| 12.10.1
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Mask of woman in high relief with wig-like mass of hair with lightly incised zigzags. Projecting ornament. Perhaps decoration from a portable brazier or perhaps a fireplace decoration.
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| 13.10.14
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Naked standing female in relief. The figure has short hair, fastened up, broad shoulders, arms close to her sides, and legs together.
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| 14.9.2
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Painted black, fired in places to red. Relief bands round neck.
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| 2003.6.20
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Reserved and decorated with three wavy relief bands.
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| 2005.9.5
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Egyptian relief of Egyptian commander at head of troops presenting offerings to the Prince of Punt (Ethiopia) on the shores of the Red Sea.
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| 2005.9.6
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Cast from a relief from Deir el Bahari (18th dynasty) showing Egyptian ships trading with Punt (Ethiopia).
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| 2007.10.2.254
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Bust of an older male figure in high relief. He has a philosopher's beard and curly hair. His high forehead might indicate that he is balding. Clothing is evident draped over his left shoulder.
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| 2007.10.2.28
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Portrait of man with wavy hair in relief
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| 2007.10.2.35
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Portrait head in relief of bearded man with long wavy hair and crown
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| 2007.10.2.36
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Portrait of man with wavy hair in relief
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| 2008.7.6
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Light yellow slip as relief patterns surrounded by darker orange slip for highlights. Lines with possible archs and possible figures.
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| 2008.9.10
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Relief image of Odysseus strapped to the mast of his ship while his crew steer and row. Winged harpies sing to him.
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| 22.3.19
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Standing youth in himation facing right, behind him part of an uncertain object; tablets hanging on a wall. Outline of hair reserved; relief contour for lower part of the back of the himation.
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| 22.3.33
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The fragment bears the depiction of a youth in three-quarter face, while drawing a bow. What is illustrated is the face, except for part of the hair (left side), part of an himation over his left shoulder, the arms (the right one before the hands, the left one before the forearm), the chest and the left side of the abdominals?, behind which emerges the ending of the himation. The cheek and the back have been executed with relief contour, whereas thinned brown glaze has been used for part of the hair. The interior is black, with a reserved band ca. 1 cm wide.
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| 23.11.31OO
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Profile figure facing the direction right. does not appear to be a Spartan warrior. possibly a Persian warrior or leader? face. helm and armour slightly visible though. defining feature is a ponytail at the back of his helm. not clear whether he is carrying any weaponry. representation of Persian King Darius or Xerxes from the Persian Wars? lead figures part of a large relief commemorating the war? or just used for ritual purposes with the flogging at the Temple of Artemis Orthia? pretty good condition. lead is an off-colour brown grey, similar to 23.11.31h. bears no similarity to the other lead warriors, as it is a lot thinner than them and lacks a shield.
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| 28.6.1
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Handle all black, as is neck and back of body. At the front on shoulder is an inverted swirl / wave pattern, consisting of four waves. Below is the main design of an athlete (naked) with a discus standing between two clothed youths, the left of them holding a discus. Robe detail is picked out in black paint. No relief contour. There is an reserved line incised above foot. Foot is black on the top and side but the underneath is reserved and flat.
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| 28.6.5
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On top, the helmeted head of Athena Parthenos in relief, very worn. Body grooved around the relief. Handle grooved and rises above body. Piece is black glazed throughout, including base. Surface pitted with a good deal of flaking of the glaze.
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| 34.10.21
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Standing woman with high polos. White slip with traces of red / orange. Hollow, large rectangular opening in back. No relief sculpture on reverse side.
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| 35.5.1-3
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Meander border, showing corner of drapery. (1) Exterior showing part of palmette complex with heel on extreme right. (2) Legs with very pale diluted gloss for markings. (3) Volute and 2 leaves of a palmette; relief contour for most of the tendrils and central
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| 35.5.10
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Inside black with a reserved line at rim. Outside, head and shoulder of boy with his himation pulled up over the back of his head; on the wall tablets hanging vertically; behind his head part of a fillet hanging up. No relief contour; hair contour reserved; brown lines for marking on tablets; surface an unusually deep red.
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| 35.5.11
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Inside, part of a meander border. Outside, feet and lower part of himation of male leaning on a stick. No relief contour; brown for border of back fold of himation.
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| 35.5.12-14
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12, outstretched hand and part of garment; 13, lotus and small piece of drapery; 14, lotus. No relief contour; brown markings on lotus.
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| 35.5.15-19
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Inside, 20b, meander border broken by cross, small piece of drapery. Outside, 19, two males in himatia facing, standing by a cushioned stool; hanging on the wall a shield and sheathed sword; 20a, tendril and corner of drapery; 21, tendril and part of himation; 22 and 23, bits of himation. No relief contour; brown for border of himation on 12 and 22, markings on seat of stool, cushion, and sword sheath.
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| 35.5.20-22
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Inside, 21, 22, meander border broken by square (rubbed and indistinct). Outside, 20, arm and part of body of woman dancing, the sleeve of her chiton pulled down over her hand; watching her a male in himation with stick, behind him a dropping lotus; 21, legs of male in himation with stick; 22, palmette. No relief contour; brown for bottom edge of himation.
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| 35.5.23-26
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Inside black with no reserved line at the rim; 27b, meander border. Outside, 17a, ivy leaf springing from handle base, foot, and lower part of himation; 28, corner of drapery, fillet hanging on wall; 29, head of male wrapped in himation, halter hanging on wal; 30, part of body of male tightly wrapped in himation. No relief contour; brown for bottom edge of himation on 27a.
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| 35.5.30-33
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Inside, a fine reserved line round rim; 5b, a pair of reserved lines framing a medallion; 6b, part of the outer line of this fram; 7b, shoulder and lower part of face of bearded man. Outside, 4 and 5a, part of palmette complex around handle; 6a, part of figure wearing chlamys, tendril, and lotus; 7a, foot, two reserved lines beneath figure zone. Relief contour for most of the tendrils, but not for drapery nor palmette leaves nor lotus. Remains of red ochre on the reserved patch under the handle.
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| 35.5.34
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Inside, reserved line around the rim; in a medallion framed by a key pattern broken by a chequered square, a male in himation leaning on a stick in conversation with an athlete (legs only). Outside, between palmettes an athlete with his arm resting on a pillar over which his cloak falls; on his right a man with a stick, on his left another male (face missing). Relief contour for pillar, walking sticks, and back of neck of all the figures. Hair contour reserved. Added colour, probably red, for fillet of bearded man, white for garland of the clothed figure in the medallion.
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| 35.5.4-5
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Inside, 8, meander border, part of head and shoulder of a woman wearing saccos, chiton (a very small part of the neck border alone remains), and himation; 9, bottom of himation with one foot. Outside, surface destroyed, leaving only a tiny piece of tendril. Relief contour for foot; relief lines for ear, saccos, folds, and ankle; thinned brown glaze for bottom edge of himation and line of dots ornamenting saccos.
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| 35.5.6-7
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10, head and shoulders of boy to left; 11, part of face, chest, arm, and himation of seated boy turning to left. Relief contour for nose of 10; relief lines for inner markings; hair contour reserved.
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| 35.5.8-9
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12, part of body of male in himation to right leaning on a stick; 13, upper part of body of a figure in himation. Relief contour for stick of 12.
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| 39.8.1
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A. Athlete with strigil and youth, B: 2 athletes, one holding fillet, the other strigil, beneath each handle, palmette with side tendrils. Relief contour for face and neck, white fillets, surface almost disappeared from figures on B, inside 6 stamped palmettes framed in incised circles. Foot-ring black, resting surface reserved, underneath reserved with on ebroad and two fine rings in black; possibly another ring nearer the centre, where the surface has worn.
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| 39.8.3
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Inside in frame of two reserved lines, one foot of figure astride a pointed amphora seen from the side and wreathed in ivy, inscription in red, retrograde, XAIP[E]. Relief contour; relief lines for ankle, handle stem of ivy. Exterior black, with small part of reserved pattern.
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| 39.8.4
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Inside, framed by reserved line, part of male head with fillet tied in bow over forehead, hair contour reserved, curls: black relief dots on black ground, fillet red.
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| 39.8.5
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The inner surface is framed by a reserved line. Design shows part of a left arm and body of male seated on cushioned stool and playing a lyre. Relief contour, diluted glaze, very pale, for marking on arm and less pale for pattern on cushion and hatching. Outer surface is black and shiny.
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| 42.9.1
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The rim (stephane) is decorated with a double horizontal bulleted strap. The neck of side A has a broad band ornamented with elleipsoid lines with lotus leaf-shaped endings. Body: Side A: Dionysos holding leafless vine branch and kantharos between 2 dancing maenads, one of whom wears a spotted skin over her drapery. The scene is surrounded (left and right) by vertical, bulleted zones in the form of antae that seem to support a horizontal band with tongues over the heads of the figures, making the scene look as if under a building. B: 3 youths (but with beards?) wrapped in himatia, with a pair of halteres hanging between the second and third youths, relief contour on A none on B, outline of hair (and beards?) reserved. The same decoration surrounds the 3.
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| 49.1.2
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The vessel is covered in black except for decorative bands at the lower part of the neck (red with black vertical lines) and the shoulder (egg-and-dot), the figural scene in the body zone, a frieze (stopt maeanders alternating with cross squares) below the figural zone, narrow bands at the join of body and foot as well as on each step of the foot, and the underside. The scene depicts a nude youth standing in a relaxed pose, 3/4-view to the right. He holds drapery, bunched up, under his left arm, and seems to converse with a drapped woman seated to the left on an undulating rock. She holds a mirror in her right hand. Both are diademed. A small, winged Eros flutters above them, and he has crowned the youth. A single branch emerges from behind the rock. Next comes an older Eros (depicted as an adolescent) seated near profile to the left (the seat is no longer visible), holding an opened box (the type that was used to house alabastra such as that which he decorates, according to Trendall and Cambitoglou 2.605). In the upper left field there is a rectangular motif with a short, black, vertical band on it (perhaps a window), and in the upper right field (behind Eros) a four-part rosette (rodakas) next to a strigil. Below, there is more vegetation. Relief dots detail xxx and added white has been used for xxx.
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| 51.7.4
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Small stamnos handle in heavy bronze. Each attachment point decorated with a palmette beneath a garland, in relief.
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| 53.8.1
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Glazed black except for a reddish band around the omphalos. Relief decoration encircling the omphalos consists of (from centre out) eight raised dots; two ridges, a figural frieze, and a vine wreath. The figural frieze depicts the apotheosis of Herakles (procession to Mount Olympos). Four quadrigae (four-horse chariots) are driven in 3/4-view to the left by winged victories, each with a different passenger: (1) Athena, (2) Herakles, (3) Ares and (4) Dionysos (?). Small flying Erotes hover behind each chariot.
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| 53.8.2
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Polished black surface. Relief decoration (exterior): three ridges with incised zig-zags on the middle ridge; four lions (incised details, especially on faces and tails) alternating with four moulded tongues; three ridges with incised zig-zags on the middle ridge.
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| 69.7.1
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The inside of the mouth is black and the aperture is marked by a thin, black line. The lip is decorated with black tongues, with intervening white dots. There is also a zig-zag band on the vertical surface of the rim. The neck is black. The back of the handle is decorated with a voluted palmette (incised) with tongues (black and reddish) on the top. From the ankle, just below the neck, emerge alternating black and red tongues (contoured with black lines). The foot itself is entirely covered in a thonged sandal that ties at the front with a ring-shaped knot. The sandal is indicated with relief straps that are painted in reddish-brown colour. The edge of the sole (crepis) is decorated with two rows of black dots. The base is reserved.
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| 71.12.2
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Circular with flared edges which are fanned. There are concentric circles around the central carved dot of the vessel: A small, incised one, two larger, that seem to be in low relief and one that contours the others, incised. There is also a carved line that separates the rim from the body (exterior), which becomes double at some point. In the centre one small hole, on the surface of the bronze two incised grooves and four smaller holes positioned symetrically around the bigger hole in the centre. Inscised petal decoration around the centre hole. Four fine grooves around the centre decoration and then twelve further holes around the edge the same size as the four smaller holes. Edges fanned with large grooves.
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| 71.6.1
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Relief decoration consists of a double frame inscribing the upper rectangular part and, below, the face of a satyr, with an ivy wreath, furrowed brow, upraised eyebrows, large eyes, pointed nose, and long, rectangular beard, striated.
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| 78.12.22
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Moulded ring around discus, within is a "Throx" gladiator in relief standing on base-line; helmet, shield, sword, top of greaves distinguishable. Moulded single volutes on either side of the nozzle shaft, at their termination are raised marks towards the base. A faint raised line next to the gladiator on the right. Red slip all over.
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| 79.1.16
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Two bands of laurel leavess with berries on either shoulder between the handle and nozzle, discus decorated in raised moulded relief of a fourteen petal warped rosette. Two very small circles are placed at the body end of the nozzle, on either ridge of its top. Moulded line along the crest of the handle with two small lines either side of it at the front of the handle. The back side of the body, under the handle are three lines; the central is straight and terminates at the base with a bud either side, the other two terminate in volutes. Red wash all over.
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| 84.8.2
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Amphora stamp. Stamp is rectangular and letters are in relief and takes up most of the handle. There is a small hole in the break of the handle.
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| E.47.1
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On three quarters of the shoulder a wreath surrounding the discus, the other quarter is sections by two ridges and a small lanceolate relief points to the wick hole. Red colouring still apparent in very small amounts on the relief and a small section on the base of the nozzle.
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| E.62.23
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Triangular shaped fragment of white limestone, with inscription in relief as well as a bull in the bottom right corner.
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| E.62.47
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Raised relief of the head of the goddess Hat-Hor (Cow-eared). Convex surface darker than concave, perhaps a red wash.
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| E.62.56
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Glazed dark (black), with relief decoration around the neck
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| E.63.1
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The relief is a human ear, with no other discernible detail. There is some red pigment remaining on the inner ear.
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| L.2011.1.37
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On the shoulder a herring-bone pattern in relief; in the central discus a figure in relief, possibly part of a chi-rho monogram.
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| REDMG:1935.87.29
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Heavy fabric. Black all over except underside which is reserved and ruddled. Two handles, one either side are black all over. Stamped inside with four palmettes set crosswise, standing up in relief with an impressed frame.
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| REDMG:1953.25.106
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Large fragment of coloured relief from a larger work (building or fireplace for example). Flat upper surface. Decoration, from top to bottom: red line; band of red with semi-circular patterns with leaf patterns; band divided into blocks painted into different colours (blue, red, green from left to right). Inside the red panel is a drawing in white of a four legged animal with a tail, possibly a bull.
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| REDMG:1953.25.85
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Top is flat and squared off. Groove below rim then the rim is diagonal, rounded ridge at base. Large flat section with design sculpted on top of it so it is in relief. Scene is of a griffin, a winged creature with bird head and lion-like paws. The ribs are clearly visible as are the lines in the wings. Front left paw is raised above a stick with snakes (?) curled around or a decorative branch (?). Below is a higher moulded ridge with raised egg and dot pattern beneath, before another moulded ridge. Bottom is flat but has diagonal scratches carved in - perhaps to help this section adhere to whatever it was originally part of. Many inclusions in material.
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| REDMG:1958.61.1
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Handle of a bronze oinochoe, decorated at the upper end with a woman's head, hair tied back, in the round and at the lower end a face of satyr, in relief.
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| REDMG:1964.1613.1
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Dark red wash all over, around the discus is a rope effect pattern, the relief on the discus is obscured. The base has a raised ring around it which leads off up the back of the lamp towards the handle. Either side of the nozzle appear to be the start of a volute.
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| TEMP.2003.8.64
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Head of a woman in relief. Plaque is square in shape. On either side of the woman's hair at the top are two wings. Long flowing hair on either side of her face. Features are carved and she is wearing something around her neck. Small hole in the centre at the top.
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| TEMP.2005.8.1
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Decoration in relief: On lower part of wall is a frieze including two tall birds (cranes?), the first in 3/4-view to left with wings outspread and head turned to the right, the second advancing profile to the left. They are enclosed in a rectangle outlined with relief dots. Below a row of relief dots, on lower part of body, is a floral frieze, consisting of inverted lotus buds, tendrils, and rising acanthus leaves.
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