| 13.10.28
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Seated female figurine of Kourotrophos holding child on lap, with raised head. Seated on chair with flat back.
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| 13.10.32
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Female head with prominent ears, oval eyes and slight smile.
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| 13.10.33
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Female head, broken at neck, with oval eyes, prominent ears and slight smile.
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| 13.10.36
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Upper half of moulded, standing female, holding an offering in right hand. Back unworked, with hole for ventilation when firing.
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| 13.10.37
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Fragment of female (?), handmade head, with distinctive pointed nose.
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| 13.10.38
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Female (?) handmade head wearing a fillet. Pointed distintive nose.
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| 14.9.117
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Standing female, holding tambourine, tympanum or phiale in right hand across body.
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| 14.9.118
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Mouldmade female with flat back and stumplike arms.
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| 14.9.119
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Female head, appearing to wear sakkos, but now broken at back with a row of curls at the front.
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| 23.11.31A2
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Winged female facing forwards, wearing a long patterned skirt, and holding a sickle in her right hand.
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| 23.11.31B2
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Winged female facing front, wearing a long patterned skirt
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| 23.11.31C2
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Winged female facing front, wearing a long waisted shirt.
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| 23.11.31IIII
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Female facing left, wearing a pointed headdress over long styled hair. One hand appears to be held up to the face. There is a thin spike projecting upwards at the back. The skirt is belted at the waist, and is patterned with vertical bands containing zigzags or chevrons which terminate at a shin-length curved hem. The left shin and foot appear angled back to the other foot, giving the figure the appearance of walking.
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| 23.11.31MMM
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Female wearing an elaborate pronged headdress and long skirts. The right arm appears heavier, as though draped in or carrying something.
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| 23.11.31RR
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Female figure facing left with arms held away from the sides of the body. Wearing a headdress and a long garment marked across at the chest, waist, and hem levels.
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| 23.11.31UU
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Two fragments of a female. She wears a sash, knotted at the front with a bow, over a long skirt patterned with vertical bands of single- and double-line zigzags. Her right hand is holding a plate or dish.
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| 23.11.31X1
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Winged female facing right, wearing a tiered headdress over long, styled hair.
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| 23.11.31XXX
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Female wearing a long patterned skirt. The upper, larger section of the skirt is divided into four vertical bands made up of wide plain, narrow plain, wide plain, and single-line zigzag motifs. These are terminated with two horizontal bands running around the hem.
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| 23.11.31XXXX
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Female wearing long skirts. The top of the figure is oddly shaped. The left arm extends down and slightly away from the side of the body, ending in a fork. The skirts are sashed at the waist, and are marked with long vertical lines ending at a wide hem with more widely spaced pairs of lines.
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| 23.11.31ZZ
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Female facing right, wearing a long skirt marked with horizontal bands. The straight line of the back projects above the head. One arm is raised in front of the body, and the other is held at waist level.
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| 34.10.26
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Fragment of head and neck of large figuring (female). Inside is completely hollow.
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| 47.2.29
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Female tambourine player, with wheelmade body, moulded face and handmade arms. Facial features well preserved. Right hand plays tambourine and is placed higher than left.
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| 47.2.31
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Standing female holding tambourine. Cylindrical, wheelmade body, mouldmade face and handmade arms.
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| 47.2.33
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Standing, mouldmade female, holding tamborine and wearing pointed cap. Ears and nose most prominent facial features, with virtually no mouth visible, fingers incised.
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| 47.2.34
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Standing mouldmade female, holding tambourine, with pointed headdress and large hands.
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| 50.4.4
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Female mask (hollowed at back), with gaping mouth, hollowed eyes, hair arranged in thick ridges, at side of head and above brow (fringe).
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| 57.3.11
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Fragment of a female head from large figurine, hollow inside.
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| 74.7.5
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Female protome
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| L.2016.3.14
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Female dancer, slightly turned to her left in a likewise slight step position. Her right arm slopes down, her left arm is raised and she is looking to her left hand, which is bent backwards. A hole in mentioned hand gives rise to the suspicion that she is holding an (missing) object. There is another hole at her left heel.
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| L.2018.4.1
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The distorted perspective and exaggerated forms of Stanford's carving overturn traditional archetypes of female beauty associated with Helen of Troy's face.
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| REDMG:1935.87.35
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Female head with melon coiffure, broken off a stone statuette of a woman.
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| REDMG:1951.132.1
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Guttus type askos: swelling rounded body with bearing at the top a large relief medallion (frontal female mask with puffed cheeks and a lock of hair knotted over the forehead) offset and raised from the body; at a distance of ca. 0.5 cm are two incised lines beyond which the body is covered with fine vertical fluting down to its midpoint. A long diagonal spout with slightly concave sides rises obliquely from the shoulder below the medallion, and terminates in a three-stepped flanged mouth. A loop handle (semicircular in cross section) rises from the shoulder at a right angle to the spout. A tall thick foot, offset from the body, with a ridge at the halfway point broadens toward a ring base, slightly rounded on the exterior, with a concave underside offset from a concave element within the narrow resting surface.
The foot is particularly tall, and is ridged in the middle: otherwise in shape this askos corresponds to Morel's type 8141h 1 (Morel 1981, pl. 209).
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| REDMG:1953.25.103
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Moulded female figurine with extended arms, wearing headdress. Flat, roughly worked back. Arm position suggests she may have been a singer, forming parts of a ring and is now broken from her base.
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| REDMG:1953.25.89
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Moulded female torso with flat back.
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| REDMG:1953.25.99
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Standing female figure, drapery knotted round hips, leaving one leg bare, and falling on left shoulder. Back plain, with hole for suspension. On right side, amphora with ridged neck.
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| REDMG:1958.39.1
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Wheel-made female figurine, with mould-made face.
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