| 51.7.11
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Trendall, PP 159.275, attributes this krater to Python's 'more developed' style
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| REDMG:1935.87.32
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Trendall and Cambitoglou, RFVA 2.765, 2.772.91, assign this column krater to the Group of Taranto 9243 (formerly known as 'Group of Taranto 2996'), a subgroup of the Amphorae Group, the vases in which 'must be products of the workshop of the Patera Painter'.
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| REDMG:1935.87.33
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Trendall and Cambitoglou, RFVA 1.381 and 1.382.164, attribute this bell krater to the Schulman Painter
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| REDMG:1951.141
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Trendall and Cambitoglou, RFVA 2.710.762, classes this bell krater as 'connected in style' with the Monopoli Painter.
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| REDMG:1951.160.1
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Trendall, LCS 132.670, places this bell krater in the earliest group of vases attributed to the Roccanova Painter, which 'show Apulian influence most clearly' yet indicate the Roccanova Painter's developed style, e.g. the Z pattern, the palmette between the figures, and the stocky style of the figures.
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| REDMG:1951.161.1
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Trendall and Cambitoglou, RFVA 1.234 and 1.235.73, attribute this bell krater to the Painter of Geneva 13108, a member of the Chrysler Group, who is a late follower of the Painter of Karlsruhe B9.
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