| 114.9.45
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Pale buff ground. In handle zone, continuous zigzag, black. Below, two broad bands, the upper red. Bottom reserved, except black foot-ring; slightly raised central disk. Inside streaky black. Black on handles.
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| 14.9.11
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Painted decoration in dull black on both sides in rectangles with lines inside with cross hatching on the underside. Part of two bored holes at the same end but slightly apart, perhaps for suspension. No finished edges.
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| 14.9.45
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Bottom of false neck has a broad red band. Shoulder has two broad red bands with several narrower bands in between them. The body is squat, with same pattern as the shoulder. Decoration is brick-red on pinkish-buff ground. Smaller band of red near and on the edge of the base, which is undecorated and slightly convex in shape (?). Blackening around hole where true neck has broken off suggests usage as a lamp.
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| 14.9.64
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2 thin horizontal black lines above handle, 8 below, 3 at right angles to these beside handle, all approx. equal width. 2 slightly thicker horizontal black lines on side of handle base. Background pale buff. Inside painted black.
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| 14.9.68
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Hind leg of animal (poss. goat) in black with slightly redder edges and incised lines over hindquarters, standing on 2 thin red lines. 2 black rosettes divided into 8 with incised lines, one more faded to red than the other. Background buff. Inside painted black.
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| 2003.7.15
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Piece of fragment made of red clay with pattern both sides. Fragment is slightly curved, with a small rim at the top suggesting it could be part of a decorative plate or bowl. Side A, which is possible the interior, has a broad black line at the bottom - possibly this was the colour of the interior, with five rough circles in a row, alternating black and red from the left hand side, painted on top of a white background. Side B has a similar broad black line at the bottom, with a broad white line painted at the top and several faded black vertical lines painted over the white. The shape of the fragment is rectangular, and it slopes to a point at the right hand side.
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| 2003.7.27
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Small fragment, possibly part of a jar. Interior (side a) is painted black and curves slightly at the top - possibly a rim? The rest of the fragment has been painted in white, with four black narrow parallel lines, and a black square nestled inbetween the first two lines. There is also a dark red line at the bottom of the fragment.
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| 2006.12.5
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Two parallel lines and key design in orange-brown on a white painted background, slightly worn
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| 2006.12.58
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Black paint, slightly worn
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| 2006.12.70
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Black paint with ridges; slightly worn
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| 2006.12.8
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Black glaze with red band on inner surface; worn red and black paint on rim; black paint on outer surface, slightly worn and chipped
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| 2007.1.10.48
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Exceptionally raised portrait of man facing slightly towards the right, with lion's skin on his head
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| 2007.1.10.52
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Portrait in profile of man facing to the right, slightly raised, with lion's skin on his head.
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| 2007.10.2.253
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Two figures are depicted. The figure to the left of the scene is a seated semi-naked female. Her dress or cloak lays across her lap and is gathered up in her left hand. Her head is bowed slightly. In the centre of the foreground is a semi-circle which crosses the female figure's left ankle or calf. It is unclear what this might represent. The second figure (to the right) is a smaller winged male facing to the left and the larger figure. He appears to be carrying a bow and stands under a tree. The two figures are almost certainly Aphrodite and Eros.
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| 2007.10.2.311
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A large female figure reclines in the centre of the scene. She is dressed in robes and is wearing either a helmet or a cap (Phyrigian cap?). Her left arm is resting on a disembodied (bearded male) head and her left hand holds a staff which rests against her upper-arm or shoulder. Beneath the large female figure and to the left of the male head are two shapes which possibly represent boats or ships. These shapes might indicate that the portion of the scene below the female figure is in fact a river or the sea. In turn this might suggest that the disembodied head is emerging from the water (possibly identifying it as a river god). To the left of the scene a very small figure appears to be presenting the large female figure with something, possibly a basket or urn. A slightly larger figure, leaning on a stick, looks on from beneath a tree. Above the very small figures head are two animals (presumably intended to appear to be further off in the background). One at least of these animals is certainly a horse. To the right of the large female figure's head there is a representation of a stag. At the top of the scene in a central position are three shapes. It is unclear exactly what these are (possibly huts or houses of some description?).
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| 2007.4.132
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Both sides painted black, slightly damaged, with a large black cross painted across the front, bordered by black lines
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| 2007.4.135
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Two black lines painted across, bordered by red, slightly worn
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| 2007.4.138
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Bottom of fragment painted red, slightly worn
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| 2007.4.145
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Thick orange band bordered by two red bands, slightly worn
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| 2007.4.162
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Painted red on one side, slightly worn. On the other side, red stripes bordered by orange
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| 2007.4.163
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Two thick black stripes on one side, slightly worn. On the other side, Black and red painted on, slightly worn
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| 2007.4.202
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Thick black band around join between neck and main body of vessel, with black tear drops below o main body and black arcs on neck above; slightly worn and faded.
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| 2007.4.213
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Interlocking curved black lines, slightly faded
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| 2007.4.217
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large black rays ? with smal part of curved line; slightly worn
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| 2007.4.218
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Red paint "S" shapes on white background, slightly worn
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| 2007.4.24
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Black glaze, slightly worn
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| 2007.4.25
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Black glaze, slightly worn
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| 2007.4.26
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Black glaze, slightly worn
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| 2007.4.27
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Black glaze, slightly worn
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| 2007.4.28
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Black glaze, slightly worn
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| 2007.4.29
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Black glaze, slightly worn
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| 2007.4.30
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Black glaze, slightly worn
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| 2007.4.31
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Black glaze, slightly worn
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| 2007.4.32
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Black glaze, slightly worn
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| 2007.4.33
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Black glaze, slightly worn
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| 2007.4.34
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Black glaze, slightly worn
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| 2007.4.35
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Black glaze, slightly worn
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| 2007.4.36
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Black glaze, slightly worn
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| 2007.4.39
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Black glaze, slightly worn
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| 2007.4.41
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Black glaze, slightly worn
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| 2007.4.42
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Black glaze, completely worn down one side, slightly worn on other
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| 2007.4.48
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Black glaze, slightly worn
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| 2007.4.50
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Black glaze, slightly worn
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| 2007.4.51
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Black glaze, slightly worn
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| 2007.4.52
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Black glaze, slightly worn
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| 2007.4.54
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Black glaze, slightly worn, ridged on one side
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| 2007.4.56
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Black glaze, slightly worn
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| 2007.4.57
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Black glaze, slightly worn
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| 2007.4.61
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Black glaze, completely worn on one side, slightly worn on other
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| 2007.4.63
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Black glaze, slightly worn
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| 2007.4.64
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Black glaze, slightly worn
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| 2007.4.65
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Black glaze, slightly worn
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| 2007.4.76
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Thin red band on edge of fragment, slightly obscured by wear
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| 2007.4.9
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Two black painted lines parallel to each other which are slightly worn.
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| 2007.9.1.52
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Displays a naked man, bent over slightly, facing right, and carrying a spear and long, unidentifiable object.
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| 2007.9.12
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Slightly glossy black paint on inside surface, matte black on outside, very fine incised lines on outside of clay body.
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| 2007.9.3.3
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Displays a seated man, head bowed slightly, holding a dagger in his right hand.
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| 2007.9.3.43
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Female bust facing forward with the head tilted slightly to the right.
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| 2007.9.3.6
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Displays a man slightly crouched and bent over, possibly about to throw a discus.
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| 2008.2.1.101
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Profile view of a bearded man facing the right. He has short, slightly wavey hair.
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| 2008.2.1.32
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Bust of a woman with her face turned slightly to her left. Her hair curly and covered by a head-dress. One breast is exposed.
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| 2008.2.1.41
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A small naked and winged male figure in frontal aspect facing slightly to the right. The figure is holding a bow and a club (which is resting upon his left shoulder)in his left hand. At the feet of the figure on the right side of the cast is a quivver.
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| 2008.2.1.45
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The bust of a female figure front on with her head turned slightly to the right. Her hair is tied up and there appears to be a band around her head. The figure appears to winged.
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| 2008.7.26
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Exterior glazed light-brown, overpainted by three parallel horizontal brown lines - one slightly darker than the other two - and a black curved/spiral shape.
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| 2008.7.27
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Exterior: possible blotchy painting remains and unidentified curving design stamped or inscribed. Interior: slightly raised ovoid decoration.
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| 2008.7.35
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Exterior: one horizontal dark brown line running along the approximate intersection of shoulder and body. Just below this are two small dark brown dots of similar but different sizes. Above the line is a thick, wavy, erratic, dark brown line that dominates the fragment from the line up utn il just under the rim. Interior: two horizontal parallel dark brown lines. The top one is right up on the edge of the rim, the other slightly removed below it.
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| 2008.7.45
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Exterior: three parallel black horizontal lines on the bottom of the fragment, a squiggly irregular black lines on the side of the rim, and a black line following the exterior edge of the rim; rim: seven parallel short brown lines, all perpendicular to the rim; interior: reddish-brown glaze, darker near the rim and fading slightly down the fragment.
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| 2008.7.76
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Interior: black overpaint on entire side of fragment; exterior: across centre of fragment a set of five parallel horizontal overpainted lines, the central line is slightly thicker and a dark red/brown, the adjacent lines are a lighter red/brown colour
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| 2008.9.12
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Interior: greyish-black wash. Exterior: 1 fairly thick, slightly uneven, horizontal line overpainted in black accross centre of fragment, parallel to edges. Diagonally from this, above and below are shorter teardrop-shaped marks - 7 above and 9 below - forming a horizontal band, and greating a stem and leaf-like effect.
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| 2009.10.2.296
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Image depicts front view of Hercules facing slightly to the left, he is wearing lion skin around his neck. Number - 11
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| 2009.8.234
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Profile of a man with a wreath in his hair and a slightly prominent chin, looking right. Cast number: 25
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| 2009.8.238
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Profile of a man with short wavy hair and frowns on his forehead, slightly prominent chin. Cast number: 29
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| 2009.8.262
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Profile of a woman with slightly lavish hairstyle and a rather chubby face, looking right. The top of her dress can be seen. Maybe Livia. Cast number: 53
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| 2009.8.279
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Profile of a woman with a slightly lavish hairstyle, looking right. The top of her clothes can be seen. There is a symbol on her right side. Cast number: 10
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| 2009.8.282
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Portrait of a woman with curly hair and a tiara, looking slightly to the left. A necklace can be seen. Cast number: 13
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| 2009.9.235
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Portrait of a young man with wavy hair, looking slightly to the left. The top of his cloak can be seen. Cast number: 75
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| 2020.8.1
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Simple profile cartoon drawing of Paolo Orsi, slightly balding, bespectacled, with moustache & pointed beard; wearing a suit & tie. Signed "W.R. Lawson / Siracusa.1929. / 'Deus sit vobiscum'". Framed behind glass, in a simple black frame, with "P. Orsi / Syracuse April 1929" in pencil on the wooden back. Gummed label on back identifying framer: "From J.P. Ballard, Reading Fine Art Gallery, 21, Cross Street, Reading. / Printseller, Mount Cutter, Gilder and Picture Frame Manufacturer. / Dept for Windsor & Newton's Specialties./ For Repeat Orders please quote No. 4492" (4492 written in pencil).
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| 22.3.2
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Inside is black apart from reserved rim. Two oblong handles, black on top and reserved underneath. Black rim runs around outside of the rim which is slightly offset. Main design is a satyr and maenad with tree between flanked by palmettes. Thin black band and black stem. Foot is black on top and reserved side. Resting surface is reserved and inside is half black and half reserved. Small central dot and circle.
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| 22.3.24
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Clay greyish. Inside, with reserved circle, woman running with tray in one hand, uncertain object in other. Rocky ground shown by black spots on reserved surface. Around the inside rim of the kylix are heart and flower shape patterns attached to long flowing lines.Added white, sometimes touched with yellow. On deep rim, ivy beneath. Outside A: two men facing each other holding different uncetain objects there are three circular objects around them, two with a dot in the middle and the other with a cross. Three palmette patterns surround each of the men, but as some of the kylix is missing these patterns are not all complete, the patterns also change slightly when under the handle. The lower quarter of presumably similar picture of the men can also be seen.
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| 22.3.34
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Upper part of neck and handle dipped in black. On lower part of neck are 16 narrow tongues and these are repeated on base of handle. Handle is enclosed in a heavy black loop. Egg and dot pattern on shoulder between thin bands. Enire body covered with net pattern with white dots in intersections. Heavy black band above and around the foot, with a reserved band in between. Resting surface and base are reserved and slightly convex.
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| 22.3.36
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The exterior possesses several images of what appear to be flower like decorations, consisting of a large white spot with eight slightly smaller white dots scattered around them. These flowers are in alignment and stretch across the middle section of the object. Beneath these flowers are a series of smaller dots that form a line stretching from one side of the artefact to the other. The interior of the object possesses countless lines connecting one part of the pot to the other, and vary in shades of brown.
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| 22.3.38
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On the outside are several patterns, likely painted on as part of a larger decoration upon the original artefact as a complete object. The inside has a single large, slightly curved light orange line; again, potentially part of a larger pattern on the interior of the artefact.
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| 22.3.39
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Black glaze but slightly silvery front and back. Bands of decoration from top to bottom; white 'v' shapes and dots, two thin bands, white 's' shapes facing right, two narrow bands, blocks of red and white, two bands, white dots with swirls and circular leaf pattern, red band, indistinguishable circular pattern due to break.
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| 22.3.40
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Black glaze except for reserved base. Incised horizontal ivy branch (slightly sloping to the right) on neck, from which descend four streams over the shoulder. Painted leaves and three dot berry groups, once white but now faded.
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| 22.9.10
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One side is covered with a plain black glaze. The other is slightly concaved and decorated with a thick band of brown glaze along with two separate curved bands of brown glaze.
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| 23.11.31OO
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Profile figure facing the direction right. does not appear to be a Spartan warrior. possibly a Persian warrior or leader? face. helm and armour slightly visible though. defining feature is a ponytail at the back of his helm. not clear whether he is carrying any weaponry. representation of Persian King Darius or Xerxes from the Persian Wars? lead figures part of a large relief commemorating the war? or just used for ritual purposes with the flogging at the Temple of Artemis Orthia? pretty good condition. lead is an off-colour brown grey, similar to 23.11.31h. bears no similarity to the other lead warriors, as it is a lot thinner than them and lacks a shield.
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| 25.6.9
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Black line on rim. Black painted decoration on reserved background, not enough for obvious design. Inside painted black, fading slightly to red.
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| 25.8.7
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Seated woman (or goddess). Hollow. Back flat, slightly tilted. Clay fired to dark grey. White slip all over. Pink on hair, lips, chiton, yellow on cloak.
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| 26.12.1
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On mouth two concentric circles. Three horizontal bands on the handle. No shoulder decoration. On body, six (or seven?) thin bands above three thick ones. Base is slightly concave and reserved.
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| 26.12.15
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Inside is black with a reserved line halfway down rim and a reserved centre circle with a black band and a central dot. The rim is vertical and offset slightly. Two handles are black all over. Outside design, from top to bottom is, black rim, lotus bud and dots linked with chain, black band with narrower bands either side, alternating buds and dots slighlty diagonal, black band with narrower bands either side, rays. At top is a red ridge that then leads to a ribbed and reserved stem. The lower half is black as is the top of the foot and the side. The foot has a thicker ridge around the edge resulting in a channel effect going all the way around it. The resting surface and conical base are reserved apart from the inner ring of the foot which is black.
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| 26.2.27
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pale slip; interior: black band on short up-turned rim, extending slightly inside; on floor, from outside, key maeander frieze; black band with added red band lined in white; large black dot rosette; further similar band; exterior: accidental black line extending from rim; four narrow black bands and wide band;
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| 26.2.35
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No finished edges. The underside has broad streaky black bands on pale buff slip with slightly raised moulding that must have encircled top of stem with a thin and feint band around it. Inside the dish, on pale buff slip, from top to bottom is the lower part of animal zone showing two hooved feet and grass. Below is a red zigzag between two white-red-white on black bands. Below and in centre of dish (now missing) is a rosette made of leaves with dots and spokes bewteen.
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| 26.4.1A-B
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Lid are palmettes and tendrils, three ridges painted black and bars to edge which is slightly raised. Underside is black around edge and reserved in the centre. Body is black inside and on outer rim. Design on sides comprised of alternating palmettes and lotuses (three of each) joined by tendrils. Below is a broad black band, ridge with red either sid eand rays. Inset tripod foot which is black at top and red on outside but black inside feet. Base ruddled
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| 27.3.4
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Flat lip with two black bands. Three horizontal lines on handle. On body, from top to bottom, shoulder bare, black band, group of seven thin lines, five thicker bands coloured black but often fading into brick-red. Base reserved, slightly concave.
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| 27.3.6
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On rim, four concentric circles. On handle, three horizontal bars (bottom two somewhat slanted). On shoulder three dot rosettes comprised of seven dots each. From top to bottom; two lines, three rows of dots, twelve lines, and finally a band of six rays. The base is only slightly concave, with a slight protrusion in the middle, and is circumscribed with two black bands.
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| 27.3.7
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On lip rays and a circle around the outer edge. Rays on shoulder. Five broad reddish-purple bands on the body, each with two thin black lines superimposed. Between bands there are double rows of black scales. Triangular rays radiate from bottom upwards. Slightly concave base. Object is top heavy.
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| 27.4.11
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The interior is black, but reserved at the bottom of the bowl. There is a red line around the lip. The body is decorated with figural scenes. A: Two sphinxes. B: A female figure (Artemis or 'Mistress of animals'?) between two lions (alternate stripes of white and red indicate the ribs and hindquarters of the lions). Beneath each handle stands a water bird (swan?) facing to the right. Rosettes and rows of dots in the field. Below the figural zone are two red lines, then a black band, a frieze of narrow black rays (slightly overlapping the black band above). The ring foot is black on the exterior and resting surface. The central part of the underside is decorated with a black dot at centre, surrounded by a black dircle and, farther out, a red circle. White is used on parts of the lions, necks and breasts of sphinxes and woman, and parts of the wings of birds.
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| 28.6.3
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Rim slightly offset. Originally two horizontal handles, now one left. Black inside and out except for the design which is reserved. Side A is an athlete with a strigil and B is a youth with a strigil. Beneath each handle are palmettes with side tendrils. Foot-ring is black inside and out resting surface reserved. Underneath is reserved, with 2 black circles at centre.
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| 34.10.12
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Black; base reserved and slightly concave.
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| 34.10.18
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Satyr, seated in chair. Completely hollow from bottom. Back slightly curved, traces of white slip. Front, red on white. Paper no. 22 on back.
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| 34.10.24
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Standing female (Leda), left leg slightly bent. Naked with cloak over left leg and held up behind by left hand; swan, with neck stretched upwards, held against right hip. Clay light brown. White slip, blue on cloak. Large rectangular opening in back. On the back of the base is a piece of paper with the number 140 written on it.
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| 34.8.13
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Standing nude male, arms at sides. Legs apart, right knee slightly bent. Clay light brown. Plentiful red colouring. Solid; rectangular base.
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| 37.11.8
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The decoration is executed in a colour varying from dull black to brown, on pale buff ground. Rim: Concentric circles on the upper surface and spots (tongues) on the side one (stephane). At the joining point of rim and neck there is a band and at the upper part of the neck a horizontal row of spots. Central handle: Decorated with short, thick, leaning lines. Neck: An olive wreath, the ends of which meet at the front where there is a cluster of olives (?) (dots). Shoulder: There is another horizontal row of dots immediately below neck that seem to be hanging from a line. At the join of shoulder and body, there is a broad band in the middle of two thin, concentric lines. Body: In the front, between the two handles, an olive-tree branch, framed by (left and right) a vertical motif of a row of dots, a line, two rows of larger, ovaloid dots and another line. This motif can also be found at the other side of the handles, used to frame a linear pattern (from a short line appear to be emerging three longer ones. On either side a vertical line, which leans slightly towards the motif in the middle. From the centre of this line emerges a long, wavy line. Below: there are two, concentric bands and three more that are not very obvious(?). The handles are ornamented with large dots. The foot is black, but the colour looks uneven. Interior of neck: Two concentric circles.
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| 37.7.5
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Black inside and on top and sides of handles. Underside of handles and the body in between is reserved. Lip on outer surface is black with a reserved groove incised below. Two handles, horizontal and one either side curve slightly upwards. Below each is an ivy leaf with three long petals below and on either side of both handles is a horizontal palmette with grapes (?) attached. Both sides have a similar design of a satyr pursuing a woman (possibly a maenad), whose flesh is white. Dot rosette on peplos of A with red tunic and skirt and satyrs tail, beard and hair. Below design is black band, separated from black foot by a reserved band. Foot has black sides, inside and out but reserved resting surface.
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| 38.4.2
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Reddish-brown on pale buff ground. The false neck is decorated predominantly in a black band, with a narrow and broad black circular band in the centre of the false neck. The underside appears to be reserved, with a single thick black line at the base on the false neck. The true neck has a faded broad back band around and overlapping the lp. There is a broad black band at the base of the neck, and also a black blob on the side facing the false neck. On the shoulder there are six groups of narrow black lines painted horizontally. There is one group of either side of the true neck, both have eight horizontal lines, the one on the left has two rings of black to either side of it. The groups of lines on the other side, if faced with the true neck at the top, have groups of 6, 7, 9. 8 horizontal lines, all with a small ring of black in between them. The shoulder is outlined with a broad ring of black. The body has four broad black lines, which have faded to a reddish brown. Adjacent are narrow red rings; four above the first band, two within the first band, two within the second band, two or three below the second band. The fourth band does not overlap the base, which is slightly concave in shape, and has the suggestion of a foot ring.
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| 38.4.6
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Two holes pierced in horizontal rim for suspension. The rim is slightly lower than the top of the shoulder and is reserved. The shoulder is black, herring-bone between four bands, thick, hatched meander, herring-bone between four bands, black to bottom of cone. Inside is reserved.
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| 39.9.1
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Short narrow neck of jug is glazed black. Handle begins at top of neck and carries on to top of the body. The part of the jug joining the neck and the body, has a palmette design on it, in a circle. This circle is broken for the black part of the handle. There is a large palmatee decoration underneath the handle, where it ends on the body of the jug. Body of jug has red-figures on it. Starting from right-hand side of the handle, going from left to right: First figure looks like a women in traditional Greek clothing, kneeling down. She is facing right. The figure to the right of her looks like a naked man with wings. He is standing on one leg and facing right. He is reaching one of his arms out. Underneath that arm there appears to be a duck. To the right-hand side of the duck, there is a man sitting on a stool. He is in traditional Greek cloting and is holding a large box. This figure is also facing right.Underneath the box there seems to be another object, but it is unclear. Perhaps it is a head? Or perhaps it is where the black glaze has been rubbed away, to reveal a patch which looks like decoration on the jug. He has a winged man kneeling in front of him. This man is facing left, towards the sitting figure. The next figure looks like a women in traditional Greek clothing, kneeling down. She appears to be holding something in her hand, perhaps a mirror. She is facing right. Inbetween her and the next figure there is a bird, facing right. The next figure looks like another women in traditional Greek clothing. She is standing on one leg, with her right arm reaching out. She is facing left. Behind her is a 'T' shaped object, perhaps a stool?. Rim of the base is a red/terracotta colour. underside of base is slightly concaved, with many black rings inside. There is a black dot in the centre of the bottom of the base.
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| 45.10.7A-B
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Lid: The top surface bears part of a central medallion (dots contoured by double, semi-spherical line), encircled by a black line, a red band, a broader black band and a red line. There is also an ivy spray between the last red line and a similar one. At the rim there is a rather careless tongue pattern, with inner dots (identical to the one of the central medallion, only frammed by thin, black lines). Sides: There is the representation of women pursued by the winged Eros. The naked Eros is flying and his himation with white spots on its top is falling over his forearm. At the level of his face there is an inscription, with white colour KALOS and underneath, KALH, above a bent fillet with thin, short, white lines emerging from its endings. The first of the women is headed right, having extended her right? hand towards Eros and holding and raising slightly her drapery (in order to run faster). Her head is missing, but she is probably looking backwards, to see the advancing Eros. The scene is reproduced again: Anoher Eros pursues another woman, who is running towards an altar? (rectangular, altar-shaped constuction, higher than the figures with a decoration of a large cross and dots in between). Among them there is again the inscribed KALOS, KALH. Many fragments have not survived, however this woman's head is not missing. She is looking backwards and wears a diadema, made of white lines. At the other side of the altar? there is another woman approaching it, having escaped the first Eros, but looking back to see him. She wears a white diadema and the same inscription is between her and the Eros. The scene is framed by two red, concentric lines (above and below the figures). The bottom surface is left reserved. Body: There is decoration of laurel stems and berries around the outer surface with details made of added white. This motif is framed (above and below with red, thick lines). The interior of both pieces is black. The feet have a black band on the side (ca 2 cm below their joining part to the body) and the rest of the surface is left reserved, apart from a black line at the rim. Half way up the inside surface of the feet there is a thin, black band. The base's central part is decorated with a broad black, circular band between thin black lines.
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| 45.6.38
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Slightly iridescent greyish-black glaze. Lip imprinted with horseshoe shapes (24 on the lip and 5 in the centre). The foot is flat underneath, heavily ruddled, except for a small hollow cone at centre, which is black.
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| 45.6.47
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Plain flat headed knob, bell shaped body, thick slightly rounded resting surface.
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| 45.6.51
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Deep, small cup of a pale yellowish clay. Rim slightly flarred. Short neck widening to round body with two upright handles on either side, one of which is broken, short foot and flat base
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| 45.6.53
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Knob raises slightly from the centre, flat on top. Lip rounded and sloped. Grooved concentric rings around the outside and inside forming stepped ridges. Warped.
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| 45.6.55
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Lip overhanging edge and slightly sloping upwards. Neck short, into wide. squat circular body. Foot short and base flat.
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| 45.6.57
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Small, slightly flared mouth with fine overhung lip. Long neck opening to short pear shaped body, finally tapering to a flared foot, and a flat base. Two incised lines at top of body, one incised line on foot.
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| 45.6.64
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Small circular knob in centre to left the lid with. Top surface slightly sloped downwards. Rim flat and circular. Interior flat.
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| 47.2.14
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light brown colour. Wide mouth, slightly narrower towards the base, with wide foot and flat resting surface.
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| 48.12.3
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Interior black glaze, except a reserved band just inside rim. Upper body reserved with darker red and black decoration; Three horizontal brown lines around the outside rim, six sets of five vertical lines spaced evenly around the upper body alternating with four occurrences of three concentric circles surrounding a central dot. Three horizontal lines below it separate this section from the lower body which is black except for one reserved band in the middle. Handles are a darker reddish brown (2.5YR 4/6). There is an incised cross on the inside of one handle only. The slightly flared foot is also black with a reserved resting surface and underside.
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| 50.12.15
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Interior is mainly unpainted with a black line (faded to orange) directly on rim, another slightly lower. Exterior has a series of straight and curved lines to left of centre there are two parallel vertical lines and far left two horizontal parallel scalloped lines. To the right a single curved line and at the bottom a small semi-circle adjoining the lower end of the vertical lines with an larged dot in the middle.
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| 50.12.30
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Interior largely unpainted with thin black painted line directly on rim and below it a wider band. Exterior has a small motif that appears to join the rim slightly to the left with a single line and becomes a small circle and then from the base of the circle a line becomes a series of tight curves alternating with tiny dots.
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| 50.12.34
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Black inside and out, except a patch beside handle that slants away slightly to the top of the fragment.
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| 50.12.37
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White clay fragment slightly curved and the exterior shows detail of a pattern; parallel lines curve accross the fragment to the left there is part of a feather pattern that has a single scroll at the top. On the bottom right the the pattern may be bulb shaped and six curved lines across it. The black paintwork is faded in part while some is still dark. The interior has been painted black while the area below the top has been completely worn.
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| 50.12.50
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The figurine probably represents the body of a woman (a 'phi'figurine). The figure is decorated with a series of slightly wavy brown lines, arranged vertically.
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| 50.4.12
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Silvery black gloss except underside, which is reserved, reddened, and decorated with a central black dot and two concentric black bands. The external is wider and painted without precision. Red paint of the resting surface slightly flaked off at small parts.
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| 50.4.19
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Cup mouth with slightly out-turned rim and flat lip; narrow neck, bulbous body, broad raised base, and strap handle rising from the top of the neck, extending to the top of the body in a near right-angled shape. A slight ridge marks the join of neck and body. The body is decorated with 9 pairs of vertical grooves giving the appearance of a 'segmented orange'. Black glazed except on base, which is reserved and treated with red wash.
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| 50.4.3
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Double curve; slightly raised base. Small bowl with concave base. Small, indented, vertical lines around rim.
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| 53.8.4
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Molded, downturned rim with a flange (for lid); incurved horizontal round handles; deep body with nearly vertical sides that are slightly concave above the handles and convex below, curving sharply at the bottom into a broad, short stem, on top of a molded disc foot, recessed underneath in two degrees. Black gloss with red figure decoration. Side A: a female head profile to left, with small dotted circles in the upper field on either side; side B: palmette. Interior: a reserved band within the rim. Exterior: a band of vertical bars under the rim (with applied red wash); a reserved band around each handle attachment (also with red wash); a stemless ivy beneath each handle; narrow reserved band beneath figural scene; reserved band on the upper part of the foot; underside of foot is reserved and stained with red wash.
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| 57.3.11
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Woman wears stephane and earrings. Features appear slightly archaic.
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| 67.7.1
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Standing male youth, nude. Grey, apparently from burnt grave; small depression in base. Traces of white slip, colour lost, but probably once red. Standing with arms by sides, elbows pressed back, legs apart, right knee slightly bent. Rectangular base. Paper slip marked 'Thebes' on back.
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| 67.7.3
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Long aulos (probably the right half of a double aulos, a wind instrument played through [missing] reeds) which appears to have an inner surface of wood (?) with a bronze sheath and silver mounting (in four sections). Mouth is silver and has two grooves towards rim. Neck has small hole below mouth and no silver. Bulbous section to neck with bronze section between two silver sections below. Four holes down the length of the body, one apart from the lower three with a fifth on the reverse side in the gap. The hole of the reverse has a small thumb plate around it. Bronze section below which may have originally been silver, with a grooved silver section flaring slightly to end. Hollow inside.
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| 73.9.8
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The rim, leading to a band on the ouside is black, as is the entire inside of the fragment. Below the band on the outside is a horizontal 'S' shape pattern with small dots above and below it. To the left of this is a big black blob, which is slightly raised to suggest a handle ? Below the 'S' shape are four parallel lines, below which is a thin brownish band, a gap, and then what looks like the edge of a black circle. The second fragment has no rim and also shows a black blob which looks like it should be the base of a second handle. The inside of the fragment is againentirely black. On the outside of this fragment, there is no 'S' shape pattern or parallel lines, but there is a brownish band, below which is the edge of what seems to be a black circle, the same as fragment 'a'.
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| 74.7.4
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Flat resting surface, concave underside. Small conical shaped body. Narrow thin neck, broken and tilted slightly to one side.
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| 78.12.2
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Upper handle has five band incisions, lower has three, equal radiating bands along the shoulder disturbed by the nozzle and the handle. Discus is plain, slightly concave with a small central circular filling hole. Sides of nozzle incline and are slightly raised, forming a triangle of the back of the nozzle. Lower body is plain with smooth surface.
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| 87.2.1
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Horse decorated with white slip on pale orange, with dark red (for black?) stripes on chest, legs, mane, tail, and harness. Head and mouth of the horse shows representation of bridle, with thin horizontal bands down the neck representing the mane. There are two horizontal bands around the main torso of the horse. Horizontal bands also decorate the legs, chest and tail of the horse figurine. Front legs are slightly projected forward, as are the rear legs backwards. The legs are straight and disproportionately long compared to the head and torso.
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| 91.11.2
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Shape similar to 91.11.1. Top broken off. Slightly concave beneath. Greenish transparent glass, some internal incrustation. Some solidified grey matter inside.
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| 91.11.3
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Shape similar to 91.11.1, but bottom flare more cushion-shaped. Mouth slightly flared out, narrow flat rim, off centre. Lengthwise striations in glass, some becoming riven. Iridescent transparent glass, some blackening near top of neck. Slight incrustation.
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| E.23.11
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Straight base below a trapezoid shape (slightly better defined than E.23.10). Now grey in colour all over.
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| E.23.43.9
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Flat, circular bead, light blue in colour. The hole for threading is slightly off centre.
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| E.23.49.2
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Very light brown in colur. Slightly curved and rectangular in shape, shorter inside edge serrated. Flat underside with 'Kn' written on it.
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| E.23.9
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Wide mouth with pronounced lip, slightly rounded shoulders, very flat base. Small wavy handles on either side (rudimentary, perhaps only for decoration). Buff coloured, except for a wavy design in a darker colour, which suggests that the material is sand-based.
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| E.26.39A-B
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Two bracelets, one slightly larger and wider than the other. Probably for child as they are very small. Very light weight and delicate. Both a creamy white colour and smooth on surfaces.
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| E.62.29
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Globular body with rounded base. Slightly fluted rim and wide mouth.
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| E.62.37
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Wide mouth, no neck tapering to a very slightly flat base. Very shallow rivets form concentric around the bowl, almost as if the potter has lightly brushed around the pot with his fingers during its creation. The surface is course and it is dark red in colour.
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| E.62.38
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Alabaster, flat base. Slightly elliptical, with straight lip. No decoration.
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| E.62.59
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Reddish brown, slightly blackened inside, slight straight lip, fairly shallow. Similar indentations around the side of the bowl like E.62.37.
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| E.63.2
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Sacred eye of the god Horus, originally blue. There is a hole drilled horizontally through the middle of the piece to allow threading. The details are carved into the piece, the top is a line of slightly diagonal lines, below this is a small flat line below this the detail of the actual eye which is common to all sacred eye amulets.
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| E.65.13
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Fragment of glased faience inlay, blue in colour, rectangular in shape, slightly serrated on one edge.
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| REDMG:1935.87.15
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Metallic black glaze except reserved band where body joins foot, slightly streaked above; reserved underside.
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| REDMG:1951.131.1
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Black rim and neck, except for a thin reserved band just above the join with the body; body decorated with three reserved bands above an egg-and-dot band and another reserved band; row of white dots at top of figural scene. Below, band comprised of stopt maeanders (3) alternating with cross-in-square (1), between two reserved bands; broad reserved band at join of body and foot; reserved band on lowest ridge of foot as well as resting surface and underside.
A: A draped woman runs in 3/4-view to the right but looks back, profile the left. She holds in her lowered right hand a wreath from which a garland hangs and in her upraised left hand a box (decorated with bands, chevrons, and zigzags, as well as white dots above the box), while drapery falls over her left arm. She wears a stephane and a kekryphylon with dangling ribbons, beaded earrings and double necklace (indicated by white dots), double bracelets on each wrist, a belted, sleeveless chiton, and slippers. In the field are a fillet (upper left), a rosette with five white dotted petals and a yellow centre (upper right), and a shrub with berries (lower centre), as well as a white dotted groundline rising slightly to the right. B: Eros, holding a beaded necklace in his extended right hand, is seated in 3/4-view to the left on a flower. The leaves and buds of the same plant elaborately fill the field beneath and around him. He wears attributes that are similar to those of the woman on A: stephane, kekryphylon, earring, double beaded necklace, double bracelets, and slippers. He also wears a beaded baldric diagonally across his chest and ankle bracelets (3 on each ankle) and a baldric comprised of a row of white dots arranged diagonally across his chest, over his left shoulder.
Added white is used for details of Eros' wings as well as the jewelry, box decoration, slippers, vegetation and groundlines, as well as the centre parts of the eggs on the egg-and-dot band.
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| REDMG:1951.140.1
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Upper surface of rim reserved, black ridge, and outer edge of lip decorated with a wave pattern to right; black below lip, on neck and on handles except forward handle attachments (on horizontal handles) decorated with rays; reserved patches beneath horizontal handles. Lower part of neck decorated at front with a short laurel wreath, to left, between two narrow reserved bands. Beneath the figural scene is a groundline comprised of a frieze of alternating maeanders (three) and saltire squares (one). Narrow reserved line at join with base, bottom edge of base, and underside. The figural scene is framed between a tendril, above the left handle, and a larger vegetal ornament, from which emerges a lotus bud. A Youth stands in 3/4-view to the right. He is nude, except for drapery slung over his bent right arm and held in his lowered left hand, and a white taenia on his head. He also holds a staff in his slightly upraised right hand. At centre is a bird (crane), seated in a perirhanterion (basin), supported by a fluted, tapered column, with a dotted capital, on a two-stepped base. The steps are decorated with small black spots and thin diagonal lines that suggest a marbled appearance. On the other side of the perirhanterion stands a woman, in 3/4-view to the left, with her weight on her right leg and her left leg relaxed. She wears a belted, sleeveless chiton, double bracelets on each wrist, a beaded necklace, and a spiked stephane, as well as a short pony tail. She extends her right hand to the bird and holds a box, decorated on the sides with black spots and lines, and three white spots on top, in her slightly upraised right hand. Above the bird is a rectangular frame (sometimes called a window but perhaps a votive plaque); above the box is a cogwheel. Most of the reserved areas are darkened with red wash, and the jewelry and other details in added white.
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| REDMG:1951.147.1
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Entirely black, except reserved on the inside of the spout and the underside including resting surface, and red figure decoration: line at middle of neck; ray band at lowest part of neck, above dots; figural scene between two sideways palmettes, enclosed, from the outside bottom of each emerges tendrils; short ray band at interior of lower handle attachment; 10-leaf palmette at exterior of lower handle attachment; flange decorated with egg-and-dot band, beneath a black line; the sides are decorated with an ivy design, effected through incision (tendrils) and added white (leaves). Reserved line band just below join of body and foot.
The figural scene on the shoulder depicts seated youth seated profile to the right, facing a woman, seated profile to the right, but turning profile to the left. The youth, nude except for a hairband, sits on drapery, alongside which he hangs his left arm, and reaches a wreath, held in his left hand, towards the woman; she, wearing a crenellated stephane and a belted chiton, is seated perhaps on a cushion (comprised of dots), helds her right arm, slightly lowered, towards the wreath, and holds a box in her slightly raised left hand. A four-petal rosette is beneath her right arm.
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| REDMG:1951.148
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Black interior, handles, neck and body except for decoration in panels (black figure in neck panels; red figure in body panels). Upper surface of rim decorated with ivy spray, with 3-dot clusters between ivy leaves; palmettes on tops of handles; ivy spray on lip, with palmettes at tops of handles; wave pattern to right on overhanging lip. Neck panels decorated with double ivy spray, on which 8-dot clusters alternate with leaves. Body panels bordered by rays (above), double rows of dots between black lines (sides), and band of stopt meander (4) alternating with dotted cross-in-square (1) (below). A: Youth wearing hairband, short-sleeved, belted chiton, and mid-calf boots, stands in 3/4-view to the right; he holds a pair of spears upright in his right hand and a wreath in his left hand, held slightly ahead of him; a chlamys is draped over his bent left arm. A warrior is seated 3/4-view to left, on a curvilinear seat (stones?). He is dressed identically to the youth, although with a plumed conical helmet. He holds a large phiale in his outstretched right hand, and his pair of spears in his upraised left hand. Behind him stands a woman in 3/4-view to the left. She wears a belted, sleeveless chiton, a kekryphylon (hair), pearl earrings, a beaded necklace, two bracelets on each wrist, and holds a fillet in her outstretched right hand and a situla in her lowered left hand. In the field above the figures are a four-petal rosette between two boucrania. B: Three draped youths in conversation, the middle one, standing profile to left, leans on a staff with his outstretched right hand; the other two youths face him. Halteres in upper left field and and bulls-eye in upper right field.
Much of the interior and side B are misfired orange.
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| REDMG:1951.150.1
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Black except for decorative bands and figural scene on either side, and reserved band at lowest part of foot, as well as reserved underside. Neck decorated on either side with a laurel band, between two reserved bands. Beneath figural scenes are decorative bands, comprised of stopt maeanders (3) alternating with saltire squares (1).
A: A female figure, juggling 8 eggs and advancing profile to right, faces a youth, advancing in 3/4-view to the right, but turning his head profile to the left. The woman, wearing a sakkos, tear-drop earring, beaded necklace, belted, sleeveless chiton, and two bracelets on each arm. The youth, nude except for a wreath around his head and a chlamys slung over his left arm, holds a large palm frond in his left hand and a phiale, at waist level, in his right hand. Above the phiale are 7 eggs (slightly smaller than those juggled by the woman). Bulls eye (above) and tendril (below) in field between them. B: Two draped youths, face each other in conversation; between them a window (above) and a stele (below); the figure on the right supports himself on a staff that he holds in his right hand.
Added white and goldish-yellow on side A, for jewelry, balls, phiale, wreath, and vegetation. The saltire square have short lines in place of dots. The right-most saltire square on A is replaced with a box of vertical lines.
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| REDMG:1951.160.1
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within.
Interior and mouth glazed black with two reserved bands at top and bottom of rim. On exterior, below rim, a frieze of tendrils, with lotus buds above and below. Black handles, with reserved bands between attachments, and enclosed half palmettes below, from the sides of which emerge tendrils with volutes that encroach in the figural scenes. Below the figural scenes is a band of slanted zs, between two reserved bands. Black below, except for the recessed element at the top of the foot, which is reserved, a narrow band at the bottom of the foot on the exterior, and the reserved underside. The reserved parts of the volute frieze and figural scenes are reddened.
Scene, A: A woman standing in 3/4-view to the right, wears a black beaded necklace, a sleeveless belted chiton, and two black bracelets on each wrist. Her hair is tied in a ponytail. She holds a torch in her advanced left hand, while her right hand, downturned, is also slightly raised. She faces a youth, nude except for a chlamys draped over his left arm and slippers, who stands in 3/4 view to the left, reaching toward the woman with his right hand. Between the figures, in the upper field, is a window frame, while a large tendril, with volute, emerges from the ground, between them. In the field behind him is a leaf. B: Two robed youths, standing profile, with their right legs advanced, face eachother across a narrow stele. Above them is a circle with a black line vertically through the centre and an 'H' drawn on top (probably halteres).
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| REDMG:1953.25.21
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Trefoil mouth with thickened rim and flattened lip; broad neck joining bulbous body in a continuous curve (except for a slight ridge around base of neck [CHECK]), down to the low ring foot. A vertical strap handle slopes down slightly from the mouth and turns at a right angle back to rejoin the broadest part of the body. Black gloss except on underside.
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| REDMG:1953.25.23
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Mouth black outside; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body (at front, only): black line; two rows of black dots alternating with white dots; two black lines; figural scene. Body, below: black band, black line, broad black band, black line, black to foot and on top of foot; black band on lower part of concave element; otherwise reserved. Figural scene depicts a male figure wrestling a bull. The figures are flanked by trees with black and white fruits and thin vines. The heros clothes hang on the left tree and his quiver hangs above him. While this scene might depict either Herakles with the Cretan bull or Theseus with the (same) bull of Marathon, the incisions on the head covering (slightly stippled) suggest that this is a schematic rendering of Herakles lion-scalp helmet. Added white is used for the rendering of details such as fruit on trees, as well as the forepart of the bull, and his tail, while incision is used to indicate the drapery, quiver, and musculature of the hero, as well as his head covering. On attribution, cf. CVA Cambridge 1, pls. 22, 21.
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| REDMG:1953.25.56
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Red on outer surface. Slightly flaring mouth with long neck. Moulded rim at base of neck. Single curved handle. On shoulder are long tongues, band, 'sigma' shapes, band, broad band, bands, pointed tongues up from base. Foot flares out and base flat. Down each side, below handle and opposite side are flat strips that reach from neck to base.
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| REDMG:1953.25.7
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Rounded rim, slightly everted, below which emerge two horizontal handles, round in section, approximating triangular shape, canted slightly up. Side walls, slightly concave, narrow and become slightly convex towards the join spreading, lipped torus ring foot.
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| REDMG:1953.25.81
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The piece consists of half of a foot, which is broken about halfway down its length. The half remaining includes all five toes, with slightly curling little toes and a rather stumpy big toe. The foot sits upon a thick sandal. Under this is a chunk of unworked marble, presumably part of the original base of the statue, which takes up about the same amount of mass as the carved foot does. This underside is rough and worn. The break halfway through the foot in fairly clean, leaving a rough, but planar surface.
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| REDMG:1953.25.95
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Female mask, with suspension hole. Wearing a head dress. Slightly archaic features.
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| REDMG:1964.1605.1
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Red wash all over, slightly lighter in places. Wire cutting marks on base.
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| REDMG:1964.1685.1
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Flat section of handle which slightly bends. Incised line runs down both surfaces of the handle in the middle. Reserved.
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| REDMG:1964.1688.1
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Slightly curved from left to right and curved from top to bottom, becoming steeper towards bottom of fragment. This suggests that the fragment may have belonged to a cup of some description which has straight rim and a sloping body (?) Fragment has the rim of the object. The rim is black and flat on the top. On the interior surface is a black band below rim, red, broad band, thin black band and red again. The exterior surface appears to have been black all over but faded to red. The material is thick and dark in colour.
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| REDMG:1964.1704.1
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Straight tall neck, no rim. Pierced handle. Roughly cylindrical. The bottom is slightly convex. Hand made. Clay reddish.
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| REDMG:1964.1709.1
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Thin walls. Completely reserved. Main handle is made of two sections adjoined. Around the rim are at least eight protrusions, some are missing, almost looking like a sun with rays. No defined foot and base is slightly concave. Red clay.
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| REDMG:2004.95.1
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Interior of mouth black; lip reserved; exterior of mouth black, as is handle (repainted); vertical bars at the bottom of the neck; lotus-dot chain on the shoulder; Dionysos riding on a mule, between two satyrs, one holding a maenad. Below the figural scene is a black band, a reserved band, and then a black zone extending to the foot, which is black on the top, reserved on the convex surface and the underside.
Figural scene: A nude satyr (in a crouching pose) runs profile to the right, holding a maenad on his shoulder; the maenad, who turns her head profile to the left, stretches her arms to either side and holds a rhyton in her slightly upraised left hand. She wears a kekryphylon (red), necklace (incised) and himation. Dionysos, seated on a mule, rides profile to the right; the god, wearing a red and blck ivy wreath and a himation decorated with red dots, holds a red keras (horn of plenty) from which emerge ivy tendrils that serve as a backdrop for the entire scene. Leading the mule (through use of a white rein, of which a ghost remains) is another nude satyr, running profile to the right, while he turns his head profile to the left. Other details include red on the beards and tails of satyrs and a red fringe for the foremost satyr. Incision is used extensively for anatomy and drapery. An unusual effect is created through the use of incision for the forearm of the leading satyr, which he lays across his torso, which is not incised save for two small circles to indicate his nipples.
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| TEMP.2002.9.1
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Squat clay bowl with simple motif and two handles. Low foot painted with a black line. The bottom of the bowl is slightly angled (although irregular). The body (slightly lopsided) curves toward a carination where there is a slightly wavy horizontal band. Two handles, one either side and roughly with a line of black gloss. The rim flares slightly and is decorated with a line above a simple zig zag (which is of poor quality). The interior is almost plain with a ring painted at the base.
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| TEMP.2003.2.3
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Long light-brown/buff object, from part of a figurine. Slightly thinner at the middle than at the outside and also slightly bent inwards. Small hole at one end.
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| TEMP.2003.6.25
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Fragment of the middle segment of a plate(?) chalice(?) with the stem that would have held it up broken off. Exterior, white, interior black with two slightly faded relatively thin white lines that would have made a circle, with a white blob (part of an X?) and a red dot on and in between the lines of the possible X within the circles.
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| TEMP.2003.7.59
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Small fragment. Black glazed on both sides. One side has slightly raised area. Perhaps it would have been the start of a handle.
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| TEMP.2003.7.76
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Terracotta fragment, shaped roughly like an arrowhead. Black gloss on both sides, slightly shiny.
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| TEMP.2003.7.78
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Fragment, glazed black on both sides. On the outside half way down are two very thin, parallel, slightly faded, white lines. On the inside are two thin, parallel, brown lines along one edge.
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| TEMP.2003.8.2
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Base of vessel resting on slightly sloping foot, with a flat reserved resting surface.
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| TEMP.2007. 2.69
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Black glaze, slightly worn and chipped; cords
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