Ure Museum Database



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There are 270 objects for which Decoration contains → standing
2009.10.2.198 Three quarter profile to the right of a woman with a man standing behind her, he is holding a spear. Number 70.
13.10.14 Naked standing female in relief. The figure has short hair, fastened up, broad shoulders, arms close to her sides, and legs together.
14.9.68 Hind leg of animal (poss. goat) in black with slightly redder edges and incised lines over hindquarters, standing on 2 thin red lines. 2 black rosettes divided into 8 with incised lines, one more faded to red than the other. Background buff. Inside painted black.
2007.1.10.30 Man standing with club and greek letters
2007.1.10.39 Naked man sitting on lion skin seducing a naked woman standing in front of him
2007.1.10.41 Man seated holding onto a naked woman standing to the left
2007.10.1.20 Man standing with stick in his right hand and an animal like a scorpion in his left. Cast Number 84
2007.10.1.24 Two figures standing next to each other. Figure on the left possibly holding fruit.
2007.10.2.111 2 warriors with shields and a naked male figure standing between them (he may also be a warrior but he isn't wearing any armour and he isn't carrying a shield). The warrior on the right is moving behind a wall so only 1 leg and his shield is visible.
2007.10.2.138 Standing man, profile facing right, wearing a cape and un-Greek looking clothes, with a strange head-cover, looking at a statue of a naked man.
2007.10.2.144 Two figures, male and female. Man is standing and is holding shield and sword, naked except for a clothe covering his loins. Woman sitting, naked with a tunic very loosely wrapped round her, holding an object (?)
2007.10.2.145 3 figures indoors, shown by hanging drapes and furniture: old man sitting on floor long hair, bearded, wearing robes, chest showing, young woman standing wearing also wearing robes, holding the old man's hand and a young man sitting down bare-chested holding a long object, while looking at the other two figures.
2007.10.2.15 Athletic man seated with woman standing over him, seducing, holding something in right hand
2007.10.2.152 Three figures. A man, visibly fatter and older than the others, is bound to a tree. A second man is standing in front of him and has a small vessel in his left hand (offering it to the other man?). Finally a woman is sensually reclining in the foreground, showing her naked back to the audience.
2007.10.2.154 Warrior on horse-back. He is carrying a long spear and an oval shield and wears a cape. The horse is standing on its two back legs.
2007.10.2.158 Young male standing in profile. He wears only a cape and carries a stick in one hand and a woman's head in the other. At his feet there is a sort of small container open.
2007.10.2.160 Marriage scene. The young wife, wearing a veil over her head, gives her hand to a young man standing in front of her. An older woman, her mother, is accompanying her.
2007.10.2.189 Frontal figure of a naked man standing up and rubbing his back with a cloth. On the background a small table with a vase on it.
2007.10.2.190 Older man, bold and overweight, standing with the help of a staff. He is in front of a boy who is pouring water on his feet. The man only has a cloth draped around his legs and the boy is naked.
2007.10.2.193 Naked man standing up, leaning on a tree. Another figure sitting down. A bird in the background.
2007.10.2.208 Two figures: one bearded, naked, sitting down with his hand resting on the second figure, which is standing, also naked
2007.10.2.219 2 male figures, one seated (left figure) and one standing (right figure). Seated figure carrying a staff, possibly denoting older age or social class. Standing figure is wearing a cape, possibly suggesting that he, or both figures, are travellers. He also appears to be stirring a pot at the feet of both figures. On the far right of the scene there is a pole with a serpent wrapped around it.
2007.10.2.223 Standing naked male figure. Looking at what appears to be a small statue. Something has been placed at the foot of the statue, possibly an offering of some description. Detail too shallow to identify.
2007.10.2.235 Two figures, both facing towards us, one standing behind the other. The one on the foreground is a warrior, possibly a Greek soldier (because he's naked) carrying a spear and shield and wearing a helmet. Behind him is a fully clothed figure, possibly a goddess.
2007.10.2.237 A group of figures. The centre of the cast is a male figure who appears to be dressed in armour (helmet, shield, and cuirass). He appears to be standing on the deck of a ship. The figure is presenting or showing the head of a bull to a second figure (female) who appears to standing on the quay of a harbour. On the far right of the cast (behind the central male figure) is a second soldier. The scene possibly portrays an encounter between Theseus and Ariadne after the killing of the Minotaur.
2007.10.2.247 A bearded, extremely muscular, and semi-naked male figure standing and facing to the left. He has a cloak tied at the neck and carries a club in his left hand. His right arm is raised and he is holding an (unidentified) object in his right hand. The figure is almost certainly Herakles.
2007.10.2.250 A young male figure is depicted standing and facing to the left. He is naked from the waist up. The figure is holding a sword which he appears to be examining. The point of the blade is pointed towards the figure's body, the hilt away from the body.
2007.10.2.261 Two figures, one is a naked and bearded man standing, the other is a female sitting down. He is holding what looks like a staff or club, which could identify him as Heracles and she is balancing something on her knee. There are trees and vines in the background.
2007.10.2.265 Three male figures positioned under a tree, two sitting and the one in the middle who appears to be younger is standing on a rock. They are possibly shepherds as one is holding a staff.
2007.10.2.269 A female standing holding a lyre, behind her is a small statue raised on a pillar.
2007.10.2.270 Eros standing and leaning his head against a staff.
2007.10.2.273 Perseus is standing, resting his shield on a pile of what appears to be stones, the shield shows the reflection of Medusa.
2007.10.2.290 A man, possibly a soldier, with a shield and a helmet on, he is standing next to what appears to be a pillar with a snake coiled around it, at the foot of the pillar is a lamb and perched on top of the pillar is a bird.
2007.10.2.293 A man standing, in one hand there is a pile of cloth and in the other is some sort of long stick.
2007.10.2.299 Semi-naked female figure with a robe draped over her outsretched left arm. The figure is standing next to a plinth upon which a large bird is standing (probably a peacock).
2007.10.2.300 Standing frontal image of a clothed male figure. The figure appears to be holding something in each hand; however, damage to the surface makes it impossible to identify the items.
2007.10.2.302 Three female figures, two figures to the left standing, semi naked figure on the right is seated, middle figure also semi naked, two figures on either side appear to be helping the middle figure bathe left figure holding her hair and right figure touching her back
2007.10.2.305 A male figure stands over another figure, prostrate on the ground. The standing figure (probably male) is dressed in a cloak and tunic and holds a blade or scythe in his right hand. The standing figure appears to be holding the decapitated head of the second figure in his left hand. Behind the figure prostrate on the ground is an ox whose front legs are raised from the ground. To the right of the cast a tree or bush is depicted with a large bird (possibly a peacock) perched on one of its branches. At the centre of the cast there is what appears to be a standard or post with two serpents coiled about it. The serpent's heads face each other at the top of the post.
2007.10.2.306 At the centre of the cast is a naked young male, he is seated on what appears to be a large smooth rock. A large serpent is coiled beneath the male figure and to the right a lyre is placed on a stand or podium. On the far right of the cast a second stand or podium is carved, this one has what appears to be a tripod standing upon it. To the far left of the cast stands a clothed female figure. She is holding a rod or staff. Her attention is not upon the central scene, she appears distracted by something which is occurring further left as her gaze is directed that way.
2007.10.2.312 There are four figures, two standing, two sitting. Possibly shepherds, due to their staffs and a dog.
2007.10.2.32 Man standing on column holding something out, woman at bottom reclining on rocks?
2007.10.2.340 A soldier, wearing nothing but a cape and a helmet, standing looking at what appears to be his armour.
2007.10.2.348 Two figures, one sitting and one standing, in front of them is a skeleton and nearby is Eros who appears to be holding a torch.
2007.10.2.499 Muscular,bearded naked man sitting on a rock, facing to the the left where a much thinner figure is hunched over standing. The sitting figure has his right arm on the stading figures left shoulder
2007.10.2.5 Displays a full body profile of a man standing wearing only briefs, holding a stick over his left shoulder and holding a head of an animal on his right hand
2007.10.2.61 6 figures - 5 standing and 1 seated. The seated male appears to be crying with his head in his hands. 3 women stand to his left while another naked man and a warrior stand to his right.
2007.10.2.75 2 figures - 1 seated female and a naked male standing. There is a statue in the background.
2007.9.1.108 Displays a dragon with a curled tail and outstretched wings, standing on a helmet or a crown. Surrounded by a border with the Latin motto of the Order of the Bath.
2007.9.1.33 Displays a very fine image of a half naked woman, her lower half draped in cloth, standing next to a pedestal and carrying a spherical object.
2007.9.1.50 Displays the figure of a man carrying a stick standing behind a cow. A small tree can be seen in the background.
2007.9.1.83 Displays a crane or similar bird standing next to an altar or pedestal surrounded by a few plants.
2007.9.2.20 Displays a woman, standing on tip-toes, with her finger held to her face in a thinking gesture. (Described in box index as 'Ballerina').
2007.9.2.21 Displays a woman, standing up, head facing right, with her hands on her hips. (Box Index = Ballerina).
2007.9.2.23 Displays three women, standing together with their arms around each other, mostly naked except for one piece of cloth wrapped around them. Some Greek writing around the outside. (Box Index = The Three Graces).
2007.9.2.31 Displays a woman, her back to us and her head looking right, standing next to a small pillar and holding a lyre in her left hand. (Box Index = A Muse).
2007.9.2.32 Displays the front view of a naked man, standing by what may be a tree stump, holding a tall, thin object in his right hand. Some Greek writing around the outside. (Box Index = Palamede).
2007.9.2.4 Displays the seated figure of a woman on the left hand side, her arms outstretched, being handed a child by Hermes, standing on the right. (Box Index = Mercury giving baby Bacchus to a Nymph of the covern of Nysa). Tray 5, Layer 1, Gem 4
2007.9.2.6 Displays a mostly naked woman, her lower half draped in cloth, who is seated and holding the right arm of a cherub standing in front of her. A small flowering plant, a bee and two birds are also visible. (Box Index = Venus with crying Cupid who has been stung by a bee). Tray 5, Layer 1, Gem 6
2007.9.3.14 Displays five human figures, two kneeling, two standing and one seated, details are too small to see more.
2007.9.3.19 Displays a man standing, other details are too small to identify.
2007.9.3.20 Displays a centaur sitting on his hind legs, his arms around a man standing next to him, whilst another figure in the background plays a pipe.
2007.9.3.26 Displays a cherub standing in a large shell, which he appears to be steering by way of a rudder.
2007.9.3.27 Male figure standing with a lyre (?) hanging on the wall to the right.
2007.9.3.32 Four male figures; One kneeling, two standing and one seated. The kneeling figure is holding a bowl, possibly an offering. The standing male on the left looks to be holding a flaming torch.
2007.9.3.36 Youthful male figure standing facing right, holding something in his hands. Some sort of plant to his left.
2007.9.3.49 Two figures and a baby. Probably Hermes carrying Erichthonius with Athena standing behind him with her spear.
2007.9.3.61 Male and female figure standing together holding hands. Look to be holding an offering of a plant. Perhaps a marriage.
2007.9.3.7 Displays a standing woman (left) and a seated man (right) who is possibly wearing a crown.
2007.9.3.90 A figure standing under a shelter/frame. A winged boy, most likely Cupid, is to the left.
2008.2.1.11 Male figure standing with a bird by his feet. He holds something above his head in one hand.
2008.2.1.12 Male figure standing with a staff in one hand.
2008.2.1.14 Female figure standing in profile facing right. She's holding some sort of stick.
2008.2.1.2 Male (child?) figure standing holding what looks like a cornucopia (horn of plenty).
2008.2.1.20 Two figures with an animal between them. The figure on the right appears to be standing on a platform above a wheel. Possibly being pulled along by the animal.
2008.2.1.34 Naked female figure facing to the right her right arm raised above her head. The figure is leaning on a column and looking at a small winged boy who is seemingly presenting the standing figure with a wreath.
2008.2.1.4 Male figure, standing. Looks to have a cane hung over one arm.
2008.2.1.54 Robed woman standing next to a pillar. Her right hand is resting on the pillar and is holding two long, straight objects connected near the top, possibly a scroll.
2008.2.1.58 A male figure standing on one leg, possibly dancing. His arms are outstretched, over his right arm there is an animal skin and in his left hand he is holding an elaborate staff. His head is thrown back against his left shoulder.
2008.2.1.60 Three male figures, the left male figure is playing the flute and the middle male figure is playing the lyre whilst seated. The figure on the far right is standing under a tree and restraining an animal, possibly a sheep.
2008.2.1.61 There are a large group of 10 figures, 5 are standing and 5 are seated. They are engaged in festivities; the second and third figures from the left are holding bowls and appear to be offering them. Behind the seated figures are two standing women who appear to be balancing baskets of fruit on their heads. The two figures on the far right of the scene appear to be playing musical instruments. The scene is framed by two trees, with their branches intertwined above the group of figures. Above the figures there are two small winged figures, possibly cupids.
2008.2.1.62 A bull from the left side, appears to be standing on a long staff. The bull seems to have something tied around its chest, possibly vine leaves. It's head is bowed and it's front right leg is raised from the ground.
2008.2.1.65 A group of six figures. In the centre of the image are three figures, an older male figure who is seated; there is a female figure to either side of him. The female figure to the left is embracing the seated male. To the left of this central group is a young man holding the reins of a horse, which is on the extreme left of the image. To the extreme right of the image are two elderly male figures standing in the background. There is a temple in the background.
2008.2.1.89 On the right there is a standing woman holding a spear in her right hand and a shield on the ground with her left. She is wearing a type of headdress (possibly a helmet) and could either be robed or naked. to her right there is a standing animal, possibly a sheep, on top of whom is standing a winged cherub holding a bow and arrow, possibly cupid. On the far left of the cast there is a large stalk of corn.
2008.2.1.95 An active scene with at least 9 discernible male figures. There are two figures on a raised platform on the far left, one standing wearing armour and the other seated wearing robes. In front of them is a gathering of men, some wearing armour, some only wearing the lower half of their armour, and one, possibly two, who is naked carrying a shield. There appears to be a robed shorter figure among them, possibly a child or adolescent. In the background the outline of a columned building can be seen.
2008.2.1.97 Standing male-possibly female-figure facing right with curly hair wearing a laurel wreath and playing a lyre. He is wearing robes.
2008.8.2 Exterior: Greyish-black overpainting depicting 2 standing birds with curved necks. The bird on the right has wings spread and short horizontal lines on the wing and tail suggesting feathers. There is a reddish stripe overpainted across the body and across the tail. The bird on the left is cut off half-way across the body, but the same red body stripe and feather markings are present. Above the birds is a semicircle of thin bulb-shaped parallel vertical lines and around the birds are several circles of varying sizes.
2008.9.3 Exterior: back half of a quadraped animal is painted black with ribs, muscles, and tail inscribed on the object but unpainted. Animal is standing on a thin black line, below which is a thick black line. One other thin black line above the animal, and various round black decorations underneath the animal but above the black line base.
2008.9.4 Exterior: 2 front legs of an animal, joining onto a body is overpainted in greysh-black. 5 short vertical lines are etched across the body and a few other etched lines define the back legs and chest of the animal. 2 back legs and a tail are partially present. A thick horizontal band and below a thinner band run parallel to the bottom-edge of the fragment. The animal appears to be standing on the thinner band, and there are 2 circle between the front and back legs, and two circles to the right of it.
2009.10.2.113 Figure of Artemis standing with a deer. Number 45.
2009.10.2.114 Figure of Artemis, standing with a deer. Number 46.
2009.10.2.117 Artemis pictured standing next to a pillar. Very small inscription. Number 49.
2009.10.2.121 Figures of three women pictured standing together, two facing outwards and on to the front. They are all holding two daggers with blood dripping from them. Number 53.
2009.10.2.123 Figure of Diana of Ephesus. Pictured holding two forks, with two animals standing behind. Number 55.
2009.10.2.159 Clothed man wearing a hat standing next to a post (possibly a tree). Number 31
2009.10.2.160 Clothed man with hat standing next to an altar. Number 32
2009.10.2.162 Standing Hermes wearing a cloak and a hat and holding a caduceus with a baby clinging to him and another figure to his right seated and wearing a cloak. Number 34
2009.10.2.166 Clothed Hermes carrying a sickle and caduceus and wearing a winged hat and sandals standing near a bull, a bird and a body on the ground (possibly dead). Number 38
2009.10.2.167 Naked Hermes with cloak and caduceus. Standing next to seated and clothed woman.
2009.10.2.179 Bird with a feather in its mouth standing next to a caduceus.
2009.10.2.180 A figure standing in a temple. Probably this is a cult statue between two columns.
2009.10.2.219 Nude standing female (? Aphrodite) holding drapery behind her. Number 9
2009.10.2.222 Clothed female figure standing in front of a hippocampus.
2009.10.2.223 Standing nude Aphrodite Number 13
2009.10.2.224 Standing nude Aphrodite holding her hair Number 14
2009.10.2.225 Nude Aphrodite standing, holding her hair and accompanied by winged Eros holding an object Number 15
2009.10.2.226 Nude Aphrodite standing, flanked by two winged children holding objects Number 16
2009.10.2.235 Nude female figure with drapery over her shoulders, holding an arrow in her right hand, accompanied by winged Eros and an animal, possibly standing on a snake Number 25
2009.10.2.241 Nude Aphrodite standing with drapery over her arms, holding an arrow and accompanied by winged Eros. Number 31
2009.10.2.242 Standing female figure facing standing winged child. Number 32
2009.10.2.243 Standing female figure leaning on a pillar, atop of which is a herm, holding a torch in her right hand. Accompanied by a butterfly and a winged Eros Number 33
2009.10.2.252 Nude three graces standing holding drapery Number 42
2009.10.2.253 Nude three graces standing holding small objects in their hands, with a vase of water on the left and a pillar with a jug pouring out water on the right Number 43
2009.10.2.254 Nude three graces standing holding drapery Number 44
2009.10.2.255 Nude three graces standing one holding an apple above a shield with a helmet resting on it, another holding a wreath above a flaming altar, with a butterfly next to it. Number 45
2009.10.2.258 Nude Aprhodite standing holding drapery behind her Number 48
2009.10.2.260 Nude Aphrodite embracing a standing nude male Number 50
2009.10.2.261 Nude male standing holding a spear in his left hand, leaning against a pillar and accompanied by a dog Number 51
2009.10.2.266 Nude standing Aphrodite holding a torch and another object, with a satyr on the right holding an object, and Eros with a bow and a seated Hephaestus on the left holding a hammer above his head with an anvil in front of him. Number 56
2009.10.2.267 Nude Ares and Aphrodite embracing on a bed to the right, with Hephaestus standing over them and casting a net over them, and a fourth figure (?) reclining in the left corner. Number 57
2009.10.2.268 Standing nude youth wearing a helmet and holding a spear in his left hand and a shield in his right. Number 58
2009.10.2.272 Standing nude male figure wearing a cloak and helmet, holding a spear. Male has his arm around a semi-nude female who has one foot resting on a pillar, with a second pillar on the right. Number 62
2009.10.2.275 Central figure of a seated nude male wearing a helmet, surrounded by drapery, with a standing semi-nude female on the right resting a sheild against her leg, and a torch-bearing child on the left, standing on armour. Number 65
2009.10.2.276 Standing nude male figure wearing a helmet and a cloak, holding a spear in his right hand and embracing a semi-nude female figure with his left. Female figure has drapery over her legs and is resting her right foot on a ball. Number 66
2009.10.2.279 Two nude male children standing with an arm around each other and holding drapery behind them. Number 69
2009.10.2.284 Central seated figure touching a free-standing skeleton, with a standing figure on the left and a winged child holding an object on the left. Number 74
2009.10.2.285 Depicts Hercules standing to his right. He is naked and carrying the skin of a lion, there is a club to the right of the image. Number - 1
2009.10.2.286 Depicts Hercules naked standing to the right, with a lions skin draped over him and a club to his right. Number - 2
2009.10.2.317 A scene depicting two figures. Herakles is holding his club on the right, standing next to a bound woman (on the left).
2009.10.2.318 A scene showing Herakles, club and bow in hand, standing victorious over a giant.
2009.10.2.321 A scene showing Herakles standing over Nessus, the centaur in a warlike pose.
2009.10.2.335 A scene showing two men standing either side of a jug.
2009.10.2.347 Profile of seated figure holding a spear on the left with a standing figure behind, faced by a seated figure on the right, also holding a spear, with a third seated figure on the far right, and an armed figure wearing a helmet and holding a shield and spear between the two. Inscriptions around the edges of the image and between the first and second set of facing figures. Number 3
2009.10.2.361 Standing lion with two heads, one is a goat's head, Chimaera it also has a snake tail number 17
2009.10.2.368 Male figure wearing a cloak and helmet, standing near a pillar with a bird on top. There is also a snake wrapped around the pillar and a dog at his feet. There is a Latin inscription 'POTITI' number 24
2009.10.2.370 Male figure wearing a cloak and helmet, holding a bow and arrow. He is standing near a pillar with a bird on top and a snake wrapped around it. A also dog stands at his feet. Number 26
2009.10.2.371 Male figure wearing a cloak and a helmet, holding a bow and arrow, standing near a pillar with a snake wrapped around it. number 27
2009.10.2.376 Standing nude male wearing a helmet, holding a shield and a spear. Facing a small sphinx sat on stones/stone wall (?) Possibly Oedipus solving the sphinx's riddle (?). Number 32
2009.10.2.377 Standing nude male figure, facing a small sphinx sitting on some stones/stone wall. Possibly Oedipus solving the sphinx's riddle (?). Number 33
2009.10.2.378 Nude male wearing a cloak and helmet, standing near a pillar with a small sphinx onto of it. Possibly Oedipus solving the riddle of the Spinx (?). Number 34
2009.10.2.380 Standing nude male figure wearing a helmet and a shield on his right arm, holding the hair of a fallen nude male figure. There is a shield, spear and helmet on the right-hand side, and a pillar topped with an (animal?) figure behind the two males. Number 36
2009.10.2.381 Seated semi-nude bearded male with a female figure on the left leaning over him with her hands on his shoulders. A male figure with his left hand raised and leading a horse is on the left of the figures, and a standing female figure on the right holding drapery. There is a temple behind the figures and a tree on either side, with two bearded male figures under the right-hand tree. Number 37
2009.10.2.382 Seated bearded male figure holding an object in his right hand with a raised left hand, instructing a standing nude male youth wearing a cloak and leaning on a spear. Number 38
2009.10.2.383 Nude male figure lying on a couch or bed in front of four horses and a smaller standing figure on the right, holding an object in their right hand, and a tree on the left. Number 39
2009.10.2.387 Male figure driving a plough pulled by two yoked oxen, passing an object to a standing figure behind the oxen. Number 43
2009.10.2.395 Standing nude male figure seen from behind, holding a staff and facing a figure emerging from a hole in a wall. Number 51
2009.10.2.397 Nude male figure lying on the ground with a chimera standing over him. Number 53
2009.10.2.44 A large cast with a depiction of the zodiac signs as a border. Four men are pictured, on the far left a man with winged shoes and hat (Hermes), with a cockerel standing next to him, bearded man on throne(Zeus) who is standing on Poseidon, on the right another man with a helmet and sheild (Ares). Number 44.
2009.10.2.52 Jupiter Serapis sitting on throne holding sceptre in left hand and round object in right. Eagle standing on his right hand side. Number 52
2009.10.2.56 Man with scepter standing on ball with two figures on his left, one above the other. one is a woman and one is sitting down. Number 56.
2009.10.2.58 Figure of a Jupiter standing with a sceptre, holding lightning in his left hand. Number 58
2009.10.2.61 There is a gathering of eight male and female figures and an Eros. Two of the males are sitting down and the rest are standing. Number 61.
2009.10.2.81 There is a centaur standing with a woman to his right, there is also a man playing an instrument to the back left of him. Number - 13
2009.10.2.83 Partially naked man standing, holding a harp. Number - 15
2009.10.2.84 Figure of naked standing man looking to his left, holding a bow with a harp at his feet. Gem Cast Number - 16
2009.10.2.85 Figure of standing man holding a harp by a tree, with Eros at his feet. Gem cast number - 17
2009.10.2.86 Figure of naked man holding a harp and a bow, standing behind Eros, who is to his right and holding arrows. Gem Cast Number - 18
2009.10.2.87 Standing figure of a naked man with a bow and arrow, looking to his right. Number - 19
2009.10.2.88 A figure of a man, looking to his right, standing by a tree, with a sack on the floor to his left.Number - 20
2009.10.2.93 Naked man standing with a harp, on the right of which there is a small child at his feet, next to whom there is a man who is sitting in front of a tree. There is an inscription: "LAVRAIED" Gem cast number - 25
2009.10.2.94 Naked man standing with a harp, on the right of which there is a small child at his feet, next to whom there is a man who is sitting in front of a tree. Gem cast number - 26
2009.8.126 Two cows beside a blooming tree. The one on the left is still standing, the other one is lying. Cast number: 69
2009.8.14 Aphrodite wearing a cloak around her waist. Cupid is standing under a tree with a bow in his hand. There is an inscription next to Aphrodite. Cast number: 3
2009.8.26 A woman standing on a pole or tree. One hand placed on the pole bending her head. There is an inscription. Cast number: 39
2009.8.270 A creature with the head of a goat with a human face, wings and the back of a lion. A figurine standing behind it. Maybe a sphinx. Cast number: 1
2009.8.272 Two cows, one is lying down, the other standing behind it. Cast number: 3
2009.8.273 Two naked man, holding a stick, each standing on one side. In the middle a horse, above it a crescent moon. Cast number: 4
2009.8.35 A man with a beard standing on a globe and holding another above his head. There is a lion's fur around his waist. Probably Hercules carrying the earth for Atlas. Cast number: s3
2009.8.42 A young woman standing next to a pole, one hand put on it holding somthing in her hand. Cast number: 61
2009.8.92 An eagle with a wreath in its beak, one claw standing on a twig. Cast number: 36
2009.9.115 Two naked winged men. One is standing next to the other, the other is sitting down. Cast number: 48
2009.9.123 One figure sitting on a bear holding a stick and wearing a cloak around the shoulders. Another is standing in front of the animal. Cast number: 57
2009.9.124 One child sitting on a bear, another with wings standing in front of them, he is aiming with his bow at the animal. Cast number: 58
2009.9.131 A naked winged child standing in a chariot, holding the reins and a whip, pulled by a lion and a goat. Cast number: 65
2009.9.133 A naked winged child standing in a chariot pulled by two horses. Beneath the horses is a dog. Cast number: 67
2009.9.134 A naked winged child holding a whip standing in a chariot pulled by four horses. Cast number: 68
2009.9.14 A naked man putting one finger to his mouth, holding a club and standing in a skiff, looking left. Cast number: 28
2009.9.150 A man wrapped in a robe, grimaced in pain, standing on two human hands is poked by a naked winged child. Cast number: 84
2009.9.153 A naked boy with wings standing in front of a tree, hands behind his back. Cast number: 87
2009.9.157 Three naked children playing around a tree or gathering the fruits. One is sitting in the tree, the others standing on the left and right side of the stem. Cast number: 91
2009.9.159 Procession of four naked winged children and one wearing a dress. The one on the left side is trying to sit down on a daybed, the one behind him is carrying a torch, they are both looking over their shoulders to the last two children. The third child is accompanied with a child wearing a dress, they are standing very close together. The last child is carrying a basket with fruits over his head. Cast number: 93
2009.9.160 Two naked winged children, looking at each other, playing musical instruments. The one sitting, plays the lyre, the one standing a flute. A dressed person with a plait is looking at them. Cast number: 94
2009.9.163 A naked winged child standing on the right side of a pole and a dressed woman standing on the left side. They are both looking to the left. Cast number: 97
2009.9.176 A young naked man wearing a cloak, holding the reins of a horse with wings standing next to him. There is a tree on the right side. Maybe Perseus and Pegasus. Cast number: 11
2009.9.194 A naked man wearing a cloak around his shoulders, standing next to a horse which has a little figure on his head. Cast number: 29
2009.9.198 A naked winged boy or statue standing on a rostrum with an inscription. On the left side are a half naked satyr who is touching the statues arm and a woman who is touching its wings. On the right side is a warrior but might also be female. Cast number: 33
2009.9.20 A woman sitting on a flower chair holding a scepter and point her hand to her mouth. Opposite her an animal, looking like a lion on standing on its hind legs, streching its front legs out to the woman. They are both in a skiff which has a ram's head on its left end. Cast number: 34
2009.9.200 A naked young man standing between two poles, taking of the robe. On the right side, there is a statuette standing on the pole. Cast number: 35
2009.9.216 A man in armour holding a shield, standing on a barque. There is crane on his left and on his right side. Cast number: 51
2009.9.22 A dogish creature wearing a robe, standing on its hind legs, looking left, surrounded by Greek letters. Cast number: 36
2009.9.280 A woman with wings, maybe Nike, and a bearded man wearing a helmet standing in a chariot pulled by two horses. A second woman walking behind the horses. Inscription beneath the chariot. Cast number: 18
2009.9.281 A bearded man in full armour holding a spear, putting one hand on a ball or globe carried by a man or child sitting next to his feet. A winged creature is standing on the bearded man's hand, maybe Nike. Cast number: 19
2009.9.30 A man with a rooster's head, holding a basket in one hand, on the other hand the fingers look like feathers. Beside him lays a head of a bearded man. The monster is standing on a box on which are Greek letters. Cast number: 44
2009.9.33 A naked man with wings and a crown, holding two spears in his right hand. There are two stars on his right side and a half moon on his upper left side. He is standing in a skiff. Cast number: 47
2009.9.35 A naked man with two pair of wings and a bird's tail, holding a scepter, surrounded by spears or sticks, standing on a serpent. There is an inscription with the serpent's circle. Cast number: 49
2009.9.36 A naked man wearing an aureole, holding a scepter, standing next to a fire. There is a half moon on the left side. Cast number: 50
2009.9.63 A wolf or jackal with a shaggy fur and an erect penis, standing on its hind legs. Cast number: 77
2009.9.64 A jackal standing on its hind legs with an erect penis. Cast number: 78
2009.9.65 Two capricorns or goats standing on their hind legs, pushing their fron legs on the stem of a tree that it between them. Cast number: 79
2009.9.88 A naked winged child wearing a robe around his shoulders, standing in front of a goose or duck. Cast number: 21
2009.9.9 A woman with a flowery crown covering her breasts with her arm, wearing a robe around her legs and a naked winged child is standing beside her, maybe Cupid. Cast number: 23
2009.9.90 A young winged boy holding grapes in his left hand, teasing the goose/duck standing next to him. Holding a vessel or a quiver in his other hand. Cast number: 23
2009.9.92 A winged naked child standing next to a pole holding some kind of animal in his hand. Cast number: 25
2009.9.93 A winged child holding a twig standing next to a falcon/hawk. On the right side another winged naked child, standing next to a bird which bended its head. Cast number: 26
22.3.19 Standing youth in himation facing right, behind him part of an uncertain object; tablets hanging on a wall. Outline of hair reserved; relief contour for lower part of the back of the himation.
22.3.4 Glaze fired partly to red and partly to greyish-black. Inside is reserved. Two high, curved handles black on top and reserved below. Under handles are crosses between pairs of vertical lines. On each side are four palmettes standing on four larger, inverted palmettes all joined with a chian and half a palmette at each end. In some areas are groups of very short incised vertical grooves. Below pattern are three bands and then black (faded to red) to foot and including top and side of foot. Resting surface is reserved as is base.
28.6.1 Handle all black, as is neck and back of body. At the front on shoulder is an inverted swirl / wave pattern, consisting of four waves. Below is the main design of an athlete (naked) with a discus standing between two clothed youths, the left of them holding a discus. Robe detail is picked out in black paint. No relief contour. There is an reserved line incised above foot. Foot is black on the top and side but the underneath is reserved and flat.
28.6.2 Mouth, handle, neck and back of body are all black. Main design is of a woman dancing, facing right and standing beside a box. Her right hand has the fingers bent in an ungainly manner. Pair of krotala hanging on wall. Reserved line beneath the picture. Foot is moulded and black on the top and reserved on the side and underneath.
29.11.3 The vessel is grey (burnt), apart from the rim, the back of the handle, the lower body and upper foot surface, which are black. There is added white on the lower neck, shoulder and upper body surface. There is also a row of black dots and pointed tongues on the shoulder, as well as the motif two rows of black dots between dividing lines (three), interrupted at the back side of the vessel. The scene depicted is that of a charioteer (woman) ridding a chariot of four horses (quadriga). There is a woman at the horses' tails, another standing on the far side of the horses and another seated at the right of the scene. Added red has been used for the faces of the women and for the ornament of the horses' harness. Below the scene, there is a broad, black band between carelessly executed lines and the rest of the vessel is black, apart from the side surface of the foot and the resting surface, which are reserved.
29.11.4 Inside black with reserved disk within one black circle in bottom. Reserved band at lip, just inside. Offset rim is black on outside. Two handles are black on the top and reserved underneath. Main design is similar on both sides and shows a seated man between standing women and youths, and a sphinx facing away from the group on eiach side. All the standing figures are facing the seated one: this is perhaps Zeus at the centre of the Pantheon of gods. Footring is black inside and out and the resting surface and lower third of outer edge is reserved. Base within footring is reserved and convex.
31.6.1 Inside is black with a reserved band around rim and a central reserved circle with a black band and a black dot in the centre. Two rounded handles, black on the top and reserved underneath. Offset rim, is black and a small ridge separates this from the first bands of lotus and palmettes linked by chains with dots between. Below this is a band with group of narrow bands either side. Next band has animals (panther and horse / deer / goat / boar) some standing, some sitting and some appear to be fighting. Finally there is a red band with a group of black bands either side. Final band has rays, alternately oblique and outlined. Bands then red band around top of stem and black foot on top and side. Resting surface is reserved and the base is conical with a black band around rim.
33.4.3 The mouth, neck, and handle are black, with some reddish patches. There are two reddish brown lines above the shoulder carination and two below it. The body scene depicts a naked youth in profile to the right, offering a bird (duck?) to Charon (the ferryman who conducts souls to Hades). The latter, standing on his half-moon shaped boat, wearing reddish-brown clothing and a dotted ovaloid headdress, is accepting the offer. Below, there is a reddish brown line on a reserved (but glazed) area. The rest of the vessel is black, with the exception of a red line on the upper part of the foot and its reserved (but glazed) vertical element.
34.10.21 Standing woman with high polos. White slip with traces of red / orange. Hollow, large rectangular opening in back. No relief sculpture on reverse side.
34.10.24 Standing female (Leda), left leg slightly bent. Naked with cloak over left leg and held up behind by left hand; swan, with neck stretched upwards, held against right hip. Clay light brown. White slip, blue on cloak. Large rectangular opening in back. On the back of the base is a piece of paper with the number 140 written on it.
34.10.25 Standing female, left arm akimbo, right arm at side, holding jar, wearing long flowing robes. Large opening at back. Paper number 13. Clay pink. White slip.
34.2.1 Rim and inside black, except for reserved disk in centre. On the outside, a black band which stops at the top of the handles. Main zone shows palmettes and lotus buds standing on degenerate cable. Palmette, or degenerate lotus, of three leaves under each handle. Tall stem to the foot and band around it is black, with thin reserved band around it. Side of the foot and resting surface is reserved; on bottom of foot, broad black band. Well is also reserved.
34.8.13 Standing nude male, arms at sides. Legs apart, right knee slightly bent. Clay light brown. Plentiful red colouring. Solid; rectangular base.
34.8.8 Mouth red on inside and outside, with lip reserved. Single handle which is red on top and reserved underneath, as is neck. Shoulder design is a cockrel with red on is facing right between stemmed ivy leaves. Black band around shoulder, faded to red. Body design is, from left to right, a standing man facing right, a seated man facing right, a standing man with robes draped over shoulder, facing left, a man standing facing left. All men have spears. Men are balck faded to red but eith red headbands. Detail is incised. Irregular black band then balck stem. Foot is balck on top and reserved on side and base which has central concave circle.
35.5.15-19 Inside, 20b, meander border broken by cross, small piece of drapery. Outside, 19, two males in himatia facing, standing by a cushioned stool; hanging on the wall a shield and sheathed sword; 20a, tendril and corner of drapery; 21, tendril and part of himation; 22 and 23, bits of himation. No relief contour; brown for border of himation on 12 and 22, markings on seat of stool, cushion, and sword sheath.
35.5.34A-Q (a) fragment, three joins. Decoration on both sides. Band of geometric pattern above which is person's foot and bottom of leg standing to the right, wearing a hymation. On the opposite side: floral pattern to the left of bottom half of a person and to the right of this person the hand and lower body of another. (b) curved, palmette on other side black. (c) large roughened patch to the top right where possibly a handle was attached, floral pattern around this. (d) small fragment, on one side band of geometric pattern, on the opposite side floral pattern. (e) large piece, three fragments joined. Bearded man in the centre facing to the right, left arm raised and holding a long stick, right arm tucked into hymation. To the right of the man, the arm of another person and to the left a floral pattern, inside black. (f) Very similar to fragment a. three pieces joined together. On one side in centre bottom half of a person, feet and lower legs facing left and wearing a hymation, to the right floral pattern. Opposite side, band with geometric pattern. (g) On one side to left part of a hymation, to right an arm. Opposite side band with geometric pattern. (h) On one side the feet and legs of a person standing on a platform with the bottom of a stick he/she is possibly holding to the left, in the right hand corner the edge of a geometric pattern. On the opposite side the feet of someone facing to the left wearing a hymation dropping behind them, to the right of them a floral pattern. (i) Small piece of two fragments joined together. Chest of a male with right arm extending, his hymation drapped over his right arm. (j) Head of a male facing left with hymation over his shoulder and part of large palmette to his right. (k) Small frgment, part of hymation. (l) Small fragment part of hymation (m) Small fragment part of hymation. (n,o,p) small fragments with no detail.
38.4.1 Black glaze except for added white decoration: (A) a bearded man running profile to the rightright but with his head turned back, cloak over his arm; (B) a man standing profile to the right, wearing a himation and holding a wreath. Wavy lines and spray of leaves on each side of figures.
39.9.1 Short narrow neck of jug is glazed black. Handle begins at top of neck and carries on to top of the body. The part of the jug joining the neck and the body, has a palmette design on it, in a circle. This circle is broken for the black part of the handle. There is a large palmatee decoration underneath the handle, where it ends on the body of the jug. Body of jug has red-figures on it. Starting from right-hand side of the handle, going from left to right: First figure looks like a women in traditional Greek clothing, kneeling down. She is facing right. The figure to the right of her looks like a naked man with wings. He is standing on one leg and facing right. He is reaching one of his arms out. Underneath that arm there appears to be a duck. To the right-hand side of the duck, there is a man sitting on a stool. He is in traditional Greek cloting and is holding a large box. This figure is also facing right.Underneath the box there seems to be another object, but it is unclear. Perhaps it is a head? Or perhaps it is where the black glaze has been rubbed away, to reveal a patch which looks like decoration on the jug. He has a winged man kneeling in front of him. This man is facing left, towards the sitting figure. The next figure looks like a women in traditional Greek clothing, kneeling down. She appears to be holding something in her hand, perhaps a mirror. She is facing right. Inbetween her and the next figure there is a bird, facing right. The next figure looks like another women in traditional Greek clothing. She is standing on one leg, with her right arm reaching out. She is facing left. Behind her is a 'T' shaped object, perhaps a stool?. Rim of the base is a red/terracotta colour. underside of base is slightly concaved, with many black rings inside. There is a black dot in the centre of the bottom of the base.
45.10.10 The interior of the vessel is black apart from the lowest part of o, whose lower part bears a reserved but glazed line. Exterior: a) On the right side, there is the upper part of a seated woman (part below her waist is missing). She is draped and wears a stephane (fillet) on her head. On the left side there is a floral motif whose stem is a wavy line that expands to the left. b) There is the back side of another seated draped female figure. c) The front side of the previous female figure. She is holding an alabastron with both her hands. d) On the lower left part there is the largest part of a voluted palmette with petal shaped divisions, connected with a tendril. The area next to the spring of the one part of the handle is reserved. e) On the bottom right there is the rest of the previous palmette, also connected with a tendril. f) On the bottom right there is the upper part of a palmette and on the upper left there is part of a tendril's volute. The area on the left of teh one spring of the handle is reserved, but glazed (plaster on top). g) Uneven black surface. h) A small part of the volute of the tendril of f and the stalk of a flower. i) Part of an inverted palmette, connceted with (part of ) a tendril, with (occasional) leaves on its sides. j) Small line, part of a tendril. k) Part of a tendril's volute. l) A figure's projected forearm and hand (figure's depicted on n?). m) On the right side, there is the stalk and part of the stem of a flower and a line that seems to be part of a tendril. There is also the spring of a handle. n) Part (head missing, neck and shoulder are scraped off, area below the knees missing) of a draped standing figure that has the left hand around the waist. o) The lowest part of a figure's drapery. p) Base. Inside tondo: seated woman with septre and standing woman holding out box. Exterior: part of floral ornament under handle. Outer and inner side of footring black, resting surface and underside reserved except for central black dot surrounded by three concentric bands. Moulded circle c.1.0 wide houses thickest, central black band.
45.10.22 a: The upper surface of the rim is reserved, although glazed. However, the side surfaces (internal and external) are black (apart from a reserved area that would not have been visible if the handle was not missing). The neck is also black on the inside, however, there is a perpetual motif of palmettes on the external surface. These are double palmettes (5 narrow divisions upwards and 5 similar ones downwards) that look as if chained together by a horizontal row of small rings and each such palmette is separated from the other by a vertical line with wider endings, while thin, curved lines (above and below) frame each palmette. The sides of the handle bear a black band each and there is also a thin line underneath them that contours the end of the neck. On the carination that divides the neck from the shoulder there is a thin line with added red colour. The shoulder bears a motif of tongues, divided by vertical lines, while a line underneath contours them. The motif does not appear under the surface of the handle. At some point underneath this pattern there is the beginning of another motif (black with 3 dots of added red and scale-like incisions). The interior of the rest of the vessel is reserved, since it is an amphora. b: It bears exactly the same motif as the previous neck bit. c: From the branch of a three-peaked floral motif there emerge two curved lines that are downwards and upwards, each forming an ellipsoid-shaped frame from whose lower (in the case of the curved line that goes downwards) or upper (in the case of the other line) endings form one floral motif each. The left one is a voluted palmette with 5 petal shaped divisions and the right one is a three-pointed flower, similar to the central floral motif, but bigger. Although the upper part of this pattern is not preserved apart from the starting point of the motives, it is certain that this would have been the heraldic motif depicted. Underneath this area there is a thin, black line and below that, a pattern of guilloche ( branches with tear dropped endings interwoven together) with a row of dots, framed (above and below) by two pairs of concentric lines. Towards the end of the fragment (which is also towards the end of the vessel) there is a radial-shaped motif, two lines and the rest of the surface is black. d: It is a part of the body's area that bears the guilloche pattern and the radial-shaped motif underneath, but one third of it is not preserved. e: On the left there is the upper part of probably a palmette (two endings of petal-shaped divisions). Next to that there is the depiction of a draped lower body part. The drapery is formed by the incisions on a black surface. There are diagonal incisions and wavy endings to denote the folds of an himation, as well as the lower termination of the chiton, which is suggested by two almost horizontal incisions, a wavy line and another horizontal incision. the drawing is detailed and clear. f: The part between the surface above the knees and a bit below the calf of a male figure that wears a short chiton (incised, wavy folds are visible above the knee), as well as grieves with out curving terminations (Hermes?) of added red colour, now fadded away. On his left there is the upper part of a palmette and on his left there is a diagonal line, with rows of dots on either side (characteristic of Dionysus). Very clear drawing. g: Half of the three-peaked flower, a bit of a black line and two petal-shaped motives. On the side, there is part of the dotted branch and what appears to be part of a figure's drapery (upper right body part ?), with some incisions used to render details. h: Between the lower body part of two figures there is part of the dotted branch. What is preserved from the right figure is incised lines and circles on a black surface. The left figure's drapery (peplos and himation ?) is preserved (below the waist), consisting of incised diagonal and wavy lines to denote the folds. i: A central male figure's (Dionysus) body from shoulder to legs is visible and surrounded by a dotted branch. He is standing between two figures. The male figure (there is part of beard with added red) on the left holds part of the branch with his palm (upper body without the head is preserved). The only visible part of the draped figure on the right is part of the legs. Incisions are used to render details. j: Apollo playing his lyre (kithara). The head (in profile, facing right), right hand and part of the god's front side of the body is visible, as well as the largest part of the lyre. Part of a dotted branch exists in the background. Incisions have been used to render the chords of the lyre as well as for the eye, contour of hair, ear and contour of the god's body, while a taenia (fillet) on his head is in added black colour. k: Only part of a thin, black line is preserved. l: two broad black bands that overlap at some point. Incisions and the ending of a dotted branch (part of draped figure?). H & J on display in symposium
45.10.3 Upper part of bowl decorated with roller-stamped frieze, with three ridges above and one below. High stem, ridge moulding under top and bottom. Wide flaring foot. Stamp (apparently): figure seated to right in high-backed chair, standing female with win
47.2.35 Standing female figure. Wheelmade body, moulded head. Woman in veil. Holding at breast level an object now broken off. Traces of black on head and eyes, red on face and clothes. Clay orange.
49.1.2 The vessel is covered in black except for decorative bands at the lower part of the neck (red with black vertical lines) and the shoulder (egg-and-dot), the figural scene in the body zone, a frieze (stopt maeanders alternating with cross squares) below the figural zone, narrow bands at the join of body and foot as well as on each step of the foot, and the underside. The scene depicts a nude youth standing in a relaxed pose, 3/4-view to the right. He holds drapery, bunched up, under his left arm, and seems to converse with a drapped woman seated to the left on an undulating rock. She holds a mirror in her right hand. Both are diademed. A small, winged Eros flutters above them, and he has crowned the youth. A single branch emerges from behind the rock. Next comes an older Eros (depicted as an adolescent) seated near profile to the left (the seat is no longer visible), holding an opened box (the type that was used to house alabastra such as that which he decorates, according to Trendall and Cambitoglou 2.605). In the upper left field there is a rectangular motif with a short, black, vertical band on it (perhaps a window), and in the upper right field (behind Eros) a four-part rosette (rodakas) next to a strigil. Below, there is more vegetation. Relief dots detail xxx and added white has been used for xxx.
50.5.2 The interior and rim are black, except for two red bands just inside the rim. The underside of the rim is decorated with a leaf-like band of design. The spaces between the attachment points of the handles are reserved. Palmettes occupy the spaces beneath each handle. On either side the figural scene is bordered right and left with tendrils spouting two quarter palmettes from volutes. Side A: A nude youth, standing profile to the right, with his left leg stepping on a rock, holds a stemmed plate in his upraised right hand (supported by his left hand). He faces a satyr, standing in 3/4-view to the left, who holds a bell in his right hand and a thrysos in his left; a himation is draped over his left shoulder and arm. Side B: Two standing, draped youths with walking sticks face each other. A reserved band, a reserved line, and a band of waves appear below the figural zones. The lower part of the body and base are black. Added white and yellow are used for details on both sides.
51.7.11 The interior and rim are black, except for two reserved bands on the interior, at the top and bottom of the lip. Just under the rim is a laurel wreath, facing to the right. A palmette fills the space beneath each black handle; a series of dots mark each handle zone. The scene on each side is bordered by two tendrils that emerge from the ground, in most cases flanked by two smaller tendrils; at the centre of each large tendril is a volute, from which spring two demi-palmettes. Side A: Wreathed, draped Apollo stands in 3/4-view to the right, holding a laurel branch in his right hand and a phiale and fillet in his upraised left hand. He faces a white-haired, bearded Papposilen, who stands in profile to the left. The Papposilen wears a taenia on his head, an animal skin (nebris) over a shaggy-white body suit, and slippers. He holds a mirror in his upraised left hand and a lyre and a fillet in his lowered left hand. Above him is bust of a goddess, probably Hera (or Leto, or Cyllene?), with her face in profile to the right, enclosed within a window, outlined in white. She wears a high crown and jewellry and holds a sceptre in front of her left shoulder. There are ivy leaves in the field. Side B: Two standing, draped youths, facing each other and wearing wreaths. The left figure has a 'V' drape on his chest and his left hand is barely visible; the right hand of the right figure emerges from his himation; he holds a branch out to his companion. Beneath the scenes is a band of right-facing waves. The lower body and foot are black, except for a reserved band on a groove at the top of the vertical surface of the foot, and the reserved underside.
51.7.16 Black mouth inside out, except for reserved top surface of the rim, exterior of handles, interior reserved and underside of the foot black; Between the handles are double (mirrored) lotus-enclosed palmette friezes, enclosed between red lines. Below the ridge at the base of the neck are alternating red and black tongues. Beneath each handle is a vegetal design comprised of three lotus buds, each arranged at right angles to each other, so that their stems form a diamond that encircles a dot, yet extend to four palmettes (two above and two below) that flank the figural zone. Beneath the figural zone is a series of friezes: two lines; a maeander (Greek key) to left; two lines; a frieze of upright leaves interlinked by arcuated stems; two lines; rays extending from the base. The preserved part of the base is entirely black. Side A shows a quadriga (four horse chariot) wheeling around, so that the front of the horses seem to pass a crouching warrior holding out a spear at a near horizontal. The helmeted charioteer holds a large shield. Side B shows a helmeted warrior, standing between two attendants. The warrior holds a shield with a lion-head sema, wears a chlamys, and holds a pair of spears at right angles. The (male) onlookers, both bearded, wear himatia that enclose their arms, and each holds a staff upright. Detail is incised on both designs. Top of foot and side are black and the underneath is concave and black. Added red on horses' manes and the contour of the shield.
51.7.5 Interior reserved; black glaze on mouth and upper half of neck, as well as upper half of handle; lower part of neck decorated with tongues that suggest ribbing; shoulder decorated (except under handle) with an egg-and-dot frieze between two black lines; reserved space at lower part of handle and handle attachment (interior) suggest that the mouth and neck were dipped. Body decorated with a frieze consisting of 7 clusters of three white dots at the top of a figural scene (arranged in upside down triangle shapes): a female figure, standing in 3/4-view to the left, in a relaxed posture with her left leg crossing her right, and her left elbow resting on a pillar (the curvy element in added white suggests that this is meant to represent natural rock). She wears a hairband and kekrphylon on her head, triple-dot earrings, two or three necklaces (two strands of white beads beneath a black line), two white bracelets on each wrist; a belted sleeveless chiton, and white slippers. She holds, in her upraised right hand, a mirror surrounded by white dots, and, in her left hand, a phiale that is surrounded by white beads, as well as a beaded sash. A large palmette, with a white dot on the heart and white dots on each volute, fills the space beneath the handle. From each volute emerges tendrils and floral decoration that frame the image of the woman. A 6-petal rosette fills the space to the right of the woman; to her left are a window and a dotted circle (cog-wheel?) in the upper left field, and an olive branch in the lower left field. On the body, beneath the figural scene, are a single reserved band and a thicker black band. The foot is reserved on the top element, and glazed black on the ridge and lower element; the underside and resting surface are reserved.
52.3.2 Flared, cup mouth, black in and out and on rim. Neck is black, as is handle, except for a palmette pattern at base. Intricate tongue pattern around base of neck with a circular palmette pattern below. Main design, from left to right, shows Eutychia (EUTUXIA) standing to the right, holding a box in her left hand, with a string of embossed flowers (?) hanging down from her right hand. Beside her is a diphros with a cushion. Aphrodite ([A]FRODITH) sits, profile to left, in the centre and to left is small Himeros (IMEROS) in white, holding a wreath. To her right is a standing Makaria ([MAK]ARIA). Black egg pattern beneath main design. Moulded foot ring with grooves around the side. Black on top but reserved underneath.
60.8.2 Decoration in panel, shoulder: Two black lotus flowers (fired red) with white sepals alternating with buds (purple). Body: mantled woman in profile standing to right holding wreath between two mantled male figures. Black dots decorate part of their garments. The rest of the body is very patchy and is both red and black. Base is reserved.
67.6.3 Standing woman, left arm akimbo, holding palm leaf far in right hand. Wearing head dress and robes. Possibly portrayed as pregnant (?).
67.7.1 Standing male youth, nude. Grey, apparently from burnt grave; small depression in base. Traces of white slip, colour lost, but probably once red. Standing with arms by sides, elbows pressed back, legs apart, right knee slightly bent. Rectangular base. Paper slip marked 'Thebes' on back.
71.6.3 Inside is streaky black showing red through. Handles and outside are also black. Side A: A woman standing with her back to a chair, holding out a fillet in her right hand. Side B: A youth in himation holding two spears (?) of which heads are not visible, being too tall for space avaliable. The detail on both figures is picked out in black paint. Two ruddled bands run around base of pot below figures. Foot is black on top and side and inside foot ring; resting surface and underside reserved. Base is ruddled and has three black bands and a central black dot.
73.9.2 Handle, three quaters black glaze, situated above ivy leaf standing on tendrils and tips of two leaves of palmette on right. There is a thick black band around the rim and two thinner black bands beneath the ivy leaf.
78.12.11 Moulded boarder on the shoulder, two rings around the discus one of which is raised, within is a peacock displaying tail with head turned to its left, perhaps standing on a branch. Pale buff wash.
78.12.19 Shoulder is decorated with a moulded pattern of a vine, on the discus is a standing figure orientated with head towards the nozzle, holding a hydra in right hand and to the left is an amphora. Above the figures head, on the decline of the discus is a pattern of rays. Pale yellow wash.
78.12.22 Moulded ring around discus, within is a "Throx" gladiator in relief standing on base-line; helmet, shield, sword, top of greaves distinguishable. Moulded single volutes on either side of the nozzle shaft, at their termination are raised marks towards the base. A faint raised line next to the gladiator on the right. Red slip all over.
83.10.1 Standing female figure in cloak, with halo-shaped hat (or hair style). Rectangular hole in back. Hollow. Right leg bent, right arm across breast. White slip on clothes and face, pink on head, and shoulders of garment.
84.8.1 30 fragments, largely side B, small part of side A, handle and rim fragments. Side B three youths. a) The top surface of the rim is black and so is the interior, apart from a reserved area at the end of the rim that bears a thin, black line. The neck is decorated with a vague representation of a brach with laurel leaves. The joining point of neck and body that is preserved bears part of a black, thick line. b) The interior and top surface of the rim is black, with the exception of a reserved band on the end of the rim (interior) that bears a thin, black line. c) The handle is black, except for the surface that would not have been visible if it was attached on the vessel, which is reserved (but glazed). Around the spring of the handle there is a motif between two thin lines that resembles the ionic cyma (egg-and-dot). The rest of the vessel is black, both on the outside and the inside. d) The handle is black, apart from the surface that would not have been visible, where there are two dots. Around the spring of the handle there is part of the ionic-cyma motif. e) There is part of the ionic cyma motif that the handle bears around its spring and the rest of the surface is black (interior and exterior), apart from part of a small chess-shaped motif, framed by a line above and two below. f) It is black apart from an area that bears a small part of the motif that contours the springs of the handles, a small, diagonal, reserved band (exterior) and a reserved band (interior). g) The surface is black (interior and exterior) except for three thin lines that are reserved. h) The interior is black. Exterior: Above a double-meander pattern, placed on a reserved band and between two lines, there are two heraldic lion paws, even though the details have fadded away. i) The interior is black. Exterior: The lower part of the drapery and the foot of a figure, surrounded by black colour. j) Black interior. Exterior: The lower part of a vertical, reserved thin band is standing on a broad, reserved band that bears between two black lines part of a pattern that consists of a meander and a cross on its right. The cross is contoured by a reserved area (around its sides), while its is executed on a black background. k) The interior bears a thin, reserved band. Exterior: The back part of a male figure's head and shoulder, as well as part of the drapery. l) Black interior. Exterior: The male figure's shoulder and part of his draped body. On his right there is the outer part of the motif that contours the springs of the handles. m) Part of the male figure's leg, knee and tibia, which is projected, as if he is ready to take a step. On the left top side there is part of a vertical, thin, reserved band (upper part of a walking-stick). n) Black interior. Exterior: The lowest part of the figure's drapery and a vague representation of his feet ? He appears to be standing on a pattern that consists of a chess-like motif close to two, double-meander ones, framed by two lines above and one below. o) Black interior. Exterior: The lower part of the figure's walking-stick that seems to stand on the double-meander pattern. On the left of the walking-stick, there is part of the back side of another draped figure (male), with the same careless rendering of the feet. p) Black interior. Exterior: Part of the walking-stick and drapery of the second figure. q) Black interior. Exterior: Small part of the second figure's drapery. r) Black interior. Exterior: Small part of the second figure's drapery. s) Small part of the second figure's drapery. t) Black interior. Exterior: Part of the lower termination of the second figure's drapery as well as his right foot? On the left, part of his walking-stick. He seems to be standing on part of the double-meander pattern. u) Black interior. Exterior: Part of the pattern that consists of the chess-like motif, next to part of a double-meander one, on top of which there is the lowest part of a figure's foot? (clumsily rendered). v) Black interior. Exterior: The lower part of the drapery and right foot of another similar figure that satnds on the double-meander pattern. w) Black interior. Exterior: Part of the figure's drapery. x) Black interior. Exterior: Part of the figure's drapery. y) Black interior. Exterior: Part of the figure's drapery. z) Black interior. Exterior: Part of a male figure's arm and hand. aa, ab and ac) Part of the rim and neck. The exterior bears a broad black band and the interior bears a reserved area between two black bands. ad) There is a reserved line on the interior, while the exterior is black, apart from a reserved spot of unclear shape and another, similar one that bears a thin, black line.
E.23.3 Model of Nile boat, with six rowers with six oars and a steersman standing and steering with paddle. Another figure standing in front of steersman, by mast, and a final figure sitting behind the rowers. Figures are painted with brown pigment for skin, black pigment for hair. There is a faint red pigment on the 'deck', going from top to bottom and then several horizontal lines. It is unlikely that all of the figures are originally from this boat. The number 886 (988) is visable on the boat, which likely the tomb number.
E.63.14 Naked, male figure standing on base. Some hieroglyphics on the side of the base.
L.2005.7.14 Obv: Head of Athena Parthenos wearing a triple-crested helmet, within a border of dots. Rev: Owl standing atop amphora on its side, all within olive wreath. Monograms on either side of owl and ear of corn below (series viii).
L.2005.7.15 Obv: Bust of Artemis wearing stephane; bow and quiver at shoulder. Rev: Nude Apollo standing on maeander pattern, holding in right hand a branch and resting left elbow against tripod; all within laurel wreath.
L.2013.10.9 Obv: Man facing right inscription around the edge Rev: Two standing figures facing each other. Smaller figure flies between them (top) with an alter or cup between them (bottom). There is an inscription around the top, possible inscription 'CONCORDIA'.
REDMG:1926.99.54 Mouth black interior and exterior; reserved neck; black on exterior of handle; band of black vertical bars above white band decorated black rays on shoulder, extending to carination. Body, top: white band decorated with two rows of black dots joined by a thin black zigzag (at front, only), above two black lines; figural scene (front only); white band; black band between two black lines; black to foot and on top of foot; otherwise reserved. Figural scene is of a chariot behind which stand three draped female figures (two women, standing profile to right, towards a third figure, standing profile to left. A fourth female figure sits profile to left, in front of the chariot. All four figures are draped, wreathed (with red bands), and have white faces.
REDMG:1926.99.61 Black glaze around the base and on the neck. Shows a slave woman and a draped youth standing on either side of a tombstone.
REDMG:1935.87.25 Black except for the figural design, with friezes above and below it; reserved but ruddled resting surface. A. Horizontal friezes on neck and below figural scene, consist of two vertical bars alternating with circles, reserved bands above and below. Scene: nude satyr, standing profile to right, with his left foot raised on a rock, faces a draped woman, seated 3/4-view to right, with her head turned profile to left. He raises his right hand towards her, and rests his left arm on his knee. She holds a mirror in her upraised left hand. Five ivy leaves in field between them. B. Horizontal friezes on neck and below figural scene consist of chevrons to left, between reserved bands. Scene: Two draped youths in conversation, face each other on either side of a stele. Yellow and white details: white fillet on satyr, bracelets and necklace on woman, and spots on the mirroron Red wash on reserved areas suggests imitation of Attic red figure. A pair of incised lines run horizontally across side A, and another line runs horizontally across side B; further incised lines around the upper body of the woman indicate that these might be an artist’s guidelines.
REDMG:1935.87.29 Heavy fabric. Black all over except underside which is reserved and ruddled. Two handles, one either side are black all over. Stamped inside with four palmettes set crosswise, standing up in relief with an impressed frame.
REDMG:1935.87.3 Black inside, outside and rim. Handle is black all over as is top half of neck. Lower half of neck has an umbrella pattern with 12 tongues on top. Large palmette with tendrils under handle on body and tendrils either side of scene. Scene is a woman standing, facing right, holding mirror in right hand and a box in left looking at seated Eros who is holding a mirror in his right hand. Added yellow over white, and white on Eros's wings, mirrors, box and headresses. Traces of miltos. Reserved band beneath scene. Black foot but reserved resting surface and base. (Modern) red cross drawn on base.
REDMG:1947.13.1 Black mouth inside and out, otherwise reserved inside. Below the rim, on the lip, is a white laurel wreath, to right. On neck, between black handles, a 9-leaf palmette, with a black dot for heart and black dot on either side of central petal; black ridge between two black lines; frieze of vertical bars beneath each handle; beneath each handle a large palmette above a pair of volutes, from which emerge vegetal ornament. A: Attenuated ovolo frieze between two black lines; white ribbing (painted); two reserved bands; floral frieze with white head, to left, at centre, emerging from a calyx from which emerge also tendrils, berries, volutes, and blossoms; reserved frieze; scene. B: Continuous maeander to right, between two pairs of lines; black ribbing (painted) between two black lines; flanked by vegetal ornament, from which emerges quarter palmettes and volutes, a female head, profile to left, wearing white stephane, and white sakkos, from which emerges curly black hair, at front and black; white drop earring on an inverted triangle. Below the body zone, around the entire vase, is a decorative band consisting of dotted cross squares (1) alternating with stopt maeanders to left (3) between two reserved bands; black below. Scene, A: A woman, standing in 3/4-view to the right, with head profile to right, hair emerging from the back, a sleeveless, belted chiton, a himation draped over her left arm, a pair of white slippers, holds a palmette fan, with white detail, in her upraised left hand, and a branch (similar to a thyrsos) in her left hand, at a diagonal. She also wears a white stephane and a sakkos with black and white detail, from the back of which emerges a tuft of hair, a white beaded necklace between two thin chains (rendered by black lines), and white snake bracelets on each arm. She faces a naiskos enclosure, decorated in gilded white, with thin Corinthian columns and a black pediment, on a podium decorated with a simple continuous maeander to right, between a two pairs of white lines. Enclosed within the naiskos is a warrior, rendered in white with yellow details, seated in 3/4-view to the left, on a himation, with his legs crossed, and his left elbow resting on the back of his seat. He holds a crested helmet in 3/4-view to the right, at which he stares, and a diagonal spear in his left hand. On the ground below him is a small shield. To the right is a nude youth, standing in a reclining pose, 3/4-view to the left, wearing a white fillet in his hair, and white slippers. He holds a himation, bundled up around his left arm, and an opened box as well as a dotted, fringed sash, in his right hand. A thin rectangular element, perhaps a dagger, emerges from the opened box. A (heart shaped) ivy leaf hangs in the field above him. White dotted lines indicate the groundline between all figures. Details on the shoulder rays and, ornaments in the field, and all figural scenes are rendered in added white, sometimes 'gilded' with yellow wash.
REDMG:1951.137.1 Inset circle of knob decorated with a cross with chevrons in the angles. Bars on rim of knob. Black stem, reserved band at attachment to lid, which is decorated with a figural scene. Bird (partridge or pigeon) standing profile to right, towards a female head (Aphrodite), profile to left, wearing dotted spiked stephane, sakkos, and a pony tail, as well as white hoop earrings and a dotted necklace. Two dotted four-petal rosettes in field behind her. Scene flanked by two sets of tendrils from which emerge lotus buds, on either side of a palmette from the top of which emerges a lotus bud. Added colour (yellow on white) for details of bird, stephane, jewelry, and flowers. Flange on edge and underside of lid are reserved.
REDMG:1951.148 Black interior, handles, neck and body except for decoration in panels (black figure in neck panels; red figure in body panels). Upper surface of rim decorated with ivy spray, with 3-dot clusters between ivy leaves; palmettes on tops of handles; ivy spray on lip, with palmettes at tops of handles; wave pattern to right on overhanging lip. Neck panels decorated with double ivy spray, on which 8-dot clusters alternate with leaves. Body panels bordered by rays (above), double rows of dots between black lines (sides), and band of stopt meander (4) alternating with dotted cross-in-square (1) (below). A: Youth wearing hairband, short-sleeved, belted chiton, and mid-calf boots, stands in 3/4-view to the right; he holds a pair of spears upright in his right hand and a wreath in his left hand, held slightly ahead of him; a chlamys is draped over his bent left arm. A warrior is seated 3/4-view to left, on a curvilinear seat (stones?). He is dressed identically to the youth, although with a plumed conical helmet. He holds a large phiale in his outstretched right hand, and his pair of spears in his upraised left hand. Behind him stands a woman in 3/4-view to the left. She wears a belted, sleeveless chiton, a kekryphylon (hair), pearl earrings, a beaded necklace, two bracelets on each wrist, and holds a fillet in her outstretched right hand and a situla in her lowered left hand. In the field above the figures are a four-petal rosette between two boucrania. B: Three draped youths in conversation, the middle one, standing profile to left, leans on a staff with his outstretched right hand; the other two youths face him. Halteres in upper left field and and bull’s-eye in upper right field. Much of the interior and side B are misfired orange.
REDMG:1951.149.1 Wide flared mouth. Black inside with two reserved bands either end of rim. Outer surface has a laurel band around rim. Handles, all black, at the base of the body extend upwards. Side A shows seated woman (skin painted white) and Eros next to her with a satyr seated and holding a thysseus and pointing on Eros' left. Tendrils above and plants in field. Side B shows a woman standing, draped, facing right, between two satyrs, one reaching to a box the other dancing with a box above him to the right. Egg and dot pattern below both scenes. Black to top of foot which has a reserved band at top and bottom of side. Base is concave and reserved.
REDMG:1951.156.1 Mouth black inside and out, with a reserved lip; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body, top: black line at top of body. Body (at front, only): three rows of black dots between four black lines; black lines above and below figural scene; below, simple maeander to right, above a black line. Body, below: two black lines, thick black band, two thinner black bands, black to foot. Figural scene depicts a goddess mounting a quadriga, profile to right. Behind the horses are a seated (?) female figure, also profile to right, and a standing male (?) figure, from whom emerge, to either side, dotted branches; in front of the horses is a lyre player, seated profile to the left. All figures are heavily draped.
REDMG:1951.159.1 On neck, between black handles, an enclosed palmette (11 petals on A and 9 petals on B; with two concentric arcs for heart on A, black dot for heart on B), black dot on either side of central petal, and black dot in the upper corners; black ridge below black line; frieze of vertical bars below each handle attachment; beneath each handle two superimposed palmettes, with a pair of volutes between, from which emerge tendrils, sprouting quarter palmettes. A: egg-and-dot frieze, between two black lines; white ribbing (painted); two reserved bands; floral frieze on shoulder (four volutes from which emerge flowers, tendrils and secondary volutes) emerging from the lower right; two reserved bands; scene. B: Continuous maeander to right, between two black lines; black ribbing (painted) between two pairs of black lines; a female head, profile to left, wearing a sakkos, from which emerges curly black hair, at front and back. Below the body zone, around the entire vase, is a decorative band consisting of dotted broken stopt maeanders to left (pattern doesn’t match up on side B, to the left) between two reserved bands; black below. Scene, A: A naiskos comprised of two Corinthian columns supporting a tapered epistyle and black pediment, on top of a podium (white maeander on a brown background, between alternating black and white horizontal bands). Two white female figures stand within the naiskos. The figure at left, standing in 3/4-view to the right, wears a himation over her left arm and hips, over a peplos (decorated with two vertical purple bands on the chest). Her hair is bound in a sakkos from which emerges hair at front and back; her jewelry includes a beaded necklace and two bracelets on each wrist. She holds a fan in her raised left hand as well as a wreath in her lowered right hand. She faces another woman (probably the deceased) who is seated in 3/4-view to the left on a stool (diphros) and rests her feet on a footrest (hypopodion). She wears a short sleeved chiton and a purple himation that she holds above her right shoulder in an unveiling gesture (anakalypteria). Her hair too is bound in a sakkos, from which emerges hair at the back; she wears two necklaces, one beaded, and two bracelets on each arm. A small ornament (or pures) hovers in the field between the two women. On either side of the naiskos is a kalathos (basket), below a rosette (red with added yellow and white), above a pair of white balls interspersed with clusters of three white dots, and above a double line of white dots. Each basket (both are identical) is decorated with a cross-square with intervening triangles (top) and alternating bands of zigzags, and white and black lines, as well as a band of vertical bars.
REDMG:1951.160.1 within. Interior and mouth glazed black with two reserved bands at top and bottom of rim. On exterior, below rim, a frieze of tendrils, with lotus buds above and below. Black handles, with reserved bands between attachments, and enclosed half palmettes below, from the sides of which emerge tendrils with volutes that encroach in the figural scenes. Below the figural scenes is a band of slanted ‘z’s, between two reserved bands. Black below, except for the recessed element at the top of the foot, which is reserved, a narrow band at the bottom of the foot on the exterior, and the reserved underside. The reserved parts of the volute frieze and figural scenes are reddened. Scene, A: A woman standing in 3/4-view to the right, wears a black beaded necklace, a sleeveless belted chiton, and two black bracelets on each wrist. Her hair is tied in a ponytail. She holds a torch in her advanced left hand, while her right hand, downturned, is also slightly raised. She faces a youth, nude except for a chlamys draped over his left arm and slippers, who stands in 3/4 view to the left, reaching toward the woman with his right hand. Between the figures, in the upper field, is a window frame, while a large tendril, with volute, emerges from the ground, between them. In the field behind him is a leaf. B: Two robed youths, standing profile, with their right legs advanced, face eachother across a narrow stele. Above them is a circle with a black line vertically through the centre and an 'H' drawn on top (probably halteres).
REDMG:1953.25.34 A standing male figure in front of a kneeling female
TEMP.2003.6.17 The interior of the vessel is black apart from the lowest part of o, whose lower part bears a reserved but glazed line. Exterior: a) On the right side, there is the upper part of a seated woman (part below her waist is missing). She is draped and wears a stephane (fillet) on her head. On the left side there is a floral motif whose stem is a wavy line that expands to the left. b) There is the back side of another seated draped female figure. c) The front side of the previous female figure. She is holding an alabastron with both her hands. d) On the lower left part there is the largest part of a voluted palmette with petal shaped divisions, connected with a tendril. The area next to the spring of the one part of the handle is reserved. e) On the bottom right there is the rest of the previous palmette, also connected with a tendril. f) On the bottom right there is the upper part of a palmette and on the upper left there is part of a tendril's volute. The area on the left of teh one spring of the handle is reserved, but glazed (plaster on top). g) Uneven black surface. h) A small part of the volute of the tendril of f and the stalk of a flower. i) Part of an inverted palmette, connceted with (part of ) a tendril, with (occasional) leaves on its sides. j) Small line, part of a tendril. k) Part of a tendril's volute. l) A figure's projected forearm and hand (figure's depicted on n?). m) On the right side, there is the stalk and part of the stem of a flower and a line that seems to be part of a tendril. n) Part (head missing, neck and shoulder are scraped off, area below the knees missing) of a draped standing figure that has the left hand around the waist. o) The lowest part of a figure's drapery.
TEMP.2003.8.3 The body of a person probably standing to the left as right arm is bent at elbow across body and pointing left holding a small black ball. The person is wearing a himation.
TEMP.2003.8.5 Person standing to the left, feet and lower legs, wearing a himation standing on a platform to the right, another person (part of a himation).
TEMP.2007.3.61 Obverse: head of Hadrian wearing laurel Reverse: Janus standing holding cloak and spear
TEMP.2007.3.62 Obverse: Head of Hadrian with thorned crown Reverse: Moneta standing holding scales
TEMP.2007.3.65 Obverse: Head of Titus with laurel Reverse: Image of Felicitas standing
TEMP.2007.3.72 Obverse: Head of Commodus with thorned crown Reverse: Female figure standing holding corn and Cornucopiae
TEMP.2007.3.73 Obverse: head of a young boy (Caracalla) with laurel DRPD Reverse: Caracalla standing dressed as a soldier holding an orb and a spear
TEMP.2007.3.74 Obverse: Bust of Caracalla as a boy Reverse: Caracalla standing dressed as a soldier holding orb and spear
TEMP.2007.3.76 Obverse:head of Postumus with thorned crown. Reverse: Providentia standing
TEMP.2007.3.77 Obverse: Head of Diocletian Reverse: Moeta standing
The Ure Museum is part of
The University of Reading, Whiteknights, PO Box 217, Reading, RG6 6AH