Ure Museum Database



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There are 8 objects for which Decoration contains → vii
45.10.13 (i) There is a small part of a motif (partially covered with plaster) that consists of wavy lines. Below it, there are two lines and underneath there are parts of two inverted, palmettes (voluted with petal-shaped divisions) that flank a three-pointed flower with two dots to represent pollen. ii) Between two pairs of lines there is a guilloche (fillets with teardropped terminations interwoven together) with dots among the lines. Below, there is a broad black band, which seems to be interrupted at the right side. (iii) At the left, three parts of vertical, black bands and incisions create part of an object (garment hanging from chair or couch?) In the middle, there is an object- as if it was a grave-stele with a cross-shaped ? ending above which spring two heraldic, white, voluted palmettes (now fadded away), a chiastic motif with dots and horizontal lines on top- but inverted (leg of a bed or couch?). Next to that, there are a figure's part of thighs, knees and calves, close to part of a palmette. (iv) A bearded satyr (seilinos) plays a chorded instrument (lyre), while his himation is hanging in the background. Next to him there is a draped female figure (Demeter?), holding a wreath (black circle) and branches with dots on both sides that surround her. The details on her drapery have been executed with added red and so are those for her head-dress. There are also traces of added white on her neck. On top of the fragment there is part of a motif of tongues contoured with ellipsoid lines and a line that encircles this pattern. v) On the left, there is part of the satyr's lower legs (above the knees towards the feet) and the lower end of his himation. Next to him there is the termination of the female figure's branch, close to a similar inverted grave-stele? and part of an object that resembles an animal paw (lion-shaped foot of chair or couch) . Below these, there is a line on which they seem to step on. Next, a guilloche between two pairs of lines and at the bottom part of a radial-shaped motif with a line that contours it on top. vi) A line and black, teardropped spot. vii) There is a line on whose right top side stands a rectangular object with a rectangular surface in the middle being reserved. Below, part of two lines on top of part of the guilloche. viii) Small part of shoulder and neck: there is a black spot, a thin band, a red line on top of a plastic ring (joining point of neck and shoulder) and part of a tongue-shaped pattern contoured by a line on the shoulder. There is also a part of two lines in the interior. ix) Part of the guilloche, the two lines underneath and the radial-shaped motif at the bottom. x) Tiny bit of the guilloche and the two lines below it and part of the radial-shaped motif. xi) Part of voluted palmette and tongue-shaped motif. xii) Part of the floral motif (of a three-pointed flower)? with lines that form a rhombus with a dot in the middle. xiii) Part of the shoulder and the spring of a handle. On the top there is the tongue-shaped motif, encicled by a line and below it an inverted palmette. The spring of the handle is black and next to it there are short, diagonal incisions. There is also a tiny spot of black colour in the interior. xiv) On the left, part of leaf-shaped (heart-like) motives (part of thyrsos?), close to a band of black colour, of undecipherable shape. Next to that, there is the lower part of a female draped figure, with small crosses on it. At the right side there is black and white colour that forms ovaloid shapes (?). xv) A black band and on the left part of the female drapery.
45.10.15 18 fragments (i-xviii) of an Attic black figure Amphora, showing palmette-lotus neck decoration, with crude tongues below, parts of a central scene of female riders on horseback (possible Amazons) with male figures all facing right, below are upright lotus buds, and possibly the end of rays at the base of the vase. i) part of neck and lip, lip is black glaze with red band below with evidence of black decoration, the reverse is black glaze on neck, no glaze on the reverse of lip. ii) triangular fragment of neck with part of palmette-lotus chain decoration. Reverse black glaze. iii) triangular fragment of neck , part of palmette decoration. The reverse is mostly unglazed. iv) fragment of neck and shoulder with bottom part of black neck decoration and two sets of vertical line (tongue) decoration. v) larger part of shoulder and body showing a male head and shoulders facing right with vines on either side of the head, above a row of vertical line (tongue) decoration. vi) small fragment of neck with part of palmette decoration, reverse black glaze. vii) part of neck and body, with four vertical lines above, head of female with helmet and white face, the eye and eyebrow of the female is incised with added pigment, facing right, part of horse head and neck, with white hand of female holding on. The helmet of the rider shows incised decoration and a red band, the horse head also has incised decoration showing bridle and reigns. Vine decoration between female head and horse and behind female head. viii) largest fragment of body showing lower body and legs of one horse and rider (rider’s leg white so possibly female) behind this is the front lower half of the second horse with white legged rider, there is a vine between the two horses, below are two horizontal register lines and then a frieze of upright lotus buds. ix) fragment of belly with lower part of a horse and top front legs, with white thigh, knee and lower leg of the rider. Incisions on horse. Other decoration to the right in black. x) fragment of belly, in the centre is a vertical vine, to the left is a black mark possibly a leaf, part of a circle (possible shield) with two black straight shapes coming from the bottom. To the right of the vine is a thick black line running vertically and to the bottom right of the fragment is a curved line in black. xi) fragment of belly with black line on far left followed by a vertical vine, leaf, and long black line, black leaf followed by another vertical vine, on the far right of the fragment is the bottom hindquarters of a horse xii) small fragments with black decoration that has incisions, vine and leaf. xiii) small fragment with thick vertical line, possibly a leg xiv) fragment from the body with black decoration incised and a vine pattern. xv) triangular fragment with a male head and shoulder, in black figure with eyes and hairline incised facing right. Small amounts of vine decoration at the top of the fragment. Semi-circular damage to the vessel on the left-hand side. xvi) small semi-circle in black with incised lines (joins with x) that forms a shield, to the right is part of a vine and another bit of black decoration. xvii) bottom part of belly, above the register line for main decoration, are legs/feet and other unknown, below two register lines are upright lotus buds, and below two more register line are the beginning ray decoration. xviii) section of the bottom of body, two register lines with upright lotus below, and two further register lines with the beginning of ray decoration.
45.10.32 i) largest of fragments, mostly black with edge of red ii) damaged surface, some black decoration visible, including vertical black line to one edge. iii) small fragment with black vine decoration visible iv)tongue decoration v) small fragment 3/4 black with red and white lines vi)curved piece (possibly neck of vessel) with black dots and lines vii) thick piece with ray and edge decoration viii)tongue decoration larger then iv ix) narrow fragment with possible ray decoration x) small triangular piece mostly undecorated, one line of black on one edge xi) small fragment with black and incised decoration xii) small fragment with some black and incised decoration. xiii) no decoration xiv) surface damaged, some black decoration including two dot xv) black decoration with curved incised decoration xvi) black decoration possibly clothes xvii) small fragment with possible rays xviii) square fragment with small black dot.
84.5.16 Block VI (figures 43 to 48) and VII of the east frieze of the Parthenon. The left half of the cast shows five men (three with staffs) standing in conversation; additionally another male (procession marshal) is standing facing the away from this group. The right half of the cast shows another two standing males (marshals) who are directing a group of six females (partaking in the Panathenaic festival)
84.5.19 Blocks IV (figures 10 to 12), V, VI and VII (figures 20 to 24) of the north frieze of the Parthenon, showing a section of the procession of the Panathenaic festival. Left of cast shows males leading a ram to sacrifice, centre of cast shows males carrying trays (skaphe) and water jars and right of cast shows male aulos players with a male in the background handling a boar. The tray-carriers and aulos-players are reconstructed from drawings following damage to the original blocks (V, VII). The water-carriers, despite the original block (VI) surviving almost completely intact, has the correct hydriai replaced by round squat vessels, and the boar is in the original a hydria being lifted from the ground
84.5.2 Reconstruction of blocks IV, V, VI and VII from the south frieze of the Parthenon showing part of procession with eleven riders and eleven horses
84.5.20 Blocks VII (figure 24), VIII, IX and X of the north frieze of the Parthenon, showing a section of the procession of the Panathenaic festival. Left half of cast shows four male kithara players. Right half of cast shows ten male elders proceeding leftwards. Blocks VIII and IX are reconstructed from drawings following damage to the originals. Block X is incorrectly reconstructed with differing poses for the group of male elders when compared to the surviving original
84.5.31 Blocks VI, VII and VIII of the west frieze of the Parthenon, showing a section of the procession of the Panathenaic festival. Shows a cavalcade of cavalry proceeding leftwards with four horses. At centre left is a helmeted male standing with left foot upon a rock tightening a sandal. At the far right the final horse is unmounted and held on to by a standing male with cloak shown flapping behind
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