11.10.21
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es a charioteer driving a quadriga, or two-horse chariot, to the right. Incised → detail ← on all figures. Careless design, no → detail ←s.
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14.9.20
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shed edges. Red core and red interior. White on outside with dark brown / red → detail ← in a triangular shape.
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14.9.86
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Interior black as is handle on top although it is reserved underneath. Th |
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2006.12.83
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Carving of → detail ← of female face with hair band, → detail ←s worn
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2006.12.90
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Ridges and unusual shape could be → detail ← on figurine, otherwise very low quality pottery
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2007.10.2.223
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Standing naked male figure. Looking at what appears to be a small statue. |
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2007.10.2.226
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Seated male figure, bearded and naked from the waist up. He is holding wha |
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2007.10.2.295
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ion of the figure is on something in the bottom left of the scene; however, the → detail ← is not clear enough to reliably identify what it is.
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2007.10.2.309
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t side of the chest is revealed and appears quite muscular. There is some vague → detail ← at both his back and chest. These appear to be a quivver and a bow, which |
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2007.9.3.23
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Displays a chariot race in very small, fine → detail ←.
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2007.9.3.62
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Elderly male head facing forward. Face shown in great → detail ←.
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22.3.23
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ld. Brown for womans girdle and border of himation. White (now lost) for some → detail ←. Underside of lid is black. Central knob handle has circular tendril pa |
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25.6.3
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uch. At each side, woman on animal (perhaps mule [looks like llama]). Incised → detail ← on drapery (black robes) and on lyre. Below are reserved bands on black |
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26.12.10
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ear to be mostly in pairs. Women originally had white painted flesh. Clothing → detail ← is incised. Foot is black on top but lowest point of side is reserved. I |
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26.12.11
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chariot). Four sphinxes, facing handles, one each side. Horses are black with → detail ← in red and white. Lower part of side of foot reserved, as is resting sur |
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26.12.12
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Inside is black with reserved line at lip. The rim isblack on the outside |
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26.12.18
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h bands and has a picture of a man with a staff. Figures in black with incised → detail ←. Two handles, one on each side, are black on the top and reserved undern |
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28.6.1
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us standing between two clothed youths, the left of them holding a discus. Robe → detail ← is picked out in black paint. No relief contour. There is an reserved l |
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28.9.1
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ck tongues above a combat scene of seven warriors. Incised white and added red → detail ←. Two horizontal handles all black, as is back of body. Front has panel b |
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34.8.1
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a wreath which is now lost. In front and below her is a swirling tendril. The → detail ← on her clothing is drawn out in black. The foot is black on the top and |
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34.8.14
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Green glaze shabti, black pigment → detail ←. There is a head-dress and the figure appears to be holding something in |
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34.8.5
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Mouth black on inside and out but with a reserved rim. Neck and underside |
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34.8.8
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Mouth red on inside and outside, with lip reserved. Single handle which is |
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35.5.34A-Q
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f hymation (m) Small fragment part of hymation. (n,o,p) small fragments with no → detail ←.
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38.4.3
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Black → detail ← faded to brown on pale buff background. Interior of mouth has faded rema |
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38.4.5
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Brick red → detail ← on pale buff background. Three groups of three red lines roughly painted |
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39.9.2
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s similar scene either side. Side A shows combat of three warriors, with white → detail ← on spear, helmet, shield and armour. Side B is similar but there are no |
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45.10.11
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Offset rim is black inside and out and the handle that originally existed |
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45.10.4
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Inside and outside of rim is black and there are five dots inside. Main de |
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45.6.17
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taira. Remains of branches with white fruit just visible. Figures are robed and → detail ← is in white. Two reserved bands below on black glaze. Foot is stepped, si |
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45.9.1
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Mouth black inside and outside. Reserved rim. Handles painted black on t |
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47.6.1
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Shrub in front of altar (fountainhouse) Pictures are in red, black, white with → detail ← incised. Below shoulder zone are red and black chevron-palmettes; below t |
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47.7.2
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f the body. All black apart from two designs. One one side is a panther, with → detail ← picked out in black paint and whose face is in an odd perspective. On the |
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49.1.2
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sette (rodakas) next to a strigil. Below, there is more vegetation. Relief dots → detail ← xxx and added white has been used for xxx.
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49.4.1
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nd she is draped. Additionally, thinned glaze and black paint has been used for → detail ←. Below the scene there is a similar meander pattern on a white band. The |
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50.12.37
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White clay fragment slightly curved and the exterior shows → detail ← of a pattern; parallel lines curve accross the fragment to the left there |
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51.4.1
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o feet) and the right leg (thigh to toe) of the horse-rider, with incisions for → detail ← (denoting also the bridle) and added white. At the other end there are tw |
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51.4.10
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on stool and red on chimation and fillet on his head. Side B is a tree (?) with → detail ← added in red-purple . No substantial foot, but a reserved, flat base.
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51.4.11
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terior of foot. Cartoon-ish black-figure scenes on body and stand, with incised → detail ←. Body, side A: Legless horseman, with arms spread on either side, to righ |
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51.7.1
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e youth riding a horse to the left, white for reins and thinned glaze for black → detail ←. Below is meander strip broken by two crosses (white on black). Black to |
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51.7.16
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Black mouth inside out, except for reserved top surface of the rim, exteri |
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52.3.3
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ound a stele (?), two facing left and one facing right. Figures are ruddled and → detail ← picked out in black. Below is a band of ivy leaves. Foot is black and rid |
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71.6.3
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ars (?) of which heads are not visible, being too tall for space avaliable. The → detail ← on both figures is picked out in black paint. Two ruddled bands run aroun |
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74.7.2
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reserved plate. Inside at centre is a stamped design of six leaves, with vein → detail ←, in a circle inside three grooved bands. More grooves towards sides of p |
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E.23.17
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Face comprises top third of piece, angular. → detail ← on face uses black pigm |
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E.23.61
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Sacred eye amulet, blue with the eye → detail ← painted in black. A hole has been drilled through the amulet to enable w |
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E.62.4
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The underside of the artefact has the same image only in reverse and with less → detail ←. There is red pigment remaining on both sides around the feet particular |
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E.62.5
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There is a small band of carved / incised → detail ← at the thickest end. Carving is a simple cross-hatch pattern with three |
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E.63.1
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The relief is a human ear, with no other discernible → detail ←. There is some red pigment remaining on the inner ear.
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E.63.16
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carab on a flat base. The beetle has a line running down its thorax and little → detail ← around the 'mouth'. The base is decorated with an ankh and two other sym |
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E.63.2
|
le drilled horizontally through the middle of the piece to allow threading. The → detail ←s are carved into the piece, the top is a line of slightly diagonal lines, |
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E.63.8
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ue figure of the gods Isis and Horus, Horus as her child is sat on her lap. The → detail ← is not clear and there is a hole in the crown of Isis presumably so the n |
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E.65.15
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of glazed faience inlay, blue in colour, flat underside, shape unclear although → detail ← suggests scaraboid or serpertine.
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REDMG:1935.87.28
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Inside black, reserved line at lip. Two kylix handles, black on the top an |
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REDMG:1947.13.1
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d over her left arm, a pair of white slippers, holds a palmette fan, with white → detail ←, in her upraised left hand, and a branch (similar to a thyrsos) in her le |
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TEMP.2002.9.2
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Larger piece (1) is made of three fragments and shows the top of the front |
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TEMP.2002.9.3
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Inner surface is reserved. Outer surface has part of a man in robes holdi |
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TEMP.2005.1.6
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Small → detail ← of protruding band at top of neck and small line visible on body. No pain |
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