| 13.10.10
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Karageorghis, 1991, Cat. No. WHP.IV.4, pl. CXLII.4; CVA British Museum pl. 5:40
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| 13.10.17
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CCA 22 #B.39, National Museum of Denmark Inv. No. 651, CVA Copenhagen, pl. 25:11 a-b.
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| 13.10.23
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Almost identical to Quebec, Musée de l'Amérique Française inv. 1991.1711: CCA 16 (1996) 132 no. 493. V. Karageorghis notes that such alabastra made of local gypsum (a material used since the Late Bronze Age) are common in the Salamis Necropolis throughout the Classical period: Excavations at Salamis 3 (1973) 197. Compare also to a 'false alabastron' made of limestone in Sydney, Nicholson Museum 47.342 (Cambridge Loan no. 103): CCA 20 (2001) 123 no. 346 and some such alabastra found at Salamis: V. Karageorghis, Excavations at Salamis IV.1-2 (1970) 86 no. 8, pls. CXIII and CCXXXVII (Cellarka)
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| 13.10.39
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Cf. A.C. Brown and H.W. Catling, Ancient Cyprus (Ashmolean Museum), 1975 p. 53 pl. 22.
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| 13.10.4A-B
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For comparable mirrors with a concentric circle ornaments and mouldings on the recessed or flat sides of the mirror cases see SCE IV.3 (1956) 114.2, fig. 33.17, discussed on 178 (type 2) and especially G.M.A. Richter, Greek, Etruscan and Roman Bronzes (New York 1915) 269-70, no. 787 (New York, Metropolitan Museum of Art, Cesnola Collection inv. C.B.144, said to have been found in a tomb in Dali, as published in L. di Palma Cesnola, Atlas III, pl. LX.2; LXI, 1, 2; Excavations in Cyprus 83, B 77.4, 85, E 114.7). The Cesnola example is, however, somewhat larger. Also slightly larger than the Ure example are two 'Hellenistic' mirrors with concentric circle decoration (both with matching lids), but without specific provenience's ('Cyprus) in Aarhus, Antikmuseet (Aarhus Universitet), inv. nos. K115 and K116 (AS 3543a and AS 3543b).
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| 13.10.7
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National Museum of Denmark Inv. No. 1095, CVA Copenhagen, pl. 21:18.
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| 2009.10.1.1
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Probably after the fresco of Hercules and Omphale, first century AD, from Pompeii, now in the National Archaeological Museum, Naples.
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| 23.11.33
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One of 15 such vessels in the Ure Museum (cf. 29.11.33-47)
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| 23.11.34
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One of 15 such vessels in the Ure Museum (cf. 29.11.33-47)
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| 23.11.35
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One of 15 such vessels in the Ure Museum (cf. 29.11.33-47)
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| 23.11.36
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One of 15 such vessels in the Ure Museum (cf. 29.11.33-47)
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| 23.11.37
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One of 15 such vessels in the Ure Museum (cf. 29.11.33-47)
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| 23.11.38
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One of 15 such vessels in the Ure Museum (cf. 29.11.33-47)
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| 23.11.39
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One of 15 such vessels in the Ure Museum (cf. 29.11.33-47)
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| 23.11.40
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One of 15 such vessels in the Ure Museum (cf. 29.11.33-47)
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| 23.11.41
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One of 15 such vessels in the Ure Museum (cf. 29.11.33-47)
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| 23.11.42
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One of 15 such vessels in the Ure Museum (cf. 29.11.33-47)
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| 23.11.43
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One of 15 such vessels in the Ure Museum (cf. 29.11.33-47)
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| 23.11.44
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One of 15 such vessels in the Ure Museum (cf. 29.11.33-47)
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| 45.9.2
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A nearly identical pair of vases (right as well as left foot) are in in the Gallatin Collection (now in New York, Metropolitan Museum of Art): CVA Gallatin IIIK pl. 62.11-12. Both are larger than the Reading example; the Gallatin left foot is from Olbia (ex Chmielowski Collection); it is also published in Chmielowski Sale Catalogue, American Art Association, February 23024, 1922 no. 74. Ure notes two similar vases from Chalkis published in ArchEph 1907, 82, fig. 16, which are in turn compared with two in the National Museum in Athens, inv. nos. 9734 and 9735. A further example, which is, however, shod in a pointed slipper, was found at Rhitsona, and is in Thebes 6140 (R.57.3): CVA Thebes 1, pl. 68.4-5 (citing further examples in New York and Hanover); K. Demakopoulou and D. Konsola, Archaeological Museum at Thebes. Guide (1981) 63.
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| 47.2.27
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cf. Lamaka finds, British Museum
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| E.23.58
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Similar inscription in a Petrie Museum scarab: UC13204
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| E.62.33
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Petrie Museum UC9499
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| L.2011.1.48
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Catalogue of British Museum, vol. II, no 835-839
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| REDMG:1958.33.1
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CVA British Museum fasc. 2, pl. 11 #25
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| REDMG:2003.84.1
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CVA British Museum Fasc. 2, pl. 12 #12.
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| temp.2014.12.1
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cruets from Museum of Fratte Rosa (Pesaro-Urbino, Marche region, Italy)
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