| 11.10.10
|
Quatrefoil, no hatching. On mouth, one broad band between two narrow. Bottom flattened.
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|
| 11.10.21
|
Black glaze covers the interior. Exterior of the rim black; black ground line at bottom of figural scene; black on lower part of body and exterior of foot, except for two reserved grooved lines on the top and lower part of foot. Reserved resting surface. Underside decorated with black circle at the center, surrounded by a thin black band. Interior of the foot black . Scene is similar on both sides: between palmettes a charioteer driving a quadriga, or two-horse chariot, to the right. Incised detail on all figures. Careless design, no details.
|
|
| 11.10.7
|
On mouth, one broad band, one narrow; saucer shaped. Cinquefoil, no hatching. Shoulder flattened. Intermediate pattern: circle with vertical line inside.
|
|
| 13.10.13
|
Marks still apparent from use of wheel but no decoration.
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|
| 13.10.19
|
Interior reddish brown colour, exterior a light beige to salmon coloured. No indiction of a pattern.
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|
| 13.10.38
|
Right hand side has lock of hair, lost on left. May have been painted in read wash, although no other paint remains.
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|
| 14.9.11
|
Painted decoration in dull black on both sides in rectangles with lines inside with cross hatching on the underside. Part of two bored holes at the same end but slightly apart, perhaps for suspension. No finished edges.
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|
| 14.9.110B
|
Feeder but with no lid or strainer. Body is black inside and out. The side of the foot ring is grooved and black in patches. The base is flat and reserved around the edge but reddened in the most part with an irregular brown ring in the centre.
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| 14.9.119
|
Wreath around head. No evidence of painted decoration or metal attachments. She may have been smiling, although there is considerable erosion of the facial features. Ring-shaped decoration covers her ears.
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| 14.9.14
|
The ground of the clay is pinkish inside and creamy outside. No finished edges. Patterns in dull black, curvilinear, on both sides. The pattern is curved on both surfaces.
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|
| 14.9.16
|
Core of this fragment is white with the interior surface painted red. The exterior surface is white with a bold red zigzag. No finished edges.
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| 14.9.17
|
Red core with both surfaces covered in white. The fragment is curved in two directions suggesting it is part of the neck of a vessel. Convex curve white and the concave curve is white with a red zigzag. No finished edges.
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|
| 14.9.20
|
No finished edges. Red core and red interior. White on outside with dark brown / red detail in a triangular shape.
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| 14.9.22
|
Red clay with white slip on both sides and decorative red stripes, angled like very open chevrons, on outside. Inside, trace of red across on corner perhaps evidence of lost interior design. No finished edges so it is a middle piece.
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| 14.9.23
|
Red with white slip on both sides and traces of red decoration on the exterior surface with a band and then a band with design attached to it. On the interior surface is a red line down one side with a whte 'S' on it. No finished edges.
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|
| 14.9.25
|
Pink, with decoration of red stripes on creamy ground on outside. Very coarse material and no decoration on the interior surface. No finished edges.
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| 14.9.26
|
Pink with wavy red stripes on white ground on outside. Reserved on the interior surface. No finished edges.
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|
| 14.9.29
|
Pink surface with white slip on each side. Linear decoration in red. Outside is horizontally striped and inside is half red with half the surface with white diagonal stripes. The fragment is a middle piece as there are no finished edges.
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|
| 14.9.30
|
Sherd with fragment of handle attached. Interior surface is reserved showing the pale clay. The exterior is covered with dull black paint and has superimposed bands of white with the suggestion that there is some pattern inside the band. Small section of handle is black as well. No finished edges.
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|
| 14.9.42
|
Pinkish-buff clay. Exterior surface has poor, dull black paint in a pattern of three linked spirals between broad bands. Interior surface is reserved except for an irregular streak of red top to bottom. No finished edges.
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|
| 14.9.67
|
2 black lines at 45 degrees to each other. Black painted design with incised lines marking 7 thin rectangular sections with rounded ends all next to each other and getting shorter towards one side, every other one purple. (feathers? leather strips on armour?) 2 other small incised lines at right angles to each other on black, no clear design. All on coarse grey/buff background. Inside painted black.
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|
| 14.9.72
|
Fragment with no finished edges. Exterior: animal procession consisting grazing goats (only head, part of one antler and one foreleg of one and one hind leg of second ramaining)to right; dashes, quatrefoil, and hooked swastikas as filling ornament; below, black band and part of lower frieze - antlers of goat to left; dashes as filling ornament; at right, possibly more antlers.
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|
| 14.9.8
|
Core red. Red surface with linear decor in dull black on both sides. The underside appears to have a zigzag pattern above a more dense and busy pattern of lines and zigzags. No finished edges.
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|
| 14.9.9
|
Core red. Surface red, with linear decoration in black on both sides. No finished edges.
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|
| 2006.5.11
|
Has a rim but no painted decoration
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|
| 2006.5.13
|
No decoration, lines texture
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|
| 2006.5.21
|
some ridges, no other decor.
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|
| 2007.2.100
|
No decoration.
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|
| 2007.2.101
|
No decoration.
|
|
| 2007.2.105
|
No decoration.
|
|
| 2007.2.106
|
No decoration.
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|
| 2007.2.108
|
No decoration.
|
|
| 2007.2.11
|
single area covered with a small amount of brow/orange glaze; no distinct pattern. flat fragment with cylindrical shape protruding from it.
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|
| 2007.2.112
|
No decoration
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|
| 2007.2.113
|
No decoration.
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|
| 2007.2.118
|
No decoration.
|
|
| 2007.2.121
|
No decoration.
|
|
| 2007.2.129
|
No decoration.
|
|
| 2007.2.132
|
No decoration.
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|
| 2007.2.133
|
No decoration.
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|
| 2007.2.140
|
No decoration.
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|
| 2007.2.141
|
Both side of the fragment are decorated in a light brown glaze. No distinctive pattern.
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|
| 2007.2.153
|
Some areas decorated with a brown glaze. No distinct pattern.
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|
| 2007.2.72
|
No decoration.
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|
| 2007.2.76
|
One side decorated with a orange glaze, which is no faded.
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|
| 2007.2.78
|
No decoration, however, two lines are indented into one side of the fragment.
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|
| 2007.2.81
|
One side is decorated with a plain black glaze; no distinct pattern.
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|
| 2007.2.83
|
No decoration.
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|
| 2007.2.84
|
No decoration
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|
| 2007.2.89
|
No decoration.
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|
| 2007.2.94
|
No decoration
|
|
| 2007.4.119
|
Outer surface deocration heavily worn, possible scraps of white and black paint but no discernable pattern; inner surface has irregular black paint tongues on rim and black and white paint bands on inner surface, worn
|
|
| 2007.7.1A-S
|
Rim (A-D) has tongues on the top, a design with dots and traigular shapes on the sides, with palmettes below; Side A (H-K) shows a symposion, with a bearded man (Dionysos?) and possibly the hoof of a satyr; Side B (L-N) shows a battle. A, B, C: Rim with tongues, side design and palmettes below; D: Rim with tongues and side design, no palmettes below; E: Fragment from just below the rim with the palmette design; F: Fragment from below the rim, all black with part of a palmette on the lower left; G: Black on both sides; H: Head and shoulders of a bearded man(Dionysos?) with the circle and triangular motif running vertically on the right; I: Arm and torso of the bearded man on the upper part, on the lower part there is another object which could be his couch; J: Left half is black, right half contains an unclear section of the symposion scene; K: Drapery, most likely from the symposion scene, with a drinking horn in the lower right corner and possibly the hoof of a satyr; L: Top half of the battle scene, with a nude man holding a spear, and probably a tree running vertically along the left side. The scene is bounded by the circle and triangle design; M: Lower half of L, with the lower body of the nude man, drapery on the left side; N: Leg of the nude man, with the lower part of the tree running vertically on the left; O-P: Plain black; Q: Black, with part of the circle and triangle design; R: Black, with part of a design on the top; S: Base, tongue design
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|
| 2007.9.3.51
|
Male head facing forward with long curly hair and no beard.
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|
| 2008.7.132
|
No decoration.
|
|
| 2008.7.148
|
No decoration. Small singular horizontal line indentation near curved edge.
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|
| 2020.8.1
|
Simple profile cartoon drawing of Paolo Orsi, slightly balding, bespectacled, with moustache & pointed beard; wearing a suit & tie. Signed "W.R. Lawson / Siracusa.1929. / 'Deus sit vobiscum'". Framed behind glass, in a simple black frame, with "P. Orsi / Syracuse April 1929" in pencil on the wooden back. Gummed label on back identifying framer: "From J.P. Ballard, Reading Fine Art Gallery, 21, Cross Street, Reading. / Printseller, Mount Cutter, Gilder and Picture Frame Manufacturer. / Dept for Windsor & Newton's Specialties./ For Repeat Orders please quote No. 4492" (4492 written in pencil).
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|
| 22.3.31
|
On the exterior of the object, a series of wave like patterns can be found upon the upper section of the fragment. Beneath this pattern are a series of other decorations consisting of several relatively large lines, and in between these are numerous thin lines with moderately large dots above them. The interior of the fragment has no decorations however.
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|
| 22.9.11
|
No decoration present.
|
|
| 22.9.12
|
Singular black stripe on convexed side of fragment. No other decoration present.
|
|
| 22.9.13
|
One side of fragment decorated with thick stripes of black glaze. A small loop of decoration goes against the direction of the stripes. the other side has no decoration.
|
|
| 22.9.14
|
Small amount of brown glaze coving fragment, no distinct pattern.
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|
| 22.9.22
|
No decoration visible.
|
|
| 23.11.31H
|
Profile figure facing right wearing a flat helmet. The face is visible, and a marking shows a potential eye socket. He carries a shield which is intact, with no defining pattern. Appears to have once held a spear. Small wide legs emerge from underneath the shield. Lead is off-colour brown-grey.
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|
| 23.11.31OO
|
Profile figure facing the direction right. does not appear to be a Spartan warrior. possibly a Persian warrior or leader? face. helm and armour slightly visible though. defining feature is a ponytail at the back of his helm. not clear whether he is carrying any weaponry. representation of Persian King Darius or Xerxes from the Persian Wars? lead figures part of a large relief commemorating the war? or just used for ritual purposes with the flogging at the Temple of Artemis Orthia? pretty good condition. lead is an off-colour brown grey, similar to 23.11.31h. bears no similarity to the other lead warriors, as it is a lot thinner than them and lacks a shield.
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|
| 26.12.1
|
On mouth two concentric circles. Three horizontal bands on the handle. No shoulder decoration. On body, six (or seven?) thin bands above three thick ones. Base is slightly concave and reserved.
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|
| 26.2.35
|
No finished edges. The underside has broad streaky black bands on pale buff slip with slightly raised moulding that must have encircled top of stem with a thin and feint band around it. Inside the dish, on pale buff slip, from top to bottom is the lower part of animal zone showing two hooved feet and grass. Below is a red zigzag between two white-red-white on black bands. Below and in centre of dish (now missing) is a rosette made of leaves with dots and spokes bewteen.
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|
| 26.2.36
|
No finished edges. The underside is reserved but there is a small trace of a band in the lowest corner. The topside has possible traces of creamy slip. In the centre are six red on black alternating tongues and these are between two stalked and dotted rosettes. Above is the remains of a band with superimposed white and red on black and a similar band is below.
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|
| 26.2.39
|
No finished edges. On the underside of the dish fragment, on creamy-buff slip, are the slight remains of floral(?) zone above a black band thinned to golden brown at bottom with black rays and rough dots below that. The topside is onate with a meander pattern inside two bands at bottom of fragment with black above with white-red-white band superimposed. Above this band are red and white swirls surrounded by dots.
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|
| 26.7.2
|
The interior of the vessel is streaky black (uneven) except for the tondo (reddish brown), that depicts a (shadow of a) man, in a short chiton, facing right and advancing. He is holding a (thorny) club with his right hand and his himation with the left one (using it as a shield?), while his sword is visible at his right side. Exterior: The lip bears a thin, black line. The surface of the body is reserved (up to the point where the scene ends) but bears decoration in black. The scene is repeated on both sides; the myth of Heracles and the Bull. Herakles has captured the Bull from the head. Hanging in the background (above them) there are Herakles' club, cloak and quiver. The scene is flanked (left and right) by fan-shaped palmettes (voluted at the bottom with long, narrow divisions). The lower part of the handles' external surface is black and under either of them there is an ivy leaf (heart-shaped). Below the scene, there is a streaky black line and, after a reserved, thin band, the vessel is (streaky) black up to the end of the foot, whose side surface is reserved, though. The base is reserved but bears a red thin band at the center of the resting surface. No incisions or added colour have been used.
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|
| 27.4.9
|
Grazing goat to left but no trace of added red. Rosettes, with and without an incised circle at centre. Below goat four bands. On bottom two circles, one thin and one thick, round a central spot.
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|
| 28.6.1
|
Handle all black, as is neck and back of body. At the front on shoulder is an inverted swirl / wave pattern, consisting of four waves. Below is the main design of an athlete (naked) with a discus standing between two clothed youths, the left of them holding a discus. Robe detail is picked out in black paint. No relief contour. There is an reserved line incised above foot. Foot is black on the top and side but the underneath is reserved and flat.
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|
| 29.5.43
|
Small lines imprinted along ridge, no distinct decoration.
|
|
| 29.8.43
|
No decoration.
|
|
| 34.10.18
|
Satyr, seated in chair. Completely hollow from bottom. Back slightly curved, traces of white slip. Front, red on white. Paper no. 22 on back.
|
|
| 34.10.21
|
Standing woman with high polos. White slip with traces of red / orange. Hollow, large rectangular opening in back. No relief sculpture on reverse side.
|
|
| 35.5.10
|
Inside black with a reserved line at rim. Outside, head and shoulder of boy with his himation pulled up over the back of his head; on the wall tablets hanging vertically; behind his head part of a fillet hanging up. No relief contour; hair contour reserved; brown lines for marking on tablets; surface an unusually deep red.
|
|
| 35.5.11
|
Inside, part of a meander border. Outside, feet and lower part of himation of male leaning on a stick. No relief contour; brown for border of back fold of himation.
|
|
| 35.5.12-14
|
12, outstretched hand and part of garment; 13, lotus and small piece of drapery; 14, lotus. No relief contour; brown markings on lotus.
|
|
| 35.5.15-19
|
Inside, 20b, meander border broken by cross, small piece of drapery. Outside, 19, two males in himatia facing, standing by a cushioned stool; hanging on the wall a shield and sheathed sword; 20a, tendril and corner of drapery; 21, tendril and part of himation; 22 and 23, bits of himation. No relief contour; brown for border of himation on 12 and 22, markings on seat of stool, cushion, and sword sheath.
|
|
| 35.5.20-22
|
Inside, 21, 22, meander border broken by square (rubbed and indistinct). Outside, 20, arm and part of body of woman dancing, the sleeve of her chiton pulled down over her hand; watching her a male in himation with stick, behind him a dropping lotus; 21, legs of male in himation with stick; 22, palmette. No relief contour; brown for bottom edge of himation.
|
|
| 35.5.23-26
|
Inside black with no reserved line at the rim; 27b, meander border. Outside, 17a, ivy leaf springing from handle base, foot, and lower part of himation; 28, corner of drapery, fillet hanging on wall; 29, head of male wrapped in himation, halter hanging on wal; 30, part of body of male tightly wrapped in himation. No relief contour; brown for bottom edge of himation on 27a.
|
|
| 35.5.34A-Q
|
(a) fragment, three joins. Decoration on both sides. Band of geometric pattern above which is person's foot and bottom of leg standing to the right, wearing a hymation. On the opposite side: floral pattern to the left of bottom half of a person and to the right of this person the hand and lower body of another. (b) curved, palmette on other side black. (c) large roughened patch to the top right where possibly a handle was attached, floral pattern around this. (d) small fragment, on one side band of geometric pattern, on the opposite side floral pattern. (e) large piece, three fragments joined. Bearded man in the centre facing to the right, left arm raised and holding a long stick, right arm tucked into hymation. To the right of the man, the arm of another person and to the left a floral pattern, inside black. (f) Very similar to fragment a. three pieces joined together. On one side in centre bottom half of a person, feet and lower legs facing left and wearing a hymation, to the right floral pattern. Opposite side, band with geometric pattern. (g) On one side to left part of a hymation, to right an arm. Opposite side band with geometric pattern. (h) On one side the feet and legs of a person standing on a platform with the bottom of a stick he/she is possibly holding to the left, in the right hand corner the edge of a geometric pattern. On the opposite side the feet of someone facing to the left wearing a hymation dropping behind them, to the right of them a floral pattern. (i) Small piece of two fragments joined together. Chest of a male with right arm extending, his hymation drapped over his right arm. (j) Head of a male facing left with hymation over his shoulder and part of large palmette to his right. (k) Small frgment, part of hymation. (l) Small fragment part of hymation (m) Small fragment part of hymation. (n,o,p) small fragments with no detail.
|
|
| 38.4.8
|
Mouth black inside and out with red lip. Shoulder has ivy leaf at front upright between two inverted lotus flowers. Body has a siren between two draped (male) onlookers, the right one holding a spear upright. No added colour, no incisions. Beneath figural zone is a horizontal band and then solid back to the top of the foot. Side of foot and underside reserved.
|
|
| 39.9.2
|
Inside is reserved in body but black fired to red on rim with a reserved band near top. Two handles with vertical grooves to make three section - black on top and reserved underneath. Neck has two rows of palmettes (lower inverted) and lotus buds on cable. Shoulder has framed tongues with ivy leaf and dot at each join. Body has similar scene either side. Side A shows combat of three warriors, with white detail on spear, helmet, shield and armour. Side B is similar but there are no spears, instead they appear to only have shields. Below is a broad band with narrower ones either side. Rays to foot. Foot is black and moulded with a reserved band around side. Base is reserved and conical.
|
|
| 45.6.4
|
Brownish-grey in colour, apparently from burnt deposit. Shape is of a normal Corinthian kothon except that the handle is abnormally thick with no side projections. Inside, black bands in center. Turned in rim has black bands as does the top surface with four bands alternating thick and thin. Band near to foot. Base is raised and has two central circles.
|
|
| 47.2.26
|
Distinctive ovoid headdress more characteristic of the dea gravida (pregnant goddess). No paint remains, incision for fingers.
|
|
| 49.1.2
|
The vessel is covered in black except for decorative bands at the lower part of the neck (red with black vertical lines) and the shoulder (egg-and-dot), the figural scene in the body zone, a frieze (stopt maeanders alternating with cross squares) below the figural zone, narrow bands at the join of body and foot as well as on each step of the foot, and the underside. The scene depicts a nude youth standing in a relaxed pose, 3/4-view to the right. He holds drapery, bunched up, under his left arm, and seems to converse with a drapped woman seated to the left on an undulating rock. She holds a mirror in her right hand. Both are diademed. A small, winged Eros flutters above them, and he has crowned the youth. A single branch emerges from behind the rock. Next comes an older Eros (depicted as an adolescent) seated near profile to the left (the seat is no longer visible), holding an opened box (the type that was used to house alabastra such as that which he decorates, according to Trendall and Cambitoglou 2.605). In the upper left field there is a rectangular motif with a short, black, vertical band on it (perhaps a window), and in the upper right field (behind Eros) a four-part rosette (rodakas) next to a strigil. Below, there is more vegetation. Relief dots detail xxx and added white has been used for xxx.
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|
| 50.12.12
|
Although there is no decoration, there appears to be a line painted just that has faded to the colour of the clay. Below the rim is a roughened area where a handle may have placed. The outer surface of the pot might have been burnished while the inside is less smooth.
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|
| 50.12.27
|
rim and neck of large plain storage vessel, very ale clay, no painted decoration
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|
| 50.12.3
|
Red slip inside and out; no other decoration.
|
|
| 51.4.10
|
Offset rim and interior is glazed black but streaky allowing red to show through. The two handles are also black on the top and reserved underneath. Beneath each handle is an ivy leaf on a long curling stalk. The main design on both sides is flanked by eyes, which have red centres and white incised bands around them, superimposed onto black. Side A is a seated youth in profile to the rightin chiton and himation (?. Added white on stool and red on chimation and fillet on his head. Side B is a tree (?) with detail added in red-purple . No substantial foot, but a reserved, flat base.
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|
| 54.2.36
|
No decoration.
|
|
| 54.8.1
|
Inside has a ribbed texture and is reserved apart from thin bands around rim with vertical bars overlapping the rim. Single ribbon handle which is unevenly bent, has horizontal lines down back and is reserved underneath. Procession of seven mourning women, in profile all facing right, framed by wavy lines, with two bands above and below and three vertical lines at right and left of panel. In front of the sevnth woman there ae three loop patterns, with dots. The women are wearing long garments, have long hair and ftech one arm over their head, as a mourning gesture. Face drawn in outline. No use of incision for any details. Below 'SSSS' pattern, then horizontal lines. Moulded ridge and groove below around foot. Base is flat and reserved.
|
|
| 58.2.6
|
Brown clay(?), blackened greatly in places. No pattern can be distinguished.
|
|
| 67.7.3
|
Long aulos (probably the right half of a double aulos, a wind instrument played through [missing] reeds) which appears to have an inner surface of wood (?) with a bronze sheath and silver mounting (in four sections). Mouth is silver and has two grooves towards rim. Neck has small hole below mouth and no silver. Bulbous section to neck with bronze section between two silver sections below. Four holes down the length of the body, one apart from the lower three with a fifth on the reverse side in the gap. The hole of the reverse has a small thumb plate around it. Bronze section below which may have originally been silver, with a grooved silver section flaring slightly to end. Hollow inside.
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|
| 73.9.8
|
The rim, leading to a band on the ouside is black, as is the entire inside of the fragment. Below the band on the outside is a horizontal 'S' shape pattern with small dots above and below it. To the left of this is a big black blob, which is slightly raised to suggest a handle ? Below the 'S' shape are four parallel lines, below which is a thin brownish band, a gap, and then what looks like the edge of a black circle. The second fragment has no rim and also shows a black blob which looks like it should be the base of a second handle. The inside of the fragment is againentirely black. On the outside of this fragment, there is no 'S' shape pattern or parallel lines, but there is a brownish band, below which is the edge of what seems to be a black circle, the same as fragment 'a'.
|
|
| 83.2.3
|
No apparent decoration upon the artefact.
|
|
| E.23.2
|
Funerary stele with vulture wings surrounding the solar disk, common during the time period. Below the wings is the text of the stele, surviving intact. Two men are depicted adoring the god Re-Horakhty, whose presence is indicated not only by the uraeus and sun disk but also his name inscribed in the text. It has been suggested that the dress of the figures indicates that they are Nubians; this is confirmed by the oddity of their personal names. The sky is depicted above the winged disk, each end being supported by the symbol of the west (on the left, only the top of the feather survives) and the east (on the right, more or less complete). A signature, possibly belonging to Flinders Petrie has been found above the head of the right hand figure.
There is only one viable interpretation possible, when one combines the depictions with the details found within the text. The stele depicts the man Serep and his son Tkr-Irt-Hrw, not as has been assumed Serep with his Ka. A personal Ka has no need of the title m33 khrw, which is a title of the deceased, thus two deceased are depicted. There is no question that Serep is a man as he is depicted in male dress and has the male symbol after his name.
There is enough evidence to show that the stele was once painted. Red pigment on the sun disk of the god is the most apparent, though a similar (if not the same) is found in several of the hieroglyphics and on the deceased as well as faint traces on the column to the right. A yellow stain remains in the first two columns, which could be remains of the paint used to fill in the columns. The combination of colours matches well with the red pigment found in the glyphs.
|
|
| E.23.35
|
Small red jar with a large lip and thus a small mouth. The shoulder is the widest part of the body and descends to the flat base with a constant gradient. There is no discernable decoration.
|
|
| E.62.11
|
Carved piece from open work rail of furniture, representing the hes vase. The top of the artefact has a carved peg on it while the foot has a lip carve in it, clearly these were used to attatch the artefact to a larger body, there is no pigment.
|
|
| E.62.17
|
The thorax is made of parallel straight lines. There appears to be a small amount of gold pigment between the beetle and the base, there is no other discernible pigment.
|
|
| E.62.31
|
Large red vase. Rounded body with rounded base; no neck, narrow lip and flat rim. Large lugs, on either side, are perforated to take thread. There are splashes of red all over the pot, it is unclear if this is part of the original decoration or somehow added later, since the splashes have no discernable pattern.
|
|
| E.62.37
|
Wide mouth, no neck tapering to a very slightly flat base. Very shallow rivets form concentric around the bowl, almost as if the potter has lightly brushed around the pot with his fingers during its creation. The surface is course and it is dark red in colour.
|
|
| E.62.38
|
Alabaster, flat base. Slightly elliptical, with straight lip. No decoration.
|
|
| E.62.45
|
Alabaster kohl pot of distinctive 18th Dynasty shape. Finer than E62.39, with moulded base, pronounced shoulders, wide, fluted mouth. Flat, circular lid. No decoration.
|
|
| E.62.54
|
Alabaster vase; sunken, flat base and small neck with pronounced lip. No decoration.
|
|
| E.63.1
|
The relief is a human ear, with no other discernible detail. There is some red pigment remaining on the inner ear.
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| E.63.26
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Pointed base and no neck. A possible inscription approximately one third of the way down, although it appears to say "MOM" so is probably modern. This is backed up by the fact that there is no other decoration on the pot.
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| REDMG:1935.87.8
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Inside is black with no reserved sections. Outside is black with a groove just below rim and another two at top of stem. Foot is flat and black on the top but reserved on the side. Black band around very bottom of side of foot. The resting surface is reserved and the inner foot ring is black. Small reserved circle raised up inside foot with a black band and a small black central dot.
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| REDMG:1953.25.103
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No paint remains.
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| REDMG:1953.25.77
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Ovoid or tongue mouldings on the shoulder, not no the areas covered by the nozzle volutes or the area of the handle. Discus is surrounded by four concentric moulded rings, the filling hole is surrounded by three concentric moulded rings. The nozzles have on their outer edges large volutes, these terminate at the body with horse heads instead of the usual ? the termination by the tip is in the usual form. Within the base are three concentric moulded rings with a small nodule at the centre. Red glaze all over
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| REDMG:1964.1638
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Artefact is completely grey in colour with no decoration.
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| REDMG:1964.1652.1
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Coarse clay with inclusions. Thin neck and foot. Base is flat. No pattern or incised design.
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| REDMG:1964.1704.1
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Straight tall neck, no rim. Pierced handle. Roughly cylindrical. The bottom is slightly convex. Hand made. Clay reddish.
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| REDMG:1964.1709.1
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Thin walls. Completely reserved. Main handle is made of two sections adjoined. Around the rim are at least eight protrusions, some are missing, almost looking like a sun with rays. No defined foot and base is slightly concave. Red clay.
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| REDMG:1964.1712.1
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Entirely reserved. Coarse material made worse by deposits. Thin sides to deep and wide body. Base appeared to have been flat but know has deposits. No handles exist.
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| T.2012.11.28
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Two large lines upon the outer part, one at the top, the other at the bottom, that spread across its face and form a sort of box. Within the box appears to be a painting of grape vine with a series of heart-shaped leaves forming a pattern, as well as several patterns of what seem to be four lots of grapes. There are no decorations on the inside of the fragment.
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| T.2012.II.26
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No visible decoration on the inside or outside, though on the base part there is a slight fade to the design, which could simply be put down to fading of pigment over time.
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| T.2012.II.27
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No visible decoration on the inside or outside. Whole outer part appears to be singular shade of black glaze.
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| TEMP.2002.9.27
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Almost flat but with no finished edges. Underside reserved and topside has a red zigzag pattern with transverse bars between lines. There are three rows of zigzag on this fragment.
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| TEMP.2002.9.28
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Chunky fragment which is flat. The underside is reserved and the topside has three bands at the top and eight rows of irregular zigzag below. No finished edges.
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| TEMP.2003.7.29
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Small figurine, plain red clay, unpainted. Rounded head, with a small circular piece of clay used for the left eye. There are two small stumps for arms, and no sign of clothes.
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| TEMP.2003.7.54
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Both sides glazed black. No decorations or figures.
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| TEMP.2005.1.3
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No decoration.
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| TEMP.2005.1.4
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Some small areas of black glaze; presumably once covered whole pot. No distinct pattern can be determined.
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| TEMP.2005.1.6
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Small detail of protruding band at top of neck and small line visible on body. No painted decoration.
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| TEMP.2005.1.7
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Black glaze all over with some areas having been worn away. No distinct decoration visible.
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| TEMP.2005.1.8
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black glaze all over however worn away in areas. No distinct pattern visible.
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| TEMP.2007.2.4
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Plain black glaze all over, no distinct decoration.
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| TEMP.2007.3.51
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Obverse: head of Roma, no text, very ornate; Reverse: Dioscuri riding a horse, second horse and rider behind, stars above and below horse there is barley;
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| TEMP.2014.9.19
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No decoration, no incised lines or stamps. Grey residue on the interior. Section missing from lip. Evidence of use of a pottery wheel in making.
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| Temp.2022.7.1
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no decoration, jug for domestic and daily use
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| temp.2014.12.2
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no decoration, for domestic an daily use
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| temp.2022.7.1
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no decoration, jug for domestic and daily use
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| temp.2022.7.3
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no decoration, domestic use
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