue scarab on a flat base. The beetle has a line running down its thorax and little detail around the 'mouth'. The base is decorated with an ankh and two other symetrical unidentified symbols.
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| E.63.26
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Pointed base and no neck. A possible inscription approximately one third of the way down, although it appears to say "MOM" so is probably modern. This is backed up by the fact that there is no other decoration on the pot.
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| E.65.17
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Amulet shaped like the Ibis bird. The details are unclear but it is apparent that the neck cranes down so that the head sits on the body. The hole for threading is attatched to the neck. The whole bird sits on a flat base.
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| E.65.3
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Dark red polished bowl with flat base and flaring sides. Inside decorated with white/yellow pigment; sylized leaves shaped like chevrons from base to point halfway up inside. Traces of similar decoration from inside of lip down.
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| E.79.2
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Such an offering plate was placed in a tomb to provide food for the deceased after death. The plate is oval in shape made with clay and a red slip. Offered here are two loaves of bread, a trussed bull and a leg of beef. The cross channel on the plate allowed the water that was ritually placed in the bowl to drain away down the hole. The water was placed there to moisten the food and provide a kind of magical soup for the deceased.
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| REDMG:1926.99.52
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Daisy pattern on upper surface of rim; vertical bars on lip; crouching sphinx, profile to the left, on the body, with her feet curled down to the base, which is decorated with a 8 'pointed' star, surrounded by four 8-quadrant rosettes (five similar rosettes also in the field). Added colour (red) on the chest, wing, and underside of body. Incisions on figure and rosettes.
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| REDMG:1935.87.23
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Handles all black. Mouth has wide rim, inside is all black but streaky. Reserved band under rim. Design is similar both sides and shows a woman's head facing left with ornate head dress and jewellry on in white and yellow added paint. Under handles on body is a red block between white lines with dots down originally. Stem is long and has a moulded band around centre. Foot has three steps all black (faded to red). Base is also stepped inside but reserved.
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| REDMG:1935.87.34
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Inside is reserved except for inside of mouth. Top of mouth is red with black wave. Black palmettes on top of handles protrusions. Handles are made of two bars with large square at top. Black between handles and all down body. Side A has an arrow pattern on rim, ivy leaf and dot rosette pattern on lower half of neck, black tongues, warrior in the centre leading two prisoners. Warrior has shield helmet. Rosettes and fillet in field. Double row of dots either side and wave pattern underneath. Side B has an 'SSS' pattern with dots on rim, lower half of neck has ivy leaves with dot rosettes, black band, black tongues, scene of three youths in conversation with crossed circles in field, double row of dots either side and 'SSS' pattern with dots at bottom. Black body, reserved stem, black foot with reserved groove, resevred band at base. Reserved conical base.
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| REDMG:1953.25.13
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Black glaze, inside and out. On shoulder, below handle, five close-set red bands between two pairs of thin white lines. Two-thirds down body bands of alternating colour (white, red, white, red, white); trace of red line at top of foot; reserved foot and underside.
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| REDMG:1953.25.21
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Trefoil mouth with thickened rim and flattened lip; broad neck joining bulbous body in a continuous curve (except for a slight ridge around base of neck [CHECK]), down to the low ring foot. A vertical strap handle slopes down slightly from the mouth and turns at a right angle back to rejoin the broadest part of the body. Black gloss except on underside.
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| REDMG:1953.25.27
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Handle black on exterior. Shoulder: inner band of black tongues and an outer circle of rays, black alternating with white. Black body and upper part of foot; two red lines, one at top of body and one 2/3 down the body.
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| REDMG:1953.25.35
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Black glaze on mouth and upper part of neck (dipped); handle zone surrounded by black band; 8 black tongues on neck, reserved shoulder except for two neck tongues that extend down to the body on either side of the handle, black band at height of lower handle attachment. The remainder of the body is covered with a net pattern of fine, irregular black lines and tiny white dots where lines cross. Broad black band (thin glaze) around bottom of body and top of foot; resting surface and underside reserved. Glaze is misfired red on one side.
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| REDMG:1953.25.4
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Exterior: white zone extending down 2.0 cm, perhaps with further decoration. Black below handles, on which two red bands are painted, just below the red zone. Red band on exterior of foot; otherwise foot and underside reserved. Interior: black with red bands, one half way down the wall, the other encircling the bottom.
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| REDMG:1953.25.56
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Red on outer surface. Slightly flaring mouth with long neck. Moulded rim at base of neck. Single curved handle. On shoulder are long tongues, band, 'sigma' shapes, band, broad band, bands, pointed tongues up from base. Foot flares out and base flat. Down each side, below handle and opposite side are flat strips that reach from neck to base.
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| REDMG:1953.25.81
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The piece consists of half of a foot, which is broken about halfway down its length. The half remaining includes all five toes, with slightly curling little toes and a rather stumpy big toe. The foot sits upon a thick sandal. Under this is a chunk of unworked marble, presumably part of the original base of the statue, which takes up about the same amount of mass as the carved foot does. This underside is rough and worn. The break halfway through the foot in fairly clean, leaving a rough, but planar surface.
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| REDMG:1964.1610.1
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Four raised lines run along the frontal ridge of the lamp from the filing hole down to the wick hole. Surface is reserved.
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| REDMG:1964.1625
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Traces of black glaze, inside mouth and down top half of object, including handle.
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| REDMG:1964.1651.1
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Reserved all over outer surface. Thin stem down to flaring foot. Base is damaged but appears to have been flat. Moulded bands on body - deliberate or as a result of production (?)
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| REDMG:1964.1676
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Interior: single (red) band near top. Exterior: two bands; band of triangular elements (grape clusters?) alternately up and down; two bands. Reserved walls beneath carination and base.
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| REDMG:1964.1685.1
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Flat section of handle which slightly bends. Incised line runs down both surfaces of the handle in the middle. Reserved.
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| T.2012.II.26
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No visible decoration on the inside or outside, though on the base part there is a slight fade to the design, which could simply be put down to fading of pigment over time.
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| TEMP.2002.7.1
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Bowl with two handles, the rim has a black band around the top which goes both inside and outside the bowl. Below this on the inside, is a very thick black band that stops to leave an empty circle in the centre of the bowl. The handles begin about an inch below the rim on the outside of the bowl, but curve up and out to finish roughly on level with the rim. They are painted with black glaze only on the underside. Above the base of the handles there is a subtle ridge, below which there are three lines of pattern, which look like petals. Below these, there is a thin black band, a small space, and then a thick black band which goes down to the ridge of the foot. The foot itself appears to consist of two flattish disks, the lower with a black band round it. On the bottom of the foot, there is another black band part way in, and then a smaller one with a black dot in the middle.
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| TEMP.2002.9.16
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Cast of a sculpted female head, from the 5 c, which demonstrates elaborate hair designs. Hair is painted red and face is white. Female is wearing round earrings and has a head band on that goes over the top and round the back of her hair. The hair is wavy down the back and curly at the front. The hair is long and reaches at least to the shoulder.
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| TEMP.2003.6.22
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Grey surface. The mouth is flared out. At around the middle of the neck, there is a white band. This pattern continues down the Lacrymaterion every 2 cm. The base is grooved and curves inward until it connects with the stem.
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| TEMP.2003.7.2
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Interior white with a pattern of brown waves set in between sets of two thin yellow lines which begin .2 below the rim. There is a small bit of brown that seems to be part of some other pattern at the bottom of the fragment. Interior is brown/black with remnants of a white fan or floral pattern, which is heavily worn. A good deal of the interior is worn down to the original terracotta.
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| TEMP.2003.7.3
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Exterior white with brown patterns. Following one edge abour 1.0 down is a set of faded brown lines. Between the edge and these brown lines on one side are five brown lines perpendicular to the two lines, while on the other is a single parallel brown line with 5 short perpendicular lines crossing. Below the two brown lines is a brown blob that looks like it may have once been a horses leg, but is nothing in particular now. Interior is brown.
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| TEMP.2003.7.78
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Fragment, glazed black on both sides. On the outside half way down are two very thin, parallel, slightly faded, white lines. On the inside are two thin, parallel, brown lines along one edge.
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| TEMP.2003.8.1
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(a)Part of the rim of an open jug of some sort. The inside segment of the rim is painted black, with numerous small bits having been chipped off. Moving outwards, the rim consists of the inside of the pot wall, which then splays out in a flat top rim, and then falls down again in a second wall that is left dangling from the outer rim. So, moving from the inside outwards on the underside, there is a valley of about 1.0 wide and 1.5 deep until the top of the second rim (which is peaked) is reached. The outward facing side of this downward pointed rim consists of alternating lines of black dots and thin black lines which run around the entire outer diameter of the rim. There are two rows of dots and two lines, alternating which each other, all of which are heavily worn. The top part of the rim, which would be facing upwards if the pot were complete, is about 2.2 wide and flat, marked with black raised lines that repeat about every .3 and which start at the outer edge and are 1.7 long, and painted black. These lines are heavily worn. There are also two significant chips in the top of this rim, each about 2 long.
(b)Another part of the same rim to the same vessel. The same dot and line pattern runs around the outer diameter. On top the lines which are thicker at the end pointing into the pot are repeated, a palmette decorates the larger flat area of the handle region.
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