| 14.9.75
|
At the top is a triangle of black, with a smaller triangle below leading to a dark brown line. There is a similar line parallel to this one on the left. Both lines are at right angles to a braoder dark brown line. Nestled between two faint brown lines are five white circles with black circles in the centre. There is just a small area of dark brown/black on the bottom right hand corner. Other side is reserved.
|
|
| 2007.1.10.21
|
Hercules holding a club leading Cerberus out of Hades
|
|
| 2007.10.1.22
|
Hercules leading Cerberus out of Hades
|
|
| 2007.10.2.120
|
Temple at the top of the cast with steps leading down to a building at the bottom.
|
|
| 2007.10.2.131
|
Three winged Children leading a sheep.
|
|
| 2007.10.2.288
|
In the foreground there are two horses leading a man on a chariot, in the background there are another two horses most probably pulling another chariot.
|
|
| 2007.10.2.289
|
Two, decorated griffin-like creatures, leading a chariot. Eros is holding onto the one in the foreground.
|
|
| 2009.10.2.282
|
Male figure wearing a helmet and holding a spear, leading a horse through a doorway or between pillars.
Number 72
|
|
| 2009.10.2.381
|
Seated semi-nude bearded male with a female figure on the left leaning over him with her hands on his shoulders. A male figure with his left hand raised and leading a horse is on the left of the figures, and a standing female figure on the right holding drapery. There is a temple behind the figures and a tree on either side, with two bearded male figures under the right-hand tree.
Number 37
|
|
| 2009.10.2.396
|
Nude male figure wearing a cloak leading a large bull behind him.
Number 52
|
|
| 22.3.5A-B
|
Glaze fired red throughout. On the body below flanged rim, is key below a broad band, on reserved base an incised spiral. Inside is reserved with a broad band immediately inside the rim and a line below it, at the centre are two concentric circles. Lid: around the rim the pattern consists of leaves surroundered by parallel lines. A broad band separates another pattern of palmettes and decorative tendrils. Another broad band of concentric circles leading up to an acorn shaped knob with ridge at its base. Knob is red around bottom but reserved at top. There are also areas of white and black deposits on knob and inside on the underside of the lid and at base.
|
|
| 25.6.2
|
Black on the inside except for a reserved disk in the centre approx 6.0 cm diam. Small handles moving straight out from side, black underneath but reserved on top. On the main zone; A and B. Man leaning on stick listens to a seated lyre player. Handle palmette behind musician has lotus attached to it on left. Between listener and other handle palmette a tall thin lotus bud. Beneath each handle is a small clover leaf. Beneath the main zone is a black disk leading down the stem to the foot. The rim and base of the foot are reserved except for a black band on the base.
|
|
| 26.7.15
|
On main zone, both A and B show a spray of leaves in applied white. There is a long stem leading down to the foot, the base of which has a thin wash of glaze on it.
|
|
| 27.4.4
|
Paint is red-brown. Single handle with incised line down back creating two halves. Trefoil mouth with short bars around, leading to long straight neck. On neck are two parallel bands at the top, above four groups of three tongues with a red bar across top. Three bands separate neck design from shoulder design of three grazing deer facing right with zig-zag fill ornaments above shoulders and a small bird (?) on extreme left. On body is one zone of checks and then bands to base. Base is flat and reserved.
|
|
| 29.11.1
|
Mouth black inside and out with a reserved rim. Neck and underside of single curved handle are reserved. Shoulder has bars at base of neck with a ring of lotus buds on edge - circular mistake between rows. Thin black band around edge of shoulder. Body design has two men each leading a horse to right. Both wear cloaks, first helmet, second petasos. Red for beards, manes, tails and peytrels. White on helmet and design on horses, but badly faded. Black band followed by reserved band, then black stem. Disk foot is black on top but reserved on the edge with a flat, reserved base with a central circular concave section.
|
|
| 73.9.8
|
The rim, leading to a band on the ouside is black, as is the entire inside of the fragment. Below the band on the outside is a horizontal 'S' shape pattern with small dots above and below it. To the left of this is a big black blob, which is slightly raised to suggest a handle ? Below the 'S' shape are four parallel lines, below which is a thin brownish band, a gap, and then what looks like the edge of a black circle. The second fragment has no rim and also shows a black blob which looks like it should be the base of a second handle. The inside of the fragment is againentirely black. On the outside of this fragment, there is no 'S' shape pattern or parallel lines, but there is a brownish band, below which is the edge of what seems to be a black circle, the same as fragment 'a'.
|
|
| E.2003.9.1
|
The jar has a small but quite pronounced neck leading to an ovoid body that descends to the pointed base. One part of the body is flattened.
|
|
| REDMG:1935.87.33
|
Rim has terracotta concentric circle around the centre, leading to with a continous olive leaf pattern underneath. A: Satyr in diadem and shoes, carrying flaming torch and situle, follows woman carrying barrel of grapes and ornamented box (cista). Goats skull and rosettes in field. B: two youths with sticks in conversation. Three rosettes can be found on either side of the youth. Palmette design can be found under each handle and a dash pattern circles around every handle. Yellow and white colour can be found added to the pieces especially the picture of the satyr. Underneath each figure is a continous wave pattern which continues around the base of the krater.
|
|
| REDMG:1935.87.34
|
Inside is reserved except for inside of mouth. Top of mouth is red with black wave. Black palmettes on top of handles protrusions. Handles are made of two bars with large square at top. Black between handles and all down body. Side A has an arrow pattern on rim, ivy leaf and dot rosette pattern on lower half of neck, black tongues, warrior in the centre leading two prisoners. Warrior has shield helmet. Rosettes and fillet in field. Double row of dots either side and wave pattern underneath. Side B has an 'SSS' pattern with dots on rim, lower half of neck has ivy leaves with dot rosettes, black band, black tongues, scene of three youths in conversation with crossed circles in field, double row of dots either side and 'SSS' pattern with dots at bottom. Black body, reserved stem, black foot with reserved groove, resevred band at base. Reserved conical base.
|
|
| REDMG:2004.95.1
|
Interior of mouth black; lip reserved; exterior of mouth black, as is handle (repainted); vertical bars at the bottom of the neck; lotus-dot chain on the shoulder; Dionysos riding on a mule, between two satyrs, one holding a maenad. Below the figural scene is a black band, a reserved band, and then a black zone extending to the foot, which is black on the top, reserved on the convex surface and the underside.
Figural scene: A nude satyr (in a crouching pose) runs profile to the right, holding a maenad on his shoulder; the maenad, who turns her head profile to the left, stretches her arms to either side and holds a rhyton in her slightly upraised left hand. She wears a kekryphylon (red), necklace (incised) and himation. Dionysos, seated on a mule, rides profile to the right; the god, wearing a red and blck ivy wreath and a himation decorated with red dots, holds a red keras (horn of plenty) from which emerge ivy tendrils that serve as a backdrop for the entire scene. Leading the mule (through use of a white rein, of which a ghost remains) is another nude satyr, running profile to the right, while he turns his head profile to the left. Other details include red on the beards and tails of satyrs and a red fringe for the foremost satyr. Incision is used extensively for anatomy and drapery. An unusual effect is created through the use of incision for the forearm of the leading satyr, which he lays across his torso, which is not incised save for two small circles to indicate his nipples.
|
|