14.9.24
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Pink with white slip on both sides. Thick wavy stripes on both sides which have points and almost look like very close zigzag.Bands of red are uneven and irregular as they were drawn by hand. One finished edge which is thinner, denoting a rim.
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14.9.33
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Fragment belonging to the rim of a vase made of fine fabric. Dull black paint inside and out. The exterior surface had white band around rim above spirals or tendrils with three horizontal bands below. The interior had a white band round rim. The material gets thinner at the rim.
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14.9.47
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Panel decoration. Broken wave band on neck; below this the end of a broad band and the beginning of a thinner vertical line bordering the panel on the right; within this frame a network composed of papyrus motives, horizontal and facing left with circles in the blank spaces. Inside a broad band extends from the top of the fragment (and presumably from the top of the vase) to the level fo the top of the band on the outside, the rest reserved.
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14.9.65
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Thich black band with thinner one very close, then faded line, followed by wide red band, and then black geometric pattern of squared horizontal interlaced S shapes between 2 lines, all on pale buff background. Inside painted black somewhat washily.
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2006.12.22
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Unpainted areas crossed by thick bands of grey-blue, with thinner grey lines on top. Looks faded all over
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2007.10.2.499
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Muscular,bearded naked man sitting on a rock, facing to the the left where a much thinner figure is hunched over standing. The sitting figure has his right arm on the stading figures left shoulder
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2007.2.93
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One side is decorated with a series of parallel lines. In the centre of the fragment is a thick black line with a thinner one present above it. Underneath this lines of a light brown colour that increase in darkness.
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2007.4.128
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black paint with band of uncoloured on inner surface; Thick black bands with thinner faded brown bands on white paint on outer surface; worn and chipped
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2007.4.201
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Thick black band below rim with several thinner black lines perpendicular to it; black paint all ove rinner surface; worn.
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2008.7.85
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Interior: black wash. Exterior: black wash with thick, horizontal, parallel stripes overpainted. One dark red, with a thinner cream stripe parallel above and below.
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2008.9.26
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Interior: greyish-black wash. Exterior: 3 thin narrowly-spaced lines run parallel to one of the edges of the fragment. The upper of these is overpainted in a greayish-black colour, the 2 lower are a redish-brown. Below these lines are three greyish-black dots interspersed by vertical thick greyish black and thinner redish-brown lines.
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2008.9.4
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Exterior: 2 front legs of an animal, joining onto a body is overpainted in greysh-black. 5 short vertical lines are etched across the body and a few other etched lines define the back legs and chest of the animal. 2 back legs and a tail are partially present. A thick horizontal band and below a thinner band run parallel to the bottom-edge of the fragment. The animal appears to be standing on the thinner band, and there are 2 circle between the front and back legs, and two circles to the right of it.
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22.9.9
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Large portion of the fragment is decorated with a thick stripe of brown glaze along with a series of thinner bands. Another small detailing appears underneath the large stripe, however, it is undistinguishable if this is part of a larger design.
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23.11.29
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Large rounded top, rounded and thicker at the top of the nail and thinner and sqaure at the bottom with a slight bend at the top and the bottom.
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23.11.31OO
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Profile figure facing the direction right. does not appear to be a Spartan warrior. possibly a Persian warrior or leader? face. helm and armour slightly visible though. defining feature is a ponytail at the back of his helm. not clear whether he is carrying any weaponry. representation of Persian King Darius or Xerxes from the Persian Wars? lead figures part of a large relief commemorating the war? or just used for ritual purposes with the flogging at the Temple of Artemis Orthia? pretty good condition. lead is an off-colour brown grey, similar to 23.11.31h. bears no similarity to the other lead warriors, as it is a lot thinner than them and lacks a shield.
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26.2.30
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Outside, a band below the rim, three lower down, faded black on greyish-buff clay. Inside, on a thin pale slip, large dots on the flat rim, a broad black band with thinner bands of red (and white?) superimposed, and what might be the top of a horse's head to left, showing the beginning of the eye on the extreme left, the ear in the centre, and the main impinging on the framing broad band.
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47.2.9
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Black gloss covers the entire body, except for resting surface, and within ridge on underside. Underside is covered with red paint and further decorated on reserved area with dot at the centre, central circle, and two thinner concentric circles. Much of exterior misfired brownish.
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48.12.2
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Black decoration. Interior: uneven band round rim; ring in base with ill-made join. Exterior: uneven band at rim; beneath it is a wavy line (decoration ceases temporarily above handles); paint thinner in places. Black band where the body tapers to the base, and another band around the foot. Base reserved.
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49.8.2
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It has a central knob handle with moulded ridges that bears a red spoked wheel and a red band with a reserved rim. Additionally, it has a black and red down moulded handle with two bads at the bottom. Both sides depict a female head with ornate head dress, made of whitish thin bands and dots, shorter and thinner yellow ones, as well as of ovaloid or curving mottifs. A lock falls over, accross the neck. A spiral pattern is used to fill the surface between the end of the kalyptra (hair dress) and the beginning of another motif; a palmette, used as decoration on either side, while a floral pattern fills the space between the chin and the other side of the palmette. One of the heads wears a neclace made of yellow beads, while her earing is painted over the hair with big round spots. Between the two heads there are palmettes (fan-shaped ornament composed of narrow divisions) with added yellow for few details. Around the bottom of the rim there is a wave pattern to the left. The underside is completely reserved.
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49.8.9
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Rim: There are three narrow, black bands (on a reserved area) between two thicker ones. The side of the rim, the neck and the underside of the handle are all reserved, however there are parallel horizontal bands framed by two thinner vertical lines on the back of the handle. The shoulder is decorated with black tongues. The body is covered with a scale-like motif and each of the scales is rendered with two incised lines at the edge. Additionally, each alternate column has a large purple dot and the columns between have a very small, incised dot. Above and below the scales there are two, broad, black bands, separated by reserved lines. The lower part of the body towards the foot is decorated with tongues (radial-shaped motif). The foot and the base and underside are reserved.
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50.12.39
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Exterior: thick brown band, from which extend, at a diagonal, two thick curved brown/black bands and one thinner atc. Interior reserved.
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56.8.6
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Interior: black not carefully applied , not lustrous. Purple band towards the the edge framed by two thinner black bands. Exterior: around rim black band with white dots; Animal frieze on the bowl. Four swans (water birds), facing right, alternating with incised rosettes. Background filled with small decorative patterns of undefined shape that often bear incisions. Black band below. Black stem and upper surface of foot; reserved groove on vertical surface of foot; reserved underside. Added purple and white on the birds' wings and the rosettes.
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73.9.2
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Handle, three quaters black glaze, situated above ivy leaf standing on tendrils and tips of two leaves of palmette on right. There is a thick black band around the rim and two thinner black bands beneath the ivy leaf.
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83.9.13
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One side is decorated with black glaze in a circular pattern; consisting of a thicker and thinner stripe. Other side decorated with an imprinted pattern.
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91.11.6A-B
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(a) fragment of base of bottle, and part of neck, shape resembling 91.11.2. Opaque opalescent lustre. H. (pres.) 4 cm (b) fragment of neck, possibly from same bottle (though glass appears thinner). Max L. 2.7 cm
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E.23.43.3
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Cylindrical bead, blue glaze. The bead is shaped somewhat like a bone in that the ends are bulbous either side of a thinner middle.
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REDMG:1951.156.1
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Mouth black inside and out, with a reserved lip; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body, top: black line at top of body. Body (at front, only): three rows of black dots between four black lines; black lines above and below figural scene; below, simple maeander to right, above a black line. Body, below: two black lines, thick black band, two thinner black bands, black to foot. Figural scene depicts a goddess mounting a quadriga, profile to right. Behind the horses are a seated (?) female figure, also profile to right, and a standing male (?) figure, from whom emerge, to either side, dotted branches; in front of the horses is a lyre player, seated profile to the left. All figures are heavily draped.
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TEMP.2003.2.3
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Long light-brown/buff object, from part of a figurine. Slightly thinner at the middle than at the outside and also slightly bent inwards. Small hole at one end.
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TEMP.2003.7.31
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Small figurine, possibly an animal, because the nose/mouth is pointed like a snout. Has two small holes for the eyes, and three holes above them. The neck is thinner than the head, and the arms are clearly defined, although are broken. The figure is of a red colour, with remants of black paint on the head and lower back.
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