| 11.10.11
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Quatrefoil, with hatching and wavy patterns intermediate. Black on greenish ground. Three broad circles on mouth, two on side of mouth. Oblique stroke at back of body.
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| 11.10.12
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Ribbon handle with projecting ends. Inside is black with two red bands at centre. On turned-in rim, one black band (level with the bottom of the handle) and one red band. The body is decorated with black lanceolate leaves bordered on the outside by five lines alternating black and red, on inner by two lines and band in black. The foot is decorated with black band and, on the base, a wide red band, two thin black bands, two central bands and a dot.
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| 11.10.19
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Shoulder: frieze of bars at base of neck; below, five palmettes, consisting of a central group of three, the middle one inverted, and one at each side with its stem on the side away from the handle. The lower branch of each stem curls into a spiral from the end of which a leaf grows. There are dots in the field. Body: black except for a pair of red lines around the top.
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| 11.10.21
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Black glaze covers the interior. Exterior of the rim black; black ground line at bottom of figural scene; black on lower part of body and exterior of foot, except for two reserved grooved lines on the top and lower part of foot. Reserved resting surface. Underside decorated with black circle at the center, surrounded by a thin black band. Interior of the foot black . Scene is similar on both sides: between palmettes a charioteer driving a quadriga, or two-horse chariot, to the right. Incised detail on all figures. Careless design, no details.
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| 11.10.5
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On mouth four bands; on body, wingless sphinx. One rosette with incisions crossing at centre. Some traces of added colour, now lost. On bottom (rather flat) three circles.
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| 13.10.10
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White-painted, with black linear patterns. At front of neck, female figurine, to hip level. Beak-face, prominent breasts, arms curled round them, hand on mouth. Black linear decor, painted circles resembling eyes, black dots or rings on breasts resembling nipples, zigzag decoration within border at base of figurine.
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| 13.10.11.9
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Triangular incisions either side of the girth. At the top and the bottom of the bead there are incisions as well as around the girth.
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| 13.10.16
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Interior: red with concentric black circles inside thick black bands halfway down body, and at base. Exterior: red, with one broad black band. Coarse brownish clay. Handles are also black.
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| 13.10.18
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Interior: halfway down, a series of uneven thin black concentric lines between two thick black lines; at base two concentric black circles. Exterior (from top to bottom): two black concentric lines, uneven thin black lines inside two thick black lines, one wide red band, black line, black line around footring and three concentric black lines on base.
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| 13.10.25
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Pinkish clay, undecorated. Circular indention at top of shoulder. Circular indentation on base, (chipped ?)
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| 13.10.4A-B
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The mirror (A) is decorated on the underside with six concentric circles, arranged in three pairs, and a raised boss at the centre, pierced at the centrepoint.
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| 13.10.5
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Perforations at the lower end, of which three out of four remain, two on each side, the upper two level to each other, both just below the widest part of the spear. This is presumably where the dagger was attached to a shaft. The width of handle tapers on each end. While the centre of the fragment is thicker, raised on one face, the thickness diminishes towards the sides, which are rounded at the thicker (upper?) end.
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| 13.10.7
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Fired black in patches. Incised decoration: groups of zig-zags and intersecting straight lines which stop at base without meeting.
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| 14.10.103
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Lip and neck reserved. Shoulder: bars at base of neck; five palmettes (parts of four only remaining). Body: black with a thin red band 3.2 cm from the bottom.
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| 14.9.11
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Painted decoration in dull black on both sides in rectangles with lines inside with cross hatching on the underside. Part of two bored holes at the same end but slightly apart, perhaps for suspension. No finished edges.
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| 14.9.114
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Small areas of white at the top of the right thigh, and to the left of feet, suggest that the figure was coverd with white slip (painted?).
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| 14.9.114BIS
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Black glaze on exterior; interior decorated with rouletted ring, stamped palmettes, and irregular circle at centre.
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| 14.9.15
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Part of base and side of vessel with a white core. The interior surface is pink. Exterior surface is white with horizontal stripes on right half in red, and red line at base of side all on a white slip. What is the base is apparently reserved.
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| 14.9.31
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Fragment of rim of vase. Interior is reserved except for a black band around rim. The exterior is painted dark brown with four horizontal bands of red covered with white dots. There is a narrow band of orange just below rim. The walls thin at the rim.
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| 14.9.33
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Fragment belonging to the rim of a vase made of fine fabric. Dull black paint inside and out. The exterior surface had white band around rim above spirals or tendrils with three horizontal bands below. The interior had a white band round rim. The material gets thinner at the rim.
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| 14.9.37
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Fragment of thick clay with rim attached. Buff clay with black paint. Inside is painted black. The Outside has a black narrow band at rim with a coiled leaf pattern below, followed by blurry bands.
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| 14.9.38
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Pinkish-buff clay with brick red paint. The exterior surface has a band at rim above a spiral with linking lines with small petal-like crescents between them. Inside, the surface is red.
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| 14.9.39
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Clear buff clay with brownish-black paint. Outside broad band at rim with some red showing through. Below, on body are linked spirals with red glaze appearing through black. Inside the rim is black with the lower part of the fragment reserved. There is however, the start of a line running downwards at right.
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| 14.9.40
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Buff clay with dull black paint. The outer surface has a band at the rim with a double foliate band on body with another plain band below. The inside surface is chocolate brown faded from black.
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| 14.9.41
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Pinkish clay with black paint. Outer surface has a narrow band at rim above two rows of dots between thin bands with plain bands below. Interior surface has a creamy-yellow slip.
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| 14.9.43
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Buff clay. The interior surface is black and the exterior surface is cream with dull black painted design. There is a band at the rim and the pattern on the body below is of buds and spiral leaves.
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| 14.9.46
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Black decoration on the outer side of the handle finishing in a V shape at the false lid. The lowest part of the false neck also is decorated with black paint which has discoloured in fierinf process. False lid has a black disk surrounded by three concentric circles with reserved areas separating them.
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| 14.9.5
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Inside of mouth and rim are black but remainder of interior is reserved. Handles, black on top and reserved underneath. Slight lip to mouth with black band below and then another at base of neck (white spots superimposed on front only). At base of handles are wavy lines and below is a decoration of three black bands. Base is reserved. Graeco-Phoenician.
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| 14.9.50
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Shiny red-brown paint on pale buff clay. On outside is a broad band under rim with a loop with cross-piece in centre hanging from it. Both parts have transverse bars. Below and along fracture is a curved line. The interior surface is reserved in the lower part but has as broad band covering rim at the top.
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| 14.9.51
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Underside is reserved. Chocolate brown on whitish-buff. The topside has the lower part of a bird including a leg and foot at top with two broad bands below. The bird may be a duck or the like and appears to be running to the right.
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| 14.9.64
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2 thin horizontal black lines above handle, 8 below, 3 at right angles to these beside handle, all approx. equal width. 2 slightly thicker horizontal black lines on side of handle base. Background pale buff. Inside painted black.
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| 14.9.66
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Yellow band, followed by brown band, then black irregular shape (possibly a flower) with a thick S shape next to it both partially obscured by red band. This is followed by three pale bands and 7 black line at right angles to these, 6 of which reach down to the 2nd pale band passing over the 3rd and the last only reaches the 3rd band. Background is pale buff. Inside painted black.
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| 14.9.67
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2 black lines at 45 degrees to each other. Black painted design with incised lines marking 7 thin rectangular sections with rounded ends all next to each other and getting shorter towards one side, every other one purple. (feathers? leather strips on armour?) 2 other small incised lines at right angles to each other on black, no clear design. All on coarse grey/buff background. Inside painted black.
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| 14.9.70
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Black petals around small circular indentation. Black painted section split into 3 sections by incised lines; 1 plain, 2nd with red paint over black, 3rd with incised lines at right angles to section lines. Further small black painted section. Background pale buff. Inside reserved.
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| 14.9.72
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Fragment with no finished edges. Exterior: animal procession consisting grazing goats (only head, part of one antler and one foreleg of one and one hind leg of second ramaining)to right; dashes, quatrefoil, and hooked swastikas as filling ornament; below, black band and part of lower frieze - antlers of goat to left; dashes as filling ornament; at right, possibly more antlers.
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| 14.9.74
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Interior: glazed black with traces of narrow bands in added white; exterior: from top, part of wide vertical black band between pairs of dilute lines; two dilute lines; guilloche pattern; at right, two narrow vertical black bands flanking black handle root; below; wide black band between two narrow dilute bands; part of meander frieze.
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| 14.9.75
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At the top is a triangle of black, with a smaller triangle below leading to a dark brown line. There is a similar line parallel to this one on the left. Both lines are at right angles to a braoder dark brown line. Nestled between two faint brown lines are five white circles with black circles in the centre. There is just a small area of dark brown/black on the bottom right hand corner. Other side is reserved.
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| 14.9.78
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exterior: black-figure decoration consisting of part of possibly deer or boar (only hind leg remaining), to left; at right, painted streaky black handle zone; below, one narrow band above a wider black and a band in added red;
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| 14.9.84
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Interior: reserved band below junction of bowl and lip; below, glazed black; exterior: lip glazed with thin reserved line at join with bowl; below, black figure decoration consisting of horseback riders (only head including mane and reins, neck and breast with added red, shoulder and upper forelegs of one horse and tail of second remaining), to right; at far right, possibly incised pinwheel rosette as filling ornament;
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| 14.9.91
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Bearded man riding horse at left, dark featureless figure at right.
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| 2002.9.4
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A reconstruction of a barbiton comprised of a heart shaped wooden frame with a horizontal bar at the top to which the seven strings are attached. The strings are arranged vertically and are attached at the bottom where there is a tortoise shell with some sort of drum skin drawn taught across the top. A red ribbon has been added for decoration to the left at the bottom.
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| 2002.9.5
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A reconstruction of a kithara. Similarly to the barbitos, wooden frame with a horizontal bar resting across the top to which the seven strings are attached. Ornate carving and curls down each side. The lower part is a thicker section of wood with a bridge (as on our stringed instruments of today) to hold the strings taught. Zig zag carving at base for decoration and a red ribbon for the musician to hold attached to bottom right.
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| 2003.3.37
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Interior, 2 bands in added red. Exterior, vertical lines above a horizonatal line at rim, with band and line below all in added red. Additional patches of added red are visible below, probably forming a pattern
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| 2003.6.18
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Base fragment of a small pot, decorated with three straight lines at the base, two of which are black; the middle one is of a faded purple colour. Above the lines is a large black pattern which takes up nearly all of the space left on the fragment. The interior is decorated with a black gloss.
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| 2003.7.15
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Piece of fragment made of red clay with pattern both sides. Fragment is slightly curved, with a small rim at the top suggesting it could be part of a decorative plate or bowl. Side A, which is possible the interior, has a broad black line at the bottom - possibly this was the colour of the interior, with five rough circles in a row, alternating black and red from the left hand side, painted on top of a white background. Side B has a similar broad black line at the bottom, with a broad white line painted at the top and several faded black vertical lines painted over the white. The shape of the fragment is rectangular, and it slopes to a point at the right hand side.
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| 2003.7.19
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Possibly part of rim and body of a bowl/jar, due to the smoothness of the top of the fragment. Side is shows indication of being the interior, due to the plain black colour painted on. The exterior, side B, has been painted in white with a narrow area of black at the bottom. There is indication of two parallel lines of small black dots, in between which are two narrow parallel black bands with squares of black between them.
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| 2003.7.20
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Fragment of rim, body and stump of handle of a bowl/jar. Interior is painted in black. Exterior has the rim painted in a broad band of white, with signs of parallel lines of black dots at the edge of the white. There are also indications of two narrow parallel lines, with black squares in between them. The body/shoulder and handle are painted in black.
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| 2003.7.22
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Possibly top part of a bowl/jug due to smooth edge of rim and the way it curves half way down. The interior side is painted in black. The exterior has the top half painted in white, with two lines of small black dots parellel to each other at the edges of the white paint. There are two dark brown/faded blakc parellel lines which have two black squares at either end of them. There is a narrow red line beneath the white, with a black area beneath that. The clay is quite smooth.
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| 2003.7.23
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Possibly part of the top of a bowl/jar due to the smooth edge at the top. The interior is painted black, and has a smooth texture like the exterior. The exterior has a wide band of white painted on, with a few black marks painted on which are possibly horizontal lines and small blacks squares - similar to other Laconian fragments. Underneath the white is a narrow band of dark red, then an area of black.
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| 2003.7.24
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Possibly the top of a jar/bowl due to the smooth edge at the top and way it is curved at the middle. The interior is painted black, with a smooth surface similar to the exterior. The exterior is half painted in white, with narrow, parellel lines of black dots or bands, and a black square inbetween two black lines. There is a line of dark red below this, followed by an overlap of white then a black area.
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| 2003.7.25
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Very small fragment, interior (side a) is painted black. The exterior, side b, has a narrow red band at the top, with a white background beneath it and two narrow black bands, a strip of small black dots and a black filled in shape at the bottom.
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| 2003.7.26
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Probably part of a jar due to the way the bottom of the fragment juts out at an angle - possibly the body of the jar. The interior is painted black/dark red, although most has rubbed off. The top half of the exterior has been painted white (barely visible), with parallel lines of small black dots, and black squares in between these two lines. The rest of the fragment is painted black.
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| 2003.7.27
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Small fragment, possibly part of a jar. Interior (side a) is painted black and curves slightly at the top - possibly a rim? The rest of the fragment has been painted in white, with four black narrow parallel lines, and a black square nestled inbetween the first two lines. There is also a dark red line at the bottom of the fragment.
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| 2003.7.28
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The interior is painted a solid black. The exterior has a black band at the top. There is a white background painted on, with three black parallel lines. Between the first two lines is a row of small black dots, the second and third line has a black circle lodged between them and there is a small black dot at the very tip of the fragment.
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| 2003.8.32
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"Photo of Ruins at Sabratha"
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| 2003.8.51
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Wide flared rim overlaping body. A broad black band encircles the fragment at the top of the body.
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| 2004.5.1
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The face is moulded, with ringlets at forehead, beaded hair at sides, and wavy locks as a beard, tongue protruding from mouth. The face is encircled in a u-shaped element terminating in volutes; petals on the outside. The face and other decoration are painted brown; a painted band beneath the face indicates the top of the dress.
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| 2004.8.5
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Eleven, black palmettes in fan arrangement, two of which are joined at the stems. Left of the palmettes there is a verticle black line with a series of small black dots, parallel, either side (ten left of the line and eight right of the line) which is believed to be a branch of a tree. Right of the palmettes there is a solid, thin black line (L. 3.8).
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| 2005.2.4
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Black glazed all over, except on resting surface, and underside, which is, however, decorated with two black concentric circles at centre, and black on the interior of the ring foot. Perhaps also ruddled on underside
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| 2005.3.28A-B
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A: Whitish slip with bands of decoration, zigzags in added red and straight lines in brown. Interior has a wide band of red at rim, rest is white slip, possibilty of an interior ornament, circular shape in red visible at edge of fragment. B: exterior and interior same as A.
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| 2005.3.31
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Rim is black, below leaf shaped spots in black, another black section is visible at the edge of the fragment
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| 2005.3.33
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White slip with added red decoration, red lines still visible as well as a patch of red at the edge of the fragment
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| 2005.3.38
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Interior, band of added red, exterior, white slip with vertical line above a horizontal line at rim and lines below all in added red
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| 2005.9.5
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Egyptian relief of Egyptian commander at head of troops presenting offerings to the Prince of Punt (Ethiopia) on the shores of the Red Sea.
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| 2006.12.11
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Large area painted white with red and black designs at edges of fragment suggesting complex design
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| 2006.12.126
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Head shape with features entirely worn away apart from crown/hair engraved at top.
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| 2006.12.15
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One half of outside is grey lines on a white surface, in an unidentifiable pattern; Other half is hatched grey lines on white paint with brown spots in centre and red band just visible at very edge of fragment; all decoration appear faded
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| 2006.12.21
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Inside painted black with red band at rim; Outside dark brown band by rim, with black paint below chipped band
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| 2006.12.40
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Brown concentric circles around pot, 3 narrow, 2 broad. Parallel lines meet these circles at right angles, with zig-zag lines between the groups of parallel lines
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| 2006.12.44
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Three brown painted bands with two lines joining them at right angle, with two small lines at right angle at edge of fragment, possibly an animal's leg
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| 2006.12.48
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Thick brown lines with narrower lines joining at right angles, with a possible ray joining one of the bands
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| 2006.12.53
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Worn black paint; only a very small amount remains at all
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| 2006.12.55
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Black and brown lines on white background running parallel; near edge of fragment others at perpendicular angle to other lines; worn decoration
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| 2006.5.1
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Print of photograph of the Punic Port at Carthage, ca. 1910s. Photograph shot by Mr. Stafford's father; framed in black wood.
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|
| 2007.1.10.25
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Possibly Hercules holding the skin of the Nemean Lion with Cupid hovering at his back
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| 2007.1.10.26
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Possibly Hercules holding the skin of the Nemean Lion with Cupid hovering at his back
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| 2007.1.10.36
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Naked man holding a staff sitting on a lion skin with a baby on his lap, both looking at a deer by a tree
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| 2007.10.2.120
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Temple at the top of the cast with steps leading down to a building at the bottom.
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| 2007.10.2.138
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Standing man, profile facing right, wearing a cape and un-Greek looking clothes, with a strange head-cover, looking at a statue of a naked man.
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| 2007.10.2.145
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3 figures indoors, shown by hanging drapes and furniture: old man sitting on floor long hair, bearded, wearing robes, chest showing, young woman standing wearing also wearing robes, holding the old man's hand and a young man sitting down bare-chested holding a long object, while looking at the other two figures.
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| 2007.10.2.158
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Young male standing in profile. He wears only a cape and carries a stick in one hand and a woman's head in the other. At his feet there is a sort of small container open.
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| 2007.10.2.159
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Two figures. A man wearing a cape is on his knees and is holding the naked body of a woman. At his feet there is a club suggesting that he is probably Heracles (killing the Amazon Hippolyte?)
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| 2007.10.2.17
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Woman washing at basin
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| 2007.10.2.194
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Cupid looking at a butterfly
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| 2007.10.2.20
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Man with hairy legs kneeling at someones feet, with buildings in background
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| 2007.10.2.219
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2 male figures, one seated (left figure) and one standing (right figure). Seated figure carrying a staff, possibly denoting older age or social class. Standing figure is wearing a cape, possibly suggesting that he, or both figures, are travellers. He also appears to be stirring a pot at the feet of both figures. On the far right of the scene there is a pole with a serpent wrapped around it.
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| 2007.10.2.223
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Standing naked male figure. Looking at what appears to be a small statue. Something has been placed at the foot of the statue, possibly an offering of some description. Detail too shallow to identify.
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| 2007.10.2.225
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Frontal bust of young female figure (3/4). Facing to the right. Loose hair (possibly wet). Dress fixed with broach or clasp at the shoulder.
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| 2007.10.2.226
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Seated male figure, bearded and naked from the waist up. He is holding what appears to be a scythe (possibly identifying him as Kronos). Elaborate seat, possibly a throne. Detail at bottom left of cast is possibly a temple on the summit of a hill or mountain.
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| 2007.10.2.240
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Bust of a female figure facing to the right. Her hair is tied up. There is possibly a double-headed (battle) axe represented at her back.
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| 2007.10.2.241
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Single figure of a young winged (male) child holding a bow and club in his left hand, the club rests over his shoulder. His quivver is possibly depicted on the ground at his feet. The figure is presumably Eros or Cupid, although the club is an unusual addition (possibly indicating the imitation of Herakles, as in examples found at Pompeii).
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| 2007.10.2.245
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A bearded, muscular, and semi-naked seated figure. His clothing is possibly an animal skin (paws seem to be apparent). He appears to be resting as his right arm rests on his knee and his right hand supports his bowed head. He is also holding an unidentified object in his right hand which also rests against his leg. His other hand appears to be holding a further (unidentified) object which rests across his lap. A club rests against his left thigh in the foreground of the scene. There is either a bull or cow depicted by the figure's right leg at the bottom-left of the scene.
The figure shown is almost certainly Herakles, possibly resting after one his labours (herding the cattle of Geryon?).
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| 2007.10.2.247
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A bearded, extremely muscular, and semi-naked male figure standing and facing to the left. He has a cloak tied at the neck and carries a club in his left hand. His right arm is raised and he is holding an (unidentified) object in his right hand. The figure is almost certainly Herakles.
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| 2007.10.2.262
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A naked man sits in front of and is looking at, a small statue.
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| 2007.10.2.290
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A man, possibly a soldier, with a shield and a helmet on, he is standing next to what appears to be a pillar with a snake coiled around it, at the foot of the pillar is a lamb and perched on top of the pillar is a bird.
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| 2007.10.2.294
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A young winged figure seated on the ground (probably Eros). The figure's body is facing to the left while the head is turned back looking to the right. The figure is possibly looking at a stand to its right which has a complete set of armour placed upon it.
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| 2007.10.2.298
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Naked male figure seated and playing a lyre. The figure is surrounded by armour and weaponry: a helmet to his left, a shield with a face at its centre at his feet to the right, and a sword hanging from some kind of frame or resting against it. The figure is possibly identified as Achilles as he was found by the embassy from Agamemnon at the beginning of book IX of Homer's Iliad.
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| 2007.10.2.303
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Possible battle scene, containing five horses and two men, figure to the far left(only wearing a cloak) is on horse back and figure to the right is falling from a chariot (naked), pot at the bottom with contents spilling out, possible bird to its left
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| 2007.10.2.305
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A male figure stands over another figure, prostrate on the ground. The standing figure (probably male) is dressed in a cloak and tunic and holds a blade or scythe in his right hand. The standing figure appears to be holding the decapitated head of the second figure in his left hand. Behind the figure prostrate on the ground is an ox whose front legs are raised from the ground. To the right of the cast a tree or bush is depicted with a large bird (possibly a peacock) perched on one of its branches. At the centre of the cast there is what appears to be a standard or post with two serpents coiled about it. The serpent's heads face each other at the top of the post.
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| 2007.10.2.306
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At the centre of the cast is a naked young male, he is seated on what appears to be a large smooth rock. A large serpent is coiled beneath the male figure and to the right a lyre is placed on a stand or podium. On the far right of the cast a second stand or podium is carved, this one has what appears to be a tripod standing upon it. To the far left of the cast stands a clothed female figure. She is holding a rod or staff. Her attention is not upon the central scene, she appears distracted by something which is occurring further left as her gaze is directed that way.
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| 2007.10.2.308
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A large ox or bull is represented to the left and centre of the scene taking up most of the space within the cast. The beast's head is turned as if it is looking towards the viewer. To the right a figure (probably male) is seated beneath a tree holding a staff. At the figure's feet there appears to be a second (much smaller) creature.
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| 2007.10.2.309
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Bust of a figure (male?) in profile facing right. The figure has long hair and wears a wreath (which type is not clear). He is dressed in a tunic which is fastened at the right shoulder, although the right side of the chest is revealed and appears quite muscular. There is some vague detail at both his back and chest. These appear to be a quivver and a bow, which would almost certainly identify the figure as Apollo.
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| 2007.10.2.311
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A large female figure reclines in the centre of the scene. She is dressed in robes and is wearing either a helmet or a cap (Phyrigian cap?). Her left arm is resting on a disembodied (bearded male) head and her left hand holds a staff which rests against her upper-arm or shoulder. Beneath the large female figure and to the left of the male head are two shapes which possibly represent boats or ships. These shapes might indicate that the portion of the scene below the female figure is in fact a river or the sea. In turn this might suggest that the disembodied head is emerging from the water (possibly identifying it as a river god). To the left of the scene a very small figure appears to be presenting the large female figure with something, possibly a basket or urn. A slightly larger figure, leaning on a stick, looks on from beneath a tree. Above the very small figures head are two animals (presumably intended to appear to be further off in the background). One at least of these animals is certainly a horse. To the right of the large female figure's head there is a representation of a stag. At the top of the scene in a central position are three shapes. It is unclear exactly what these are (possibly huts or houses of some description?).
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| 2007.10.2.32
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Man standing on column holding something out, woman at bottom reclining on rocks?
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| 2007.10.2.340
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A soldier, wearing nothing but a cape and a helmet, standing looking at what appears to be his armour.
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| 2007.10.2.346
|
At first sight, what appears to be a dual profile of a bearded man and an elephant with their heads attached but facing in opposite directions. At the tip of the elephant's trunk there is a scorpion. When the cast is turned 90 degrees anti-clockwise, there appears to be a second male profile, facing to the right and wearing a hat.
|
|
| 2007.10.2.496
|
Semi naked man, his head facing to his right (our left), leaning on what is possibly a harp on his left hand side. A smaller figure is situated at his right, a possible statue possibly wearing a helmet and holding a spear in its right hand.
|
|
| 2007.10.2.502
|
Cast is made concave, has the image of possibly outline of a temples fround, with wreath at the top of the arch. There is a figure inside, holding a bow in its left hand and possibly reaching for an arrow from its back with its right hand. This is possibly Apollo.
|
|
| 2007.10.2.82
|
Naked male figured dancing with a spear. A vase lies at his feet and it looks like there is an animal skin draped over his arm.
|
|
| 2007.4.146
|
Red painted pattern on one side, starting at the top with pale red line, followed by a section of darker red block colour, then red zigzags going down, then another section of red block colour and finally orangey red stripes
|
|
| 2007.4.155
|
One thin red line around the middle of the fragment, a thicker red line at the bottom, both bordered by darker red lines
|
|
| 2007.4.200
|
Very rough areas of brown-red paint; at edge of fragment is part of a geometric design.
|
|
| 2007.4.205
|
Thick black band below rim on both inside and outside of fragment; two black lines on rim; part of zig zag pattern at bottom of outer surface of fragment.
|
|
| 2007.4.77
|
Red, orange and brown lines in parallel, with lines from a ore complicated looking design perpendicular to them at edge of fragment
|
|
| 2007.4.80
|
Thick black lines at edge of sherd with two thnner red-brown lines beneath them, somewhat worn
|
|
| 2007.9.1.112
|
Displays a shield topped by a crown and divided into three sections, the left depicting a lion with a cross over each shoulder and another at it's feet.
|
|
| 2007.9.1.78
|
Displays a winged human figure, facing left, holding a thin, curled object in his left hand, with a dog lying down at his feet.
|
|
| 2007.9.2.13
|
Displays a seated woman writing on a tablet, a lyre at her feet, whilst a winged figure, a small owl sitting behind his left foot, holds a small jug above a burning oil lamp. A latin inscription is beneath them. (Box Index = Virtue assissted by Genius)Tray 5, Layer 1, Gem 13
|
|
| 2007.9.2.28
|
Displays Heracles with curly hair and a beard pulling up from behind him another man by the ankle and hair, who is clutching at a lionskin on the ground. (Box Index = Herakles and Lichas).
|
|
| 2007.9.2.5
|
Displays four human figures. From left to right: a man with his head bowed and a hammer raised in his right hand, whilst holding a spear or an arrow in his left; a seated woman, her head turned away to the right, holding an arrow in her right hand, pointed down into a bowl she is holding in her left; a cherub, holding a long pole, his left arm outstretched and looking upwards at the figure behind him; a naked man wearing a helmet and holding a bundle of cloth and an arrow, and looking down at the cherub. (Box Index = Vulcan, Venus, Cupid, and Mars).Tray 5, Layer 1, gem 5
|
|
| 2007.9.2.7
|
Displays a winged man, crouching down on one knee, a quiver of arrows on his back and a bow at his feet are visible, whilst a woman reclines on the ground, only her lower half covered in cloth, resting her upper body agaist his knee. (Box Index = Amore e Psiche or Love and Psyche). Box 5, Layer 1, Gem 7
|
|
| 2007.9.3.117
|
Noble woman sitting on a stool looking at a statue on a column.
|
|
| 2007.9.3.21
|
Displays a front view of a seated woman, a small lion at her right side.
|
|
| 2008.2.1.104
|
2 youthful male figures on the left, look at 1 other on the right.all have short curly hair. on the left there is a vase, on the right there possibly a scroll.
|
|
| 2008.2.1.16
|
Female head in profile facing left. Looks to be a lyre at the bottom of the cast.
|
|
| 2008.2.1.3
|
Two birds (ostriches?). The one on the right is pecking at the ground.
|
|
| 2008.2.1.34
|
Naked female figure facing to the right her right arm raised above her head. The figure is leaning on a column and looking at a small winged boy who is seemingly presenting the standing figure with a wreath.
|
|
| 2008.2.1.35
|
Naked female figure seated and resting against a column. To the right of the figure is a small winged boy who seems to have his hands cupped round his mouth, suggesting that he is shouting at the female figure. It is possibly a representation of Eros waking Psyche.
|
|
| 2008.2.1.37
|
Naked male figure holding a spear. The figure is leaning against a column. At the foot of the column is a small animal (probably a dog) partly obscured by the column. The animal is looking up at the male figure.
|
|
| 2008.2.1.38
|
Semi-naked female figure kneeling on a plinth and facing away from the 'viewer'. The figure is struggling with two snakes,and her head is thrown back perhaps indicating pain. There is a third snake at her feet to the left of the scene, and a vase with flowers in it at her feet to the right.
|
|
| 2008.2.1.41
|
A small naked and winged male figure in frontal aspect facing slightly to the right. The figure is holding a bow and a club (which is resting upon his left shoulder)in his left hand. At the feet of the figure on the right side of the cast is a quivver.
|
|
| 2008.2.1.44
|
The profile of a young woman, from the waist up. She has a band around her head and her hair is tied up. She appears to be looking at a small bouquet of flowers which she holds in her left hand.
|
|
| 2008.2.1.51
|
Large group gathering with some offerings which they are placing at a statue in front of a building, possibly a temple.
|
|
| 2008.2.1.53
|
Short haired woman holding and gazing at the head of a bearded male, possibly a drama mask.
|
|
| 2008.2.1.55
|
Profile bust of a bearded bald man wearing a crown of leaves with the start of his robe collar shown at the bottom left.
|
|
| 2008.2.1.64
|
A semi-naked female figure stands before a branch, upon which is a disembodied male head. At the foot of the branch is a helmet and a shield. The figure appears to be making some sort of offering from a bowl like object.
|
|
| 2008.2.1.73
|
At the center of the scene two horses pull a chariot one figure drives the chariot whilst another figure wearing armour holding a spear and shield stands in the chariot. Another figure is depicted up-side-down next to the chariot possibly knocked over the chariot or fallen out of the chariot. In the bottom right of the scene another figure depicting leaning on a shield. In the center at the top of the scene a figure is shown with their hands aloft possibly celebrating. to the right of this central figure is another clad in armour, it is unclear what this figure is doing.
|
|
| 2008.2.1.80
|
Profile male facing left. Bearded and mostly bald hair at base of skull.
|
|
| 2008.2.1.92
|
Profile of a female facing right possibly wearing a type of decorated cap. The hair can be seen in a bun at the nape of the neck. The top of a dress or robe can be seen around her shoulders.
|
|
| 2008.2.1.93
|
Profile of a young male looking right with short curly hair and a band around his head that is tied in the back. The top of his robes can be seen at the base of the neck.
|
|
| 2008.2.1.94
|
Profile of a woman facing to the right. She is wearing fabric covering her head and just a small part of her hair is visible at her forehead. Her robes are visible on her shoulders.
|
|
| 2008.2.1.95
|
An active scene with at least 9 discernible male figures. There are two figures on a raised platform on the far left, one standing wearing armour and the other seated wearing robes. In front of them is a gathering of men, some wearing armour, some only wearing the lower half of their armour, and one, possibly two, who is naked carrying a shield. There appears to be a robed shorter figure among them, possibly a child or adolescent. In the background the outline of a columned building can be seen.
|
|
| 2008.2.1.96
|
Profile view of a woman sitting in a chair facing left. She is wearing robes and has long hair that is possibly braided and pulled back. At her feet is a vase on a pedestal. Under the illustration is an unreadable inscription.
|
|
| 2008.2.1.98
|
Profile view of a bearded elderly man with curly hair wearing fabric covering most of his head. His robes are visible at his shoulders.
|
|
| 2008.7.101
|
Surface slipped with red-orange wash. Strap handle sloping inwards; black glazed on the outside; inside in reserve. Row of uniform parallel black lines at the junction of the shoulder and neck. On the shoulder, five black palmettes, the central one inverted, with black tendrils and dots in between. On the body, black glaze misfired with two red parallel lines just below the junction of the shoulder and body.
|
|
| 2008.7.117
|
Interior: Traces of a darker wash. Exterior: Traces of a greyish wash. 2 wide raised parallel vertical ridges at centre of fragment.
|
|
| 2008.7.140
|
Exterior: One horzontal line with 4 short vertical lines at 90 degrees to it are etched on top edge of thwe rim.
|
|
| 2008.7.150
|
Interior: greyish wash. Exterior: greyish wash with 2 diagonal lines forming an 'x' shape etched at either end of fragment.
|
|
| 2008.7.152
|
Exterior: two horizontal parallel lines etched towards top of fragment. Below this, 3 vertical, non-parallel ridges, with narrower ridges coming off at shallow angles towards the bottom of them.
|
|
| 2008.7.158
|
Interior: 3 yellowish-brown horizontal parallel stripes towards upper edgde. Exterior: small handle towards righthand corner at 90 degrees to fragment. Underneath this, three parallel horizontal stripes overpainted in brown.
|
|
| 2008.7.179
|
Exterior: several (at least eight) horizontal parallel thin brown(?) lines; interior: brown glaze?
|
|
| 2008.7.200
|
Exterior: light beige wash over entire fragment, two thin brown/black parrallel overpainted lines at one end of the fragment
|
|
| 2008.7.28
|
Exterior: beige glaze overpainted by black horizontal line just under the rim, also four (three thin, one thick) parallel black lines running at a steep angle down from the rim. Rim: five thick black lines parallel to each other and perpendicular to the rim.
|
|
| 2008.7.47
|
Exterior: single line of black overpaint at top of fragment, spot of black overpaint at base of fragment
|
|
| 2008.7.48
|
Exterior: two thick brown parallel horizontal lines, the upper of which has two thin brown parallel lines coming off at a shallow angle.
|
|
| 2008.7.54
|
Exterior: sigular line of black overpaint at top of fragment, parallel to this line but towards the base of the fragment are a further two parallel lines (closer together) in black overpaint.
|
|
| 2008.7.62
|
Interior: black wash. Exterior: thin parallel lines faintly visible at top and bottom of fragment. Between these, patches of overpainting in cream, black and brown remain.
|
|
| 2008.7.70
|
Interior: reddish-brown wash. Exterior: rectangles overpainted in reddish-brown forming checked pattern at one end, with 2 thin lines running parallel above, next to a band containing a diamond-shaped pattern overpainted in same colour.
|
|
| 2008.7.81
|
Interior: Reddish-brown wash, grey parallel horizontal stripes overpainted. Exterior: Cream wash, Reddish-brown parallel horizontal stripes of varying thicknesses overpainted, 2 thick and 3 thin towards one end and one thin at other. Line of small dots of same colour parallel to this.
|
|
| 2008.9.1
|
Interior: brownish wash with a wide band of brownish-grey along 3 of the fragment's edges. Exterior: Black wash with white lines etched depicting an image. 2 leg-like shapes at right-angle to curved edge, joining onto curved lines possibly outling a body.
|
|
| 2008.9.9
|
Interior: reddish-brown wash. Exterior: reddish-brown wash. One half of fragment forms a horizontal raised lip with 2 vertical narrow ridges within this at 90 degrees.
|
|
| 2009.10.2.10
|
Figure of a man with wings and a beard, lying down with a cloth draped over his legs, holding and looking at a sword, with an open book next to him.
Number 10.
|
|
| 2009.10.2.127
|
Figure of a man holding a stick over his shoulder. Two dogs are at his feet.
Number 59.
|
|
| 2009.10.2.146
|
Figure of Hermes holding sceptre upside down in right hand and a reed or feather in this left. A small animal is at his feet. Number 18.
|
|
| 2009.10.2.158
|
Cloaked figure holding some form of rod (possibly a sword) and another object, with a basket at his feet on the left side. Number 30
|
|
| 2009.10.2.194
|
A naked soldier with shield and helmet is holding what might be a bunch of grapes over the head of Eros who is attempting to cease them. A deer tugs at the soldier's shield from behind. Number 66
|
|
| 2009.10.2.249
|
Winged Eros at a flaming altar in front of a temple, with a statue of a nude Aphrodite inside, and a tree behind
Number 39
|
|
| 2009.10.2.251
|
Hare inside a large ring centrally, figure in a four-horse chariot above, helmeted head on the left with an inscription, shiled on the right and a ? grasshpopper at the bottom
Number 41
|
|
| 2009.10.2.273
|
Nude male figure holding a large shield in his left hand, with armour at his feet, accompanied by a semi-nude female figure wearing a cloak or necklace and holding a bow in her right hand.
Number 63
|
|
| 2009.10.2.289
|
Right profile view of Herakles with curly hair, lionskin at his neck.
Number - 4
|
|
| 2009.10.2.290
|
Right profile view of Herakles with curly hair and lionskin at his neck.
Number - 5
|
|
| 2009.10.2.291
|
Right profile view of Herakles with curly hair and lionskin at his neck.
Number - 6
|
|
| 2009.10.2.349
|
Kapaneus kneeling with his face upturned and a shield on his left arm, an object at his feet and possibly an inscription to the left of his head.
Number 5
|
|
| 2009.10.2.350
|
Kapaneus kneeling with his face upturned and a shield on his left arm, with a sword at his feet and an arrow or spearhead emerging from his back.
Number 6
|
|
| 2009.10.2.368
|
Male figure wearing a cloak and helmet, standing near a pillar with a bird on top. There is also a snake wrapped around the pillar and a dog at his feet. There is a Latin inscription 'POTITI'
number 24
|
|
| 2009.10.2.369
|
Male figure wearing a cloak and helmet, holding a bow and arrow. He stands near a pillar with a bird on it and a snake wrapped around it. A dog stands at his feet and there is a star above his head. Number 25
|
|
| 2009.10.2.370
|
Male figure wearing a cloak and helmet, holding a bow and arrow. He is standing near a pillar with a bird on top and a snake wrapped around it. A also dog stands at his feet. Number 26
|
|
| 2009.10.2.372
|
Nude Aphrodite with drapery over her legs, holding object in her hand. There is a tree in the background and a helmet and shield at her feet. One foot is resting on a stone. Number 28
|
|
| 2009.10.2.379
|
Male figure wearing a hat leaning over a sphinx. He is holding the head of the sphinx with his right hand, with a knife in his left hand held at the sphinx' head.
Number 35
|
|
| 2009.10.2.390
|
Nude male figure wearing a cloak and seen from behind, pushing against a large rock, with a sword at his feet and another object behind him. Number 46
|
|
| 2009.10.2.391
|
Nude male figure stooped over and lifting a large rock between his legs, with a sword at his feet
Number 47
|
|
| 2009.10.2.392
|
kneeling nude male figure wearing a cloak and carrying an unconscious nude female in his arms, with a club at his feet and his cloak flying out behind him. Number 48
|
|
| 2009.10.2.51
|
An eagle on top of a mountain of rocks with cresent moon and star. Writing at bottom.
Number 51.
|
|
| 2009.10.2.84
|
Figure of naked standing man looking to his left, holding a bow with a harp at his feet.
Gem Cast Number - 16
|
|
| 2009.10.2.85
|
Figure of standing man holding a harp by a tree, with Eros at his feet.
Gem cast number - 17
|
|
| 2009.10.2.93
|
Naked man standing with a harp, on the right of which there is a small child at his feet, next to whom there is a man who is sitting in front of a tree. There is an inscription: "LAVRAIED"
Gem cast number - 25
|
|
| 2009.10.2.94
|
Naked man standing with a harp, on the right of which there is a small child at his feet, next to whom there is a man who is sitting in front of a tree.
Gem cast number - 26
|
|
| 2009.2.1.91
|
Profile of a female facing the right with a scarf knotted at the front. Her hair is held back in a type of band.
|
|
| 2009.8.116
|
Profile of a man. Head is on a pole with two cornucopiae on both sides. At the bottom next to the pole are two dolphins. Cast number: 60
|
|
| 2009.8.121
|
Profile of a man, looking right. Top of his clothes can be seen. At the bottom are three symbols: the one in the middle: two hands shaking; the one on the left could be a bird, the one on the right a flower. Cast number: 65
|
|
| 2009.8.183
|
A naked man with a beard holding a stick and putting one foot on a rock. There is a tree in the middle. On the other side of it a woman wearing a dress and a helmet. There is a serpent at her feet and another one behind her. Maybe Athena and Hercules.
|
|
| 2009.8.201
|
A woman wearing a dress holding a spear and a shield. There is a snake at her feet. Probably Athena. Cast number: 55
|
|
| 2009.8.21
|
Four male profiles with wavy hair. Two looking left, the other two looking right. They look at each other. The ones in the front is concealing a bit of the ones in the back. Cast number: 10
|
|
| 2009.9.124
|
One child sitting on a bear, another with wings standing in front of them, he is aiming with his bow at the animal. Cast number: 58
|
|
| 2009.9.160
|
Two naked winged children, looking at each other, playing musical instruments. The one sitting, plays the lyre, the one standing a flute. A dressed person with a plait is looking at them. Cast number: 94
|
|
| 2009.9.249
|
Bust of a half-bald man with a beard and a bare chest, wearing a cloak. There is an inscription at the bottom of the bust. Cast number: 89
|
|
| 2009.9.254
|
Profile of a man with a wreath in his long wavy hair, looking right at a bust of a man with a feather (?) in his hair. Cast number: 94
|
|
| 2009.9.29
|
A monster with a rooster's head, a man's torso and instead of feet it has two serpents, holding a weapon and a spear. On the right side a star, on the left side another weapon, looks like a dagger. Inscription at the bottom. Cast number: 43
|
|
| 2009.9.7
|
Portraits of two young man looking at each other. Cast number: 21
|
|
| 2009.9.83
|
A naked winged child, kneeling down, aiming at two butterflies with his bow and arrow. Cast number: 16
|
|
| 2009.9.85
|
A naked young man with wings holding a spear or a stick in his hand aiming at an insect sitting in a tree. Cast number: 18
|
|
| 2009.9.94
|
A winged naked child on the left side, holding a twig and a bird on its neck. Opposite to it another naked winged child with a bird at his feet. Cast number: 27
|
|
| 2016.3.1
|
Moulded ring around the discus; there is a moulded decoration of a corpulent bearded male figure (satyr), riding a goat, on the discus. The satyr is grasping the animal's horn with the right and the tail with the left hand. Scene is depicted in left side view.
Three punched dots decorate the shoulder in the section of the nozzle. Incised ring around the base with Greek inscription at centre.
|
|
| 22.3.1
|
A: Between sphinxes, both facing right, Athena attacking a giant. Branches and grape clusters in the field. B: Similar, but mainly missing. Under each handle is the tail of a sphinx. Interior, reserved band at lip. Medallion very worn, but seems to depict a figure. Added white.
|
|
| 22.3.27
|
Black inside. Wave pattern around rim. Outside shows winged Eros on his knees (all above his waist is missing), garland in right hand, ribbon in left. Added yellow and white. At each handle is a palmette flanked by tendrils. Attached to tendril on left is a serrated leaf. Foot has ruddled band, black side and inside and a ruddled, flat base.
|
|
| 22.3.30
|
Upper part of draped female figure looking right, holding a box (cista), wearing sleevless gown, bracelet, necklace, earrings, headress. There is part of another figure at the upper right. Added white is used on jewellery.
|
|
| 22.3.35
|
Upper part possesses a unique pattern that could be intended to mimic a type of plant, consisting of a single white dot in the centre with six triangular shapes surrounding it, each with a white spot upon them, and a white line on each of their ends; both above and below this pattern are two straight lines, brown of colour. At the bottom is another unique pattern consisting of three white dots above what could be a type of pot drawing, with several straight lines upon it. Both these unique decorations are likely part of a larger pattern upon the original artefact's exterior.
|
|
| 22.3.37
|
Around the middle there is a painting of what appears to be a sort of vine, with numerous flowers pods protruding out of it, and several other flowers that have blossomed. At the bottom there is a small part of what appears to be from a larger pattern upon the original artefact. The exterior of object in which the paintings are upon is itself painted black.
|
|
| 22.3.4
|
Glaze fired partly to red and partly to greyish-black. Inside is reserved. Two high, curved handles black on top and reserved below. Under handles are crosses between pairs of vertical lines. On each side are four palmettes standing on four larger, inverted palmettes all joined with a chian and half a palmette at each end. In some areas are groups of very short incised vertical grooves. Below pattern are three bands and then black (faded to red) to foot and including top and side of foot. Resting surface is reserved as is base.
|
|
| 22.3.43
|
Mouth is black and neck has long black tongues. On front is a female head, wearing a sakkos, or scarf bound around her hair. Her head is flanked by tendrils. Barely visible white paint for radiated stephane and necklace. Bow and ribbons from bun at back of head are black. Ring foot is black, which is unevenly carried on to base.
|
|
| 22.3.5
|
Body: below the flanged rim, key; below, a broad band. On the reserved base a spiral incised when the vase was leather-hard. Inside reserved with a broad band immediately inside the rim and a line below it; at the centre two small concentric circles. Lid: knob reserved with a broad painted band between two mouleded fillets round its base; main zone, palmette-lotus band bordered above and below by a pair of fine lines and a broad band. Round the rim leaf and bar pattern. Inside reserved.
|
|
| 22.3.5A-B
|
Glaze fired red throughout. On the body below flanged rim, is key below a broad band, on reserved base an incised spiral. Inside is reserved with a broad band immediately inside the rim and a line below it, at the centre are two concentric circles. Lid: around the rim the pattern consists of leaves surroundered by parallel lines. A broad band separates another pattern of palmettes and decorative tendrils. Another broad band of concentric circles leading up to an acorn shaped knob with ridge at its base. Knob is red around bottom but reserved at top. There are also areas of white and black deposits on knob and inside on the underside of the lid and at base.
|
|
| 22.3.7
|
Stamped in the centre is a single palmette, surrounded by ring of eight palmettes at irregular intervals, outside an incised circle, and beyond that a similar ring of sixteen palmettes outside another incised cirlcle. Foot ring is black inside and out as is resting surface. Base is flat and ruddled with central black dot.
|
|
| 22.9.7
|
Black, mostly fired to orange-red, on buff ground. Possible added colour (white?) in groups of stripes. Mouth: broad band between two narrow bands. On the exterior of the mouth, band; shoulder: tongues. Body: three bands at top; deep painted zone divided vertically by incised lines (two parallel) dissecting into segments; four bands below. Base reserved. The exterior of the ring foot painted.
|
|
| 23.11.26
|
Upper portion painted black; lower portion painted white. At one point around the middle section, there appears to be an orange straight line, which likely reached round the entire object.
|
|
| 23.11.29
|
Large rounded top, rounded and thicker at the top of the nail and thinner and sqaure at the bottom with a slight bend at the top and the bottom.
|
|
| 23.11.30
|
Long nail, rounded top, thicker and rounded at top than at bottom, bottom sqaured.
|
|
| 23.11.31OO
|
Profile figure facing the direction right. does not appear to be a Spartan warrior. possibly a Persian warrior or leader? face. helm and armour slightly visible though. defining feature is a ponytail at the back of his helm. not clear whether he is carrying any weaponry. representation of Persian King Darius or Xerxes from the Persian Wars? lead figures part of a large relief commemorating the war? or just used for ritual purposes with the flogging at the Temple of Artemis Orthia? pretty good condition. lead is an off-colour brown grey, similar to 23.11.31h. bears no similarity to the other lead warriors, as it is a lot thinner than them and lacks a shield.
|
|
| 23.4.1
|
Black inside, with 8 ivy leaves reserved on rim joined by a stem and with groups of white berries. At the base of the inside is a stamped pattern of 5 linked palmettes around a horse shoe pattern with ovules inside, and there are ovules around the outside between bands. Side A is a youth with discus and athlete holding aryballos and side B is an athlete and youth with a discus hanging on the wall. Below each handle is a group of three palmettes. Moulded ridge above foot, which is black all over. Base is reserved in centre with three black bands, two broad and one narrow.
|
|
| 25.6.11
|
Thick black band at rim, 2 small black dots on reserved background. Inside painted black.
|
|
| 25.6.3
|
Top of neck, back on handle, base of body, top of foot and edge of lower step of foot all black but have a streaky glaze. Rim of mouth reserved. Shoulder design is two rows of bars, the first shorter than the second. Body from top to bottom is three rows of black dots separated by lines. Symposium: Man reclining, woman lyre-player seated at foot of couch. At each side, woman on animal (perhaps mule [looks like llama]). Incised detail on drapery (black robes) and on lyre. Below are reserved bands on black glaze. Foot black on top and on lower edge, reserved in the middle. Base reserved.
|
|
| 25.8.1
|
Black inside and out but lip reserved. Neck is reserved as is underside of handle. Top of handle was once black with a ridge running down the centre. Shoulder has short bars at base of neck above a lotus bud chain with interlaced stems above a black band. Body shows a hoplite putting on greaves, facing right to a woman holding spear and shield. Two onlookers left and one on right, all facing him. Colour worn but corselet originally red and possibly hair too. Below is black to base, including top of foot, but not side, which is reserved. Base is reserved and concave.
|
|
| 25.8.5
|
The handle is black with a reserved line at the foot of each tier. The surface of the lid shows alternate palmettes and lotuses, four of each, joined by tendrils. Towards the edge of the lip is a thin black line, with a thicker one outside it that goes right to the edge of the rim. The underside of the lid is reserved.
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| 25.9.1
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Inside is black with a reserved band below where mouth begins to flare. The mouth is wide and flares outwards. On the exterior surface at the top is a patterned band of two rows of 'cccc' shapes, one row above the other. Two handles, one each side are black and it is hard to distinguish what is on the body behind the handle (maybe a panel with dots?). On side A, Eros flies towards a woman who retreats towards youth seated naked on a folding garment and holding alabastron. Side B shows 2 youths, clothed, the one on the right holding a stick. Brown for feathers at top of Eros' wing. White garland, neckless, bracelet of woman and fillet held by Eros. Below them is a reserved panle with egg shapes with dits in between. Stem and top of foot black, reserved band at top of foot. Base reserved.
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| 25.9.2
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The inside is black at the base and reserved up the interior walls. On the upper surface around mouth are alternating black and red tongues surrounded by double row of dots between lines. Outside these is black around the curved body down the stem to the foot. Black glaze badly fired revealing many colours. Side of foot is reserved as is resting surface and central base section which is flat but raised a long way inside the footring which is black inside.
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| 25.9.3
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The vessel bears impressed (stamped) decoration and is black inside, as well as outside. There is a rope-shaped plastic motif above the shoulder of the vessel and the body is ribbed (long, tongue-shaped motives). Below the handle there are ten impressed palmettes (voluted with narrow divisions), arranged in an inverted triangle. The resting surface bears traces of a red line, its shallow inner side bears a black band, the central part is red and there is a black circle with a dot at the centre.
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| 25.9.4
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Body, shoulder and neck white ground. Cup mouth is black. Handle black on the back and cream ground underneath. On shoulder are two rows of radiating bars. Body design is an ivy-spray, with circles of dots and heart shaped leaves, between bands of grille pattern, at front only and all in black. Three wet-incised lines below. Side and base of foot heavily ruddled. Footring reserved.
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| 26.12.10
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Inside black with reserved line at top. Two handles are balck on top but reserved underneath. Outer surface top to bottom, black band on offset rim, ivy leaves, black line, inverted ivy leaves, black band, thin band, main design, three black bands, alternating red and black tongues, red ridge, black foot. Main design is similar both sides and shows a wedded pair in chariot with many onlookers or attendants of both genders. On far side of chariot is a bearded man between two women. Onlookers appear to be mostly in pairs. Women originally had white painted flesh. Clothing detail is incised. Foot is black on top but lowest point of side is reserved. Inner foot ring is black and base is reserved except for a black band in the centre.
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| 26.12.12
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Inside is black with reserved line at lip. The rim isblack on the outside. The object is reserved apart from the design of two boxers between two seated men who are facing them. On each side of the scene are the tips of the wings of sphinxes, who were presumably facing the handles. Red is used for hair and folds in garments. Detail is incised.
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| 26.12.13
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Lip, handle, neck and back of body all black. Reserved panel in front with main design and two sets of parallel, vertical black lines either side of a double row of dots. Horizontal row of tongues at top. Main design of Amazon on horseback with pelta (shield) and two spears, wearing helmet. At the bottom of the panel, running all the way around is a painted red line, now hardly visible. Foot is black on top and side but reserved on resting surface and underside.
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| 26.12.14
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Lip, handle, neck and back of body all black. Horizontal row of nine tongues at top, just below neck, above main, reserved panel, with two parallel, vertical black lines either side of panel (shields ?). Main design of warrior facing right, with helmet, shield, and spear. Ivy leaves on stems in field. Foot is black on top and side, but reserved on resting surface.
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| 26.12.15
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Inside is black with a reserved line halfway down rim and a reserved centre circle with a black band and a central dot. The rim is vertical and offset slightly. Two handles are black all over. Outside design, from top to bottom is, black rim, lotus bud and dots linked with chain, black band with narrower bands either side, alternating buds and dots slighlty diagonal, black band with narrower bands either side, rays. At top is a red ridge that then leads to a ribbed and reserved stem. The lower half is black as is the top of the foot and the side. The foot has a thicker ridge around the edge resulting in a channel effect going all the way around it. The resting surface and conical base are reserved apart from the inner ring of the foot which is black.
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| 26.12.17
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Inside is black except for a reserved rim and a medallion at the center with a dancing woman inside and with bands around the edge. Two handles, black on top and reserved underneath. Side A is a charioteer mounting quadriga, beside horses is a lyre player and at handles is a satyr pursuing woman. Side B is similar, but woman and satyr have changed places. Dots and branches with dots along in the field. Under each handle is a single ivy leaf. Black band, then black stem to foot. Top of foot is black but side is reserved as is the base which is flat except for a central concave black circle.
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| 26.12.19
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Handle black on outside and reserved underneath. Shoulder: rays and long, thin lotus buds; black band at join with body. Top of bod: two rows black dots bordered by smaller white dots. Body: ram in cauldron set on tripod over a fire, flanked by two females holding wreaths on either side. Below is a broad black band with a thin band between reserved bands either side. Lower step of foot black; base reserved.
This is probably the scene in which Medea tricked the daughters of Peleus: she killed an old ram, cut up its body and threw it in a boiling cauldron. Medea, a sorceress, restored the ram's life and made it young. Whereupon Pelias' daughters kill Pelias and toss his body into the cauldron. Medea did not, however, restore Pelias' life and was driven out of Iolcus.
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| 26.12.20
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Heavy fabric. Cup mouth (with vertical sides) and neck are black. The shoulder is decorated with a ring of dots. Below the rim, is a frieze of radiating leaves. Body zone is covered with a white ground and is decorated with diagonal lines criss-crossing one another (net pattern), with thin bands at the top and bottom. Below where the handle would have been the body is reserved. Below is black, except for the reserved foot.
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| 26.12.26
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The vessel bears an uneven black glaze, but it is partly fired red. There is a wide groove at the rim and two more at the upper part of the neck, from which seem to be hanging seven, double, semi-circular, white lines, each one flanked by vertical ones. There are also two grooves that contour the upper part of the vessel's shoulder. The latter bears decoration in white, of a branch with double-leaved (teardropped) motives. There is one last groove below that pattern.
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| 26.12.27
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The inside is streaky black, the outside is unpainted except the ledge at the bottom of the body which is streaky black. The flange supports the lid. The lid fits over the body to rest on the flange. The top of the lid is also flanged. From the middle of this flange rises a cut-off, grooved cone. The main surface of the lid is decorated with a streaky glaze with a repetitive pattern: two reserved vertical lines followed by a reserved oval. This seems to have been repeated around the whole body but one half of the glaze/pattern is missing.
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| 26.12.3
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Handle with hole for suspension. On top of mouth are three concentric circles. On side is a band. Neck has daisy petal pattern. Body: bands above and below the main design of a man attacking a lion. At back large black circle with black centre. In field rosettes with incisions intersecting at centre and dots. Added red for decoration. Many bands on base.
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| 26.12.32
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Pale clay; greyish glaze, uneven reserved patches between handles (at join with body), inside of handles also reserved, reserved band above footring (possibly unintentional). Footring black with narrow reserved resting surface. Base reserved with large black disk in centre.
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| 26.12.33
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Decorated with black slip inside and out; dipped. The base is reserved except at the edges where drip marks extend over it.
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| 26.12.5
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On top of mouth, very broad band between two thin ones and a band on the side. Shoulder design is radiating lines with a band below, double row of dots, another band. Body: Lotus-palmette design (with traces of red/purple) flanked by two ducks whose tails overlap. Rosettes, one with double incised circle at centre, others with cross incisions in field. Below design are bands. Foot is black and base has three bands.
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| 26.12.7
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Lip decorated with black vertical lines. Interior: Three concentric bands of red, each approximately 1.3 wide. There are three narrower concentric red bands at centre. Four small, round handles, arranged symetricaly, are decorated with the same vertical lines as on the rim. The body is decorated on with three bands: (1) vertical lines in red; (2) triangles filled in with cross-hatching alternating with small loops, each made up of three concentric semi-circles around a dot; (3) triangles inscribed with smaller triangles. Each band of decoration is separated by a triglyph compased of two thin red bands on either side of a thicker red band. There is a thicker red band towards the bottom of the foot. The edge of the foot is decorated with red vertical lines. Inside the flat resting surface are two concentric red bands.
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| 26.12.8
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Handle has black glaze on the outside. Shoulder: broad band at base of neck. Between two dolphins a crossed rosette with white dots round edge. White also for line at back of head of dolphins. Body: two panthers facing, necks red. Three shapeless blobs in field. Below main zone, thick black band onto top of foot. Resting surface of foot reserved.
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| 26.12.9
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Lip black. Exterior of handle balck and interior reserved. Shoulder: broad band at base of neck, from which hang bars with a white dot at bottom of each. Body: six ivy leaves above six lotuses, buds alternating with flowers with white outer petals painted directly on the clay. Remander of the body and the foot in black. Resting surface and base reserved.
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| 26.2.10
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interior glazed black; exterior: from top: part of black lip band; black-figure decoration consisting of lotus flower with added red at end of long wavy stalk emerging from handle root; glazed zone with band in added white;
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| 26.2.100
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interior black; exterior black with garland of leaves around neck in added white and yellow; below at right, part of undetermined pendent motif in added white; below modelled junction of neck and shoulder, traces of undetermined decoration in added white.
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| 26.2.12
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interior: reserved band at top of lip, glazed black (fired red) below; top of lip glazed; exterior: lip and handle zone reserved, with black between; glazed below; black around handle root.
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| 26.2.14
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pale slip; interior: reserved band at top of lip; below, black; top of lip glazed; exterior: lip and handle zone reserved, with black line between; lower wall glazed; black around root of handle; at right of sherd, part of inscription;
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| 26.2.15
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black band over top of lip; interior: reserved band at top of lip, rest of interior glazed black (fired brown in places); exterior: lip and handle zone reserved with broad band between; glazed on wall below and at handle root;
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| 26.2.19
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pale slip; interior: reserved at top of rim; black below, with band in added red lined in white; exterior: frieze of vertical black bars with added red at rim; below, black band above black-figure animal frieze: at left, part of lion or sphinx (rump and tail remaining) to left; on the right, part of large palmette with added red; dashes, star, and dots as filling ornament.
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| 26.2.21
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white slip; interior: black; exterior: at left, a part of springing goat (only underbelly remaining) to left; decorative motif consisting of half pin-wheel rosette and part of one spoked rosette and a cross as filling ornament; below, frieze of dots between two wide black bands with added red band lined in white.
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| 26.2.22
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white slip; interior black with added red band lined in white; exterior: black-figure decoration consisting of feline (hind claw, belly, and right forleg joint remaining) to right; half pinwheel rosette and one splinter rosette as filling ornament; below, maeander frieze between wide black bands; at bottom of sherd, tips of possible tongues or dot frieze. Rough drill hole.
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| 26.2.28
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Brownish buff ground. The underside has three evenly sized and spaced bands. The parts between are reserved. The topside has red band around rim, with bands of white-red-white on black below with a meander pattern in red followed by another set of red and white bands on black. There are the tips of tongues at the fracture coloured black and red.
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| 26.2.32
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Red painted designs on cream-buff slip on orange red clay. On the underside on the rim there are four .5 wide dashes at one side and a 2 horizontal bar at the other while on the underside body there are four red bands following the contours of the dish all between 1 and 3 apart. On the topside, from top to bottom are four verticle bars alternating with 9 dot rosettes on rim, of which survive from left to right two verticle lines, nine dots, four verticle lines, and nine dots before the fragment ends. On the top of the face of the dish itself is a ca. 1.5 broad red band and below this is a zone of lotus flowers and buds with a final 1 broad band below.
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| 26.2.39
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No finished edges. On the underside of the dish fragment, on creamy-buff slip, are the slight remains of floral(?) zone above a black band thinned to golden brown at bottom with black rays and rough dots below that. The topside is onate with a meander pattern inside two bands at bottom of fragment with black above with white-red-white band superimposed. Above this band are red and white swirls surrounded by dots.
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| 26.2.41
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pale slip; exterior: black band on ridge at neck join; below, animal frieze consisting of deer (head, forlegs, and rump missing) to left; four petalled rosette and dots as filling ornament; at right, decorative motif consisting of two vertical wavy lines (or tail of bull?); below, two lines.
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| 26.2.50
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white slip; exterior: below shoulder and neck join, frieze of tongues with added red; black zone at right below handle; below, wide black band with band in added white; frieze below in black-figure consisting of feline to left (part of back, rump, left hind leg and right hind thigh and tail remaining); dots and incised splinter rosettes as filling ornament; below, part of wide black band with bands in added white and red;
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| 26.2.56
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white slip; interior: black at top with traces of two narrow bands in added white; on top of rim, maeander frieze; on edge of rim, short vertical bars; exterior: neck glazed; below ridge at shoulder and neck join frieze of short vertical tongues above black-figure frieze consisting of winged creature (only tip of wing remaining) to left; part of incised splinter rosette as filling ornament;
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| 26.2.58
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pale slip; interior: black band at top of wall, reserved below; stepped maeander frieze on top of rim, edge glazed; black band below neck and shoulder join; on shoulder, large floral/star pattern at left; maeander or square pattern at right;
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| 26.2.59
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white slip; interior: reserved band at rim, glazed streaky black below; below, part of floral pattern in added white; exterior: below rim, Z band between pairs of bands; dipinto inscription on exterior.
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| 26.2.60
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pale slip; interior: reserved band at rim, glazed streaky black below, with lotus flower in added white and added red; exterior: band of short diagonal strokes between black (fired brown) band; below, top of undetermined motif.
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| 26.2.61
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white slip; interior: reserved band at rim, glazed streaky black below with part of lotus flower in added white and added red; top of lip glazed; exterior reserved;
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| 26.2.62
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white slip; interior: glazed streaky black (fired yellowish brown) with traces of single band in added white; exterior: painted decoration consisting of seated sphinx (part of belly and hind leg remaining), to left; below, pair of narrow glaze (fired brown) bands; below, in handle zone doble saw-edged metope pattern; at right, group of five vertical strokes; part of ancient repair hole on right edge of sherd.
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| 26.2.63
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exterior: group of vertical strokes in handle zone; at bottom of sherd, traces of black band.
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| 26.2.68
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Exterior white with one small red/brown section of a pattern at the highest point and one thick almost 1 red/brown line abour half way from the top. Interior is black/brown with a pair(?) of thin faded white lines 0.5 cm from the top edge; below, a repeating pattern of black teardrops, and below that a pattern of white lotus buds interspliced with red dots.
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| 26.2.70
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white slip; interior: reserved band at rim, glazed black below; band of added white dots above frieze of petals in black and red lined in white; exterior reserved with one probably unintentional unslipped band.
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| 26.2.71
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whitish yellow slip; interior: reserved band at rim, glazed black below; dot frieze in added white between pairs of white lines; below, part of lotus bud in white and red; exterior: dot frieze (fired brown) at rim between narrow bands.
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| 26.2.73
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white slip; interior glazed streaky black with wide band in added red lined in white below rim; below, band in white above one in red; top of rim glazed; exterior: frieze of vertical black strokes at rim, some in added red; below, two narrow black bands; below, from left, part of possibly dot rosette; vertical band of dots between narrow vertical bands; painted decoration consisting of part of pendent lotus bud and part of lotus flower petal; dot rosette as filling ornament;
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| 26.2.74-75
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Part of both panels preserved together with handle zone; at top of shoulder, frieze of tongues in black and red between narrow black bands; below part of panel with red object, part of Nereus's tail fin, overlapping handle zone.
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| 26.2.78
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interior: neck painted black, reserved below; exterior: black (fired red) on neck; narrow band in added red at turn to shoulder; four framed tongues preserved of frieze above panel below; handle zone to right painted;
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| 26.2.81
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interior: glazed at least at top (worn); exterior: glazed with frieze of tongues, alternating added white, black, and added red; below, lines in added white and red;
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| 26.2.82
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white slip; interior: tongue pattern at rim, some black, others with traces of added red; exterior: two bands above triple pomegranate pattern frieze with red dots on the fruit;
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| 26.2.86
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interior: glazed streaky black; exterior: frieze of wavy vertical strokes between pairs of black bands at rim;below, black-figure decoration consisting of animal frieze (back and part of rump of possibly feline remaining) to right; dots as filling ornament;
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| 26.2.9
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pale slip; interior black save tondo which has added red dot and ring; exterior: around lower body, parts of voided rays, or zig-zag; band at join of wall and foot; inside of foot glazed; on underside black band and central dot;
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| 26.2.90
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glaze mostly fired red-brown; interior: glazed with traces of one band of added red; on top of rim, chain of incised lotuses and palmettes; on handle-plate, black-figure decoration consisting of winged creature (rump feathers remaining) to left; on edge of rim, frieze of stepped zigzags; traces of painted band at junction of rim and shoulder; reserved shoulder.
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| 26.2.96
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exterior: black-figure decoration consisting of shield with octopus blazon at centre in added white; edge of shield in added red;
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| 26.4.1A-B
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Lid are palmettes and tendrils, three ridges painted black and bars to edge which is slightly raised. Underside is black around edge and reserved in the centre. Body is black inside and on outer rim. Design on sides comprised of alternating palmettes and lotuses (three of each) joined by tendrils. Below is a broad black band, ridge with red either sid eand rays. Inset tripod foot which is black at top and red on outside but black inside feet. Base ruddled
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| 26.4.2
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The rim on the outside has a thick black band round it, which stops at the top of the handles. On both sides of the handle, the same images are repeated, showing the figure of a bird in between two palmettes with stems ending in a curling ventril with a pendant pointing down towards the foot. Beneath each handle is an ivy leaf with a curled stem. Below these images, is a thin black band, and then a thick one that also encompasses the top side of the foot. The edge of the foot is grooved and reserved, as is the outer rim of the base of the foot. On the base of the foot, there is a well approx 3.8cm wide and 1.5cm deep. The inside of this well and a rim around the edge is fired black, but is mostly red. The inside of the Kylix shows a thin black band that has been extended from the outside. Then there is a thin reserved band, the rest of the inside entirely glazed, except for a small reserved circle in the centre.
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| 26.7.1
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Handles have a mixed pattern of horizontal lines at the top and bottom with vertical lines in the middle with the underneath reserved. Inside is almost ribbed in texture and painted black/brown with convex circle at centre. Outside is reserved apart from pattern which is similar both sides. Central design is a four-spoked wheel within two circles flanked by two horizontal patterns of crossed lines and three vertical lines. Below is two bands then brown almost to bottom except for a thin reserved band at base. Underneath is flat and reserved.
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| 26.7.2
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The interior of the vessel is streaky black (uneven) except for the tondo (reddish brown), that depicts a (shadow of a) man, in a short chiton, facing right and advancing. He is holding a (thorny) club with his right hand and his himation with the left one (using it as a shield?), while his sword is visible at his right side. Exterior: The lip bears a thin, black line. The surface of the body is reserved (up to the point where the scene ends) but bears decoration in black. The scene is repeated on both sides; the myth of Heracles and the Bull. Herakles has captured the Bull from the head. Hanging in the background (above them) there are Herakles' club, cloak and quiver. The scene is flanked (left and right) by fan-shaped palmettes (voluted at the bottom with long, narrow divisions). The lower part of the handles' external surface is black and under either of them there is an ivy leaf (heart-shaped). Below the scene, there is a streaky black line and, after a reserved, thin band, the vessel is (streaky) black up to the end of the foot, whose side surface is reserved, though. The base is reserved but bears a red thin band at the center of the resting surface. No incisions or added colour have been used.
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| 26.8.1
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Interior black and exterior decorated with black ornament. Black band on handle extending down each side, with horizontal bars between. On the body are panels or vertical strips of check pattern, herring-bone, cross-hatched lozenges and (bordered above by a row of dots), chevrons flanked by horizontal zigzags and at each end a vertical zigzag and this pattern is repeated on the other side. The lower part of body is black to base, which is reserved and flat.
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| 26.8.2
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Top of mouth broad band between two pairs of lines with two bands on side. Grazing goat to right, body framed in dots. Added red on hindquarters. Field rosettes with incised circle at centre. Below goat three bands with the middle one broader. Behind goat is a heart shape within a circle. Large area left blank in the 'white style' on opposite face to goat. On base is three bands with a dot in the centre.
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| 26.8.3
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Mouth black inside and out with a reserved rim. Shoulder bars at base of neck, lower buds which have almost degenerated into rays. At top of body is a debased checker board in three rows. Main design is of Athena attacking a giant who is beaten to his knees, between trees. Below are reserved bands and rest of body is black. Top of foot is black as is lower step. Base has traces of black paint.
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| 27.4.10
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On neck and bottom daisy pattern. On front of body, two cocks facing; between them a small swan. At back (very faded) above cocks' tails inverted lotus, below small duck. Field rosettes of early type. Incisions, added red.
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| 27.4.11
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The interior is black, but reserved at the bottom of the bowl. There is a red line around the lip. The body is decorated with figural scenes. A: Two sphinxes. B: A female figure (Artemis or 'Mistress of animals'?) between two lions (alternate stripes of white and red indicate the ribs and hindquarters of the lions). Beneath each handle stands a water bird (swan?) facing to the right. Rosettes and rows of dots in the field. Below the figural zone are two red lines, then a black band, a frieze of narrow black rays (slightly overlapping the black band above). The ring foot is black on the exterior and resting surface. The central part of the underside is decorated with a black dot at centre, surrounded by a black dircle and, farther out, a red circle. White is used on parts of the lions, necks and breasts of sphinxes and woman, and parts of the wings of birds.
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| 27.4.4
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Paint is red-brown. Single handle with incised line down back creating two halves. Trefoil mouth with short bars around, leading to long straight neck. On neck are two parallel bands at the top, above four groups of three tongues with a red bar across top. Three bands separate neck design from shoulder design of three grazing deer facing right with zig-zag fill ornaments above shoulders and a small bird (?) on extreme left. On body is one zone of checks and then bands to base. Base is flat and reserved.
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| 27.4.6
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The bowl shows linear decoration in black (fired orange-red) and (purple) red on buff. Groups of four bars on rim and inside, a thin band just underneath the lip. Large red/orange disk in centre of bowl. Outside of bowl features a pattern of wave-like pattern beginning underneath the handles, with one thin band either side. Below this, more plain bands are evident, one thick, the rest thin until the base. Foot contains one thin band right at the top, and then a thick one on the inside.
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| 27.4.9
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Grazing goat to left but no trace of added red. Rosettes, with and without an incised circle at centre. Below goat four bands. On bottom two circles, one thin and one thick, round a central spot.
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| 28.6.1
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Handle all black, as is neck and back of body. At the front on shoulder is an inverted swirl / wave pattern, consisting of four waves. Below is the main design of an athlete (naked) with a discus standing between two clothed youths, the left of them holding a discus. Robe detail is picked out in black paint. No relief contour. There is an reserved line incised above foot. Foot is black on the top and side but the underneath is reserved and flat.
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| 28.6.3
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Rim slightly offset. Originally two horizontal handles, now one left. Black inside and out except for the design which is reserved. Side A is an athlete with a strigil and B is a youth with a strigil. Beneath each handle are palmettes with side tendrils. Foot-ring is black inside and out resting surface reserved. Underneath is reserved, with 2 black circles at centre.
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| 28.6.4
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Black inside and out. Main design is similar both sides and is of a youth facing right. Beneath each handle is a palmette with side tendrils reaching from the palmette to the figure. Ruddled band below design above foot-ring which is black inside and out whilst the resting surface is reserved. Underneath ruddled with 2 fine black circles at the centre.
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| 28.9.1
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Black inside rim but reserved in body. Neck is black. Shoulder is reasonably flat and has red and black tongues above a combat scene of seven warriors. Incised white and added red detail. Two horizontal handles all black, as is back of body. Front has panel belween two rows of ivy leaves. Scene is of horses and warriors facing right. Warriors are not mounted on horses but stood behind. Below this is a panel showing a lion facing a boar between palmettes. Bands above and below this. Black band to rays at foot. Side of foot is black half way with bottom half reserved. Base reserved.
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| 29.11.1
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Mouth black inside and out with a reserved rim. Neck and underside of single curved handle are reserved. Shoulder has bars at base of neck with a ring of lotus buds on edge - circular mistake between rows. Thin black band around edge of shoulder. Body design has two men each leading a horse to right. Both wear cloaks, first helmet, second petasos. Red for beards, manes, tails and peytrels. White on helmet and design on horses, but badly faded. Black band followed by reserved band, then black stem. Disk foot is black on top but reserved on the edge with a flat, reserved base with a central circular concave section.
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| 29.11.3
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The vessel is grey (burnt), apart from the rim, the back of the handle, the lower body and upper foot surface, which are black. There is added white on the lower neck, shoulder and upper body surface. There is also a row of black dots and pointed tongues on the shoulder, as well as the motif two rows of black dots between dividing lines (three), interrupted at the back side of the vessel. The scene depicted is that of a charioteer (woman) ridding a chariot of four horses (quadriga). There is a woman at the horses' tails, another standing on the far side of the horses and another seated at the right of the scene. Added red has been used for the faces of the women and for the ornament of the horses' harness. Below the scene, there is a broad, black band between carelessly executed lines and the rest of the vessel is black, apart from the side surface of the foot and the resting surface, which are reserved.
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| 29.11.4
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Inside black with reserved disk within one black circle in bottom. Reserved band at lip, just inside. Offset rim is black on outside. Two handles are black on the top and reserved underneath. Main design is similar on both sides and shows a seated man between standing women and youths, and a sphinx facing away from the group on eiach side. All the standing figures are facing the seated one: this is perhaps Zeus at the centre of the Pantheon of gods. Footring is black inside and out and the resting surface and lower third of outer edge is reserved. Base within footring is reserved and convex.
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| 29.11.6
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The vessel is divided in three horizontal zones by lines of unequal width. There are also very thin, vertical lines at the sides of and beneath the handles.
A (above): A youth (servant?), making a gesture as if offering something (perhaps a branch, which extends from the servant's wrist) to a bearded, draped man (possibly Dionysos), at centre. He holds a large kantharos and leans against a rock. Behind him is another youth, who is perhaps supporting the rock. On either side of the scene there are palmettes that seem to have sprung from the handles.
B (above): Similar to side A, except that the man reclines on a couch, and the vessel is offered to him by a (servant?) woman in front of him. The youth behind him looks to the left. The scene is framed vertically on both sides by a series of dots as well as the same palmettes as on side A.
A-B (below): A band of palmettes, every second one inverted; two lines; a band of of tongues; reserved band. Base black, with black concentric circles on the underside.
Interior: reserved band within lip. At centre, tondo decorated with the winged horse, Pegasus, advancing to the right.
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| 29.11.7
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The rim turns sharply out and has a thick black band round it, below which is a thick reserved band. The interior is mostly black with a well (approx 3.7 cm) in the centre of the dish that has a thin reserved band just outside it, and a small reserved disk in the centre. The handles are rounded at the far end, and have black tips. On the main zone; A: Curling tendril and leaf between upright palmettes. B to A, with addition of vertical wavy line between palmette on right and handle. Below is a thin coloured band, a reserved band, and then colour down to and including the stem of the foot. The edge of the foot has two ridges on it, the lower of which is black, the upper one reserved. The base of the rim is also reserved. The base of the foot slopes inwards, the walls of the slope are red, then the centre is reserved except for a thin red band and a red dot in the centre.
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| 29.4.2
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Black band just below rim, painted more firmly on one side, narrow black glossed band around body just above handles, lower body black glossed continuing onto base, handles dipped, inside black excluding reserved band at rim and small reserved disk at center 1 cm wide, some white deposits inside, base reserved, further white deposits on underside.
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| 29.5.3
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The decoration is executed with red colour and incisions. Rim: There are petal-shaped tongues on the top surface and dots at the side one. The back of the handle bears three, almost vertical (the central one is wavy) lines. Below the handle on the body there are five (the one smaller) rosettes (leaved rodakes), with incisions intersecting at the centre. The main design is a swan with outspread wings, facing right. Details are incised and there is some added red on its wings and tail. The swan appears to step on a row of petal-shaped spots that contours the sunk centre of the vessel, serving as a base.
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| 30.11.1
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On mouth, daisy pattern between two pairs of circles; cross-hatching on one edge of rim. Daisy petals on neck. Main zone: In front large lotus cross with incised outline, small field rosettes, at back large rosettes with single or double incised circles at centre. Above and below main zone, seven thin bands with double row of vertical line patterns in the middle. On the base, band of leaves and a dot in the very centre, which is indented.
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| 30.4.2
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On top of mouth thin fields between two groups of circles; side, row of small dots between bands. Three horizontal lines on handles. Bearded goat to left, head erect, added red on neck and stomach. Field rosettes mainly cruciform with diagonal incisions crossing at centre. Below goat, three bands around base with a gap before four more circles meeting at centre of base. Partly white style, where a large area remains free of design.
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| 33.4.2
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Black, often fired to brick-red, and purple-red decoration on creamy-buff. On top of rim and handles groups of bars. Main zone, palmettes in panels (divided by vertical herring-bone bands). Stem has two bands at top, two at bottom. Inside bowl, three broad bands. Rim and base of foot reserved.
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| 34.10.2
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On rim, one broad then three narrow bands and one band inside opening. Single band on lower part of rim, above handle. Main design is a cinquefoil, with each leaf joined by a stalk to circumference of central four-spoke wheel. At back below handle is a six-spoke wheel. Three-line spiral incised around body. Rest reserved.
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| 34.10.20
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Squatting youth; entirely hollow. Right leg drawn up, hand on knee, left leg bent round in front, left hand on ground. Clay deep orange. Trace of pink on body, red at back of head.
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| 34.10.25
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Standing female, left arm akimbo, right arm at side, holding jar, wearing long flowing robes. Large opening at back. Paper number 13. Clay pink. White slip.
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| 34.10.9
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Glaze fired red except around mouth and in patches on body. Two grooves below lip. One each side of moulding at base of neck and two round top of body, with glaze rubbed off. On shoulder incised horse shoes. Below shoulder on body two groves.
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| 34.2.1
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Rim and inside black, except for reserved disk in centre. On the outside, a black band which stops at the top of the handles. Main zone shows palmettes and lotus buds standing on degenerate cable. Palmette, or degenerate lotus, of three leaves under each handle. Tall stem to the foot and band around it is black, with thin reserved band around it. Side of the foot and resting surface is reserved; on bottom of foot, broad black band. Well is also reserved.
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| 34.2.3
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Black, paint carelessly applied, not reaching down to foot. Bands of white, red, white, red, white at bottom of handle, plain red band on body, and on foot, also on lower part of mouth.
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| 34.8.1
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Originally black inside, outside and on rim, as was handle and neck. Small ridge at base of neck. Back of lekythos is black and the design on the front is reserved and is of Nike (winged victory), flying with her hands outstretched presumably holding a wreath which is now lost. In front and below her is a swirling tendril. The detail on her clothing is drawn out in black. The foot is black on the top and reserved on the side and underneath, which is flat in the centre.
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| 34.8.12
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The vase is black, both on the inside and the outside, with the exception of few, red lines. A sloping rim allows the lid to sit over the aperture. There is a reserved line on topside of the body, a red, carved circle and a groove around. There are also two, concentric carvings, one in the middle of the body's upper surface and the other one at its side. At the level where the body is divided in two areas there is a reserved line, while another one is apparent at the point where the body is narrower, above the point where it connects with the stem. The latter is divided in two areas by two, plastic, thin, red rings. Below, there are vertical ridges, one third the way down, wider towards the upper surface of the foot, whose larger part they cover with their moulded, tongue-shaped terminations. There is also a carved circle, surrounding these terminations. The foot is grooved and reserved in places. The surface underneath is irregularly painted black, with the central part reserved.
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| 34.8.13
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Standing nude male, arms at sides. Legs apart, right knee slightly bent. Clay light brown. Plentiful red colouring. Solid; rectangular base.
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| 34.8.3
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Black mouth (despite flat reserved rim), exterior of handle, lower part of body, and top of foot. Neck reserved, as is underside of the handle. Two bands of tongues on shoulder. Body covered with firm white slip with Greek 'key' / meander to right at top of body, between two pairs of lines; single line. Side of foot reserved in groove at top.
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| 34.8.6
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Lip reserved. Inside is black. Single curved handle is black on top and reserved underneath. Shoulder has bars at base of neck with lotus buds at edge. Main zone of body is drawn on cream ground. Part of the way around the body is a double row of black dots. Charioteer driving four (?) horses to right at speed with a person (possibly Athena ?)running beside in the background. Below are black bands. Foot steps down twice and the lower step is black. Base is reserved and concave in the center.
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| 34.8.7
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Cup mouth black inside and out and reserved on the rim. Single handle is black on outside and reserved underneath. Shoulder has inner ring of spots and outer ring of rays. Body has two rows of dots at top above the main design of a chariot with horses galloping right (heads of two horses, five hind legs). Beyond horses is Athena running left. Added white for Athena's flesh and helmet. Bands below and bottom of body os black. Foot is stepped with the side of the lower step reserved. Base reserved.
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| 35.4.1
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Inside is black with a reserved band below offset rim and a reserved circle at the centre. On the outside is black rim, band of lotus buds and dots linked by a chain, two narrow bands, thick black band, another two narrow black bands, wave pattern with dots between bands, black band, rays. The top part of stem is reserved and the bottom is black; the top of the foot is black as is the side. The resting surface is reserved as is the conical base. The inside of the footring is black.
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| 35.4.2
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Black on mouth and neck. Lower part of neck has vertical black lines which are thicker at the bottom. Palmette design on body with chevron heart framed in tendrils and with dots in groups of three either side of central leaf. Right and left a cluster of leaves and beyond, on either side of handle, similar cluster reversed. Beneath handle, cluster of leaves. Black band at bottom of base and foot. Base reserved.
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| 35.4.4
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The vessel is decorated with impressed (stamped) decoration. Shoulder: there are six inverted palmettes (voluted with narrow divisions), linked with incised curving lines. There is also a ridge at the junction of the shoulder and body, below which there is the motif of ellipsoid tongues (eggs) contoured by a line each. Body: At about the middle, there are six, widely spread double-leaved motives (teardropped leaves) and a continuous, incised line that goes through them. The joining point of the body and foot is reserved and so is the edge of the foot and the resting surface.
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| 35.4.6
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Interior: four stamped palmettes, with an egg at the base of each, linked by a small incised circle. Reserved line round body a little way above foot. Whole of foot-ring black. Base reserved and ruddled, with dot and black band. Inside is black as are both circular, horizontal handles.
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| 35.5.10
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Inside black with a reserved line at rim. Outside, head and shoulder of boy with his himation pulled up over the back of his head; on the wall tablets hanging vertically; behind his head part of a fillet hanging up. No relief contour; hair contour reserved; brown lines for marking on tablets; surface an unusually deep red.
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| 35.5.23-26
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Inside black with no reserved line at the rim; 27b, meander border. Outside, 17a, ivy leaf springing from handle base, foot, and lower part of himation; 28, corner of drapery, fillet hanging on wall; 29, head of male wrapped in himation, halter hanging on wal; 30, part of body of male tightly wrapped in himation. No relief contour; brown for bottom edge of himation on 27a.
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| 35.5.27-29
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(27) Interior, remnants of black background, geometric border at the bottom. Exterior, clothes of a human, possibly male to the left, with signs of another human beside the person to the right. (28) Interior is reserved, with a line around the rim. Exterior, head and shoulder of youth; tablets hanging on wall, strings in added red; also a head of another youth. (29) Interior black, with signs of a border in red at the bottom left. Exterior, pattern of swirls and leaves iin red - covers entire fragment.
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| 37.11.2
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Top of mouth has one thick then one thin band. The handle has vertical zigzag (much worn) between bars. The shoulder has a daisy pattern above three bands. Bottom four circles round central spot. Over front of whole vase and covering part of bands is a large double palmette shape with projecting lines and groups of dots at one end and a circular pattern with dot at the other. Random dots over back area of body. Bands around base.
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| 37.11.5
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Black gloss covers the entire vessel, except for the underside of the foot. The gloss is not lustrous and on the exterior towards the foot is fired brownish. Inside the bottom of bowl, a brownish band caused by foot of another vase fired within it in the kiln. Inside is stamped design of four palmettes outside two concentric circles with an egg and dot pattern attached to the second one. Red paint is applied on the underside of the foot. It is decorated with a wide black band and a black dot at the centre. Between them, two thin concentric circles of almost invisible thinned glaze.
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| 37.11.6
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Black glaze except resting surface. Red paint applied. Black dot at the centre surrounded by two black concentric bands. Distance 0,4. The external is wider. Stamped inside with four small palmettes set crosswise.
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| 37.11.8
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The decoration is executed in a colour varying from dull black to brown, on pale buff ground. Rim: Concentric circles on the upper surface and spots (tongues) on the side one (stephane). At the joining point of rim and neck there is a band and at the upper part of the neck a horizontal row of spots. Central handle: Decorated with short, thick, leaning lines. Neck: An olive wreath, the ends of which meet at the front where there is a cluster of olives (?) (dots). Shoulder: There is another horizontal row of dots immediately below neck that seem to be hanging from a line. At the join of shoulder and body, there is a broad band in the middle of two thin, concentric lines. Body: In the front, between the two handles, an olive-tree branch, framed by (left and right) a vertical motif of a row of dots, a line, two rows of larger, ovaloid dots and another line. This motif can also be found at the other side of the handles, used to frame a linear pattern (from a short line appear to be emerging three longer ones. On either side a vertical line, which leans slightly towards the motif in the middle. From the centre of this line emerges a long, wavy line. Below: there are two, concentric bands and three more that are not very obvious(?). The handles are ornamented with large dots. The foot is black, but the colour looks uneven. Interior of neck: Two concentric circles.
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| 37.7.2
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On mouth three bands, middle one broad; on handle horizontal bands at top and bottom. Daisy petal pattern on shoulder. with three brown bands beneath. Bearded siren with outspread wings to left. In field dots and rough rosettes, one incised with parallel lines. Back left plain in the 'white style'. Bands around foot and two on base.
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| 38.4.2
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Reddish-brown on pale buff ground. The false neck is decorated predominantly in a black band, with a narrow and broad black circular band in the centre of the false neck. The underside appears to be reserved, with a single thick black line at the base on the false neck. The true neck has a faded broad back band around and overlapping the lp. There is a broad black band at the base of the neck, and also a black blob on the side facing the false neck. On the shoulder there are six groups of narrow black lines painted horizontally. There is one group of either side of the true neck, both have eight horizontal lines, the one on the left has two rings of black to either side of it. The groups of lines on the other side, if faced with the true neck at the top, have groups of 6, 7, 9. 8 horizontal lines, all with a small ring of black in between them. The shoulder is outlined with a broad ring of black. The body has four broad black lines, which have faded to a reddish brown. Adjacent are narrow red rings; four above the first band, two within the first band, two within the second band, two or three below the second band. The fourth band does not overlap the base, which is slightly concave in shape, and has the suggestion of a foot ring.
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| 38.4.4
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Decoration matte brownish-black on pale buff ground; horizontal bands and lines. Spout open-topped, painted black at sides and underneath. Broad black band around rim inside and out.
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| 38.4.5
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Brick red detail on pale buff background. Three groups of three red lines roughly painted, one group of two red lines, all are verticle lines curving to the left at the bottom, between a horizontal red band on the jug shoulder, and a horizontal red band on the lower body of the jug.
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| 38.4.8
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Mouth black inside and out with red lip. Shoulder has ivy leaf at front upright between two inverted lotus flowers. Body has a siren between two draped (male) onlookers, the right one holding a spear upright. No added colour, no incisions. Beneath figural zone is a horizontal band and then solid back to the top of the foot. Side of foot and underside reserved.
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| 39.9.1
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Short narrow neck of jug is glazed black. Handle begins at top of neck and carries on to top of the body. The part of the jug joining the neck and the body, has a palmette design on it, in a circle. This circle is broken for the black part of the handle. There is a large palmatee decoration underneath the handle, where it ends on the body of the jug. Body of jug has red-figures on it. Starting from right-hand side of the handle, going from left to right: First figure looks like a women in traditional Greek clothing, kneeling down. She is facing right. The figure to the right of her looks like a naked man with wings. He is standing on one leg and facing right. He is reaching one of his arms out. Underneath that arm there appears to be a duck. To the right-hand side of the duck, there is a man sitting on a stool. He is in traditional Greek cloting and is holding a large box. This figure is also facing right.Underneath the box there seems to be another object, but it is unclear. Perhaps it is a head? Or perhaps it is where the black glaze has been rubbed away, to reveal a patch which looks like decoration on the jug. He has a winged man kneeling in front of him. This man is facing left, towards the sitting figure. The next figure looks like a women in traditional Greek clothing, kneeling down. She appears to be holding something in her hand, perhaps a mirror. She is facing right. Inbetween her and the next figure there is a bird, facing right. The next figure looks like another women in traditional Greek clothing. She is standing on one leg, with her right arm reaching out. She is facing left. Behind her is a 'T' shaped object, perhaps a stool?. Rim of the base is a red/terracotta colour. underside of base is slightly concaved, with many black rings inside. There is a black dot in the centre of the bottom of the base.
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| 39.9.2
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Inside is reserved in body but black fired to red on rim with a reserved band near top. Two handles with vertical grooves to make three section - black on top and reserved underneath. Neck has two rows of palmettes (lower inverted) and lotus buds on cable. Shoulder has framed tongues with ivy leaf and dot at each join. Body has similar scene either side. Side A shows combat of three warriors, with white detail on spear, helmet, shield and armour. Side B is similar but there are no spears, instead they appear to only have shields. Below is a broad band with narrower ones either side. Rays to foot. Foot is black and moulded with a reserved band around side. Base is reserved and conical.
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| 44.1.1
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Rim: There are black tongues around the aperture and dots on the side surface of the rim. On the back of the handle there is a row of dots, framed by two, vertical lines. The neck and the surface below the handle is left reserved. At the base of the neck there are black, petal-shaped spots. Top surface: The aperture in the centre of the ring is black with additional concentric, black lines between reserved areas and a row of dots. Some of the lines have incised diagonal lines across. The reverse side bears a similar decoration but without the row of dots. Side surface of body: The main design is of an Ibex and Lion facing a central rock, made of horizontal bands. Added red is used for some parts of the ibex's body as well as for the some of the bands of the rock.
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| 44.1.2
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Black lip above reserved neck which has black tongues below fine ridge at base. Single handle is black on top and reserved underneath. Black lotus flowers with white outer petals alternating with black buds border the flat shoulder. The body has shiny black glaze with two red lines at top and another just above bottom of body. Disk foot is reserved around edge. Base reserved.
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| 45.10.1
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Entirely black, except reserved on the underside, and the resting surface. Red figure decoration begins at the lower part of the neck, with a band of rays, in imitation of ribbing. The shoulder has palmettes, rosettes and circles with central dots with added white. Wave on rim. Body decorated with white: chevrons between dot rosettes. Red band on lowest part of body, above foot.
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| 45.10.13
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(i) There is a small part of a motif (partially covered with plaster) that consists of wavy lines. Below it, there are two lines and underneath there are parts of two inverted, palmettes (voluted with petal-shaped divisions) that flank a three-pointed flower with two dots to represent pollen. ii) Between two pairs of lines there is a guilloche (fillets with teardropped terminations interwoven together) with dots among the lines. Below, there is a broad black band, which seems to be interrupted at the right side. (iii) At the left, three parts of vertical, black bands and incisions create part of an object (garment hanging from chair or couch?) In the middle, there is an object- as if it was a grave-stele with a cross-shaped ? ending above which spring two heraldic, white, voluted palmettes (now fadded away), a chiastic motif with dots and horizontal lines on top- but inverted (leg of a bed or couch?). Next to that, there are a figure's part of thighs, knees and calves, close to part of a palmette. (iv) A bearded satyr (seilinos) plays a chorded instrument (lyre), while his himation is hanging in the background. Next to him there is a draped female figure (Demeter?), holding a wreath (black circle) and branches with dots on both sides that surround her. The details on her drapery have been executed with added red and so are those for her head-dress. There are also traces of added white on her neck. On top of the fragment there is part of a motif of tongues contoured with ellipsoid lines and a line that encircles this pattern. v) On the left, there is part of the satyr's lower legs (above the knees towards the feet) and the lower end of his himation. Next to him there is the termination of the female figure's branch, close to a similar inverted grave-stele? and part of an object that resembles an animal paw (lion-shaped foot of chair or couch) . Below these, there is a line on which they seem to step on. Next, a guilloche between two pairs of lines and at the bottom part of a radial-shaped motif with a line that contours it on top. vi) A line and black, teardropped spot. vii) There is a line on whose right top side stands a rectangular object with a rectangular surface in the middle being reserved. Below, part of two lines on top of part of the guilloche. viii) Small part of shoulder and neck: there is a black spot, a thin band, a red line on top of a plastic ring (joining point of neck and shoulder) and part of a tongue-shaped pattern contoured by a line on the shoulder. There is also a part of two lines in the interior. ix) Part of the guilloche, the two lines underneath and the radial-shaped motif at the bottom. x) Tiny bit of the guilloche and the two lines below it and part of the radial-shaped motif. xi) Part of voluted palmette and tongue-shaped motif. xii) Part of the floral motif (of a three-pointed flower)? with lines that form a rhombus with a dot in the middle. xiii) Part of the shoulder and the spring of a handle. On the top there is the tongue-shaped motif, encicled by a line and below it an inverted palmette. The spring of the handle is black and next to it there are short, diagonal incisions. There is also a tiny spot of black colour in the interior. xiv) On the left, part of leaf-shaped (heart-like) motives (part of thyrsos?), close to a band of black colour, of undecipherable shape. Next to that, there is the lower part of a female draped figure, with small crosses on it. At the right side there is black and white colour that forms ovaloid shapes (?). xv) A black band and on the left part of the female drapery.
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| 45.10.14.1
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Interior: Black, apart from a thin band at the joining point of the rim and neck, and the top surface of the rim, which are reserved. Exterior: The rim is black and there is a thin reddish brown line below it. Neck: There is a thin, black line. Below, there is a fan-shaped palmette (three divisions, a central rectangular part, and the details have been rendered with incisions), between two parts of motifs. The left one may be a palmette (a petal-shaped division in the middle and below, two round? or voluted? motifs almost faded away. The right one could be part of a similar motif.
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| 45.10.20
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i) Part of a voluted palmette with petal-shaped divisions seems to be connected to part of a three-pointed floral motif by a thick, black, curving line. On the left there is another, identical three-pointed flower, only bigger and illustrated inverted and vertically and at the left end of the fragment another curving line. Below these, there is part of a perpetual meander pattern and the upper part of continuous, teardropped motives. Some form of greyish (light) brown plaster has been applied to the surface around the voluted palmette. ii) Small part of guilloche (thin fillets with tongue-shaped endings interwoven together) with dots among the lines. Below, there are traces of thin, black lines (but not visible because of burning). Underneath, radial-shaped motif. iii) Underneath two thin lines there is a meander pattern. iv) Part of the upper ending of a radial-shaped motif. v) larger part of a radial- shaped motif. There is part of a thin, horizontal line on the top of one of the divisions and more to the left there is a circle with a dot in the middle and two vertical lines (part of the guilloche). vi) Small part of the guilloche and radial-shaped motif below that.
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| 45.10.22
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a: The upper surface of the rim is reserved, although glazed. However, the side surfaces (internal and external) are black (apart from a reserved area that would not have been visible if the handle was not missing). The neck is also black on the inside, however, there is a perpetual motif of palmettes on the external surface. These are double palmettes (5 narrow divisions upwards and 5 similar ones downwards) that look as if chained together by a horizontal row of small rings and each such palmette is separated from the other by a vertical line with wider endings, while thin, curved lines (above and below) frame each palmette. The sides of the handle bear a black band each and there is also a thin line underneath them that contours the end of the neck. On the carination that divides the neck from the shoulder there is a thin line with added red colour. The shoulder bears a motif of tongues, divided by vertical lines, while a line underneath contours them. The motif does not appear under the surface of the handle. At some point underneath this pattern there is the beginning of another motif (black with 3 dots of added red and scale-like incisions). The interior of the rest of the vessel is reserved, since it is an amphora. b: It bears exactly the same motif as the previous neck bit. c: From the branch of a three-peaked floral motif there emerge two curved lines that are downwards and upwards, each forming an ellipsoid-shaped frame from whose lower (in the case of the curved line that goes downwards) or upper (in the case of the other line) endings form one floral motif each. The left one is a voluted palmette with 5 petal shaped divisions and the right one is a three-pointed flower, similar to the central floral motif, but bigger. Although the upper part of this pattern is not preserved apart from the starting point of the motives, it is certain that this would have been the heraldic motif depicted. Underneath this area there is a thin, black line and below that, a pattern of guilloche ( branches with tear dropped endings interwoven together) with a row of dots, framed (above and below) by two pairs of concentric lines. Towards the end of the fragment (which is also towards the end of the vessel) there is a radial-shaped motif, two lines and the rest of the surface is black. d: It is a part of the body's area that bears the guilloche pattern and the radial-shaped motif underneath, but one third of it is not preserved. e: On the left there is the upper part of probably a palmette (two endings of petal-shaped divisions). Next to that there is the depiction of a draped lower body part. The drapery is formed by the incisions on a black surface. There are diagonal incisions and wavy endings to denote the folds of an himation, as well as the lower termination of the chiton, which is suggested by two almost horizontal incisions, a wavy line and another horizontal incision. the drawing is detailed and clear. f: The part between the surface above the knees and a bit below the calf of a male figure that wears a short chiton (incised, wavy folds are visible above the knee), as well as grieves with out curving terminations (Hermes?) of added red colour, now fadded away. On his left there is the upper part of a palmette and on his left there is a diagonal line, with rows of dots on either side (characteristic of Dionysus). Very clear drawing. g: Half of the three-peaked flower, a bit of a black line and two petal-shaped motives. On the side, there is part of the dotted branch and what appears to be part of a figure's drapery (upper right body part ?), with some incisions used to render details. h: Between the lower body part of two figures there is part of the dotted branch. What is preserved from the right figure is incised lines and circles on a black surface. The left figure's drapery (peplos and himation ?) is preserved (below the waist), consisting of incised diagonal and wavy lines to denote the folds. i: A central male figure's (Dionysus) body from shoulder to legs is visible and surrounded by a dotted branch. He is standing between two figures. The male figure (there is part of beard with added red) on the left holds part of the branch with his palm (upper body without the head is preserved). The only visible part of the draped figure on the right is part of the legs. Incisions are used to render details. j: Apollo playing his lyre (kithara). The head (in profile, facing right), right hand and part of the god's front side of the body is visible, as well as the largest part of the lyre. Part of a dotted branch exists in the background. Incisions have been used to render the chords of the lyre as well as for the eye, contour of hair, ear and contour of the god's body, while a taenia (fillet) on his head is in added black colour. k: Only part of a thin, black line is preserved. l: two broad black bands that overlap at some point. Incisions and the ending of a dotted branch (part of draped figure?). H & J on display in symposium
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| 45.10.7A-B
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Lid: The top surface bears part of a central medallion (dots contoured by double, semi-spherical line), encircled by a black line, a red band, a broader black band and a red line. There is also an ivy spray between the last red line and a similar one. At the rim there is a rather careless tongue pattern, with inner dots (identical to the one of the central medallion, only frammed by thin, black lines). Sides: There is the representation of women pursued by the winged Eros. The naked Eros is flying and his himation with white spots on its top is falling over his forearm. At the level of his face there is an inscription, with white colour KALOS and underneath, KALH, above a bent fillet with thin, short, white lines emerging from its endings. The first of the women is headed right, having extended her right? hand towards Eros and holding and raising slightly her drapery (in order to run faster). Her head is missing, but she is probably looking backwards, to see the advancing Eros. The scene is reproduced again: Anoher Eros pursues another woman, who is running towards an altar? (rectangular, altar-shaped constuction, higher than the figures with a decoration of a large cross and dots in between). Among them there is again the inscribed KALOS, KALH. Many fragments have not survived, however this woman's head is not missing. She is looking backwards and wears a diadema, made of white lines. At the other side of the altar? there is another woman approaching it, having escaped the first Eros, but looking back to see him. She wears a white diadema and the same inscription is between her and the Eros. The scene is framed by two red, concentric lines (above and below the figures). The bottom surface is left reserved. Body: There is decoration of laurel stems and berries around the outer surface with details made of added white. This motif is framed (above and below with red, thick lines). The interior of both pieces is black. The feet have a black band on the side (ca 2 cm below their joining part to the body) and the rest of the surface is left reserved, apart from a black line at the rim. Half way up the inside surface of the feet there is a thin, black band. The base's central part is decorated with a broad black, circular band between thin black lines.
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| 45.6.1
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Pale buff ground. Inside is black and red in places. Main design: five women with long plaited hair dancing in a ring, holding wreaths between them. In field are large rosettes with concentric circles at centre and round objects with horizontal incisions between bands of vertical incisions. At base are elongated vertical lines and the foot is coloured red. Five bands on base.
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| 45.6.15
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Black lip on mouth. Neck is reserved as is the underside of the single handle. Black tongues under fine ridge at base of neck followed by a circle of black lotus flowers with white outer petals alternating with black buds. Body has black glaze, rather ruddled. Two thin red lines at top of body just below shoulder and one two thirds of the way down the body. Black disk foot with edge reserved. Base flat and reserved except for a concave central circle.
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| 45.6.17
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Black mouth, black inside, reserved lip. Single curved handle black outside and reserved underneath. Bars at base of neck and lotus buds. At top of body are two rows of dots alternating black and white between black bands. Main design is of man reclining between two seated women. On couch beside him is a naked hetaira. Remains of branches with white fruit just visible. Figures are robed and detail is in white. Two reserved bands below on black glaze. Foot is stepped, side of both steps reserved. Base is reserved.
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| 45.6.24
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Small pointed knob on top in centre from which to hold and lift the lid with, one groove at bottom from which rim, (edge of the lid) extends outwards, rim is narrow. Flat resting surface to connect with vessel, interior reserved.
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| 45.6.32
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Fabric heavy and glaze is silvered. Two curved handles on opposite sides beginning at widest part of body and ending at top of neck. On either side of neck is a garland and hanging branch of white leaves on incised tendrils. Moulded rim around foot. Base reserved.
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| 45.6.38
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Slightly iridescent greyish-black glaze. Lip imprinted with horseshoe shapes (24 on the lip and 5 in the centre). The foot is flat underneath, heavily ruddled, except for a small hollow cone at centre, which is black.
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| 45.6.40
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Narrowly flarred lip, shallow with flat surface in the interior. Red circle at centre of interior. Flat resting surface, raised base, reserved.
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| 45.6.57
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Small, slightly flared mouth with fine overhung lip. Long neck opening to short pear shaped body, finally tapering to a flared foot, and a flat base. Two incised lines at top of body, one incised line on foot.
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| 45.6.60
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Pear shaped body, narrowing into foot and widening at the base which is round and flat.
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| 45.6.72
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Mouth is red on top and black down neck until a moulded ridge when there are rays down to black square blocks on shoulder. Band of vine leaves. Handle is black and below it is a palmette complex with tendrils either side joining to two more palmette designs. On front, is head and shoulders of a woman facing left, wearing tight-fitting black cap, with hair emerging in two curls at top. Serrated leaf and rosettes in field.
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| 45.6.9
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In handle zone double row of roughly painted ivy leaves, black on light brown. Inside black with reserved line at top of rim. Foot reserved.
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| 45.8.1
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The rim (interior) bears two, concentric circles, the first at the edge and the second at the curve between the neck and the body, where traces of white colour can be found. The neck of the vessel is ornamented with a continuous floral motif (branch bearing two long leafs; laurels?) that covers the whole of the surface. A: Scene of a symposium of four, reclining, male figures; 2 men and 2 youths (in turns), in pairs looking at one another. All of them wear their himatia, loose around their waists, a fact that leaves the upper part of their bodies naked, and are crowned with identical three-pointed diadems, made of added, yellowish and white colour. They also have identical hairstyles. The youth on the left side makes a gesture, pointing left with his right hand, but facing the man on his right who touches his chest with his right hand. The third person looks as if holding a white thread with his right-hand fingers, while the man on his right is trying to put a white, spotted garland on the third figure with his right hand. They all recline on a horizontal sort of bed, supported by three feet, of equal distance between them, but of unequal width. However, the lower parts of the three feet are similar; rectangular and vertical to the stem. Under this construction, in the surface between the two gaps that are left between the feet of the bed, there are two tables, that carry food(?) (fruit and bread ?), painted with added white colour. Both of the tables bear two, broad, black, bands around their edges, the left ones being larger than the right ones. As regards the endings of the tables' feet, they give the impression of a vague rendering of animal paws.
B: A youth in the centre of the scene looks at his right, while in either of his sides, another youth is looking at him. All of them are fully-clad with himatia. The left one is holding a strigil (stleggis) with his right hand, while the one at the right side of the scene makes a gesture with his feast.
The spring of the handles bears part of a circle (it stops, leaving the surface between the beginning of the two handles undecorated), with small, semi-cercular patterns. Beneath each handle there is a large, complex palmette. A band with maeander-shaped patterns runs through the vessel under the main scenes. The base is in the form of a disk, with a high foot, separated from the disk-shaped surface by a carved, reserved circle, as well as an also circle at the lowest end of the base's foot.
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| 45.9.1
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Mouth black inside and outside. Reserved rim. Handles painted black on top and reserved underneath. Each handle has two lines down the back dividing it into three sections and a dolphin (?) painted in black below each one. The neck has two rows of ivy leaves separated by a band of dots. Ridge at base of neck and petals around shoulder. Both sides have a similar design of a warrior setting out between two onlookers. Detail is incised. Below is a double row of staggered dots and rays. Foot is black on top and side, but reserved on resting surface and base.
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| 46.5.1A-B
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Lid decorated with three vertical black bands above palmette frieze.
Body: dark bands on rim, narrow floral band consisting of ten alternating palmettes, six with lotus attached by long stem on right, two with lotus each side, two with none. Black at bottom of body and foot.
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| 46.9.1
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Mouth coloured black inside, outside, neck red. Handle black on outside and reserved underneath. On shoulder, black rays below fine ridge at base of neck, then lotus flowers - white outer petals alternating with black buds. Body has a silvery black glaze with two red lines at top, another just under the figure scene and another just in the junction with the base. In added white, bearded charioteer with two galloping horses. They are in profile to the left. He is holding the reigns of the horses. Naked with fillet on hair and belt, both shown incised. Row of white dots above the scene. Details of man's body and horses' incised. Disk foot has reserved edge, base is reserved.
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| 47.10.1
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On the mouth, small daisy petals between bands; on side, row of dots between bands. Zigzag on handle. Monkey-faced horseman riding left. Behind him a star with incised lines crossing at centre. In front large ring enclosing a cross with incised lines crossing at centre. Circular painting on base with four radiating lines from centre.
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| 47.10.3A-B
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Lid: glazed black, except for the underside. At the middle of the lid are two purlish-red narrow bands; a third narrow band surrounds the rim of the lid. Lekanis: glazed black, except for the underside. Interior decorated with a purplish-red band high up the outer wall, and two red bands in the bowl; exterior decorated also with three purplish-red bands, two higher up and one lower on the outer wall.
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| 47.2.12
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Small circle, fired red, at the centre of the medallion on the underside. Black gloss except where noted; half of interior and some of exterior misfired red.
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| 47.2.22
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Interior: black ring on pale buff, black at rim. Exterior: broad and narrow black rings and one broad red ring, central black dot. Two wish-bone handles, black on both sides but reserved underneath. White painted ware I or II.
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| 47.2.35
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Standing female figure. Wheelmade body, moulded head. Woman in veil. Holding at breast level an object now broken off. Traces of black on head and eyes, red on face and clothes. Clay orange.
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| 47.2.4
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The vessel's tondo is ornated with impressed (stamped) decoration, of thirteen ellipsoid motives (eggs, some not fully formed) that seem to be hanging from an impressed circle, on whose border rest thirteen palmettes (voluted with narrow divisions) on stalks. There is a reserved, but glazed line at the lowest part of the body and the concave area of the base is reserved, but glazed, apart from two, concentric, reddish brown lines with a dot in the centre.
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| 47.2.5
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Black glaze covers the entire vessel, except for underside of the resting surface. It is not lustrous, of not good quality and on the interior it is mostly fired reddish, as well as on small parts of the exterior. Reddish paint is applied on the underside, which is decorated with a black dot at the centre, surrounded by two concentric thin black band at a distance of ca. 1 cm. VEry close to the external band, a thin band of thinned glaze. The interior of the bidy is has stamped decoration. Four stamped spindly palmettes arround a small circle.
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| 47.2.6
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Black gloss except reserved resting surface and underside, decorated with a black dot at the centres, surrounded by two black concentric thin bands and a broaded black band. Reserved band on the junction of the ring foot and the body. Stamped decoration in the centre of the bowl, comprised of seven palmettes between two concentric bands of stamped eggs framed by parallel grooves.
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| 47.2.8
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Black gloss except reserved bands at junction of foot and body, on resting surface, and on underside. Black concentric band on interior of foot ring; centre of underside decorated with two black circles and a central black dot within a black band. Interior decoration: at centre, 8 stamped palmettes, linked at their bases; outer band of 20 stamped palmettes, also linked at their bases; each palmette band inscribed by a band of eggs.
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| 47.2.9
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Black gloss covers the entire body, except for resting surface, and within ridge on underside. Underside is covered with red paint and further decorated on reserved area with dot at the centre, central circle, and two thinner concentric circles. Much of exterior misfired brownish.
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| 47.6.2A-B
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Lid: Straight sides and a moulded rim at the top and bottom, both red. The plastic ring at the top of the lid black. The top is decorated with a depiction of a male figure, perhaps Dionysus (Ure) or Pan (Boardman) with horns springing from his head. He wears an animal skin (brownish dots) over his shoulders, with a hoof dangling. He seems to be stepping or sitting on another animal skin. In raised left hand he holds an indeterminate instrument (Ure: handleless fork; Boardman: syrinx) and he rests his right hand, brought before his body, on an oar-shaped object (trumpet; Ure: winnowing fan; Boardman: 'lagobolon'). To his left is the forepart of a pig (or dog?), and to his right, a basket with three corn stalks. There is also a red, thin line at the joining point of the plastic ring and the lid. The decoration of the side surface of the lid is a motif of vertical, hanging, wavy tongues, between reddish brown bands. There is also one inverted heart-shaped motif at some point between the tongues.
Body: There is a red line at the rim and another one at half the way up the body, both on the inside and the outside. On the interior there are two, concentric, reddish-brown circles. Exterior: There is also a red line at the bottom of the body, while the disk-shaped ring is reddish-brown. Wide rim at base. Underside is reserved and central section flat.
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| 47.7.2
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Round, flat body with vertical spout at one end with a flared mouth. Single curved handle stretches from the rim of the mouth to the back of the body. All black apart from two designs. One one side is a panther, with detail picked out in black paint and whose face is in an odd perspective. On the other side is a dog, with black and brown paint used for detail. Reserved line runs asround the body below the animals. The base is red and flat.
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| 47.8.1
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Inside is reserved except for picture of Heracles in a black corselet over spotted chiton with flame borders. Club in his right hand and bow and arrow in his left. Originally only red for framing circle inside the black band around rim but much has faded to red that was black. Two handles, one either side have been dipped. Outside are dots around rim with band below. Reserved then to resting surface and inner foot-ring which are red. Base is concave and reserved except for small red circle at center.
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| 48.11.8
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Diagonal rim directly aggached to a globular body; high swung round handle rises up from the top of the rim and rejoins the body at its middle. from the Small mouth, body is round and extends outwards from directly beneath mouth. Long handle reaches from mouth to middle of body on the side. Raised base. Pot entirely glossed, although (mis?)fired red on lower part of handle, back of body, and base.
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| 48.12.1
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Bowl of rather coarse clay. Interior glossed black, although only traces of brown remain. Two rounded handles, one on each side, with traces of faint brownish-black gloss. Outside, narrow bands immediately below rim and at base of handles. Between the handles is pair of parallel wavy lines (only on front). Black gloss from below handles to foot. Foot is rounded and base is concave and reserved.
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| 48.12.11
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Flared mouth, black inside, with flat rim which is reserved. Outside of mouth and handle black but neck and underside of handle reserved. Shoulder has two rings, the inner of dots and the outer of rays or lotus buds. Body is black with lustrious glaze except for a reserved band at top and bottom of main design which is a woman walking to right with her hand extended. Stem and foot are black and side of foot is reserved. Base is flat and reserved.
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| 48.12.13
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Rim of the neck is painted red on the inner side, the outer surface of the neck is painted brown. Two black lines on a white wash decorate the shoulder, the handles are painted black on their outer surface. The upper body is decorated with a red band at the top then (on one side) a white wash, followed (on both sides) by six black bands with reserved areas between them. The rest of the lower body is decorated with a dark red wash.
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| 48.12.2
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Black decoration. Interior: uneven band round rim; ring in base with ill-made join. Exterior: uneven band at rim; beneath it is a wavy line (decoration ceases temporarily above handles); paint thinner in places. Black band where the body tapers to the base, and another band around the foot. Base reserved.
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| 48.12.5
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Radiating pairs of vertical grooves at top of body. Traces of three red bands round body, one at base of handle, two more near bottom. Underneath reserved.
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| 48.5.1
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Inside: Central part reserved and decorated with black band in the centre surrounded by three black concertic bands. The rest is black, superimposed with two red and white bands. The top of the rim is decorated with a band of two rows of dots framed by thin black bands. The incurving rim is decorated with back and red thin bands.
A: Swan facing to the left with spread wings. Incised rosettes and dots in field. B: bird (owl?) facing to the right goat to the left coloured partly in red; Incised rosettes in the field C: Bird (goose?)partly coloured purple and facing grazing goat(?) to the left but very faded. Below, broad black band with superimposed white-red-white at top and bottom. Triangular rays on a black baseline extend from the base. Narrow black band around middle of foot. Black band with superimposed white on inside of footring. On base, two black bands and a central dot. Exterior and interior of ring foot black
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| 49.1.1
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Interior reserved except for red central interior surrounded by thin red and black bands. The vertical part of the interior of the rim has black and brownish bands. Decoration of thin red and black bands, with dots at edge of mouth and outlined tongues round shoulder. Outside of handle black. The underside of the foot decorated with three concentric black bands and dot at the centre. The ring on the interior and exterior covered with brownish paint. The resting surface has two thin concentric brownish bands. Sloping part of the body two thin brown bands. Above the ridge, brown band and that part covered with brown paint.
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| 49.1.2
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The vessel is covered in black except for decorative bands at the lower part of the neck (red with black vertical lines) and the shoulder (egg-and-dot), the figural scene in the body zone, a frieze (stopt maeanders alternating with cross squares) below the figural zone, narrow bands at the join of body and foot as well as on each step of the foot, and the underside. The scene depicts a nude youth standing in a relaxed pose, 3/4-view to the right. He holds drapery, bunched up, under his left arm, and seems to converse with a drapped woman seated to the left on an undulating rock. She holds a mirror in her right hand. Both are diademed. A small, winged Eros flutters above them, and he has crowned the youth. A single branch emerges from behind the rock. Next comes an older Eros (depicted as an adolescent) seated near profile to the left (the seat is no longer visible), holding an opened box (the type that was used to house alabastra such as that which he decorates, according to Trendall and Cambitoglou 2.605). In the upper left field there is a rectangular motif with a short, black, vertical band on it (perhaps a window), and in the upper right field (behind Eros) a four-part rosette (rodakas) next to a strigil. Below, there is more vegetation. Relief dots detail xxx and added white has been used for xxx.
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| 49.4.1
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The mouth is black inside and out with a reserved rim. The back of the handle is also black. The neck and underside of the handle are ruddled, as is the shoulder which has black dots and radial-shaped motif. There is a white band at the upper body surface with a yellow meander pattern, between yellow lines. The main design is that of a flying Nike facing right with a mirror in her left hand and a globular object in her right. She wears a kalyptra (head dress) and she is draped. Additionally, thinned glaze and black paint has been used for detail. Below the scene there is a similar meander pattern on a white band. The rest of the vessel is black.
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| 49.4.2
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Woman with a fan and a ball, seated in a naiskos; kalathos on either side.
The inner side of the rim bears a broad band (in the middle of the surface). The top surface bears traces of carelessly applied red colour. The edge is also black and its side surface bears a reserved line and a black line underneath, from which seem to be hanging short, vertical lines. The upper part of the neck is reserved, but bears a black band on its lower part. The rest of the neck is decorated with black colour, on top of which there is a tongue pattern in yellow (faded away) that contours the vessel (long, pointed on the bottom tongues). Below, there is a reserved line. Side A: The main scene depicts a female figure seated in a naiskos (monument with pediment, from whose upper part emerge palmettes and tendrils, epistylion, an ionic column on either side an top of a stylobates or crepis, the latter represented with a perpetual pattern of voluted motives and dots in between, framed by white lines, thin, black bands and white bands), on a diphros okladias. The woman is facing left, she is wearing a peplos, holding a fan with her right hand and a round object with the left one, below which there is a row of dots. She also wears a kalyptra and has her hair in a bun, from which emerge two wavy lines with round terminations. Behind her, at the level of her head, there is a window (square object with the middle part riddled). The naiskos is flanked by a kalathos on either side, decorated with black and yellow horizontal lines, tendrils and branches, as well as yellow tongues and yellow meander pattern. There is a row of yellow dots below each kalathos and a rosette on top. Below the row of dots underneath the left kalathos there is another rosette, whereas underneath the row of dots below the right kalathos there is a phiale. The details are executed with added yellow. The handles are black. The reverse is decorated with floral motifs: the area underneath the vertical handle is black, with an H-shaped black motif divided in two by a vertical line, on a round, brown background. The surface below the vertical handle depicts two fan-shaped palmettes, from which emerge elaborate, voluted floral patterns that expand to the surface below the horizontal handles. The lower part of the body is contoured by a wavy-like pattern on a brown background. The area below is black, although streaky on some areas, while the lowest part of the body is reserved but glazed. The foot is black, with a reserved resting surface.
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| 49.8.1
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Handle in two pieces and entwined in knot and extending out to sides along rim. Mouth is wide and has small rim with moulding around edge. Neck is black and smooth with a ridge at juncture with body. The body has shallow vertical ribs, with a cross incised under handle. Horizontal groove halfway down body. Stem is ruddled above foot and reserved, decorated with a black bad. Upper and lower edge of foot reserved. Foot is conical with reserved resting surface and base, except for a black band inside of foot.
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| 49.8.2
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It has a central knob handle with moulded ridges that bears a red spoked wheel and a red band with a reserved rim. Additionally, it has a black and red down moulded handle with two bads at the bottom. Both sides depict a female head with ornate head dress, made of whitish thin bands and dots, shorter and thinner yellow ones, as well as of ovaloid or curving mottifs. A lock falls over, accross the neck. A spiral pattern is used to fill the surface between the end of the kalyptra (hair dress) and the beginning of another motif; a palmette, used as decoration on either side, while a floral pattern fills the space between the chin and the other side of the palmette. One of the heads wears a neclace made of yellow beads, while her earing is painted over the hair with big round spots. Between the two heads there are palmettes (fan-shaped ornament composed of narrow divisions) with added yellow for few details. Around the bottom of the rim there is a wave pattern to the left. The underside is completely reserved.
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| 49.8.4
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On the mouth, tonges framed by black bands. On the shoulder, tongues. Neck reserved. Lip has dots around the edge. On the handle, the decoration is hardly preserved, probably black bands zig-zag. Body has three purple bands with double rows of vertical dashes between them. There is a zone of tongues around the base, above of which thin brown line. On the underside of the base, black dot at the centre and traces of black band around it.
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| 49.8.8
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Inside and outside of mouth and handle is black as is neck and back of body. At base of neck is a key / meander design between two moulded ridges and only appears on the front. On the body, metope bearing the figure decoration. On the top of the metope. black tongues.Main design is in a panel showing a Quadriga moving to the left. Horses' heads turned towards different directions. One to the left, other three run their heads to the centre facng each other. On the quadriga, hoplites in profile either side both facing right, holding shields and spears and wearing helmets. One of the shields is decorated with a feline picked out in white, only the back part of which can be seen. Behind the quadriga, a hoplite in profile to the right. He is holding his spear and seems ready to attack. He has a shield decorated with three dots with added white, he wears a short chiton, a cuirass and a Corinthian helmet. In front of the chariot, hoplite in profile, moving to the left, having his head turned backwards. He is wearing cuirass, short chiton, a helmet. He is holding his shield and two spears. Added red-purple on reins of horses and headbands and tunic of warriors, as well as contours of the shields. Added white on lion of the shield and decoration of the shield of the second hoplite which is not clear, the edge of the sword of the first hoplite, the dots on the shiled and a band on the body of the last hoplite. Red band at base of panel running all around the vase's body and foot is black on top, but reserved on side. Resting surface reserved.
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| 49.8.9
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Rim: There are three narrow, black bands (on a reserved area) between two thicker ones. The side of the rim, the neck and the underside of the handle are all reserved, however there are parallel horizontal bands framed by two thinner vertical lines on the back of the handle. The shoulder is decorated with black tongues. The body is covered with a scale-like motif and each of the scales is rendered with two incised lines at the edge. Additionally, each alternate column has a large purple dot and the columns between have a very small, incised dot. Above and below the scales there are two, broad, black bands, separated by reserved lines. The lower part of the body towards the foot is decorated with tongues (radial-shaped motif). The foot and the base and underside are reserved.
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| 50.10.3
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Interior black. Main zone, lotus chain, dotted. Lower part of body black with one red band. Purple moulding at junction of stem and body. Top of stem reserved and channelled. Outside of footring rounded and black inside of footring black almost up to top, tip of interior of footring and resting surface reserved. Underside of the handles reserved.
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| 50.10.4
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The mouth is black inside and out with a reserved rim. The neck and underside of handle are also reserved, while the top of the handle is black. The shoulder is decorated with short lines and four palmettes (of which one is upside down) linked with tendrils. The back of the body is black and the front bears the representation of a draped woman in an unnaturalistic posture. She is facing right with her head and chest turned back to her left. She is holding a case (kiste? with drawers?) in her right hand and extends out her left (the gesture is as if holding a phiale). There is reserved line under her feet and the woman looks as if she stepps on it. Additionally, the foot's upper surface is black. There is also a small, concave section at the centre of the base.
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| 50.10.5
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Black inside with a reserved rim and a central circular reserved section with two black bands and a black dot. Two handles, one each side, are black except for the reserved insides and panels underneath. The exterior is black, with the exception of the handle zone decorated with palmettes and lotus buds on cable and a reserved band further down on the body. Reserved is the ridge at the junction of the stem and the foot, the side of the foot and the resting surface.
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| 50.12.14
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Black paint faded to red. Interior: fine line on rim, below it one broader band. Exterior: broad horizontal band across the top with series of fine vertical lines at right angles to it. Two fine lines are joined together by fine horizontal lines, creating a square pattern.
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| 50.12.15
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Interior is mainly unpainted with a black line (faded to orange) directly on rim, another slightly lower. Exterior has a series of straight and curved lines to left of centre there are two parallel vertical lines and far left two horizontal parallel scalloped lines. To the right a single curved line and at the bottom a small semi-circle adjoining the lower end of the vertical lines with an larged dot in the middle.
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| 50.12.24
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Interior: black with pair of purple red lines just below rim; exterior: black with purple-red band at rim, pair of narrower purple red bands immediately below it and another pair, broader, lower down.
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| 50.12.37
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White clay fragment slightly curved and the exterior shows detail of a pattern; parallel lines curve accross the fragment to the left there is part of a feather pattern that has a single scroll at the top. On the bottom right the the pattern may be bulb shaped and six curved lines across it. The black paintwork is faded in part while some is still dark. The interior has been painted black while the area below the top has been completely worn.
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| 50.12.39
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Exterior: thick brown band, from which extend, at a diagonal, two thick curved brown/black bands and one thinner atc. Interior reserved.
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| 50.12.43
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Exterior decorated with concentric circles. In the centre there is a solid painted circle. The painted lines are more densely painted at the top. The lines at the bottom of the circle are painted further apart. The inside is brownish-black.
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| 50.12.45
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Exterior: brown band at the top, with two parallel lines at a slant to the band. At the bottom are part of two brown circles or semi-circles, with a dot or two in the centre, and dots around the circumference. Interior reserved.
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| 50.12.7
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False neck and one handle of stirrup-vase. Pale clay. Black bands on handle and top, and one at base of neck.
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| 50.3.1
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Red rim, mouth black inside but lower half reserved. Handles are black on top and reserved underneath. In neck zone are palmettes with dots joined by chain. Bars on shoulder. Side A; Dionysos holding wine cup, between two dancing maenads with ivy vines in the field. Side B; two warriors fighting over fallen man with spears and a shield with a leg motif and red details. Palmettes in field are attached to tendrils under the handles. Below are dots joined by zigzags with rays below. Moulded red ridge then black foot with uneven reserved band at base. Base is reserved.
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| 50.4.10
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Black gloss except for reserved underside of handles, panels under handles, line at the join of stem and foot, upper edge of foot, resting surface, and tip of conical underside.
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| 50.4.12
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Silvery black gloss except underside, which is reserved, reddened, and decorated with a central black dot and two concentric black bands. The external is wider and painted without precision. Red paint of the resting surface slightly flaked off at small parts.
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| 50.4.4
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Face is painted white and hair has dulled to brown. Holes at the ends of the fringe indicate that some added decoration may have been lost.
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| 50.4.5
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Interior of the neck until almost the beginning of the shoulder black. The rest of the interior reserved. On the exterior, neck and handle black. The lower part of the neck is decorated with a row of eggs. The lower part of the handle, at the height of the shoulder bears part of the decoration of a palmette the rest of which covers the body and is hown upside down. The body is decorated in black figure with a palmette-lotus frieze below with double-chevron palmette heart. The lower part of the body remains black fired brownish.
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| 50.4.7
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The exterior and interior of the mouth, as well as exterior of handle are painted black. The top of the mouth and the underside of the handle reserved. Shoulder decorated with two rows of blakc painted rays. Those of the upper row are short. The body is decorated in the white-ground technique. Decoration on front of body; at top a band with geometric meander pattern, framed by thin black bands. In a square framed by thin black bands, net pattern. The lower of the body, the small stem and the upper part of the base are black. On the lower part of the body, the glae has not been applied carefully leaving thin lines on the colour of the clay. The exterior of the foot and the underisde are reserved.
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| 50.4.8
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Black gloss on mouth, neck, shoulder, and handle (dipped). On shoulder, three rows of white spots: seven (tear-shaped) above, five (larger tear-shaped) in the middle, and below, five groups of three dots in a triangular pattern. The body is decorated with a diagonal net pattern of thin black lines with thin white spots inside the lozenges. Thick irregular black band at bottom of body, reserved stem, black foot, including resting surface, but otherwise reserved underside, with a spiral pattern etched at the centre. White paint dots added and traces of red wash over body.
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| 51.4.1
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The top surface of the rim is reserved (but glazed), however, the side one bears a black meander pattern. Neck: at the left side there is the front part of a horse (head and two feet) and the right leg (thigh to toe) of the horse-rider, with incisions for detail (denoting also the bridle) and added white. At the other end there are two men, one behind the other. The fragment's termination is at the level of their knees. The first one (right end) has extended his arms, as if being a charioteer. Besides, the back part of the chariot can be seen over his white chiton. The stephane on his hair is executed with red. The black, male figure at the same level behind him makes a gesture as if holding something (invisible). He is wearing a short chiton and he is probably on the chariot too. Interior: There is a red, thin band at the rim and the rest of the surface is black.
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| 51.4.11
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Glaze is dark brown, sometimes with a reddish hue. Glazed on rim, neck (interior and exterior), handles, at junction of body and stand, and on exterior of foot. Cartoon-ish black-figure scenes on body and stand, with incised detail. Body, side A: Legless horseman, with arms spread on either side, to right on a horse held by a bearded man in a short tunic, with a dagger at his right side, who stands to his left. Behind him stands another bearded man wearing a short tunic, who holds a branch in his outstretched right hand, and bends his left arm at his side. Body, side B: Another legless horseman advances to the right, also with arms outstretched, on a horse, galloping towards a bearded, male figure, wearing a long tunic, who stands profile to the left. Stand, side A: Two confronting water birds, with 3 flecks behind the right water bird. Stand, side B: Two male figures in profile to the right, with a dagger at his left side; the second figure, who is shorter, seems to be bound.
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| 51.4.2
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The top surface of the rim is reserved (but glossed), however the side bears a black meander pattern. The scene consists of two chariots, the left one with three horses (below their knees the piece is missing) and the right one with four (only two of the heads remain). The left hand side charioteer is not visible, however it is obvious that he was holding and stretching the bridle. The upper part of the chariot is also visible. The second charioteer wears white chiton and red stephane (fillet) on the head and his chariot is visible. Each figure has incisions around its edges, as well as for the depiction of details. Some parts of the horse bodies are emphasized by added red colour. Body: The surface is black. The interior of the neck and body is also black, apart from a red band at the top of the rim.
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| 51.4.3
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Rim: There is a meander pattern at the side. Neck: There is the procession of two chariots. On the left chariot 3 horses are visible, however they must have been four (four pairs of legs). In front of them there is a charioteer wearing a chiton (the added white has faded away) and the largest part of the chariot as well as some of the horse's feet and tails are visible. The details have been rendered with added red and incisions (especially for the tails and mane of the horses). There is also a black line below the figures, in order to denote the ground. The body of the vessel is black, as is the interior, apart from the top surface of the rim that is reserved (but glossed) and a red, thin band on the upper neck.
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| 51.4.4
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Rim: The side surface bears a black, meander pattern. Neck: A procession of two chariots, each with four horses (four pairs of feet) but only the first charioteer is visible, wearing a chiton, whose added white colour has faded away. There are incisions to denote the details, as well as added red (especially for the tails and mane of the horses).There is a black line under the scene, to render the ground. Body: It is black and so is the interior, apart from the top surface of the rim that is reserved (but glazed) and a red, thin band at the upper neck.
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| 51.4.5
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Decoration in black and purplish-brown over a pale slip, with incised decoration on the back. At the top of the body is a broad band between two pairs of narrow bands. Above this is some evidence of a frieze of vertical bars. Below is a figural frieze, decorated at front with a geometricising bird flying profile to the right, holding a wavy line in his beak. He is surrounded by two crosses and two clusters of 8 dots (rudimentary rosettes) in the field. A floral decoration at the back is comprised of four interlocking palmettes, with purplish-brown petals and brownish-black hearts separated by incisions, with tendrils terminating in volutes emanating from either side of each sideways palmette. The lower part of the body is decorated with a thick black band between a pair of thin bands, above, and a thin band, below.
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| 51.4.9
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The rim is black, both on the inside and on the outside. The back of the handle is also black, but the underside is reserved. The neck is reserved, but glazed apart from a thick purple band on its lower part. On the sloping junction of the neck with the shoulder, black tongues. Both interrupted at the joining point of the handle to the neck. The shoulder is covered with a guilloche (pattern of interwoven fillets) with teardropped terminations. In the middle of two upper and two lower black lines there are two rows of black dots that begin on the edge of the second left figure of the main scene and stop at the edge of the last person. In the centre of the scene, a male figure in profile to the right with as short mantle, a quiver on his back (Herakles) is attacking a kneeling Amazon. With his left hand, he is gradding her from the air and with the right he is holding a sword, with which he is ready to kill her. The Amazon, in profile to the left, is wearing a helmet, holding a very long spear with her arm and her shiled with the left. From his waist, her sword is hanging. This scene is flanked by two other battle scenes. On the left side, an Amazon is attacking a Greek. He is wearing a cuirass, helmet, he is hloding his spear and his shield and he is shown ready to fall down. Tha Amazon has atteacked him with her spear. She is wearing a helmet and a short chiton. On the right, an Amazon and a Greek are shown in profile running towards the left, projecting their spears. The Amazon is wearing a ahsort chiton and a helmet. She is holding her shield, covering large part of her body. A frontal head of a lion decorates the shield. A sword hanging from her waist. The male warrior wears a short chiton and has a shield and a helmet. The Amazons have long hair and wear helmets with longer and bigger crests. Incisions and added red are used for details. Added red: parts of the chitons of the warriors anad the Amazons, hair of the warrior in the middle, fillets on Amazon's heads and the frame of the shield of the running Amazon.
Below the scene, there are two lines (not evenly formed at all in their length) and a band of added red. Below that, the vessel is black, with two concentric circles on the surface of the foot. The resting surface is reserved.
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| 51.7.1
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Black handle, mouth, neck and back of body. Around shoulder at front is a tongue pattern. Below is main design of a nude youth riding a horse to the left, white for reins and thinned glaze for black detail. Below is meander strip broken by two crosses (white on black). Black to base.
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| 51.7.11
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The interior and rim are black, except for two reserved bands on the interior, at the top and bottom of the lip. Just under the rim is a laurel wreath, facing to the right. A palmette fills the space beneath each black handle; a series of dots mark each handle zone. The scene on each side is bordered by two tendrils that emerge from the ground, in most cases flanked by two smaller tendrils; at the centre of each large tendril is a volute, from which spring two demi-palmettes. Side A: Wreathed, draped Apollo stands in 3/4-view to the right, holding a laurel branch in his right hand and a phiale and fillet in his upraised left hand. He faces a white-haired, bearded Papposilen, who stands in profile to the left. The Papposilen wears a taenia on his head, an animal skin (nebris) over a shaggy-white body suit, and slippers. He holds a mirror in his upraised left hand and a lyre and a fillet in his lowered left hand. Above him is bust of a goddess, probably Hera (or Leto, or Cyllene?), with her face in profile to the right, enclosed within a window, outlined in white. She wears a high crown and jewellry and holds a sceptre in front of her left shoulder. There are ivy leaves in the field. Side B: Two standing, draped youths, facing each other and wearing wreaths. The left figure has a 'V' drape on his chest and his left hand is barely visible; the right hand of the right figure emerges from his himation; he holds a branch out to his companion. Beneath the scenes is a band of right-facing waves. The lower body and foot are black, except for a reserved band on a groove at the top of the vertical surface of the foot, and the reserved underside.
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| 51.7.13
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The mouth is black at the top of the interior and the lip is reserved; the handles are black as is the body where they are attached, and the foot, except for the underside. The neck is decorated with a six-leaf palmette on each side. On the shoulder, beneath two reserved bands, are tongues that suggest the effect of ribbing. A white fillet has been painted over the 'ribbing' on both sides. Two thick, black lines (carelessly rendered) encircle the shoulder. A large palmette fills the space beneath each handle. A female head, shown in profile to the left, is shown on each side. Each women wear a kekryphylon or kalyptra and has her hair tied in a knot. Strands of added white (ribbons?) emerge from the hair. There are also thin lines (carelessly rendered) beneath the main scenes. Beneath the main scenes the vessel is black, except for the reserved stem and underside. The stem and the resting surface have been treated with a darker red wash. Red sections are streaky and dull, and some of the 'black' became red through misfiring.
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| 51.7.15
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Reserved except for black glaze on the interior hollow and geometricising decoration: on one side, within two black bands, branches arranged in a radiate fashion; on the other side, within two black bands, radiate bands, some at various angles, intersecting; on the exterior 10 horizontal lines, each intersected by 7 short vertical bars.
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| 51.7.16
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Black mouth inside out, except for reserved top surface of the rim, exterior of handles, interior reserved and underside of the foot black; Between the handles are double (mirrored) lotus-enclosed palmette friezes, enclosed between red lines. Below the ridge at the base of the neck are alternating red and black tongues. Beneath each handle is a vegetal design comprised of three lotus buds, each arranged at right angles to each other, so that their stems form a diamond that encircles a dot, yet extend to four palmettes (two above and two below) that flank the figural zone. Beneath the figural zone is a series of friezes: two lines; a maeander (Greek key) to left; two lines; a frieze of upright leaves interlinked by arcuated stems; two lines; rays extending from the base. The preserved part of the base is entirely black. Side A shows a quadriga (four horse chariot) wheeling around, so that the front of the horses seem to pass a crouching warrior holding out a spear at a near horizontal. The helmeted charioteer holds a large shield. Side B shows a helmeted warrior, standing between two attendants. The warrior holds a shield with a lion-head sema, wears a chlamys, and holds a pair of spears at right angles. The (male) onlookers, both bearded, wear himatia that enclose their arms, and each holds a staff upright. Detail is incised on both designs. Top of foot and side are black and the underneath is concave and black. Added red on horses' manes and the contour of the shield.
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| 51.7.5
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Interior reserved; black glaze on mouth and upper half of neck, as well as upper half of handle; lower part of neck decorated with tongues that suggest ribbing; shoulder decorated (except under handle) with an egg-and-dot frieze between two black lines; reserved space at lower part of handle and handle attachment (interior) suggest that the mouth and neck were dipped. Body decorated with a frieze consisting of 7 clusters of three white dots at the top of a figural scene (arranged in upside down triangle shapes): a female figure, standing in 3/4-view to the left, in a relaxed posture with her left leg crossing her right, and her left elbow resting on a pillar (the curvy element in added white suggests that this is meant to represent natural rock). She wears a hairband and kekrphylon on her head, triple-dot earrings, two or three necklaces (two strands of white beads beneath a black line), two white bracelets on each wrist; a belted sleeveless chiton, and white slippers. She holds, in her upraised right hand, a mirror surrounded by white dots, and, in her left hand, a phiale that is surrounded by white beads, as well as a beaded sash. A large palmette, with a white dot on the heart and white dots on each volute, fills the space beneath the handle. From each volute emerges tendrils and floral decoration that frame the image of the woman. A 6-petal rosette fills the space to the right of the woman; to her left are a window and a dotted circle (cog-wheel?) in the upper left field, and an olive branch in the lower left field. On the body, beneath the figural scene, are a single reserved band and a thicker black band. The foot is reserved on the top element, and glazed black on the ridge and lower element; the underside and resting surface are reserved.
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| 52.3.1
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Mouth black inside and out, apart from flat exterior. Handles are black on top and sides but reserved underneath. Palmette and swirl pattern in black on neck. Small ridge at base of neck and vertical black tongues on shoulder. Side A: Heracles and Triton or Nereus (both equally possible as monster has tail and old man with staff associated with Nereus, but is unclothed as associated with Triton) with one male draped onlooker in profile to the left carrying a stick. The opposite side (B) is of a warrior (shield emblem chariot body painted in white) between two male draped onlookers carrying sticks. Added red on onlookers mantles, Nereus beard, and white on the shield. Below figures is a double row of large dots, bewteen two narrow bands with rays below to foot.Undr the handles, lotus and palmette . The foot is black and has two steps. Resting surface and conical base are both reserved.
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| 52.3.2
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Flared, cup mouth, black in and out and on rim. Neck is black, as is handle, except for a palmette pattern at base. Intricate tongue pattern around base of neck with a circular palmette pattern below. Main design, from left to right, shows Eutychia (EUTUXIA) standing to the right, holding a box in her left hand, with a string of embossed flowers (?) hanging down from her right hand. Beside her is a diphros with a cushion. Aphrodite ([A]FRODITH) sits, profile to left, in the centre and to left is small Himeros (IMEROS) in white, holding a wreath. To her right is a standing Makaria ([MAK]ARIA). Black egg pattern beneath main design. Moulded foot ring with grooves around the side. Black on top but reserved underneath.
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| 53.8.3
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Lip and interior glazed black, except a ram protome, profile to right, at the centre of a reserved tondo, outlined with an orange band. Exterior: lotus petals on the rim, interrupted only by the glazed handles and lugs, above a a thin glazed band at the carination (mostly orange-red), an invertedanimal frieze on the body or bowl, above a pair of thin bands above a thick band; bands decorating the foot on exterior and interior vertical surfaces; underside decorated with concentric circles (black between two lighter orange circles, enclosed by two darker orange circles). The animal frieze shows (from just above the black handle): a panther advancing to the right, head frontal, licking the horns of a grazing deer, profile to the left, between two pinecones, with a dotted line above his back; a panther advancing to the left, head turned frontal, a dotted lozenge, a lion advancing to the right, tongue licking the horns of a deer grazing profile to the left, with a row of chevrons above; a dotted lozenge. Below each creature is a dotted bull's eye (comprised of central dot, surrounded by a band, surrounded by a circle of dots). Additional ornaments, including dots and chevrons, in the field.
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| 53.8.4
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Molded, downturned rim with a flange (for lid); incurved horizontal round handles; deep body with nearly vertical sides that are slightly concave above the handles and convex below, curving sharply at the bottom into a broad, short stem, on top of a molded disc foot, recessed underneath in two degrees. Black gloss with red figure decoration. Side A: a female head profile to left, with small dotted circles in the upper field on either side; side B: palmette. Interior: a reserved band within the rim. Exterior: a band of vertical bars under the rim (with applied red wash); a reserved band around each handle attachment (also with red wash); a stemless ivy beneath each handle; narrow reserved band beneath figural scene; reserved band on the upper part of the foot; underside of foot is reserved and stained with red wash.
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| 54.2.2
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Reserved except for thin red band at rim, thick red band at neck, and medium red band at shoulder with thin streaky bands below it, level to the bottom of the handle. In between the bands there seems to be a pale white wash (?). The external face of the handle is also painted red with a small tail-like extension of paint.
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| 54.8.1
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Inside has a ribbed texture and is reserved apart from thin bands around rim with vertical bars overlapping the rim. Single ribbon handle which is unevenly bent, has horizontal lines down back and is reserved underneath. Procession of seven mourning women, in profile all facing right, framed by wavy lines, with two bands above and below and three vertical lines at right and left of panel. In front of the sevnth woman there ae three loop patterns, with dots. The women are wearing long garments, have long hair and ftech one arm over their head, as a mourning gesture. Face drawn in outline. No use of incision for any details. Below 'SSSS' pattern, then horizontal lines. Moulded ridge and groove below around foot. Base is flat and reserved.
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| 55.1.1
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Covered in lustrous black glaze, except for a red band at the rim.
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| 56.8.2
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Interior reserved, except for a narrow band of black glaze at the top. Exterior: black-glazed rim and handles, including handle attachment points, lower part of body, and foot. The shoulder is decorated with pendant leaves, vertically arranged, divided by a narrow black band from the body frieze which consists of, on either side, a 12-petalled horizontal palmette between two sideways 14-petalled palmettes central. Lines of dots emerge from either side of the middle leaf on each palmette. Underside reserved.
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| 56.8.3
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Exterior of handles black, interior reserved. resting surface reserved. Underside of foot reserved apart from black dot at the centre, surrounded by black thin band. Body black apart from handle zone, a reserved band c. 1cm below the main design and a reserved band at the junction of the body with the foot. Handle zone decorated with Protocorinthian black butterfly pattern three times front and back, recesses filled with chevrons. One butterfly recesses with leaves. Interior of the vase black.
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| 56.8.4
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Black inside and out except for an egg-and-dot band framed by two black lines at the front of the base of the neck, the figural design, and the reserved underside. Body: A satyr seated between two similar palmettes (the left one larger; each is comprised of a flower in the middle of two volutes framed by a short half-heart-shaped pattern on either side). The satyr is seated in 3/4-view to the left on a rocky mass that is spotted (perhaps it is covered with an animal skin). He looks profile to the left and he wears a taenia or band on his head, as well as a long, beaded necklace over his left shoulder and across his chest. He holds a phiale (its rim is marked with yellowish dots) in his left hand and a fillet in his right hand. The fillet is purple. The taenia, necklace, and rim of the phiale are coloured white with yellow wash. On the back a drip of (probably accidental) white paint.
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| 56.8.5
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Black pointed knob with moulded purple ridge at base, in centre of lid. Three black bands, tongues alternating black and purple, three bands, broad black band with superimposed purple line on each edge, three black lines and then a ridge. The rim is lower after ridge and has a chain of interlaced black lotus buds with dots between each one. Underside is reserved with a rim for top to sit in lid. Centre is concave with a hole in the middle below knob handle.
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| 56.8.8
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On the exterior of the rim, S pattern. A fight of three warriors between onlookers; on the left, an onlooker between two runners, on the right, a runner between two onlookers and at the back a floral motif (lotus-palmette cross?): Two semi-spherical palmettes chained in the middle by circular bands, dotted in the centre, and held on a columnar motif with similar (only more conical) palmettes as endings (top and bottom) by black strips. Many of the figures appear to be holding spears (in the case of warriors) or have in front of them the same attribute (long, thin, vertical or diagonal lines). There are variations in the rendering of armour, hairstyles and drapery, mostly executed by incisions.
The scene is framed by bands, top and bottom. Above the top band is a reserved circle, a thin, red, circular band and then the vessel is black up to the base where there is another red circular band. The interior of the footring is black. The broad, reserved base has a black circle inside a black band in the centre. Additionally, there are six dots (four are bigger) placed randomly on the reserved area of the bottom.
Interior: The surface is black from the rim to the tondo, except for two, red, concentric bands approximately 1 cm within the carination, and a similar red band framing the tondo. Inside the tondo is a representaion of a cock in profile to the right with a flower-bud emerging in the background. Red paint: tail, wings. Moreover, incised over the red ring surrounding the tondo there is a mercantile graffito (?).
The handles are black but reserved within.
The underside of the foot decorated with black dot at the centre, surrounded by black band and 6 black dots around it, uncanonically placed
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| 61.6.1.3
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Pink fabric. Burnished, but very rough at the base.
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| 61.6.1.6
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Small rough bowl with spout and three feet at base (but it is unable to support itself). Pinkish-buff fabric, unpainted. Dark red spot on interior.
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| 61.6.3
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Glazed black on the interior, except at the bottom of the bowl. Exterior glazed black (dipped) on the rim, handles, except near attachment (but a small line emerges to the front of the bowl, from either handle). The floral frieze consists of: palmette, upright, flanked by curling tendrils from which hang smaller palmettes (side A), a simple enclosed palmette (under missing handle); two upright palmettes with curling tendrils, although the palmette on the right has two curling tendrils at the left and none at the right (side B); simple palmette under handle. Beneath the floral frieze is a thin black band above a band of black dots. Black glaze also on the lower part of the body, stem, and top of foot, and interior surface of the foot (with extra paint spilling over onto the resting surface and the underside).
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| 61.6.4
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Decoration fired medium-dark reddish-brown rather than black, except at the centre of the front. Interior glazed, except for a narrow reserved band at the top. Exterior glazed on rim, exterior of handles, lower part of body, exterior and interior of foot, and thick band around a bull's eye on underside (namely a band around a dot. Body decorated on either side with a tall 5-petalled lotus between two 15-18-petalled palmettes. A single ivy leaf, upright, floats beneath each handle. Beneath the palmettes and ivy leaves are two black bands.
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| 62.10.1
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Black-glazed inside of rim and lip; broad black band at top of shoulder, above the handles; between the handles, on either side, a frieze of thin rays, a line of fine dots, and a simple maeander. Around the body two broad black bands, and black-glazed upper element of exterior of foot, but otherwise reserved. A faint rouletting marks the junction of the body and foot. Handle zones reserved but handles dipped in black-glaze, which drips from the left side of one handle. Under each handle a design comprised of a vertical band (?) above a series of four chevrons.
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| 65.6.1
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The mouth (exterior and interior), larger upper part of the neck and the handle are black (uneven and at most areas reddish brown) apart from the upper surface of the rim, which is red. There is a grey line on the neck and the surface of the shoulder bears decoration of voluted palmettes with narrow divisions and tendrils, widely spread to fill the space. The upper part of the body bears a meander pattern between two pairs of brown lines (above and below). Every fourth meander the pattern is interrupted by a saltive cross with a dot on each one of the triangular surfaces around it. The meander pattern continues as far as the scene below it is depicted. Main scene: A young man, wearing underwear? is seated on his himation, at the left side of a two-stepped tomb or pedimental funerary monument (grave-stele). At the right of the scene, a woman wearing a black and red peplos is bringing offerings. There is a brown line below them and the rest of the vessel is black, with the exception of two exteremely thin lines that are reserved at the joining point of the foot to the body and the side surface of the foot that is red, although the slip has not been evenly applied on the whole of the surface. Lastly, the resting surface is reserved.
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| 65.6.2
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Head and shoulders of a Neolithic deity. Square head and oblong arms. The top part has three holes bored through down either side and two partly bored holes near the top representing eyes and three partly bored holes representing the mouth in a horizontal line above 'neck'. Single partially bored hole on neck and one just above the break. Bored hole at the end of each arm. The other side is flatter than the side with the visible holes. Very smooth and highly polished object, creamy-yellow colour with naturally formed pattern.
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| 68.12.1
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Rounded and solid with a flat base and sloping surface at the top.
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| 69.7.1
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The inside of the mouth is black and the aperture is marked by a thin, black line. The lip is decorated with black tongues, with intervening white dots. There is also a zig-zag band on the vertical surface of the rim. The neck is black. The back of the handle is decorated with a voluted palmette (incised) with tongues (black and reddish) on the top. From the ankle, just below the neck, emerge alternating black and red tongues (contoured with black lines). The foot itself is entirely covered in a thonged sandal that ties at the front with a ring-shaped knot. The sandal is indicated with relief straps that are painted in reddish-brown colour. The edge of the sole (crepis) is decorated with two rows of black dots. The base is reserved.
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| 70.3.1
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Chimney mouth is black inside and out but with a reserved lip. Neck and underneath of handle reserved. Shoulder has dots, rays. Body, from top to bottom, two rows black dots, scene. Scene shows a chariot travelling right at speed. Behind the chariot figure with long garment and helmet running to left (Athena?). White added to charioteer and back side of chariot. Black to top of stepped foot, the side of which is reserved.Incision carelessly used for horses. The lower part of the body black with the excepton of three thin reserved bands under the decorated zone. Foot reserved. Underside reserved, two incised concentric circles.
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| 71.12.1
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The interior and the exterior of the mouth as well as the handle glazed. On the exterior, the black is fired brown. At base of neck, ridge in place of drip-ring painted purple. Shoulder: ivy leaves on each side of central purple line(six above, seven below); on body five inverted opening lotus flowers with central petals white. Above them row of white dots. Lower half of body and exterior of the foot glazed black (turning red in places). Resting surface and the underside of the foot reserved.
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| 71.12.2
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Circular with flared edges which are fanned. There are concentric circles around the central carved dot of the vessel: A small, incised one, two larger, that seem to be in low relief and one that contours the others, incised. There is also a carved line that separates the rim from the body (exterior), which becomes double at some point. In the centre one small hole, on the surface of the bronze two incised grooves and four smaller holes positioned symetrically around the bigger hole in the centre. Inscised petal decoration around the centre hole. Four fine grooves around the centre decoration and then twelve further holes around the edge the same size as the four smaller holes. Edges fanned with large grooves.
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| 73.10.1
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The top of the knob is covered with brown paint, apart from the central part.The knob is decorated with three parallel brown bands ; reserved at join with lid; 9 rays radiating from the edge of the knob.Two thin concentric brown lines, red-brownish bands framing a band of double dots. Black line at the edge of the lid fired brown. The edge of the rim is painted black, fired to brown. The underside is reserved.
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| 73.6.3
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Black figure painting consisting mainly of two large straight lights, one at the bottom, and the other in the middle. There are several patterns on the upper part, though it is challenging to fully make out what they are, though it is likely they are forming part of a story portrayed across the rest of the pot.
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| 73.9.3
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Singular arm of handle remains, outside of which has a black glaze, the inside does not. Remains of rim, same colour as this handle. Dot rosette and dotted swastika below handle, tip of palmette leaf on right of handle. Two dark brown bands at bottom edge of fragment.
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| 74.7.2
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Completely reserved plate. Inside at centre is a stamped design of six leaves, with vein detail, in a circle inside three grooved bands. More grooves towards sides of plate and on rim. Flat base with incised grooves on bottom.
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| 78.12.22
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Moulded ring around discus, within is a "Throx" gladiator in relief standing on base-line; helmet, shield, sword, top of greaves distinguishable. Moulded single volutes on either side of the nozzle shaft, at their termination are raised marks towards the base. A faint raised line next to the gladiator on the right. Red slip all over.
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| 78.7.1
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Two handles on opposite sides at top. Inside black with convex centre. Around rim are incised pendants on side A and two parallel lines with row of white dots above and below on side B. Below pendants is a pair of incised lines, a row of red dots, a grape vine with pendant grapes, leaves and tendrils. At base are three uneven circular shapes above reserved band. Black band around rim of foot. Base reserved and raised. Glaze partly faded.
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| 79.1.16
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Two bands of laurel leavess with berries on either shoulder between the handle and nozzle, discus decorated in raised moulded relief of a fourteen petal warped rosette. Two very small circles are placed at the body end of the nozzle, on either ridge of its top. Moulded line along the crest of the handle with two small lines either side of it at the front of the handle. The back side of the body, under the handle are three lines; the central is straight and terminates at the base with a bud either side, the other two terminate in volutes. Red wash all over.
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| 79.1.5
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Single band incision along the handle, both on the top side and the underside. A band across the handle at the highest point which does not reach all the way around the handle but does have an incision along it.
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| 83.11.1
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Torso of seated female figurine, and legs to just below knees. Right arm (articulated). Blobs representing (?) jewlery arranged in a saltine cross over front of body, and horizontal row at waist. Tow incised lines on left thigh. Clay orange pink.
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| 83.11.6
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Female head from figurine, burnt. Wearing stephane. Hair centrally parted, curled back at sides.
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| 83.11.8
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Head of female figurine, veiled, archaic features. Clay bright yellow-orange. Veil closely drawn in at sides.
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| 83.11.9
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Female head, raised and tilted over to right, on long neck. Hair waved from middle parting and gathered into bun at back.
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| 83.9.23
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Stamped decoration: four spindly palmettes joined at their bases to a small incised circle
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| 83.9.31
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One side of fragment is glazed black with a palmette design. Flowers are situated around a small, indented circle with six tiny indented 'U' shapes inside it. The other side of the fragment is mostly rserved, with a black band at the rounded part of the piece. Near the pointed part of the fragment there is an outer black circle, followed by a smaller black inner circle. Inside the inner circle there is a black dot.
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| 83.9.35
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One side has a single flower on it. If you are looking at the fragment with the flower at the bottom, then above that there is a band which has up-side-down 'U' shapes inside it. The other side seems to have alternate black and terracotta strips on it. One of the terracotta strips appears to be indented.
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| 84.8.1
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30 fragments, largely side B, small part of side A, handle and rim fragments. Side B three youths. a) The top surface of the rim is black and so is the interior, apart from a reserved area at the end of the rim that bears a thin, black line. The neck is decorated with a vague representation of a brach with laurel leaves. The joining point of neck and body that is preserved bears part of a black, thick line. b) The interior and top surface of the rim is black, with the exception of a reserved band on the end of the rim (interior) that bears a thin, black line. c) The handle is black, except for the surface that would not have been visible if it was attached on the vessel, which is reserved (but glazed). Around the spring of the handle there is a motif between two thin lines that resembles the ionic cyma (egg-and-dot). The rest of the vessel is black, both on the outside and the inside. d) The handle is black, apart from the surface that would not have been visible, where there are two dots. Around the spring of the handle there is part of the ionic-cyma motif. e) There is part of the ionic cyma motif that the handle bears around its spring and the rest of the surface is black (interior and exterior), apart from part of a small chess-shaped motif, framed by a line above and two below. f) It is black apart from an area that bears a small part of the motif that contours the springs of the handles, a small, diagonal, reserved band (exterior) and a reserved band (interior). g) The surface is black (interior and exterior) except for three thin lines that are reserved. h) The interior is black. Exterior: Above a double-meander pattern, placed on a reserved band and between two lines, there are two heraldic lion paws, even though the details have fadded away. i) The interior is black. Exterior: The lower part of the drapery and the foot of a figure, surrounded by black colour. j) Black interior. Exterior: The lower part of a vertical, reserved thin band is standing on a broad, reserved band that bears between two black lines part of a pattern that consists of a meander and a cross on its right. The cross is contoured by a reserved area (around its sides), while its is executed on a black background. k) The interior bears a thin, reserved band. Exterior: The back part of a male figure's head and shoulder, as well as part of the drapery. l) Black interior. Exterior: The male figure's shoulder and part of his draped body. On his right there is the outer part of the motif that contours the springs of the handles. m) Part of the male figure's leg, knee and tibia, which is projected, as if he is ready to take a step. On the left top side there is part of a vertical, thin, reserved band (upper part of a walking-stick). n) Black interior. Exterior: The lowest part of the figure's drapery and a vague representation of his feet ? He appears to be standing on a pattern that consists of a chess-like motif close to two, double-meander ones, framed by two lines above and one below. o) Black interior. Exterior: The lower part of the figure's walking-stick that seems to stand on the double-meander pattern. On the left of the walking-stick, there is part of the back side of another draped figure (male), with the same careless rendering of the feet. p) Black interior. Exterior: Part of the walking-stick and drapery of the second figure. q) Black interior. Exterior: Small part of the second figure's drapery. r) Black interior. Exterior: Small part of the second figure's drapery. s) Small part of the second figure's drapery. t) Black interior. Exterior: Part of the lower termination of the second figure's drapery as well as his right foot? On the left, part of his walking-stick. He seems to be standing on part of the double-meander pattern. u) Black interior. Exterior: Part of the pattern that consists of the chess-like motif, next to part of a double-meander one, on top of which there is the lowest part of a figure's foot? (clumsily rendered). v) Black interior. Exterior: The lower part of the drapery and right foot of another similar figure that satnds on the double-meander pattern. w) Black interior. Exterior: Part of the figure's drapery. x) Black interior. Exterior: Part of the figure's drapery. y) Black interior. Exterior: Part of the figure's drapery. z) Black interior. Exterior: Part of a male figure's arm and hand. aa, ab and ac) Part of the rim and neck. The exterior bears a broad black band and the interior bears a reserved area between two black bands. ad) There is a reserved line on the interior, while the exterior is black, apart from a reserved spot of unclear shape and another, similar one that bears a thin, black line.
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| 85.3.1
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All around the neck (except where the handles would have been attached) is a band of chained together, inverted teardrop shapes and dots within two black lines. Main decoration on body consists of two bordered figural scenes; Side A: Dionysus on donkey led by boy; Side B: Hephaistos (Dionysos, according to Mannack) on donkey led by boy. Both scenes are bordered by two lines of vertical dots between three vertical black lines at the sides, and a series of alternating thick and thin vertical black lines above. At the bottom of the body is a band of upward pointing rays.
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| E.23.43.2
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Cylindrical bead, light blue glaze, the bead is thickest at one end and tapers to it's thinnest at the other end.
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| E.23.49.3
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Tapering to a point at both ends, not serrated. Light brown in colour, flat underside with '843' written here, word 'Knife is written on the other side,
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| E.23.49.4
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Notch at end possibly a handle, serrated on cutting (bottom) edge. Grey in colour, one flat side with the word scraper written on it.
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| E.23.5
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Curved blade with obvious carved handle,possibly had ivory attatchment at one time. Has 752 (Liverpool accession number) on flatter side.
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| E.62.12
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Blue scarab on a flat base, which has vertical lines down the top of the beetle from its throat, and patterned legs. The wings are detached, both with spanned wing decorations. Base is plain. There are 6 small holes on the points of the compass, with 2 at East and at West by the side of the scarab, and three holes on each of the wings. These are at the corners of the joining part to the body of the scarab and one at each end of the wing spans.
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| E.62.2
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Sculptor's trial piece. White limestone, the sculptor is trying different ways of drawing hair. The bottom of the fragmet has a human head with one way of drawing hair, one braid at the from with several straight lines representing the rest of the hair alon with a band accross the top of the hair. Other methods include small squares, undulating lines and straight parrallel lines made up of small chips into the surphace.
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| E.62.22
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Horizontal incised lines (two or three) at the start of each set of teeth.
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| E.62.4
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A small limestone tablet with the image of a monkey holding its young. It is square in shape although this appears to because the adult monkey's head has been removed. There is a hole in the centre at the top of the artefact presumably so it could be hung up. The adult monkey is bending it's knees to reduce its height which also gives the idea of closeness between the two creatures. The underside of the artefact has the same image only in reverse and with less detail. There is red pigment remaining on both sides around the feet particularly.
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| E.62.44
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At base of shoulders and top of body are incised diagonal bars between bands. Five panels go around the body and are separated by incised chevrons between bands. Two panels show designs of leaves - possibly palm leaves. Two other panels show a collection of pictures which appear to consist of three leaves or feathers, an ear of corn perhaps and other agricultural objects (?). The fifth panel shows similar things to the last two described with the addition of a triangle with horizontal incised lines through it. None of the panels is next to a similar one. There is a flat ridge at the base. Painted to almost have a wood effect.
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| E.62.5
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There is a small band of carved / incised detail at the thickest end. Carving is a simple cross-hatch pattern with three carved bands above and below; the pattern extends below the bottom bands, perhaps by mistake.
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| E.62.53
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One of four hawks from corners of a sarcophagus. Disk on head is missing. The minat (counterpoise) hangs at back of collar. Painted all over in dark red pigment; traces of white pigment on face and breast.
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| E.62.8
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Incised band two thirds of the way down toward centre of inside. At centre are two pairs of two incised lines with a single circle and a sunken dot incised in centre.
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| E.62.9
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Incised line horizontal across both sides at back and again both sides at start of teeth.
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| E.63.13B
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Fragment preserves part of the lip and also the base of what was a shallow bowl. There is is a darker blue curved line following the angle of the bowl suggesting that there was a decoration at the bottom of the bowl. The piece comes from a spoilt lot from the lower levels of the city, which is suggested by the extra thick layer of glaze that is present on the lip.
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| E.63.4
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Light green figurine, partner of Reading E.63.3. It is the dwarf god Bes, dancing in a lion's skin with feather head-dress. There is a hole to enable threading at base/back of the head-dress. The figure stands on a flat base.
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| E.63.9
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Light green pendant. The image is the goddess of Hathor, goddess of music and dance. Here she is depicted in the form of a highly stylized cow. At the top of the pendant is a loop for threading. The pendant is flat and has the cow-head engraved in the centre with an arch of concentric lines above the head Below the head on either side are parallel vertical lines divided by one horizontal line on both sides.
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| L.2005.7.15
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Obv: Bust of Artemis wearing stephane; bow and quiver at shoulder. Rev: Nude Apollo standing on maeander pattern, holding in right hand a branch and resting left elbow against tripod; all within laurel wreath.
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| L.2011.1.48
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In the central discus one reclining figure recumbent on its right side; right leg bent, left leg outstretched. Behind the legs a fish tail. At the back of the figure a drapery, like a semi-circular frame around the head. (possibly a Nereid riding a sea-bull?). On the edge parallel lines in low-relief. On the underneath inscription and a small half-moon shaped stamp.
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| L.2011.1.51
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Pattern on the handle(short horizontal lines on the edge, one on the left, two on the right); moulded ring at the junction between rim and neck, with a pattern (short vertical incised lines) above and below.
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| L.2016.3.15
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Carved, continuous lines on black exterior. Two different parts of the parallel running lines; they intersect diagonal at centre of the fragment.
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| L.2016.3.31
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Few traces of different coloured paints. Few, small black or dark brown flecks allover the surface, a little more at the saddle, belly and mane. There are very few traces of green glaze at the top of the nose and front part of belly and saddle (and white as well as red-brownish flecks at the rare part) on the right.
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| REDMG:1926.99.54
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Mouth black interior and exterior; reserved neck; black on exterior of handle; band of black vertical bars above white band decorated black rays on shoulder, extending to carination. Body, top: white band decorated with two rows of black dots joined by a thin black zigzag (at front, only), above two black lines; figural scene (front only); white band; black band between two black lines; black to foot and on top of foot; otherwise reserved. Figural scene is of a chariot behind which stand three draped female figures (two women, standing profile to right, towards a third figure, standing profile to left. A fourth female figure sits profile to left, in front of the chariot. All four figures are draped, wreathed (with red bands), and have white faces.
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| REDMG:1934.26.1
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Thinly applied black glaze on interior, handles, and lower part of bowl, as well as a narrow band at the bottom of the lip, and the exterior surface of the foot.
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| REDMG:1935.87.1
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Black glaze except for reserved band at join with foot and underside, including resting surface. At the front of the body, the shoulder is decorated with an incised ovolo grieze between two incised lines; this frieze is accentuated with white inscribing the eggs and white dots between the eggs. Beneath is another pair of incised lines between two rows of white dots. The body is decorated with a red band from which emerges, above and below, (ivy) sprays, in added white gilded with yellow; two clusters of grapes (again white gilded with yellow) hang from this band. Some clusters of three red dots on lower part of body.
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| REDMG:1935.87.13
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Inside black except reserved band at rim 0.5cm wide. Red and black band around rim, beneath which is a reserved band. Thin black and red band just above handle followed by further wide reserved band approximately 1.2 cm wide. One handle reddish brown, the other black, both dipped. Lower body black with one dark red-brown patch below redddish brown handle. White deposits on joint between body and foot. Flared foot also black with reserved base and broad resting surface.
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| REDMG:1935.87.28
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Inside black, reserved line at lip. Two kylix handles, black on the top and reserved underrneath. Main picture is in handle zone and is similar on both sides. Shows Dionysos seated, flanked by palmettes with vines running either side of him. Detail picked out in red and white. Foot rind reserved outside, black inside. Base reserved with central dot, small ring in dripped glaze, thick black ring and near circumference also fire circles in thinned glaze.
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| REDMG:1935.87.3
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Black inside, outside and rim. Handle is black all over as is top half of neck. Lower half of neck has an umbrella pattern with 12 tongues on top. Large palmette with tendrils under handle on body and tendrils either side of scene. Scene is a woman standing, facing right, holding mirror in right hand and a box in left looking at seated Eros who is holding a mirror in his right hand. Added yellow over white, and white on Eros's wings, mirrors, box and headresses. Traces of miltos. Reserved band beneath scene. Black foot but reserved resting surface and base. (Modern) red cross drawn on base.
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| REDMG:1935.87.31A
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Red rim; two handles, coloured black. In the handle zone pomegranate pattern in three rows, the middle row red; below, one red line between two black; a broad black band with a pair of superimposed red lines at top and bottom; one red line an done black immediately above foot. Foot-ring black outside, two black rings on resting surface; inside of foot-ring red; on the bottom a central dot and pair of small thin rings, near the circumference a broad ring, all black. The edge of the flange supporting the lid, red. Handles black. Inside of bowl originally black with traces of one pair of red circles.
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| REDMG:1935.87.31B
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Lid: on the rim of the knob, black silhouetted triangles pointing outwards; below teh knob, black rays; four circles, the second and fourth red; round the edge below the animal zone a black band between two black lines; on the vertical rim a red band, and again a black band between lines. In the animal zone, on one side a palmette-lotus complex, flanked by a pair of sirens; on the other a siren flanked by a panther on the left and a lion on the right. Small incised circles on the body of teh panther, incisions on the lion. Field ornaments include rings of dots with or without a circle at the centre, scattered dots, amorphous and cruciform rosettes with incisions crossing at centre, rosettes with incisions forming small arcs facing away from the center. Some remains of added red on neck, breast, and tail of sphinxes, heart of palmette and petals of lotus. Inside of lid reserved.
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| REDMG:1935.87.32
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There is a broad, black band at the interior of the rim. On the top of the rim there are black tongues, apart from the surface of the handles, decorated with palmettes. Waves are used to decorate the edge of the rim, while the handles bear small palmettes on their sides and the rest is painted black, as is the body between. Both neck panels have ivy and dots joined by vine. Both sides of the body show a female head, facing left and wearing a decorated cap with a spiked stephane over it. There is a small window (rectangular motif with black vertical line), top right on both sides. Side A, however, has a strigil with wavy endings above the head, top left. Side B has a knot of hair emerging through the apex of the cap. On both sides there are volute-shaped motives at the end of the cap and below the woman's chin. Side A: The woman wears a black earing (a circle and hanging dots) and a neclace of black beads. A hair with a heart-shaped ending falls vertically over her neck. On the other hand, the woman on side B wears a similar but yellow earing and a neclace made of yellow beads. Both women are framed by two vertical red bands, decorated with two similar motives of a vertical row of dots between thin lines. These columnar patterns seem to support a horizontal red band over the head, ornated with tongues between thin lines (one above and two below). However, the surface under the heads is not identical for both sides. Side A has a red band with dots between lines and side B has two parallel lines and the wave pattern. Both the scenes are partly ruddled and added yellow is used to render the details. Miltos apparently was applied last.The lower half of foot is ruddled.
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| REDMG:1935.87.34
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Inside is reserved except for inside of mouth. Top of mouth is red with black wave. Black palmettes on top of handles protrusions. Handles are made of two bars with large square at top. Black between handles and all down body. Side A has an arrow pattern on rim, ivy leaf and dot rosette pattern on lower half of neck, black tongues, warrior in the centre leading two prisoners. Warrior has shield helmet. Rosettes and fillet in field. Double row of dots either side and wave pattern underneath. Side B has an 'SSS' pattern with dots on rim, lower half of neck has ivy leaves with dot rosettes, black band, black tongues, scene of three youths in conversation with crossed circles in field, double row of dots either side and 'SSS' pattern with dots at bottom. Black body, reserved stem, black foot with reserved groove, resevred band at base. Reserved conical base.
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| REDMG:1935.87.4
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Mouth is black just inside rim but interior walls are reserved. The handle is black all over as is back of neck and back of body. On neck at the front is a wave pattern which forms the horizontal part of a reserved outline to the picture. Within this box is a woman with flowing robes, facing to the right holding a wreath in her right hand and a plate / tray in her left. Tendril pattern to her right at bottom of picture and a rosette in the field. Added white to bracelets, head dress and rosette. Foot was originally black outside with reserved resting surface and flat base.
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| REDMG:1935.87.8
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Inside is black with no reserved sections. Outside is black with a groove just below rim and another two at top of stem. Foot is flat and black on the top but reserved on the side. Black band around very bottom of side of foot. The resting surface is reserved and the inner foot ring is black. Small reserved circle raised up inside foot with a black band and a small black central dot.
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| REDMG:1935.87.9
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Band cup with chain of palmettes and lotus buds. Traces of white dots in cable and white on upper parts of buds. Inside reserved band at lip and reserved disk 0.065 m in diameter with two small concentric circles at centre.
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| REDMG:1942.5.6.1
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Five bands around mouth, some broader than others; one broad band encircles the exterior of the rim; short tongues emerge from the neck, over the shoulder. Body: quatrefoil pattern at front; four-pointed star at back.
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| REDMG:1942.5.6.2
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Black glaze on top 2/3 of body; some accidental drips descend over the remaining third of the body, at the back. Some areas fired red.
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| REDMG:1947.13.1
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Black mouth inside and out, otherwise reserved inside. Below the rim, on the lip, is a white laurel wreath, to right. On neck, between black handles, a 9-leaf palmette, with a black dot for heart and black dot on either side of central petal; black ridge between two black lines; frieze of vertical bars beneath each handle; beneath each handle a large palmette above a pair of volutes, from which emerge vegetal ornament. A: Attenuated ovolo frieze between two black lines; white ribbing (painted); two reserved bands; floral frieze with white head, to left, at centre, emerging from a calyx from which emerge also tendrils, berries, volutes, and blossoms; reserved frieze; scene. B: Continuous maeander to right, between two pairs of lines; black ribbing (painted) between two black lines; flanked by vegetal ornament, from which emerges quarter palmettes and volutes, a female head, profile to left, wearing white stephane, and white sakkos, from which emerges curly black hair, at front and black; white drop earring on an inverted triangle. Below the body zone, around the entire vase, is a decorative band consisting of dotted cross squares (1) alternating with stopt maeanders to left (3) between two reserved bands; black below.
Scene, A: A woman, standing in 3/4-view to the right, with head profile to right, hair emerging from the back, a sleeveless, belted chiton, a himation draped over her left arm, a pair of white slippers, holds a palmette fan, with white detail, in her upraised left hand, and a branch (similar to a thyrsos) in her left hand, at a diagonal. She also wears a white stephane and a sakkos with black and white detail, from the back of which emerges a tuft of hair, a white beaded necklace between two thin chains (rendered by black lines), and white snake bracelets on each arm. She faces a naiskos enclosure, decorated in gilded white, with thin Corinthian columns and a black pediment, on a podium decorated with a simple continuous maeander to right, between a two pairs of white lines. Enclosed within the naiskos is a warrior, rendered in white with yellow details, seated in 3/4-view to the left, on a himation, with his legs crossed, and his left elbow resting on the back of his seat. He holds a crested helmet in 3/4-view to the right, at which he stares, and a diagonal spear in his left hand. On the ground below him is a small shield. To the right is a nude youth, standing in a reclining pose, 3/4-view to the left, wearing a white fillet in his hair, and white slippers. He holds a himation, bundled up around his left arm, and an opened box as well as a dotted, fringed sash, in his right hand. A thin rectangular element, perhaps a dagger, emerges from the opened box. A (heart shaped) ivy leaf hangs in the field above him.
White dotted lines indicate the groundline between all figures.
Details on the shoulder rays and, ornaments in the field, and all figural scenes are rendered in added white, sometimes 'gilded' with yellow wash.
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| REDMG:1950.25.1
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Black interior to bottom of rim. Laurel wreath, to right, on neck, above a row of widely spaced dots. Body decorated with egg-and-dot frieze, between reserved bands, which stops short of the handle on either side; figural zone except beneath handle (palmette with floral blossom at centre, three vertical lines at heart, vegetal ornament and flowing tendrils on either side); inverted waves, to right. Exterior surface of foot is ruddled on the upper part. Reserved resting surface and underside except for black circle at centre, surrounded by broad ruddled band, and black on inner foot ring.
The figural scene shows a female figure, dressed in a belted, sleeveless chiton, reclining on her front, profile to right, reaching towards a phiale held by Eros, who advances profile to left, crouched and holding a wreath in his lowered right hand and a phiale in his upraised left hand. Both wear their hair identically: spike stephanai, sakkoi, and pony tails. Behind Eros a bird, profile to the right, on a perirrhanterion (pedestal basin). Added white, gilded with yellow, on floral and vegetal ornament, headdresses, wings, and basin.
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| REDMG:1951.113.3
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Black glazed except for reserved areas: lower part of body, reserved (interrupted by a black line); upper part of foot, and underside (resting surface glazed black except for a reserved band). Back decorated with a (white) wavy ivy garland beneath handle; front decorated with two incised lines, egg-and-dot frieze on which eggs are surrounded by incised lines; another pair of incised lines; waves to right, garland from which hang alternating fronds and bunches of grapes, with longer sprays at sides; on a pair of dotted groundlines stands a bird (wren?), profile to left, between two flowers.
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| REDMG:1951.130.1
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Black band on interior, reaching to ca. 1.0 cm. below the lip; black neck and handle. Shoulder: reserved tongues, alternatively red and black at centre, on a black band (tongues extend partly over the upper ridge, on the right side). Body: komos comprised of eight nude male dancers with purple hair and incisions delineating hair, eyes, muscular and other bodily details; under handle, black column krater (decorated with two incised lines on shoulder, purple band and incised rays band between incised lines on body); in field between dancers, seven rosettes with single or double incised central circle and incised petals. Below, broad black band between two black lines; black rays emerge from base. Foot black on exterior, otherwise reserved.
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| REDMG:1951.131.1
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Black rim and neck, except for a thin reserved band just above the join with the body; body decorated with three reserved bands above an egg-and-dot band and another reserved band; row of white dots at top of figural scene. Below, band comprised of stopt maeanders (3) alternating with cross-in-square (1), between two reserved bands; broad reserved band at join of body and foot; reserved band on lowest ridge of foot as well as resting surface and underside.
A: A draped woman runs in 3/4-view to the right but looks back, profile the left. She holds in her lowered right hand a wreath from which a garland hangs and in her upraised left hand a box (decorated with bands, chevrons, and zigzags, as well as white dots above the box), while drapery falls over her left arm. She wears a stephane and a kekryphylon with dangling ribbons, beaded earrings and double necklace (indicated by white dots), double bracelets on each wrist, a belted, sleeveless chiton, and slippers. In the field are a fillet (upper left), a rosette with five white dotted petals and a yellow centre (upper right), and a shrub with berries (lower centre), as well as a white dotted groundline rising slightly to the right. B: Eros, holding a beaded necklace in his extended right hand, is seated in 3/4-view to the left on a flower. The leaves and buds of the same plant elaborately fill the field beneath and around him. He wears attributes that are similar to those of the woman on A: stephane, kekryphylon, earring, double beaded necklace, double bracelets, and slippers. He also wears a beaded baldric diagonally across his chest and ankle bracelets (3 on each ankle) and a baldric comprised of a row of white dots arranged diagonally across his chest, over his left shoulder.
Added white is used for details of Eros' wings as well as the jewelry, box decoration, slippers, vegetation and groundlines, as well as the centre parts of the eggs on the egg-and-dot band.
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| REDMG:1951.134.1
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Black interior and handle; beneath each handle a palmette, flanked by tendrils; on each side a wave band, to right, above a woman's head, profile to left, surrounded by tendrils. Banded decoration below is comprised of a reserved band just below the figural scene, a pair of red bands above the foot, a red band on the upper surface of the foot, and reserved area at the centre of the underside.
The common use of red stain to effect a red (ruddled) surface on reserved areas is highlighted in this example by the almost complete loss of black glaze towards the foot, where the ruddled intervening bands strongly contrast with the buff/reserved (formerly black glazed) areas.
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| REDMG:1951.135.1-2
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Pyxis: Black band on lip and at top of handles, black rays (between handles) on shoulder; broad black band between lines, carelessly applied, at widest part; narrower black band below. Lid: Black on vertical part of knob and concentric band on lid, around knob.
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| REDMG:1951.136.1
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Upper surface of knob decorated with reserved (and reddened) band, black band on inset, cog-wheel on inset circle; lower part of knob and stem black except for a reserved (and reddened) band at the upper part of stem, and a reserved band where the stem meets the lid. The lid is decorated with two female heads, profile to left, between two palmettes. The females each wear a spiked stephane and a kekryphylon, earrings, and beaded necklace; cluster of three white dots in the field in front of each. Enclosed palmettes highlighted with white arcs at centre and white dots on either side of top leaf. Black wave around lip. Added colour (yellow on white) for details of jewelry. The underside is reserved.
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| REDMG:1951.137.1
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Inset circle of knob decorated with a cross with chevrons in the angles. Bars on rim of knob. Black stem, reserved band at attachment to lid, which is decorated with a figural scene. Bird (partridge or pigeon) standing profile to right, towards a female head (Aphrodite), profile to left, wearing dotted spiked stephane, sakkos, and a pony tail, as well as white hoop earrings and a dotted necklace. Two dotted four-petal rosettes in field behind her. Scene flanked by two sets of tendrils from which emerge lotus buds, on either side of a palmette from the top of which emerges a lotus bud. Added colour (yellow on white) for details of bird, stephane, jewelry, and flowers. Flange on edge and underside of lid are reserved.
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| REDMG:1951.140.1
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Upper surface of rim reserved, black ridge, and outer edge of lip decorated with a wave pattern to right; black below lip, on neck and on handles except forward handle attachments (on horizontal handles) decorated with rays; reserved patches beneath horizontal handles. Lower part of neck decorated at front with a short laurel wreath, to left, between two narrow reserved bands. Beneath the figural scene is a groundline comprised of a frieze of alternating maeanders (three) and saltire squares (one). Narrow reserved line at join with base, bottom edge of base, and underside. The figural scene is framed between a tendril, above the left handle, and a larger vegetal ornament, from which emerges a lotus bud. A Youth stands in 3/4-view to the right. He is nude, except for drapery slung over his bent right arm and held in his lowered left hand, and a white taenia on his head. He also holds a staff in his slightly upraised right hand. At centre is a bird (crane), seated in a perirhanterion (basin), supported by a fluted, tapered column, with a dotted capital, on a two-stepped base. The steps are decorated with small black spots and thin diagonal lines that suggest a marbled appearance. On the other side of the perirhanterion stands a woman, in 3/4-view to the left, with her weight on her right leg and her left leg relaxed. She wears a belted, sleeveless chiton, double bracelets on each wrist, a beaded necklace, and a spiked stephane, as well as a short pony tail. She extends her right hand to the bird and holds a box, decorated on the sides with black spots and lines, and three white spots on top, in her slightly upraised right hand. Above the bird is a rectangular frame (sometimes called a window but perhaps a votive plaque); above the box is a cogwheel. Most of the reserved areas are darkened with red wash, and the jewelry and other details in added white.
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| REDMG:1951.143.1
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Shoulder decorated with yellow ivy wreath from which dangles an actor's mask at centre: white face to left with yellowish-brown hair, head and features. On either side, a pair of purple-red fillets with white dots and white strings at the bottom, inside long yellow dotted branches. White line around shoulder, above vertical ribbing. Otherwise black glazed except for reserved areas in uneven band around join of at bottom of ribbing, foot and underside.
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| REDMG:1951.144.1
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Exterior black glaze with red figure decoration all over; underside reserved, except for broad black band at curve from plate to stem, black on exterior and interior vertical surfaces of foot, and broad black band around pointed centre of plate. 12-petal rosette in central well, surrounded by red band, wave pattern to left, and black and red bands; figural scene showing three different types of fish (bream in profile, xxx and cuttle fish, shown from above) advancing to the left. Mussel and 6-petal rosette in field, on either side of the xxx. Rim decorated with red band above a laurel band to left floral motif.
Red parts of decorative bands ruddled, whereas streaky brown has been used for artistic effect (shading to render a three-dimensional impression) on the fish. Some details on central rosettes and fish rendered with added white and yellow.
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| REDMG:1951.146
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Black interior. Exterior: vertical worms, double-row checkerboard between two black bands, red band between two reserved bands, black line, reserved band, black band, rays rising from a red band; reserved line at join with foot; black band around foot. Central black dot and ring on underside; interior of foot black; vertical bars on handles.
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| REDMG:1951.147.1
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Entirely black, except reserved on the inside of the spout and the underside including resting surface, and red figure decoration: line at middle of neck; ray band at lowest part of neck, above dots; figural scene between two sideways palmettes, enclosed, from the outside bottom of each emerges tendrils; short ray band at interior of lower handle attachment; 10-leaf palmette at exterior of lower handle attachment; flange decorated with egg-and-dot band, beneath a black line; the sides are decorated with an ivy design, effected through incision (tendrils) and added white (leaves). Reserved line band just below join of body and foot.
The figural scene on the shoulder depicts seated youth seated profile to the right, facing a woman, seated profile to the right, but turning profile to the left. The youth, nude except for a hairband, sits on drapery, alongside which he hangs his left arm, and reaches a wreath, held in his left hand, towards the woman; she, wearing a crenellated stephane and a belted chiton, is seated perhaps on a cushion (comprised of dots), helds her right arm, slightly lowered, towards the wreath, and holds a box in her slightly raised left hand. A four-petal rosette is beneath her right arm.
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| REDMG:1951.148
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Black interior, handles, neck and body except for decoration in panels (black figure in neck panels; red figure in body panels). Upper surface of rim decorated with ivy spray, with 3-dot clusters between ivy leaves; palmettes on tops of handles; ivy spray on lip, with palmettes at tops of handles; wave pattern to right on overhanging lip. Neck panels decorated with double ivy spray, on which 8-dot clusters alternate with leaves. Body panels bordered by rays (above), double rows of dots between black lines (sides), and band of stopt meander (4) alternating with dotted cross-in-square (1) (below). A: Youth wearing hairband, short-sleeved, belted chiton, and mid-calf boots, stands in 3/4-view to the right; he holds a pair of spears upright in his right hand and a wreath in his left hand, held slightly ahead of him; a chlamys is draped over his bent left arm. A warrior is seated 3/4-view to left, on a curvilinear seat (stones?). He is dressed identically to the youth, although with a plumed conical helmet. He holds a large phiale in his outstretched right hand, and his pair of spears in his upraised left hand. Behind him stands a woman in 3/4-view to the left. She wears a belted, sleeveless chiton, a kekryphylon (hair), pearl earrings, a beaded necklace, two bracelets on each wrist, and holds a fillet in her outstretched right hand and a situla in her lowered left hand. In the field above the figures are a four-petal rosette between two boucrania. B: Three draped youths in conversation, the middle one, standing profile to left, leans on a staff with his outstretched right hand; the other two youths face him. Halteres in upper left field and and bulls-eye in upper right field.
Much of the interior and side B are misfired orange.
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| REDMG:1951.149.1
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Wide flared mouth. Black inside with two reserved bands either end of rim. Outer surface has a laurel band around rim. Handles, all black, at the base of the body extend upwards. Side A shows seated woman (skin painted white) and Eros next to her with a satyr seated and holding a thysseus and pointing on Eros' left. Tendrils above and plants in field. Side B shows a woman standing, draped, facing right, between two satyrs, one reaching to a box the other dancing with a box above him to the right. Egg and dot pattern below both scenes. Black to top of foot which has a reserved band at top and bottom of side. Base is concave and reserved.
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| REDMG:1951.150.1
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Black except for decorative bands and figural scene on either side, and reserved band at lowest part of foot, as well as reserved underside. Neck decorated on either side with a laurel band, between two reserved bands. Beneath figural scenes are decorative bands, comprised of stopt maeanders (3) alternating with saltire squares (1).
A: A female figure, juggling 8 eggs and advancing profile to right, faces a youth, advancing in 3/4-view to the right, but turning his head profile to the left. The woman, wearing a sakkos, tear-drop earring, beaded necklace, belted, sleeveless chiton, and two bracelets on each arm. The youth, nude except for a wreath around his head and a chlamys slung over his left arm, holds a large palm frond in his left hand and a phiale, at waist level, in his right hand. Above the phiale are 7 eggs (slightly smaller than those juggled by the woman). Bulls eye (above) and tendril (below) in field between them. B: Two draped youths, face each other in conversation; between them a window (above) and a stele (below); the figure on the right supports himself on a staff that he holds in his right hand.
Added white and goldish-yellow on side A, for jewelry, balls, phiale, wreath, and vegetation. The saltire square have short lines in place of dots. The right-most saltire square on A is replaced with a box of vertical lines.
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| REDMG:1951.151.1
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Black glaze all over, except for red rim, two superimposed decorative friezes at the base of the neck (ribbing between two black lines, egg-and-dots between two black lines, yellow dots below); figural frieze between tendrils; beneath handle one palmette sits atop a second palmette enclosed in tendrils that terminate above in volutes from which emerge further tendrils, ending in volutes, that sprout yet another set of tendrils; egg frieze between two reserved bands encircles the entire body and serves as a groundline for the figures; reserved underside.
The scene depicts a youth, nude except for two bands in his hair and a chlamys draped over his bent left arm, advancing (dancing?) in 3/4-view to the right, following two maenads, all advancing in 3/4-view to the right, although the last two maenads turn their heads profile to the left. All three maenads wear two bands in their hair (the last, however, appears as a single thick band), beaded necklaces, belted, sleeveless chitons, and snake bracelets on their left arms (the first maenad has a similar bracelet on her right arm). The youth and the first two maenads hold thyrsoi in their left hands. The third maenad holds a wreath in her lowered left hand.
All red surfaces are ruddled, except for the underside, including resting surface. Some added white and yellow highlight details on heads, jewelery and thyrsoi.
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| REDMG:1951.156.1
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Mouth black inside and out, with a reserved lip; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body, top: black line at top of body. Body (at front, only): three rows of black dots between four black lines; black lines above and below figural scene; below, simple maeander to right, above a black line. Body, below: two black lines, thick black band, two thinner black bands, black to foot. Figural scene depicts a goddess mounting a quadriga, profile to right. Behind the horses are a seated (?) female figure, also profile to right, and a standing male (?) figure, from whom emerge, to either side, dotted branches; in front of the horses is a lyre player, seated profile to the left. All figures are heavily draped.
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| REDMG:1951.157.1
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Entirely black except for reserved line around edge of rim, ribbed zone (comprised of five vertical lines in panel) at front of neck, and figural scene on the front of the body, and reserved underside at front half of lekythos (similarly the front half of the interior is reserved).
Scene: double tendril, with a blossom emerging from the larger tendril; female head, profile to left; rosette in upper right field; small tendril in lower left field. The female wears her hair in a sakkos, tied at the back, from which emerges a tuft of curly hair around the ear. The reserved areas are ruddled, except on the underside. Some of the glaze beneath the handle has fired red.
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| REDMG:1951.158.1
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Black except for the underside and an oblong panel at front, which encloses a palmette with a chevron heart and a raindrop in the field on either side. A row of14 black dots fills the top frame. Reserved areas ruddled, except for the underside.
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| REDMG:1951.159.1
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On neck, between black handles, an enclosed palmette (11 petals on A and 9 petals on B; with two concentric arcs for heart on A, black dot for heart on B), black dot on either side of central petal, and black dot in the upper corners; black ridge below black line; frieze of vertical bars below each handle attachment; beneath each handle two superimposed palmettes, with a pair of volutes between, from which emerge tendrils, sprouting quarter palmettes. A: egg-and-dot frieze, between two black lines; white ribbing (painted); two reserved bands; floral frieze on shoulder (four volutes from which emerge flowers, tendrils and secondary volutes) emerging from the lower right; two reserved bands; scene. B: Continuous maeander to right, between two black lines; black ribbing (painted) between two pairs of black lines; a female head, profile to left, wearing a sakkos, from which emerges curly black hair, at front and back. Below the body zone, around the entire vase, is a decorative band consisting of dotted broken stopt maeanders to left (pattern doesnt match up on side B, to the left) between two reserved bands; black below.
Scene, A: A naiskos comprised of two Corinthian columns supporting a tapered epistyle and black pediment, on top of a podium (white maeander on a brown background, between alternating black and white horizontal bands). Two white female figures stand within the naiskos. The figure at left, standing in 3/4-view to the right, wears a himation over her left arm and hips, over a peplos (decorated with two vertical purple bands on the chest). Her hair is bound in a sakkos from which emerges hair at front and back; her jewelry includes a beaded necklace and two bracelets on each wrist. She holds a fan in her raised left hand as well as a wreath in her lowered right hand. She faces another woman (probably the deceased) who is seated in 3/4-view to the left on a stool (diphros) and rests her feet on a footrest (hypopodion). She wears a short sleeved chiton and a purple himation that she holds above her right shoulder in an unveiling gesture (anakalypteria). Her hair too is bound in a sakkos, from which emerges hair at the back; she wears two necklaces, one beaded, and two bracelets on each arm. A small ornament (or pures) hovers in the field between the two women. On either side of the naiskos is a kalathos (basket), below a rosette (red with added yellow and white), above a pair of white balls interspersed with clusters of three white dots, and above a double line of white dots. Each basket (both are identical) is decorated with a cross-square with intervening triangles (top) and alternating bands of zigzags, and white and black lines, as well as a band of vertical bars.
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| REDMG:1951.160.1
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within.
Interior and mouth glazed black with two reserved bands at top and bottom of rim. On exterior, below rim, a frieze of tendrils, with lotus buds above and below. Black handles, with reserved bands between attachments, and enclosed half palmettes below, from the sides of which emerge tendrils with volutes that encroach in the figural scenes. Below the figural scenes is a band of slanted zs, between two reserved bands. Black below, except for the recessed element at the top of the foot, which is reserved, a narrow band at the bottom of the foot on the exterior, and the reserved underside. The reserved parts of the volute frieze and figural scenes are reddened.
Scene, A: A woman standing in 3/4-view to the right, wears a black beaded necklace, a sleeveless belted chiton, and two black bracelets on each wrist. Her hair is tied in a ponytail. She holds a torch in her advanced left hand, while her right hand, downturned, is also slightly raised. She faces a youth, nude except for a chlamys draped over his left arm and slippers, who stands in 3/4 view to the left, reaching toward the woman with his right hand. Between the figures, in the upper field, is a window frame, while a large tendril, with volute, emerges from the ground, between them. In the field behind him is a leaf. B: Two robed youths, standing profile, with their right legs advanced, face eachother across a narrow stele. Above them is a circle with a black line vertically through the centre and an 'H' drawn on top (probably halteres).
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| REDMG:1951.161.1
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Black interior, except for two reserved bands, at the top and bottom of the everted lip. Under the rim is a laurel wreath, to left, between two reserved bands. Beneath the figural scenes and surrounding the lower part of the vase, is a decorative band, comprised of stopt maeanders (3) alternating with saltire squares (1), between two reserved bands. The handle zones are reserved, and ray bands decorate each handle attachment; beneath each handle is a palmette, between two tendrils. Reserved bands decorate the base, on the groove at the top, and on the bottom; the underside is reserved.
A: A woman and a youth advance in 3/4-view to the right. She wears a stephane, a kekryphylon with ribbons, a beaded earring and beaded necklace, double braceless, a sleeveless, belted chiton, and slippers. She holds a tympanon (drum) in her upraised right hand and a kantharos, in her upraised left hand, which she lifts from a tray held by the youth, in his right hand. There are three white dots on top of the tray. He is nude except for a yellowed fillet, a thick white necklace, and a robe draped over his right hand. He turns his head profile to the left, to face the woman, and also holds a fillet in his outstretched left hand. There is a grape cluster in the upper right field. Added colour (white with yellow) is used for the jewelry and slippers.
B: Two robed youths in conversation, stand profile towards each other, each with his weight on his left leg. Both are enveloped in their himatia except for their right hands; the left-most figure holds a staff in his advanced right hand, while the other figure gestures to him, with his upturned right hand. There is a bulls eye in the field between them.
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| REDMG:1953.25.107
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Thinnest at top and progressively getting thicker to bottom. Reserved band at top with wide smooth area painted blue below. Beneath this is the top of of a palmette style pattern with red and blue colours alternately.
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| REDMG:1953.25.13
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Black glaze, inside and out. On shoulder, below handle, five close-set red bands between two pairs of thin white lines. Two-thirds down body bands of alternating colour (white, red, white, red, white); trace of red line at top of foot; reserved foot and underside.
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| REDMG:1953.25.14
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Black glaze but reserved band just above foot and reserved underside; red bands on lip, above and below moulded ridge; incised pairs of vertical lines radiating across shoulder; two white lines, each above a red band, at lower part of shoulder; red bands on lower third of body and exterior surface of foot.
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| REDMG:1953.25.15
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Black glaze all over; red band between two white lines on shoulder; red band at middle of body; lack-gloss over entire surface; two red bands around body.
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| REDMG:1953.25.16
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Black glazed, except for interior (beyond mouth), lower part of body, and underside. Superimposed (faded) decoration: dotted spray around lower part of neck; mask falling between two dotted sprays; red band on reserved area at lower part of body.
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| REDMG:1953.25.17
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Black glaze on top 2/3 of body; some accidental drips descend over the remaining third of the body, at the back. Some areas fired red.
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| REDMG:1953.25.18
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Black glaze except at centre of disk on either side and lower part of knob.
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| REDMG:1953.25.21
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Trefoil mouth with thickened rim and flattened lip; broad neck joining bulbous body in a continuous curve (except for a slight ridge around base of neck [CHECK]), down to the low ring foot. A vertical strap handle slopes down slightly from the mouth and turns at a right angle back to rejoin the broadest part of the body. Black gloss except on underside.
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| REDMG:1953.25.22
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Mouth black inside and out, with a reserved lip; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body, top: black line. Body (at front, only): black line; two rows of black dots alternating with white dots; two black lines; figural scene. Body, below: two black lines, black band, black line, black to foot and on top of foot; black on torus; otherwise reserved. Figural scene depicts a charioteer, dressed in a white tunic, driving a quadriga profile to right; the horses raise their forelegs as they pass a white meta (post). Another figure, possibly Athena, with helmet and spear, runs alongside the horses, so that (s)he is obscured by them.
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| REDMG:1953.25.23
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Mouth black outside; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body (at front, only): black line; two rows of black dots alternating with white dots; two black lines; figural scene. Body, below: black band, black line, broad black band, black line, black to foot and on top of foot; black band on lower part of concave element; otherwise reserved. Figural scene depicts a male figure wrestling a bull. The figures are flanked by trees with black and white fruits and thin vines. The heros clothes hang on the left tree and his quiver hangs above him. While this scene might depict either Herakles with the Cretan bull or Theseus with the (same) bull of Marathon, the incisions on the head covering (slightly stippled) suggest that this is a schematic rendering of Herakles lion-scalp helmet. Added white is used for the rendering of details such as fruit on trees, as well as the forepart of the bull, and his tail, while incision is used to indicate the drapery, quiver, and musculature of the hero, as well as his head covering. On attribution, cf. CVA Cambridge 1, pls. 22, 21.
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| REDMG:1953.25.25
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Reserved neck; band of black vertical bars above a band of black rays on shoulder, extending to carination. Body: maeander to right (only at front), between two pairs of black lines; figural scene (front only); black band; black to foot and on top of foot, and top half of vertical surface of foot; otherwise reserved. Figural scene is of four seated figures, seemingly two women profile to right, the second playing a lyre, face a man reclining in 3/4-view to left on a kline (couch), with another female figure, profile to left, at his right. Dotted branches extend from the male figure (perhaps Dionysos) on either side. Added white for female flesh (faces) and fruit; incisions for drapery and fillets.
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| REDMG:1953.25.27
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Handle black on exterior. Shoulder: inner band of black tongues and an outer circle of rays, black alternating with white. Black body and upper part of foot; two red lines, one at top of body and one 2/3 down the body.
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| REDMG:1953.25.28
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Handle black on exterior. Shoulder: inner band of black diagonal lines and an outer band of longer black diagonal lines. Body: reserved band decorated at front with a pair of black lines above a simple maeander to right; broad black band; reserved band decorated at front with a band of black sloping zs between two black lines; black on lower part of body and upper part of foot; otherwise reserved.
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| REDMG:1953.25.3
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Each handle is dipped, so that it is black only at the outer part. Interior: black with three red bands, one on the floor, one ca. 1.5 cm below the rim, and one on the rim. Exterior: two red lines; band of vertical bars, black band between two black lines, red band, black band between two black lines, red band around foot. Red band on resting surface; black band and thinned black circle near on underside.
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| REDMG:1953.25.35
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Black glaze on mouth and upper part of neck (dipped); handle zone surrounded by black band; 8 black tongues on neck, reserved shoulder except for two neck tongues that extend down to the body on either side of the handle, black band at height of lower handle attachment. The remainder of the body is covered with a net pattern of fine, irregular black lines and tiny white dots where lines cross. Broad black band (thin glaze) around bottom of body and top of foot; resting surface and underside reserved. Glaze is misfired red on one side.
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| REDMG:1953.25.37
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Ridge at base of neck. Main design is of a boar running to the left. Uneven, streaky black line around base. Foot is black on top and side but reserved on resting surface and raised base.
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| REDMG:1953.25.44
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Interior: black line above reserved band on rim, below which entire surface is glazed black. Exterior: black line and reserved band at rim; black line at top of body; reserved band in handle zone; indications of black glaze at outer parts of handles (dipped?); glazed black below (glaze is thin in sections).
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| REDMG:1953.25.45
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Black glaze except reserved panels under handles, on interior of handles; foot is reserved and reddened, except for black on the interior vertical surface and a small black concentric circle at the centre of the underside.
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| REDMG:1953.25.46
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Black glaze except reserved panels under handles, on interior of handles; foot is reserved and reddened, except for black on the interior vertical surface and a small black concentric circle and dot at the centre of the underside.
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| REDMG:1953.25.47
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Black glaze (thin on lower part) except reserved line just within rim, panels under handles and interior of handles; foot reserved and reddened, except for black on the interior vertical surface and a small black concentric circle and dot at the centre of the underside.
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| REDMG:1953.25.48
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Black glaze, with red lip, two red lines between two white lines at shoulder; red line on lower part of body; red band on outside of foot. Underside reserved; trace of black on the resting surface.
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| REDMG:1953.25.5
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Interior: red. Exterior: black band on upper third, with red line superposed; red band at centre; reserved on lower third except for a narrow red band just abov ethe foot. Red on all surfaces of the foot. Underside reserved except for a red smear at centre and red line inscribing foot.
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| REDMG:1953.25.50
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Black glaze, fired red in places. Red band on lower part of lip; traces of white palmette, with tendrils, on shoulder; red line between two white lines at shoulder; red band just below middle of body. Underside reserved.
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| REDMG:1953.25.55
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Small jug with wide flaring mouth and rim which is reserved inside apart from a long smear of paint. Handle is made of two sections, not quite meeting at the top and extending along the rim. Straight neck with slight ridge at juncture with body. Thin groove at base around foot. Base is flat and black.
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| REDMG:1953.25.56
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Red on outer surface. Slightly flaring mouth with long neck. Moulded rim at base of neck. Single curved handle. On shoulder are long tongues, band, 'sigma' shapes, band, broad band, bands, pointed tongues up from base. Foot flares out and base flat. Down each side, below handle and opposite side are flat strips that reach from neck to base.
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| REDMG:1953.25.59
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Black glaze fired red in places; ghost of a palmette from the bottom of which emerge two volutes, in added white on shoulder at front; red band between two white lines on shoulder, just below handle attachment; red band on widest part of body; underside reserved except some black glaze overlapping from the sides.
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| REDMG:1953.25.6
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Plain rim below which are attached two horizontal round handles; tapering sides and broad angled ring foot. Black gloss except for lower part of body and foot reserved. Overpainted on sides with red band at rim, red band below handles, red band at bottom of black gloss above a broad band of rays extending to the foot, with a black line at the join with the foot, and red on the exterior surface of the foot. Underside decorated with three thin concentric circles towards centre of base.
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| REDMG:1953.25.68
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Black glaze on exterior except for a reserved band inscribing the top of the knob, two reserved bands in the middle of the top, two reserved bands at the join with the flange, and one reserved band at the rim. Interior reserved.
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| REDMG:1953.25.69-70
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Inset top of knob, decorated with black band inscribed with Maltese cross, outlined with added white, simple black lines at centre; black dots between angles; reserved stem; black tongues around base of neck. Remainder of lid with black with superposed colour: white scallops; white dots; white diagonals outlined with red; white band; white dots. Black wave band around lip. Black interior except for reserved inside of lip.
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| REDMG:1953.25.76
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Black glaze except reserved at join of body and foot.
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| REDMG:1953.25.77
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Ovoid or tongue mouldings on the shoulder, not no the areas covered by the nozzle volutes or the area of the handle. Discus is surrounded by four concentric moulded rings, the filling hole is surrounded by three concentric moulded rings. The nozzles have on their outer edges large volutes, these terminate at the body with horse heads instead of the usual ? the termination by the tip is in the usual form. Within the base are three concentric moulded rings with a small nodule at the centre. Red glaze all over
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| REDMG:1953.25.85
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Top is flat and squared off. Groove below rim then the rim is diagonal, rounded ridge at base. Large flat section with design sculpted on top of it so it is in relief. Scene is of a griffin, a winged creature with bird head and lion-like paws. The ribs are clearly visible as are the lines in the wings. Front left paw is raised above a stick with snakes (?) curled around or a decorative branch (?). Below is a higher moulded ridge with raised egg and dot pattern beneath, before another moulded ridge. Bottom is flat but has diagonal scratches carved in - perhaps to help this section adhere to whatever it was originally part of. Many inclusions in material.
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| REDMG:1953.25.96
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Head of a female with hair tied up into a bundle at the back of her head and appearing to wear a head dress of some sort. Traces of red paint on hair at back of head and on head dress. Long, smooth neck and face with flesh coloured clay.
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| REDMG:1953.25.98
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Small male head with curly thick hair, a large beard, and a large moustache, as well as a furrowed brow. The shape of the head suggests that it was once attatched at the back to a wall or other verticle structure, although that back of the head does have a concave structure to it. Coarse, dark red fabric.
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| REDMG:1958.61.1
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Handle of a bronze oinochoe, decorated at the upper end with a woman's head, hair tied back, in the round and at the lower end a face of satyr, in relief.
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| REDMG:1964.1154.1
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The interior and the rim are coated with a black glaze. On the exterior of the lip, a band of vertical bars, interrupted in each handle zone, where the surface is reserved. Each handle is glazed black on the exterior; under each handle is a palmette with 13 leaves (14 on right side), outlined, with a dotted hemicircle at its heart. Each palmette is flanked by a tendril from which emerges a lotus blossom. On each side a female head, profile to left: stephanai with 6 white spikes, grape-cluster earring, beaded necklace; kekryphylon. The woman on A has a Roman nose; on B has a ski-jump nose.
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| REDMG:1964.1626
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Black glaze, fired red on one side; small patches at lowest part of body and on underside are reserved.
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| REDMG:1964.1631
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Black glaze, on which are superimposed two pairs of purple-red lines, one around the bottom of the handle-zone, and the other on the grooves at the junction of body and foot.
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| REDMG:1964.1648
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Covered with wash, fired alternately red and black; vertical ridges (ribbing) at the bottom of the shoulder.
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| REDMG:1964.1650.1B
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Top half of 1650.64 which is the base. Mouth has flat, reserved rim on top and then flares out and is wide at top with a thin neck with curved handle all painted black. Shoulder and rest is reserved.
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| REDMG:1964.1690.1
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Rim and small part of body. Rim area is reserved. Below is a black band and then another reserved area. The interior surface is reserved at the rim and then black beneath.
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| REDMG:1964.1696.1
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Underside is red and topside, at rim,is a black band which is unevenly painted.. Below is reserved.
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| REDMG:1964.1697.1
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At widest part of body is a moulded band of vertical ridges.
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| REDMG:1964.1702.1
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Reserved. Smooth material. Mouth has curved lip. Long neck with remains of the handle at the top and the rest on the shoulder. Body is widest at shoulder and narrows towards base which is raised and convesx in centre.
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| REDMG:1964.1705.1
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Flaring lip tapering to straight cylindrical neck. Two small round vertical handles (string-holes) at base of neck, joining almost spherical body. Black slip but fired red on the base. Some incised decoration representing segments, with dotted infill.
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| REDMG:1964.1709.1
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Thin walls. Completely reserved. Main handle is made of two sections adjoined. Around the rim are at least eight protrusions, some are missing, almost looking like a sun with rays. No defined foot and base is slightly concave. Red clay.
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| REDMG:2004.95.1
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Interior of mouth black; lip reserved; exterior of mouth black, as is handle (repainted); vertical bars at the bottom of the neck; lotus-dot chain on the shoulder; Dionysos riding on a mule, between two satyrs, one holding a maenad. Below the figural scene is a black band, a reserved band, and then a black zone extending to the foot, which is black on the top, reserved on the convex surface and the underside.
Figural scene: A nude satyr (in a crouching pose) runs profile to the right, holding a maenad on his shoulder; the maenad, who turns her head profile to the left, stretches her arms to either side and holds a rhyton in her slightly upraised left hand. She wears a kekryphylon (red), necklace (incised) and himation. Dionysos, seated on a mule, rides profile to the right; the god, wearing a red and blck ivy wreath and a himation decorated with red dots, holds a red keras (horn of plenty) from which emerge ivy tendrils that serve as a backdrop for the entire scene. Leading the mule (through use of a white rein, of which a ghost remains) is another nude satyr, running profile to the right, while he turns his head profile to the left. Other details include red on the beards and tails of satyrs and a red fringe for the foremost satyr. Incision is used extensively for anatomy and drapery. An unusual effect is created through the use of incision for the forearm of the leading satyr, which he lays across his torso, which is not incised save for two small circles to indicate his nipples.
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| REDMG:2004.96.1
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Decorated in black glaze except: narrow reserved band on interior, just within rim; tondo, reserved except for two concentric black circles at the centre; reserved interior of handles and handle zones; decorative frieze comprised of palmettes above chain, on both sides; narrow reserved band in lower part of bowl; reserved resting surface and interior of stem. Added white dots superposed on chain, at the centre of each link. Misfiring has rendered the lower part of the bowl, stem, and foot on one side streaky red.
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| REDMG:2004.98.1
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Black on interior and exterior of mouth; reserved upper lip; restored neck; handle black on exterior; shoulder: band of vertical bars above black rays pointing toward the carination. Body: double lotus-palmette frieze, bilaterally arranged, on either side of a 'chain' (row of dotted circles inscribing incised circles. Incisions also used for palmettes; attenuated white lines (side leaves of lotuses) arc over the palmettes. Below the main zone is a thin black band, a thick black band, and a black zone that extends to the top of the foot. The foot is also decorated with a black line at the lowest part of the vertical edge of the foot, and is reserved on the underside and resting surface.
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| T.2012.11.28
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Two large lines upon the outer part, one at the top, the other at the bottom, that spread across its face and form a sort of box. Within the box appears to be a painting of grape vine with a series of heart-shaped leaves forming a pattern, as well as several patterns of what seem to be four lots of grapes. There are no decorations on the inside of the fragment.
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| TEMP.2002.9.1
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Squat clay bowl with simple motif and two handles. Low foot painted with a black line. The bottom of the bowl is slightly angled (although irregular). The body (slightly lopsided) curves toward a carination where there is a slightly wavy horizontal band. Two handles, one either side and roughly with a line of black gloss. The rim flares slightly and is decorated with a line above a simple zig zag (which is of poor quality). The interior is almost plain with a ring painted at the base.
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| TEMP.2002.9.16
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Cast of a sculpted female head, from the 5 c, which demonstrates elaborate hair designs. Hair is painted red and face is white. Female is wearing round earrings and has a head band on that goes over the top and round the back of her hair. The hair is wavy down the back and curly at the front. The hair is long and reaches at least to the shoulder.
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| TEMP.2002.9.28
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Chunky fragment which is flat. The underside is reserved and the topside has three bands at the top and eight rows of irregular zigzag below. No finished edges.
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| TEMP.2002.9.29
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Fragment including section of rim. Rim has a flat top and is hardly offset at all. Interior surface is black. The exterior surface has black bars on the rim then a black band below with a panel of vertical bars next to a panel of three horizontal zigzags with a final band below. Below this but mainly missing at fracture are two narrown bands.
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| TEMP.2003.2.3
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Long light-brown/buff object, from part of a figurine. Slightly thinner at the middle than at the outside and also slightly bent inwards. Small hole at one end.
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| TEMP.2003.6.10
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All of the fragments bear part of the same decoration: the interior surface is glossy black as are the side surfaces of the foot (both on the exterior and interior), apart from a reserved (but glazed line) on the resting surface. The base is glazed so that it appears yellowish-brown and is decorated with four concentric circles and a dot at the central part of the base.
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| TEMP.2003.6.22
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Grey surface. The mouth is flared out. At around the middle of the neck, there is a white band. This pattern continues down the Lacrymaterion every 2 cm. The base is grooved and curves inward until it connects with the stem.
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| TEMP.2003.6.24
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Fragment of pot, including slight buldge where handle begins. Exterior, black lines on white background. At the right edge of the top there is a triangluar bit of black that looks like it originally belonged to a square surrounded on both verticle sides by twin sets of thin brown verticle lines. Less than 1 from the top there are two brown lines that follow the curve of the jug horizontally spaced .3 apart. Under these lines on the left is a large2.5 hieght figure eight pattern made up of three lines that swirl around to create the eight, with little v's on the outside of the eight pointed away from where the figure eight lines cross. On the right side, two bworn/black lines curve around where the handle would have begun. The handle section is all black, although chipped. Under the figure eight is a .6 thick black lines running horizontally around the pot, broken by a thin pink line a little below the middle. there are two other thin pink lines equidistant from this first one, one above and one below it by about .4, the top pink line being right above the top of the black line. Underneith the bottom pink line is a segment of a different pattern. Interior is black over pink and white, which is worn away enough in many parts to see the pink and white colors. two thin and faded white lines form bands near the top.
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| TEMP.2003.6.26
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Fragment of the bottom part of the cup of a chalice(?)or bowl(?). Exterior white with one small red/brown section of a pattern at the highest point and one thick almost 1 red/brown line abour half way from the top. Interior is black/brown with a pair(?) of thin faded white lines .5 from the top edge, below that a repeating pattern of black teardrops, and below that a pattern of white sploches interspliced with red dots.
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| TEMP.2003.6.27
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Exterior white with small chips. Interior black with a pair of white lines at one edge and a small white half circle from the exterior line to the edge. Parallel to these white lines towards the opposite edge is a incised line.
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| TEMP.2003.6.6
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The interior is black, but there is a reserved band on the fragments that come from the vessel's rim (a, b, c, d), which also bear a reserved band on the upper internal side of the rim. a) The black colour appears streaky (it varies from reddish brown to brown) on the rim (interior and exterior), as well as on the handle. The colour of the decoration appears brown and reddish brown on some areas. There is a broad band that bears two palmettes (one on either side of the double handle), while the surface between the two springs is reserved. On the left side of the fragment there is the right part of a motif (front legs of horses?). Below, there is part of a black line. b) The rim is black. Below, there is the upper part of a charioteer, riding a chariot with four horses (part of them is preserved). Details of the horses have been rendered with incisions. c) The rim is black, however the black colour is uneven and leaves part of the right edge of the fragment's rim reserved. Underneath a thin, reserved line, there is a palmette and next to it part of the line that contoured the spring of the handle. d) The rim is black. Below, there is a female figure's head and in front of her (at the level of her face) there is part of a curving branch, with dots on either side (part of wreath?). e) Part of a palmette, a black line and a black band. f) There is a dot in the middle of the resting surface, contoured by a circle. There is also part of a wide, band, between thin lines, above which, there is a graffito? in the shape of X.
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| TEMP.2003.6.7
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The interior is entirely black apart from a, which, although black, bears a reserved band on the interior of the rim. a) The rim is black. Below that, the vessel bears the depiction of a symposium scene. On the left, there is the upper part of two draped male figures facing each other. Between them there is a carelessly rendered figure (background); a servant? and a branch with dots on either side. Another, identical branch can be found behind the person on the right. Next to that, there is the upper part of another figure (servant?) from whose arm another branch is hanging. He is facing right, towards a palmette (voluted with petal-shaped divisions), from which the beginning of a tendril seems to spring. There is also part of the bad that covered the back of the handle. b) The lower part of the male figures that face each other. They are draped and seated on similar chairs (diphros okladias). Below them there is a thick line and underneath, the beginning of a band. c) The lower part of another seated (on a similar chair), draped figure, with part of the thick line and the band below. d) The back of the handle is covered with black colour (carelessly rendered at some areas and streaky). The rest of the surface is reserved (but glazed), however, there are some spots on the handles's inner surface. e) The back of the handle is black, but the black colour is streaky at some areas, There is part of a branch on the right side. f) The back bears black colour. g) The back of the handle is black, although streaky on some areas.
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| TEMP.2003.6.9
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Rim section of a bowl. Exterior white with a band consisting of twin brown lines with alternating black and white rectangles interior along the top .3. There are two small blueish sploches marring the otherwise well preserved surface. Interior is black over white. The white shows through in a line along the edge for about .2 and then there is a brown line, and under this the rest of the background is black. Near the top of this black section is a set of white lines with white dots set in between them at regular intervals. Under this pattern is another thin white line. Under this is on part of a triangle pattern consising of a white outlined triangle with a white line forming a second triangle within the first and a red dot at the center of the triangle.
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| TEMP.2003.7.2
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Interior white with a pattern of brown waves set in between sets of two thin yellow lines which begin .2 below the rim. There is a small bit of brown that seems to be part of some other pattern at the bottom of the fragment. Interior is brown/black with remnants of a white fan or floral pattern, which is heavily worn. A good deal of the interior is worn down to the original terracotta.
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| TEMP.2003.7.30
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Small figurine, features not at all defined. Figure is very simple, small rounded shapes for head and arms. Both the back and front are relatively flat and smooth - the front is the side which has the base sticking out further than the back. There are indications that something was painted on it - black line by the right arm, on the front at the bottom, and on the back on the lower half of the body - here there are three vertical lines, the middle line being the longest. There are four black blobs on the square base.
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| TEMP.2003.7.32
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Small figurine, possibly an animal. Pinkish colour, with remnants of black paint on the back, on the left arm and on the main body. Appears to be scratching head with the right arm, and the feet are distinguishable from the legs because they are at an angle.
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| TEMP.2003.7.34
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Interior painted in black. Exterior has a black and purple decoration in the centre. The purple is in the shape of a cemi-circle, with black around it which has small incisions. The black at the top is almost in a knot-like shape. The clay is a red-brown.
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| TEMP.2003.7.36
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Fragment, clay beige colour. Side b has a small area of black at the bottom. Side a has a small area of black at the top, and a little at the bottom, with an area of red int the middle.
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| TEMP.2003.7.46
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Light brown clay. Small mouth with flared lip. Long slender neck wider at top than bottom turning into pear shaped body with shorter foot and flat base.
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| TEMP.2003.7.57
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Small fragment. Pointed at each end. Both sides glazed black.
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| TEMP.2003.7.67
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Fragment of a handle and a rim of a kylix. Concave side is black with a reserved (unpainted) stripe at the lip. The convex side is reserved except for a small black stripe running horizontally at the top base of the handle, and for a larger stripe at the lower part of the fragment.
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| TEMP.2003.7.68
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Fragment of a rim of a Kylix. The concave side is black with a reserved stripe at the lip. The convex side is mostly reserved with the exception of a black stripe at the tip of the lip, the bottom of the lip, and the end of the fragment. There is also a small black non-representational design on the convex side of the rim.
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| TEMP.2003.7.69
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Fragment of a rim and handle of a kylix. Exterior is black with reserved stripe at lip. Interior is reserved with the exeption of a black stripe running horizontally to the top of the stump of the broken-off handle.
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| TEMP.2003.7.71
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Rim fragment from a kylix with some of the handle. The exterior is dark brown with a light brown tip at the lip of the rim. The interior is light brown with a dark brown tip at the lip.
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| TEMP.2003.8.1
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(a)Part of the rim of an open jug of some sort. The inside segment of the rim is painted black, with numerous small bits having been chipped off. Moving outwards, the rim consists of the inside of the pot wall, which then splays out in a flat top rim, and then falls down again in a second wall that is left dangling from the outer rim. So, moving from the inside outwards on the underside, there is a valley of about 1.0 wide and 1.5 deep until the top of the second rim (which is peaked) is reached. The outward facing side of this downward pointed rim consists of alternating lines of black dots and thin black lines which run around the entire outer diameter of the rim. There are two rows of dots and two lines, alternating which each other, all of which are heavily worn. The top part of the rim, which would be facing upwards if the pot were complete, is about 2.2 wide and flat, marked with black raised lines that repeat about every .3 and which start at the outer edge and are 1.7 long, and painted black. These lines are heavily worn. There are also two significant chips in the top of this rim, each about 2 long.
(b)Another part of the same rim to the same vessel. The same dot and line pattern runs around the outer diameter. On top the lines which are thicker at the end pointing into the pot are repeated, a palmette decorates the larger flat area of the handle region.
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| TEMP.2003.8.3
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The body of a person probably standing to the left as right arm is bent at elbow across body and pointing left holding a small black ball. The person is wearing a himation.
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| TEMP.2003.8.64
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Head of a woman in relief. Plaque is square in shape. On either side of the woman's hair at the top are two wings. Long flowing hair on either side of her face. Features are carved and she is wearing something around her neck. Small hole in the centre at the top.
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| TEMP.2005.1.6
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Small detail of protruding band at top of neck and small line visible on body. No painted decoration.
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| TEMP.2007.3.59
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Obverse: head with cloth headress and moustache
Reverse: male in toga with people behind, at an altar?
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| TEMP.2007.3.70
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Obverse: Head of M.Aurelius with laurels
Reverse: Victory captive at feet of another
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| TEMP.2022.6.2
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the body is decorated with four thin black lines and two thick dark red lines: at the base of the neck are painted vertical dark red lines (25): the neck is decorated with two thin black lines and one thick dark red line: the handle has eight thin red lines.
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| temp.2022.6.2
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the body is decorated with four thin black lines and two thick dark red lines; at the base of the neck are painted vertical dark red lines (25); the neck is decorated with two thin black lines and one thick dark red line; the handle has eight thin red lines
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