| 13.10.17
|
The interior of the lip has a thick black line about 1.0 cm from the top, with black painted on the rim. The neck is painted with alternating red and black thick lines. The handle appears to have been painted in black on the top and sides, but reserved underneath. Around the middle, vertically to the handle there is a pattern of black cross-hatched lozenges. The rest of the body has a pattern of thin black and thick red concentric bands, ending in a circle with a black Maltese cross on either side of the vase.
|
|
| 14.9.113
|
Moulded foot-ring with reserved groove in the wall of the vase immediately above it. Whole of foot ring black, including resting surface; base black with two reserved grooved bands and reserved centre. Inside, two concentric zones of incised tongues which have degenerated into hooks.
|
|
| 14.9.31
|
Fragment of rim of vase. Interior is reserved except for a black band around rim. The exterior is painted dark brown with four horizontal bands of red covered with white dots. There is a narrow band of orange just below rim. The walls thin at the rim.
|
|
| 14.9.32
|
Fragment with part of handle, probably belonging to a large vase. Interior is coarse and coloured red although undecorated. The exterior surface has a design of dull black with bands of white. There is a heavy white band round base of handle. Handle round in section. Surfaces are most uneven.
|
|
| 14.9.33
|
Fragment belonging to the rim of a vase made of fine fabric. Dull black paint inside and out. The exterior surface had white band around rim above spirals or tendrils with three horizontal bands below. The interior had a white band round rim. The material gets thinner at the rim.
|
|
| 14.9.47
|
Panel decoration. Broken wave band on neck; below this the end of a broad band and the beginning of a thinner vertical line bordering the panel on the right; within this frame a network composed of papyrus motives, horizontal and facing left with circles in the blank spaces. Inside a broad band extends from the top of the fragment (and presumably from the top of the vase) to the level fo the top of the band on the outside, the rest reserved.
|
|
| 2005.3.8
|
Surviving section of rim has bands, handle is painted although pattern is unclear, traces of paint around edge of fragment suggests that main body of the vase also carried decoration.
|
|
| 2006.12.26
|
Moulded pattern showing folds of robe with hand holding jug or vase.
|
|
| 2007.10.1.13
|
Naked man with a club holding one handle of a vase, to collect water
|
|
| 2007.10.2.12
|
Woman facing left with a vase by her feet, possibly washing
|
|
| 2007.10.2.149
|
Bearded male seated figure in front of a pillar, half naked, learning towards a young male figure emerging from a vase.
|
|
| 2007.10.2.153
|
Three figures. A man, naked, is sitting on the floor. Behind him a woman (naked as well?) is sitting on a chair touching his shoulders with one hand and carrying something in the other. Above the man's head a winged-child is pouring water from a vase.
|
|
| 2007.10.2.189
|
Frontal figure of a naked man standing up and rubbing his back with a cloth. On the background a small table with a vase on it.
|
|
| 2007.10.2.46
|
Naked man holding a vase in one hand and a robe and curved stick in other
|
|
| 2007.10.2.494
|
Cast has concave shape to it, contains a possible a figure wearing a turban and long robe, possibly holding a vase it its left hand.
|
|
| 2007.10.2.82
|
Naked male figured dancing with a spear. A vase lies at his feet and it looks like there is an animal skin draped over his arm.
|
|
| 2008.2.1.104
|
2 youthful male figures on the left, look at 1 other on the right.all have short curly hair. on the left there is a vase, on the right there possibly a scroll.
|
|
| 2008.2.1.38
|
Semi-naked female figure kneeling on a plinth and facing away from the 'viewer'. The figure is struggling with two snakes,and her head is thrown back perhaps indicating pain. There is a third snake at her feet to the left of the scene, and a vase with flowers in it at her feet to the right.
|
|
| 2008.2.1.96
|
Profile view of a woman sitting in a chair facing left. She is wearing robes and has long hair that is possibly braided and pulled back. At her feet is a vase on a pedestal. Under the illustration is an unreadable inscription.
|
|
| 2009.10.2.253
|
Nude three graces standing holding small objects in their hands, with a vase of water on the left and a pillar with a jug pouring out water on the right
Number 43
|
|
| 2009.10.2.410
|
Central male figure wearing a helmet reaching down towards a vase on the floor, with a male figure on the left, an armoured male holding a shield on the right and a pillar with a vase atop behind the central figure.
Number 66
|
|
| 2009.8.49
|
A young woman sitting on a chair, one arm put on her knee, the other holding a vase. A wreath is hanging on the wall. Inscription on the bottom. Cast number: 44
|
|
| 2009.8.8
|
Vase with female figures who seem to be dancing. Two lions on the neck. Cast number: DD.9
|
|
| 2009.8.89
|
A scene of a feast. Women and men are dancing and playing instruments. A vase on a pole. Cast number: 33
|
|
| 2009.8.9
|
Vase with a sphinx and two heads above it. Cast number: DD.15
|
|
| 2009.9.72
|
An ecstatic dancing woman. There is a vessel or vase with flowers next to her. Cast number: 5
|
|
| 2016.5.2
|
The body of the vase and the interior of the foot is reddish painted. The centre of the body is decorated with a black horizontal band. The interior, the rim, the bottom of the body and the foot walls are black painted. A black band decorates the rim. The interior of the rim has a reddish reserved band.
|
|
| 22.3.5
|
Body: below the flanged rim, key; below, a broad band. On the reserved base a spiral incised when the vase was leather-hard. Inside reserved with a broad band immediately inside the rim and a line below it; at the centre two small concentric circles. Lid: knob reserved with a broad painted band between two mouleded fillets round its base; main zone, palmette-lotus band bordered above and below by a pair of fine lines and a broad band. Round the rim leaf and bar pattern. Inside reserved.
|
|
| 26.12.28
|
Clay pale buff. Decoration streaky brownish-black, in parts fired to red. On shoulder, two wave bands between two straight. Rest of vase black. Bars across handle, black line round lip. Side of foot and bottom reserved.
|
|
| 34.8.12
|
The vase is black, both on the inside and the outside, with the exception of few, red lines. A sloping rim allows the lid to sit over the aperture. There is a reserved line on topside of the body, a red, carved circle and a groove around. There are also two, concentric carvings, one in the middle of the body's upper surface and the other one at its side. At the level where the body is divided in two areas there is a reserved line, while another one is apparent at the point where the body is narrower, above the point where it connects with the stem. The latter is divided in two areas by two, plastic, thin, red rings. Below, there are vertical ridges, one third the way down, wider towards the upper surface of the foot, whose larger part they cover with their moulded, tongue-shaped terminations. There is also a carved circle, surrounding these terminations. The foot is grooved and reserved in places. The surface underneath is irregularly painted black, with the central part reserved.
|
|
| 37.11.2
|
Top of mouth has one thick then one thin band. The handle has vertical zigzag (much worn) between bars. The shoulder has a daisy pattern above three bands. Bottom four circles round central spot. Over front of whole vase and covering part of bands is a large double palmette shape with projecting lines and groups of dots at one end and a circular pattern with dot at the other. Random dots over back area of body. Bands around base.
|
|
| 37.11.5
|
Black gloss covers the entire vessel, except for the underside of the foot. The gloss is not lustrous and on the exterior towards the foot is fired brownish. Inside the bottom of bowl, a brownish band caused by foot of another vase fired within it in the kiln. Inside is stamped design of four palmettes outside two concentric circles with an egg and dot pattern attached to the second one. Red paint is applied on the underside of the foot. It is decorated with a wide black band and a black dot at the centre. Between them, two thin concentric circles of almost invisible thinned glaze.
|
|
| 44.6.1
|
Clay and surface of vase ferruginous buff, black glaze fired in parts to a pale orange brown. Inside is black with traces of red bands and there are red bands on the inner rim. The upper surface has circular patterns of dots (lotuses?) alternating with vertical rows of dots. Below these and above the handle are three bands, red between two black. Below handles are two bands and another around foot. Three bands on base with central dot.
|
|
| 45.9.2
|
The mouth, neck, handle are black. The body of the vase was treated with a white slip (colours probably indicated the straps of the sandal, yet such decoration only remains on the edges of the sole).
|
|
| 50.12.5
|
Part of foot of a closed vase. Coarse clay with tiny black and white inclusions. The interior is pink and fairly rough, the exterior is unglazed and grey. There is a small section of black near the top.
|
|
| 50.12.6
|
Fragment of comparatively fine open vase. Very pale clay. Interior black band about 1 cm wide just inside rim. Exterior lip grooved and painted black. Small bit of painted ornament.
|
|
| 51.1.2
|
Interior and exterior of the mouth, neck exterior of handles black, fired mostly reddish brown. The underside of the rim has a reserved band. Underside of the handles reserved. The body is all black apart from the metope carryint the figure decoration and a reserved band decorated with radial-shaped motif beofre the black foot, decorated with two red concentric bands. Resting surface, underside of the foot. The top surface of the rim is decorated with two, concentric, red lines. Another marks the junction of the neck with the shoulder. The neck is black (reddish brown on the reverse side). The main scene begins from the top of the shoulder (under a red line), down the main part of the body. There are two confronted bulls with their heads bent downwards. Added red on partsof their bodies. Between them, there is an ivy leaf (heart-shaped). They step on a thin, black line, which separates the shoulder zone from the body metope.
On the body, two warriors attack other two. All warriors have spears with teardroped terminations (three terminations are visible, the fourth is on a missing area) and wear helmets with coverings for the cheeks (only the right pair's are visible) with details (dots for the first and fillet for the second warrior) in added white (now fadded away). They all held shields as well. All are round, except for one. The right pair's episemata on the shields are visible (upper part of seated lion / tripod, rendered with added white that has fadded away), while the other pair's shields' interior is visible and so the porpax (handle) can be seen on the left warrior. Additionally, they all wear greaves. Added red on the contour of the shields, the interior of the shileds, helmest, one hoplite's greaves. Between the pairs there is an eight-pointed star. There are also two horizontal red lines below running around the body of the vase. Two horizontal red lines frame the reserved lower zone decorated with the linear motif. The foot is black, with two red horizontal lines. The base is reserved.
|
|
| 56.8.3
|
Exterior of handles black, interior reserved. resting surface reserved. Underside of foot reserved apart from black dot at the centre, surrounded by black thin band. Body black apart from handle zone, a reserved band c. 1cm below the main design and a reserved band at the junction of the body with the foot. Handle zone decorated with Protocorinthian black butterfly pattern three times front and back, recesses filled with chevrons. One butterfly recesses with leaves. Interior of the vase black.
|
|
| 58.2.4
|
The lip of the jug is decorated with black lines compartmentalising the area; within every other compartment there is a design of lines of black dots. This design is carried on part way into the interior of the vase and onto the spur. The underneath of the rim is delineated with a black line. The neck is decorated with three compartments of decoration of unequal size. The compartments are divided by two black lines which enclose crosses surrounded by diamonds. Within two of the compartments there is decoration consisting of lines of vertical dots hemmed in by horizontal lines on either side; underneath are crosses with dots in each section and above is a mixture of crosshatching, lines and dots. The third section is undecorated apart from six groups of three diagonal lines, which form a vertical stripe of decoration under the handle. The body has decoration of long and short double lines containing cross-hatching reaching for the base (within the gaps there is a cross with dots in each section), below two such lines enclosing a string of continuous horizontal diamonds. The base is decorated on both faces with lines and circles. The handle is also decorated with black lines.
|
|
| 83.5.1
|
Fragment of base of cup-skyphos (or possibly stemless kylix). Arrowhead graffiti underneath. Red splotch inside when another vase rested in kiln. Inside base, black bands and central spot.
|
|
| E.23.28
|
One thin incision around the throat of the vase.
|
|
| E.62.10
|
Carved piece of open-work rail of furniture, shape represents the hes vase. Object is flat and only some small amount of white pigment remains.
|
|
| E.62.11
|
Carved piece from open work rail of furniture, representing the hes vase. The top of the artefact has a carved peg on it while the foot has a lip carve in it, clearly these were used to attatch the artefact to a larger body, there is no pigment.
|
|
| E.62.3
|
Fragment of Memphite stele with figure worshipping and offering to Ptah, god of Memphis. The God can only be seen in the form of an arm and the crook he holds. The offering table between them holds a vase and two loaves. The underside of the frament appears to have rough inscriptions like some kind of practice work.
|
|
| E.62.31
|
Large red vase. Rounded body with rounded base; no neck, narrow lip and flat rim. Large lugs, on either side, are perforated to take thread. There are splashes of red all over the pot, it is unclear if this is part of the original decoration or somehow added later, since the splashes have no discernable pattern.
|
|
| E.62.54
|
Alabaster vase; sunken, flat base and small neck with pronounced lip. No decoration.
|
|
| E.65.14
|
Fragement of galzed faience inlay, mauve in colour, flat underside, shape representing the hes vase.
|
|
| REDMG:1947.13.1
|
Black mouth inside and out, otherwise reserved inside. Below the rim, on the lip, is a white laurel wreath, to right. On neck, between black handles, a 9-leaf palmette, with a black dot for heart and black dot on either side of central petal; black ridge between two black lines; frieze of vertical bars beneath each handle; beneath each handle a large palmette above a pair of volutes, from which emerge vegetal ornament. A: Attenuated ovolo frieze between two black lines; white ribbing (painted); two reserved bands; floral frieze with white head, to left, at centre, emerging from a calyx from which emerge also tendrils, berries, volutes, and blossoms; reserved frieze; scene. B: Continuous maeander to right, between two pairs of lines; black ribbing (painted) between two black lines; flanked by vegetal ornament, from which emerges quarter palmettes and volutes, a female head, profile to left, wearing white stephane, and white sakkos, from which emerges curly black hair, at front and black; white drop earring on an inverted triangle. Below the body zone, around the entire vase, is a decorative band consisting of dotted cross squares (1) alternating with stopt maeanders to left (3) between two reserved bands; black below.
Scene, A: A woman, standing in 3/4-view to the right, with head profile to right, hair emerging from the back, a sleeveless, belted chiton, a himation draped over her left arm, a pair of white slippers, holds a palmette fan, with white detail, in her upraised left hand, and a branch (similar to a thyrsos) in her left hand, at a diagonal. She also wears a white stephane and a sakkos with black and white detail, from the back of which emerges a tuft of hair, a white beaded necklace between two thin chains (rendered by black lines), and white snake bracelets on each arm. She faces a naiskos enclosure, decorated in gilded white, with thin Corinthian columns and a black pediment, on a podium decorated with a simple continuous maeander to right, between a two pairs of white lines. Enclosed within the naiskos is a warrior, rendered in white with yellow details, seated in 3/4-view to the left, on a himation, with his legs crossed, and his left elbow resting on the back of his seat. He holds a crested helmet in 3/4-view to the right, at which he stares, and a diagonal spear in his left hand. On the ground below him is a small shield. To the right is a nude youth, standing in a reclining pose, 3/4-view to the left, wearing a white fillet in his hair, and white slippers. He holds a himation, bundled up around his left arm, and an opened box as well as a dotted, fringed sash, in his right hand. A thin rectangular element, perhaps a dagger, emerges from the opened box. A (heart shaped) ivy leaf hangs in the field above him.
White dotted lines indicate the groundline between all figures.
Details on the shoulder rays and, ornaments in the field, and all figural scenes are rendered in added white, sometimes 'gilded' with yellow wash.
|
|
| REDMG:1951.133.1
|
The surface is treated with a metallic black glaze, applied more casually (streaky) on the lower part of the body; reserved band just above foot and reserved (matte grey) underside except for a black concentric circle. There is a single incised concentric circle in the tondo.
The iridescence and matte grey areas suggest that the lower part of the vase was (inadvertently?) exposed to (too much) heat, either in the factory or afterwards.
|
|
| REDMG:1951.159.1
|
On neck, between black handles, an enclosed palmette (11 petals on A and 9 petals on B; with two concentric arcs for heart on A, black dot for heart on B), black dot on either side of central petal, and black dot in the upper corners; black ridge below black line; frieze of vertical bars below each handle attachment; beneath each handle two superimposed palmettes, with a pair of volutes between, from which emerge tendrils, sprouting quarter palmettes. A: egg-and-dot frieze, between two black lines; white ribbing (painted); two reserved bands; floral frieze on shoulder (four volutes from which emerge flowers, tendrils and secondary volutes) emerging from the lower right; two reserved bands; scene. B: Continuous maeander to right, between two black lines; black ribbing (painted) between two pairs of black lines; a female head, profile to left, wearing a sakkos, from which emerges curly black hair, at front and back. Below the body zone, around the entire vase, is a decorative band consisting of dotted broken stopt maeanders to left (pattern doesnt match up on side B, to the left) between two reserved bands; black below.
Scene, A: A naiskos comprised of two Corinthian columns supporting a tapered epistyle and black pediment, on top of a podium (white maeander on a brown background, between alternating black and white horizontal bands). Two white female figures stand within the naiskos. The figure at left, standing in 3/4-view to the right, wears a himation over her left arm and hips, over a peplos (decorated with two vertical purple bands on the chest). Her hair is bound in a sakkos from which emerges hair at front and back; her jewelry includes a beaded necklace and two bracelets on each wrist. She holds a fan in her raised left hand as well as a wreath in her lowered right hand. She faces another woman (probably the deceased) who is seated in 3/4-view to the left on a stool (diphros) and rests her feet on a footrest (hypopodion). She wears a short sleeved chiton and a purple himation that she holds above her right shoulder in an unveiling gesture (anakalypteria). Her hair too is bound in a sakkos, from which emerges hair at the back; she wears two necklaces, one beaded, and two bracelets on each arm. A small ornament (or pures) hovers in the field between the two women. On either side of the naiskos is a kalathos (basket), below a rosette (red with added yellow and white), above a pair of white balls interspersed with clusters of three white dots, and above a double line of white dots. Each basket (both are identical) is decorated with a cross-square with intervening triangles (top) and alternating bands of zigzags, and white and black lines, as well as a band of vertical bars.
|
|
| REDMG:1951.161.1
|
Black interior, except for two reserved bands, at the top and bottom of the everted lip. Under the rim is a laurel wreath, to left, between two reserved bands. Beneath the figural scenes and surrounding the lower part of the vase, is a decorative band, comprised of stopt maeanders (3) alternating with saltire squares (1), between two reserved bands. The handle zones are reserved, and ray bands decorate each handle attachment; beneath each handle is a palmette, between two tendrils. Reserved bands decorate the base, on the groove at the top, and on the bottom; the underside is reserved.
A: A woman and a youth advance in 3/4-view to the right. She wears a stephane, a kekryphylon with ribbons, a beaded earring and beaded necklace, double braceless, a sleeveless, belted chiton, and slippers. She holds a tympanon (drum) in her upraised right hand and a kantharos, in her upraised left hand, which she lifts from a tray held by the youth, in his right hand. There are three white dots on top of the tray. He is nude except for a yellowed fillet, a thick white necklace, and a robe draped over his right hand. He turns his head profile to the left, to face the woman, and also holds a fillet in his outstretched left hand. There is a grape cluster in the upper right field. Added colour (white with yellow) is used for the jewelry and slippers.
B: Two robed youths in conversation, stand profile towards each other, each with his weight on his left leg. Both are enveloped in their himatia except for their right hands; the left-most figure holds a staff in his advanced right hand, while the other figure gestures to him, with his upturned right hand. There is a bulls eye in the field between them.
|
|