| 13.10.11.6
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Groups of three incised parallel lines, arranged patterns.
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| 13.10.4A-B
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The mirror (A) is decorated on the underside with six concentric circles, arranged in three pairs, and a raised boss at the centre, pierced at the centrepoint.
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| 2002.9.4
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A reconstruction of a barbiton comprised of a heart shaped wooden frame with a horizontal bar at the top to which the seven strings are attached. The strings are arranged vertically and are attached at the bottom where there is a tortoise shell with some sort of drum skin drawn taught across the top. A red ribbon has been added for decoration to the left at the bottom.
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| 25.9.3
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The vessel bears impressed (stamped) decoration and is black inside, as well as outside. There is a rope-shaped plastic motif above the shoulder of the vessel and the body is ribbed (long, tongue-shaped motives). Below the handle there are ten impressed palmettes (voluted with narrow divisions), arranged in an inverted triangle. The resting surface bears traces of a red line, its shallow inner side bears a black band, the central part is red and there is a black circle with a dot at the centre.
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| 26.12.7
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Lip decorated with black vertical lines. Interior: Three concentric bands of red, each approximately 1.3 wide. There are three narrower concentric red bands at centre. Four small, round handles, arranged symetricaly, are decorated with the same vertical lines as on the rim. The body is decorated on with three bands: (1) vertical lines in red; (2) triangles filled in with cross-hatching alternating with small loops, each made up of three concentric semi-circles around a dot; (3) triangles inscribed with smaller triangles. Each band of decoration is separated by a triglyph compased of two thin red bands on either side of a thicker red band. There is a thicker red band towards the bottom of the foot. The edge of the foot is decorated with red vertical lines. Inside the flat resting surface are two concentric red bands.
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| 27.4.1
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Glazed black on the interior, except for a reserved band within 0.4 cm of the top edge. Exterior black glazed except, in the handle zone, a frieze decorated on each side with a pair of eyes between 5-petalled palmettes, above another reserved band. Each palmette is joined to the corresponding handle by a tendril. Each eye consists of a white circle within a black eye shape, surmounted by a black eyebrow decorated with white dots, and above a plain black curving line that mirrors the shape of the eyebrow. Between each pair of eyes is a straight vertical band, indicative of a nose, decorated with a row of white dots. Between the handle attachments and below each handle is a set of four sloppy spots arranged in a diamond form.
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| 34.10.10
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Around the base of the neck is a string of tiny round impressions. Below handle are twenty-one stamped eggs arranged in an inverted triangle. Body is ribbed vertically. Moulded groove around foot. Object is black all over, although top half of body is lighter, almost brown.
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| 34.2.2
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Black glazed except below the neck on the interior, on the friezes (between handles) on the exterior, and on the underside. Just above the handles a short frieze consists of a series of short bars, vertically arranged; below these is a frieze filled with a pair of sideways 7- to 9-petalled palmettes, and either side of upright palm fronds, which enclose an upright 9-petalled palmette. A pair of tendrils emerge from either side of each palmette.
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| 45.6.20
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Top decorated with black concentric band around double palmette (each palmette comprised of 5 petals), symmetrically arranged, with a line of black dots in between (three on either side). Black on sides, black band around underside; hastily glazed neck, black below.
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| 50.12.50
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The figurine probably represents the body of a woman (a 'phi'figurine). The figure is decorated with a series of slightly wavy brown lines, arranged vertically.
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| 51.7.15
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Reserved except for black glaze on the interior hollow and geometricising decoration: on one side, within two black bands, branches arranged in a radiate fashion; on the other side, within two black bands, radiate bands, some at various angles, intersecting; on the exterior 10 horizontal lines, each intersected by 7 short vertical bars.
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| 51.7.16
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Black mouth inside out, except for reserved top surface of the rim, exterior of handles, interior reserved and underside of the foot black; Between the handles are double (mirrored) lotus-enclosed palmette friezes, enclosed between red lines. Below the ridge at the base of the neck are alternating red and black tongues. Beneath each handle is a vegetal design comprised of three lotus buds, each arranged at right angles to each other, so that their stems form a diamond that encircles a dot, yet extend to four palmettes (two above and two below) that flank the figural zone. Beneath the figural zone is a series of friezes: two lines; a maeander (Greek key) to left; two lines; a frieze of upright leaves interlinked by arcuated stems; two lines; rays extending from the base. The preserved part of the base is entirely black. Side A shows a quadriga (four horse chariot) wheeling around, so that the front of the horses seem to pass a crouching warrior holding out a spear at a near horizontal. The helmeted charioteer holds a large shield. Side B shows a helmeted warrior, standing between two attendants. The warrior holds a shield with a lion-head sema, wears a chlamys, and holds a pair of spears at right angles. The (male) onlookers, both bearded, wear himatia that enclose their arms, and each holds a staff upright. Detail is incised on both designs. Top of foot and side are black and the underneath is concave and black. Added red on horses' manes and the contour of the shield.
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| 51.7.5
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Interior reserved; black glaze on mouth and upper half of neck, as well as upper half of handle; lower part of neck decorated with tongues that suggest ribbing; shoulder decorated (except under handle) with an egg-and-dot frieze between two black lines; reserved space at lower part of handle and handle attachment (interior) suggest that the mouth and neck were dipped. Body decorated with a frieze consisting of 7 clusters of three white dots at the top of a figural scene (arranged in upside down triangle shapes): a female figure, standing in 3/4-view to the left, in a relaxed posture with her left leg crossing her right, and her left elbow resting on a pillar (the curvy element in added white suggests that this is meant to represent natural rock). She wears a hairband and kekrphylon on her head, triple-dot earrings, two or three necklaces (two strands of white beads beneath a black line), two white bracelets on each wrist; a belted sleeveless chiton, and white slippers. She holds, in her upraised right hand, a mirror surrounded by white dots, and, in her left hand, a phiale that is surrounded by white beads, as well as a beaded sash. A large palmette, with a white dot on the heart and white dots on each volute, fills the space beneath the handle. From each volute emerges tendrils and floral decoration that frame the image of the woman. A 6-petal rosette fills the space to the right of the woman; to her left are a window and a dotted circle (cog-wheel?) in the upper left field, and an olive branch in the lower left field. On the body, beneath the figural scene, are a single reserved band and a thicker black band. The foot is reserved on the top element, and glazed black on the ridge and lower element; the underside and resting surface are reserved.
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| 56.8.2
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Interior reserved, except for a narrow band of black glaze at the top. Exterior: black-glazed rim and handles, including handle attachment points, lower part of body, and foot. The shoulder is decorated with pendant leaves, vertically arranged, divided by a narrow black band from the body frieze which consists of, on either side, a 12-petalled horizontal palmette between two sideways 14-petalled palmettes central. Lines of dots emerge from either side of the middle leaf on each palmette. Underside reserved.
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| 61.6.5
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Lid reserved except for beveled interior of knob top, exterior surface of knob and stem, top of lid, where knob is attached, which is encircled by a black line, then a floral band, comprised of alternating 3 11-petal palmettes with 3 5-petal palmettes (or lotuses), then a black band on the vertical surface of the rim. One-handler glazed on the interior, handle, zone between handle attachments, lower part of body (below handle attachment, and ring foot except for reserved resting surface. The upper part of the body is also decorated with vertically arranged zigzags, while the underside is decorated with a 'bull's eye', that is, a central black dot, surrounded by a small black ring.
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| 83.11.1
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Torso of seated female figurine, and legs to just below knees. Right arm (articulated). Blobs representing (?) jewlery arranged in a saltine cross over front of body, and horizontal row at waist. Tow incised lines on left thigh. Clay orange pink.
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| REDMG:1951.131.1
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Black rim and neck, except for a thin reserved band just above the join with the body; body decorated with three reserved bands above an egg-and-dot band and another reserved band; row of white dots at top of figural scene. Below, band comprised of stopt maeanders (3) alternating with cross-in-square (1), between two reserved bands; broad reserved band at join of body and foot; reserved band on lowest ridge of foot as well as resting surface and underside.
A: A draped woman runs in 3/4-view to the right but looks back, profile the left. She holds in her lowered right hand a wreath from which a garland hangs and in her upraised left hand a box (decorated with bands, chevrons, and zigzags, as well as white dots above the box), while drapery falls over her left arm. She wears a stephane and a kekryphylon with dangling ribbons, beaded earrings and double necklace (indicated by white dots), double bracelets on each wrist, a belted, sleeveless chiton, and slippers. In the field are a fillet (upper left), a rosette with five white dotted petals and a yellow centre (upper right), and a shrub with berries (lower centre), as well as a white dotted groundline rising slightly to the right. B: Eros, holding a beaded necklace in his extended right hand, is seated in 3/4-view to the left on a flower. The leaves and buds of the same plant elaborately fill the field beneath and around him. He wears attributes that are similar to those of the woman on A: stephane, kekryphylon, earring, double beaded necklace, double bracelets, and slippers. He also wears a beaded baldric diagonally across his chest and ankle bracelets (3 on each ankle) and a baldric comprised of a row of white dots arranged diagonally across his chest, over his left shoulder.
Added white is used for details of Eros' wings as well as the jewelry, box decoration, slippers, vegetation and groundlines, as well as the centre parts of the eggs on the egg-and-dot band.
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| REDMG:1961.150.3
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Moulded ring on neck; 17 white bands arranged horizontally, between the top of the neck and the middle of the lower body.
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| REDMG:2004.98.1
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Black on interior and exterior of mouth; reserved upper lip; restored neck; handle black on exterior; shoulder: band of vertical bars above black rays pointing toward the carination. Body: double lotus-palmette frieze, bilaterally arranged, on either side of a 'chain' (row of dotted circles inscribing incised circles. Incisions also used for palmettes; attenuated white lines (side leaves of lotuses) arc over the palmettes. Below the main zone is a thin black band, a thick black band, and a black zone that extends to the top of the foot. The foot is also decorated with a black line at the lowest part of the vertical edge of the foot, and is reserved on the underside and resting surface.
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| TEMP.2003.7.53A-B
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a) Animal head (perhaps a bull); b) wave pattern above lines arranged in a triangle
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