Ure Museum Database



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There are 26 objects for which Decoration contains → heavily
2006.12.121 Black paint lines on white paint decoration; heavily worn.
2006.12.123 Black and white paint lines, heavily chipped and worn.
2006.12.19 Dots of black paint heavily worn with small bits of black paint in other places, suggesting a heavily worn decoration
2006.12.56 Black and white lines; heavily worn
2006.12.57 Possibly black lines on white background on both sides; heavily worn
2006.12.60 Small amount of dark paint on inside; heavily worn
2006.12.69 Black and white paint on both sides; heavily worn but possibly a line pattern
2006.12.76 White paint with black lines; heavily worn
2006.12.78 Zig-zag design in black paint; heavily worn
2006.12.89 Grooves suggesting folds of clothing but heavily worn
2007.4.115 Red brown zig zag pattern on white paint; heavily chipped and worn
2007.4.119 Outer surface deocration heavily worn, possible scraps of white and black paint but no discernable pattern; inner surface has irregular black paint tongues on rim and black and white paint bands on inner surface, worn
2007.4.126 Black paint on inside; outside has lines of faded brown on a white background in both parallel line designs and chevrons; heavily worn
2007.4.127 Hatched black ? lines on outer surface, heavily worn and faded
2008.2.1.74 To the left of the scene is a semi-naked male figure appears to be sitting upon a table, there is a second male figure on his knees in front of the other fully clothes and bearded he seems to be much elder than the first. This figure is grasping the seated figures knees possibly in an act of supplication. Behind these figures two further male figures on look, one of these throws his hand out, he's mouth is open suggesting he is surprised or angry. The background setting is heavily draped so is perhaps the interior of a tent.
2008.7.23 Exterior: beige slip overpainted by two parallel horizontal thick (0.6) brown lines outlined in black, two thick curved brown figures outlined in black, one small egg-shaped black mark. Interior: bottom third dark-brown to black, upper two thirds probably reddish-brown but heavily chipped and worn.
25.9.4 Body, shoulder and neck white ground. Cup mouth is black. Handle black on the back and cream ground underneath. On shoulder are two rows of radiating bars. Body design is an ivy-spray, with circles of dots and heart shaped leaves, between bands of grille pattern, at front only and all in black. Three wet-incised lines below. Side and base of foot heavily ruddled. Footring reserved.
45.6.38 Slightly iridescent greyish-black glaze. Lip imprinted with horseshoe shapes (24 on the lip and 5 in the centre). The foot is flat underneath, heavily ruddled, except for a small hollow cone at centre, which is black.
84.5.21 Blocks XI, XII, XIII and XIV of the north frieze of the Parthenon, showing a section of the procession of the Panathenaic festival. Two three-horse chariots with two riders each proceed leftwards while marshalled by three men. The chariot pairs are made up of one armoured male (with helmet, muscles cuirass and shield) and one female holding the reins. Blocks XI and XIII are heavily reconstructed following damage to the originals. Block XIV is completely reconstructed from drawings
84.5.23 Blocks XXIV, (part of) XXVII, XXVIII and (part of) XXIX of the north frieze of the Parthenon, showing the a section of the procession of the Panathenaic festival. Two three-horse chariots carrying one armoured male (with helmet, muscles cuirass and shield) and one female at the reins each are shown proceeding leftwards with each accompanied by a male marshal, with the rightmost chariot shown with horses at rest. Block XXV, XXVI and part of XXVII have been skipped. All blocks are heavily reconstructed following damage to the originals
84.5.24 Blocks XXXIII, XXXIV, XXXV and (part of) XXXVI of the north frieze of the Parthenon, showing a section of the procession of the Panathenaic festival. Shows a cavalcade of cavalry numbering nine horses proceeding leftwards. Blocks XXXIV and XXXVI have been incorrectly reconstructed and XXXV has been heavily reconstructed following damage to original
84.5.33 Blocks XII, XIII and XIV of the west frieze of the Parthenon, showing a section of the procession of the Panathenaic festival. Three groups of horsemen and horses are shown preparing for the procession. The leftmost group consists of three men and one horse; the centre group, one man and two horses; the rightmost group two men and one horse. From left to right the horses are shown in growing stages of excitement, with the rightmost shown taking fright. Blocks XIII and XIV are heavily reconstructed following damage to the originals
84.5.9 Blocks XXXVI, XXXVII, part of XXXVIII and XLI of South Frieze of the Parthenon, showing a section of the procession of the Panathenaic festival. Blocks XXXVI and XXXVII show a procession of elders; this section is heavily reconstructed. Block XXXVIII is reconstructed following drawings. Blocks XXXIX and XL are completely reconstructed, as the originals were removed when the building was used as a church. Block XLI depicts youths driving a bull to sacrifice.
REDMG:1951.156.1 Mouth black inside and out, with a reserved lip; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body, top: black line at top of body. Body (at front, only): three rows of black dots between four black lines; black lines above and below figural scene; below, simple maeander to right, above a black line. Body, below: two black lines, thick black band, two thinner black bands, black to foot. Figural scene depicts a goddess mounting a quadriga, profile to right. Behind the horses are a seated (?) female figure, also profile to right, and a standing male (?) figure, from whom emerge, to either side, dotted branches; in front of the horses is a lyre player, seated profile to the left. All figures are heavily draped.
TEMP.2003.7.2 Interior white with a pattern of brown waves set in between sets of two thin yellow lines which begin .2 below the rim. There is a small bit of brown that seems to be part of some other pattern at the bottom of the fragment. Interior is brown/black with remnants of a white fan or floral pattern, which is heavily worn. A good deal of the interior is worn down to the original terracotta.
TEMP.2003.8.1 (a)Part of the rim of an open jug of some sort. The inside segment of the rim is painted black, with numerous small bits having been chipped off. Moving outwards, the rim consists of the inside of the pot wall, which then splays out in a flat top rim, and then falls down again in a second wall that is left dangling from the outer rim. So, moving from the inside outwards on the underside, there is a valley of about 1.0 wide and 1.5 deep until the top of the second rim (which is peaked) is reached. The outward facing side of this downward pointed rim consists of alternating lines of black dots and thin black lines which run around the entire outer diameter of the rim. There are two rows of dots and two lines, alternating which each other, all of which are heavily worn. The top part of the rim, which would be facing upwards if the pot were complete, is about 2.2 wide and flat, marked with black raised lines that repeat about every .3 and which start at the outer edge and are 1.7 long, and painted black. These lines are heavily worn. There are also two significant chips in the top of this rim, each about 2 long. (b)Another part of the same rim to the same vessel. The same dot and line pattern runs around the outer diameter. On top the lines which are thicker at the end pointing into the pot are repeated, a palmette decorates the larger flat area of the handle region.
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