| 2007.1.10.20
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Hercules holding a lion skin with captured Cerberus in tow
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| 2007.1.10.25
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Possibly Hercules holding the skin of the Nemean Lion with Cupid hovering at his back
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| 2007.1.10.26
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Possibly Hercules holding the skin of the Nemean Lion with Cupid hovering at his back
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| 2007.1.10.28
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Possibly Hercules holding the skin of Nemean Lion with club and cupid on his shoulder
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| 2007.1.10.29
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Possibly Hercules kneeling holding the skin of the Nemean Lion with Cupid on his shoulder
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| 2007.1.10.31
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Possibly Hercules holding a dagger sitting on a lion skin, and possibly cupid on the left
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| 2007.1.10.32
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Possibly Hercules holding a dagger sitting on lion skin, to the left of him there are some letters in Greek, possibly a mini sphinx by his left foot
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| 2007.1.10.33
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Possibly Hercules sitting on a lion skin and holding a dagger
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| 2007.1.10.36
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Naked man holding a staff sitting on a lion skin with a baby on his lap, both looking at a deer by a tree
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| 2007.1.10.37
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Naked man holding a staff sitting on a lion skin with a baby on his lap holding a branch facing a deer
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| 2007.1.10.39
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Naked man sitting on lion skin seducing a naked woman standing in front of him
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| 2007.1.10.42
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A man sitting on the ground with a woman sitting behind him rubbing his back, cupid in the air to the left of him, lion skin in front of man
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| 2007.1.10.45
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Portrait of head and shoulders of man with lion skin on his head and around his shoulders
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| 2007.10.2.199
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Heracles fighting Nemean lion
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| 2007.10.2.222
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Bust of male in profile facing the right wearing a helmet. Helmet decorated with an animal, possibly a big cat (lion etc).
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| 2007.10.2.304
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A male figure wearing a skin (possibly a lion skin) struggles with a bull. The bull's head is lowered perhaps indicating that it is charging. Behind the bull, to the right of the cast, there is what appears to be a statue (possibly of female form) with two faces in profile, one facing left and the other right. The animal skin (if it is lion) perhaps identifies the male as Herakles. The scene might be a representation of one of Herakles tasks (yoking of the bulls).
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| 2007.10.2.324
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Cherub possibly Eros, riding a lion and playing a harp.
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| 2007.10.2.332
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Image of a lion
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| 2007.10.2.48
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Profile portrait of Hercules with lion skin on head facing right
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| 2007.10.2.49
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Profile portrait of Hercules with lion skin facing left
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| 2007.10.2.67
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An animal, probably a lion.
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| 2007.9.1.105
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Displays a lion sitting back on its hind legs, tail in the air, surrounded by a single line border.
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| 2007.9.1.110
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Displays a modern style lion on its hind legs (although only the top half is visible) holding a cross with a large crown above its head. Surrounded by a simple lined border.
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| 2007.9.1.112
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Displays a shield topped by a crown and divided into three sections, the left depicting a lion with a cross over each shoulder and another at it's feet.
|
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| 2007.9.1.114
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Displays a shield topped by a crown and divided into three sections, the right depicting a lion with a cross over each shoulder.
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| 2007.9.1.12
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Displaying a running centaur wearing a lion skin cloak, facing right.
|
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| 2007.9.1.60
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Displays a lion facing forwards, its front legs resting on a sphere.
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| 2007.9.1.65
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Displays a lion, facing right.
|
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| 2007.9.1.75
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Displays a four-legged creature, possibly feline (a lion) or canine or a horse.
|
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| 2007.9.1.93
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Displays a lion, the front half of its body lowered, surrounded by a simple lined border
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| 2007.9.3.130
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A lion with his head lowered.
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| 2007.9.3.21
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Displays a front view of a seated woman, a small lion at her right side.
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| 2007.9.3.5
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Displays a naked man, carrying a spear and a lion skin.
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| 2008.2.1.28
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Hercules wrestling a lion - his first labour.
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| 2009.10.2.18
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Woman in crown sitting on a lion, with scepter in left hand and a scroll in right. Probably Cybele.
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| 2009.10.2.201
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Naked man and woman ride a lion, they appear to be holding a bow and arrow. there is an inscription beneath.
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| 2009.10.2.206
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Male figure leaning a lion. holding a spear.
Number 78.
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| 2009.10.2.285
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Depicts Hercules standing to his right. He is naked and carrying the skin of a lion, there is a club to the right of the image.
Number - 1
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| 2009.10.2.296
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Image depicts front view of Hercules facing slightly to the left, he is wearing lion skin around his neck. Number - 11
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| 2009.10.2.3
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A lion surrounded by letters. Number 3.
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| 2009.10.2.309
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Scene showing Herakles sitting on the skin of the nemean lion and holding it's head. His club stands nearby.
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| 2009.10.2.310
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A scene showing Herakles facing left. In his right hand he carries his club and the head of the nemean lion. The lion's skin is draped over his back
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| 2009.10.2.311
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Herakles is depicted facing left. With his right hand he rests his club upon his shoulder whilst with his left he holds the skin the nemean lion.
|
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| 2009.10.2.334
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A scene depicting Herkales carrying the skin of the Nemean lion.
|
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| 2009.10.2.336
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A scene depicting a lion, possibly the Nemean lion.
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| 2009.10.2.337
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A scene showing Herakles, club aside, strangling the Nemean lion.
|
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| 2009.10.2.338
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A scene showing Herakles strangling the Nemean lion.
|
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| 2009.10.2.339
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A scene showing Herakles strangling the Nemean lion.
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| 2009.10.2.340
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A scene showing Herakles strangling the Nemean lion.
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| 2009.10.2.341
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A scene showing Herakles fighting the Nemean lion.
|
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| 2009.10.2.344
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A scene showing Herakles (distinguished by the pelt of the Nemean lion) crushing Antaeus by the chest.
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| 2009.10.2.359
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A lion, with two heads; one is a goats head coming out of its back, Chimera it has a snake tail
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| 2009.10.2.360
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Lion, lying down with two heads, one is a goat's head, Chimera (?) has a snake tail
number 16
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| 2009.10.2.361
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Standing lion with two heads, one is a goat's head, Chimaera it also has a snake tail
number 17
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| 2009.10.2.401
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Bearded male centaur carrying an ornate staff over his left shoulder and a lion skin and basket on his right shoulder. There is a faint inscription below the figure.
Number 57
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| 2009.8.270
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A creature with the head of a goat with a human face, wings and the back of a lion. A figurine standing behind it. Maybe a sphinx. Cast number: 1
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| 2009.9.122
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A naked winged child holding a stick in his hand, riding on a lion which is playing with a goat's head. Cast number: 56
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| 2009.9.128
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A figure with a stick and a cape sitting on a lion. Cast number: 62
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| 2009.9.131
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A naked winged child standing in a chariot, holding the reins and a whip, pulled by a lion and a goat. Cast number: 65
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| 2009.9.20
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A woman sitting on a flower chair holding a scepter and point her hand to her mouth. Opposite her an animal, looking like a lion on standing on its hind legs, streching its front legs out to the woman. They are both in a skiff which has a ram's head on its left end. Cast number: 34
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| 2009.9.282
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A warrior in full armour holding a spear and a shield receiving a wreath from a small woman with wings, probably Nike, flying above a lion. Cast number: 20
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| 2009.9.54
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A walking lion. Cast number: 68
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|
| 25.8.4
|
On top of mouth is a daisy pattern and there is one band on the side. In upper animal zone, ram facing lion (?) with head turned back. In lower, hare between two dogs. Centred circles in field. Bottom daisy pattern round small sunk centre. Zones separated by thin parallel bands.
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| 26.12.3
|
Handle with hole for suspension. On top of mouth are three concentric circles. On side is a band. Neck has daisy petal pattern. Body: bands above and below the main design of a man attacking a lion. At back large black circle with black centre. In field rosettes with incisions intersecting at centre and dots. Added red for decoration. Many bands on base.
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| 26.2.19
|
pale slip; interior: reserved at top of rim; black below, with band in added red lined in white; exterior: frieze of vertical black bars with added red at rim; below, black band above black-figure animal frieze: at left, part of lion or sphinx (rump and tail remaining) to left; on the right, part of large palmette with added red; dashes, star, and dots as filling ornament.
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| 26.2.20
|
white slip; interior: black with added red band lined in white; exterior: black-figure decoration consisting of lion with added red on neck and belly (head, legs, and part of tail missing) to left; pinwheel rosette, dots, and dashes as filling ornament.
|
|
| 27.3.8
|
On lip, rays. On handle, two horizontal bands. Shoulder decoration consists of a repeated inverted comma pattern. On body a line, a band, six narrow lines, and, in the main zone, two lions (with traces of a third lion between them), with rosettes between their tails. Four thick black bands, each with thin red bands superimposed. Band of five rays rising from base. Two bands around foot and base coloured black.
|
|
| 27.4.8
|
Interior: lion, with red and white details, in a tondo framed by a red circle. Exterior: ivy leaves with short, curling stems, separated by chevrons (above) and dot rosettes (below). Black ring foot with reserved resting surface. Underside reserved also within foot, and decorated with three concentric circles: red, black, red.
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| 28.9.1
|
Black inside rim but reserved in body. Neck is black. Shoulder is reasonably flat and has red and black tongues above a combat scene of seven warriors. Incised white and added red detail. Two horizontal handles all black, as is back of body. Front has panel belween two rows of ivy leaves. Scene is of horses and warriors facing right. Warriors are not mounted on horses but stood behind. Below this is a panel showing a lion facing a boar between palmettes. Bands above and below this. Black band to rays at foot. Side of foot is black half way with bottom half reserved. Base reserved.
|
|
| 44.1.1
|
Rim: There are black tongues around the aperture and dots on the side surface of the rim. On the back of the handle there is a row of dots, framed by two, vertical lines. The neck and the surface below the handle is left reserved. At the base of the neck there are black, petal-shaped spots. Top surface: The aperture in the centre of the ring is black with additional concentric, black lines between reserved areas and a row of dots. Some of the lines have incised diagonal lines across. The reverse side bears a similar decoration but without the row of dots. Side surface of body: The main design is of an Ibex and Lion facing a central rock, made of horizontal bands. Added red is used for some parts of the ibex's body as well as for the some of the bands of the rock.
|
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| 47.6.1
|
The Gorgon Medusa, in both shoulder panels. Area under handles is black. Side A: Achilles on black horse, alongside a red horse with an attendant riding on black horse behind. Troilos lies on ground. Side B: Achilles carrying Troilos toward alter made of bricks with incised lines (the altar might also be interpreted as a fountainhouse). Shrub in front of altar (fountainhouse) Pictures are in red, black, white with detail incised. Below shoulder zone are red and black chevron-palmettes; below this, animal frieze with goats, panther, winged creature and lion. Triangles radiating from base, foot is black and base reserved. Zones separated by bands.
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| 48.12.6
|
Rim decorated with three bands, the the central one with added purple. Horizontal bars on handle. Long tongues on shoulder; figural zone framed by bands. Main design is of three crouching lions, facing right, with long tails forming s-curves above them, each reaching back to link to the next lion. Incisions and added purple on necks and shoulders. Base reserved.
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| 48.2.1
|
The interior is glazed black. There are two zones of decoration. Top (A): water bird, horseman with dog, lion; top (B): lion, horseman, waterbird. Bottom: seven swans, three decorated with incisions, above a ray base. A few rosettes and a dotted rhombus in the field. The base and rim of the foot are reserved.
|
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| 49.8.8
|
Inside and outside of mouth and handle is black as is neck and back of body. At base of neck is a key / meander design between two moulded ridges and only appears on the front. On the body, metope bearing the figure decoration. On the top of the metope. black tongues.Main design is in a panel showing a Quadriga moving to the left. Horses' heads turned towards different directions. One to the left, other three run their heads to the centre facng each other. On the quadriga, hoplites in profile either side both facing right, holding shields and spears and wearing helmets. One of the shields is decorated with a feline picked out in white, only the back part of which can be seen. Behind the quadriga, a hoplite in profile to the right. He is holding his spear and seems ready to attack. He has a shield decorated with three dots with added white, he wears a short chiton, a cuirass and a Corinthian helmet. In front of the chariot, hoplite in profile, moving to the left, having his head turned backwards. He is wearing cuirass, short chiton, a helmet. He is holding his shield and two spears. Added red-purple on reins of horses and headbands and tunic of warriors, as well as contours of the shields. Added white on lion of the shield and decoration of the shield of the second hoplite which is not clear, the edge of the sword of the first hoplite, the dots on the shiled and a band on the body of the last hoplite. Red band at base of panel running all around the vase's body and foot is black on top, but reserved on side. Resting surface reserved.
|
|
| 51.1.1
|
Glazed on the interior. Exterior: thick band on underside of rim and top of body; a figural and floral frieze, between a pair of thin bands. depict vertical 6-7 petalled palmettes, alternating between upright and inverted, joined by tendrils, and a silhouetted rearing lion, profile to right. Lower part of body glazed black, fading to brownish-orange; brownish-orange band overlapping from inside of foot to resting surface.
|
|
| 51.1.2
|
Interior and exterior of the mouth, neck exterior of handles black, fired mostly reddish brown. The underside of the rim has a reserved band. Underside of the handles reserved. The body is all black apart from the metope carryint the figure decoration and a reserved band decorated with radial-shaped motif beofre the black foot, decorated with two red concentric bands. Resting surface, underside of the foot. The top surface of the rim is decorated with two, concentric, red lines. Another marks the junction of the neck with the shoulder. The neck is black (reddish brown on the reverse side). The main scene begins from the top of the shoulder (under a red line), down the main part of the body. There are two confronted bulls with their heads bent downwards. Added red on partsof their bodies. Between them, there is an ivy leaf (heart-shaped). They step on a thin, black line, which separates the shoulder zone from the body metope.
On the body, two warriors attack other two. All warriors have spears with teardroped terminations (three terminations are visible, the fourth is on a missing area) and wear helmets with coverings for the cheeks (only the right pair's are visible) with details (dots for the first and fillet for the second warrior) in added white (now fadded away). They all held shields as well. All are round, except for one. The right pair's episemata on the shields are visible (upper part of seated lion / tripod, rendered with added white that has fadded away), while the other pair's shields' interior is visible and so the porpax (handle) can be seen on the left warrior. Additionally, they all wear greaves. Added red on the contour of the shields, the interior of the shileds, helmest, one hoplite's greaves. Between the pairs there is an eight-pointed star. There are also two horizontal red lines below running around the body of the vase. Two horizontal red lines frame the reserved lower zone decorated with the linear motif. The foot is black, with two red horizontal lines. The base is reserved.
|
|
| 51.4.7
|
Interior surface is black. The exterior surface is black for top half and there is traces of a design on the lower half. It appears to be a lion attacking a goat. The necks of both and the tongue of the lion are purple.
|
|
| 51.4.9
|
The rim is black, both on the inside and on the outside. The back of the handle is also black, but the underside is reserved. The neck is reserved, but glazed apart from a thick purple band on its lower part. On the sloping junction of the neck with the shoulder, black tongues. Both interrupted at the joining point of the handle to the neck. The shoulder is covered with a guilloche (pattern of interwoven fillets) with teardropped terminations. In the middle of two upper and two lower black lines there are two rows of black dots that begin on the edge of the second left figure of the main scene and stop at the edge of the last person. In the centre of the scene, a male figure in profile to the right with as short mantle, a quiver on his back (Herakles) is attacking a kneeling Amazon. With his left hand, he is gradding her from the air and with the right he is holding a sword, with which he is ready to kill her. The Amazon, in profile to the left, is wearing a helmet, holding a very long spear with her arm and her shiled with the left. From his waist, her sword is hanging. This scene is flanked by two other battle scenes. On the left side, an Amazon is attacking a Greek. He is wearing a cuirass, helmet, he is hloding his spear and his shield and he is shown ready to fall down. Tha Amazon has atteacked him with her spear. She is wearing a helmet and a short chiton. On the right, an Amazon and a Greek are shown in profile running towards the left, projecting their spears. The Amazon is wearing a ahsort chiton and a helmet. She is holding her shield, covering large part of her body. A frontal head of a lion decorates the shield. A sword hanging from her waist. The male warrior wears a short chiton and has a shield and a helmet. The Amazons have long hair and wear helmets with longer and bigger crests. Incisions and added red are used for details. Added red: parts of the chitons of the warriors anad the Amazons, hair of the warrior in the middle, fillets on Amazon's heads and the frame of the shield of the running Amazon.
Below the scene, there are two lines (not evenly formed at all in their length) and a band of added red. Below that, the vessel is black, with two concentric circles on the surface of the foot. The resting surface is reserved.
|
|
| 53.8.3
|
Lip and interior glazed black, except a ram protome, profile to right, at the centre of a reserved tondo, outlined with an orange band. Exterior: lotus petals on the rim, interrupted only by the glazed handles and lugs, above a a thin glazed band at the carination (mostly orange-red), an invertedanimal frieze on the body or bowl, above a pair of thin bands above a thick band; bands decorating the foot on exterior and interior vertical surfaces; underside decorated with concentric circles (black between two lighter orange circles, enclosed by two darker orange circles). The animal frieze shows (from just above the black handle): a panther advancing to the right, head frontal, licking the horns of a grazing deer, profile to the left, between two pinecones, with a dotted line above his back; a panther advancing to the left, head turned frontal, a dotted lozenge, a lion advancing to the right, tongue licking the horns of a deer grazing profile to the left, with a row of chevrons above; a dotted lozenge. Below each creature is a dotted bull's eye (comprised of central dot, surrounded by a band, surrounded by a circle of dots). Additional ornaments, including dots and chevrons, in the field.
|
|
| 59.2.1
|
incised amulet in the shape of a lion with suspension hole on top
|
|
| 77.5.1.1-17
|
The interior is reserved (although covered with plaster on most of the fragments), apart from the upper parts of 13, 14 and 15, that are black (unevenly applied). 1) On the left, there is part of a naked male figure (thighs to toe), facing right and next to him there is the lowest part of another similar figure facing right. Below them, there is part of a black band. 2) There is part of the right part of the previous figure (chest to toe). On the right side of the fragment, there is a figure's forearms (projected to the left, the right hand holding a round object) and part of the right knee. 3) Part of a naked male figure, leaning to the left. Details with incisions and added red. 4) Part of a lions's paws and below it part of a broad, black band. 5) A male figure's thighs and part of a bird? (executed with incisions and added red). 6) The right part of the previous bird? and the right tibia of a male figure , facing left. 7) The thighs of a male figure facing right. On the left side of the fragment there is part of a black and red motif? 8) The upper part (chest to thighs) of a naked male figure, facing right. 9) Part of a male figure's thighs, facing right. 10) The previous figures lower part of legs and part of a black band. 11) The biggest part of a bird, executed with black, added red and incisions. 12) On the left, there is the rest of the previous bird. Next there is the lower part of a lion, executed with black, addeed red and incisions. Behind the lion, there is the lower part of another male figure (chest to feet), facing left and behind him there is part of a bird. 13) The upper part of a satyr (head to thighs), facing right. His hair and beard have been rendered in added red. 14) The lower part of the satyr, chasing a maenad on the right (her right leg is only visible). The details of her drapery are in red and her tibia is white. 15) The left left of the running maenad. On the right, another satyr chasing a maenad (lower part of the figures is visible). 16) Part of a broad, black band. 17. Bit of plaster.
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|
| 84.8.1
|
30 fragments, largely side B, small part of side A, handle and rim fragments. Side B three youths. a) The top surface of the rim is black and so is the interior, apart from a reserved area at the end of the rim that bears a thin, black line. The neck is decorated with a vague representation of a brach with laurel leaves. The joining point of neck and body that is preserved bears part of a black, thick line. b) The interior and top surface of the rim is black, with the exception of a reserved band on the end of the rim (interior) that bears a thin, black line. c) The handle is black, except for the surface that would not have been visible if it was attached on the vessel, which is reserved (but glazed). Around the spring of the handle there is a motif between two thin lines that resembles the ionic cyma (egg-and-dot). The rest of the vessel is black, both on the outside and the inside. d) The handle is black, apart from the surface that would not have been visible, where there are two dots. Around the spring of the handle there is part of the ionic-cyma motif. e) There is part of the ionic cyma motif that the handle bears around its spring and the rest of the surface is black (interior and exterior), apart from part of a small chess-shaped motif, framed by a line above and two below. f) It is black apart from an area that bears a small part of the motif that contours the springs of the handles, a small, diagonal, reserved band (exterior) and a reserved band (interior). g) The surface is black (interior and exterior) except for three thin lines that are reserved. h) The interior is black. Exterior: Above a double-meander pattern, placed on a reserved band and between two lines, there are two heraldic lion paws, even though the details have fadded away. i) The interior is black. Exterior: The lower part of the drapery and the foot of a figure, surrounded by black colour. j) Black interior. Exterior: The lower part of a vertical, reserved thin band is standing on a broad, reserved band that bears between two black lines part of a pattern that consists of a meander and a cross on its right. The cross is contoured by a reserved area (around its sides), while its is executed on a black background. k) The interior bears a thin, reserved band. Exterior: The back part of a male figure's head and shoulder, as well as part of the drapery. l) Black interior. Exterior: The male figure's shoulder and part of his draped body. On his right there is the outer part of the motif that contours the springs of the handles. m) Part of the male figure's leg, knee and tibia, which is projected, as if he is ready to take a step. On the left top side there is part of a vertical, thin, reserved band (upper part of a walking-stick). n) Black interior. Exterior: The lowest part of the figure's drapery and a vague representation of his feet ? He appears to be standing on a pattern that consists of a chess-like motif close to two, double-meander ones, framed by two lines above and one below. o) Black interior. Exterior: The lower part of the figure's walking-stick that seems to stand on the double-meander pattern. On the left of the walking-stick, there is part of the back side of another draped figure (male), with the same careless rendering of the feet. p) Black interior. Exterior: Part of the walking-stick and drapery of the second figure. q) Black interior. Exterior: Small part of the second figure's drapery. r) Black interior. Exterior: Small part of the second figure's drapery. s) Small part of the second figure's drapery. t) Black interior. Exterior: Part of the lower termination of the second figure's drapery as well as his right foot? On the left, part of his walking-stick. He seems to be standing on part of the double-meander pattern. u) Black interior. Exterior: Part of the pattern that consists of the chess-like motif, next to part of a double-meander one, on top of which there is the lowest part of a figure's foot? (clumsily rendered). v) Black interior. Exterior: The lower part of the drapery and right foot of another similar figure that satnds on the double-meander pattern. w) Black interior. Exterior: Part of the figure's drapery. x) Black interior. Exterior: Part of the figure's drapery. y) Black interior. Exterior: Part of the figure's drapery. z) Black interior. Exterior: Part of a male figure's arm and hand. aa, ab and ac) Part of the rim and neck. The exterior bears a broad black band and the interior bears a reserved area between two black bands. ad) There is a reserved line on the interior, while the exterior is black, apart from a reserved spot of unclear shape and another, similar one that bears a thin, black line.
|
|
| 92.1A-K
|
(a) Bull and lion, facing; (b) Pegasus; (c) Archer: holding bow and spear/arrow(?) with tall helmet, kneeling; (d) stag; (e) Female head: wearing winged helmet; (f) Lion head, small; (g-k) non-identifiable shapes, stamps.
|
|
| E.63.12
|
Sacred eye amulet, light blue. The eye is crowned with a rectangular piece containing two smaller sacred eyes, a lion sits on top of this.
|
|
| L.2005.7.11
|
Obv: Female head (Arethusa?) wearing olive wreath, surrounded by 4 dolphins. Rev: Quadriga, Flying Nike crowning horses, above; lion, below
|
|
| L.2016.3.24
|
Obverse: Portrait of Alexandros III. to the right, wearing Heracles' lion skin exuvia
Reverse: (From left to right) quiver, Greek inscription, Heracles' club, Greek inscription
|
|
| REDMG:1935.87.19
|
Traces of four (?) bands on mouth and three lines on handle. Tongues on shoulder with two bands below. Main design (starting from below handle going left to right) a human (?) figure on a horse facing right, a lion biting the foot of a warrior who is defending himself with shield, a large creature (possibly a panther), and a man. These pictures are all incised. Dots and rosettes incised with asterisks in field. Five bands around base.
|
|
| REDMG:1935.87.31B
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Lid: on the rim of the knob, black silhouetted triangles pointing outwards; below teh knob, black rays; four circles, the second and fourth red; round the edge below the animal zone a black band between two black lines; on the vertical rim a red band, and again a black band between lines. In the animal zone, on one side a palmette-lotus complex, flanked by a pair of sirens; on the other a siren flanked by a panther on the left and a lion on the right. Small incised circles on the body of teh panther, incisions on the lion. Field ornaments include rings of dots with or without a circle at the centre, scattered dots, amorphous and cruciform rosettes with incisions crossing at centre, rosettes with incisions forming small arcs facing away from the center. Some remains of added red on neck, breast, and tail of sphinxes, heart of palmette and petals of lotus. Inside of lid reserved.
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| REDMG:1953.25.102
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Recumbent lion, with head turned to the right. Pale orange clay, with inclusions; surface has traces of white slip.
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