25.9.3
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The vessel bears impressed (stamped) decoration and is black inside, as well as outside. There is a rope-shaped plastic motif above the shoulder of the vessel and the body is ribbed (long, tongue-shaped motives). Below the handle there are ten impressed palmettes (voluted with narrow divisions), arranged in an inverted triangle. The resting surface bears traces of a red line, its shallow inner side bears a black band, the central part is red and there is a black circle with a dot at the centre.
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26.12.15
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Inside is black with a reserved line halfway down rim and a reserved centre circle with a black band and a central dot. The rim is vertical and offset slightly. Two handles are black all over. Outside design, from top to bottom is, black rim, lotus bud and dots linked with chain, black band with narrower bands either side, alternating buds and dots slighlty diagonal, black band with narrower bands either side, rays. At top is a red ridge that then leads to a ribbed and reserved stem. The lower half is black as is the top of the foot and the side. The foot has a thicker ridge around the edge resulting in a channel effect going all the way around it. The resting surface and conical base are reserved apart from the inner ring of the foot which is black.
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26.7.1
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Handles have a mixed pattern of horizontal lines at the top and bottom with vertical lines in the middle with the underneath reserved. Inside is almost ribbed in texture and painted black/brown with convex circle at centre. Outside is reserved apart from pattern which is similar both sides. Central design is a four-spoked wheel within two circles flanked by two horizontal patterns of crossed lines and three vertical lines. Below is two bands then brown almost to bottom except for a thin reserved band at base. Underneath is flat and reserved.
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34.10.10
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Around the base of the neck is a string of tiny round impressions. Below handle are twenty-one stamped eggs arranged in an inverted triangle. Body is ribbed vertically. Moulded groove around foot. Object is black all over, although top half of body is lighter, almost brown.
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47.6.3
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Dull brownish-black glaze all over. Ribbed handles with bearded masks instead of spurs, handles divided in two between mask and body. In handle zone, incised band of tendrils on straight stalk. White dots (v. worn) above and below. Round top of lower band some evidence of what was a wavy pattern. Lower band black as is base and the rest of the vessel.
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50.4.18
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Entirely covered with black glaze. Ribbed body (visible on interior). Incised cross below handle. Incised spiral on interior of base (not visible on exterior).
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54.8.1
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Inside has a ribbed texture and is reserved apart from thin bands around rim with vertical bars overlapping the rim. Single ribbon handle which is unevenly bent, has horizontal lines down back and is reserved underneath. Procession of seven mourning women, in profile all facing right, framed by wavy lines, with two bands above and below and three vertical lines at right and left of panel. In front of the sevnth woman there ae three loop patterns, with dots. The women are wearing long garments, have long hair and ftech one arm over their head, as a mourning gesture. Face drawn in outline. No use of incision for any details. Below 'SSSS' pattern, then horizontal lines. Moulded ridge and groove below around foot. Base is flat and reserved.
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57.3.4
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Decorated with white slip reddish-brown paint. Row of dots between narrow and broad horizontal band. Most of the fragment is taken up with three radiating lines, crossed with small bars. Below this is a broad curved line. The underside is reserved and the clay is ribbed.
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REDMG:1951.132.1
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Metallic black gloss on entire surface (dipped) except for reserved (and ruddled) upper part of foot and underside, including resting surface. In addition to moulded mask, and ribbed shoulder decoration (see above), incised (although glazed) cross under spout.
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REDMG:1953.25.64
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Glazed black all over; red and white bands on centre of shoulder; finely ribbed body.
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TEMP.2002.9.2
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Larger piece (1) is made of three fragments and shows the top of the front panel with a pattern of horizontal palmettes with dots in field above a scene of a woman, with head covered, facing a youth wearing a long tunic and holding a long stick (?). The vertical panel pattern on the left hand side is of two dots, staggered and joined by a line. Detail picked out in watery glaze and black. The inside surface of both pieces is almost ribbed and the glaze is streaky. The smaller piece (2) has remains of a thick handle with a palmette pattern below it. The design on the front has the same horizontal and vertical panels as the other piece but has an old (bearded) man facing left also in long tunic. Both pieces bend upwards to what would have been the mouth and there is a possibility this would have been trefoil shaped.
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