| 11.10.6
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Cup mouth with deep flange with six bands in two groups of three. Side band is continued across top of handle but otherwise it is plain. Three warriors, heads left, feet right. Spears slope left and shields are red in centre but have a black rim with white dots. The six band pattern is in two groups of three again on the base.
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| 13.10.4A-B
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The mirror (A) is decorated on the underside with six concentric circles, arranged in three pairs, and a raised boss at the centre, pierced at the centrepoint.
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| 2004.8.6
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Six, black palmettes (two only partially visible), set against a reserved background. Left of the palmettes is a verticle, thin black line. Above the palmettes there is a thick black band around the rim, with black paint on the rim itself too.
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| 2007.9.1.76
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Displays a human figure kneeling or lying down, facing right, with five or six pots lined up behind them.
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| 2008.2.1.65
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A group of six figures. In the centre of the image are three figures, an older male figure who is seated; there is a female figure to either side of him. The female figure to the left is embracing the seated male. To the left of this central group is a young man holding the reins of a horse, which is on the extreme left of the image. To the extreme right of the image are two elderly male figures standing in the background. There is a temple in the background.
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| 2008.7.20
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Exterior light-brown glaze. Overpainted by eleven dark-brown (black?) vertical lines that end in two parallel brown lines. There are six further brown horizontal lines parallel to these. All of the lines are of roughly the same thickness (ca. 0.2). Interior is reddish-brown glazed.
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| 2008.7.37
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Exterior has a light reddish-brown slip overpainted by six thin horizontal parallel red lines.
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| 2008.7.53
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Exterior has six thin horizontal parallel brown overpainted lines; interior glazed brown, with one or two possible thin reddish brown horizontal lines (could just be faded wash).
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| 2009.10.1.1
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Five or six cupids/erotes holding the club of Hercules. Cast number - 948
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| 22.3.35
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Upper part possesses a unique pattern that could be intended to mimic a type of plant, consisting of a single white dot in the centre with six triangular shapes surrounding it, each with a white spot upon them, and a white line on each of their ends; both above and below this pattern are two straight lines, brown of colour. At the bottom is another unique pattern consisting of three white dots above what could be a type of pot drawing, with several straight lines upon it. Both these unique decorations are likely part of a larger pattern upon the original artefact's exterior.
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| 26.12.1
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On mouth two concentric circles. Three horizontal bands on the handle. No shoulder decoration. On body, six (or seven?) thin bands above three thick ones. Base is slightly concave and reserved.
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| 26.12.24A-B
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Lid: The knob of the handle is flat and circular, the top of which is black, with a small reserved well in the centre. The rim and a band below it is reserved, but the rest of the stem and a thick band surrounding it is black. A reserved zone on the upper surface depicts six palmettes, with an ivy flower after each three. The outer rim of the lid is also black, as is the inside.
Lekanis: The resting surface for the lid is black. The two horizontal handles are decorated around the edge with vertical bars. On either side of each handle is a small protrusion, with a black line on each side. The walls, in the handle zone, are decorated with vertical wavy lines. The lower part of the body is black, as is in the interior. The base of the ring foot is reserved.
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| 26.12.9
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Lip black. Exterior of handle balck and interior reserved. Shoulder: broad band at base of neck, from which hang bars with a white dot at bottom of each. Body: six ivy leaves above six lotuses, buds alternating with flowers with white outer petals painted directly on the clay. Remander of the body and the foot in black. Resting surface and base reserved.
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| 26.2.36
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No finished edges. The underside is reserved but there is a small trace of a band in the lowest corner. The topside has possible traces of creamy slip. In the centre are six red on black alternating tongues and these are between two stalked and dotted rosettes. Above is the remains of a band with superimposed white and red on black and a similar band is below.
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| 26.7.4
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Top of mouth one thick and four thin bands. Dots appear on side. Four horizontal lines appear on the handle. Daisy pattern on shoulder and below that three bands. Three warriors marching right in snowstorm, spears sloping forwards. Shield of central warrior blazoned with flying bird, other two divided vertically, one half red and the other brown. All figures and shields are incised. Six bands down to base.
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| 27.3.5
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Decoration faded brick-red. On lip five concentric circles, on handle is a vertical zigzag between two thin lines. On shoulder are two dogs running to the right. On body are a group of four lines, between two bands, then six lines, below which are four bands. The base is reserved and concave with a small central protrusion.
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| 27.3.6
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On rim, four concentric circles. On handle, three horizontal bars (bottom two somewhat slanted). On shoulder three dot rosettes comprised of seven dots each. From top to bottom; two lines, three rows of dots, twelve lines, and finally a band of six rays. The base is only slightly concave, with a slight protrusion in the middle, and is circumscribed with two black bands.
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| 27.3.8
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On lip, rays. On handle, two horizontal bands. Shoulder decoration consists of a repeated inverted comma pattern. On body a line, a band, six narrow lines, and, in the main zone, two lions (with traces of a third lion between them), with rosettes between their tails. Four thick black bands, each with thin red bands superimposed. Band of five rays rising from base. Two bands around foot and base coloured black.
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| 28.6.6
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Vertical wavy lines from rim to horizontal band around the body above three running dogs facing right. Six rays, widely-spaced, above foot. On bottom three concentric circles, outermost covering underside of foot-ring.
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| 35.4.4
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The vessel is decorated with impressed (stamped) decoration. Shoulder: there are six inverted palmettes (voluted with narrow divisions), linked with incised curving lines. There is also a ridge at the junction of the shoulder and body, below which there is the motif of ellipsoid tongues (eggs) contoured by a line each. Body: At about the middle, there are six, widely spread double-leaved motives (teardropped leaves) and a continuous, incised line that goes through them. The joining point of the body and foot is reserved and so is the edge of the foot and the resting surface.
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| 38.4.2
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Reddish-brown on pale buff ground. The false neck is decorated predominantly in a black band, with a narrow and broad black circular band in the centre of the false neck. The underside appears to be reserved, with a single thick black line at the base on the false neck. The true neck has a faded broad back band around and overlapping the lp. There is a broad black band at the base of the neck, and also a black blob on the side facing the false neck. On the shoulder there are six groups of narrow black lines painted horizontally. There is one group of either side of the true neck, both have eight horizontal lines, the one on the left has two rings of black to either side of it. The groups of lines on the other side, if faced with the true neck at the top, have groups of 6, 7, 9. 8 horizontal lines, all with a small ring of black in between them. The shoulder is outlined with a broad ring of black. The body has four broad black lines, which have faded to a reddish brown. Adjacent are narrow red rings; four above the first band, two within the first band, two within the second band, two or three below the second band. The fourth band does not overlap the base, which is slightly concave in shape, and has the suggestion of a foot ring.
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| 38.4.6A
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Top of lid has eight, black rings on it. There are two small rings on knob of lid. Top, flat surface of lid has six rings on it. Going from the knob to the rim of base; inbetween the third and fourth ring there is a pattern. This pattern seems to be lots of small 'y' shapes, which have been joined together. Going from knob to rim of base; there are two small holes on the fifth ring, opposite eachother.
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| 45.3.1
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Decorated on top of mouth and neck with black tongues. Handle with two dots (rows?). Body decorated with two figural zones with plain bands framing and between. Top: two facing cocks and a long-billed bird to the right; incised rosettes in field. Bottom: two panthers facing a long-billed bird; incised rosettes in field. Incised details on birds and rosettes (divided into four, six, or eight sections). Traces of purple on all animals. Bottom: small ring inside two concentric bands.
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| 46.5.1A-B
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Lid decorated with three vertical black bands above palmette frieze.
Body: dark bands on rim, narrow floral band consisting of ten alternating palmettes, six with lotus attached by long stem on right, two with lotus each side, two with none. Black at bottom of body and foot.
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| 48.12.13
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Rim of the neck is painted red on the inner side, the outer surface of the neck is painted brown. Two black lines on a white wash decorate the shoulder, the handles are painted black on their outer surface. The upper body is decorated with a red band at the top then (on one side) a white wash, followed (on both sides) by six black bands with reserved areas between them. The rest of the lower body is decorated with a dark red wash.
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| 48.12.3
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Interior black glaze, except a reserved band just inside rim. Upper body reserved with darker red and black decoration; Three horizontal brown lines around the outside rim, six sets of five vertical lines spaced evenly around the upper body alternating with four occurrences of three concentric circles surrounding a central dot. Three horizontal lines below it separate this section from the lower body which is black except for one reserved band in the middle. Handles are a darker reddish brown (2.5YR 4/6). There is an incised cross on the inside of one handle only. The slightly flared foot is also black with a reserved resting surface and underside.
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| 50.12.20
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Exterior: brown lines, curved line with horizontal waves above, and six vertical lines rising from the curve (perhaps a fish); broad band below. Interior: reserved.
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| 50.12.37
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White clay fragment slightly curved and the exterior shows detail of a pattern; parallel lines curve accross the fragment to the left there is part of a feather pattern that has a single scroll at the top. On the bottom right the the pattern may be bulb shaped and six curved lines across it. The black paintwork is faded in part while some is still dark. The interior has been painted black while the area below the top has been completely worn.
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| 56.8.8
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On the exterior of the rim, S pattern. A fight of three warriors between onlookers; on the left, an onlooker between two runners, on the right, a runner between two onlookers and at the back a floral motif (lotus-palmette cross?): Two semi-spherical palmettes chained in the middle by circular bands, dotted in the centre, and held on a columnar motif with similar (only more conical) palmettes as endings (top and bottom) by black strips. Many of the figures appear to be holding spears (in the case of warriors) or have in front of them the same attribute (long, thin, vertical or diagonal lines). There are variations in the rendering of armour, hairstyles and drapery, mostly executed by incisions.
The scene is framed by bands, top and bottom. Above the top band is a reserved circle, a thin, red, circular band and then the vessel is black up to the base where there is another red circular band. The interior of the footring is black. The broad, reserved base has a black circle inside a black band in the centre. Additionally, there are six dots (four are bigger) placed randomly on the reserved area of the bottom.
Interior: The surface is black from the rim to the tondo, except for two, red, concentric bands approximately 1 cm within the carination, and a similar red band framing the tondo. Inside the tondo is a representaion of a cock in profile to the right with a flower-bud emerging in the background. Red paint: tail, wings. Moreover, incised over the red ring surrounding the tondo there is a mercantile graffito (?).
The handles are black but reserved within.
The underside of the foot decorated with black dot at the centre, surrounded by black band and 6 black dots around it, uncanonically placed
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| 58.2.4
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The lip of the jug is decorated with black lines compartmentalising the area; within every other compartment there is a design of lines of black dots. This design is carried on part way into the interior of the vase and onto the spur. The underneath of the rim is delineated with a black line. The neck is decorated with three compartments of decoration of unequal size. The compartments are divided by two black lines which enclose crosses surrounded by diamonds. Within two of the compartments there is decoration consisting of lines of vertical dots hemmed in by horizontal lines on either side; underneath are crosses with dots in each section and above is a mixture of crosshatching, lines and dots. The third section is undecorated apart from six groups of three diagonal lines, which form a vertical stripe of decoration under the handle. The body has decoration of long and short double lines containing cross-hatching reaching for the base (within the gaps there is a cross with dots in each section), below two such lines enclosing a string of continuous horizontal diamonds. The base is decorated on both faces with lines and circles. The handle is also decorated with black lines.
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| 62.5.1
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Decoration is dark (brownish-black fading to red) on a light ground. The interior is decorated with bands around the rim and in the bowl (with an ill-made join). The exterior is decorated with a band around the rim, brown fading to red on the exterior of the handle, and another band where the cup tapers to the base, beneath which six narrow bands in dilute glaze are evenly spaced to the foot, the exterior of which is red.
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| 64.7.1
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Black band on the interior of the rim, underneath of which a red line. On the interior, bust of a female figure drawn in outline and shown in profile to the left. She has a freckled face (six spots rather than the usual three found on faces in the Sam Wide Group). Her hair is bound up with a spotted kekryphylon (scarf) tied over her forehead. She wears a pine-cone shaped earring and a beaded necklace. Her drapery is clumsily rendered: a himation decorated with a banded (tongues?) border (shown on her left shoulder) over a thin dark chiton (shown on her right shoulder). She holds a thymiaterion (incense burner) out of which streams some smoke (six strands in diluted glaze). The remaining handle is dipped black on the side. On the exterior of the rim, a frieze of black tongues below the rim, with a thin line below. The foot is reserved, except for the interior of the sloping ring.
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| 71.12.3
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Ornamental head around with are six horseshoe panels.
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| 74.7.2
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Completely reserved plate. Inside at centre is a stamped design of six leaves, with vein detail, in a circle inside three grooved bands. More grooves towards sides of plate and on rim. Flat base with incised grooves on bottom.
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| 81.9.1
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Surface decorated with red slip. Two narrow black bands around bottom of neck, with six sets of narrow black vertical bands (alternating from three to four) extending down from the neck to the base; each set of four bands has a vertical row of small circles down the centre.
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| 83.9.31
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One side of fragment is glazed black with a palmette design. Flowers are situated around a small, indented circle with six tiny indented 'U' shapes inside it. The other side of the fragment is mostly rserved, with a black band at the rounded part of the piece. Near the pointed part of the fragment there is an outer black circle, followed by a smaller black inner circle. Inside the inner circle there is a black dot.
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| E.23.3
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Model of Nile boat, with six rowers with six oars and a steersman standing and steering with paddle. Another figure standing in front of steersman, by mast, and a final figure sitting behind the rowers. Figures are painted with brown pigment for skin, black pigment for hair. There is a faint red pigment on the 'deck', going from top to bottom and then several horizontal lines. It is unlikely that all of the figures are originally from this boat. The number 886 (988) is visable on the boat, which likely the tomb number.
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| E.62.16
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A cubic dice, white in colour with numerical symbols etched on and then painted in black. On all bar one side the symbols are made up of one dot surrounded by two concentric circles, the number of these represents the value of that side. On two sides there are five, on two there are four and six on the fifth. The final side has twelve dots although on this side one symbol consists of one dot and one circle rather than two, also the dots are depicted in groups of twos.
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| E.62.19
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The top of the held piece has six carved bands around the top. Wood is darker on one side than the other.
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| REDMG:1953.25.20
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Black glazed (but fired red in places) except for reserved underside including resting surface. Shoulder: six narrow red bands between two pairs of narrow white bands. On widest part of body, two red bands between white lines, with an intervening white line. Broad red band on exterior of foot.
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| TEMP.2003.7.60
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Fragment is made up of six smaller fragments, which have been rejoined, comprising the base of a pot. Interior and exterior are glazed black. Just above rim of base is a strip of red with a black line in the middle. Top and underside of base rim is red. Side of rim is black. Underside of base is concaved, with a red center. The red center, under the base, has a black circle around.
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