| 14.9.109
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Belongs to the same workshop as 50.4.16 according to D.W.J. Gill
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| 2003.7.77
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workshop of the Haimon Painter?
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| 2008.7.101
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Workshop of
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| 22.3.43
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Trendall, LCS 372.89, attributes this to the workshop of the Capua Painter because of the rendering of the sakkos, worn by the woman.
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| 25.9.4
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Ure (CVA) attributes this to the 'Workshop of the Beldam Painter'
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| 26.12.10
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Ure (CVA 18): 'In general similar to those painted in the Krokotos-White Heron Workshop, but there is no reason to suppose it was painted in that workshop'
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| 34.8.4
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Ure (CVA) attributes this to the 'Workshop of the Beldam Painter'
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| 45.10.1
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A.C. Smith. The lotus bud is quite unusual, and this and other decorative elements relate this epichysis to the Egg and Wave Group, a workshop that specialised in small vases and was related to he Iliupersis Painter. There is also a slight resemblance to the work of the Lampas Group, followers of the plain style: cf. Scottsdale, Cutler Collection (RVAp 11/206a). Although no other epichyses have been attributed to this group/artist, the group seems to represent the work of a versatile artist, influenced by the Truro and Lecce Painters and associates, who favored smaller vases, specialising in single figures, often animals, surrounded by ornament of the type shown on this epichysis, especially tendrils, buds, and bulls-eyes, with large added white dots. Cf. especially Karlsruhe B 938 (RVAp 10/232) and New London, Lyman Allyn Museum 1955.1.83 (RVAp 10/234).
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| 45.6.72
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Trendall, LCS 178.1067: possibly by the Primato Painter, but belonging to a group of 'minor vases' that may be 'workshop pieces' (176).
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| 50.10.1
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Coldstream 78.16. He further explains (79) that dogs are typical of this workshop.
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| 50.4.16
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Belongs to the same workshop as 14.9.109, according to D.W.J. Gill. Sparkes and Talcott, in Agora 12, 140 no. 17, suggest that this piece is probably from the same workshop that made deep Acrocups.
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| 61.6.5
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Ure (BSA 1960) identifies this vase as from the same workshop (and probably same hand) as Chalcis 938 (deep handleless bowl).
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| REDMG:1935.87.11
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Corinth 15.3, 369 and 370 n. 6: classed, along with similar miniatures, to a group of 'lotos kylikes', attributed to the workshop of the Sam Wide Painter.
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| REDMG:1935.87.32
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Trendall and Cambitoglou, RFVA 2.765, 2.772.91, assign this column krater to the Group of Taranto 9243 (formerly known as 'Group of Taranto 2996'), a subgroup of the Amphorae Group, the vases in which 'must be products of the workshop of the Patera Painter'.
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