| 13.10.26
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Exterior colour quite pale with several large white patches and ridges, interior coated in brown paint.
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| 14.9.45
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Bottom of false neck has a broad red band. Shoulder has two broad red bands with several narrower bands in between them. The body is squat, with same pattern as the shoulder. Decoration is brick-red on pinkish-buff ground. Smaller band of red near and on the edge of the base, which is undecorated and slightly convex in shape (?). Blackening around hole where true neck has broken off suggests usage as a lamp.
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| 14.9.60
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Series of bands; 1 thin followed by a thick red band with several darker lines through it, 2 rows of dots set between three faint red lines followed by a thick darker band and 2 thin bands all on pale buff surface. Outer edge has traces of painted line and underside is reserved.
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| 14.9.71
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Black floral rosette, small central circle with circle round that and 11 petals marked with incised lines, every other petal marked with red spot. This is surrounded by black vines and several small leaves, 2 of which are marked with incised lines. Background buff. Inside reserved.
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| 2003.7.15
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Piece of fragment made of red clay with pattern both sides. Fragment is slightly curved, with a small rim at the top suggesting it could be part of a decorative plate or bowl. Side A, which is possible the interior, has a broad black line at the bottom - possibly this was the colour of the interior, with five rough circles in a row, alternating black and red from the left hand side, painted on top of a white background. Side B has a similar broad black line at the bottom, with a broad white line painted at the top and several faded black vertical lines painted over the white. The shape of the fragment is rectangular, and it slopes to a point at the right hand side.
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| 2007.4.201
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Thick black band below rim with several thinner black lines perpendicular to it; black paint all ove rinner surface; worn.
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| 2007.9.1.107
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Displays several over-crossing lines, not recognisable as a specific object.
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| 2007.9.1.82
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Displays two water birds, one partially obscured by the other, surrounded by several raised dots and a simple lined border.
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| 2008.7.179
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Exterior: several (at least eight) horizontal parallel thin brown(?) lines; interior: brown glaze?
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| 2008.8.2
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Exterior: Greyish-black overpainting depicting 2 standing birds with curved necks. The bird on the right has wings spread and short horizontal lines on the wing and tail suggesting feathers. There is a reddish stripe overpainted across the body and across the tail. The bird on the left is cut off half-way across the body, but the same red body stripe and feather markings are present. Above the birds is a semicircle of thin bulb-shaped parallel vertical lines and around the birds are several circles of varying sizes.
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| 2008.9.15
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Interior: greyish-black wash with a band of unfinished terracotta running parallel to longest edge of fragment. Several narrowly and irregularly spaced parallel horizontal lines overpainted on the wash and unfinished section. Exterior: greyish-black wash overpainted, covering roughly half of exterior of fragment. Next to this is a band of unfinished terracotta bordered above and below by parallel lines overpained in a brownish-red colour.
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| 2008.9.18
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Interior: traces of a pinkish wash. 1 short diagonal line overpainted in brown remains. Exterior: narrow horizontal raised lip across longest edge of fragment with a narrow parallel line overpainted in brown below this. Several narrow vertical parallel lines join onto this and there are traces of a redish-brown wash.
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| 2008.9.21
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Interior: greyish-black wash. Exterior: several narrow parallel horizontal bands overpainted in a pinkish-red and greyish-brown across fragment, interspersed by a band of unfinished terracotta and another similar band above.
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| 22.3.31
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On the exterior of the object, a series of wave like patterns can be found upon the upper section of the fragment. Beneath this pattern are a series of other decorations consisting of several relatively large lines, and in between these are numerous thin lines with moderately large dots above them. The interior of the fragment has no decorations however.
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| 22.3.35
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Upper part possesses a unique pattern that could be intended to mimic a type of plant, consisting of a single white dot in the centre with six triangular shapes surrounding it, each with a white spot upon them, and a white line on each of their ends; both above and below this pattern are two straight lines, brown of colour. At the bottom is another unique pattern consisting of three white dots above what could be a type of pot drawing, with several straight lines upon it. Both these unique decorations are likely part of a larger pattern upon the original artefact's exterior.
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| 22.3.36
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The exterior possesses several images of what appear to be flower like decorations, consisting of a large white spot with eight slightly smaller white dots scattered around them. These flowers are in alignment and stretch across the middle section of the object. Beneath these flowers are a series of smaller dots that form a line stretching from one side of the artefact to the other. The interior of the object possesses countless lines connecting one part of the pot to the other, and vary in shades of brown.
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| 22.3.37
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Around the middle there is a painting of what appears to be a sort of vine, with numerous flowers pods protruding out of it, and several other flowers that have blossomed. At the bottom there is a small part of what appears to be from a larger pattern upon the original artefact. The exterior of object in which the paintings are upon is itself painted black.
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| 22.3.38
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On the outside are several patterns, likely painted on as part of a larger decoration upon the original artefact as a complete object. The inside has a single large, slightly curved light orange line; again, potentially part of a larger pattern on the interior of the artefact.
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| 38.4.3
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Black detail faded to brown on pale buff background. Interior of mouth has faded remains of a 0.6 cm thick black circular band. The rest of the interior is reserved. The lip has indications of one, possible two extremely narrow black bands around the circumference. The neck shows signs of either having a very thick black band or several narrow black bands painted closely together. On the shoulder there are two narrow bland bands, then an 1.5 cm area of cross hatching which is surrounded on both sides by a broad black band. The handles appear to have been painted in black on the top and side, and reserved underneath. The main body of the pyxis consists of two narrow brown bands separated by the reserve, then a black band, the pattern is repeated once to the base. The base itself has a black band which overlaps from the body, then two groups of concentric rings, three in the inner circle, and four in the outer circle.
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| 47.12.15
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Shallow bowl with flat rim and convex foot. Red with one thick black band around the body; a thin black band beneath the rim and several bands on the inside of the bowl.
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| 47.2.15
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Shallow bowl with flat rim and convex foot. Red with one thick black band around the body; a thin black band beneath the rim and several bands on the inside of the bowl.
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| 73.6.1
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Fragment appears to be showing two characters, though only their legs and part of the robes they are wearing are visible; it could be part of a story being told. Beneath the feet of the characters are two circular lines which, probably part of a pattern. On the left side of the fragment are several lines with dots around the outside of them which could be a visual representation of grape vines. Around both the vines and next to one of the characters are several larger black dots that could be larger fruits. The right side of the fragment appears to portray another pattern consisting of several wavy lines, though this one is harder to fully make out than the others.
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| 73.6.3
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Black figure painting consisting mainly of two large straight lights, one at the bottom, and the other in the middle. There are several patterns on the upper part, though it is challenging to fully make out what they are, though it is likely they are forming part of a story portrayed across the rest of the pot.
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| 73.9.30
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Several lines on the outside forming a pattern, likely part of a clearer image on the original object it comes from.
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| 83.2.5
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Short horn shaped piece of terracotta in a pale yellow clay. On one side are several brown/red coloured lines, likely part of a larger pattern originally from the item the horn was broken off from. They appear to have been worn away over time.
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| E.23.2
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Funerary stele with vulture wings surrounding the solar disk, common during the time period. Below the wings is the text of the stele, surviving intact. Two men are depicted adoring the god Re-Horakhty, whose presence is indicated not only by the uraeus and sun disk but also his name inscribed in the text. It has been suggested that the dress of the figures indicates that they are Nubians; this is confirmed by the oddity of their personal names. The sky is depicted above the winged disk, each end being supported by the symbol of the west (on the left, only the top of the feather survives) and the east (on the right, more or less complete). A signature, possibly belonging to Flinders Petrie has been found above the head of the right hand figure.
There is only one viable interpretation possible, when one combines the depictions with the details found within the text. The stele depicts the man Serep and his son Tkr-Irt-Hrw, not as has been assumed Serep with his Ka. A personal Ka has no need of the title m33 khrw, which is a title of the deceased, thus two deceased are depicted. There is no question that Serep is a man as he is depicted in male dress and has the male symbol after his name.
There is enough evidence to show that the stele was once painted. Red pigment on the sun disk of the god is the most apparent, though a similar (if not the same) is found in several of the hieroglyphics and on the deceased as well as faint traces on the column to the right. A yellow stain remains in the first two columns, which could be remains of the paint used to fill in the columns. The combination of colours matches well with the red pigment found in the glyphs.
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| E.23.3
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Model of Nile boat, with six rowers with six oars and a steersman standing and steering with paddle. Another figure standing in front of steersman, by mast, and a final figure sitting behind the rowers. Figures are painted with brown pigment for skin, black pigment for hair. There is a faint red pigment on the 'deck', going from top to bottom and then several horizontal lines. It is unlikely that all of the figures are originally from this boat. The number 886 (988) is visable on the boat, which likely the tomb number.
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| E.23.47.1
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A string of random beads placed together. The string consists of two Horus amulets, two lotus petal amulets, two scaraboid amulets, several single beads of circular shapes, one shell, one broken unidentifiable amulet and one cylindrical bead. There are varying colours and sizes.
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| E.62.2
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Sculptor's trial piece. White limestone, the sculptor is trying different ways of drawing hair. The bottom of the fragmet has a human head with one way of drawing hair, one braid at the from with several straight lines representing the rest of the hair alon with a band accross the top of the hair. Other methods include small squares, undulating lines and straight parrallel lines made up of small chips into the surphace.
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| E.63.28
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Red colour wash (?) is present on the on the upper body. Several concentric purple lines decorate this area. lower body is left bare.
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| T.2012.11.28
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Two large lines upon the outer part, one at the top, the other at the bottom, that spread across its face and form a sort of box. Within the box appears to be a painting of grape vine with a series of heart-shaped leaves forming a pattern, as well as several patterns of what seem to be four lots of grapes. There are no decorations on the inside of the fragment.
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| TEMP.2022.5.13
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On one side are several diagonal lines forming a sort of pattern.
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