Ure Museum Database



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There are 453 objects for which Decoration contains → facing
14.9.47 Panel decoration. Broken wave band on neck; below this the end of a broad band and the beginning of a thinner vertical line bordering the panel on the right; within this frame a network composed of papyrus motives, horizontal and facing left with circles in the blank spaces. Inside a broad band extends from the top of the fragment (and presumably from the top of the vase) to the level fo the top of the band on the outside, the rest reserved.
14.9.48 Brick red paint on pinkish buff clay. Interior surface has Two red bands, on on top of rim and one just below. Main scene is a chariot with three passengers facing to right. The broad band below rim has practically obliterated the heads and shoulders. On outer surface is a red band just below rim.
14.9.82 Head and part of body of woman and siren, both facing left. Shapeless rosettes in field. Red for hair, breast and base of wing of siren and large spot of breast of woman. On top of the rim there are two uneven rows of black dots. The interior is black with a red band along the bottom half of the fragment.
14.9.86 Interior black as is handle on top although it is reserved underneath. The design appears to the right of existing handle, and is of a satyr, facing right, with horn in thinned paint. To his right is an eye pattern. Detail is incised.
14.9.89 Two figures, facing, holding hands. Vines with leaves in the background. Unidentified figure (cloth?) in upper right-hand corner.
2002.10.2.1 Head and shoulders of an elderly man facing left
2004.8.4 The rim is decorated with a thin black band, with a reserved band below and another black band below this. Two youths (black in colour) stand facing each other, with the figure on the right presenting a white cock, of which, elements remain (painted over the figure). Behind each figure the tail and part of a sphinx can be seen. The sphinx behind the right figure has incised lines dividing the wing feathers. The centre of the sphinx's wing appears purple in colour. There are faint, incised lines that give the outline of the youths' heads (where paint has been worn away). The reverse of the fragment is black with a reserved circle on top of the rim.
2005.9.10 Obv: Head of Athena, helmeted, three upright olive leaves on helmet; Rev: Owl, facing right, olive branch on left.
2005.9.7 Obv: Head of Athena, helmeted, three upright olive leaves on helmet; Rev: Owl, facing right, olive branch and crescent moon on left
2005.9.8 Obv: Head of Athena, helmeted, three upright olive leaves on helmet; Rev: Owl, facing right, olive branch on left.
2007.1.10.19 Hercules capturing Cerberus (facing to the left)
2007.1.10.34 Centaur facing to the right with cupid on his back
2007.1.10.35 Centaur facing to the left with woman riding on its back holding a scarf above her head
2007.1.10.37 Naked man holding a staff sitting on a lion skin with a baby on his lap holding a branch facing a deer
2007.1.10.46 Portrait in profile facing left of man with lion's skin on his head.
2007.1.10.47 Portrait in profile of man facing right, with lion's skin on his head
2007.1.10.48 Exceptionally raised portrait of man facing slightly towards the right, with lion's skin on his head
2007.1.10.49 Portrait of profile of man facing to the right, with lion's skin on his head. (Possibly Hercules).
2007.1.10.50 Portrait in profile of man facing right, with lion's skin on his head
2007.1.10.52 Portrait in profile of man facing to the right, slightly raised, with lion's skin on his head.
2007.1.10.53 Portrait in profile of man facing to the left, wearing head dress.
2007.1.10.54 Portrait in profile of man facing right, with lion's skin on his head.
2007.1.10.55 Portrait in profile of man facing left, with lion's skin on his head.
2007.1.10.56 Portrait in profile of man facing right, with lion's skin on his head.
2007.1.10.57 Portrait in profile of man facing right, with lion's skin on his head.
2007.1.10.58 Portrait in profile of man facing right, with lion's skin on his head
2007.1.10.59 Portrait in profile of man facing right, baring his arms, his left hand is holding part of the loin's skin draped from his head. His right hand is holding a club.
2007.1.10.60 Portrait of man from waist up, facing left. Lion's skin is draped over his right shoulder, as well as a club.
2007.1.10.61 Full body portrait of woman facing right. Partly clothed, carrying a lion's skin and a club.
2007.1.10.62 Full body portrait of a woman facing right. Partly clothed, carrying a lion's skin and a club.
2007.10.1.27 Bearded man with short curly hair kneeling down on one knee and facing to the left of the image with his right arm raised. Small winged boy behind him. Cast number 91
2007.10.1.28 Naked bearded man with short curly hair kneeling on left knee facing the left of the image. He's holding a stick in his left hand and has a winged boy on his back. Cast number 92
2007.10.1.29 Naked bearded man kneeling down on left knee facing the left of the image and touching head with right hand. Cloths hanging down from his left arm. Tiny winged boy behind him. Cast number 93.
2007.10.1.6 Man pulling bull. Man on the left of bull facing away from it. Cast Number 70
2007.10.2.1 Displays the head of a man with hair, profile facing left
2007.10.2.100 Bearded male head in profile facing right. He is wearing a helmet and to his left is a small naked female figure.
2007.10.2.101 Head in profile facing right.
2007.10.2.104 Naked male figure facing left. He is carrying something, possibly a small child, in his arms.
2007.10.2.105 2 male heads in profile facing left.
2007.10.2.106 Head of a bearded male in profile facing left. He is wearing a hat.
2007.10.2.11 Portrait in profile of bearded man facing left
2007.10.2.110 Naked figure lying down facing away from the viewer. By the feet is a winged infant. There appears to be a serpent/snake entwined around the figure.
2007.10.2.12 Woman facing left with a vase by her feet, possibly washing
2007.10.2.125 Woman's bust. Profile facing left. The woman is wearing a veil over her head.
2007.10.2.126 Male nude. Profile facing left. The man is sitting down and resting his head on his right hand. He his carrying a sward. On the left side there is an inscription in Greek letters.
2007.10.2.128 Winged Child riding a horse. Profile facing right.
2007.10.2.129 Ox facing right.
2007.10.2.130 Ox facing right. There is an inscription in Greek caracters above the figure.
2007.10.2.132 Parrot facing right.
2007.10.2.133 Sphinx facing left.
2007.10.2.134 Animal facing left. Probably a swine, certainly femalewith very evident udders.
2007.10.2.136 Young man's head. Profile facing right.
2007.10.2.138 Standing man, profile facing right, wearing a cape and un-Greek looking clothes, with a strange head-cover, looking at a statue of a naked man.
2007.10.2.139 Male bust, profile facing right, long curley hair and beard, clothed
2007.10.2.141 Female bust, profile facing left, wearing a tunic fastened by a broach on her left shoulder, elaborate hair-style, suggesting nobility
2007.10.2.142 Male/female bust, profile facing left, wearing a veil covering most of head and mouth and just above nose.
2007.10.2.143 Female head, profile facing right, elaborate hair stye, possibly with a hair band containing a jewel, near the head is an ear of corn or grain.
2007.10.2.148 Male head, profile facing right, bearded, wearing a hat.
2007.10.2.150 Two warriors, naked with helmets. The first is facing left and carries a sward in one hand and a shield in the other; he is on his knees. The second is facing right and he seems to be holding back something with his spear.
2007.10.2.161 Male riding a swan and fishing with a trident. Nude, profile facing right.
2007.10.2.162 Male walking and carrying a dead animal on his shoulders. Nude, entire figure. Profile facing right.
2007.10.2.163 Woman's head. Profile facing left. Elaborated hairstyle.
2007.10.2.165 A pregnant lioness (?), indicated by the teets. In profile, walking facing right
2007.10.2.166 Male soldier, holding a shield, wearing a shield, sitting down, facing a shield (?). Another figure in the background.
2007.10.2.167 Bottom half of a female head, in profile facing left.
2007.10.2.169 A cow profile facing right
2007.10.2.170 Female boar, profile facing right
2007.10.2.175 Bust of Athena, facing right, wearing a helmet, with a strap across her chest. Holding a cornucopia
2007.10.2.176 A horse, profile facing left
2007.10.2.178 Female bust. Profile facing right. Looking towards a male bearded face (reminiscent of a dramatic mask).
2007.10.2.179 Male head, profile facing right with an unusual hair style
2007.10.2.18 Portrait in profile of Hermes facing right
2007.10.2.182 Female head facing foward, very rounded cheeks, short hair style which flicks up by the ears.
2007.10.2.183 Male bust, profile facing left bearded, bear chested, wearing a helmet, with a spear (?)
2007.10.2.186 Head of a man with a band on his hair. Profile facing right.
2007.10.2.19 Head and shoulders of a young man facing to the right, with small spear and shield to his left
2007.10.2.212 A female bust in profile facing right.
2007.10.2.217 Bust of female from behind (3/4) facing to the right. Hair loose. Dress pulled down revealing the shoulders.
2007.10.2.218 Head of female in profile facing to the right. Hair tied up. Possibly wearing ear-rings. Face turned downwards, possibly representing modesty.
2007.10.2.22 Profile of Hermes facing to the left
2007.10.2.220 Bust of female in profile facing to the left.
2007.10.2.222 Bust of male in profile facing the right wearing a helmet. Helmet decorated with an animal, possibly a big cat (lion etc).
2007.10.2.224 Bust of figure facing to the right wearing what appears to be a 'Phrygian Cap' or possibly a helmet. Clothing suggests that the figure might be female (possibly Athena if the head dress is in fact a helmet). Not enough of hair-style visible to conclusively decide gender.
2007.10.2.225 Frontal bust of young female figure (3/4). Facing to the right. Loose hair (possibly wet). Dress fixed with broach or clasp at the shoulder.
2007.10.2.227 Bust of possibly Athena's profile facing right, wearing a helmet and the aegis.
2007.10.2.230 A bust of a figure's profile facing right showing the back of the shoulder, possibly a woman. She is touching her long hair with her right hand and wearing some form of headpiece.
2007.10.2.233 Bust of a woman, profile facing right, with long curly hair.
2007.10.2.234 Head of woman profile facing left. She has her hair covered by headscarf.
2007.10.2.235 Two figures, both facing towards us, one standing behind the other. The one on the foreground is a warrior, possibly a Greek soldier (because he's naked) carrying a spear and shield and wearing a helmet. Behind him is a fully clothed figure, possibly a goddess.
2007.10.2.239 Bust of young female figure facing to the right. Her hair is gathered in a pony tail.
2007.10.2.24 Portrait in profile of a bearded man wearing a head dress facing right
2007.10.2.240 Bust of a female figure facing to the right. Her hair is tied up. There is possibly a double-headed (battle) axe represented at her back.
2007.10.2.243 Depiction of a slender figure (almost certainly female) with right arm raised and hand possibly reaching towards the back of the head or hair. Behind the figure is what appears to be a 'Capricornus'. Both figures are facing to the right.
2007.10.2.246 Profile of a male with curly hair facing to the left. There is a laurel wreath upon his head.
2007.10.2.247 A bearded, extremely muscular, and semi-naked male figure standing and facing to the left. He has a cloak tied at the neck and carries a club in his left hand. His right arm is raised and he is holding an (unidentified) object in his right hand. The figure is almost certainly Herakles.
2007.10.2.250 A young male figure is depicted standing and facing to the left. He is naked from the waist up. The figure is holding a sword which he appears to be examining. The point of the blade is pointed towards the figure's body, the hilt away from the body.
2007.10.2.253 Two figures are depicted. The figure to the left of the scene is a seated semi-naked female. Her dress or cloak lays across her lap and is gathered up in her left hand. Her head is bowed slightly. In the centre of the foreground is a semi-circle which crosses the female figure's left ankle or calf. It is unclear what this might represent. The second figure (to the right) is a smaller winged male facing to the left and the larger figure. He appears to be carrying a bow and stands under a tree. The two figures are almost certainly Aphrodite and Eros.
2007.10.2.256 Bust of a woman facing right with a headscarf on.
2007.10.2.258 Bust facing forward of a young figure, possibly male with curly hair.
2007.10.2.26 Profile portrait of a man with a head dress facing right
2007.10.2.267 The profile of an eagle facing to the left, there is a Greek inscription just below its open beak.
2007.10.2.27 Figure riding a hippocampus facing right
2007.10.2.272 But of a woman facing right.
2007.10.2.274 A profile facing forward with curly hair and what appears to be wings coming out of their temples.
2007.10.2.276 Profile of a man facing left wearing a helmet, possibly Apollo, as the Greek inscription beside him says.
2007.10.2.277 A baby sat up, facing to the right, possibly sucking his thumb.
2007.10.2.279 Profile of a woman facing to the left with long curly hair.
2007.10.2.281 Profile of a bearded man facing the left.
2007.10.2.282 Bust of a man facing to the left, he has pointed ears an a smile on his face, possibly has horns as well, could be a faun.
2007.10.2.283 Profile of a bearded man facing to the right, possibly Zeus with an ancient Greek inscription on his right side.
2007.10.2.291 Profile of a man facing to the left, there is a Greek inscription to the left of him.
2007.10.2.294 A young winged figure seated on the ground (probably Eros). The figure's body is facing to the left while the head is turned back looking to the right. The figure is possibly looking at a stand to its right which has a complete set of armour placed upon it.
2007.10.2.295 Naked male figure facing into the scene of the cast, his back to the 'viewer'. The figure appears to be holding a staff which is mostly obscured behind his body. The attention of the figure is on something in the bottom left of the scene; however, the detail is not clear enough to reliably identify what it is.
2007.10.2.297 Naked male figure facing to the right and carrying, or struggling with, an animal (possibly a goat).
2007.10.2.30 Profile portrait of a bearded man facing right
2007.10.2.304 A male figure wearing a skin (possibly a lion skin) struggles with a bull. The bull's head is lowered perhaps indicating that it is charging. Behind the bull, to the right of the cast, there is what appears to be a statue (possibly of female form) with two faces in profile, one facing left and the other right. The animal skin (if it is lion) perhaps identifies the male as Herakles. The scene might be a representation of one of Herakles tasks (yoking of the bulls).
2007.10.2.309 Bust of a figure (male?) in profile facing right. The figure has long hair and wears a wreath (which type is not clear). He is dressed in a tunic which is fastened at the right shoulder, although the right side of the chest is revealed and appears quite muscular. There is some vague detail at both his back and chest. These appear to be a quivver and a bow, which would almost certainly identify the figure as Apollo.
2007.10.2.34 Robed man holding staff with something on top of it, facing right
2007.10.2.345 Dual profile of a man and a boar, they seem to be connected and facing opposite directions.
2007.10.2.346 At first sight, what appears to be a dual profile of a bearded man and an elephant with their heads attached but facing in opposite directions. At the tip of the elephant's trunk there is a scorpion. When the cast is turned 90 degrees anti-clockwise, there appears to be a second male profile, facing to the right and wearing a hat.
2007.10.2.355 A profile of a young man facing right, with a band around his head.
2007.10.2.356 Profile of a woman, facing left.
2007.10.2.38 Head and shoulders of a man with two faces, one facing left the other right, bearded
2007.10.2.44 Profile portrait of a man facing left
2007.10.2.47 Portrait in profile of man wearing cap facing left
2007.10.2.48 Profile portrait of Hercules with lion skin on head facing right
2007.10.2.49 Profile portrait of Hercules with lion skin facing left
2007.10.2.496 Semi naked man, his head facing to his right (our left), leaning on what is possibly a harp on his left hand side. A smaller figure is situated at his right, a possible statue possibly wearing a helmet and holding a spear in its right hand.
2007.10.2.499 Muscular,bearded naked man sitting on a rock, facing to the the left where a much thinner figure is hunched over standing. The sitting figure has his right arm on the stading figures left shoulder
2007.10.2.50 Profile portrait of a woman facing left wearing a headband
2007.10.2.501 Kneeling man, facing right, with something possibly around his neck, from facial expression seems to be in pain
2007.10.2.51 Profile protrait of a woman facing right with flowers in her hair and a stick with orb on top in background
2007.10.2.52 Profile portrait of a woman with leaves in her hair facing right, some greek lettering by her face
2007.10.2.53 Profile portrait of a woman with leaves in her hair, facing left, staff with orb behind her, greek lettering by her face
2007.10.2.54 Male head in profile facing right.
2007.10.2.55 Bearded male head facing forward. Below the head appears to be two flaming torches. Four cherubs (?) frame the hair, with the top two looking like they're putting a crown on the head. There is an inscription, in Greek, on either side of the head.
2007.10.2.58 Female torso in profile facing left. She appears to be putting on lipstick and holding a cosmetics pot. Her hair is tied up.
2007.10.2.59 Male (?) head in profile facing right. He has a wreath of leaves in his hair.
2007.10.2.7 Portrait in profile of man (possibly Zeus) facing right
2007.10.2.78 Male beardless head facing front.
2007.10.2.8 Two centaurs facing right. Centaur on right is holding a bowl and something else over his shoulder
2007.10.2.81 Female bust facing right. She is holding a male head up to her face. Presumably she has cut it off.
2007.10.2.83 Female bust in profile facing left. She has a quiver (arrow holder) on her back. Likely to be Artemis.
2007.10.2.86 Male head facing forward. He has a pointed crown (possibly the sun god Helios).
2007.10.2.87 Female figure facing right, carrying something over her shoulder.
2007.10.2.88 Male bust in profile facing right. He rests his chin upon his hand.
2007.10.2.91 Female torso facing forwards. In her hair is a wreath and she clasps her hands together under her breasts. To her right appears to be hanging a bunch of fruit.
2007.10.2.98 3 male heads in profile facing left.
2007.9.1.1 Displaying the head and shoulders of a human figure with fairly long hair and wearing a headband, profile facing right.
2007.9.1.10 Displaying the head and shoulders of a woman who has her hair tied back and is wearing a necklace and earrings, profile facing right.
2007.9.1.104 Displays an Egyptian god, possibly Amun, facing left, with an ankh on the right.
2007.9.1.11 Displaying the head of Jupiter Ammon, profile facing right.
2007.9.1.12 Displaying a running centaur wearing a lion skin cloak, facing right.
2007.9.1.16 Displaying the head of a young man, profile facing right.
2007.9.1.19 Displaying three theatre masks, one facing left, one facing forward and another, situated above the other two, facing upwards.
2007.9.1.2 Displaying the head of a human figure with long hair and wearing a headband, profile facing right.
2007.9.1.20 Displaying the head of a bearded man wearing a helmet, profile facing left.
2007.9.1.23 Displaying the head and shoulders of a man (left) and a woman (right) facing each other.
2007.9.1.24 Displaying the head of an older, bearded man, profile facing left.
2007.9.1.25 Displaying a human figure carrying a staff and a ceramic vessel, profile facing left.
2007.9.1.27 Displays a coin showing the head and shoulders of a young man wearing a wreath, profile facing right, with unrecognisable writing around the outside.
2007.9.1.28 Displays the head of a woman with long hair, profile facing left.
2007.9.1.3 Displaying the head of a man, profile facing left.
2007.9.1.32 Displays a winged man carrying a trident riding a hippocampus, facing left.
2007.9.1.34 Displays a naked man kneeling on one leg, possibly Perseus, wearing a helmet and a circular shield depicting a face, possibly Medusa's, facing left.
2007.9.1.37 Displays a forward facing human figure holding a stick or staff.
2007.9.1.38 Displays the figure of a medieval knight, mid stride, wearing a helmet and carrying a sword, facing right.
2007.9.1.39 Dislays a male figure, holding a stick or staff, facing left.
2007.9.1.4 Displaying the head of a man, profile facing right.
2007.9.1.40 Displays a man (left) and a woman (right) kneeling facing each other, the woman inspecting the man's out-stretched foot, with a plant growing between them.
2007.9.1.41 Displays a female figure walking, wearing a flowing dress, facing left.
2007.9.1.42 Displays the naked figure of a woman wearing a cloak, facing right.
2007.9.1.44 Displays figure of naked woman holding stick or staff, facing left.
2007.9.1.45 Displays Athena holding a spear, shield and a wreath, facing left, with Greek writing around the edge.
2007.9.1.47 Displays a young naked man kneeling with his head bowed, facing left, and holding on to a post.
2007.9.1.5 Displaying the head of a man with a beard, profile facing left.
2007.9.1.52 Displays a naked man, bent over slightly, facing right, and carrying a spear and long, unidentifiable object.
2007.9.1.53 Displays the figure of a half naked woman, facing left, holding a staff and possibly a basket.
2007.9.1.54 Displays a seated human figure, facing left, possibly an image of Athena Parthenos holding Victory in one hand and a shield in the other.
2007.9.1.56 Displays a very thin human figure in a walking pose, facing right. There is a large, unidentifiable shape behind the figure, but this may be due to a fault with the plaster cast or the original gem.
2007.9.1.57 Displays four pigs, one on all fours facing right in the foreground, the other three are in the background on their hind legs facing upwards.
2007.9.1.59 Displays a naked human figure riding a hippocampus, probably a Nereid, holding a cornucopia and possibly wearing a helmet, both facing left.
2007.9.1.6 Displaying the head of a man with curly hair and a beard, profile facing right.
2007.9.1.60 Displays a lion facing forwards, its front legs resting on a sphere.
2007.9.1.62 Displays two roosters pulling a chariot, which is ridden by another animal, possibly a mouse, all facing right.
2007.9.1.65 Displays a lion, facing right.
2007.9.1.7 Displaying the head and shoulders of a man with curly hair and a beard, profile facing right.
2007.9.1.76 Displays a human figure kneeling or lying down, facing right, with five or six pots lined up behind them.
2007.9.1.77 Displays a human figure, kneeling facing right, holding a sack possibly made from a cows udder.
2007.9.1.78 Displays a winged human figure, facing left, holding a thin, curled object in his left hand, with a dog lying down at his feet.
2007.9.1.79 Displays a human figure, facing left, carrying a sword and a shield.
2007.9.1.8 Displaying three men in armour on horses, the one in the foreground with a shield, all facing left.
2007.9.1.80 Displays a human figure, facing left, holding one long, thin object in each hand.
2007.9.1.9 Displaying the head of a man with a beard, possibly wearing a wreath, profile facing right.
2007.9.1.92 Displays a human figure, facing left, seated on a sphere with their head bowed and holding a staff in their right hand.
2007.9.1.94 Displays a human figure kneeling facing left, tending to a small plant.
2007.9.2.14 Displays the head of a young man, profile facing left, surrounded by writing. Box 5, Layer 1, Gem 14
2007.9.2.15 Displays the head of a young man, profile facing left. (Box Index = The Knight Thorwaldsen). Tray 5, Layer 1, Gem 15
2007.9.2.21 Displays a woman, standing up, head facing right, with her hands on her hips. (Box Index = Ballerina).
2007.9.2.22 Displays the head of a man, possibly Hermes, profile facing right, wearing a winged hat. (Box Index = Head of Perseus).
2007.9.2.24 Displays the head and shoulders of a man, profile facing left. (Box Index = Head of Napolean).
2007.9.2.26 Displays the head of a woman with an elaborate, bound-up hairstyle, profile facing right. (Box Index = Head of "Beneficenza" in the deposit of St. Maria Cristina in Vienna).
2007.9.2.27 Displays the head of a man, possibly Hermes, wearing a hat, profile facing left. (Box Index = Head of Paris).
2007.9.2.33 Displays the head of a man with curly hair, profile facing left. (Box Index = Head of Palamedes).
2007.9.2.35 Displays the head of a man, profile facing left. (Box Index = The Marquis of Canova).
2007.9.3.1 Displays the head of a mostly bald and bearded man, profile facing right.
2007.9.3.101 Head of winged female in profile facing right.
2007.9.3.103 Bust of bearded male in profile facing right. Probably Asclepius as he holds a staff with a snake wound around it.
2007.9.3.104 Two male heads in profile facing right. The male in the foreground is older and bearded while the male behind is younger and beardless with wild hair.
2007.9.3.105 Head of bearded male figure in profile facing left. He wears a crown.
2007.9.3.106 Head of male figure in profile facing right. He has a wreath of leaves in his long hair.
2007.9.3.107 Male head in profile facing right.
2007.9.3.108 Male head in profile facing right.
2007.9.3.109 Child's head in profile facing right. He's wearing a bulla (a charm worn around the neck to protect the child in their youth).
2007.9.3.110 Male bust in profile facing right. He has a comic mask to his right, implying association with the theatre.
2007.9.3.111 Male head in profile facing right. He has a wreath of leaves in his hair.
2007.9.3.112 Male head in profile facing right.
2007.9.3.113 Male head in profile facing right. The cast is missing the neck of the man.
2007.9.3.114 Female head in profile facing right. She has her hair in a bun, implying that she is a respectable woman.
2007.9.3.115 Male head facing forward.
2007.9.3.116 Head of male youth in profile facing right.
2007.9.3.118 Male head in profile facing right. The cast is missing the neck of the man.
2007.9.3.119 Male bust in profile facing left. He wears a cape with a broach.
2007.9.3.120 Male bust in profile facing right. He is wearing a helmet.
2007.9.3.121 Male head in profile facing right. He appears to be wearing a hat.
2007.9.3.122 Male head facing forward.
2007.9.3.123 Male head in profile facing right. He has a wreath around his head.
2007.9.3.125 Male head in profile facing right. He has a wreath around his head.
2007.9.3.126 Female head in profile facing right. Her hair is tied up.
2007.9.3.127 Male bust in profile facing right. He is wearing armour and has a wreath in his hair.
2007.9.3.128 Male head in profile facing right. His long hair is tied up.
2007.9.3.129 Male head in profile facing right. He has a wreath in his hair.
2007.9.3.131 Male head in profile facing right. He is bearded and wears a cloak. Probably uniform of the army.
2007.9.3.132 Male head in profile facing left. He is bearded and wears a cloak. Probably uniform of the army.
2007.9.3.135 Male head in profile facing right. He has a wreath tied round his head. Possibly Augustus.
2007.9.3.136 Male head in profile facing right.
2007.9.3.137 Male head in profile facing right. Probably Augustus.
2007.9.3.138 Male head in profile facing right.
2007.9.3.139 Male head in profile facing right.
2007.9.3.140 Female head in profile facing right. Her hair is tied back.
2007.9.3.141 Female head in profile facing left. Her hair is tied back.
2007.9.3.142 Female head in profile facing left. Her hair is tied back.
2007.9.3.143 Male head in profile facing left.
2007.9.3.144 Female head in profile facing right.
2007.9.3.145 Female head in profile facing right. Her hair is tied up.
2007.9.3.146 Female head in profile facing right.
2007.9.3.147 Female head in profile facing left. Her hair is worn loose.
2007.9.3.148 Female bust in profile facing right.
2007.9.3.149 Male head in profile facing right.
2007.9.3.15 Displays the head of a bald bearded man, facing left, with the face of a boar appearing out of the back of his head.
2007.9.3.150 Male head in profile facing left. He is a mature man with a beard.
2007.9.3.151 Male head in profile facing left. He looks to have a lion's skin on his head. Possibly Hercules.
2007.9.3.152 Bust of a mature male in profile facing right. He has a wreath round his head.
2007.9.3.153 Female bust in profile facing right. Her hair is tied up.
2007.9.3.154 Male head in profile facing right. He is a mature, bearded man.
2007.9.3.155 Male head in profile facing left.
2007.9.3.156 Male head in profile facing left.
2007.9.3.157 Female bust facing forward. Her hair is worn loose. There is a column in the background.
2007.9.3.158 Male head in profile facing left.
2007.9.3.160 Head of a bearded male in profile facing left.
2007.9.3.161 Two heads in profile facing right. Figure in foreground is male, figure in background is female.
2007.9.3.2 Displays a three-quater view of the head of a man, who has a beard and is wearing a wreath, facing right.
2007.9.3.35 Elderly man's head in profile facing right. He has curly hair and a beard.
2007.9.3.36 Youthful male figure standing facing right, holding something in his hands. Some sort of plant to his left.
2007.9.3.37 Front facing male nude carrying 'Cornucopia'(Horn of Plenty). Probably a god.
2007.9.3.39 Bust of Athena in profile facing left. She is wearing her characteristic armour, including her aegis.
2007.9.3.41 Male bust in profile facing right. He looks to be wearing a helmet tied under the chin.
2007.9.3.42 Female bust in 3/4 profile, facing right. She has short/tied up hair and her breasts are exposed.
2007.9.3.43 Female bust facing forward with the head tilted slightly to the right.
2007.9.3.48 Three female figures - the 'Three Graces'. The two outer females are facing forwards whilst the middle female shows her back.
2007.9.3.51 Male head facing forward with long curly hair and no beard.
2007.9.3.56 Female head in profile, facing right. Her head is covered and complex hairstyle indicates she's a women of the upper class.
2007.9.3.62 Elderly male head facing forward. Face shown in great detail.
2007.9.3.69 Bust of a young male with curly hair, facing right.
2007.9.3.70 Male head in profile facing left. Doesn't appear to look very young but is beardless.
2007.9.3.71 Female head in profile facing left. Her hair is tied up.
2007.9.3.72 Male head in profile facing right. He has curly hair.
2007.9.3.73 Male head in profile facing right. He has curly hair and a beard.
2007.9.3.74 Male head in profile facing left.
2007.9.3.76 Male bust in profile facing right. He has a wreath of leaves on his head.
2007.9.3.77 Male head in profile facing right. He has a wreath of leaves in his hair.
2007.9.3.78 Male head in profile facing left. He has curly hair and a beard. He has some sort of covering on his head.
2007.9.3.79 Male head in profile facing right. He is beardless.
2007.9.3.8 Displays the head of a woman with hair that is plaited and tied up, profile facing right.
2007.9.3.80 Female bust in profile facing left. Her hair is tied up. She looks to be wearing some sort of headband.
2007.9.3.81 Male head in profile facing left.
2007.9.3.82 Male head in profile facing left. There looks to be a band tied around his head.
2007.9.3.83 Male head in profile facing right. He is beardless but wrinkly.
2007.9.3.85 Male head in profile facing right.
2007.9.3.86 Male head in profile facing left.
2007.9.3.87 Female head in profile facing right. Her hair is tied up with plaits.
2007.9.3.88 Young female bust in profile facing right. Her hair is up and she appears to be wearing some sort of crown.
2007.9.3.89 Male bust in profile facing left.
2007.9.3.91 Two male heads in profile facing left. The male in the foreground is a mature man while the male behind him looks to be younger. Both men are beardless.
2007.9.3.92 Head of a mature bearded male in profile facing right.
2007.9.3.93 Head of a male youth in profile facing right.
2007.9.3.94 Head of bearded male in profile facing right.
2007.9.3.95 Head of male figure facing right.
2007.9.3.97 Head of male youth in profile facing left.
2007.9.3.98 Head of Cleopatra in profile facing right.
2008.2.1.1 Female head in 3/4 profile facing left.
2008.2.1.10 Head ofZeus in profile facing right.
2008.2.1.100 Profile view of a man facing right with short wavey hair.
2008.2.1.101 Profile view of a bearded man facing the right. He has short, slightly wavey hair.
2008.2.1.102 Profile view of a short haired man facing to the right. Under the profile is a spherical helmet and two daggers on either side. Under the helmet is an inscription: (L or E)ID MAR.
2008.2.1.14 Female figure standing in profile facing right. She's holding some sort of stick.
2008.2.1.15 Head in profile facing right.
2008.2.1.16 Female head in profile facing left. Looks to be a lyre at the bottom of the cast.
2008.2.1.17 Male bust in 3/4 profile facing right.
2008.2.1.19 Male bust facing forward.
2008.2.1.22 Female head in profile facing left.
2008.2.1.23 Two heads facing forward. To the left a bearded male, to the right a woman. Both look quite old.
2008.2.1.24 Male head in profile facing right.
2008.2.1.25 Male head in profile facing left. He has a wreath in his hair.
2008.2.1.26 Bearded male head in 3/4 profile facing right.
2008.2.1.27 Male head in profile facing right. Looks to have a lions skin on his head, so possibly Hercules.
2008.2.1.31 Two figures in profile facing right. In front is a bearded male and behind, a woman.
2008.2.1.34 Naked female figure facing to the right her right arm raised above her head. The figure is leaning on a column and looking at a small winged boy who is seemingly presenting the standing figure with a wreath.
2008.2.1.38 Semi-naked female figure kneeling on a plinth and facing away from the 'viewer'. The figure is struggling with two snakes,and her head is thrown back perhaps indicating pain. There is a third snake at her feet to the left of the scene, and a vase with flowers in it at her feet to the right.
2008.2.1.40 A small winged figure (probably male) with a quivver upon its back. The figure is seated, upon what appears to be an upturned helmet, and is facing to the left.
2008.2.1.41 A small naked and winged male figure in frontal aspect facing slightly to the right. The figure is holding a bow and a club (which is resting upon his left shoulder)in his left hand. At the feet of the figure on the right side of the cast is a quivver.
2008.2.1.56 Seated chubby male figure facing forward holding a long stick in each hand. Figure is naked and is either sitting on a cloth and wearing a faint crown or has the horns and tail of a satyr.
2008.2.1.59 Profile of a female facing to the right, her hair is tied up in an elaborate style.
2008.2.1.66 Bust of a male figure facing to the right. Over the figure's right shoulder is a shield with an image of a Medusa upon it. A spear is visible over the figure's left shoulder. Upon the figure's head is a helmet decorated with a griffin.
2008.2.1.75 The image depicts two male figures fighting. the figure on the right stands nude with sword raised with his left hand he is pulling the head of the second figure back. The second figure is facing away from the first figure, on his left knee. In his left hand is a shield. His right hand is held back over his head. He appears to be trying to break the hold the right-hand figure is trying to hold.
2008.2.1.8 Male head in profile facing right. Ram's horn in head indicates this is Apollo Karneois, the ram god.
2008.2.1.80 Profile male facing left. Bearded and mostly bald hair at base of skull.
2008.2.1.85 Profile of a man facing to the right. The man is bearded with curly hair and wearing robes.
2008.2.1.88 Profile of a curly haired woman facing right. Her hair is elaborately styled with what appears to be ribbons.
2008.2.1.9 Head of a bearded male in profile facing left.
2008.2.1.92 Profile of a female facing right possibly wearing a type of decorated cap. The hair can be seen in a bun at the nape of the neck. The top of a dress or robe can be seen around her shoulders.
2008.2.1.94 Profile of a woman facing to the right. She is wearing fabric covering her head and just a small part of her hair is visible at her forehead. Her robes are visible on her shoulders.
2008.2.1.96 Profile view of a woman sitting in a chair facing left. She is wearing robes and has long hair that is possibly braided and pulled back. At her feet is a vase on a pedestal. Under the illustration is an unreadable inscription.
2008.2.1.97 Standing male-possibly female-figure facing right with curly hair wearing a laurel wreath and playing a lyre. He is wearing robes.
2008.2.1.99 Profile view of a bald man facing right. He is wearing some kind of fabric around his neck that ties or hangs in the front.
2009.10.2.121 Figures of three women pictured standing together, two facing outwards and on to the front. They are all holding two daggers with blood dripping from them. Number 53.
2009.10.2.216 Figure of aphrodite crouching facing left, holding a cloth above her head with a pot in front of her. Number 6
2009.10.2.242 Standing female figure facing standing winged child. Number 32
2009.10.2.278 Two male heads facing each other in profile, with a star above each head. Number 68
2009.10.2.281 Two males on horses facing each other and mirroring each other, both wearing a helmet and cloak and holding a spear. The horses mirror each other also. Number 71
2009.10.2.296 Image depicts front view of Hercules facing slightly to the left, he is wearing lion skin around his neck. Number - 11
2009.10.2.310 A scene showing Herakles facing left. In his right hand he carries his club and the head of the nemean lion. The lion's skin is draped over his back
2009.10.2.311 Herakles is depicted facing left. With his right hand he rests his club upon his shoulder whilst with his left he holds the skin the nemean lion.
2009.10.2.312 A Scene showing Herakles facing away, club in hand.
2009.10.2.314 Scene showing Herakles facing left and leaning on his club.
2009.10.2.315 A scene depicting Herakles facing left. In his left hand he holds his club and in his right he has a bowl (possibly the one given to him by Helios, the sun god)
2009.10.2.316 A man facing left and holding a bowl (possibly Herakles)
2009.10.2.323 A scene showing a man, possibly the titan Crius, facing left. He is holding a ram's head.
2009.10.2.347 Profile of seated figure holding a spear on the left with a standing figure behind, faced by a seated figure on the right, also holding a spear, with a third seated figure on the far right, and an armed figure wearing a helmet and holding a shield and spear between the two. Inscriptions around the edges of the image and between the first and second set of facing figures. Number 3
2009.10.2.376 Standing nude male wearing a helmet, holding a shield and a spear. Facing a small sphinx sat on stones/stone wall (?) Possibly Oedipus solving the sphinx's riddle (?). Number 32
2009.10.2.377 Standing nude male figure, facing a small sphinx sitting on some stones/stone wall. Possibly Oedipus solving the sphinx's riddle (?). Number 33
2009.10.2.395 Standing nude male figure seen from behind, holding a staff and facing a figure emerging from a hole in a wall. Number 51
2009.2.1.91 Profile of a female facing the right with a scarf knotted at the front. Her hair is held back in a type of band.
2009.9.162 Two naked children with wings, facing and embracing each other. The one on the left side is wearing some kind of robe. Cast number: 96
2009.9.37 A ball or a globe from which two grow two serpent heads. On the head on the left side stands a man turning to the monster in the middle, on the head on the right side stands a woman also facing the monster. The monster in the middle has a male human body but two dog's heads, one facing the woman, the other the man. The scenery is enclosed by a serpent biting in its own tail. There are letters on the serpent heads. Cast number: 51
22.3.1 A: Between sphinxes, both facing right, Athena attacking a giant. Branches and grape clusters in the field. B: Similar, but mainly missing. Under each handle is the tail of a sphinx. Interior, reserved band at lip. Medallion very worn, but seems to depict a figure. Added white.
22.3.19 Standing youth in himation facing right, behind him part of an uncertain object; tablets hanging on a wall. Outline of hair reserved; relief contour for lower part of the back of the himation.
22.3.21 Lower part of draped woman facing left towards a stele. Framed on right by vertical reserved band containing double row of joined dots between lines. Below, egg and tongue pattern covered with streaky black.
22.3.22 There is a red line on the joining point of the rim and body (the bit of rim that is preserved is reserved). In the middle of the scene, there is a draped youth facing part of a second draped figure (on the right), who is holding a walking-stick. The details of the drapery are rendered with thick and thin lines. In the left bottom corner of the fragment there is the lowest right part of a palmette or tendril. There is also a double-meander pattern beneath, with a saltive square (cross with dots) and the rest of the fragment is black. The interior is also black.
22.3.24 Clay greyish. Inside, with reserved circle, woman running with tray in one hand, uncertain object in other. Rocky ground shown by black spots on reserved surface. Around the inside rim of the kylix are heart and flower shape patterns attached to long flowing lines.Added white, sometimes touched with yellow. On deep rim, ivy beneath. Outside A: two men facing each other holding different uncetain objects there are three circular objects around them, two with a dot in the middle and the other with a cross. Three palmette patterns surround each of the men, but as some of the kylix is missing these patterns are not all complete, the patterns also change slightly when under the handle. The lower quarter of presumably similar picture of the men can also be seen.
22.3.26 The edge of the rim bears short, thick black lines. The interior of the plate is decorated with two rows of white lotus leaves (heraldic), separated by a reserved, thin line. Next, there is, a black, thick line, followed by a wave pattern around a reserved line that contours the central scene of a female head,in profile, facing left with a head dress (kalyptra) showing white details and her hair in a bun. Above her head, there are two ivy leaves and behind her is a tendril and small, fan-shaped palmette. In front of her there is a circular motif divided in four parts. The exterior is black apart from the edge of the rim , which is reserved and the lowest part of the body snd short stem. The foot (interior and exterior) is also black, with the exception of the reserved resting surface. The concave area is reserved, but bears a large, black round motif on the centre.
22.3.39 Black glaze but slightly silvery front and back. Bands of decoration from top to bottom; white 'v' shapes and dots, two thin bands, white 's' shapes facing right, two narrow bands, blocks of red and white, two bands, white dots with swirls and circular leaf pattern, red band, indistinguishable circular pattern due to break.
23.11.31D Profile figure facing lef, wearing a helmet and holding a shield. Appears to have once held a spear. Two prominent wide legs emerge from underneath shield. Lead is an off-colour black-grey.
23.11.31F Profile figure facing right. Face visible through a helmet, with a potential eye socket marked out. Complete shield with an ornate bike spokes formation. Appears to have once held a spear. Two prominent thin legs emerge from underneath shield. Lead is an off-colour white-grey.
23.11.31G Profile figure facing right and wearing a helmet. Holding a small shield with a compact bike spokes formation. Lead is off-colour white-grey.
23.11.31H Profile figure facing right wearing a flat helmet. The face is visible, and a marking shows a potential eye socket. He carries a shield which is intact, with no defining pattern. Appears to have once held a spear. Small wide legs emerge from underneath the shield. Lead is off-colour brown-grey.
23.11.31I Profile figure facing left and wearing a helmet. Holding a shield with a compact bike spokes pattern. Wide legs emerge from underneath the shield. Lead is an off-colour brown-grey.
23.11.31OO Profile figure facing the direction right. does not appear to be a Spartan warrior. possibly a Persian warrior or leader? face. helm and armour slightly visible though. defining feature is a ponytail at the back of his helm. not clear whether he is carrying any weaponry. representation of Persian King Darius or Xerxes from the Persian Wars? lead figures part of a large relief commemorating the war? or just used for ritual purposes with the flogging at the Temple of Artemis Orthia? pretty good condition. lead is an off-colour brown grey, similar to 23.11.31h. bears no similarity to the other lead warriors, as it is a lot thinner than them and lacks a shield.
25.8.1 Black inside and out but lip reserved. Neck is reserved as is underside of handle. Top of handle was once black with a ridge running down the centre. Shoulder has short bars at base of neck above a lotus bud chain with interlaced stems above a black band. Body shows a hoplite putting on greaves, facing right to a woman holding spear and shield. Two onlookers left and one on right, all facing him. Colour worn but corselet originally red and possibly hair too. Below is black to base, including top of foot, but not side, which is reserved. Base is reserved and concave.
25.8.2 Paint fired red. The rim of the bowl is red. Inside has an eight pointed cross whose spokes reach from the rim to the base. Outside has a red band around rim and a main design of seven long-necked birds facing right with dot rosettes in the field. On bottom is an uneven, eight-spoked wheel with two holes pierced in bottom, one opposite the other.
25.8.4 On top of mouth is a daisy pattern and there is one band on the side. In upper animal zone, ram facing lion (?) with head turned back. In lower, hare between two dogs. Centred circles in field. Bottom daisy pattern round small sunk centre. Zones separated by thin parallel bands.
25.8.6 Lip inside and outside black. Shoulder: five lotus buds separated by spots, body- probably a runner facing left between youthfull onlookers; the figures in the center and on the left completely repainted. Below, thick black band. Rim of foot missing, but remainder is reserved.
26.12.11 Inside black with reserved line round lip and reserved disk with one black circle in the bottom. Handle is black on top and reserved underneath. Outer surface, from top to bottom has black band, ivy leaves, black band, inverted ivy leaves, two black bands, main design, three black bands, broad black band, three narrow bands, red and black alternating bars, black band, red ridge, black foot. The main design is similar both sides of Amazons fleeing a quadriga (four horse chariot). Four sphinxes, facing handles, one each side. Horses are black with detail in red and white. Lower part of side of foot reserved, as is resting surface. Inner foot ring black with base reserved except for a central dot and two rings in black.
26.12.12 Inside is black with reserved line at lip. The rim isblack on the outside. The object is reserved apart from the design of two boxers between two seated men who are facing them. On each side of the scene are the tips of the wings of sphinxes, who were presumably facing the handles. Red is used for hair and folds in garments. Detail is incised.
26.12.14 Lip, handle, neck and back of body all black. Horizontal row of nine tongues at top, just below neck, above main, reserved panel, with two parallel, vertical black lines either side of panel (shields ?). Main design of warrior facing right, with helmet, shield, and spear. Ivy leaves on stems in field. Foot is black on top and side, but reserved on resting surface.
26.12.16 Probably Kleinmeister type. Forepart of horse?, woman to right in mantle decorated with purple, white and incisions, facing man to left in black mantle. Lower part only of figures preserved. Below a black band. Interior is black.
26.12.8 Handle has black glaze on the outside. Shoulder: broad band at base of neck. Between two dolphins a crossed rosette with white dots round edge. White also for line at back of head of dolphins. Body: two panthers facing, necks red. Three shapeless blobs in field. Below main zone, thick black band onto top of foot. Resting surface of foot reserved.
26.7.2 The interior of the vessel is streaky black (uneven) except for the tondo (reddish brown), that depicts a (shadow of a) man, in a short chiton, facing right and advancing. He is holding a (thorny) club with his right hand and his himation with the left one (using it as a shield?), while his sword is visible at his right side. Exterior: The lip bears a thin, black line. The surface of the body is reserved (up to the point where the scene ends) but bears decoration in black. The scene is repeated on both sides; the myth of Heracles and the Bull. Herakles has captured the Bull from the head. Hanging in the background (above them) there are Herakles' club, cloak and quiver. The scene is flanked (left and right) by fan-shaped palmettes (voluted at the bottom with long, narrow divisions). The lower part of the handles' external surface is black and under either of them there is an ivy leaf (heart-shaped). Below the scene, there is a streaky black line and, after a reserved, thin band, the vessel is (streaky) black up to the end of the foot, whose side surface is reserved, though. The base is reserved but bears a red thin band at the center of the resting surface. No incisions or added colour have been used.
26.7.6 On top of mouth three bands and on the side are dots. Two vertical lines border the back of the handle. On shoulder is a daisy pattern. Main design is of three grazing deer, facing right, with three bands framing them above and below. On bottom small circle and round sunk centre.
27.4.10 On neck and bottom daisy pattern. On front of body, two cocks facing; between them a small swan. At back (very faded) above cocks' tails inverted lotus, below small duck. Field rosettes of early type. Incisions, added red.
27.4.11 The interior is black, but reserved at the bottom of the bowl. There is a red line around the lip. The body is decorated with figural scenes. A: Two sphinxes. B: A female figure (Artemis or 'Mistress of animals'?) between two lions (alternate stripes of white and red indicate the ribs and hindquarters of the lions). Beneath each handle stands a water bird (swan?) facing to the right. Rosettes and rows of dots in the field. Below the figural zone are two red lines, then a black band, a frieze of narrow black rays (slightly overlapping the black band above). The ring foot is black on the exterior and resting surface. The central part of the underside is decorated with a black dot at centre, surrounded by a black dircle and, farther out, a red circle. White is used on parts of the lions, necks and breasts of sphinxes and woman, and parts of the wings of birds.
27.4.4 Paint is red-brown. Single handle with incised line down back creating two halves. Trefoil mouth with short bars around, leading to long straight neck. On neck are two parallel bands at the top, above four groups of three tongues with a red bar across top. Three bands separate neck design from shoulder design of three grazing deer facing right with zig-zag fill ornaments above shoulders and a small bird (?) on extreme left. On body is one zone of checks and then bands to base. Base is flat and reserved.
27.4.7 Main design, framed, shows a baby with amulets slung around him and a thread on his ankle, leaning his hands on a table. Facing him is a duck, behind him a chous on the ground, over the table a bunch of grapes. Above the panel egg pattern part of the way around the neck. Otherwise the surface is black, except for the reserved resting surface and raised base.
28.6.2 Mouth, handle, neck and back of body are all black. Main design is of a woman dancing, facing right and standing beside a box. Her right hand has the fingers bent in an ungainly manner. Pair of krotala hanging on wall. Reserved line beneath the picture. Foot is moulded and black on the top and reserved on the side and underneath.
28.6.4 Black inside and out. Main design is similar both sides and is of a youth facing right. Beneath each handle is a palmette with side tendrils reaching from the palmette to the figure. Ruddled band below design above foot-ring which is black inside and out whilst the resting surface is reserved. Underneath ruddled with 2 fine black circles at the centre.
28.6.6 Vertical wavy lines from rim to horizontal band around the body above three running dogs facing right. Six rays, widely-spaced, above foot. On bottom three concentric circles, outermost covering underside of foot-ring.
28.9.1 Black inside rim but reserved in body. Neck is black. Shoulder is reasonably flat and has red and black tongues above a combat scene of seven warriors. Incised white and added red detail. Two horizontal handles all black, as is back of body. Front has panel belween two rows of ivy leaves. Scene is of horses and warriors facing right. Warriors are not mounted on horses but stood behind. Below this is a panel showing a lion facing a boar between palmettes. Bands above and below this. Black band to rays at foot. Side of foot is black half way with bottom half reserved. Base reserved.
29.11.4 Inside black with reserved disk within one black circle in bottom. Reserved band at lip, just inside. Offset rim is black on outside. Two handles are black on the top and reserved underneath. Main design is similar on both sides and shows a seated man between standing women and youths, and a sphinx facing away from the group on eiach side. All the standing figures are facing the seated one: this is perhaps Zeus at the centre of the Pantheon of gods. Footring is black inside and out and the resting surface and lower third of outer edge is reserved. Base within footring is reserved and convex.
29.5.3 The decoration is executed with red colour and incisions. Rim: There are petal-shaped tongues on the top surface and dots at the side one. The back of the handle bears three, almost vertical (the central one is wavy) lines. Below the handle on the body there are five (the one smaller) rosettes (leaved rodakes), with incisions intersecting at the centre. The main design is a swan with outspread wings, facing right. Details are incised and there is some added red on its wings and tail. The swan appears to step on a row of petal-shaped spots that contours the sunk centre of the vessel, serving as a base.
34.10.13 On front of body is the head of an Amazon facing right. Hair black and wearing head scarf with black dots. Foot ring is reserved. Base is ruddled and the outer circle slopes into the central circle which is convex.
34.8.5 Mouth black on inside and out but with a reserved rim. Neck and underside of single handle are reserved. Shoulder design is of rays and long, thin buds. Body, from top to bottom, double row of dots joined by zig-zags on white background, black bands, main design, 'key' pattern on white background, black bands and black stem. Main design is, from left to right, a chariot being driven right, a woman facing right, four horses facing right with attendant behind, seated figure facing left, holding a spear. Detail is incised and some parts are picked out in white. Foot is black on top and half the side is black, the rest reserved. The base is reserved.
34.8.8 Mouth red on inside and outside, with lip reserved. Single handle which is red on top and reserved underneath, as is neck. Shoulder design is a cockrel with red on is facing right between stemmed ivy leaves. Black band around shoulder, faded to red. Body design is, from left to right, a standing man facing right, a seated man facing right, a standing man with robes draped over shoulder, facing left, a man standing facing left. All men have spears. Men are balck faded to red but eith red headbands. Detail is incised. Irregular black band then balck stem. Foot is balck on top and reserved on side and base which has central concave circle.
35.5.15-19 Inside, 20b, meander border broken by cross, small piece of drapery. Outside, 19, two males in himatia facing, standing by a cushioned stool; hanging on the wall a shield and sheathed sword; 20a, tendril and corner of drapery; 21, tendril and part of himation; 22 and 23, bits of himation. No relief contour; brown for border of himation on 12 and 22, markings on seat of stool, cushion, and sword sheath.
35.5.34A-Q (a) fragment, three joins. Decoration on both sides. Band of geometric pattern above which is person's foot and bottom of leg standing to the right, wearing a hymation. On the opposite side: floral pattern to the left of bottom half of a person and to the right of this person the hand and lower body of another. (b) curved, palmette on other side black. (c) large roughened patch to the top right where possibly a handle was attached, floral pattern around this. (d) small fragment, on one side band of geometric pattern, on the opposite side floral pattern. (e) large piece, three fragments joined. Bearded man in the centre facing to the right, left arm raised and holding a long stick, right arm tucked into hymation. To the right of the man, the arm of another person and to the left a floral pattern, inside black. (f) Very similar to fragment a. three pieces joined together. On one side in centre bottom half of a person, feet and lower legs facing left and wearing a hymation, to the right floral pattern. Opposite side, band with geometric pattern. (g) On one side to left part of a hymation, to right an arm. Opposite side band with geometric pattern. (h) On one side the feet and legs of a person standing on a platform with the bottom of a stick he/she is possibly holding to the left, in the right hand corner the edge of a geometric pattern. On the opposite side the feet of someone facing to the left wearing a hymation dropping behind them, to the right of them a floral pattern. (i) Small piece of two fragments joined together. Chest of a male with right arm extending, his hymation drapped over his right arm. (j) Head of a male facing left with hymation over his shoulder and part of large palmette to his right. (k) Small frgment, part of hymation. (l) Small fragment part of hymation (m) Small fragment part of hymation. (n,o,p) small fragments with no detail.
38.4.2 Reddish-brown on pale buff ground. The false neck is decorated predominantly in a black band, with a narrow and broad black circular band in the centre of the false neck. The underside appears to be reserved, with a single thick black line at the base on the false neck. The true neck has a faded broad back band around and overlapping the lp. There is a broad black band at the base of the neck, and also a black blob on the side facing the false neck. On the shoulder there are six groups of narrow black lines painted horizontally. There is one group of either side of the true neck, both have eight horizontal lines, the one on the left has two rings of black to either side of it. The groups of lines on the other side, if faced with the true neck at the top, have groups of 6, 7, 9. 8 horizontal lines, all with a small ring of black in between them. The shoulder is outlined with a broad ring of black. The body has four broad black lines, which have faded to a reddish brown. Adjacent are narrow red rings; four above the first band, two within the first band, two within the second band, two or three below the second band. The fourth band does not overlap the base, which is slightly concave in shape, and has the suggestion of a foot ring.
39.9.1 Short narrow neck of jug is glazed black. Handle begins at top of neck and carries on to top of the body. The part of the jug joining the neck and the body, has a palmette design on it, in a circle. This circle is broken for the black part of the handle. There is a large palmatee decoration underneath the handle, where it ends on the body of the jug. Body of jug has red-figures on it. Starting from right-hand side of the handle, going from left to right: First figure looks like a women in traditional Greek clothing, kneeling down. She is facing right. The figure to the right of her looks like a naked man with wings. He is standing on one leg and facing right. He is reaching one of his arms out. Underneath that arm there appears to be a duck. To the right-hand side of the duck, there is a man sitting on a stool. He is in traditional Greek cloting and is holding a large box. This figure is also facing right.Underneath the box there seems to be another object, but it is unclear. Perhaps it is a head? Or perhaps it is where the black glaze has been rubbed away, to reveal a patch which looks like decoration on the jug. He has a winged man kneeling in front of him. This man is facing left, towards the sitting figure. The next figure looks like a women in traditional Greek clothing, kneeling down. She appears to be holding something in her hand, perhaps a mirror. She is facing right. Inbetween her and the next figure there is a bird, facing right. The next figure looks like another women in traditional Greek clothing. She is standing on one leg, with her right arm reaching out. She is facing left. Behind her is a 'T' shaped object, perhaps a stool?. Rim of the base is a red/terracotta colour. underside of base is slightly concaved, with many black rings inside. There is a black dot in the centre of the bottom of the base.
39.9.6 Ground varies from cream to buff. Inside is coloured black. The mouth is red. Two handles are placed vertically on top of shoulder and under each is a goose (?) From top to bottom there is a band with the shoulder design below. Pictures are of a stag and a panther facing right (A) and panther and a goat (?) facing each other (B). Separating this from the main design are two rows of dots between bands. Main zone: Griffin-bird between two panthers (A) and two panthers facing a pattern of a palmette complex(B). Various incised rosettes and dots in field. Below main zone is seven bands and a red base.
44.1.1 Rim: There are black tongues around the aperture and dots on the side surface of the rim. On the back of the handle there is a row of dots, framed by two, vertical lines. The neck and the surface below the handle is left reserved. At the base of the neck there are black, petal-shaped spots. Top surface: The aperture in the centre of the ring is black with additional concentric, black lines between reserved areas and a row of dots. Some of the lines have incised diagonal lines across. The reverse side bears a similar decoration but without the row of dots. Side surface of body: The main design is of an Ibex and Lion facing a central rock, made of horizontal bands. Added red is used for some parts of the ibex's body as well as for the some of the bands of the rock.
45.10.22 a: The upper surface of the rim is reserved, although glazed. However, the side surfaces (internal and external) are black (apart from a reserved area that would not have been visible if the handle was not missing). The neck is also black on the inside, however, there is a perpetual motif of palmettes on the external surface. These are double palmettes (5 narrow divisions upwards and 5 similar ones downwards) that look as if chained together by a horizontal row of small rings and each such palmette is separated from the other by a vertical line with wider endings, while thin, curved lines (above and below) frame each palmette. The sides of the handle bear a black band each and there is also a thin line underneath them that contours the end of the neck. On the carination that divides the neck from the shoulder there is a thin line with added red colour. The shoulder bears a motif of tongues, divided by vertical lines, while a line underneath contours them. The motif does not appear under the surface of the handle. At some point underneath this pattern there is the beginning of another motif (black with 3 dots of added red and scale-like incisions). The interior of the rest of the vessel is reserved, since it is an amphora. b: It bears exactly the same motif as the previous neck bit. c: From the branch of a three-peaked floral motif there emerge two curved lines that are downwards and upwards, each forming an ellipsoid-shaped frame from whose lower (in the case of the curved line that goes downwards) or upper (in the case of the other line) endings form one floral motif each. The left one is a voluted palmette with 5 petal shaped divisions and the right one is a three-pointed flower, similar to the central floral motif, but bigger. Although the upper part of this pattern is not preserved apart from the starting point of the motives, it is certain that this would have been the heraldic motif depicted. Underneath this area there is a thin, black line and below that, a pattern of guilloche ( branches with tear dropped endings interwoven together) with a row of dots, framed (above and below) by two pairs of concentric lines. Towards the end of the fragment (which is also towards the end of the vessel) there is a radial-shaped motif, two lines and the rest of the surface is black. d: It is a part of the body's area that bears the guilloche pattern and the radial-shaped motif underneath, but one third of it is not preserved. e: On the left there is the upper part of probably a palmette (two endings of petal-shaped divisions). Next to that there is the depiction of a draped lower body part. The drapery is formed by the incisions on a black surface. There are diagonal incisions and wavy endings to denote the folds of an himation, as well as the lower termination of the chiton, which is suggested by two almost horizontal incisions, a wavy line and another horizontal incision. the drawing is detailed and clear. f: The part between the surface above the knees and a bit below the calf of a male figure that wears a short chiton (incised, wavy folds are visible above the knee), as well as grieves with out curving terminations (Hermes?) of added red colour, now fadded away. On his left there is the upper part of a palmette and on his left there is a diagonal line, with rows of dots on either side (characteristic of Dionysus). Very clear drawing. g: Half of the three-peaked flower, a bit of a black line and two petal-shaped motives. On the side, there is part of the dotted branch and what appears to be part of a figure's drapery (upper right body part ?), with some incisions used to render details. h: Between the lower body part of two figures there is part of the dotted branch. What is preserved from the right figure is incised lines and circles on a black surface. The left figure's drapery (peplos and himation ?) is preserved (below the waist), consisting of incised diagonal and wavy lines to denote the folds. i: A central male figure's (Dionysus) body from shoulder to legs is visible and surrounded by a dotted branch. He is standing between two figures. The male figure (there is part of beard with added red) on the left holds part of the branch with his palm (upper body without the head is preserved). The only visible part of the draped figure on the right is part of the legs. Incisions are used to render details. j: Apollo playing his lyre (kithara). The head (in profile, facing right), right hand and part of the god's front side of the body is visible, as well as the largest part of the lyre. Part of a dotted branch exists in the background. Incisions have been used to render the chords of the lyre as well as for the eye, contour of hair, ear and contour of the god's body, while a taenia (fillet) on his head is in added black colour. k: Only part of a thin, black line is preserved. l: two broad black bands that overlap at some point. Incisions and the ending of a dotted branch (part of draped figure?). H & J on display in symposium
45.10.23 The handle is black. On the shoulder there is a voluted palmette with petal-shaped divisions between two draped male figures facing each other, holding their himatia with their left hands. There is part of a thin line that contours the lower part of the shoulder. The upper part of a warrior is preserved, wearing a red helmet and carrying a shield. There is also the lowest part of a figure's drapery and his feet. He seems to step on two red lines, and the rest of the fragment is black. A fragment shows part of a figure's feet, which also step on two red lines. There is a broad, black band on the foot, with the rest of the underside is reserved.
45.10.29 Fragments that join 45.10.23: a)The handle's back is black. On the shoulder there is a voluted palmette with petal-shaped divisions between two male draped figures that are facing it, holding their himatia? with their left hands. b) There is part of a thin line that contours the lower part of the shoulder. c) The upper part of a warrior, wearing a red helmet and carrying a shield. Behind him , there is part of an object? in added red. d) The right part bears the left part of the previous warrior's shield. The left part of the fragment depicts the upper part of another draped male figure holding a spear.
45.10.30 exterior: the red surface is decorated in the upper part with a black band, then there is a key decoration running left, under the key there is a thin, horizontal, black line, below that there is the head of an Amazon in profile facing left, wearing helmet. The head of the Amazon is painted in white.
45.10.4 Inside and outside of rim is black and there are five dots inside. Main design is two pairs of female heads all wearing head-dresses, facing one another. Detail painted in black. On outer rim are rough dots. Underside of lid is black.
45.10.5 Interior surface is black with a medallion, with meander pattern around the edge and two youths facing each other in the centre. The handles are missing from the exterior surface but there are palmette patterns on opposite sides, suggesting this is where the handles were originally. On one side is a stele with a youth either side, the left with his hands outstretched and the other holding a cloth and a strigil. The other side shows remains of a very similar picture.
45.3.1 Decorated on top of mouth and neck with black tongues. Handle with two dots (rows?). Body decorated with two figural zones with plain bands framing and between. Top: two facing cocks and a long-billed bird to the right; incised rosettes in field. Bottom: two panthers facing a long-billed bird; incised rosettes in field. Incised details on birds and rosettes (divided into four, six, or eight sections). Traces of purple on all animals. Bottom: small ring inside two concentric bands.
45.6.13 Handles: black on top and reserved underneath. Inside and outside of mouth is black but the top is reserved, with accidental smears of paint. Neck is reserved and there are black tongues on the shoulder. Side A shows 3 mantled onlookers separated by objects like long leaves tapering downwards. Two are facing left and one is facing right. On side B is a runner holding an indistinguishable object. Ivy leaf under one handle and leaves in the field. Below picture is black to foot which is reserved on the side and underneath.
45.6.72 Mouth is red on top and black down neck until a moulded ridge when there are rays down to black square blocks on shoulder. Band of vine leaves. Handle is black and below it is a palmette complex with tendrils either side joining to two more palmette designs. On front, is head and shoulders of a woman facing left, wearing tight-fitting black cap, with hair emerging in two curls at top. Serrated leaf and rosettes in field.
45.8.1 The rim (interior) bears two, concentric circles, the first at the edge and the second at the curve between the neck and the body, where traces of white colour can be found. The neck of the vessel is ornamented with a continuous floral motif (branch bearing two long leafs; laurels?) that covers the whole of the surface. A: Scene of a symposium of four, reclining, male figures; 2 men and 2 youths (in turns), in pairs looking at one another. All of them wear their himatia, loose around their waists, a fact that leaves the upper part of their bodies naked, and are crowned with identical three-pointed diadems, made of added, yellowish and white colour. They also have identical hairstyles. The youth on the left side makes a gesture, pointing left with his right hand, but facing the man on his right who touches his chest with his right hand. The third person looks as if holding a white thread with his right-hand fingers, while the man on his right is trying to put a white, spotted garland on the third figure with his right hand. They all recline on a horizontal sort of bed, supported by three feet, of equal distance between them, but of unequal width. However, the lower parts of the three feet are similar; rectangular and vertical to the stem. Under this construction, in the surface between the two gaps that are left between the feet of the bed, there are two tables, that carry food(?) (fruit and bread ?), painted with added white colour. Both of the tables bear two, broad, black, bands around their edges, the left ones being larger than the right ones. As regards the endings of the tables' feet, they give the impression of a vague rendering of animal paws. B: A youth in the centre of the scene looks at his right, while in either of his sides, another youth is looking at him. All of them are fully-clad with himatia. The left one is holding a strigil (stleggis) with his right hand, while the one at the right side of the scene makes a gesture with his feast. The spring of the handles bears part of a circle (it stops, leaving the surface between the beginning of the two handles undecorated), with small, semi-cercular patterns. Beneath each handle there is a large, complex palmette. A band with maeander-shaped patterns runs through the vessel under the main scenes. The base is in the form of a disk, with a high foot, separated from the disk-shaped surface by a carved, reserved circle, as well as an also circle at the lowest end of the base's foot.
48.12.6 Rim decorated with three bands, the the central one with added purple. Horizontal bars on handle. Long tongues on shoulder; figural zone framed by bands. Main design is of three crouching lions, facing right, with long tails forming s-curves above them, each reaching back to link to the next lion. Incisions and added purple on necks and shoulders. Base reserved.
48.5.1 Inside: Central part reserved and decorated with black band in the centre surrounded by three black concertic bands. The rest is black, superimposed with two red and white bands. The top of the rim is decorated with a band of two rows of dots framed by thin black bands. The incurving rim is decorated with back and red thin bands. A: Swan facing to the left with spread wings. Incised rosettes and dots in field. B: bird (owl?) facing to the right goat to the left coloured partly in red; Incised rosettes in the field C: Bird (goose?)partly coloured purple and facing grazing goat(?) to the left but very faded. Below, broad black band with superimposed white-red-white at top and bottom. Triangular rays on a black baseline extend from the base. Narrow black band around middle of foot. Black band with superimposed white on inside of footring. On base, two black bands and a central dot. Exterior and interior of ring foot black
49.4.1 The mouth is black inside and out with a reserved rim. The back of the handle is also black. The neck and underside of the handle are ruddled, as is the shoulder which has black dots and radial-shaped motif. There is a white band at the upper body surface with a yellow meander pattern, between yellow lines. The main design is that of a flying Nike facing right with a mirror in her left hand and a globular object in her right. She wears a kalyptra (head dress) and she is draped. Additionally, thinned glaze and black paint has been used for detail. Below the scene there is a similar meander pattern on a white band. The rest of the vessel is black.
49.4.2 Woman with a fan and a ball, seated in a naiskos; kalathos on either side. The inner side of the rim bears a broad band (in the middle of the surface). The top surface bears traces of carelessly applied red colour. The edge is also black and its side surface bears a reserved line and a black line underneath, from which seem to be hanging short, vertical lines. The upper part of the neck is reserved, but bears a black band on its lower part. The rest of the neck is decorated with black colour, on top of which there is a tongue pattern in yellow (faded away) that contours the vessel (long, pointed on the bottom tongues). Below, there is a reserved line. Side A: The main scene depicts a female figure seated in a naiskos (monument with pediment, from whose upper part emerge palmettes and tendrils, epistylion, an ionic column on either side an top of a stylobates or crepis, the latter represented with a perpetual pattern of voluted motives and dots in between, framed by white lines, thin, black bands and white bands), on a diphros okladias. The woman is facing left, she is wearing a peplos, holding a fan with her right hand and a round object with the left one, below which there is a row of dots. She also wears a kalyptra and has her hair in a bun, from which emerge two wavy lines with round terminations. Behind her, at the level of her head, there is a window (square object with the middle part riddled). The naiskos is flanked by a kalathos on either side, decorated with black and yellow horizontal lines, tendrils and branches, as well as yellow tongues and yellow meander pattern. There is a row of yellow dots below each kalathos and a rosette on top. Below the row of dots underneath the left kalathos there is another rosette, whereas underneath the row of dots below the right kalathos there is a phiale. The details are executed with added yellow. The handles are black. The reverse is decorated with floral motifs: the area underneath the vertical handle is black, with an H-shaped black motif divided in two by a vertical line, on a round, brown background. The surface below the vertical handle depicts two fan-shaped palmettes, from which emerge elaborate, voluted floral patterns that expand to the surface below the horizontal handles. The lower part of the body is contoured by a wavy-like pattern on a brown background. The area below is black, although streaky on some areas, while the lowest part of the body is reserved but glazed. The foot is black, with a reserved resting surface.
49.8.3 Interior: black with a central red dot. The underside of the rim has a leftwards laurel leaf pattern above a single red band. Palmette and tendril decoration below both handles. Side A: warrior with shield dressed in hoplite attire (but perhaps an Arimaspian, according to Schauenburg; cf. Hdt. 3.116), facing and fighting a griffin with traces of white on tail and mane. Rosettes in field. Side B: three robed women with yellow necklaces and hair decorations, facing left. Rhomboids with central crosses in field. Below the figures is a wave pattern. Stem, foot and base are black.
49.8.8 Inside and outside of mouth and handle is black as is neck and back of body. At base of neck is a key / meander design between two moulded ridges and only appears on the front. On the body, metope bearing the figure decoration. On the top of the metope. black tongues.Main design is in a panel showing a Quadriga moving to the left. Horses' heads turned towards different directions. One to the left, other three run their heads to the centre facng each other. On the quadriga, hoplites in profile either side both facing right, holding shields and spears and wearing helmets. One of the shields is decorated with a feline picked out in white, only the back part of which can be seen. Behind the quadriga, a hoplite in profile to the right. He is holding his spear and seems ready to attack. He has a shield decorated with three dots with added white, he wears a short chiton, a cuirass and a Corinthian helmet. In front of the chariot, hoplite in profile, moving to the left, having his head turned backwards. He is wearing cuirass, short chiton, a helmet. He is holding his shield and two spears. Added red-purple on reins of horses and headbands and tunic of warriors, as well as contours of the shields. Added white on lion of the shield and decoration of the shield of the second hoplite which is not clear, the edge of the sword of the first hoplite, the dots on the shiled and a band on the body of the last hoplite. Red band at base of panel running all around the vase's body and foot is black on top, but reserved on side. Resting surface reserved.
50.10.1 The interior, from the lip down, is reserved. There is a thick band on the lip and vertical bars on the exterior of the rim, then five bands, evenly spaced, between the rim and where the handles start. Neck (A,B): Panel between two triglyphs, each consisting of three vertical lines, a band of diagonal lines, and another three vertical lines. Panel filled with a long-legged bird facing left (body outlined and filled with vertical lines), filling splotches, and a horizontal triangle, cross-hatched, to the right. Shoulder (A,B): Seven vertical lines, panel, seven vertical lines. The panels are filled with (A) dog (silhouette) runing to right, with filling ornament, (B) same, but the dog chasing a hare. Horizontal bands cover the exterior of both handles, and the handle zones are outlined with a very thick band. Body: three horizontal bands; close zigzag; seven more bands; a large black band covering the lower part of the body and the foot. Resting surface and underside reserved.
50.10.4 The mouth is black inside and out with a reserved rim. The neck and underside of handle are also reserved, while the top of the handle is black. The shoulder is decorated with short lines and four palmettes (of which one is upside down) linked with tendrils. The back of the body is black and the front bears the representation of a draped woman in an unnaturalistic posture. She is facing right with her head and chest turned back to her left. She is holding a case (kiste? with drawers?) in her right hand and extends out her left (the gesture is as if holding a phiale). There is reserved line under her feet and the woman looks as if she stepps on it. Additionally, the foot's upper surface is black. There is also a small, concave section at the centre of the base.
50.4.25 Two moulded rings around the outer edge of the discus, within stands a ram facing the right with odysseus straped to the underneath of it. The ram satands on a base line. Dark wash all over.
50.5.3 Shoulder: two cocks facing each other, heads downwards. Purple for comb and wattles. Body: two swans facing each other with their heads down and wings open: Added red on wings. It has faded on the left one. Added white bands on wings of swand and cocks that has mostly faded. The rest of the body is black, fired to brown. Ring on the junction of neck and shoulder, foot and handle black. Underside of the foot reserved.
50.5.5 The interior is black, as is the exterior, except for a band of waves under the rim, the figural decoration in the body zone, and wide reserved bands around the handle zone. Both sides portray a female head facing left. Side A: Laurel wreath encircling head; groups of three white dots in the field and on the back of the head; beaded necklace. Single thick leaves rise from the base on either side of the head. Side B: Plain band encircling head; groups of three white dots in the field and on the back of the head; two beaded necklaces. Single thick leaves (of different sizes) rise from the base on either side of the head. Disk in lower left field. White for hair ornaments and on the upper necklace on side B. Beneath each handle is a palmette beneath circles surrounding dots.
51.7.11 The interior and rim are black, except for two reserved bands on the interior, at the top and bottom of the lip. Just under the rim is a laurel wreath, facing to the right. A palmette fills the space beneath each black handle; a series of dots mark each handle zone. The scene on each side is bordered by two tendrils that emerge from the ground, in most cases flanked by two smaller tendrils; at the centre of each large tendril is a volute, from which spring two demi-palmettes. Side A: Wreathed, draped Apollo stands in 3/4-view to the right, holding a laurel branch in his right hand and a phiale and fillet in his upraised left hand. He faces a white-haired, bearded Papposilen, who stands in profile to the left. The Papposilen wears a taenia on his head, an animal skin (nebris) over a shaggy-white body suit, and slippers. He holds a mirror in his upraised left hand and a lyre and a fillet in his lowered left hand. Above him is bust of a goddess, probably Hera (or Leto, or Cyllene?), with her face in profile to the right, enclosed within a window, outlined in white. She wears a high crown and jewellry and holds a sceptre in front of her left shoulder. There are ivy leaves in the field. Side B: Two standing, draped youths, facing each other and wearing wreaths. The left figure has a 'V' drape on his chest and his left hand is barely visible; the right hand of the right figure emerges from his himation; he holds a branch out to his companion. Beneath the scenes is a band of right-facing waves. The lower body and foot are black, except for a reserved band on a groove at the top of the vertical surface of the foot, and the reserved underside.
52.3.3 Inside is black on neck and rim but reserved inside the body apart from numerous black splatters of paint. Diamond pattern with dots on rim, rays and palmettes on rim above each handle. Side has dots and two rows of wavy lines. Handles are black as is the neck between them. Neck design same as on rim. Row of tongues on shoulder. Scene similar on both sides. Each side is flanked by a vertical line of hearts/ivy leaves with dots between lines. Side A: three youths, robed, one with a staff, two facing left and one facing right. Side B: three youths, robed, around a stele (?), two facing left and one facing right. Figures are ruddled and detail picked out in black. Below is a band of ivy leaves. Foot is black and ridged. Base is reserved and conical inside foot.
54.8.1 Inside has a ribbed texture and is reserved apart from thin bands around rim with vertical bars overlapping the rim. Single ribbon handle which is unevenly bent, has horizontal lines down back and is reserved underneath. Procession of seven mourning women, in profile all facing right, framed by wavy lines, with two bands above and below and three vertical lines at right and left of panel. In front of the sevnth woman there ae three loop patterns, with dots. The women are wearing long garments, have long hair and ftech one arm over their head, as a mourning gesture. Face drawn in outline. No use of incision for any details. Below 'SSSS' pattern, then horizontal lines. Moulded ridge and groove below around foot. Base is flat and reserved.
56.8.6 Interior: black not carefully applied , not lustrous. Purple band towards the the edge framed by two thinner black bands. Exterior: around rim black band with white dots; Animal frieze on the bowl. Four swans (water birds), facing right, alternating with incised rosettes. Background filled with small decorative patterns of undefined shape that often bear incisions. Black band below. Black stem and upper surface of foot; reserved groove on vertical surface of foot; reserved underside. Added purple and white on the birds' wings and the rosettes.
77.5.1.1-17 The interior is reserved (although covered with plaster on most of the fragments), apart from the upper parts of 13, 14 and 15, that are black (unevenly applied). 1) On the left, there is part of a naked male figure (thighs to toe), facing right and next to him there is the lowest part of another similar figure facing right. Below them, there is part of a black band. 2) There is part of the right part of the previous figure (chest to toe). On the right side of the fragment, there is a figure's forearms (projected to the left, the right hand holding a round object) and part of the right knee. 3) Part of a naked male figure, leaning to the left. Details with incisions and added red. 4) Part of a lions's paws and below it part of a broad, black band. 5) A male figure's thighs and part of a bird? (executed with incisions and added red). 6) The right part of the previous bird? and the right tibia of a male figure , facing left. 7) The thighs of a male figure facing right. On the left side of the fragment there is part of a black and red motif? 8) The upper part (chest to thighs) of a naked male figure, facing right. 9) Part of a male figure's thighs, facing right. 10) The previous figures lower part of legs and part of a black band. 11) The biggest part of a bird, executed with black, added red and incisions. 12) On the left, there is the rest of the previous bird. Next there is the lower part of a lion, executed with black, addeed red and incisions. Behind the lion, there is the lower part of another male figure (chest to feet), facing left and behind him there is part of a bird. 13) The upper part of a satyr (head to thighs), facing right. His hair and beard have been rendered in added red. 14) The lower part of the satyr, chasing a maenad on the right (her right leg is only visible). The details of her drapery are in red and her tibia is white. 15) The left left of the running maenad. On the right, another satyr chasing a maenad (lower part of the figures is visible). 16) Part of a broad, black band. 17. Bit of plaster.
78.12.20 Discus is surrounded by three moulded rings, inside is a moulded decoration of a hare, facing right, 'nibbling' foliage. Single volutes decorate either side of the nozzle. Red wash all over.
92.1A-K (a) Bull and lion, facing; (b) Pegasus; (c) Archer: holding bow and spear/arrow(?) with tall helmet, kneeling; (d) stag; (e) Female head: wearing winged helmet; (f) Lion head, small; (g-k) non-identifiable shapes, stamps.
L.2013.10.5 Obv: side profile of a man wearing a helmet, facing left, to the right of the helmet is an inscription. Rev: Romulus and Remus being suckled by a she-wolf, above the she-wolf is two stars. Below Romulus and Remus are the letters TRP or THP.
L.2013.10.6 Obv:Man wearing helmet facing right with inscription around the edge Rev: unclear but looks like a seated figure with an inscription around the left side
L.2013.10.7 Obv: head facing right Rev: figure seated
L.2013.10.8 Obverse: Male figure facing right with inscription around the right edge Reverse: unclear
L.2013.10.9 Obv: Man facing right inscription around the edge Rev: Two standing figures facing each other. Smaller figure flies between them (top) with an alter or cup between them (bottom). There is an inscription around the top, possible inscription 'CONCORDIA'.
L.2014.8.2 Obverse: Portrait personification of Roma facing left Reverse: Wolf suckling twins with two stars above
L.2014.8.5 Obverse: Head of Maximian facing right Reverse: Emperor receiving Victory from Jupiter
L.2014.8.6 Obverse:Portrait facing right. Reverse:Human figure faintly visible.
REDMG:1935.87.19 Traces of four (?) bands on mouth and three lines on handle. Tongues on shoulder with two bands below. Main design (starting from below handle going left to right) a human (?) figure on a horse facing right, a lion biting the foot of a warrior who is defending himself with shield, a large creature (possibly a panther), and a man. These pictures are all incised. Dots and rosettes incised with asterisks in field. Five bands around base.
REDMG:1935.87.22 Tongues emerging from mouth between two bands. Dots around the rim and tongues again on shoulder. Zigzag with two dots on handles. Main design is five warrior figures facing left, carrying large shields. Each shield is bisected with incised vertical parallel lines and coloured one half red and the other half yellow. The outer ring of the shield is brown, and the helmets which the warriors appear to be wearing are yellow. The base has two bands around tongues with two bands the other side.
REDMG:1935.87.23 Handles all black. Mouth has wide rim, inside is all black but streaky. Reserved band under rim. Design is similar both sides and shows a woman's head facing left with ornate head dress and jewellry on in white and yellow added paint. Under handles on body is a red block between white lines with dots down originally. Stem is long and has a moulded band around centre. Foot has three steps all black (faded to red). Base is also stepped inside but reserved.
REDMG:1935.87.3 Black inside, outside and rim. Handle is black all over as is top half of neck. Lower half of neck has an umbrella pattern with 12 tongues on top. Large palmette with tendrils under handle on body and tendrils either side of scene. Scene is a woman standing, facing right, holding mirror in right hand and a box in left looking at seated Eros who is holding a mirror in his right hand. Added yellow over white, and white on Eros's wings, mirrors, box and headresses. Traces of miltos. Reserved band beneath scene. Black foot but reserved resting surface and base. (Modern) red cross drawn on base.
REDMG:1935.87.31B Lid: on the rim of the knob, black silhouetted triangles pointing outwards; below teh knob, black rays; four circles, the second and fourth red; round the edge below the animal zone a black band between two black lines; on the vertical rim a red band, and again a black band between lines. In the animal zone, on one side a palmette-lotus complex, flanked by a pair of sirens; on the other a siren flanked by a panther on the left and a lion on the right. Small incised circles on the body of teh panther, incisions on the lion. Field ornaments include rings of dots with or without a circle at the centre, scattered dots, amorphous and cruciform rosettes with incisions crossing at centre, rosettes with incisions forming small arcs facing away from the center. Some remains of added red on neck, breast, and tail of sphinxes, heart of palmette and petals of lotus. Inside of lid reserved.
REDMG:1935.87.32 There is a broad, black band at the interior of the rim. On the top of the rim there are black tongues, apart from the surface of the handles, decorated with palmettes. Waves are used to decorate the edge of the rim, while the handles bear small palmettes on their sides and the rest is painted black, as is the body between. Both neck panels have ivy and dots joined by vine. Both sides of the body show a female head, facing left and wearing a decorated cap with a spiked stephane over it. There is a small window (rectangular motif with black vertical line), top right on both sides. Side A, however, has a strigil with wavy endings above the head, top left. Side B has a knot of hair emerging through the apex of the cap. On both sides there are volute-shaped motives at the end of the cap and below the woman's chin. Side A: The woman wears a black earing (a circle and hanging dots) and a neclace of black beads. A hair with a heart-shaped ending falls vertically over her neck. On the other hand, the woman on side B wears a similar but yellow earing and a neclace made of yellow beads. Both women are framed by two vertical red bands, decorated with two similar motives of a vertical row of dots between thin lines. These columnar patterns seem to support a horizontal red band over the head, ornated with tongues between thin lines (one above and two below). However, the surface under the heads is not identical for both sides. Side A has a red band with dots between lines and side B has two parallel lines and the wave pattern. Both the scenes are partly ruddled and added yellow is used to render the details. Miltos apparently was applied last.The lower half of foot is ruddled.
REDMG:1935.87.4 Mouth is black just inside rim but interior walls are reserved. The handle is black all over as is back of neck and back of body. On neck at the front is a wave pattern which forms the horizontal part of a reserved outline to the picture. Within this box is a woman with flowing robes, facing to the right holding a wreath in her right hand and a plate / tray in her left. Tendril pattern to her right at bottom of picture and a rosette in the field. Added white to bracelets, head dress and rosette. Foot was originally black outside with reserved resting surface and flat base.
REDMG:1935.87.7 Mouth is blacked just inside rim, leaving interior walls reserved. Handle, back of neck, and back of body are all black. Wave pattern on neck forms upper part of a reserved frame around a figural scene. This scene depicts a horned youth, running to right but facing profile to left, with cloak over his left arm, carrying a tray in his right hand. Tendrils each side of him emerge from the base and four rosettes and one fillet are in the field. Added white and yellow on horns, rosettes, tray and head dress. Foot is black on outside and the base is reserved.
REDMG:1951.147.1 Entirely black, except reserved on the inside of the spout and the underside including resting surface, and red figure decoration: line at middle of neck; ray band at lowest part of neck, above dots; figural scene between two sideways palmettes, enclosed, from the outside bottom of each emerges tendrils; short ray band at interior of lower handle attachment; 10-leaf palmette at exterior of lower handle attachment; flange decorated with egg-and-dot band, beneath a black line; the sides are decorated with an ivy design, effected through incision (tendrils) and added white (leaves). Reserved line band just below join of body and foot. The figural scene on the shoulder depicts seated youth seated profile to the right, facing a woman, seated profile to the right, but turning profile to the left. The youth, nude except for a hairband, sits on drapery, alongside which he hangs his left arm, and reaches a wreath, held in his left hand, towards the woman; she, wearing a crenellated stephane and a belted chiton, is seated perhaps on a cushion (comprised of dots), helds her right arm, slightly lowered, towards the wreath, and holds a box in her slightly raised left hand. A four-petal rosette is beneath her right arm.
REDMG:1951.149.1 Wide flared mouth. Black inside with two reserved bands either end of rim. Outer surface has a laurel band around rim. Handles, all black, at the base of the body extend upwards. Side A shows seated woman (skin painted white) and Eros next to her with a satyr seated and holding a thysseus and pointing on Eros' left. Tendrils above and plants in field. Side B shows a woman standing, draped, facing right, between two satyrs, one reaching to a box the other dancing with a box above him to the right. Egg and dot pattern below both scenes. Black to top of foot which has a reserved band at top and bottom of side. Base is concave and reserved.
TEMP.2002.9.2 Larger piece (1) is made of three fragments and shows the top of the front panel with a pattern of horizontal palmettes with dots in field above a scene of a woman, with head covered, facing a youth wearing a long tunic and holding a long stick (?). The vertical panel pattern on the left hand side is of two dots, staggered and joined by a line. Detail picked out in watery glaze and black. The inside surface of both pieces is almost ribbed and the glaze is streaky. The smaller piece (2) has remains of a thick handle with a palmette pattern below it. The design on the front has the same horizontal and vertical panels as the other piece but has an old (bearded) man facing left also in long tunic. Both pieces bend upwards to what would have been the mouth and there is a possibility this would have been trefoil shaped.
TEMP.2002.9.26 Interior surface is black with a reserved band inside rim. Rim and part of body remain. Offset rim is painted black. The picture is of a bird (perhaps a swan ?) with wings outstretched and neck curved. Bird is facing left, towards a horizontal line of four black dots. Below is a black band.
TEMP.2003.6.23 a) The upper part (head to chest) of a draped youth, with a fillet on his head (faded), facing left. b) Another youth (part of his face is missing). He is wearing a himation on his arm and waist and his right hand is extended to the left. c) The rest of the previous figure's face and below, the biggest part of a lyre. The rest of the fragments are black, with the exception of part of a thin line on e.
TEMP.2003.6.7 The interior is entirely black apart from a, which, although black, bears a reserved band on the interior of the rim. a) The rim is black. Below that, the vessel bears the depiction of a symposium scene. On the left, there is the upper part of two draped male figures facing each other. Between them there is a carelessly rendered figure (background); a servant? and a branch with dots on either side. Another, identical branch can be found behind the person on the right. Next to that, there is the upper part of another figure (servant?) from whose arm another branch is hanging. He is facing right, towards a palmette (voluted with petal-shaped divisions), from which the beginning of a tendril seems to spring. There is also part of the bad that covered the back of the handle. b) The lower part of the male figures that face each other. They are draped and seated on similar chairs (diphros okladias). Below them there is a thick line and underneath, the beginning of a band. c) The lower part of another seated (on a similar chair), draped figure, with part of the thick line and the band below. d) The back of the handle is covered with black colour (carelessly rendered at some areas and streaky). The rest of the surface is reserved (but glazed), however, there are some spots on the handles's inner surface. e) The back of the handle is black, but the black colour is streaky at some areas, There is part of a branch on the right side. f) The back bears black colour. g) The back of the handle is black, although streaky on some areas.
TEMP.2003.7.47 Obverse: head of Augustus Caesar, facing right, wearing a laurel wreath. Reverse: a man riding a horse and holding a sword.
TEMP.2003.7.49 Obverse: Head of Julius Caesar, facing right, inscribed (behind head) 'Julius'. Reverse: the bare head of Augustus, facing right, inscribed (around head) 'Caesar. Divi. F.'
TEMP.2003.8.1 (a)Part of the rim of an open jug of some sort. The inside segment of the rim is painted black, with numerous small bits having been chipped off. Moving outwards, the rim consists of the inside of the pot wall, which then splays out in a flat top rim, and then falls down again in a second wall that is left dangling from the outer rim. So, moving from the inside outwards on the underside, there is a valley of about 1.0 wide and 1.5 deep until the top of the second rim (which is peaked) is reached. The outward facing side of this downward pointed rim consists of alternating lines of black dots and thin black lines which run around the entire outer diameter of the rim. There are two rows of dots and two lines, alternating which each other, all of which are heavily worn. The top part of the rim, which would be facing upwards if the pot were complete, is about 2.2 wide and flat, marked with black raised lines that repeat about every .3 and which start at the outer edge and are 1.7 long, and painted black. These lines are heavily worn. There are also two significant chips in the top of this rim, each about 2 long. (b)Another part of the same rim to the same vessel. The same dot and line pattern runs around the outer diameter. On top the lines which are thicker at the end pointing into the pot are repeated, a palmette decorates the larger flat area of the handle region.
TEMP.2003.8.4 Geometric band on which stand feet, facing right.
TEMP.2003.8.65 Within a frame, a man's bust facing right. The man has a large nose, is veiled and wears a robe over his shoulders. The frame is decorated with incised horizontal lines on either side of the man, small flowers in each corner, a curtian above, and a circle in the centre.
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