2021.10.1
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Cast of the bust of a goddess, perhaps Aphrodite, from the East pediment of the Parthenon (438432 BC). Most scholars agree that this figure represents Aphrodite, the Greek goddess of love, leaning on her mother, Dione. Although the cast is only a small fraction of the original statue group, it allows us to see how Aphrodite was depicted in the Classical age.
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2023.11.1
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Cast of horse hea. Horse made to look stressed with pinned-back ears, gaping jaw, flared nostrils, and bulging eyes and veins. The original is part of the sculptures in the east pediment of the Parthenon showed the birth of Athena from the head of her father Zeus, a momentous event witnessed by the gods. The corners of this pediment were filled with the chariots of Helios and Selene, the gods of the sun and moon, this horse is one of Selene's. The original is now in the British Museum.
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E.23.2
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Funerary stele with vulture wings surrounding the solar disk, common during the time period. Below the wings is the text of the stele, surviving intact. Two men are depicted adoring the god Re-Horakhty, whose presence is indicated not only by the uraeus and sun disk but also his name inscribed in the text. It has been suggested that the dress of the figures indicates that they are Nubians; this is confirmed by the oddity of their personal names. The sky is depicted above the winged disk, each end being supported by the symbol of the west (on the left, only the top of the feather survives) and the east (on the right, more or less complete). A signature, possibly belonging to Flinders Petrie has been found above the head of the right hand figure.
There is only one viable interpretation possible, when one combines the depictions with the details found within the text. The stele depicts the man Serep and his son Tkr-Irt-Hrw, not as has been assumed Serep with his Ka. A personal Ka has no need of the title m33 khrw, which is a title of the deceased, thus two deceased are depicted. There is no question that Serep is a man as he is depicted in male dress and has the male symbol after his name.
There is enough evidence to show that the stele was once painted. Red pigment on the sun disk of the god is the most apparent, though a similar (if not the same) is found in several of the hieroglyphics and on the deceased as well as faint traces on the column to the right. A yellow stain remains in the first two columns, which could be remains of the paint used to fill in the columns. The combination of colours matches well with the red pigment found in the glyphs.
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E.62.12
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Blue scarab on a flat base, which has vertical lines down the top of the beetle from its throat, and patterned legs. The wings are detached, both with spanned wing decorations. Base is plain. There are 6 small holes on the points of the compass, with 2 at East and at West by the side of the scarab, and three holes on each of the wings. These are at the corners of the joining part to the body of the scarab and one at each end of the wing spans.
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