| 2007.10.2.126
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Male nude. Profile facing left. The man is sitting down and resting his head on his right hand. He his carrying a sward. On the left side there is an inscription in Greek letters.
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| 2007.10.2.161
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Male riding a swan and fishing with a trident. Nude, profile facing right.
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| 2007.10.2.162
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Male walking and carrying a dead animal on his shoulders. Nude, entire figure. Profile facing right.
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| 2007.7.1A-S
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Rim (A-D) has tongues on the top, a design with dots and traigular shapes on the sides, with palmettes below; Side A (H-K) shows a symposion, with a bearded man (Dionysos?) and possibly the hoof of a satyr; Side B (L-N) shows a battle. A, B, C: Rim with tongues, side design and palmettes below; D: Rim with tongues and side design, no palmettes below; E: Fragment from just below the rim with the palmette design; F: Fragment from below the rim, all black with part of a palmette on the lower left; G: Black on both sides; H: Head and shoulders of a bearded man(Dionysos?) with the circle and triangular motif running vertically on the right; I: Arm and torso of the bearded man on the upper part, on the lower part there is another object which could be his couch; J: Left half is black, right half contains an unclear section of the symposion scene; K: Drapery, most likely from the symposion scene, with a drinking horn in the lower right corner and possibly the hoof of a satyr; L: Top half of the battle scene, with a nude man holding a spear, and probably a tree running vertically along the left side. The scene is bounded by the circle and triangle design; M: Lower half of L, with the lower body of the nude man, drapery on the left side; N: Leg of the nude man, with the lower part of the tree running vertically on the left; O-P: Plain black; Q: Black, with part of the circle and triangle design; R: Black, with part of a design on the top; S: Base, tongue design
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| 2007.9.3.37
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Front facing male nude carrying 'Cornucopia'(Horn of Plenty). Probably a god.
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| 2008.2.1.71
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Nude male figure leans on a stone column topped with a bores head, cloak wrapped round shoulders and coiled round right arm. Dog stands next to figure.
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| 2008.2.1.75
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The image depicts two male figures fighting. the figure on the right stands nude with sword raised with his left hand he is pulling the head of the second figure back. The second figure is facing away from the first figure, on his left knee. In his left hand is a shield. His right hand is held back over his head. He appears to be trying to break the hold the right-hand figure is trying to hold.
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| 2009.10.2.218
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Nude Aphrodite sitting on a rock washing her hair by a stream.
Number 8
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| 2009.10.2.219
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Nude standing female (? Aphrodite) holding drapery behind her.
Number 9
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| 2009.10.2.220
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Nude figure of Aphrodite viewed from behind, holding drapery. Winged Eros on her right holding a torch. Number 10
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| 2009.10.2.223
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Standing nude Aphrodite
Number 13
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| 2009.10.2.224
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Standing nude Aphrodite holding her hair
Number 14
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| 2009.10.2.225
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Nude Aphrodite standing, holding her hair and accompanied by winged Eros holding an object
Number 15
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| 2009.10.2.226
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Nude Aphrodite standing, flanked by two winged children holding objects
Number 16
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| 2009.10.2.227
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Nude female figure (? Artemis) leaning on a pillar and holding a bow in her left hand and an arrow in her right hand.
Number 17
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| 2009.10.2.228
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Nude female figure reclining on a couch surrounded by drapery, with an inscription on the couch
Number 18
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| 2009.10.2.234
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Nude female (? Aphrodite) ciewed from behind, leaning on a shield covered in drapery with a spear leaning on her left shoulder holding an object in her right hand. Accompanied by winged Eros handing her a helmet
Number 24
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| 2009.10.2.235
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Nude female figure with drapery over her shoulders, holding an arrow in her right hand, accompanied by winged Eros and an animal, possibly standing on a snake
Number 25
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| 2009.10.2.238
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Nude female figure with drapery (?Aphrodite) seated under a vine/branch, accompanied by a winged child
Number 28
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| 2009.10.2.240
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Nude Aphrodite with drapery over her legs sat on a rock, wearing a necklace and bracelet and accompanied by a flying Eros. With an inscription.
Number 30
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| 2009.10.2.241
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Nude Aphrodite standing with drapery over her arms, holding an arrow and accompanied by winged Eros.
Number 31
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| 2009.10.2.244
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Nude Aphrodite with drapery across her shoulders, holding an arrow in her right hand, accompanied by winged Eros on the right and a quiver of arrows on the left.
Number 34
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| 2009.10.2.245
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Nude Aphrodite leaning on a pillar and holding a small object in her right hand, accompanied by a winged Eros carrying a torch and offering a wreath to Aphrodite.
Number 35
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| 2009.10.2.246
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Nude Aphrodite reclining against a pillar with drapery, accompanied by winged Eros. Pillar with objects ontop and a bow and quiver leaning against it.
Number 36
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| 2009.10.2.249
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Winged Eros at a flaming altar in front of a temple, with a statue of a nude Aphrodite inside, and a tree behind
Number 39
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| 2009.10.2.252
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Nude three graces standing holding drapery
Number 42
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| 2009.10.2.253
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Nude three graces standing holding small objects in their hands, with a vase of water on the left and a pillar with a jug pouring out water on the right
Number 43
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| 2009.10.2.254
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Nude three graces standing holding drapery
Number 44
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| 2009.10.2.255
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Nude three graces standing one holding an apple above a shield with a helmet resting on it, another holding a wreath above a flaming altar, with a butterfly next to it.
Number 45
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| 2009.10.2.256
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Reclining nude Aprhodite with drapery under a tree with a bird in it, accompanied by one winged child playing a lyre, another fanning her and a third figure under the tree.
Number 46
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| 2009.10.2.257
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Nude Aprhodite sitting holding drapery and accompanied by a seated Eros with a quiver on his back
Number 47
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| 2009.10.2.258
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Nude Aprhodite standing holding drapery behind her
Number 48
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| 2009.10.2.259
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Nude Aphrodite lying on her front on a bed with drapery around her viewed from above. Inscription below.
Number 49
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| 2009.10.2.260
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Nude Aphrodite embracing a standing nude male
Number 50
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| 2009.10.2.261
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Nude male standing holding a spear in his left hand, leaning against a pillar and accompanied by a dog
Number 51
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| 2009.10.2.262
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Nude male wearing a cloak and holding a spear in his right hand, accompanied by a dog and flying winged child holding an object
Number 52
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| 2009.10.2.263
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Nude male figure leaning against a pillar holding a spear in his left hand and accompanied by a dog. Inscription down the left hand side
Number 53
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| 2009.10.2.264
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Central figure of nude Aphrodite holding an arrow in her right hand and holding a winged Eros' hand in her left, a shield with a face leaning against her left leg and armour on the floor. Winged Eros holding a bow on the right, and kneeling nude Hephaestus on the left with a hammer held above his head and an anvil in front of him.
Number 54
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| 2009.10.2.265
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Central figure of nude Aphrodite wearing a cloak holding arrows in her left hand, with sitting Hephaestus in front of an anvil on the left holding a hammer above his head,and winged Eros holding a bow on the right.
Number 55
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| 2009.10.2.266
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Nude standing Aphrodite holding a torch and another object, with a satyr on the right holding an object, and Eros with a bow and a seated Hephaestus on the left holding a hammer above his head with an anvil in front of him.
Number 56
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| 2009.10.2.267
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Nude Ares and Aphrodite embracing on a bed to the right, with Hephaestus standing over them and casting a net over them, and a fourth figure (?) reclining in the left corner.
Number 57
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| 2009.10.2.268
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Standing nude youth wearing a helmet and holding a spear in his left hand and a shield in his right.
Number 58
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| 2009.10.2.272
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Standing nude male figure wearing a cloak and helmet, holding a spear. Male has his arm around a semi-nude female who has one foot resting on a pillar, with a second pillar on the right.
Number 62
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| 2009.10.2.273
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Nude male figure holding a large shield in his left hand, with armour at his feet, accompanied by a semi-nude female figure wearing a cloak or necklace and holding a bow in her right hand.
Number 63
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| 2009.10.2.274
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Nude male figure on the right with drapery (? and a spear) on the right, passing a spherical object with a nude (?) female figure on the left, with a pillar on the far left. A small child is stood between them holding a bow.
Number 64
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| 2009.10.2.275
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Central figure of a seated nude male wearing a helmet, surrounded by drapery, with a standing semi-nude female on the right resting a sheild against her leg, and a torch-bearing child on the left, standing on armour.
Number 65
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| 2009.10.2.276
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Standing nude male figure wearing a helmet and a cloak, holding a spear in his right hand and embracing a semi-nude female figure with his left. Female figure has drapery over her legs and is resting her right foot on a ball.
Number 66
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| 2009.10.2.279
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Two nude male children standing with an arm around each other and holding drapery behind them.
Number 69
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| 2009.10.2.280
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Two nude male youths mirroring each other, both holding a spear in one hand and a sceptre and drapery in the other with a star above each of their heads.
Number 70
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| 2009.10.2.348
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Frontal image of a nude male, leaning to the left, possibly scraping oil from his right leg with a strigil, with an inscription down the left hand side.
Number 4
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| 2009.10.2.372
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Nude Aphrodite with drapery over her legs, holding object in her hand. There is a tree in the background and a helmet and shield at her feet. One foot is resting on a stone. Number 28
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| 2009.10.2.376
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Standing nude male wearing a helmet, holding a shield and a spear. Facing a small sphinx sat on stones/stone wall (?) Possibly Oedipus solving the sphinx's riddle (?). Number 32
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| 2009.10.2.377
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Standing nude male figure, facing a small sphinx sitting on some stones/stone wall. Possibly Oedipus solving the sphinx's riddle (?). Number 33
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| 2009.10.2.378
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Nude male wearing a cloak and helmet, standing near a pillar with a small sphinx onto of it. Possibly Oedipus solving the riddle of the Spinx (?). Number 34
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| 2009.10.2.380
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Standing nude male figure wearing a helmet and a shield on his right arm, holding the hair of a fallen nude male figure. There is a shield, spear and helmet on the right-hand side, and a pillar topped with an (animal?) figure behind the two males. Number 36
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| 2009.10.2.382
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Seated bearded male figure holding an object in his right hand with a raised left hand, instructing a standing nude male youth wearing a cloak and leaning on a spear.
Number 38
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| 2009.10.2.383
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Nude male figure lying on a couch or bed in front of four horses and a smaller standing figure on the right, holding an object in their right hand, and a tree on the left.
Number 39
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| 2009.10.2.385
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Figure in a chariot drawn by two large serpents, with a nude male figure holding drapery and a shield in the foreground. Number 41
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| 2009.10.2.390
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Nude male figure wearing a cloak and seen from behind, pushing against a large rock, with a sword at his feet and another object behind him. Number 46
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| 2009.10.2.391
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Nude male figure stooped over and lifting a large rock between his legs, with a sword at his feet
Number 47
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| 2009.10.2.392
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kneeling nude male figure wearing a cloak and carrying an unconscious nude female in his arms, with a club at his feet and his cloak flying out behind him. Number 48
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| 2009.10.2.395
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Standing nude male figure seen from behind, holding a staff and facing a figure emerging from a hole in a wall. Number 51
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| 2009.10.2.396
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Nude male figure wearing a cloak leading a large bull behind him.
Number 52
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| 2009.10.2.397
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Nude male figure lying on the ground with a chimera standing over him.
Number 53
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| 2009.10.2.408
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Figure in a tower on the right reaching out to a nude male figure in the sea, above whom is a flying Cupid holding a torch, with two heads blowing the winds on the left.
Number 64
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| 2009.10.2.409
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Central nude male figure wearing a helmet leaning down towards a jar on the floor, with a nude male holding a staff on the left and an armoured male holding a shield on the right.
Number 65
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| 2009.10.2.412
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Nude female figure holding a staff entwined with (?) snakes and drapery behind her, walking in front of a nude male wearing a helmet and travellers boots and carrying a staff over his left shoulder.
Number 68
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| 2009.10.2.413
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Nude winged female figure holding drapery behind her, with her right arm around a dolphin, over the sea.
Number 69
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|
| 34.8.13
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Standing nude male, arms at sides. Legs apart, right knee slightly bent. Clay light brown. Plentiful red colouring. Solid; rectangular base.
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| 49.1.2
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The vessel is covered in black except for decorative bands at the lower part of the neck (red with black vertical lines) and the shoulder (egg-and-dot), the figural scene in the body zone, a frieze (stopt maeanders alternating with cross squares) below the figural zone, narrow bands at the join of body and foot as well as on each step of the foot, and the underside. The scene depicts a nude youth standing in a relaxed pose, 3/4-view to the right. He holds drapery, bunched up, under his left arm, and seems to converse with a drapped woman seated to the left on an undulating rock. She holds a mirror in her right hand. Both are diademed. A small, winged Eros flutters above them, and he has crowned the youth. A single branch emerges from behind the rock. Next comes an older Eros (depicted as an adolescent) seated near profile to the left (the seat is no longer visible), holding an opened box (the type that was used to house alabastra such as that which he decorates, according to Trendall and Cambitoglou 2.605). In the upper left field there is a rectangular motif with a short, black, vertical band on it (perhaps a window), and in the upper right field (behind Eros) a four-part rosette (rodakas) next to a strigil. Below, there is more vegetation. Relief dots detail xxx and added white has been used for xxx.
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| 50.5.2
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The interior and rim are black, except for two red bands just inside the rim. The underside of the rim is decorated with a leaf-like band of design. The spaces between the attachment points of the handles are reserved. Palmettes occupy the spaces beneath each handle. On either side the figural scene is bordered right and left with tendrils spouting two quarter palmettes from volutes. Side A: A nude youth, standing profile to the right, with his left leg stepping on a rock, holds a stemmed plate in his upraised right hand (supported by his left hand). He faces a satyr, standing in 3/4-view to the left, who holds a bell in his right hand and a thrysos in his left; a himation is draped over his left shoulder and arm. Side B: Two standing, draped youths with walking sticks face each other. A reserved band, a reserved line, and a band of waves appear below the figural zones. The lower part of the body and base are black. Added white and yellow are used for details on both sides.
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| 51.7.1
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Black handle, mouth, neck and back of body. Around shoulder at front is a tongue pattern. Below is main design of a nude youth riding a horse to the left, white for reins and thinned glaze for black detail. Below is meander strip broken by two crosses (white on black). Black to base.
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| 67.7.1
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Standing male youth, nude. Grey, apparently from burnt grave; small depression in base. Traces of white slip, colour lost, but probably once red. Standing with arms by sides, elbows pressed back, legs apart, right knee slightly bent. Rectangular base. Paper slip marked 'Thebes' on back.
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| L.2005.7.15
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Obv: Bust of Artemis wearing stephane; bow and quiver at shoulder. Rev: Nude Apollo standing on maeander pattern, holding in right hand a branch and resting left elbow against tripod; all within laurel wreath.
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| REDMG:1935.87.25
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Black except for the figural design, with friezes above and below it; reserved but ruddled resting surface. A. Horizontal friezes on neck and below figural scene, consist of two vertical bars alternating with circles, reserved bands above and below. Scene: nude satyr, standing profile to right, with his left foot raised on a rock, faces a draped woman, seated 3/4-view to right, with her head turned profile to left. He raises his right hand towards her, and rests his left arm on his knee. She holds a mirror in her upraised left hand. Five ivy leaves in field between them. B. Horizontal friezes on neck and below figural scene consist of chevrons to left, between reserved bands. Scene: Two draped youths in conversation, face each other on either side of a stele. Yellow and white details: white fillet on satyr, bracelets and necklace on woman, and spots on the mirroron Red wash on reserved areas suggests imitation of Attic red figure. A pair of incised lines run horizontally across side A, and another line runs horizontally across side B; further incised lines around the upper body of the woman indicate that these might be an artists guidelines.
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| REDMG:1947.13.1
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Black mouth inside and out, otherwise reserved inside. Below the rim, on the lip, is a white laurel wreath, to right. On neck, between black handles, a 9-leaf palmette, with a black dot for heart and black dot on either side of central petal; black ridge between two black lines; frieze of vertical bars beneath each handle; beneath each handle a large palmette above a pair of volutes, from which emerge vegetal ornament. A: Attenuated ovolo frieze between two black lines; white ribbing (painted); two reserved bands; floral frieze with white head, to left, at centre, emerging from a calyx from which emerge also tendrils, berries, volutes, and blossoms; reserved frieze; scene. B: Continuous maeander to right, between two pairs of lines; black ribbing (painted) between two black lines; flanked by vegetal ornament, from which emerges quarter palmettes and volutes, a female head, profile to left, wearing white stephane, and white sakkos, from which emerges curly black hair, at front and black; white drop earring on an inverted triangle. Below the body zone, around the entire vase, is a decorative band consisting of dotted cross squares (1) alternating with stopt maeanders to left (3) between two reserved bands; black below.
Scene, A: A woman, standing in 3/4-view to the right, with head profile to right, hair emerging from the back, a sleeveless, belted chiton, a himation draped over her left arm, a pair of white slippers, holds a palmette fan, with white detail, in her upraised left hand, and a branch (similar to a thyrsos) in her left hand, at a diagonal. She also wears a white stephane and a sakkos with black and white detail, from the back of which emerges a tuft of hair, a white beaded necklace between two thin chains (rendered by black lines), and white snake bracelets on each arm. She faces a naiskos enclosure, decorated in gilded white, with thin Corinthian columns and a black pediment, on a podium decorated with a simple continuous maeander to right, between a two pairs of white lines. Enclosed within the naiskos is a warrior, rendered in white with yellow details, seated in 3/4-view to the left, on a himation, with his legs crossed, and his left elbow resting on the back of his seat. He holds a crested helmet in 3/4-view to the right, at which he stares, and a diagonal spear in his left hand. On the ground below him is a small shield. To the right is a nude youth, standing in a reclining pose, 3/4-view to the left, wearing a white fillet in his hair, and white slippers. He holds a himation, bundled up around his left arm, and an opened box as well as a dotted, fringed sash, in his right hand. A thin rectangular element, perhaps a dagger, emerges from the opened box. A (heart shaped) ivy leaf hangs in the field above him.
White dotted lines indicate the groundline between all figures.
Details on the shoulder rays and, ornaments in the field, and all figural scenes are rendered in added white, sometimes 'gilded' with yellow wash.
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| REDMG:1951.130.1
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Black band on interior, reaching to ca. 1.0 cm. below the lip; black neck and handle. Shoulder: reserved tongues, alternatively red and black at centre, on a black band (tongues extend partly over the upper ridge, on the right side). Body: komos comprised of eight nude male dancers with purple hair and incisions delineating hair, eyes, muscular and other bodily details; under handle, black column krater (decorated with two incised lines on shoulder, purple band and incised rays band between incised lines on body); in field between dancers, seven rosettes with single or double incised central circle and incised petals. Below, broad black band between two black lines; black rays emerge from base. Foot black on exterior, otherwise reserved.
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| REDMG:1951.140.1
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Upper surface of rim reserved, black ridge, and outer edge of lip decorated with a wave pattern to right; black below lip, on neck and on handles except forward handle attachments (on horizontal handles) decorated with rays; reserved patches beneath horizontal handles. Lower part of neck decorated at front with a short laurel wreath, to left, between two narrow reserved bands. Beneath the figural scene is a groundline comprised of a frieze of alternating maeanders (three) and saltire squares (one). Narrow reserved line at join with base, bottom edge of base, and underside. The figural scene is framed between a tendril, above the left handle, and a larger vegetal ornament, from which emerges a lotus bud. A Youth stands in 3/4-view to the right. He is nude, except for drapery slung over his bent right arm and held in his lowered left hand, and a white taenia on his head. He also holds a staff in his slightly upraised right hand. At centre is a bird (crane), seated in a perirhanterion (basin), supported by a fluted, tapered column, with a dotted capital, on a two-stepped base. The steps are decorated with small black spots and thin diagonal lines that suggest a marbled appearance. On the other side of the perirhanterion stands a woman, in 3/4-view to the left, with her weight on her right leg and her left leg relaxed. She wears a belted, sleeveless chiton, double bracelets on each wrist, a beaded necklace, and a spiked stephane, as well as a short pony tail. She extends her right hand to the bird and holds a box, decorated on the sides with black spots and lines, and three white spots on top, in her slightly upraised right hand. Above the bird is a rectangular frame (sometimes called a window but perhaps a votive plaque); above the box is a cogwheel. Most of the reserved areas are darkened with red wash, and the jewelry and other details in added white.
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| REDMG:1951.147.1
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Entirely black, except reserved on the inside of the spout and the underside including resting surface, and red figure decoration: line at middle of neck; ray band at lowest part of neck, above dots; figural scene between two sideways palmettes, enclosed, from the outside bottom of each emerges tendrils; short ray band at interior of lower handle attachment; 10-leaf palmette at exterior of lower handle attachment; flange decorated with egg-and-dot band, beneath a black line; the sides are decorated with an ivy design, effected through incision (tendrils) and added white (leaves). Reserved line band just below join of body and foot.
The figural scene on the shoulder depicts seated youth seated profile to the right, facing a woman, seated profile to the right, but turning profile to the left. The youth, nude except for a hairband, sits on drapery, alongside which he hangs his left arm, and reaches a wreath, held in his left hand, towards the woman; she, wearing a crenellated stephane and a belted chiton, is seated perhaps on a cushion (comprised of dots), helds her right arm, slightly lowered, towards the wreath, and holds a box in her slightly raised left hand. A four-petal rosette is beneath her right arm.
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| REDMG:1951.150.1
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Black except for decorative bands and figural scene on either side, and reserved band at lowest part of foot, as well as reserved underside. Neck decorated on either side with a laurel band, between two reserved bands. Beneath figural scenes are decorative bands, comprised of stopt maeanders (3) alternating with saltire squares (1).
A: A female figure, juggling 8 eggs and advancing profile to right, faces a youth, advancing in 3/4-view to the right, but turning his head profile to the left. The woman, wearing a sakkos, tear-drop earring, beaded necklace, belted, sleeveless chiton, and two bracelets on each arm. The youth, nude except for a wreath around his head and a chlamys slung over his left arm, holds a large palm frond in his left hand and a phiale, at waist level, in his right hand. Above the phiale are 7 eggs (slightly smaller than those juggled by the woman). Bulls eye (above) and tendril (below) in field between them. B: Two draped youths, face each other in conversation; between them a window (above) and a stele (below); the figure on the right supports himself on a staff that he holds in his right hand.
Added white and goldish-yellow on side A, for jewelry, balls, phiale, wreath, and vegetation. The saltire square have short lines in place of dots. The right-most saltire square on A is replaced with a box of vertical lines.
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| REDMG:1951.151.1
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Black glaze all over, except for red rim, two superimposed decorative friezes at the base of the neck (ribbing between two black lines, egg-and-dots between two black lines, yellow dots below); figural frieze between tendrils; beneath handle one palmette sits atop a second palmette enclosed in tendrils that terminate above in volutes from which emerge further tendrils, ending in volutes, that sprout yet another set of tendrils; egg frieze between two reserved bands encircles the entire body and serves as a groundline for the figures; reserved underside.
The scene depicts a youth, nude except for two bands in his hair and a chlamys draped over his bent left arm, advancing (dancing?) in 3/4-view to the right, following two maenads, all advancing in 3/4-view to the right, although the last two maenads turn their heads profile to the left. All three maenads wear two bands in their hair (the last, however, appears as a single thick band), beaded necklaces, belted, sleeveless chitons, and snake bracelets on their left arms (the first maenad has a similar bracelet on her right arm). The youth and the first two maenads hold thyrsoi in their left hands. The third maenad holds a wreath in her lowered left hand.
All red surfaces are ruddled, except for the underside, including resting surface. Some added white and yellow highlight details on heads, jewelery and thyrsoi.
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| REDMG:1951.160.1
|
within.
Interior and mouth glazed black with two reserved bands at top and bottom of rim. On exterior, below rim, a frieze of tendrils, with lotus buds above and below. Black handles, with reserved bands between attachments, and enclosed half palmettes below, from the sides of which emerge tendrils with volutes that encroach in the figural scenes. Below the figural scenes is a band of slanted zs, between two reserved bands. Black below, except for the recessed element at the top of the foot, which is reserved, a narrow band at the bottom of the foot on the exterior, and the reserved underside. The reserved parts of the volute frieze and figural scenes are reddened.
Scene, A: A woman standing in 3/4-view to the right, wears a black beaded necklace, a sleeveless belted chiton, and two black bracelets on each wrist. Her hair is tied in a ponytail. She holds a torch in her advanced left hand, while her right hand, downturned, is also slightly raised. She faces a youth, nude except for a chlamys draped over his left arm and slippers, who stands in 3/4 view to the left, reaching toward the woman with his right hand. Between the figures, in the upper field, is a window frame, while a large tendril, with volute, emerges from the ground, between them. In the field behind him is a leaf. B: Two robed youths, standing profile, with their right legs advanced, face eachother across a narrow stele. Above them is a circle with a black line vertically through the centre and an 'H' drawn on top (probably halteres).
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| REDMG:1951.161.1
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Black interior, except for two reserved bands, at the top and bottom of the everted lip. Under the rim is a laurel wreath, to left, between two reserved bands. Beneath the figural scenes and surrounding the lower part of the vase, is a decorative band, comprised of stopt maeanders (3) alternating with saltire squares (1), between two reserved bands. The handle zones are reserved, and ray bands decorate each handle attachment; beneath each handle is a palmette, between two tendrils. Reserved bands decorate the base, on the groove at the top, and on the bottom; the underside is reserved.
A: A woman and a youth advance in 3/4-view to the right. She wears a stephane, a kekryphylon with ribbons, a beaded earring and beaded necklace, double braceless, a sleeveless, belted chiton, and slippers. She holds a tympanon (drum) in her upraised right hand and a kantharos, in her upraised left hand, which she lifts from a tray held by the youth, in his right hand. There are three white dots on top of the tray. He is nude except for a yellowed fillet, a thick white necklace, and a robe draped over his right hand. He turns his head profile to the left, to face the woman, and also holds a fillet in his outstretched left hand. There is a grape cluster in the upper right field. Added colour (white with yellow) is used for the jewelry and slippers.
B: Two robed youths in conversation, stand profile towards each other, each with his weight on his left leg. Both are enveloped in their himatia except for their right hands; the left-most figure holds a staff in his advanced right hand, while the other figure gestures to him, with his upturned right hand. There is a bulls eye in the field between them.
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| REDMG:2004.95.1
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Interior of mouth black; lip reserved; exterior of mouth black, as is handle (repainted); vertical bars at the bottom of the neck; lotus-dot chain on the shoulder; Dionysos riding on a mule, between two satyrs, one holding a maenad. Below the figural scene is a black band, a reserved band, and then a black zone extending to the foot, which is black on the top, reserved on the convex surface and the underside.
Figural scene: A nude satyr (in a crouching pose) runs profile to the right, holding a maenad on his shoulder; the maenad, who turns her head profile to the left, stretches her arms to either side and holds a rhyton in her slightly upraised left hand. She wears a kekryphylon (red), necklace (incised) and himation. Dionysos, seated on a mule, rides profile to the right; the god, wearing a red and blck ivy wreath and a himation decorated with red dots, holds a red keras (horn of plenty) from which emerge ivy tendrils that serve as a backdrop for the entire scene. Leading the mule (through use of a white rein, of which a ghost remains) is another nude satyr, running profile to the right, while he turns his head profile to the left. Other details include red on the beards and tails of satyrs and a red fringe for the foremost satyr. Incision is used extensively for anatomy and drapery. An unusual effect is created through the use of incision for the forearm of the leading satyr, which he lays across his torso, which is not incised save for two small circles to indicate his nipples.
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