| 14.9.45
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Bottom of false neck has a broad red band. Shoulder has two broad red bands with several narrower bands in between them. The body is squat, with same pattern as the shoulder. Decoration is brick-red on pinkish-buff ground. Smaller band of red near and on the edge of the base, which is undecorated and slightly convex in shape (?). Blackening around hole where true neck has broken off suggests usage as a lamp.
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| 2003.7.26
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Probably part of a jar due to the way the bottom of the fragment juts out at an angle - possibly the body of the jar. The interior is painted black/dark red, although most has rubbed off. The top half of the exterior has been painted white (barely visible), with parallel lines of small black dots, and black squares in between these two lines. The rest of the fragment is painted black.
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| 2003.8.31
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"A place off Asswan" [sic?]
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| 2007.10.1.12
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Naked man with a club trying to knock person off a lunging horse
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| 2007.10.2.311
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A large female figure reclines in the centre of the scene. She is dressed in robes and is wearing either a helmet or a cap (Phyrigian cap?). Her left arm is resting on a disembodied (bearded male) head and her left hand holds a staff which rests against her upper-arm or shoulder. Beneath the large female figure and to the left of the male head are two shapes which possibly represent boats or ships. These shapes might indicate that the portion of the scene below the female figure is in fact a river or the sea. In turn this might suggest that the disembodied head is emerging from the water (possibly identifying it as a river god). To the left of the scene a very small figure appears to be presenting the large female figure with something, possibly a basket or urn. A slightly larger figure, leaning on a stick, looks on from beneath a tree. Above the very small figures head are two animals (presumably intended to appear to be further off in the background). One at least of these animals is certainly a horse. To the right of the large female figure's head there is a representation of a stag. At the top of the scene in a central position are three shapes. It is unclear exactly what these are (possibly huts or houses of some description?).
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| 2007.10.2.73
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Winged infant carrying a stick with animals hanging off it.
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| 2007.10.2.81
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Female bust facing right. She is holding a male head up to her face. Presumably she has cut it off.
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| 2007.4.118
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Concentric black paint bands on rim; black paint band following rim on outer surface with perpendicular black lines coming off it; worn and faded
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| 2008.7.152
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Exterior: two horizontal parallel lines etched towards top of fragment. Below this, 3 vertical, non-parallel ridges, with narrower ridges coming off at shallow angles towards the bottom of them.
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| 2008.7.160
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Exterior: black wash/glaze, possibly used to cover entire fragment but has now worn off on interior of handle fragment
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| 2008.7.48
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Exterior: two thick brown parallel horizontal lines, the upper of which has two thin brown parallel lines coming off at a shallow angle.
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| 2008.8.2
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Exterior: Greyish-black overpainting depicting 2 standing birds with curved necks. The bird on the right has wings spread and short horizontal lines on the wing and tail suggesting feathers. There is a reddish stripe overpainted across the body and across the tail. The bird on the left is cut off half-way across the body, but the same red body stripe and feather markings are present. Above the birds is a semicircle of thin bulb-shaped parallel vertical lines and around the birds are several circles of varying sizes.
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| 2009.10.2.53
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Man sitting on barrell, taking off wreath and handing it to a bird.
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| 2009.10.2.54
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Man with a beard sitting on a rock, taking off wreath and handing it to bird.
Number 54.
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| 25.6.12
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Two black bands on and two black dots with a possible third mostly chipped off on a reserved background. Inside painted black and largely faded to red.
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| 26.12.34
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Burnt; dull greyish black; where glaze has flaked off, dull grey beneath. Ring handle with triple grooves, groove round lip; flat wide lip. Sharp bend between upper and lower part of body. Large flat resting surface. Underneath reserved.
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| 34.10.15
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White (?) slip has burned, and mostly flaked off.
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| 34.10.9
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Glaze fired red except around mouth and in patches on body. Two grooves below lip. One each side of moulding at base of neck and two round top of body, with glaze rubbed off. On shoulder incised horse shoes. Below shoulder on body two groves.
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| 37.7.3
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Long horizontal handles curved and twisted and painted black higher than the rim, which is offset. All black except reserved groove on body just above foot and another in the resting surface. Inside are four stamped palmettes, off centre, in an unusually thin rouletted ring. Base is concave and black.
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| 45.10.10
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The interior of the vessel is black apart from the lowest part of o, whose lower part bears a reserved but glazed line. Exterior: a) On the right side, there is the upper part of a seated woman (part below her waist is missing). She is draped and wears a stephane (fillet) on her head. On the left side there is a floral motif whose stem is a wavy line that expands to the left. b) There is the back side of another seated draped female figure. c) The front side of the previous female figure. She is holding an alabastron with both her hands. d) On the lower left part there is the largest part of a voluted palmette with petal shaped divisions, connected with a tendril. The area next to the spring of the one part of the handle is reserved. e) On the bottom right there is the rest of the previous palmette, also connected with a tendril. f) On the bottom right there is the upper part of a palmette and on the upper left there is part of a tendril's volute. The area on the left of teh one spring of the handle is reserved, but glazed (plaster on top). g) Uneven black surface. h) A small part of the volute of the tendril of f and the stalk of a flower. i) Part of an inverted palmette, connceted with (part of ) a tendril, with (occasional) leaves on its sides. j) Small line, part of a tendril. k) Part of a tendril's volute. l) A figure's projected forearm and hand (figure's depicted on n?). m) On the right side, there is the stalk and part of the stem of a flower and a line that seems to be part of a tendril. There is also the spring of a handle. n) Part (head missing, neck and shoulder are scraped off, area below the knees missing) of a draped standing figure that has the left hand around the waist. o) The lowest part of a figure's drapery. p) Base. Inside tondo: seated woman with septre and standing woman holding out box. Exterior: part of floral ornament under handle. Outer and inner side of footring black, resting surface and underside reserved except for central black dot surrounded by three concentric bands. Moulded circle c.1.0 wide houses thickest, central black band.
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| 47.2.35
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Standing female figure. Wheelmade body, moulded head. Woman in veil. Holding at breast level an object now broken off. Traces of black on head and eyes, red on face and clothes. Clay orange.
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| 48.2.2
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Foot-ring cushiony and black. Base inside reserved with small central circle. Inside black; rim clearly marked off. A: Between palmettes beared man walking away with cloak over arm. B: As A, but woman sits on solid black seat.
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| 50.4.12
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Silvery black gloss except underside, which is reserved, reddened, and decorated with a central black dot and two concentric black bands. The external is wider and painted without precision. Red paint of the resting surface slightly flaked off at small parts.
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| 60.1.4A-B
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The rim is painted black. On receptacle laurel spray / leftward chevrons, beneath it broad streaky black band not reaching as far as foot and running up into laurel fringe where the brush in taken off. Ring foot and underside reserved.
Edge of lid decorated with evenly spaced black dots. It is framed with 2 black bands. The zone towards the knob is decorated with eggs. Black band defines the zone and the transition to the knob, whose neck is reserved. The upper surface of the knob is black.
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| 83.2.5
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Short horn shaped piece of terracotta in a pale yellow clay. On one side are several brown/red coloured lines, likely part of a larger pattern originally from the item the horn was broken off from. They appear to have been worn away over time.
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| 83.9.30
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One side of fragment has two patches of black, which continue off the piece. This side has a reserved patch in between the black and two small back dots. The other side is black and appears to have two small flowers on it. Also there is a third half of a flower, which continues off piece.
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| 83.9.32
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On one side of fragment it is mostly terracotta with a small patch of black gloss, located on the end which is squared off. In, almost, the centre of this side there is a small, black circle with a tiny, black dot in the middle. On the other side of this fragment it is glazed black with a palmette design on. The flower pattern has a circle around half of it. This circle has 'U' shapes on it and appears as if it would have continued around the pot, from which the fragment came.
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| 83.9.33
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One side of this fragment is black glazed with four flowers on it. The flowers seem to be separated off into pairs, as in between them there is a line with up-side-down 'U' shapes inside it. The other side of this fragment seems to have the remains of what would have, perhaps, been a rim. The rim has black strips on either edge and a strip of terracotta on the top. This 'rim' has more fragment on each of it's sides, which are glazed black.
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| 91.11.2
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Shape similar to 91.11.1. Top broken off. Slightly concave beneath. Greenish transparent glass, some internal incrustation. Some solidified grey matter inside.
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| 91.11.3
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Shape similar to 91.11.1, but bottom flare more cushion-shaped. Mouth slightly flared out, narrow flat rim, off centre. Lengthwise striations in glass, some becoming riven. Iridescent transparent glass, some blackening near top of neck. Slight incrustation.
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| E.23.43.9
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Flat, circular bead, light blue in colour. The hole for threading is slightly off centre.
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| REDMG:1926.99.50
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Black band on inside of mouth; three black bands on rim; exterior off lip decorated with a series of dots; handle decorated with vertical bars on either side. Daisy petals extend from the neck (each petal is decorated with a white dot), below which are two lines, a warrior frieze, two lines, and a black band . The three warriors, lightly incised, each stand profile to the right, and are indicated by two lines (extending from the top right and bottom left) for the spears, and two more lines (extending below) for the legs; each carries a large round shield decorated with incised circles.
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| REDMG:1953.25.85
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Top is flat and squared off. Groove below rim then the rim is diagonal, rounded ridge at base. Large flat section with design sculpted on top of it so it is in relief. Scene is of a griffin, a winged creature with bird head and lion-like paws. The ribs are clearly visible as are the lines in the wings. Front left paw is raised above a stick with snakes (?) curled around or a decorative branch (?). Below is a higher moulded ridge with raised egg and dot pattern beneath, before another moulded ridge. Bottom is flat but has diagonal scratches carved in - perhaps to help this section adhere to whatever it was originally part of. Many inclusions in material.
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| REDMG:1964.1606
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Shallow groove around the filling hole. Concentric circles on the base, but off centre. Red wash all over the exterior and interior.
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| REDMG:1964.1613.1
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Dark red wash all over, around the discus is a rope effect pattern, the relief on the discus is obscured. The base has a raised ring around it which leads off up the back of the lamp towards the handle. Either side of the nozzle appear to be the start of a volute.
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| TEMP.2003.6.17
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The interior of the vessel is black apart from the lowest part of o, whose lower part bears a reserved but glazed line. Exterior: a) On the right side, there is the upper part of a seated woman (part below her waist is missing). She is draped and wears a stephane (fillet) on her head. On the left side there is a floral motif whose stem is a wavy line that expands to the left. b) There is the back side of another seated draped female figure. c) The front side of the previous female figure. She is holding an alabastron with both her hands. d) On the lower left part there is the largest part of a voluted palmette with petal shaped divisions, connected with a tendril. The area next to the spring of the one part of the handle is reserved. e) On the bottom right there is the rest of the previous palmette, also connected with a tendril. f) On the bottom right there is the upper part of a palmette and on the upper left there is part of a tendril's volute. The area on the left of teh one spring of the handle is reserved, but glazed (plaster on top). g) Uneven black surface. h) A small part of the volute of the tendril of f and the stalk of a flower. i) Part of an inverted palmette, connceted with (part of ) a tendril, with (occasional) leaves on its sides. j) Small line, part of a tendril. k) Part of a tendril's volute. l) A figure's projected forearm and hand (figure's depicted on n?). m) On the right side, there is the stalk and part of the stem of a flower and a line that seems to be part of a tendril. n) Part (head missing, neck and shoulder are scraped off, area below the knees missing) of a draped standing figure that has the left hand around the waist. o) The lowest part of a figure's drapery.
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| TEMP.2003.6.25
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Fragment of the middle segment of a plate(?) chalice(?) with the stem that would have held it up broken off. Exterior, white, interior black with two slightly faded relatively thin white lines that would have made a circle, with a white blob (part of an X?) and a red dot on and in between the lines of the possible X within the circles.
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| TEMP.2003.7.5
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Curved and painted on both sides. The "outer" concave side is painted light beige with two small brown bands running lengthwise along it. One band has another smaller brown band (about twice as thin) running beside it throughout the fragment. The other band has a smiliar smaller band, but only measuring about a quarter of the length and running off into the edge. The "inner" convex side is painted dark brown with two white bands running lengthwise. One of the white bands is dashed, while the other is complete.
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| TEMP.2003.8.1
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(a)Part of the rim of an open jug of some sort. The inside segment of the rim is painted black, with numerous small bits having been chipped off. Moving outwards, the rim consists of the inside of the pot wall, which then splays out in a flat top rim, and then falls down again in a second wall that is left dangling from the outer rim. So, moving from the inside outwards on the underside, there is a valley of about 1.0 wide and 1.5 deep until the top of the second rim (which is peaked) is reached. The outward facing side of this downward pointed rim consists of alternating lines of black dots and thin black lines which run around the entire outer diameter of the rim. There are two rows of dots and two lines, alternating which each other, all of which are heavily worn. The top part of the rim, which would be facing upwards if the pot were complete, is about 2.2 wide and flat, marked with black raised lines that repeat about every .3 and which start at the outer edge and are 1.7 long, and painted black. These lines are heavily worn. There are also two significant chips in the top of this rim, each about 2 long.
(b)Another part of the same rim to the same vessel. The same dot and line pattern runs around the outer diameter. On top the lines which are thicker at the end pointing into the pot are repeated, a palmette decorates the larger flat area of the handle region.
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| TEMP.2007.2.34
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Black glaze, some of which is chipped off
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