| 11.10.8
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Cinquefoil, intermediate pattern smaller circle within circle. Mouth flat, one broad band, one narrow.
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| 13.10.10
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White-painted, with black linear patterns. At front of neck, female figurine, to hip level. Beak-face, prominent breasts, arms curled round them, hand on mouth. Black linear decor, painted circles resembling eyes, black dots or rings on breasts resembling nipples, zigzag decoration within border at base of figurine.
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| 14.9.47
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Panel decoration. Broken wave band on neck; below this the end of a broad band and the beginning of a thinner vertical line bordering the panel on the right; within this frame a network composed of papyrus motives, horizontal and facing left with circles in the blank spaces. Inside a broad band extends from the top of the fragment (and presumably from the top of the vase) to the level fo the top of the band on the outside, the rest reserved.
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| 2007.10.2.308
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A large ox or bull is represented to the left and centre of the scene taking up most of the space within the cast. The beast's head is turned as if it is looking towards the viewer. To the right a figure (probably male) is seated beneath a tree holding a staff. At the figure's feet there appears to be a second (much smaller) creature.
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| 2007.9.1.100
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Displays hieroglyphs within a rectangle.
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| 2007.9.1.101
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Displays hieroglyphs within a rectangle.
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| 2007.9.1.103
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Displays hieroglyphs within an oval.
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| 2008.2.1.67
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Profile of the left side of a female face. The hair is intricately curled and there appear to be snakes coiled within it.
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| 2008.7.142
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Exterior: black wash. Curved horiontal groove impressed half-way down fragment with short vertical narrowly-spaced grooves within it.
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| 2008.9.17
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Interior: brownish-red wash with a narrow band of unfinished terracotta parallel to one edge of the fragment with a thin parallel line of a darker red within this. Exterior: 2 widely spaced horizontal parallel lines overpainted in redish-brown.
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| 2008.9.20
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Interior: greyish-black wash fading to a reddish-brown colour, leaving a small section of unfinished terracotta across one corner of fragment. Exterior: greyish-black wash with a narrow band of unfinished terracotta parallel to one edge, with 7 small dots overpainted in the same greayish black colour within it.
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| 2008.9.24
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Interior: greyish-black wash, top of rim overpainted in same greyish-black colour. Exterior: Greyish black wash, interspersed by 2 horizontal bands of unfinished terracotta, the lower band wider than the upper. The lower band has 7 smaller dots overpainted within it.
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| 2008.9.9
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Interior: reddish-brown wash. Exterior: reddish-brown wash. One half of fragment forms a horizontal raised lip with 2 vertical narrow ridges within this at 90 degrees.
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| 2009.10.2.67
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Zeus is sitting with a sceptre, within a temple. There are 2 columns on either side of Zeus and the pediment is adorned with an eagle and a man riding a horse on the top.
Number 67
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| 26.2.40
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Underside, black, turning to red within the double foot-ring; resting surface reserved. Upper side, winged feline (with incisions and applied red markings in the shape of inverted commas on soulder and down foreleg) to right with left paw raised above what may be the tail of a sitting bird or siren, red and incisions on field ornaments. Cream slip. Bands of red and white superimposed on black.
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| 26.2.94
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interior: part of tondo decoration within glazed wall; frieze of alternate black and red tongues within a double dot band framed by triple lines; exterior: glazed black below; triple lines above, and band delimiting handle zone.
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| 26.7.1
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Handles have a mixed pattern of horizontal lines at the top and bottom with vertical lines in the middle with the underneath reserved. Inside is almost ribbed in texture and painted black/brown with convex circle at centre. Outside is reserved apart from pattern which is similar both sides. Central design is a four-spoked wheel within two circles flanked by two horizontal patterns of crossed lines and three vertical lines. Below is two bands then brown almost to bottom except for a thin reserved band at base. Underneath is flat and reserved.
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| 26.8.2
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Top of mouth broad band between two pairs of lines with two bands on side. Grazing goat to right, body framed in dots. Added red on hindquarters. Field rosettes with incised circle at centre. Below goat three bands with the middle one broader. Behind goat is a heart shape within a circle. Large area left blank in the 'white style' on opposite face to goat. On base is three bands with a dot in the centre.
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| 27.4.1
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Glazed black on the interior, except for a reserved band within 0.4 cm of the top edge. Exterior black glazed except, in the handle zone, a frieze decorated on each side with a pair of eyes between 5-petalled palmettes, above another reserved band. Each palmette is joined to the corresponding handle by a tendril. Each eye consists of a white circle within a black eye shape, surmounted by a black eyebrow decorated with white dots, and above a plain black curving line that mirrors the shape of the eyebrow. Between each pair of eyes is a straight vertical band, indicative of a nose, decorated with a row of white dots. Between the handle attachments and below each handle is a set of four sloppy spots arranged in a diamond form.
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| 27.4.8
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Interior: lion, with red and white details, in a tondo framed by a red circle. Exterior: ivy leaves with short, curling stems, separated by chevrons (above) and dot rosettes (below). Black ring foot with reserved resting surface. Underside reserved also within foot, and decorated with three concentric circles: red, black, red.
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| 29.11.4
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Inside black with reserved disk within one black circle in bottom. Reserved band at lip, just inside. Offset rim is black on outside. Two handles are black on the top and reserved underneath. Main design is similar on both sides and shows a seated man between standing women and youths, and a sphinx facing away from the group on eiach side. All the standing figures are facing the seated one: this is perhaps Zeus at the centre of the Pantheon of gods. Footring is black inside and out and the resting surface and lower third of outer edge is reserved. Base within footring is reserved and convex.
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| 29.11.6
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The vessel is divided in three horizontal zones by lines of unequal width. There are also very thin, vertical lines at the sides of and beneath the handles.
A (above): A youth (servant?), making a gesture as if offering something (perhaps a branch, which extends from the servant's wrist) to a bearded, draped man (possibly Dionysos), at centre. He holds a large kantharos and leans against a rock. Behind him is another youth, who is perhaps supporting the rock. On either side of the scene there are palmettes that seem to have sprung from the handles.
B (above): Similar to side A, except that the man reclines on a couch, and the vessel is offered to him by a (servant?) woman in front of him. The youth behind him looks to the left. The scene is framed vertically on both sides by a series of dots as well as the same palmettes as on side A.
A-B (below): A band of palmettes, every second one inverted; two lines; a band of of tongues; reserved band. Base black, with black concentric circles on the underside.
Interior: reserved band within lip. At centre, tondo decorated with the winged horse, Pegasus, advancing to the right.
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| 29.5.5
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Outside, thirteen palmettes separated by dot rosettes above and single large dots below; coarse incised line across heart of each. In handle zone zigzags. Inside and outside foot-ring and base within foot-ring black. Top of rim black. Inside black with reserved band, then black band, than reserved circle with image of Sphinx inside it.
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| 37.11.5
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Black gloss covers the entire vessel, except for the underside of the foot. The gloss is not lustrous and on the exterior towards the foot is fired brownish. Inside the bottom of bowl, a brownish band caused by foot of another vase fired within it in the kiln. Inside is stamped design of four palmettes outside two concentric circles with an egg and dot pattern attached to the second one. Red paint is applied on the underside of the foot. It is decorated with a wide black band and a black dot at the centre. Between them, two thin concentric circles of almost invisible thinned glaze.
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| 38.4.2
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Reddish-brown on pale buff ground. The false neck is decorated predominantly in a black band, with a narrow and broad black circular band in the centre of the false neck. The underside appears to be reserved, with a single thick black line at the base on the false neck. The true neck has a faded broad back band around and overlapping the lp. There is a broad black band at the base of the neck, and also a black blob on the side facing the false neck. On the shoulder there are six groups of narrow black lines painted horizontally. There is one group of either side of the true neck, both have eight horizontal lines, the one on the left has two rings of black to either side of it. The groups of lines on the other side, if faced with the true neck at the top, have groups of 6, 7, 9. 8 horizontal lines, all with a small ring of black in between them. The shoulder is outlined with a broad ring of black. The body has four broad black lines, which have faded to a reddish brown. Adjacent are narrow red rings; four above the first band, two within the first band, two within the second band, two or three below the second band. The fourth band does not overlap the base, which is slightly concave in shape, and has the suggestion of a foot ring.
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| 39.1.2
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Black glazed except for reserved and reddened groove between two mouldings on exterior of foot and reserved groove on resting surface. Interior decorated with four stamped palmettes, crosswise, within two rings of vertical lines.
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| 47.2.1
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Black gloss, with a greenish band around body towards base. Reddened resting surface and underside, with a central black dot within a faint circle in diluted gloss, and the interior of the footring black.
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| 47.2.8
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Black gloss except reserved bands at junction of foot and body, on resting surface, and on underside. Black concentric band on interior of foot ring; centre of underside decorated with two black circles and a central black dot within a black band. Interior decoration: at centre, 8 stamped palmettes, linked at their bases; outer band of 20 stamped palmettes, also linked at their bases; each palmette band inscribed by a band of eggs.
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| 47.2.9
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Black gloss covers the entire body, except for resting surface, and within ridge on underside. Underside is covered with red paint and further decorated on reserved area with dot at the centre, central circle, and two thinner concentric circles. Much of exterior misfired brownish.
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| 50.4.25
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Two moulded rings around the outer edge of the discus, within stands a ram facing the right with odysseus straped to the underneath of it. The ram satands on a base line. Dark wash all over.
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| 51.7.11
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The interior and rim are black, except for two reserved bands on the interior, at the top and bottom of the lip. Just under the rim is a laurel wreath, facing to the right. A palmette fills the space beneath each black handle; a series of dots mark each handle zone. The scene on each side is bordered by two tendrils that emerge from the ground, in most cases flanked by two smaller tendrils; at the centre of each large tendril is a volute, from which spring two demi-palmettes. Side A: Wreathed, draped Apollo stands in 3/4-view to the right, holding a laurel branch in his right hand and a phiale and fillet in his upraised left hand. He faces a white-haired, bearded Papposilen, who stands in profile to the left. The Papposilen wears a taenia on his head, an animal skin (nebris) over a shaggy-white body suit, and slippers. He holds a mirror in his upraised left hand and a lyre and a fillet in his lowered left hand. Above him is bust of a goddess, probably Hera (or Leto, or Cyllene?), with her face in profile to the right, enclosed within a window, outlined in white. She wears a high crown and jewellry and holds a sceptre in front of her left shoulder. There are ivy leaves in the field. Side B: Two standing, draped youths, facing each other and wearing wreaths. The left figure has a 'V' drape on his chest and his left hand is barely visible; the right hand of the right figure emerges from his himation; he holds a branch out to his companion. Beneath the scenes is a band of right-facing waves. The lower body and foot are black, except for a reserved band on a groove at the top of the vertical surface of the foot, and the reserved underside.
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| 51.7.15
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Reserved except for black glaze on the interior hollow and geometricising decoration: on one side, within two black bands, branches arranged in a radiate fashion; on the other side, within two black bands, radiate bands, some at various angles, intersecting; on the exterior 10 horizontal lines, each intersected by 7 short vertical bars.
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| 53.8.4
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Molded, downturned rim with a flange (for lid); incurved horizontal round handles; deep body with nearly vertical sides that are slightly concave above the handles and convex below, curving sharply at the bottom into a broad, short stem, on top of a molded disc foot, recessed underneath in two degrees. Black gloss with red figure decoration. Side A: a female head profile to left, with small dotted circles in the upper field on either side; side B: palmette. Interior: a reserved band within the rim. Exterior: a band of vertical bars under the rim (with applied red wash); a reserved band around each handle attachment (also with red wash); a stemless ivy beneath each handle; narrow reserved band beneath figural scene; reserved band on the upper part of the foot; underside of foot is reserved and stained with red wash.
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| 56.8.1
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Reserved inside. Paint on outside is black, lustreless and largely worn towards base of body. Two handles painted black on top but reserved underneath. In handle zone, within a panel framed with bands of dots is an ivy spray (on both sides). Lower band of dots carried round below handles. Bottom of object is black until reserved band just above foot. Flaring foot, black on top and reserved and conical underneath.
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| 56.8.8
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On the exterior of the rim, S pattern. A fight of three warriors between onlookers; on the left, an onlooker between two runners, on the right, a runner between two onlookers and at the back a floral motif (lotus-palmette cross?): Two semi-spherical palmettes chained in the middle by circular bands, dotted in the centre, and held on a columnar motif with similar (only more conical) palmettes as endings (top and bottom) by black strips. Many of the figures appear to be holding spears (in the case of warriors) or have in front of them the same attribute (long, thin, vertical or diagonal lines). There are variations in the rendering of armour, hairstyles and drapery, mostly executed by incisions.
The scene is framed by bands, top and bottom. Above the top band is a reserved circle, a thin, red, circular band and then the vessel is black up to the base where there is another red circular band. The interior of the footring is black. The broad, reserved base has a black circle inside a black band in the centre. Additionally, there are six dots (four are bigger) placed randomly on the reserved area of the bottom.
Interior: The surface is black from the rim to the tondo, except for two, red, concentric bands approximately 1 cm within the carination, and a similar red band framing the tondo. Inside the tondo is a representaion of a cock in profile to the right with a flower-bud emerging in the background. Red paint: tail, wings. Moreover, incised over the red ring surrounding the tondo there is a mercantile graffito (?).
The handles are black but reserved within.
The underside of the foot decorated with black dot at the centre, surrounded by black band and 6 black dots around it, uncanonically placed
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| 57.3.6
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Interior: broad brown band just below rim. Exterior: brown zigzag pattern enclosed within two brown lines. Thin painted band around rim.
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| 58.2.4
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The lip of the jug is decorated with black lines compartmentalising the area; within every other compartment there is a design of lines of black dots. This design is carried on part way into the interior of the vase and onto the spur. The underneath of the rim is delineated with a black line. The neck is decorated with three compartments of decoration of unequal size. The compartments are divided by two black lines which enclose crosses surrounded by diamonds. Within two of the compartments there is decoration consisting of lines of vertical dots hemmed in by horizontal lines on either side; underneath are crosses with dots in each section and above is a mixture of crosshatching, lines and dots. The third section is undecorated apart from six groups of three diagonal lines, which form a vertical stripe of decoration under the handle. The body has decoration of long and short double lines containing cross-hatching reaching for the base (within the gaps there is a cross with dots in each section), below two such lines enclosing a string of continuous horizontal diamonds. The base is decorated on both faces with lines and circles. The handle is also decorated with black lines.
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| 58.2.5
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Incised decoration on the spout and handle consisting of sets of lines. The shoulder is decorated with a set of dots within two incised lines. Red slip
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| 78.12.11
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Moulded boarder on the shoulder, two rings around the discus one of which is raised, within is a peacock displaying tail with head turned to its left, perhaps standing on a branch. Pale buff wash.
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| 78.12.13
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2 Moulded rings around the outer edge of the discus, within, a ten petal rosette. Single volutes on either side of the nozzle. Red wash all over.
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| 78.12.22
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Moulded ring around discus, within is a "Throx" gladiator in relief standing on base-line; helmet, shield, sword, top of greaves distinguishable. Moulded single volutes on either side of the nozzle shaft, at their termination are raised marks towards the base. A faint raised line next to the gladiator on the right. Red slip all over.
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| 78.12.3
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Moulded ring around discus, within is a moulded dolphin with a trident. Volutes very worn, contained within silhouette of discus and nozzle. Marianne's correction: 2 moulded rings around the discus.
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| 78.12.5
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Discus is surrounded by three moulded rings, within is a moulded stag, running towards the right. The nozzle is decorated with single volutes on each side that run down the bottom of the nozzle. Pale wash.
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| 78.12.6
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Two moulded rings frame the discus, within is a moulded figure of a stag running towards the right. Single volutes on each side of the nozzle. red-brown wash.
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| 79.1.18
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Around outer edge of discus is a band of raised dots within two rings. The inner area of the discus is decorated with eight individual circles with concentric circles within each. There is a ring around the filling hole. The ring base also has two lines extending from it along the longest axis of the lamp. Pale buff wash.
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| 79.1.7
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Discus outlined by three moulded rings. Within the discus just below the filling hole; moulded decoration of a galley on waves. Single volutes on the side of each nozzle. Red-brown wash.
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| 85.3.1
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All around the neck (except where the handles would have been attached) is a band of chained together, inverted teardrop shapes and dots within two black lines. Main decoration on body consists of two bordered figural scenes; Side A: Dionysus on donkey led by boy; Side B: Hephaistos (Dionysos, according to Mannack) on donkey led by boy. Both scenes are bordered by two lines of vertical dots between three vertical black lines at the sides, and a series of alternating thick and thin vertical black lines above. At the bottom of the body is a band of upward pointing rays.
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| E.23.1
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Below a cornice, sunk within a square frame, figure of deceased (in Roman clothing), stood frontal between Anubis (stood) and Osiris (seated). Red pigment preserved on lower part of Anubis.
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| E.23.2
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Funerary stele with vulture wings surrounding the solar disk, common during the time period. Below the wings is the text of the stele, surviving intact. Two men are depicted adoring the god Re-Horakhty, whose presence is indicated not only by the uraeus and sun disk but also his name inscribed in the text. It has been suggested that the dress of the figures indicates that they are Nubians; this is confirmed by the oddity of their personal names. The sky is depicted above the winged disk, each end being supported by the symbol of the west (on the left, only the top of the feather survives) and the east (on the right, more or less complete). A signature, possibly belonging to Flinders Petrie has been found above the head of the right hand figure.
There is only one viable interpretation possible, when one combines the depictions with the details found within the text. The stele depicts the man Serep and his son Tkr-Irt-Hrw, not as has been assumed Serep with his Ka. A personal Ka has no need of the title m33 khrw, which is a title of the deceased, thus two deceased are depicted. There is no question that Serep is a man as he is depicted in male dress and has the male symbol after his name.
There is enough evidence to show that the stele was once painted. Red pigment on the sun disk of the god is the most apparent, though a similar (if not the same) is found in several of the hieroglyphics and on the deceased as well as faint traces on the column to the right. A yellow stain remains in the first two columns, which could be remains of the paint used to fill in the columns. The combination of colours matches well with the red pigment found in the glyphs.
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| L.2005.7.14
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Obv: Head of Athena Parthenos wearing a triple-crested helmet, within a border of dots. Rev: Owl standing atop amphora on its side, all within olive wreath. Monograms on either side of owl and ear of corn below (series viii).
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| L.2005.7.15
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Obv: Bust of Artemis wearing stephane; bow and quiver at shoulder. Rev: Nude Apollo standing on maeander pattern, holding in right hand a branch and resting left elbow against tripod; all within laurel wreath.
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| L.2005.7.16
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Obv.: Head of Athena wearing crested helmet and round earring. Rev.: Owl, oliver spray behind, within incuse square.
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| L.2005.7.2
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Obv: Taras seated on dolphin, arm extended, cockle-shell beneath, all within dot-cable border. Rev: Incuse version of obverse.
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| L.2005.7.3
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Obv: Head of Hera, wearing stephane adorned with flowers. Rev: Wingless thunderbolt, within wreath.
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| REDMG:1935.87.17
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(a) Pyxis: unpainted inside. From top to bottom, bands, tongue pattern repeated, bands (red and black of varying widths: two broad red bands within a group of four thin black lines; lower, a black band), red foot; concave base. (b) Lid: central knob with bands and bands on neck. Shoulder pattern is tongues with alternating red and black coloured centres. Bands on edge of lid.
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| REDMG:1935.87.24
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There is a reserved ridge on top of the foot, while the side of the foot is also reserved and rounded. The surface underneath is ruddled with broad black band just within a resting surface. Lastly, a steep, narrow cone is formated inside the stem. The ellipsoid body is supported by a slim stem, which ends in a disk-shaped base, with concentric, incised circles.
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| REDMG:1935.87.4
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Mouth is black just inside rim but interior walls are reserved. The handle is black all over as is back of neck and back of body. On neck at the front is a wave pattern which forms the horizontal part of a reserved outline to the picture. Within this box is a woman with flowing robes, facing to the right holding a wreath in her right hand and a plate / tray in her left. Tendril pattern to her right at bottom of picture and a rosette in the field. Added white to bracelets, head dress and rosette. Foot was originally black outside with reserved resting surface and flat base.
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| REDMG:1947.13.1
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Black mouth inside and out, otherwise reserved inside. Below the rim, on the lip, is a white laurel wreath, to right. On neck, between black handles, a 9-leaf palmette, with a black dot for heart and black dot on either side of central petal; black ridge between two black lines; frieze of vertical bars beneath each handle; beneath each handle a large palmette above a pair of volutes, from which emerge vegetal ornament. A: Attenuated ovolo frieze between two black lines; white ribbing (painted); two reserved bands; floral frieze with white head, to left, at centre, emerging from a calyx from which emerge also tendrils, berries, volutes, and blossoms; reserved frieze; scene. B: Continuous maeander to right, between two pairs of lines; black ribbing (painted) between two black lines; flanked by vegetal ornament, from which emerges quarter palmettes and volutes, a female head, profile to left, wearing white stephane, and white sakkos, from which emerges curly black hair, at front and black; white drop earring on an inverted triangle. Below the body zone, around the entire vase, is a decorative band consisting of dotted cross squares (1) alternating with stopt maeanders to left (3) between two reserved bands; black below.
Scene, A: A woman, standing in 3/4-view to the right, with head profile to right, hair emerging from the back, a sleeveless, belted chiton, a himation draped over her left arm, a pair of white slippers, holds a palmette fan, with white detail, in her upraised left hand, and a branch (similar to a thyrsos) in her left hand, at a diagonal. She also wears a white stephane and a sakkos with black and white detail, from the back of which emerges a tuft of hair, a white beaded necklace between two thin chains (rendered by black lines), and white snake bracelets on each arm. She faces a naiskos enclosure, decorated in gilded white, with thin Corinthian columns and a black pediment, on a podium decorated with a simple continuous maeander to right, between a two pairs of white lines. Enclosed within the naiskos is a warrior, rendered in white with yellow details, seated in 3/4-view to the left, on a himation, with his legs crossed, and his left elbow resting on the back of his seat. He holds a crested helmet in 3/4-view to the right, at which he stares, and a diagonal spear in his left hand. On the ground below him is a small shield. To the right is a nude youth, standing in a reclining pose, 3/4-view to the left, wearing a white fillet in his hair, and white slippers. He holds a himation, bundled up around his left arm, and an opened box as well as a dotted, fringed sash, in his right hand. A thin rectangular element, perhaps a dagger, emerges from the opened box. A (heart shaped) ivy leaf hangs in the field above him.
White dotted lines indicate the groundline between all figures.
Details on the shoulder rays and, ornaments in the field, and all figural scenes are rendered in added white, sometimes 'gilded' with yellow wash.
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| REDMG:1951.159.1
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On neck, between black handles, an enclosed palmette (11 petals on A and 9 petals on B; with two concentric arcs for heart on A, black dot for heart on B), black dot on either side of central petal, and black dot in the upper corners; black ridge below black line; frieze of vertical bars below each handle attachment; beneath each handle two superimposed palmettes, with a pair of volutes between, from which emerge tendrils, sprouting quarter palmettes. A: egg-and-dot frieze, between two black lines; white ribbing (painted); two reserved bands; floral frieze on shoulder (four volutes from which emerge flowers, tendrils and secondary volutes) emerging from the lower right; two reserved bands; scene. B: Continuous maeander to right, between two black lines; black ribbing (painted) between two pairs of black lines; a female head, profile to left, wearing a sakkos, from which emerges curly black hair, at front and back. Below the body zone, around the entire vase, is a decorative band consisting of dotted broken stopt maeanders to left (pattern doesnt match up on side B, to the left) between two reserved bands; black below.
Scene, A: A naiskos comprised of two Corinthian columns supporting a tapered epistyle and black pediment, on top of a podium (white maeander on a brown background, between alternating black and white horizontal bands). Two white female figures stand within the naiskos. The figure at left, standing in 3/4-view to the right, wears a himation over her left arm and hips, over a peplos (decorated with two vertical purple bands on the chest). Her hair is bound in a sakkos from which emerges hair at front and back; her jewelry includes a beaded necklace and two bracelets on each wrist. She holds a fan in her raised left hand as well as a wreath in her lowered right hand. She faces another woman (probably the deceased) who is seated in 3/4-view to the left on a stool (diphros) and rests her feet on a footrest (hypopodion). She wears a short sleeved chiton and a purple himation that she holds above her right shoulder in an unveiling gesture (anakalypteria). Her hair too is bound in a sakkos, from which emerges hair at the back; she wears two necklaces, one beaded, and two bracelets on each arm. A small ornament (or pures) hovers in the field between the two women. On either side of the naiskos is a kalathos (basket), below a rosette (red with added yellow and white), above a pair of white balls interspersed with clusters of three white dots, and above a double line of white dots. Each basket (both are identical) is decorated with a cross-square with intervening triangles (top) and alternating bands of zigzags, and white and black lines, as well as a band of vertical bars.
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| REDMG:1953.25.47
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Black glaze (thin on lower part) except reserved line just within rim, panels under handles and interior of handles; foot reserved and reddened, except for black on the interior vertical surface and a small black concentric circle and dot at the centre of the underside.
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| REDMG:1953.25.77
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Ovoid or tongue mouldings on the shoulder, not no the areas covered by the nozzle volutes or the area of the handle. Discus is surrounded by four concentric moulded rings, the filling hole is surrounded by three concentric moulded rings. The nozzles have on their outer edges large volutes, these terminate at the body with horse heads instead of the usual ? the termination by the tip is in the usual form. Within the base are three concentric moulded rings with a small nodule at the centre. Red glaze all over
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| REDMG:1961.150.2
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Incised geometric motifs around the body highlighted within with white appliqué
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| REDMG:1964.1609.1
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Viewed from the nozzle; circular raised moulded rings around the discus, moulded decoration within however indistinguishable. two bands on the crest of the handle. Moulded line from the handle going across the discus decoration and ending to the right of the nozzle.
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| REDMG:1964.1616.1
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Viewed from the nozzle; circular raised moulded rings around the discus, moulded decoration within however indistinguishable. Two bands on the crest of the handle. Moulded line from the handle going across the discus decoration and ending to the right of the nozzle.
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| REDMG:2004.96.1
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Decorated in black glaze except: narrow reserved band on interior, just within rim; tondo, reserved except for two concentric black circles at the centre; reserved interior of handles and handle zones; decorative frieze comprised of palmettes above chain, on both sides; narrow reserved band in lower part of bowl; reserved resting surface and interior of stem. Added white dots superposed on chain, at the centre of each link. Misfiring has rendered the lower part of the bowl, stem, and foot on one side streaky red.
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| T.2012.11.28
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Two large lines upon the outer part, one at the top, the other at the bottom, that spread across its face and form a sort of box. Within the box appears to be a painting of grape vine with a series of heart-shaped leaves forming a pattern, as well as several patterns of what seem to be four lots of grapes. There are no decorations on the inside of the fragment.
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| TEMP.2003.6.25
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Fragment of the middle segment of a plate(?) chalice(?) with the stem that would have held it up broken off. Exterior, white, interior black with two slightly faded relatively thin white lines that would have made a circle, with a white blob (part of an X?) and a red dot on and in between the lines of the possible X within the circles.
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| TEMP.2003.6.9
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Rim section of a bowl. Exterior white with a band consisting of twin brown lines with alternating black and white rectangles interior along the top .3. There are two small blueish sploches marring the otherwise well preserved surface. Interior is black over white. The white shows through in a line along the edge for about .2 and then there is a brown line, and under this the rest of the background is black. Near the top of this black section is a set of white lines with white dots set in between them at regular intervals. Under this pattern is another thin white line. Under this is on part of a triangle pattern consising of a white outlined triangle with a white line forming a second triangle within the first and a red dot at the center of the triangle.
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| TEMP.2003.8.65
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Within a frame, a man's bust facing right. The man has a large nose, is veiled and wears a robe over his shoulders. The frame is decorated with incised horizontal lines on either side of the man, small flowers in each corner, a curtian above, and a circle in the centre.
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| TEMP.2022.5.14
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On the bottom there are numerous lines that appear to make up a series of triangles within one another.
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