| 11.10.12
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Ribbon handle with projecting ends. Inside is black with two red bands at centre. On turned-in rim, one black band (level with the bottom of the handle) and one red band. The body is decorated with black lanceolate leaves bordered on the outside by five lines alternating black and red, on inner by two lines and band in black. The foot is decorated with black band and, on the base, a wide red band, two thin black bands, two central bands and a dot.
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| 11.10.19
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Shoulder: frieze of bars at base of neck; below, five palmettes, consisting of a central group of three, the middle one inverted, and one at each side with its stem on the side away from the handle. The lower branch of each stem curls into a spiral from the end of which a leaf grows. There are dots in the field. Body: black except for a pair of red lines around the top.
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| 11.10.2
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Cup mouth originally black inside and out with lip reserved. Shoulder had rays and lotus buds. On back, long verticle smear of paint below handle. Main zone is palmettes and lotus buds on cable, perhaps with white outer continuous lines. Bottom of body was orignally black, as is top of foot. Side of foot is reserved as is base.
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| 11.10.21
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Black glaze covers the interior. Exterior of the rim black; black ground line at bottom of figural scene; black on lower part of body and exterior of foot, except for two reserved grooved lines on the top and lower part of foot. Reserved resting surface. Underside decorated with black circle at the center, surrounded by a thin black band. Interior of the foot black . Scene is similar on both sides: between palmettes a charioteer driving a quadriga, or two-horse chariot, to the right. Incised detail on all figures. Careless design, no details.
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| 13.10.11.10
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Incised pattern of parallel lines enclosing dots, between these features are undulating lines. There is also an incision around the girth of the bead.
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| 13.10.11.16
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Parallel zigzag lines incised on both the bottom and top sides of the bead as well as an incision of one line around the girth of the bead and around each end of the piercing.
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| 13.10.11.3
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Spherical bead with an incision around the girth, and parallel lines of 2 or 3 incisions either side of the girth.
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| 13.10.11.4
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Three parallel lines of incisions in diamond shapes on the surface of the bead
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| 13.10.11.5
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Incisions and dots on the surface. Pattern is such that the dots are in between two parallel, vertical lines. Incision around the girth too.
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| 13.10.11.6
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Groups of three incised parallel lines, arranged patterns.
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| 13.10.11.8
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Sets of three parallel lines of incisions all over the whole object.
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| 13.10.12
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Decorated with three groups of horizontal lines around the body, rays on shoulder, a wavy line round neck. The handle is painted on either edge with a black stripe and a wavy one on its surface. all in black. Edge lip painted in black.
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| 13.10.17
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The interior of the lip has a thick black line about 1.0 cm from the top, with black painted on the rim. The neck is painted with alternating red and black thick lines. The handle appears to have been painted in black on the top and sides, but reserved underneath. Around the middle, vertically to the handle there is a pattern of black cross-hatched lozenges. The rest of the body has a pattern of thin black and thick red concentric bands, ending in a circle with a black Maltese cross on either side of the vase.
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| 13.10.18
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Interior: halfway down, a series of uneven thin black concentric lines between two thick black lines; at base two concentric black circles. Exterior (from top to bottom): two black concentric lines, uneven thin black lines inside two thick black lines, one wide red band, black line, black line around footring and three concentric black lines on base.
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| 13.10.7
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Fired black in patches. Incised decoration: groups of zig-zags and intersecting straight lines which stop at base without meeting.
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| 14.9.11
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Painted decoration in dull black on both sides in rectangles with lines inside with cross hatching on the underside. Part of two bored holes at the same end but slightly apart, perhaps for suspension. No finished edges.
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| 14.9.12
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Creamy white throughout. Patterns in dull black. Rectangular patterns with lines inside with a right-angled crossings on outside and similar rectangle design inside but curved.
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| 14.9.13
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Creamy-white clay. Patterns in dull black on pinkish ground, rectangles and lines on the outside and a curved pattern inside. Small section of rim (?)
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| 14.9.21
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Two fragments joined. Core is reddish-brown. Inside is white with two wavy lines in red. Outside is white as well with two thick and two thin straight lines in red. Curves as though it may have been part of the neck of the vessel.
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| 14.9.34
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Fragment of a flat base. Chocolate coloured paint inside and out, including a flat base, all glazed. Exterior has 6 horizontal bands of white near the bottom, the lowest one broader than the five upper ones. On base two white parallel lines.
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| 14.9.38
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Pinkish-buff clay with brick red paint. The exterior surface has a band at rim above a spiral with linking lines with small petal-like crescents between them. Inside, the surface is red.
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| 14.9.5
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Inside of mouth and rim are black but remainder of interior is reserved. Handles, black on top and reserved underneath. Slight lip to mouth with black band below and then another at base of neck (white spots superimposed on front only). At base of handles are wavy lines and below is a decoration of three black bands. Base is reserved. Graeco-Phoenician.
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| 14.9.54
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Brownnish-black on pale buff. Design consisting of lozenges or perhaps triangles filled with trefoils, the vacant spaces being filled with waved parallel lines.
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| 14.9.57
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Central circular knob with painted black cross and sides filled with lines. Side has bars and the stem of the handle is black. Three black bands, two roes of staggered bars, black bands, diagonal lines with dots above and below, black bands, horizontal bars in two rows but are entwined, black bands. Inside is reserved and with a rim so it sits inside the base section.
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| 14.9.59
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Series of banded sections on pale buff background. Top section plain painted band faded to brown, followed by band of small black dots between two lines, then thick black band and 2 thin black lines then another black band that has faded to red and finally a thin black line with one further band that covers the corner and is visible on the bottom. The rest of the bottom is the pale buff of the clay. Inside has traces of brown paint particularly near the top.
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| 14.9.6
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Geometric patterns including crosshatching and diamond patterns in black paint on white slip. Short black lines on rim and interior of lip.
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| 14.9.60
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Series of bands; 1 thin followed by a thick red band with several darker lines through it, 2 rows of dots set between three faint red lines followed by a thick darker band and 2 thin bands all on pale buff surface. Outer edge has traces of painted line and underside is reserved.
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| 14.9.63
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Dark reddish band then three rows of dots set between lines with a lighter red band immediately after and then 1 thin red line which is touched by the tip of a red triangle, all on mid buff background. Underside is reserved.
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| 14.9.64
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2 thin horizontal black lines above handle, 8 below, 3 at right angles to these beside handle, all approx. equal width. 2 slightly thicker horizontal black lines on side of handle base. Background pale buff. Inside painted black.
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| 14.9.65
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Thich black band with thinner one very close, then faded line, followed by wide red band, and then black geometric pattern of squared horizontal interlaced S shapes between 2 lines, all on pale buff background. Inside painted black somewhat washily.
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| 14.9.67
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2 black lines at 45 degrees to each other. Black painted design with incised lines marking 7 thin rectangular sections with rounded ends all next to each other and getting shorter towards one side, every other one purple. (feathers? leather strips on armour?) 2 other small incised lines at right angles to each other on black, no clear design. All on coarse grey/buff background. Inside painted black.
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| 14.9.68
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Hind leg of animal (poss. goat) in black with slightly redder edges and incised lines over hindquarters, standing on 2 thin red lines. 2 black rosettes divided into 8 with incised lines, one more faded to red than the other. Background buff. Inside painted black.
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| 14.9.69
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Black painted design. 2 thick lines diverging from medium-sized black section. 1 curves round, the other is straight with a subsidary line curving away. Over the top of the main black region is a largely worn away blob of red paint and there is wavy incised line through the bottom. More incised lines cross the black lines with most falling on the curved one. Pale buff Background. Inside painted black
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| 14.9.7
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Core is grey and the surface is red. Both sides have a linear pattern formed into rectangular shapes. The interior surface has lines with adjoined rectangles with lines inside them too. A similar pattern is reflected on the outside but less clear.At one end remains part of a bored hole, perhaps for suspension.
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| 14.9.70
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Black petals around small circular indentation. Black painted section split into 3 sections by incised lines; 1 plain, 2nd with red paint over black, 3rd with incised lines at right angles to section lines. Further small black painted section. Background pale buff. Inside reserved.
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| 14.9.71
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Black floral rosette, small central circle with circle round that and 11 petals marked with incised lines, every other petal marked with red spot. This is surrounded by black vines and several small leaves, 2 of which are marked with incised lines. Background buff. Inside reserved.
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| 14.9.74
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Interior: glazed black with traces of narrow bands in added white; exterior: from top, part of wide vertical black band between pairs of dilute lines; two dilute lines; guilloche pattern; at right, two narrow vertical black bands flanking black handle root; below; wide black band between two narrow dilute bands; part of meander frieze.
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| 14.9.75
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At the top is a triangle of black, with a smaller triangle below leading to a dark brown line. There is a similar line parallel to this one on the left. Both lines are at right angles to a braoder dark brown line. Nestled between two faint brown lines are five white circles with black circles in the centre. There is just a small area of dark brown/black on the bottom right hand corner. Other side is reserved.
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| 14.9.8
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Core red. Red surface with linear decor in dull black on both sides. The underside appears to have a zigzag pattern above a more dense and busy pattern of lines and zigzags. No finished edges.
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| 14.9.83
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Interior black, with two concentric red circles; flat rim is decorated with three uneven rows of black dots; exterior decorated with a black band, just below rim; in figural zone, two confronting sirens with rosettes in field; below, two horizontal lines, above rays. Red for breast and base of wing of both and for streak across body of siren on left. Incisions.
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| 2003.3.37
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Interior, 2 bands in added red. Exterior, vertical lines above a horizonatal line at rim, with band and line below all in added red. Additional patches of added red are visible below, probably forming a pattern
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| 2003.6.18
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Base fragment of a small pot, decorated with three straight lines at the base, two of which are black; the middle one is of a faded purple colour. Above the lines is a large black pattern which takes up nearly all of the space left on the fragment. The interior is decorated with a black gloss.
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| 2003.6.19
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Two lines, one black and one red, towards one end of the fragment; covered with a white ground, which has worn of around the edges revealing the darker coloured terracotta underneath. Black glazed on the interior.
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| 2003.7.15
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Piece of fragment made of red clay with pattern both sides. Fragment is slightly curved, with a small rim at the top suggesting it could be part of a decorative plate or bowl. Side A, which is possible the interior, has a broad black line at the bottom - possibly this was the colour of the interior, with five rough circles in a row, alternating black and red from the left hand side, painted on top of a white background. Side B has a similar broad black line at the bottom, with a broad white line painted at the top and several faded black vertical lines painted over the white. The shape of the fragment is rectangular, and it slopes to a point at the right hand side.
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| 2003.7.19
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Possibly part of rim and body of a bowl/jar, due to the smoothness of the top of the fragment. Side is shows indication of being the interior, due to the plain black colour painted on. The exterior, side B, has been painted in white with a narrow area of black at the bottom. There is indication of two parallel lines of small black dots, in between which are two narrow parallel black bands with squares of black between them.
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| 2003.7.20
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Fragment of rim, body and stump of handle of a bowl/jar. Interior is painted in black. Exterior has the rim painted in a broad band of white, with signs of parallel lines of black dots at the edge of the white. There are also indications of two narrow parallel lines, with black squares in between them. The body/shoulder and handle are painted in black.
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| 2003.7.21
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Single rim fragment of an open vessel. The interior is black. Exterior: rim white, between two rows of black dots; two black lines in the middle, with black squares between them.
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| 2003.7.22
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Possibly top part of a bowl/jug due to smooth edge of rim and the way it curves half way down. The interior side is painted in black. The exterior has the top half painted in white, with two lines of small black dots parellel to each other at the edges of the white paint. There are two dark brown/faded blakc parellel lines which have two black squares at either end of them. There is a narrow red line beneath the white, with a black area beneath that. The clay is quite smooth.
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| 2003.7.23
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Possibly part of the top of a bowl/jar due to the smooth edge at the top. The interior is painted black, and has a smooth texture like the exterior. The exterior has a wide band of white painted on, with a few black marks painted on which are possibly horizontal lines and small blacks squares - similar to other Laconian fragments. Underneath the white is a narrow band of dark red, then an area of black.
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| 2003.7.24
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Possibly the top of a jar/bowl due to the smooth edge at the top and way it is curved at the middle. The interior is painted black, with a smooth surface similar to the exterior. The exterior is half painted in white, with narrow, parellel lines of black dots or bands, and a black square inbetween two black lines. There is a line of dark red below this, followed by an overlap of white then a black area.
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| 2003.7.26
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Probably part of a jar due to the way the bottom of the fragment juts out at an angle - possibly the body of the jar. The interior is painted black/dark red, although most has rubbed off. The top half of the exterior has been painted white (barely visible), with parallel lines of small black dots, and black squares in between these two lines. The rest of the fragment is painted black.
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| 2003.7.27
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Small fragment, possibly part of a jar. Interior (side a) is painted black and curves slightly at the top - possibly a rim? The rest of the fragment has been painted in white, with four black narrow parallel lines, and a black square nestled inbetween the first two lines. There is also a dark red line at the bottom of the fragment.
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| 2003.7.28
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The interior is painted a solid black. The exterior has a black band at the top. There is a white background painted on, with three black parallel lines. Between the first two lines is a row of small black dots, the second and third line has a black circle lodged between them and there is a small black dot at the very tip of the fragment.
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| 2003.8.62
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Curved fragment with three faded black diagonal black lines across the bottom right.
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| 2004.8.2A
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Black, leaf-shaped decoration, interlaced with thin black lines, with two small, black circles beneath. Black on reverse side of fragment.
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| 2004.8.2B
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Thick black band, with horizontal incised lines. Tips of black palmette decoration visible. Black on reverse side of fragment.
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| 2004.8.4
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The rim is decorated with a thin black band, with a reserved band below and another black band below this. Two youths (black in colour) stand facing each other, with the figure on the right presenting a white cock, of which, elements remain (painted over the figure). Behind each figure the tail and part of a sphinx can be seen. The sphinx behind the right figure has incised lines dividing the wing feathers. The centre of the sphinx's wing appears purple in colour. There are faint, incised lines that give the outline of the youths' heads (where paint has been worn away). The reverse of the fragment is black with a reserved circle on top of the rim.
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| 2005.3.28A-B
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A: Whitish slip with bands of decoration, zigzags in added red and straight lines in brown. Interior has a wide band of red at rim, rest is white slip, possibilty of an interior ornament, circular shape in red visible at edge of fragment. B: exterior and interior same as A.
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| 2005.3.29
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Band of vertical lines with horizontal line below in added red, band of added red visible on interior, rim has lines and a band of red
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| 2005.3.30
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Black decoration on exterior, double lines, dots and 'eye' shaped block
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| 2005.3.32
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lines in added red
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| 2005.3.33
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White slip with added red decoration, red lines still visible as well as a patch of red at the edge of the fragment
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| 2005.3.34
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exterior: lines, bands and triangles in added red. interior also has a section of added red
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| 2005.3.35
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Black band on interior. Rim, lip and handle have small black lines, two black lines are visible under the handle
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| 2005.3.38
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Interior, band of added red, exterior, white slip with vertical line above a horizontal line at rim and lines below all in added red
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| 2005.3.39
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Band on interior and vertical lines on exterior in black
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| 2005.3.40
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Band on interior and lines and spirals on exterior in black
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| 2006.12.107
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Too worn too tell; vertical black lines (?)
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| 2006.12.111
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Very faded black and white painted lines on both inner and outer surface.
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| 2006.12.116
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Black paint on inner surface; black and faded brown lines on outer surface.
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| 2006.12.12
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On the inner surface shallow and thick black/red-brown lines with thick section of black paint. On outer surface there are spiral patterns in between two sets of lines in brown.
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| 2006.12.120
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BLack paint on innser surface; unevenly shaped black lines running in different decorations on outer surface; worn.
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| 2006.12.121
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Black paint lines on white paint decoration; heavily worn.
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| 2006.12.122
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Rough black lines in geometric pattern; faded.
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| 2006.12.123
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Black and white paint lines, heavily chipped and worn.
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| 2006.12.13
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Inner surface painted black with uncoloured band; outer surface has worn lines perpendicular to rim, with hints of further decoration lower, unidentifiable due to chipping
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| 2006.12.14
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Line of brown paint around rim, with dark brown dots on orange-brown lines below. Zig zag pattern of brown lines beneath this
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| 2006.12.15
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One half of outside is grey lines on a white surface, in an unidentifiable pattern; Other half is hatched grey lines on white paint with brown spots in centre and red band just visible at very edge of fragment; all decoration appear faded
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| 2006.12.17
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Brown circular lines on both inside and outside of fragment
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| 2006.12.22
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Unpainted areas crossed by thick bands of grey-blue, with thinner grey lines on top. Looks faded all over
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| 2006.12.40
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Brown concentric circles around pot, 3 narrow, 2 broad. Parallel lines meet these circles at right angles, with zig-zag lines between the groups of parallel lines
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| 2006.12.42
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Unclear due to damage and fading, but appears to be black painted design. Two parallel lines and some chevrons distinguishable
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| 2006.12.44
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Three brown painted bands with two lines joining them at right angle, with two small lines at right angle at edge of fragment, possibly an animal's leg
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| 2006.12.45
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Parallel lines, hatching and a row of backward "S" shapes.
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| 2006.12.46
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Red/brown decoration with two parallel lines. Above this is what seems to be a leg of an animal, probably a duck or goose. The division of the foot into two toes is indicative of the geometric style.
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| 2006.12.48
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Thick brown lines with narrower lines joining at right angles, with a possible ray joining one of the bands
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| 2006.12.5
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Two parallel lines and key design in orange-brown on a white painted background, slightly worn
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| 2006.12.51
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Black parallel and hatched lines; very worn
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| 2006.12.54
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Block of black paint, adjacent area with red and white lines and other patterns but difficult to identify due to wear
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| 2006.12.55
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Black and brown lines on white background running parallel; near edge of fragment others at perpendicular angle to other lines; worn decoration
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| 2006.12.56
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Black and white lines; heavily worn
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| 2006.12.57
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Possibly black lines on white background on both sides; heavily worn
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| 2006.12.59
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Red lines on white paint barely recognisable
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| 2006.12.6
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Lines near neck of vessel; bottom of body painted black; main body features design with curved lines
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| 2006.12.62
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Black paint on inside; Black lines on white paint on outside, some running perpendicular to others, very worn
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| 2006.12.64
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Black paint with two white lines
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| 2006.12.65
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Painted lines black lines perpendicular to rim; other decoration recognisable but not identifiable due to wear.
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| 2006.12.71
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Black paint on inside; White paint with parallel black lines on outside
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| 2006.12.72
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Solid black paint on inside; black lines on outside
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| 2006.12.76
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White paint with black lines; heavily worn
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| 2006.5.13
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No decoration, lines texture
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| 2007.10.2.33
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Profile portrait of a woman? with lines over face maybe a tree
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| 2007.2.128
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One side of the fragment is decorated; a thick band of brown is present with a undistinguishable pattern underneath. Two thin lines are indented into the piece.
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| 2007.2.78
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No decoration, however, two lines are indented into one side of the fragment.
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| 2007.2.93
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One side is decorated with a series of parallel lines. In the centre of the fragment is a thick black line with a thinner one present above it. Underneath this lines of a light brown colour that increase in darkness.
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| 2007.4.101
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Black paint on inside; red and brown parallel lines on outside
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| 2007.4.105
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Parallel dark brown lines
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| 2007.4.116
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Very faded black paint lines visible on both inner and outer surface, but not enough to assess decoration
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| 2007.4.118
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Concentric black paint bands on rim; black paint band following rim on outer surface with perpendicular black lines coming off it; worn and faded
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| 2007.4.124
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Black parallel lines next to broken handle; white paint under handle; faded black parallel lines perpendicular to other lines above and below area of handle; decoration worn, faded and chipped
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| 2007.4.125
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Very faded black paint lines on white paint
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| 2007.4.126
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Black paint on inside; outside has lines of faded brown on a white background in both parallel line designs and chevrons; heavily worn
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| 2007.4.127
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Hatched black ? lines on outer surface, heavily worn and faded
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| 2007.4.132
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Both sides painted black, slightly damaged, with a large black cross painted across the front, bordered by black lines
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| 2007.4.135
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Two black lines painted across, bordered by red, slightly worn
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| 2007.4.140
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Painted black on one side, with very faint red lines
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| 2007.4.143
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Drak red lines on one side, bordered by orange lines
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| 2007.4.154
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Black lines drawn in concentric circles on one side
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| 2007.4.155
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One thin red line around the middle of the fragment, a thicker red line at the bottom, both bordered by darker red lines
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| 2007.4.157
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Painted light red on one side, with a dark red stripe near the lip. On the other side again a dark red stripe near the lip, and some sort of pattern involving red lines on lighter, orangey lines, but difficult to see owing to damage
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| 2007.4.166
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Hard to say; diagonal black lines across handle perhaps (?)
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| 2007.4.167
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parallel black lines of varying thickness
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| 2007.4.170
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Black zig zags and lines
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| 2007.4.171
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black parallel lines
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|
| 2007.4.172
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black zig-zag lines
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|
| 2007.4.173
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parallel black lines
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|
| 2007.4.174
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thick parallel black lines
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| 2007.4.176
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faint parallel black lines across side
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|
| 2007.4.177
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Horizontal lines
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| 2007.4.178
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thick brown lines
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| 2007.4.181
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Black lines on interior of container; handle coloured black
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| 2007.4.182
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Adjacent and parallel black lines; large portions of shard painted purely black
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| 2007.4.183
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Hard to distinguish;coloured in black on inside; some black lines on outside
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| 2007.4.184
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Black lines, spreading out across the shard
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| 2007.4.186
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Horizontal lines of varying thickness
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| 2007.4.190
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Zig-zag as well as horizontal lines of black
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| 2007.4.195
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Worn wavy red paint lines on white background
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| 2007.4.197
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Black lines following shape of handle with faded black dots on them
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| 2007.4.199
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Three parallel black lines above "S" shapes with black line beneath them.
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| 2007.4.201
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Thick black band below rim with several thinner black lines perpendicular to it; black paint all ove rinner surface; worn.
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| 2007.4.203
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Vrey faded black zig-zags near rim on outside; two rough faded black lines on edge of fragment.
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| 2007.4.204
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Three black parallel lines on one part of fragment; hatched area on other part of fragment
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| 2007.4.205
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Thick black band below rim on both inside and outside of fragment; two black lines on rim; part of zig zag pattern at bottom of outer surface of fragment.
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| 2007.4.206
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Black diamond, split into four by lines across the middle
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| 2007.4.208
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Two parallel white lines with a white arc in corner
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| 2007.4.211
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Five black lines going vertically across
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|
| 2007.4.212
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Black paint lines and triangular shapes
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| 2007.4.213
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Interlocking curved black lines, slightly faded
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| 2007.4.214
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White paint with 3 parallel black lines next to a hatched area
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| 2007.4.220
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Two lines of a wave-like pattern, followed by two further straight lines. Completely gone from half the fragment
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|
| 2007.4.221
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The lip and a section of the pot underneath painted a red-orange colour, with section of darker red, almost black. Coming straight down from this are siz dark red lines
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| 2007.4.222
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Three black lines going vertically, joined on the bttom half by three black lines going horizontally
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|
| 2007.4.223
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One corner painted completely red, the other two covered with dark red diagonal lines. In the centre of the shard a square has been painted, broken up into a lot more little squares
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| 2007.4.228
|
Inner surface has faded black-brown-red lines running round inside of rim with area below painted entirely black; outer surface has three sets of three concentric circles.
|
|
| 2007.4.5
|
Painted lines, some a reddish-brown colour while others are grey. Lines are quite distinguishable even though fragment is worn.
|
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| 2007.4.6
|
Red painted lines parallel to each other, worn.
|
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| 2007.4.69
|
Rough black painted lines on one side; worn black paint on the other side
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| 2007.4.72
|
Close inspection of outer surface shows a very faint parallel lines and zig zag pattern. Paint has presumably almost entirely worn away.
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| 2007.4.73
|
Black lines on outer surface, very worn and difficult to tell what original design was
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| 2007.4.77
|
Red, orange and brown lines in parallel, with lines from a ore complicated looking design perpendicular to them at edge of fragment
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| 2007.4.80
|
Thick black lines at edge of sherd with two thnner red-brown lines beneath them, somewhat worn
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| 2007.4.85
|
Faded red brown lines and badly worn small shapes
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|
| 2007.4.9
|
Two black painted lines parallel to each other which are slightly worn.
|
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| 2007.4.91
|
White slip with parallel brown lines painted on
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|
| 2007.4.93
|
Black paint on inside; black line around rim on outside with two black lines running perpendicular to it
|
|
| 2007.4.96
|
3 red lines on outside
|
|
| 2007.4.97
|
Black lines on outside with very faded brown lines perpendicular, red paint on inside
|
|
| 2007.9.1.107
|
Displays several over-crossing lines, not recognisable as a specific object.
|
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| 2007.9.12
|
Slightly glossy black paint on inside surface, matte black on outside, very fine incised lines on outside of clay body.
|
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| 2008.7.101
|
Surface slipped with red-orange wash. Strap handle sloping inwards; black glazed on the outside; inside in reserve. Row of uniform parallel black lines at the junction of the shoulder and neck. On the shoulder, five black palmettes, the central one inverted, with black tendrils and dots in between. On the body, black glaze misfired with two red parallel lines just below the junction of the shoulder and body.
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| 2008.7.128
|
Interior: greyish-black wash. Exterior: greyish-black wash. 7 thin non-parallel vertical lines scratched into surface from rim to half-way down fragment.
|
|
| 2008.7.136
|
Exterior: greyish-black wash visible towards bottom of the fragment. Three horizontal, narrowly-spaced parallel lines etched towards upper edge.
|
|
| 2008.7.137
|
Interior: black wash. Exterior: black wash with very thin, narrowly-spaced horizontal lines etched, revealing unfinished terracotta beneath.
|
|
| 2008.7.139
|
Interior: small spots of a darker colour are over painted. Exterior: 6 diagonal lines, forming a diamond pattern are etched. A narrow horizontal groove forming a lip is etched towards top of fragment.
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| 2008.7.140
|
Exterior: One horzontal line with 4 short vertical lines at 90 degrees to it are etched on top edge of thwe rim.
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| 2008.7.145
|
Interior: cream wash with 4 parallel horizontal lines overpainted in greyish-black creating 2 bands of pattern, one twice the width of the other. The narrower band contains 5 semi-circles, and the narrower a more irregular pattern of intersecting curved and straight lines. Exterior: Cream wash with narrow, evenly-spaced parallel horizontal lines overpainted in greyish-black. Patches of brownish glaze remain.
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| 2008.7.150
|
Interior: greyish wash. Exterior: greyish wash with 2 diagonal lines forming an 'x' shape etched at either end of fragment.
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|
| 2008.7.152
|
Exterior: two horizontal parallel lines etched towards top of fragment. Below this, 3 vertical, non-parallel ridges, with narrower ridges coming off at shallow angles towards the bottom of them.
|
|
| 2008.7.159
|
Interior: reddish-brown wash. Exterior: 8 narrowly-spaced parallel horizontal lines overpainted in same reddish-brown colour.
|
|
| 2008.7.16
|
Black glaze pattern on exterior, lines and squares
|
|
| 2008.7.166
|
Interior: remnants of black wash/overpaint; Exterior: line of emall black overpainted dots underneath rim, beneath this is a parallel line of larger black overpainted dots beneath that sit between two thin parallel overpainted lines, beneath this is another line of parallel small overpainted dots
|
|
| 2008.7.167
|
Exterior: beige slip overpainted by remnants of three parallel horizontal reddish-brown lines; rim: probably had one reddish-brown line; interior: beige slip overpainted by vertical reddish-brown designs, not quite linear.
|
|
| 2008.7.168
|
Exterior: white glaze overpainted by one thick horizontal red line and one thin horizontal black line just above it, traces of other horizontal lines of indeterminate color; interior: black glaze.
|
|
| 2008.7.169
|
Exterior: white/beige glaze overpainted by thin horizontal brown lines, small brown specks, and black round marks; rim(?): black line?; interior: brown glaze with one thick black line.
|
|
| 2008.7.170
|
Exterior: white/beige glaze overpainted by thin black horizontal lines, small black specks, and one large black round mark; interior: black glaze.
|
|
| 2008.7.173
|
Exterior: white/beige glaze overpainted by one thick horizontal red line, three black horizontal lines, and one vertical black line that extends downwards from the bottom horizontal black line; interior: black glaze.
|
|
| 2008.7.174
|
Exterior: whitish glaze; interior: whitish glaze overpainted by one horizontal black line and four vertical brown/black lines.
|
|
| 2008.7.177
|
Exterior: white glaze overpainted by two black lines; interior: black glaze.
|
|
| 2008.7.178
|
Exterior: brown glaze? bits of red pigment; interior: black glaze? brown or black curved lines?
|
|
| 2008.7.179
|
Exterior: several (at least eight) horizontal parallel thin brown(?) lines; interior: brown glaze?
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|
| 2008.7.18
|
Light brown exterior glaze with darker reddish-brown decoration. Seven parallel lines perpendicular to three other lines, all of the reddish-brown color. Also the edge of a rounded design, also reddish-brown. The interior is glazed reddish-brown, but a redder hue than the color from the exterior decoration.
|
|
| 2008.7.180
|
Exterior: white glaze overpainted by horizontal brown lines and one red band; interior: black glaze.
|
|
| 2008.7.181
|
Exterior: white glaze with two (or three) overpainted parallel horizontal black lines; interior: black glaze.
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|
| 2008.7.182
|
Exterior: white glaze with two overpainted parallel reddish-brown dashed(?) lines; interior: black glaze.
|
|
| 2008.7.184
|
Exterior: reddish beige slip overpainted by 11 horizontal thin red lines
|
|
| 2008.7.185
|
Exterior: brown(?) slip overpainted by a geometric pattern of horizontal, vertical, and diagonal black(?) lines; could also be white(?) lines.
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|
| 2008.7.186
|
Exterior: beige/white slip, overpainted by one horizontal maroon lines, traces of black decoration on the very bottom of the fragment. Base(?): continuation of the beige/white slip from the side. Interior: black glaze; continues down onto the interior of the base(?) as well.
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|
| 2008.7.188
|
Exterior: white/beige glaze overpainted by two sets of two parallel thin black lines. Interior: black glaze.
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|
| 2008.7.20
|
Exterior light-brown glaze. Overpainted by eleven dark-brown (black?) vertical lines that end in two parallel brown lines. There are six further brown horizontal lines parallel to these. All of the lines are of roughly the same thickness (ca. 0.2). Interior is reddish-brown glazed.
|
|
| 2008.7.200
|
Exterior: light beige wash over entire fragment, two thin brown/black parrallel overpainted lines at one end of the fragment
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|
| 2008.7.21
|
On the exterior three parallel brown lines. Also, three curved reddish-brown lines (concentric circles?). On the interior, a dark brown glaze.
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|
| 2008.7.22
|
Exterior is half natural baked color, half brown. Four parralel brown and reddish-brown horizontal lines overpainted of uniform thickness (ca. 0.1), one on brown half and three on natural half. Interior dark-brown or black glaze, nine brown and reddish-brown overpainted parallel horizontal lines of varying thickness.
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|
| 2008.7.23
|
Exterior: beige slip overpainted by two parallel horizontal thick (0.6) brown lines outlined in black, two thick curved brown figures outlined in black, one small egg-shaped black mark. Interior: bottom third dark-brown to black, upper two thirds probably reddish-brown but heavily chipped and worn.
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|
| 2008.7.24
|
Exterior beige slip overpainted by 12 parallel horizontal reddish-brown lines of uniform thickness (0.1). Interior reddish-brown slip.
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|
| 2008.7.25
|
Exterior beige glaze overpainted by two black lines and one brown line (darker in the middle). Interior glazed black.
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|
| 2008.7.26
|
Exterior glazed light-brown, overpainted by three parallel horizontal brown lines - one slightly darker than the other two - and a black curved/spiral shape.
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|
| 2008.7.28
|
Exterior: beige glaze overpainted by black horizontal line just under the rim, also four (three thin, one thick) parallel black lines running at a steep angle down from the rim. Rim: five thick black lines parallel to each other and perpendicular to the rim.
|
|
| 2008.7.3
|
9 parallel lines of brown slip beside which there is black glaze. Brown slip on sides of fragment
|
|
| 2008.7.30
|
Exterior glazed gray-beige, overpainted by two parallel thick (0.8) brown curving lines.
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|
| 2008.7.32
|
Exterior has two parallel thick (0.8) brown curving lines.
|
|
| 2008.7.33
|
Exterior has two parallel thick (1.3 and 0.7) brown curving lines.
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|
| 2008.7.34
|
Exterior glazed black overpainted by five horizontal parallel lines on the bottom half of the fragment. Three are brown, two are beige. The colors alternate. Interior glazed black.
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|
| 2008.7.35
|
Exterior: one horizontal dark brown line running along the approximate intersection of shoulder and body. Just below this are two small dark brown dots of similar but different sizes. Above the line is a thick, wavy, erratic, dark brown line that dominates the fragment from the line up utn il just under the rim. Interior: two horizontal parallel dark brown lines. The top one is right up on the edge of the rim, the other slightly removed below it.
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|
| 2008.7.37
|
Exterior has a light reddish-brown slip overpainted by six thin horizontal parallel red lines.
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|
| 2008.7.39
|
Exterior: Base - 4 parallel red/brown lines. Top - single red/brown line parallel to lines on base, but set further up than base lines.
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| 2008.7.40
|
Exterior: series of thick black horizontal lines of varying thickness; interior: probably same or similar decoration to exterior, but extremely worn.
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|
| 2008.7.42
|
Exterior: base has an area of black overpaint, which is followed by 3 thick lines of black overpaint towards the top of fragment; Interior patchy area of black overpaint
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|
| 2008.7.43
|
Exterior has three (two thin, one thick) parallel brown curving lines.
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| 2008.7.45
|
Exterior: three parallel black horizontal lines on the bottom of the fragment, a squiggly irregular black lines on the side of the rim, and a black line following the exterior edge of the rim; rim: seven parallel short brown lines, all perpendicular to the rim; interior: reddish-brown glaze, darker near the rim and fading slightly down the fragment.
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|
| 2008.7.46
|
Exterior: two red parallel lines of different thicknesses overpainted.
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| 2008.7.48
|
Exterior: two thick brown parallel horizontal lines, the upper of which has two thin brown parallel lines coming off at a shallow angle.
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|
| 2008.7.51
|
Exterior: 2 parrallel red/brown overpaint lines across centre of fragment with 2 parrallel diagonal lines of the same colour running between these lines
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|
| 2008.7.53
|
Exterior has six thin horizontal parallel brown overpainted lines; interior glazed brown, with one or two possible thin reddish brown horizontal lines (could just be faded wash).
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|
| 2008.7.54
|
Exterior: sigular line of black overpaint at top of fragment, parallel to this line but towards the base of the fragment are a further two parallel lines (closer together) in black overpaint.
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|
| 2008.7.6
|
Light yellow slip as relief patterns surrounded by darker orange slip for highlights. Lines with possible archs and possible figures.
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|
| 2008.7.61
|
Exterior: 7 black rectangles forming checked pattern overpainted. 4 narrow horizontal lines of the same colour run parallel to this .
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|
| 2008.7.62
|
Interior: black wash. Exterior: thin parallel lines faintly visible at top and bottom of fragment. Between these, patches of overpainting in cream, black and brown remain.
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|
| 2008.7.63
|
Exterior: 6 fairly thick, black, parallel, horizontal bands overpainted. Between the 2nd and 3rd there is a pattern of short vertical lines. Below this there is a pointed shape of the same colour.
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|
| 2008.7.66
|
Interior: reddish-browm wash. Exterior: checked pattern created by rectangular shapes and horizontal parallel lines overpainted in reddish-brown. 2 thin horizontal bands run parallel to this.
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|
| 2008.7.67
|
Exterior: rectangles forming checked pattern overpainted in black. Running parallel to this, 4 thin horizontal parallel lines and above this a pattern of 5 short vertical lines in same colour.
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|
| 2008.7.68
|
Interior: reddish-brown wash. Exterior: Horizontal band overpainted in greyish-brown. Above this, a pattern of waved lines and short vertical lines. Below, 2 lines of similar colour run parallel.
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|
| 2008.7.69
|
Exterior: 10 narrowly-spaced parallel horizontal lines overpainted in brown. below this 9 small circular grey dots in a horizontal band with a zig-zag pattern below in brown.
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|
| 2008.7.7
|
Black glaze with inscribed semi-circle pattern motif mixed with red dots and lines
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|
| 2008.7.70
|
Interior: reddish-brown wash. Exterior: rectangles overpainted in reddish-brown forming checked pattern at one end, with 2 thin lines running parallel above, next to a band containing a diamond-shaped pattern overpainted in same colour.
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|
| 2008.7.72
|
Exterior: 10 thin, narrowly-spaced, parallel, horizontal lines overpainted in brown.
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|
| 2008.7.73
|
Interior: black overpaint; exterior: two horizontal parallel black overpaint lines across centre of fragment with three spots of black overpaint in between them, either side of the parallel lines are small parellel lines of black overpainted dots
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|
| 2008.7.76
|
Interior: black overpaint on entire side of fragment; exterior: across centre of fragment a set of five parallel horizontal overpainted lines, the central line is slightly thicker and a dark red/brown, the adjacent lines are a lighter red/brown colour
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|
| 2008.7.77
|
Exterior: Thin, narrowly-spaced, horizontal parallel lines overpainted in light brown.
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|
| 2008.7.78
|
Interior: greyish-black wash. Exterior: Parallel lines overpainted. Thick strip of dark-red colour in middle. One thin stripe of a geyish-black colour either side and one thicker greyish-black stripe either side of these.
|
|
| 2008.7.80
|
Interior: black overpaint; exterior: along one side of fragment are parallel black lines of overpaint with a spot of black overpaint between them in the centre, on one side of the parallel lines is a parallel line of overpainted black dots
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|
| 2008.7.87
|
Interior: greyish-black wash. Exterior: cream wash with horizontal parallel lines overpainted in brownish-red. 1 thick and 2 thin lines towards top. Curved pattern overpainted below in same colour.
|
|
| 2008.7.97
|
Exterior: black wash. 4 narrowly-spaced horizontal lines engraved along one edge revealing unfinished terracotta beneath.
|
|
| 2008.8.2
|
Exterior: Greyish-black overpainting depicting 2 standing birds with curved necks. The bird on the right has wings spread and short horizontal lines on the wing and tail suggesting feathers. There is a reddish stripe overpainted across the body and across the tail. The bird on the left is cut off half-way across the body, but the same red body stripe and feather markings are present. Above the birds is a semicircle of thin bulb-shaped parallel vertical lines and around the birds are several circles of varying sizes.
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|
| 2008.9.1
|
Interior: brownish wash with a wide band of brownish-grey along 3 of the fragment's edges. Exterior: Black wash with white lines etched depicting an image. 2 leg-like shapes at right-angle to curved edge, joining onto curved lines possibly outling a body.
|
|
| 2008.9.15
|
Interior: greyish-black wash with a band of unfinished terracotta running parallel to longest edge of fragment. Several narrowly and irregularly spaced parallel horizontal lines overpainted on the wash and unfinished section. Exterior: greyish-black wash overpainted, covering roughly half of exterior of fragment. Next to this is a band of unfinished terracotta bordered above and below by parallel lines overpained in a brownish-red colour.
|
|
| 2008.9.17
|
Interior: brownish-red wash with a narrow band of unfinished terracotta parallel to one edge of the fragment with a thin parallel line of a darker red within this. Exterior: 2 widely spaced horizontal parallel lines overpainted in redish-brown.
|
|
| 2008.9.18
|
Interior: traces of a pinkish wash. 1 short diagonal line overpainted in brown remains. Exterior: narrow horizontal raised lip across longest edge of fragment with a narrow parallel line overpainted in brown below this. Several narrow vertical parallel lines join onto this and there are traces of a redish-brown wash.
|
|
| 2008.9.19
|
Exterior: 5 parallel horizontal lines of differing thicknesses are overpainted accross one corner of the fragment. The bottom three are narrower and overpained in brownish-grey, above these is a pinkish-red wider line and above this another greyish-brown line.
|
|
| 2008.9.25
|
Exterior: 1 fairly wide curved raised ridge running across centre of fragment. 5 short vertical lines overpainted in a pinkish-colour faintly visible upon this ridge. A small patch of brownish-grey remains below.
|
|
| 2008.9.26
|
Interior: greyish-black wash. Exterior: 3 thin narrowly-spaced lines run parallel to one of the edges of the fragment. The upper of these is overpainted in a greayish-black colour, the 2 lower are a redish-brown. Below these lines are three greyish-black dots interspersed by vertical thick greyish black and thinner redish-brown lines.
|
|
| 2008.9.27
|
Interior: greyish-black wash. Exterior: 2 curved narrow parralel lines run along one edge of fragment, the upper overpainted in greyish-black and the lower in brown. Below these are 3 solid crescent shapes overpainted in greyish-black.
|
|
| 2008.9.28
|
Interior: greyish-black wash covers half of the interior, the other half is left unfinished. Exterior: A wide pinkish-red strip is overpainted across the centre of the exterior. Above this is the remains of a parallel greyish-black line with 4 greyish black vertical lines attached to it. Below are 2 unfinshed circles, bordered by a greyish-black outline.
|
|
| 2008.9.4
|
Exterior: 2 front legs of an animal, joining onto a body is overpainted in greysh-black. 5 short vertical lines are etched across the body and a few other etched lines define the back legs and chest of the animal. 2 back legs and a tail are partially present. A thick horizontal band and below a thinner band run parallel to the bottom-edge of the fragment. The animal appears to be standing on the thinner band, and there are 2 circle between the front and back legs, and two circles to the right of it.
|
|
| 2008.9.7
|
Exterior: Three parallel horizontal curved lines overpainted in reddish-brown. 2 of them narrowly-spaced and 1 further apart.
|
|
| 22.3.21
|
Lower part of draped woman facing left towards a stele. Framed on right by vertical reserved band containing double row of joined dots between lines. Below, egg and tongue pattern covered with streaky black.
|
|
| 22.3.22
|
There is a red line on the joining point of the rim and body (the bit of rim that is preserved is reserved). In the middle of the scene, there is a draped youth facing part of a second draped figure (on the right), who is holding a walking-stick. The details of the drapery are rendered with thick and thin lines. In the left bottom corner of the fragment there is the lowest right part of a palmette or tendril. There is also a double-meander pattern beneath, with a saltive square (cross with dots) and the rest of the fragment is black. The interior is also black.
|
|
| 22.3.26
|
The edge of the rim bears short, thick black lines. The interior of the plate is decorated with two rows of white lotus leaves (heraldic), separated by a reserved, thin line. Next, there is, a black, thick line, followed by a wave pattern around a reserved line that contours the central scene of a female head,in profile, facing left with a head dress (kalyptra) showing white details and her hair in a bun. Above her head, there are two ivy leaves and behind her is a tendril and small, fan-shaped palmette. In front of her there is a circular motif divided in four parts. The exterior is black apart from the edge of the rim , which is reserved and the lowest part of the body snd short stem. The foot (interior and exterior) is also black, with the exception of the reserved resting surface. The concave area is reserved, but bears a large, black round motif on the centre.
|
|
| 22.3.31
|
On the exterior of the object, a series of wave like patterns can be found upon the upper section of the fragment. Beneath this pattern are a series of other decorations consisting of several relatively large lines, and in between these are numerous thin lines with moderately large dots above them. The interior of the fragment has no decorations however.
|
|
| 22.3.35
|
Upper part possesses a unique pattern that could be intended to mimic a type of plant, consisting of a single white dot in the centre with six triangular shapes surrounding it, each with a white spot upon them, and a white line on each of their ends; both above and below this pattern are two straight lines, brown of colour. At the bottom is another unique pattern consisting of three white dots above what could be a type of pot drawing, with several straight lines upon it. Both these unique decorations are likely part of a larger pattern upon the original artefact's exterior.
|
|
| 22.3.36
|
The exterior possesses several images of what appear to be flower like decorations, consisting of a large white spot with eight slightly smaller white dots scattered around them. These flowers are in alignment and stretch across the middle section of the object. Beneath these flowers are a series of smaller dots that form a line stretching from one side of the artefact to the other. The interior of the object possesses countless lines connecting one part of the pot to the other, and vary in shades of brown.
|
|
| 22.3.4
|
Glaze fired partly to red and partly to greyish-black. Inside is reserved. Two high, curved handles black on top and reserved below. Under handles are crosses between pairs of vertical lines. On each side are four palmettes standing on four larger, inverted palmettes all joined with a chian and half a palmette at each end. In some areas are groups of very short incised vertical grooves. Below pattern are three bands and then black (faded to red) to foot and including top and side of foot. Resting surface is reserved as is base.
|
|
| 22.3.41
|
Painted exterior decoration in dark brown and dark red on a cream ground. Below a broad brown band is a red band, between two white lines, and then another brown band. The lower body is decorated with a series of vertical brown lines, between pairs of red and brown bands, all between two curvilinear patterns each comprised of two concentric circles around a single dot. This entire motif is enclosed in a lens-shaped space, between dark brown patches, underlined by more red bands between white lines. The flat bottom is decorated with a curvilinear diamond crossing a cross, both in dark brown, inscribed in a dark brown circle.
|
|
| 22.3.5
|
Body: below the flanged rim, key; below, a broad band. On the reserved base a spiral incised when the vase was leather-hard. Inside reserved with a broad band immediately inside the rim and a line below it; at the centre two small concentric circles. Lid: knob reserved with a broad painted band between two mouleded fillets round its base; main zone, palmette-lotus band bordered above and below by a pair of fine lines and a broad band. Round the rim leaf and bar pattern. Inside reserved.
|
|
| 22.3.5A-B
|
Glaze fired red throughout. On the body below flanged rim, is key below a broad band, on reserved base an incised spiral. Inside is reserved with a broad band immediately inside the rim and a line below it, at the centre are two concentric circles. Lid: around the rim the pattern consists of leaves surroundered by parallel lines. A broad band separates another pattern of palmettes and decorative tendrils. Another broad band of concentric circles leading up to an acorn shaped knob with ridge at its base. Knob is red around bottom but reserved at top. There are also areas of white and black deposits on knob and inside on the underside of the lid and at base.
|
|
| 22.3.6
|
Black inside and out. Two superimposed red lines just below level of handles. Painted black on the outside and inside is left reserved. Just above foot is left resereved with black vertical lines serving as rays. Outer foot ring is black, as is resting surface. Base is red with two bands in centre.
|
|
| 22.9.1
|
Black lines decorate the body in geometric patterns. Front, from bottom to top: vertical rays, two horizontal bands, 7 vertical rays; two horizontal bands; 6 vertical zigzags; 2 horizontal bands; 12 or 13 short rays; one horizontal band (across maximum width, where 'arms' are extended); necklace consisting of horizontal band with pendant (disk with line extending from bottom). Head decoration is limited to wavy hair (5 vertical zigzags all around), 7 rays on the polos, 3 horizontal bands on the coil; and two eyes, on either side of the 'nose'. Otherwise reserved.
|
|
| 22.9.7
|
Black, mostly fired to orange-red, on buff ground. Possible added colour (white?) in groups of stripes. Mouth: broad band between two narrow bands. On the exterior of the mouth, band; shoulder: tongues. Body: three bands at top; deep painted zone divided vertically by incised lines (two parallel) dissecting into segments; four bands below. Base reserved. The exterior of the ring foot painted.
|
|
| 25.4.2
|
Black and red on creamy buff. Main zone flying birds in panels between chevron-panels. Red for middle band of three above main zone, and vertical lines of herringbone panels, and mid band below main zone. Bands on handles. On the inside are three thick black bands interspersed with reserved bands and a reserved circle in the middle.
|
|
| 25.6.3
|
Top of neck, back on handle, base of body, top of foot and edge of lower step of foot all black but have a streaky glaze. Rim of mouth reserved. Shoulder design is two rows of bars, the first shorter than the second. Body from top to bottom is three rows of black dots separated by lines. Symposium: Man reclining, woman lyre-player seated at foot of couch. At each side, woman on animal (perhaps mule [looks like llama]). Incised detail on drapery (black robes) and on lyre. Below are reserved bands on black glaze. Foot black on top and on lower edge, reserved in the middle. Base reserved.
|
|
| 25.6.8
|
Black line along rim. 2 small black possibly floral designs with 2 thin wavy lines between them, which have faded from black, on a reserved background. Inside is black with small bits of paint chipped away.
|
|
| 25.9.2
|
The inside is black at the base and reserved up the interior walls. On the upper surface around mouth are alternating black and red tongues surrounded by double row of dots between lines. Outside these is black around the curved body down the stem to the foot. Black glaze badly fired revealing many colours. Side of foot is reserved as is resting surface and central base section which is flat but raised a long way inside the footring which is black inside.
|
|
| 25.9.4
|
Body, shoulder and neck white ground. Cup mouth is black. Handle black on the back and cream ground underneath. On shoulder are two rows of radiating bars. Body design is an ivy-spray, with circles of dots and heart shaped leaves, between bands of grille pattern, at front only and all in black. Three wet-incised lines below. Side and base of foot heavily ruddled. Footring reserved.
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|
| 26.12.13
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Lip, handle, neck and back of body all black. Reserved panel in front with main design and two sets of parallel, vertical black lines either side of a double row of dots. Horizontal row of tongues at top. Main design of Amazon on horseback with pelta (shield) and two spears, wearing helmet. At the bottom of the panel, running all the way around is a painted red line, now hardly visible. Foot is black on top and side but reserved on resting surface and underside.
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| 26.12.14
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Lip, handle, neck and back of body all black. Horizontal row of nine tongues at top, just below neck, above main, reserved panel, with two parallel, vertical black lines either side of panel (shields ?). Main design of warrior facing right, with helmet, shield, and spear. Ivy leaves on stems in field. Foot is black on top and side, but reserved on resting surface.
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| 26.12.20
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Heavy fabric. Cup mouth (with vertical sides) and neck are black. The shoulder is decorated with a ring of dots. Below the rim, is a frieze of radiating leaves. Body zone is covered with a white ground and is decorated with diagonal lines criss-crossing one another (net pattern), with thin bands at the top and bottom. Below where the handle would have been the body is reserved. Below is black, except for the reserved foot.
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| 26.12.21
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A. 14 vertical wavy lines; below rim two rows of dots. B. Similar with 15 lines. Swastika under each handle. Side of foot reserved; underneath two black bands. Inside black.
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| 26.12.24A-B
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Lid: The knob of the handle is flat and circular, the top of which is black, with a small reserved well in the centre. The rim and a band below it is reserved, but the rest of the stem and a thick band surrounding it is black. A reserved zone on the upper surface depicts six palmettes, with an ivy flower after each three. The outer rim of the lid is also black, as is the inside.
Lekanis: The resting surface for the lid is black. The two horizontal handles are decorated around the edge with vertical bars. On either side of each handle is a small protrusion, with a black line on each side. The walls, in the handle zone, are decorated with vertical wavy lines. The lower part of the body is black, as is in the interior. The base of the ring foot is reserved.
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| 26.12.26
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The vessel bears an uneven black glaze, but it is partly fired red. There is a wide groove at the rim and two more at the upper part of the neck, from which seem to be hanging seven, double, semi-circular, white lines, each one flanked by vertical ones. There are also two grooves that contour the upper part of the vessel's shoulder. The latter bears decoration in white, of a branch with double-leaved (teardropped) motives. There is one last groove below that pattern.
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| 26.12.27
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The inside is streaky black, the outside is unpainted except the ledge at the bottom of the body which is streaky black. The flange supports the lid. The lid fits over the body to rest on the flange. The top of the lid is also flanged. From the middle of this flange rises a cut-off, grooved cone. The main surface of the lid is decorated with a streaky glaze with a repetitive pattern: two reserved vertical lines followed by a reserved oval. This seems to have been repeated around the whole body but one half of the glaze/pattern is missing.
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| 26.12.5
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On top of mouth, very broad band between two thin ones and a band on the side. Shoulder design is radiating lines with a band below, double row of dots, another band. Body: Lotus-palmette design (with traces of red/purple) flanked by two ducks whose tails overlap. Rosettes, one with double incised circle at centre, others with cross incisions in field. Below design are bands. Foot is black and base has three bands.
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| 26.12.7
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Lip decorated with black vertical lines. Interior: Three concentric bands of red, each approximately 1.3 wide. There are three narrower concentric red bands at centre. Four small, round handles, arranged symetricaly, are decorated with the same vertical lines as on the rim. The body is decorated on with three bands: (1) vertical lines in red; (2) triangles filled in with cross-hatching alternating with small loops, each made up of three concentric semi-circles around a dot; (3) triangles inscribed with smaller triangles. Each band of decoration is separated by a triglyph compased of two thin red bands on either side of a thicker red band. There is a thicker red band towards the bottom of the foot. The edge of the foot is decorated with red vertical lines. Inside the flat resting surface are two concentric red bands.
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| 26.2.13
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interior: on rim, three black lines; wall glazed; top of rim glazed; exterior: lip and handle zone reserved, with band between; glazed below; inscription on exterior.
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| 26.2.24A-B
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Interlaced black lotuses and palmettes with details in red and incision, bordered above and below by two lines of thinned black less than a half centimeter apart, on yellowish buff ground. Underneith the second red line on the bottom there are three .1 width lines, with the bottom line bleeding into a broad black zone which contains two 2 thin .5 width red bands .5 apart from each other, the first starting immediately under the last of the three small black lines, while everything underneith and between the red lines is black. Inside black.
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| 26.2.3
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exterior: inside ring hole, traces of black; around ring hole, traces of narrow and wide painted black concentric bands with incised lines across the wide bands; around edge, black-figure decoration consisting of horse riders (only incision marks and traces of black remaining) to left;
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| 26.2.32
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Red painted designs on cream-buff slip on orange red clay. On the underside on the rim there are four .5 wide dashes at one side and a 2 horizontal bar at the other while on the underside body there are four red bands following the contours of the dish all between 1 and 3 apart. On the topside, from top to bottom are four verticle bars alternating with 9 dot rosettes on rim, of which survive from left to right two verticle lines, nine dots, four verticle lines, and nine dots before the fragment ends. On the top of the face of the dish itself is a ca. 1.5 broad red band and below this is a zone of lotus flowers and buds with a final 1 broad band below.
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| 26.2.34
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pale slip; interior: frieze framed by bands with added red bands lined in white; three concentric circles with central dot, flanked to left by triple horizontal lines with petals either side, part of frieze; exterior: three black bands.
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| 26.2.4
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On top of mouth frieze of dots between narrow black bands; dots on edge; horizontal strokes between narrow black bands down outside of handle; ring hole painted black; around ring hole, wide and narrow black bands with incision lines; around edge, black-figure decoration;consisting of horse riders (only incision marks of horse's head and traces of black remaining) to left;
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| 26.2.41
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pale slip; exterior: black band on ridge at neck join; below, animal frieze consisting of deer (head, forlegs, and rump missing) to left; four petalled rosette and dots as filling ornament; at right, decorative motif consisting of two vertical wavy lines (or tail of bull?); below, two lines.
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| 26.2.51
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pale slip; exterior, from top: traces of undetermined decoration; band with added red and white lines; black-figure frieze of sphinxes (one with face and forelegs missing, and face, chest and forelegs of second remaining) to left; splinter rosettes and dots as filling ornament; below, second band, then frieze with animal procession in silhouette style consisting of goat grazing to left (horn, shoulders and back remaining); short vertical bars, dot, and maeander cross as filling ornament;
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| 26.2.66
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Exterior cream ground with two golden-brown bands running lengthwise, between two golden-brown lines. The interior shows two white bands running lengthwise on a brownish-black ground. One of the white bands is dashed, while the other is complete.
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| 26.2.67
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white slip; interior glazed (fired greenish brown) with band in added red framed by added white lines; similar banding below, around floor motif of tongues interspersed with red dots, around white rings (centre lost); exterior: alternating bands in black and red.
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| 26.2.68
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Exterior white with one small red/brown section of a pattern at the highest point and one thick almost 1 red/brown line abour half way from the top. Interior is black/brown with a pair(?) of thin faded white lines 0.5 cm from the top edge; below, a repeating pattern of black teardrops, and below that a pattern of white lotus buds interspliced with red dots.
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| 26.2.71
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whitish yellow slip; interior: reserved band at rim, glazed black below; dot frieze in added white between pairs of white lines; below, part of lotus bud in white and red; exterior: dot frieze (fired brown) at rim between narrow bands.
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| 26.2.81
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interior: glazed at least at top (worn); exterior: glazed with frieze of tongues, alternating added white, black, and added red; below, lines in added white and red;
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| 26.2.94
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interior: part of tondo decoration within glazed wall; frieze of alternate black and red tongues within a double dot band framed by triple lines; exterior: glazed black below; triple lines above, and band delimiting handle zone.
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| 26.5.2
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Inside is reserved except for two bands in centre. On top is a double row of black dots between red lines. Below are three black bands. Turned in rim is black on inside. Foot ring is black. On bottom is a central dot and two circles. Black but largely fired red. Handle is reserved.
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| 26.7.1
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Handles have a mixed pattern of horizontal lines at the top and bottom with vertical lines in the middle with the underneath reserved. Inside is almost ribbed in texture and painted black/brown with convex circle at centre. Outside is reserved apart from pattern which is similar both sides. Central design is a four-spoked wheel within two circles flanked by two horizontal patterns of crossed lines and three vertical lines. Below is two bands then brown almost to bottom except for a thin reserved band at base. Underneath is flat and reserved.
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| 26.7.14
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Fragment. The top of the fragment has a black line around it, below which is a handle. Shape of the handle is completely round, with a flick on one side. To the right of the handle are two lines of dots that run one above the other. Below the handle are two parallel lines. The inside of the fragment is black, fired red.
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| 26.7.4
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Top of mouth one thick and four thin bands. Dots appear on side. Four horizontal lines appear on the handle. Daisy pattern on shoulder and below that three bands. Three warriors marching right in snowstorm, spears sloping forwards. Shield of central warrior blazoned with flying bird, other two divided vertically, one half red and the other brown. All figures and shields are incised. Six bands down to base.
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| 26.7.5
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On top of mouth are four equal width bands and on the side are dots. Horizontal bands appear on the handle. Daisy pattern on shoulder. Three warriors marching right in snowstorm; spears sloping forwards. Shields divided vertically by three incised lines; some added red paint. Below, three narrow bands, three wider and small inverted base. Large area left plain in the 'white style'.
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| 26.7.6
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On top of mouth three bands and on the side are dots. Two vertical lines border the back of the handle. On shoulder is a daisy pattern. Main design is of three grazing deer, facing right, with three bands framing them above and below. On bottom small circle and round sunk centre.
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| 26.8.2
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Top of mouth broad band between two pairs of lines with two bands on side. Grazing goat to right, body framed in dots. Added red on hindquarters. Field rosettes with incised circle at centre. Below goat three bands with the middle one broader. Behind goat is a heart shape within a circle. Large area left blank in the 'white style' on opposite face to goat. On base is three bands with a dot in the centre.
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| 27.3.10
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On shoulder two dogs running to left. On body, below four lines, three dogs running to right, then four lines and three bands. Base reserved; well-marked foot-ring and protrusion in the center.
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| 27.3.3
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Fine thin fabric of pinkish-buff ground. Inside is purple/black with traces of red bands. Rim flares out and on it is a black band with two thin red bands. Below this are vertical bars in two groups, some longer. One broad black band then three narrow red bands. Five pronged triangular lines radiating from base. Two bands on foot and three on base.
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| 27.3.4
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Flat lip with two black bands. Three horizontal lines on handle. On body, from top to bottom, shoulder bare, black band, group of seven thin lines, five thicker bands coloured black but often fading into brick-red. Base reserved, slightly concave.
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| 27.3.5
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Decoration faded brick-red. On lip five concentric circles, on handle is a vertical zigzag between two thin lines. On shoulder are two dogs running to the right. On body are a group of four lines, between two bands, then six lines, below which are four bands. The base is reserved and concave with a small central protrusion.
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| 27.3.6
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On rim, four concentric circles. On handle, three horizontal bars (bottom two somewhat slanted). On shoulder three dot rosettes comprised of seven dots each. From top to bottom; two lines, three rows of dots, twelve lines, and finally a band of six rays. The base is only slightly concave, with a slight protrusion in the middle, and is circumscribed with two black bands.
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| 27.3.7
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On lip rays and a circle around the outer edge. Rays on shoulder. Five broad reddish-purple bands on the body, each with two thin black lines superimposed. Between bands there are double rows of black scales. Triangular rays radiate from bottom upwards. Slightly concave base. Object is top heavy.
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| 27.3.8
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On lip, rays. On handle, two horizontal bands. Shoulder decoration consists of a repeated inverted comma pattern. On body a line, a band, six narrow lines, and, in the main zone, two lions (with traces of a third lion between them), with rosettes between their tails. Four thick black bands, each with thin red bands superimposed. Band of five rays rising from base. Two bands around foot and base coloured black.
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| 27.4.11
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The interior is black, but reserved at the bottom of the bowl. There is a red line around the lip. The body is decorated with figural scenes. A: Two sphinxes. B: A female figure (Artemis or 'Mistress of animals'?) between two lions (alternate stripes of white and red indicate the ribs and hindquarters of the lions). Beneath each handle stands a water bird (swan?) facing to the right. Rosettes and rows of dots in the field. Below the figural zone are two red lines, then a black band, a frieze of narrow black rays (slightly overlapping the black band above). The ring foot is black on the exterior and resting surface. The central part of the underside is decorated with a black dot at centre, surrounded by a black dircle and, farther out, a red circle. White is used on parts of the lions, necks and breasts of sphinxes and woman, and parts of the wings of birds.
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| 27.4.12
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Rim decorated with black lines/petals. Inside of bowl, there is a thick band and then two smaller circles, accentuated by thin black bands. The outer circle contains small black dots, the inner circle, a star shape made out of seven lines with a black dot in the middle. Underside of the rim, shows same line/petal motif as other side, but then there is only a thin band. Inside this is an alternating swastika and dot rosette pattern, and then another thin band. A thick black band is around the neck of the foot, the rim and base of which are not glazed. The foot has a thin black band just inside the rim.
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| 27.4.15
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Pale clay, paint fired red. Trefoil lip. On neck, a central panel with bird (?), flanked on either side by two vertical lines, panel of zigzag (?) or oblique lines, three more vertical lines. Top and bottom of body broad band; thin bands filling space
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| 28.6.6
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Vertical wavy lines from rim to horizontal band around the body above three running dogs facing right. Six rays, widely-spaced, above foot. On bottom three concentric circles, outermost covering underside of foot-ring.
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| 29.11.3
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The vessel is grey (burnt), apart from the rim, the back of the handle, the lower body and upper foot surface, which are black. There is added white on the lower neck, shoulder and upper body surface. There is also a row of black dots and pointed tongues on the shoulder, as well as the motif two rows of black dots between dividing lines (three), interrupted at the back side of the vessel. The scene depicted is that of a charioteer (woman) ridding a chariot of four horses (quadriga). There is a woman at the horses' tails, another standing on the far side of the horses and another seated at the right of the scene. Added red has been used for the faces of the women and for the ornament of the horses' harness. Below the scene, there is a broad, black band between carelessly executed lines and the rest of the vessel is black, apart from the side surface of the foot and the resting surface, which are reserved.
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| 29.11.6
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The vessel is divided in three horizontal zones by lines of unequal width. There are also very thin, vertical lines at the sides of and beneath the handles.
A (above): A youth (servant?), making a gesture as if offering something (perhaps a branch, which extends from the servant's wrist) to a bearded, draped man (possibly Dionysos), at centre. He holds a large kantharos and leans against a rock. Behind him is another youth, who is perhaps supporting the rock. On either side of the scene there are palmettes that seem to have sprung from the handles.
B (above): Similar to side A, except that the man reclines on a couch, and the vessel is offered to him by a (servant?) woman in front of him. The youth behind him looks to the left. The scene is framed vertically on both sides by a series of dots as well as the same palmettes as on side A.
A-B (below): A band of palmettes, every second one inverted; two lines; a band of of tongues; reserved band. Base black, with black concentric circles on the underside.
Interior: reserved band within lip. At centre, tondo decorated with the winged horse, Pegasus, advancing to the right.
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| 29.5.3
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The decoration is executed with red colour and incisions. Rim: There are petal-shaped tongues on the top surface and dots at the side one. The back of the handle bears three, almost vertical (the central one is wavy) lines. Below the handle on the body there are five (the one smaller) rosettes (leaved rodakes), with incisions intersecting at the centre. The main design is a swan with outspread wings, facing right. Details are incised and there is some added red on its wings and tail. The swan appears to step on a row of petal-shaped spots that contours the sunk centre of the vessel, serving as a base.
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| 29.5.43
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Small lines imprinted along ridge, no distinct decoration.
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| 30.11.2
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Handles turn outwards and end in small knob where they join body. Inside from top to bottom, vertical lines in groups, circular pattern of brown with some red showing through. Sides concave and decorated with groups of straight or wavy lines in four rows between bands of two or three. Base is plain.
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| 30.11.3
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Central knob painted red. Paint red for black. On upper surface, band of lanceolate leaves framed by two thin lines, between two thick painted bands. Underside is reserved.
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| 30.11.4
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Interior surface has horizontal bands around rim and then black bands to centre . The space in between is reserved. Two horizontal handles, one on each side, are semi-circular with projections and each has a black line running along topside. On exterior surface from handles to base is a row of dots linked by lines, three black bands, leaves with lines inside, black bands, dots around shallow foot. Base is flat and has four triangles with hatching, four leaves in a cruciform shape attached to a central band and dot.
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| 30.4.2
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On top of mouth thin fields between two groups of circles; side, row of small dots between bands. Three horizontal lines on handles. Bearded goat to left, head erect, added red on neck and stomach. Field rosettes mainly cruciform with diagonal incisions crossing at centre. Below goat, three bands around base with a gap before four more circles meeting at centre of base. Partly white style, where a large area remains free of design.
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| 33.4.1
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Four handles, three with decoration, one without. Decoration black (mostly fired red) and red (purple) on creamy-buff. Zones of pattern: vertical bars (which go up onto the rim and three handles); zigzag; dotted lozenges; triangles separated by hanging loops or dot rosettes. Red used for thin bands dividing each zone. Stem and foot have five redish/black bands round them. Rim of foot edged with small vertical lines. Foot and stem decorated with two more bands. Inside kylix, two black bands round outside, then three smaller in the middle.
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| 33.4.3
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The mouth, neck, and handle are black, with some reddish patches. There are two reddish brown lines above the shoulder carination and two below it. The body scene depicts a naked youth in profile to the right, offering a bird (duck?) to Charon (the ferryman who conducts souls to Hades). The latter, standing on his half-moon shaped boat, wearing reddish-brown clothing and a dotted ovaloid headdress, is accepting the offer. Below, there is a reddish brown line on a reserved (but glazed) area. The rest of the vessel is black, with the exception of a red line on the upper part of the foot and its reserved (but glazed) vertical element.
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| 34.10.4
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Inside, red rim, black band, red band, black and red band around centre. On outside, red rim, black with two red bands and two more above the reserved zone with vertical lines to base. Red band on outside of foot and five band and a central dot.
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| 34.10.5
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Inside, is black but partly misfired red around the rim. Outside, from top to bottom, red and black depending on how it was fired. Traces of two red bands, blank band with leaning vertical lines down to base. Red foot and on base black, red, black lines.
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| 34.10.7
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Black-glazed lip and rim (only ca. 0.2 cm on interior); orange band above the handles; between the handles, on either side, a bay wreath. Around the body, below handles: two thin orange lines on either side of a broad black bands; another broad black band lower on body; otherwise reserved. Handle zones reserved but tops of handles glazed black-glaze.
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| 34.8.12
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The vase is black, both on the inside and the outside, with the exception of few, red lines. A sloping rim allows the lid to sit over the aperture. There is a reserved line on topside of the body, a red, carved circle and a groove around. There are also two, concentric carvings, one in the middle of the body's upper surface and the other one at its side. At the level where the body is divided in two areas there is a reserved line, while another one is apparent at the point where the body is narrower, above the point where it connects with the stem. The latter is divided in two areas by two, plastic, thin, red rings. Below, there are vertical ridges, one third the way down, wider towards the upper surface of the foot, whose larger part they cover with their moulded, tongue-shaped terminations. There is also a carved circle, surrounding these terminations. The foot is grooved and reserved in places. The surface underneath is irregularly painted black, with the central part reserved.
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| 34.8.3
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Black mouth (despite flat reserved rim), exterior of handle, lower part of body, and top of foot. Neck reserved, as is underside of the handle. Two bands of tongues on shoulder. Body covered with firm white slip with Greek 'key' / meander to right at top of body, between two pairs of lines; single line. Side of foot reserved in groove at top.
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| 35.4.2
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Black on mouth and neck. Lower part of neck has vertical black lines which are thicker at the bottom. Palmette design on body with chevron heart framed in tendrils and with dots in groups of three either side of central leaf. Right and left a cluster of leaves and beyond, on either side of handle, similar cluster reversed. Beneath handle, cluster of leaves. Black band at bottom of base and foot. Base reserved.
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| 35.4.3
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The top of the rim is reserved with a black line round the edge. The outside is decorated with two vertical bars between two horizontal lines; below which there is a line of black dots. The pot slopes inwards towards the foot and shows a black band. The rim of the foot itself, also has a thin black band round it, which is repeated on the inside of the rim. In the middle of the base of the foot is a roughly drawn black circle. The inside of the pot is completely black.
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| 35.4.4
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The vessel is decorated with impressed (stamped) decoration. Shoulder: there are six inverted palmettes (voluted with narrow divisions), linked with incised curving lines. There is also a ridge at the junction of the shoulder and body, below which there is the motif of ellipsoid tongues (eggs) contoured by a line each. Body: At about the middle, there are six, widely spread double-leaved motives (teardropped leaves) and a continuous, incised line that goes through them. The joining point of the body and foot is reserved and so is the edge of the foot and the resting surface.
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| 35.5.10
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Inside black with a reserved line at rim. Outside, head and shoulder of boy with his himation pulled up over the back of his head; on the wall tablets hanging vertically; behind his head part of a fillet hanging up. No relief contour; hair contour reserved; brown lines for marking on tablets; surface an unusually deep red.
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| 35.5.30-33
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Inside, a fine reserved line round rim; 5b, a pair of reserved lines framing a medallion; 6b, part of the outer line of this fram; 7b, shoulder and lower part of face of bearded man. Outside, 4 and 5a, part of palmette complex around handle; 6a, part of figure wearing chlamys, tendril, and lotus; 7a, foot, two reserved lines beneath figure zone. Relief contour for most of the tendrils, but not for drapery nor palmette leaves nor lotus. Remains of red ochre on the reserved patch under the handle.
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| 35.5.4-5
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Inside, 8, meander border, part of head and shoulder of a woman wearing saccos, chiton (a very small part of the neck border alone remains), and himation; 9, bottom of himation with one foot. Outside, surface destroyed, leaving only a tiny piece of tendril. Relief contour for foot; relief lines for ear, saccos, folds, and ankle; thinned brown glaze for bottom edge of himation and line of dots ornamenting saccos.
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| 35.5.6-7
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10, head and shoulders of boy to left; 11, part of face, chest, arm, and himation of seated boy turning to left. Relief contour for nose of 10; relief lines for inner markings; hair contour reserved.
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| 37.11.1
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Black, partly fired to brick-red, on brownish-buff. On mouth and shoulder daisy pattern; on handle three bands of vertical zigzags. Main zone: scales, drawn with parallel incised lines with red teardrops occupying angle in alternate rows. Two bands below, then tongues. Base shows one band and a dot in the centre.
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| 37.11.2
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Top of mouth has one thick then one thin band. The handle has vertical zigzag (much worn) between bars. The shoulder has a daisy pattern above three bands. Bottom four circles round central spot. Over front of whole vase and covering part of bands is a large double palmette shape with projecting lines and groups of dots at one end and a circular pattern with dot at the other. Random dots over back area of body. Bands around base.
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| 37.11.8
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The decoration is executed in a colour varying from dull black to brown, on pale buff ground. Rim: Concentric circles on the upper surface and spots (tongues) on the side one (stephane). At the joining point of rim and neck there is a band and at the upper part of the neck a horizontal row of spots. Central handle: Decorated with short, thick, leaning lines. Neck: An olive wreath, the ends of which meet at the front where there is a cluster of olives (?) (dots). Shoulder: There is another horizontal row of dots immediately below neck that seem to be hanging from a line. At the join of shoulder and body, there is a broad band in the middle of two thin, concentric lines. Body: In the front, between the two handles, an olive-tree branch, framed by (left and right) a vertical motif of a row of dots, a line, two rows of larger, ovaloid dots and another line. This motif can also be found at the other side of the handles, used to frame a linear pattern (from a short line appear to be emerging three longer ones. On either side a vertical line, which leans slightly towards the motif in the middle. From the centre of this line emerges a long, wavy line. Below: there are two, concentric bands and three more that are not very obvious(?). The handles are ornamented with large dots. The foot is black, but the colour looks uneven. Interior of neck: Two concentric circles.
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| 37.7.2
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On mouth three bands, middle one broad; on handle horizontal bands at top and bottom. Daisy petal pattern on shoulder. with three brown bands beneath. Bearded siren with outspread wings to left. In field dots and rough rosettes, one incised with parallel lines. Back left plain in the 'white style'. Bands around foot and two on base.
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| 38.4.1
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Black glaze except for added white decoration: (A) a bearded man running profile to the rightright but with his head turned back, cloak over his arm; (B) a man standing profile to the right, wearing a himation and holding a wreath. Wavy lines and spray of leaves on each side of figures.
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| 38.4.2
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Reddish-brown on pale buff ground. The false neck is decorated predominantly in a black band, with a narrow and broad black circular band in the centre of the false neck. The underside appears to be reserved, with a single thick black line at the base on the false neck. The true neck has a faded broad back band around and overlapping the lp. There is a broad black band at the base of the neck, and also a black blob on the side facing the false neck. On the shoulder there are six groups of narrow black lines painted horizontally. There is one group of either side of the true neck, both have eight horizontal lines, the one on the left has two rings of black to either side of it. The groups of lines on the other side, if faced with the true neck at the top, have groups of 6, 7, 9. 8 horizontal lines, all with a small ring of black in between them. The shoulder is outlined with a broad ring of black. The body has four broad black lines, which have faded to a reddish brown. Adjacent are narrow red rings; four above the first band, two within the first band, two within the second band, two or three below the second band. The fourth band does not overlap the base, which is slightly concave in shape, and has the suggestion of a foot ring.
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| 38.4.4
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Decoration matte brownish-black on pale buff ground; horizontal bands and lines. Spout open-topped, painted black at sides and underneath. Broad black band around rim inside and out.
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| 38.4.5
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Brick red detail on pale buff background. Three groups of three red lines roughly painted, one group of two red lines, all are verticle lines curving to the left at the bottom, between a horizontal red band on the jug shoulder, and a horizontal red band on the lower body of the jug.
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| 38.4.7
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Inside is reserved with black rim inside and with crosses on the outside. Handle has horizontal bars and crosses. On neck, grazing horse with degenerate long-legged bird between each pair of legs. From shoulder to base bands, lozenge and other ornaments in the field, flanked by vertical lines, slanting bars and horizontal zigzags. Horizontal handles, attached halfway down body, decorated with vertical bars. Lower part of base is black to foot. Base is concave and reserved.
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| 39.1.2
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Black glazed except for reserved and reddened groove between two mouldings on exterior of foot and reserved groove on resting surface. Interior decorated with four stamped palmettes, crosswise, within two rings of vertical lines.
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| 39.8.3
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Inside in frame of two reserved lines, one foot of figure astride a pointed amphora seen from the side and wreathed in ivy, inscription in red, retrograde, XAIP[E]. Relief contour; relief lines for ankle, handle stem of ivy. Exterior black, with small part of reserved pattern.
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| 39.9.4
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Small hole on extend piece beside neck, presumably for suspension of object. Orange-quartering effect produced by double-incised lines running top to bottom. Quarterings in sequence repeated three times: black, black with white dots, black, black with superimposed red. Bottom flattened.
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| 42.9.1
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The rim (stephane) is decorated with a double horizontal bulleted strap. The neck of side A has a broad band ornamented with elleipsoid lines with lotus leaf-shaped endings. Body: Side A: Dionysos holding leafless vine branch and kantharos between 2 dancing maenads, one of whom wears a spotted skin over her drapery. The scene is surrounded (left and right) by vertical, bulleted zones in the form of antae that seem to support a horizontal band with tongues over the heads of the figures, making the scene look as if under a building. B: 3 youths (but with beards?) wrapped in himatia, with a pair of halteres hanging between the second and third youths, relief contour on A none on B, outline of hair (and beards?) reserved. The same decoration surrounds the 3.
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| 44.1.1
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Rim: There are black tongues around the aperture and dots on the side surface of the rim. On the back of the handle there is a row of dots, framed by two, vertical lines. The neck and the surface below the handle is left reserved. At the base of the neck there are black, petal-shaped spots. Top surface: The aperture in the centre of the ring is black with additional concentric, black lines between reserved areas and a row of dots. Some of the lines have incised diagonal lines across. The reverse side bears a similar decoration but without the row of dots. Side surface of body: The main design is of an Ibex and Lion facing a central rock, made of horizontal bands. Added red is used for some parts of the ibex's body as well as for the some of the bands of the rock.
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| 44.1.2
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Black lip above reserved neck which has black tongues below fine ridge at base. Single handle is black on top and reserved underneath. Black lotus flowers with white outer petals alternating with black buds border the flat shoulder. The body has shiny black glaze with two red lines at top and another just above bottom of body. Disk foot is reserved around edge. Base reserved.
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| 45.10.12
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Possible warrior scene. i) black figure decoration. ii) black figure decoration including parts of palmette and lotus. iii) black figure with parts of palmette, lotus and shield-incised lines on shield. iv) decorated with part of shield, incised decoration on parts of shield. v) part of human leg and two small black dots of unknown decoration. vi) part of two different human legs.
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| 45.10.13
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(i) There is a small part of a motif (partially covered with plaster) that consists of wavy lines. Below it, there are two lines and underneath there are parts of two inverted, palmettes (voluted with petal-shaped divisions) that flank a three-pointed flower with two dots to represent pollen. ii) Between two pairs of lines there is a guilloche (fillets with teardropped terminations interwoven together) with dots among the lines. Below, there is a broad black band, which seems to be interrupted at the right side. (iii) At the left, three parts of vertical, black bands and incisions create part of an object (garment hanging from chair or couch?) In the middle, there is an object- as if it was a grave-stele with a cross-shaped ? ending above which spring two heraldic, white, voluted palmettes (now fadded away), a chiastic motif with dots and horizontal lines on top- but inverted (leg of a bed or couch?). Next to that, there are a figure's part of thighs, knees and calves, close to part of a palmette. (iv) A bearded satyr (seilinos) plays a chorded instrument (lyre), while his himation is hanging in the background. Next to him there is a draped female figure (Demeter?), holding a wreath (black circle) and branches with dots on both sides that surround her. The details on her drapery have been executed with added red and so are those for her head-dress. There are also traces of added white on her neck. On top of the fragment there is part of a motif of tongues contoured with ellipsoid lines and a line that encircles this pattern. v) On the left, there is part of the satyr's lower legs (above the knees towards the feet) and the lower end of his himation. Next to him there is the termination of the female figure's branch, close to a similar inverted grave-stele? and part of an object that resembles an animal paw (lion-shaped foot of chair or couch) . Below these, there is a line on which they seem to step on. Next, a guilloche between two pairs of lines and at the bottom part of a radial-shaped motif with a line that contours it on top. vi) A line and black, teardropped spot. vii) There is a line on whose right top side stands a rectangular object with a rectangular surface in the middle being reserved. Below, part of two lines on top of part of the guilloche. viii) Small part of shoulder and neck: there is a black spot, a thin band, a red line on top of a plastic ring (joining point of neck and shoulder) and part of a tongue-shaped pattern contoured by a line on the shoulder. There is also a part of two lines in the interior. ix) Part of the guilloche, the two lines underneath and the radial-shaped motif at the bottom. x) Tiny bit of the guilloche and the two lines below it and part of the radial-shaped motif. xi) Part of voluted palmette and tongue-shaped motif. xii) Part of the floral motif (of a three-pointed flower)? with lines that form a rhombus with a dot in the middle. xiii) Part of the shoulder and the spring of a handle. On the top there is the tongue-shaped motif, encicled by a line and below it an inverted palmette. The spring of the handle is black and next to it there are short, diagonal incisions. There is also a tiny spot of black colour in the interior. xiv) On the left, part of leaf-shaped (heart-like) motives (part of thyrsos?), close to a band of black colour, of undecipherable shape. Next to that, there is the lower part of a female draped figure, with small crosses on it. At the right side there is black and white colour that forms ovaloid shapes (?). xv) A black band and on the left part of the female drapery.
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| 45.10.18
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(i) horizonal black band with two red lines with two vertical lines (possibly part of ray design). 2) part of three seperate ray designs
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| 45.10.20
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i) Part of a voluted palmette with petal-shaped divisions seems to be connected to part of a three-pointed floral motif by a thick, black, curving line. On the left there is another, identical three-pointed flower, only bigger and illustrated inverted and vertically and at the left end of the fragment another curving line. Below these, there is part of a perpetual meander pattern and the upper part of continuous, teardropped motives. Some form of greyish (light) brown plaster has been applied to the surface around the voluted palmette. ii) Small part of guilloche (thin fillets with tongue-shaped endings interwoven together) with dots among the lines. Below, there are traces of thin, black lines (but not visible because of burning). Underneath, radial-shaped motif. iii) Underneath two thin lines there is a meander pattern. iv) Part of the upper ending of a radial-shaped motif. v) larger part of a radial- shaped motif. There is part of a thin, horizontal line on the top of one of the divisions and more to the left there is a circle with a dot in the middle and two vertical lines (part of the guilloche). vi) Small part of the guilloche and radial-shaped motif below that.
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| 45.10.21
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(i) exterior mostly black slip with a small part of black line decoration. ii) small solid black slip decoration with more black lines.
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| 45.10.22
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a: The upper surface of the rim is reserved, although glazed. However, the side surfaces (internal and external) are black (apart from a reserved area that would not have been visible if the handle was not missing). The neck is also black on the inside, however, there is a perpetual motif of palmettes on the external surface. These are double palmettes (5 narrow divisions upwards and 5 similar ones downwards) that look as if chained together by a horizontal row of small rings and each such palmette is separated from the other by a vertical line with wider endings, while thin, curved lines (above and below) frame each palmette. The sides of the handle bear a black band each and there is also a thin line underneath them that contours the end of the neck. On the carination that divides the neck from the shoulder there is a thin line with added red colour. The shoulder bears a motif of tongues, divided by vertical lines, while a line underneath contours them. The motif does not appear under the surface of the handle. At some point underneath this pattern there is the beginning of another motif (black with 3 dots of added red and scale-like incisions). The interior of the rest of the vessel is reserved, since it is an amphora. b: It bears exactly the same motif as the previous neck bit. c: From the branch of a three-peaked floral motif there emerge two curved lines that are downwards and upwards, each forming an ellipsoid-shaped frame from whose lower (in the case of the curved line that goes downwards) or upper (in the case of the other line) endings form one floral motif each. The left one is a voluted palmette with 5 petal shaped divisions and the right one is a three-pointed flower, similar to the central floral motif, but bigger. Although the upper part of this pattern is not preserved apart from the starting point of the motives, it is certain that this would have been the heraldic motif depicted. Underneath this area there is a thin, black line and below that, a pattern of guilloche ( branches with tear dropped endings interwoven together) with a row of dots, framed (above and below) by two pairs of concentric lines. Towards the end of the fragment (which is also towards the end of the vessel) there is a radial-shaped motif, two lines and the rest of the surface is black. d: It is a part of the body's area that bears the guilloche pattern and the radial-shaped motif underneath, but one third of it is not preserved. e: On the left there is the upper part of probably a palmette (two endings of petal-shaped divisions). Next to that there is the depiction of a draped lower body part. The drapery is formed by the incisions on a black surface. There are diagonal incisions and wavy endings to denote the folds of an himation, as well as the lower termination of the chiton, which is suggested by two almost horizontal incisions, a wavy line and another horizontal incision. the drawing is detailed and clear. f: The part between the surface above the knees and a bit below the calf of a male figure that wears a short chiton (incised, wavy folds are visible above the knee), as well as grieves with out curving terminations (Hermes?) of added red colour, now fadded away. On his left there is the upper part of a palmette and on his left there is a diagonal line, with rows of dots on either side (characteristic of Dionysus). Very clear drawing. g: Half of the three-peaked flower, a bit of a black line and two petal-shaped motives. On the side, there is part of the dotted branch and what appears to be part of a figure's drapery (upper right body part ?), with some incisions used to render details. h: Between the lower body part of two figures there is part of the dotted branch. What is preserved from the right figure is incised lines and circles on a black surface. The left figure's drapery (peplos and himation ?) is preserved (below the waist), consisting of incised diagonal and wavy lines to denote the folds. i: A central male figure's (Dionysus) body from shoulder to legs is visible and surrounded by a dotted branch. He is standing between two figures. The male figure (there is part of beard with added red) on the left holds part of the branch with his palm (upper body without the head is preserved). The only visible part of the draped figure on the right is part of the legs. Incisions are used to render details. j: Apollo playing his lyre (kithara). The head (in profile, facing right), right hand and part of the god's front side of the body is visible, as well as the largest part of the lyre. Part of a dotted branch exists in the background. Incisions have been used to render the chords of the lyre as well as for the eye, contour of hair, ear and contour of the god's body, while a taenia (fillet) on his head is in added black colour. k: Only part of a thin, black line is preserved. l: two broad black bands that overlap at some point. Incisions and the ending of a dotted branch (part of draped figure?). H & J on display in symposium
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| 45.10.23
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The handle is black. On the shoulder there is a voluted palmette with petal-shaped divisions between two draped male figures facing each other, holding their himatia with their left hands. There is part of a thin line that contours the lower part of the shoulder. The upper part of a warrior is preserved, wearing a red helmet and carrying a shield. There is also the lowest part of a figure's drapery and his feet. He seems to step on two red lines, and the rest of the fragment is black. A fragment shows part of a figure's feet, which also step on two red lines. There is a broad, black band on the foot, with the rest of the underside is reserved.
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| 45.10.27
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exterior: the red surface is decorated with two rows of thin vertical lines.
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| 45.10.7A-B
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Lid: The top surface bears part of a central medallion (dots contoured by double, semi-spherical line), encircled by a black line, a red band, a broader black band and a red line. There is also an ivy spray between the last red line and a similar one. At the rim there is a rather careless tongue pattern, with inner dots (identical to the one of the central medallion, only frammed by thin, black lines). Sides: There is the representation of women pursued by the winged Eros. The naked Eros is flying and his himation with white spots on its top is falling over his forearm. At the level of his face there is an inscription, with white colour KALOS and underneath, KALH, above a bent fillet with thin, short, white lines emerging from its endings. The first of the women is headed right, having extended her right? hand towards Eros and holding and raising slightly her drapery (in order to run faster). Her head is missing, but she is probably looking backwards, to see the advancing Eros. The scene is reproduced again: Anoher Eros pursues another woman, who is running towards an altar? (rectangular, altar-shaped constuction, higher than the figures with a decoration of a large cross and dots in between). Among them there is again the inscribed KALOS, KALH. Many fragments have not survived, however this woman's head is not missing. She is looking backwards and wears a diadema, made of white lines. At the other side of the altar? there is another woman approaching it, having escaped the first Eros, but looking back to see him. She wears a white diadema and the same inscription is between her and the Eros. The scene is framed by two red, concentric lines (above and below the figures). The bottom surface is left reserved. Body: There is decoration of laurel stems and berries around the outer surface with details made of added white. This motif is framed (above and below with red, thick lines). The interior of both pieces is black. The feet have a black band on the side (ca 2 cm below their joining part to the body) and the rest of the surface is left reserved, apart from a black line at the rim. Half way up the inside surface of the feet there is a thin, black band. The base's central part is decorated with a broad black, circular band between thin black lines.
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| 45.10.9
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A: Draped youth playing pipes and draped man holding a branch; B: group, probably in a procession, including a draped youth with a staff and a draped man with a branch. The interior is reserved. The details that form the folds of the figure(s) drapery are rendered with thin, black and red lines. a) Black with part of a tongue motif on the top (tongues flanked by thin lines, on a reserved but glazed band). b) Part of a draped male figure's neck, shoulder and bust. c) Part of the figure's himation folds. d) Lower part of a male figure's drapery folds and part of feet? (carelessly rendered). e) Part of a draped figure's folds, next to a black area. f) Part of a draped figure's folds. g) Part of a figure's arm, forearm and hand, with the largest part of a flute. h) On the right side there is part of a figure's drapery folds. On a black area on the left side there is a figure's hand that holds a komos or sprig with added white, short diagonal lines around it. i) On top of a meander pattern with a black line on top there is part of a red band with traces of thin, black lines (a figure's foot?). j) On the left, there is part of a figure's drapery folds and part of his walking-stick. On the right side there is part of another figure's folds?
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| 45.6.1
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Pale buff ground. Inside is black and red in places. Main design: five women with long plaited hair dancing in a ring, holding wreaths between them. In field are large rosettes with concentric circles at centre and round objects with horizontal incisions between bands of vertical incisions. At base are elongated vertical lines and the foot is coloured red. Five bands on base.
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| 45.6.15
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Black lip on mouth. Neck is reserved as is the underside of the single handle. Black tongues under fine ridge at base of neck followed by a circle of black lotus flowers with white outer petals alternating with black buds. Body has black glaze, rather ruddled. Two thin red lines at top of body just below shoulder and one two thirds of the way down the body. Black disk foot with edge reserved. Base flat and reserved except for a concave central circle.
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| 45.6.16
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Mouth black inside and out with partly reserved top of rim. Handle black on its exterior. Neck reserved. Shoulder is decorated with 2 rows of rays. The body is decorated with a row of palmettes. Three out of four are preserved. They are divided by black vertical lines and circled by white arches. The leafs of the palmettes are incised. On their lower part, they are connected with a black vertical chain. Broad black band below main zone. Bottom of body is black, as is top of foot. Side of foot and underide are reserved.
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| 45.6.2
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Brownish-buff ground. Inside is black with traces of red lines. Outside from top to bottom, vertical black (now red) wavy lines, two red, one black, two narrow black, wide red, two narrow black, wide black, two narrow black bands. Foot is brown and base has four concentric circles. iddle thick band red, rest of decoration brownish-black. Worms in handle zone, then two thin bands.
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| 45.6.29
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Black glazed; 7 sets of three incised vertical lines on the shoulder stretching down to the base.
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| 45.6.57
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Small, slightly flared mouth with fine overhung lip. Long neck opening to short pear shaped body, finally tapering to a flared foot, and a flat base. Two incised lines at top of body, one incised line on foot.
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| 45.6.58
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Long narrow neck, pear shaped body. Grooves on body in alternating horizontal and vertical lines, short narrow foot with flat base.
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| 45.6.59
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Mouth broken, neck widens into small pear shaped body which narrows into foot and flarred rounded flat base. Surface smooth with lines made from having been produced on a pottery wheel.
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| 45.9.1
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Mouth black inside and outside. Reserved rim. Handles painted black on top and reserved underneath. Each handle has two lines down the back dividing it into three sections and a dolphin (?) painted in black below each one. The neck has two rows of ivy leaves separated by a band of dots. Ridge at base of neck and petals around shoulder. Both sides have a similar design of a warrior setting out between two onlookers. Detail is incised. Below is a double row of staggered dots and rays. Foot is black on top and side, but reserved on resting surface and base.
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| 46.9.1
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Mouth coloured black inside, outside, neck red. Handle black on outside and reserved underneath. On shoulder, black rays below fine ridge at base of neck, then lotus flowers - white outer petals alternating with black buds. Body has a silvery black glaze with two red lines at top, another just under the figure scene and another just in the junction with the base. In added white, bearded charioteer with two galloping horses. They are in profile to the left. He is holding the reigns of the horses. Naked with fillet on hair and belt, both shown incised. Row of white dots above the scene. Details of man's body and horses' incised. Disk foot has reserved edge, base is reserved.
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| 46.9.2
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Ivy wreath on rim, dots on ridge below. Decoration on main body consists of an ivy wreath with dots in between ivy leaves. Below: one band of horse shoes, one band of dots, and one band of curved lines. Below is black to the foot, which has one reserved line. Base reserved but with two thin black concentric lines around a small circle in the centre.
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| 47.10.1
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On the mouth, small daisy petals between bands; on side, row of dots between bands. Zigzag on handle. Monkey-faced horseman riding left. Behind him a star with incised lines crossing at centre. In front large ring enclosing a cross with incised lines crossing at centre. Circular painting on base with four radiating lines from centre.
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| 47.2.4
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The vessel's tondo is ornated with impressed (stamped) decoration, of thirteen ellipsoid motives (eggs, some not fully formed) that seem to be hanging from an impressed circle, on whose border rest thirteen palmettes (voluted with narrow divisions) on stalks. There is a reserved, but glazed line at the lowest part of the body and the concave area of the base is reserved, but glazed, apart from two, concentric, reddish brown lines with a dot in the centre.
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| 47.6.1
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The Gorgon Medusa, in both shoulder panels. Area under handles is black. Side A: Achilles on black horse, alongside a red horse with an attendant riding on black horse behind. Troilos lies on ground. Side B: Achilles carrying Troilos toward alter made of bricks with incised lines (the altar might also be interpreted as a fountainhouse). Shrub in front of altar (fountainhouse) Pictures are in red, black, white with detail incised. Below shoulder zone are red and black chevron-palmettes; below this, animal frieze with goats, panther, winged creature and lion. Triangles radiating from base, foot is black and base reserved. Zones separated by bands.
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| 48.12.1
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Bowl of rather coarse clay. Interior glossed black, although only traces of brown remain. Two rounded handles, one on each side, with traces of faint brownish-black gloss. Outside, narrow bands immediately below rim and at base of handles. Between the handles is pair of parallel wavy lines (only on front). Black gloss from below handles to foot. Foot is rounded and base is concave and reserved.
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| 48.12.10
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Interior of the mouth and exterior of the handle black. Neck is reserved, as is the underside of the handle. Shoulder has two rows of rays radiating from neck. Body is cream ground and, from top to bottom, has two parallel horizontal black lines, meander 'key' pattern, three rows of grille and black line. In centre are three horizontal palmettes with a line, four row grille and black band. The pattern only covers the front of the pot and the back is left cream. Below this are three incised bands. Top of foot black. Reserved band on the foot. Underside reserved.
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| 48.12.13
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Rim of the neck is painted red on the inner side, the outer surface of the neck is painted brown. Two black lines on a white wash decorate the shoulder, the handles are painted black on their outer surface. The upper body is decorated with a red band at the top then (on one side) a white wash, followed (on both sides) by six black bands with reserved areas between them. The rest of the lower body is decorated with a dark red wash.
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| 48.12.3
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Interior black glaze, except a reserved band just inside rim. Upper body reserved with darker red and black decoration; Three horizontal brown lines around the outside rim, six sets of five vertical lines spaced evenly around the upper body alternating with four occurrences of three concentric circles surrounding a central dot. Three horizontal lines below it separate this section from the lower body which is black except for one reserved band in the middle. Handles are a darker reddish brown (2.5YR 4/6). There is an incised cross on the inside of one handle only. The slightly flared foot is also black with a reserved resting surface and underside.
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| 48.4.1
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The rim of the mouth has leaves all round it. The outside of the rim has a thick black band. On the main zone are pairs of ivy leaves (one pointing up the other down), joined by their vines. In between these are pairs of dot flowers. All of this lies between two pairs of horizontal lines. The slight slope towards the foot is black. The top of the foot is reserved but appears to have once been black. The base of the foot is reserved except for a thin black band on the inside of the rim, another about halfway in, and then a small dot in the centre of the base. The inside of the pot is completely black.
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| 48.5.2
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The interior of the mouth is reserved except for a black band on its top. On the mouth, three horizontal parallel lines. On the neck, zig-zag pattern. Shoulder: A:goose/swan and B: panther. Incised rosettes and dots for the filling. Four black bands. Body: deer flanked by panthers whose tails almost meet. In field: rosettes with spoke incisions, and some with circular centres; also dots. Some added purple on animals. Scene rests on a broad black band framed by two narrow black bands. Triangular spokes point upwards from the base to the lower black band. Foot is black, but base is reserved.
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| 49.1.2
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The vessel is covered in black except for decorative bands at the lower part of the neck (red with black vertical lines) and the shoulder (egg-and-dot), the figural scene in the body zone, a frieze (stopt maeanders alternating with cross squares) below the figural zone, narrow bands at the join of body and foot as well as on each step of the foot, and the underside. The scene depicts a nude youth standing in a relaxed pose, 3/4-view to the right. He holds drapery, bunched up, under his left arm, and seems to converse with a drapped woman seated to the left on an undulating rock. She holds a mirror in her right hand. Both are diademed. A small, winged Eros flutters above them, and he has crowned the youth. A single branch emerges from behind the rock. Next comes an older Eros (depicted as an adolescent) seated near profile to the left (the seat is no longer visible), holding an opened box (the type that was used to house alabastra such as that which he decorates, according to Trendall and Cambitoglou 2.605). In the upper left field there is a rectangular motif with a short, black, vertical band on it (perhaps a window), and in the upper right field (behind Eros) a four-part rosette (rodakas) next to a strigil. Below, there is more vegetation. Relief dots detail xxx and added white has been used for xxx.
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| 49.4.1
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The mouth is black inside and out with a reserved rim. The back of the handle is also black. The neck and underside of the handle are ruddled, as is the shoulder which has black dots and radial-shaped motif. There is a white band at the upper body surface with a yellow meander pattern, between yellow lines. The main design is that of a flying Nike facing right with a mirror in her left hand and a globular object in her right. She wears a kalyptra (head dress) and she is draped. Additionally, thinned glaze and black paint has been used for detail. Below the scene there is a similar meander pattern on a white band. The rest of the vessel is black.
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| 49.4.2
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Woman with a fan and a ball, seated in a naiskos; kalathos on either side.
The inner side of the rim bears a broad band (in the middle of the surface). The top surface bears traces of carelessly applied red colour. The edge is also black and its side surface bears a reserved line and a black line underneath, from which seem to be hanging short, vertical lines. The upper part of the neck is reserved, but bears a black band on its lower part. The rest of the neck is decorated with black colour, on top of which there is a tongue pattern in yellow (faded away) that contours the vessel (long, pointed on the bottom tongues). Below, there is a reserved line. Side A: The main scene depicts a female figure seated in a naiskos (monument with pediment, from whose upper part emerge palmettes and tendrils, epistylion, an ionic column on either side an top of a stylobates or crepis, the latter represented with a perpetual pattern of voluted motives and dots in between, framed by white lines, thin, black bands and white bands), on a diphros okladias. The woman is facing left, she is wearing a peplos, holding a fan with her right hand and a round object with the left one, below which there is a row of dots. She also wears a kalyptra and has her hair in a bun, from which emerge two wavy lines with round terminations. Behind her, at the level of her head, there is a window (square object with the middle part riddled). The naiskos is flanked by a kalathos on either side, decorated with black and yellow horizontal lines, tendrils and branches, as well as yellow tongues and yellow meander pattern. There is a row of yellow dots below each kalathos and a rosette on top. Below the row of dots underneath the left kalathos there is another rosette, whereas underneath the row of dots below the right kalathos there is a phiale. The details are executed with added yellow. The handles are black. The reverse is decorated with floral motifs: the area underneath the vertical handle is black, with an H-shaped black motif divided in two by a vertical line, on a round, brown background. The surface below the vertical handle depicts two fan-shaped palmettes, from which emerge elaborate, voluted floral patterns that expand to the surface below the horizontal handles. The lower part of the body is contoured by a wavy-like pattern on a brown background. The area below is black, although streaky on some areas, while the lowest part of the body is reserved but glazed. The foot is black, with a reserved resting surface.
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| 49.8.5
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Black tongues on mouth and black rim. Horizontal parallel black bars on handle. Black tongues on moulded ring level with bottom of handle. Upper part of body ridged, painted with black and purple bands, then black, purple bands with groups of vertical lines. Body has moulded rings. Around base tongues and black foot. Reserved, concave base.
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| 49.8.7
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Inside is black with a reserved ring in centre (around hole) and a reserved band on the junction of the offset rim with the body. Rim is black outside and there is a moulded, reserved ridge above handles on the junction of the rim with the body. Two handles, one on each side are black on top and reserved underneath. Below the shoudler ridge is a band of lotus buds with dots all joined by a chain below, black band, band of eight inverted birds (cockerels and hens (?) one smudged) with a dot rosette. The figure zone is framed by thinly painted brown lines, two on each end. Black band follows and three thin brown lines which encircle the black rays rising out from the root of the stem.
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| 49.8.9
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Rim: There are three narrow, black bands (on a reserved area) between two thicker ones. The side of the rim, the neck and the underside of the handle are all reserved, however there are parallel horizontal bands framed by two thinner vertical lines on the back of the handle. The shoulder is decorated with black tongues. The body is covered with a scale-like motif and each of the scales is rendered with two incised lines at the edge. Additionally, each alternate column has a large purple dot and the columns between have a very small, incised dot. Above and below the scales there are two, broad, black bands, separated by reserved lines. The lower part of the body towards the foot is decorated with tongues (radial-shaped motif). The foot and the base and underside are reserved.
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| 50.10.1
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The interior, from the lip down, is reserved. There is a thick band on the lip and vertical bars on the exterior of the rim, then five bands, evenly spaced, between the rim and where the handles start. Neck (A,B): Panel between two triglyphs, each consisting of three vertical lines, a band of diagonal lines, and another three vertical lines. Panel filled with a long-legged bird facing left (body outlined and filled with vertical lines), filling splotches, and a horizontal triangle, cross-hatched, to the right. Shoulder (A,B): Seven vertical lines, panel, seven vertical lines. The panels are filled with (A) dog (silhouette) runing to right, with filling ornament, (B) same, but the dog chasing a hare. Horizontal bands cover the exterior of both handles, and the handle zones are outlined with a very thick band. Body: three horizontal bands; close zigzag; seven more bands; a large black band covering the lower part of the body and the foot. Resting surface and underside reserved.
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| 50.10.4
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The mouth is black inside and out with a reserved rim. The neck and underside of handle are also reserved, while the top of the handle is black. The shoulder is decorated with short lines and four palmettes (of which one is upside down) linked with tendrils. The back of the body is black and the front bears the representation of a draped woman in an unnaturalistic posture. She is facing right with her head and chest turned back to her left. She is holding a case (kiste? with drawers?) in her right hand and extends out her left (the gesture is as if holding a phiale). There is reserved line under her feet and the woman looks as if she stepps on it. Additionally, the foot's upper surface is black. There is also a small, concave section at the centre of the base.
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| 50.10.6
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Front: in handle zone, white eggs, with incised line above; then, between pairs of incised lines, wavy white line; below this, row of white dots. Red vine branch with dendant grape-clusters, leaves and tendrils. Incised line all round below. Back: pair of lines of white dots with double incised line in between tapering to single line. Incised line continued from below decoration on side A. Handles and interior black. Bottom portion of body and top of footring red with single black band near top. Side of footring black, underside reserved.
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| 50.12.1
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A thick clay fragment showing below the rim and in line with the area of the handle zone; a pattern of joined arc-shaped bands and immediatly before the handle a vertical line joining the horizontal lines that surround the arc motif. On top of rim there is a single narrower curved painted band.
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| 50.12.13
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Interior shows remnants of white slip. Exterior, although very worn, shows a band of black across the top and some wavy black lines are barely visible.
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| 50.12.14
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Black paint faded to red. Interior: fine line on rim, below it one broader band. Exterior: broad horizontal band across the top with series of fine vertical lines at right angles to it. Two fine lines are joined together by fine horizontal lines, creating a square pattern.
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| 50.12.15
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Interior is mainly unpainted with a black line (faded to orange) directly on rim, another slightly lower. Exterior has a series of straight and curved lines to left of centre there are two parallel vertical lines and far left two horizontal parallel scalloped lines. To the right a single curved line and at the bottom a small semi-circle adjoining the lower end of the vertical lines with an larged dot in the middle.
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| 50.12.16
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Exterior decorated with four concentric circular lines (brownish-black) and a small line indicating another part of the motif. Interior black misfired orange.
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| 50.12.18
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Fragment of fine clay cup or open dish. Exterior: series of five thin parallel curved lines, cut through by a broader vertical band. The curved lines have faded to orange while the more densely painted horizontal line has faded to dark brown. Interior: three thin parallel curved lines that have faded almost completely in parts. .
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| 50.12.19
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Exterior: decoration in black, comprised of three black curved lines above and a thin (faded) horozontal line below; to the right a tiny black mark. Interior: reserved
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| 50.12.2
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Fragment of wall of krater or other open bowl. Pale clay, white slip inside and out. Glaze yellow to brown for black. Interior broad black band. Exterior, bands of curved and straight lines.
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| 50.12.20
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Exterior: brown lines, curved line with horizontal waves above, and six vertical lines rising from the curve (perhaps a fish); broad band below. Interior: reserved.
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| 50.12.23
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'Psi' figurine, representing human figure with small head and upraised arms. Thin red-brown lines separated from eachother by a few millimetres are aranged horizontally across the figurine.
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| 50.12.24
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Interior: black with pair of purple red lines just below rim; exterior: black with purple-red band at rim, pair of narrower purple red bands immediately below it and another pair, broader, lower down.
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| 50.12.31
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Clay pinkish; paint red for black, interior reserved with part of one red band, exterior: parallel fish bone lines, and two apsidal lines,
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| 50.12.32
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Interior reserved, exterior with cross hatched rectangles and parallel brown-black lines
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| 50.12.36
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Exterior: one cross-hatched rectangle and two thin red lines; interior reserved
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| 50.12.37
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White clay fragment slightly curved and the exterior shows detail of a pattern; parallel lines curve accross the fragment to the left there is part of a feather pattern that has a single scroll at the top. On the bottom right the the pattern may be bulb shaped and six curved lines across it. The black paintwork is faded in part while some is still dark. The interior has been painted black while the area below the top has been completely worn.
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| 50.12.43
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Exterior decorated with concentric circles. In the centre there is a solid painted circle. The painted lines are more densely painted at the top. The lines at the bottom of the circle are painted further apart. The inside is brownish-black.
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| 50.12.44
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The interior is reserved other than a single band of paint. The exterior is reserved with a red pattern made up of irregular lines.
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| 50.12.45
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Exterior: brown band at the top, with two parallel lines at a slant to the band. At the bottom are part of two brown circles or semi-circles, with a dot or two in the centre, and dots around the circumference. Interior reserved.
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| 50.12.47
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On exterior, traces of decoration, including dots and some lines but decoration indistinctive.
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| 50.12.48
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Single fragment preserves the cylindrical torso of a 'phi' or 'psi' figurine (probably the latter), with red-brown painted lines running vertically down its edge.
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| 50.12.49
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Fragment, appears to be the upper body of a sculpture of a woman. It has a net like structure of brown lines on both the front and back.
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| 50.12.50
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The figurine probably represents the body of a woman (a 'phi'figurine). The figure is decorated with a series of slightly wavy brown lines, arranged vertically.
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| 50.3.3
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Above foot, and again half-way up to handles, groups of five fine incised lines.
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| 50.4.14
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Entirely glossed black. Just below the middle the body a zone of stamped palmette decoration framed by parallel incised lines. Row of eggs below the lower line. The underside of the foot is decorated with three incised concentric circles.
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| 50.4.24
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Moulded design on shoulder of a wreath of leaves and buds, three lines run along the crest of the handle. Dark grey wash.
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| 50.4.3
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Double curve; slightly raised base. Small bowl with concave base. Small, indented, vertical lines around rim.
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| 50.4.7
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The exterior and interior of the mouth, as well as exterior of handle are painted black. The top of the mouth and the underside of the handle reserved. Shoulder decorated with two rows of blakc painted rays. Those of the upper row are short. The body is decorated in the white-ground technique. Decoration on front of body; at top a band with geometric meander pattern, framed by thin black bands. In a square framed by thin black bands, net pattern. The lower of the body, the small stem and the upper part of the base are black. On the lower part of the body, the glae has not been applied carefully leaving thin lines on the colour of the clay. The exterior of the foot and the underisde are reserved.
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| 50.4.8
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Black gloss on mouth, neck, shoulder, and handle (dipped). On shoulder, three rows of white spots: seven (tear-shaped) above, five (larger tear-shaped) in the middle, and below, five groups of three dots in a triangular pattern. The body is decorated with a diagonal net pattern of thin black lines with thin white spots inside the lozenges. Thick irregular black band at bottom of body, reserved stem, black foot, including resting surface, but otherwise reserved underside, with a spiral pattern etched at the centre. White paint dots added and traces of red wash over body.
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| 50.5.6
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Vertical strap handle from rim to bottom ridge, extending over the rim, has parallel horizontal lines. Towards the top,a double bar cross. Inside is reserved except for the rim decorated with four groups of 8/10 vertical black lines, framed by a thin line above and two below, extnding to the upper part fo the body.The body has a zone of hanging spirals to the left,framed by two black lines. It is followed by a meander and four parallel black bands below, a zone of herring-bone. Either side of handle are three vertical lines. Herring-bone pattern sits on ridge which has two bands below. Base is flat and reserved.
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| 51.1.2
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Interior and exterior of the mouth, neck exterior of handles black, fired mostly reddish brown. The underside of the rim has a reserved band. Underside of the handles reserved. The body is all black apart from the metope carryint the figure decoration and a reserved band decorated with radial-shaped motif beofre the black foot, decorated with two red concentric bands. Resting surface, underside of the foot. The top surface of the rim is decorated with two, concentric, red lines. Another marks the junction of the neck with the shoulder. The neck is black (reddish brown on the reverse side). The main scene begins from the top of the shoulder (under a red line), down the main part of the body. There are two confronted bulls with their heads bent downwards. Added red on partsof their bodies. Between them, there is an ivy leaf (heart-shaped). They step on a thin, black line, which separates the shoulder zone from the body metope.
On the body, two warriors attack other two. All warriors have spears with teardroped terminations (three terminations are visible, the fourth is on a missing area) and wear helmets with coverings for the cheeks (only the right pair's are visible) with details (dots for the first and fillet for the second warrior) in added white (now fadded away). They all held shields as well. All are round, except for one. The right pair's episemata on the shields are visible (upper part of seated lion / tripod, rendered with added white that has fadded away), while the other pair's shields' interior is visible and so the porpax (handle) can be seen on the left warrior. Additionally, they all wear greaves. Added red on the contour of the shields, the interior of the shileds, helmest, one hoplite's greaves. Between the pairs there is an eight-pointed star. There are also two horizontal red lines below running around the body of the vase. Two horizontal red lines frame the reserved lower zone decorated with the linear motif. The foot is black, with two red horizontal lines. The base is reserved.
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| 51.1.3
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All black except rim, which is covered with a whitish slip and decorated with a zone of stpe patterns framed by two lines above and below. Base reserved with two incised concentric rings.
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| 51.4.9
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The rim is black, both on the inside and on the outside. The back of the handle is also black, but the underside is reserved. The neck is reserved, but glazed apart from a thick purple band on its lower part. On the sloping junction of the neck with the shoulder, black tongues. Both interrupted at the joining point of the handle to the neck. The shoulder is covered with a guilloche (pattern of interwoven fillets) with teardropped terminations. In the middle of two upper and two lower black lines there are two rows of black dots that begin on the edge of the second left figure of the main scene and stop at the edge of the last person. In the centre of the scene, a male figure in profile to the right with as short mantle, a quiver on his back (Herakles) is attacking a kneeling Amazon. With his left hand, he is gradding her from the air and with the right he is holding a sword, with which he is ready to kill her. The Amazon, in profile to the left, is wearing a helmet, holding a very long spear with her arm and her shiled with the left. From his waist, her sword is hanging. This scene is flanked by two other battle scenes. On the left side, an Amazon is attacking a Greek. He is wearing a cuirass, helmet, he is hloding his spear and his shield and he is shown ready to fall down. Tha Amazon has atteacked him with her spear. She is wearing a helmet and a short chiton. On the right, an Amazon and a Greek are shown in profile running towards the left, projecting their spears. The Amazon is wearing a ahsort chiton and a helmet. She is holding her shield, covering large part of her body. A frontal head of a lion decorates the shield. A sword hanging from her waist. The male warrior wears a short chiton and has a shield and a helmet. The Amazons have long hair and wear helmets with longer and bigger crests. Incisions and added red are used for details. Added red: parts of the chitons of the warriors anad the Amazons, hair of the warrior in the middle, fillets on Amazon's heads and the frame of the shield of the running Amazon.
Below the scene, there are two lines (not evenly formed at all in their length) and a band of added red. Below that, the vessel is black, with two concentric circles on the surface of the foot. The resting surface is reserved.
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| 51.7.13
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The mouth is black at the top of the interior and the lip is reserved; the handles are black as is the body where they are attached, and the foot, except for the underside. The neck is decorated with a six-leaf palmette on each side. On the shoulder, beneath two reserved bands, are tongues that suggest the effect of ribbing. A white fillet has been painted over the 'ribbing' on both sides. Two thick, black lines (carelessly rendered) encircle the shoulder. A large palmette fills the space beneath each handle. A female head, shown in profile to the left, is shown on each side. Each women wear a kekryphylon or kalyptra and has her hair tied in a knot. Strands of added white (ribbons?) emerge from the hair. There are also thin lines (carelessly rendered) beneath the main scenes. Beneath the main scenes the vessel is black, except for the reserved stem and underside. The stem and the resting surface have been treated with a darker red wash. Red sections are streaky and dull, and some of the 'black' became red through misfiring.
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| 51.7.15
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Reserved except for black glaze on the interior hollow and geometricising decoration: on one side, within two black bands, branches arranged in a radiate fashion; on the other side, within two black bands, radiate bands, some at various angles, intersecting; on the exterior 10 horizontal lines, each intersected by 7 short vertical bars.
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| 51.7.16
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Black mouth inside out, except for reserved top surface of the rim, exterior of handles, interior reserved and underside of the foot black; Between the handles are double (mirrored) lotus-enclosed palmette friezes, enclosed between red lines. Below the ridge at the base of the neck are alternating red and black tongues. Beneath each handle is a vegetal design comprised of three lotus buds, each arranged at right angles to each other, so that their stems form a diamond that encircles a dot, yet extend to four palmettes (two above and two below) that flank the figural zone. Beneath the figural zone is a series of friezes: two lines; a maeander (Greek key) to left; two lines; a frieze of upright leaves interlinked by arcuated stems; two lines; rays extending from the base. The preserved part of the base is entirely black. Side A shows a quadriga (four horse chariot) wheeling around, so that the front of the horses seem to pass a crouching warrior holding out a spear at a near horizontal. The helmeted charioteer holds a large shield. Side B shows a helmeted warrior, standing between two attendants. The warrior holds a shield with a lion-head sema, wears a chlamys, and holds a pair of spears at right angles. The (male) onlookers, both bearded, wear himatia that enclose their arms, and each holds a staff upright. Detail is incised on both designs. Top of foot and side are black and the underneath is concave and black. Added red on horses' manes and the contour of the shield.
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| 51.7.5
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Interior reserved; black glaze on mouth and upper half of neck, as well as upper half of handle; lower part of neck decorated with tongues that suggest ribbing; shoulder decorated (except under handle) with an egg-and-dot frieze between two black lines; reserved space at lower part of handle and handle attachment (interior) suggest that the mouth and neck were dipped. Body decorated with a frieze consisting of 7 clusters of three white dots at the top of a figural scene (arranged in upside down triangle shapes): a female figure, standing in 3/4-view to the left, in a relaxed posture with her left leg crossing her right, and her left elbow resting on a pillar (the curvy element in added white suggests that this is meant to represent natural rock). She wears a hairband and kekrphylon on her head, triple-dot earrings, two or three necklaces (two strands of white beads beneath a black line), two white bracelets on each wrist; a belted sleeveless chiton, and white slippers. She holds, in her upraised right hand, a mirror surrounded by white dots, and, in her left hand, a phiale that is surrounded by white beads, as well as a beaded sash. A large palmette, with a white dot on the heart and white dots on each volute, fills the space beneath the handle. From each volute emerges tendrils and floral decoration that frame the image of the woman. A 6-petal rosette fills the space to the right of the woman; to her left are a window and a dotted circle (cog-wheel?) in the upper left field, and an olive branch in the lower left field. On the body, beneath the figural scene, are a single reserved band and a thicker black band. The foot is reserved on the top element, and glazed black on the ridge and lower element; the underside and resting surface are reserved.
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| 51.7.7
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Black glaze, except for the reserved underside and a rough band on the resting surface. Decoration on both sides in superposed orange, red-washed. Side A: vertical bars, line, detached waves rightward, line, palmettes, line, waves rightward. Side B: vertical bars, line, chevrons leftward, line, simple key leftward, two lines, dotted waves rightward.
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| 52.3.3
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Inside is black on neck and rim but reserved inside the body apart from numerous black splatters of paint. Diamond pattern with dots on rim, rays and palmettes on rim above each handle. Side has dots and two rows of wavy lines. Handles are black as is the neck between them. Neck design same as on rim. Row of tongues on shoulder. Scene similar on both sides. Each side is flanked by a vertical line of hearts/ivy leaves with dots between lines. Side A: three youths, robed, one with a staff, two facing left and one facing right. Side B: three youths, robed, around a stele (?), two facing left and one facing right. Figures are ruddled and detail picked out in black. Below is a band of ivy leaves. Foot is black and ridged. Base is reserved and conical inside foot.
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| 54.2.3
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Upper part of the outside is buff whereas the lower part and the entire inside are both pink. On the outside buff section, are coarsely incised groups of lines in groups of three. Some are vertical and others are inclined. Pink foot and resting surface and base. Base has central convex section.
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| 54.8.1
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Inside has a ribbed texture and is reserved apart from thin bands around rim with vertical bars overlapping the rim. Single ribbon handle which is unevenly bent, has horizontal lines down back and is reserved underneath. Procession of seven mourning women, in profile all facing right, framed by wavy lines, with two bands above and below and three vertical lines at right and left of panel. In front of the sevnth woman there ae three loop patterns, with dots. The women are wearing long garments, have long hair and ftech one arm over their head, as a mourning gesture. Face drawn in outline. No use of incision for any details. Below 'SSSS' pattern, then horizontal lines. Moulded ridge and groove below around foot. Base is flat and reserved.
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| 56.8.2
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Interior reserved, except for a narrow band of black glaze at the top. Exterior: black-glazed rim and handles, including handle attachment points, lower part of body, and foot. The shoulder is decorated with pendant leaves, vertically arranged, divided by a narrow black band from the body frieze which consists of, on either side, a 12-petalled horizontal palmette between two sideways 14-petalled palmettes central. Lines of dots emerge from either side of the middle leaf on each palmette. Underside reserved.
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| 56.8.4
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Black inside and out except for an egg-and-dot band framed by two black lines at the front of the base of the neck, the figural design, and the reserved underside. Body: A satyr seated between two similar palmettes (the left one larger; each is comprised of a flower in the middle of two volutes framed by a short half-heart-shaped pattern on either side). The satyr is seated in 3/4-view to the left on a rocky mass that is spotted (perhaps it is covered with an animal skin). He looks profile to the left and he wears a taenia or band on his head, as well as a long, beaded necklace over his left shoulder and across his chest. He holds a phiale (its rim is marked with yellowish dots) in his left hand and a fillet in his right hand. The fillet is purple. The taenia, necklace, and rim of the phiale are coloured white with yellow wash. On the back a drip of (probably accidental) white paint.
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| 56.8.5
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Black pointed knob with moulded purple ridge at base, in centre of lid. Three black bands, tongues alternating black and purple, three bands, broad black band with superimposed purple line on each edge, three black lines and then a ridge. The rim is lower after ridge and has a chain of interlaced black lotus buds with dots between each one. Underside is reserved with a rim for top to sit in lid. Centre is concave with a hole in the middle below knob handle.
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| 56.8.7
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Interior glazed. On top, curved surface, are tongues which alternate black and white, the black ones also framed by black lines. The underside of the rim is black fired reddish brown. Thick stem and wide, with a plastic ring to the joint with the base. Flat base, curving upwards. Resting surface and concave base both reserved.
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| 56.8.8
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On the exterior of the rim, S pattern. A fight of three warriors between onlookers; on the left, an onlooker between two runners, on the right, a runner between two onlookers and at the back a floral motif (lotus-palmette cross?): Two semi-spherical palmettes chained in the middle by circular bands, dotted in the centre, and held on a columnar motif with similar (only more conical) palmettes as endings (top and bottom) by black strips. Many of the figures appear to be holding spears (in the case of warriors) or have in front of them the same attribute (long, thin, vertical or diagonal lines). There are variations in the rendering of armour, hairstyles and drapery, mostly executed by incisions.
The scene is framed by bands, top and bottom. Above the top band is a reserved circle, a thin, red, circular band and then the vessel is black up to the base where there is another red circular band. The interior of the footring is black. The broad, reserved base has a black circle inside a black band in the centre. Additionally, there are six dots (four are bigger) placed randomly on the reserved area of the bottom.
Interior: The surface is black from the rim to the tondo, except for two, red, concentric bands approximately 1 cm within the carination, and a similar red band framing the tondo. Inside the tondo is a representaion of a cock in profile to the right with a flower-bud emerging in the background. Red paint: tail, wings. Moreover, incised over the red ring surrounding the tondo there is a mercantile graffito (?).
The handles are black but reserved within.
The underside of the foot decorated with black dot at the centre, surrounded by black band and 6 black dots around it, uncanonically placed
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| 57.3.4
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Decorated with white slip reddish-brown paint. Row of dots between narrow and broad horizontal band. Most of the fragment is taken up with three radiating lines, crossed with small bars. Below this is a broad curved line. The underside is reserved and the clay is ribbed.
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| 57.3.6
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Interior: broad brown band just below rim. Exterior: brown zigzag pattern enclosed within two brown lines. Thin painted band around rim.
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| 58.2.2
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Brown paint on lip, one line halfway down neck, two round edge of shoulder. Incised lines around body. Small depression in centre of base. Small metallic particles in clay.
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| 58.2.4
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The lip of the jug is decorated with black lines compartmentalising the area; within every other compartment there is a design of lines of black dots. This design is carried on part way into the interior of the vase and onto the spur. The underneath of the rim is delineated with a black line. The neck is decorated with three compartments of decoration of unequal size. The compartments are divided by two black lines which enclose crosses surrounded by diamonds. Within two of the compartments there is decoration consisting of lines of vertical dots hemmed in by horizontal lines on either side; underneath are crosses with dots in each section and above is a mixture of crosshatching, lines and dots. The third section is undecorated apart from six groups of three diagonal lines, which form a vertical stripe of decoration under the handle. The body has decoration of long and short double lines containing cross-hatching reaching for the base (within the gaps there is a cross with dots in each section), below two such lines enclosing a string of continuous horizontal diamonds. The base is decorated on both faces with lines and circles. The handle is also decorated with black lines.
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| 58.2.5
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Incised decoration on the spout and handle consisting of sets of lines. The shoulder is decorated with a set of dots within two incised lines. Red slip
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| 60.1.5
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Mouth, top portion of neck and exterior of handle black; vertical black lines on neck; thick black band and band of waves on shoulder; frieze on body of three palmettes between three lotuses; black band below except reserved groove between body and foot and reserved base.
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| 65.6.1
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The mouth (exterior and interior), larger upper part of the neck and the handle are black (uneven and at most areas reddish brown) apart from the upper surface of the rim, which is red. There is a grey line on the neck and the surface of the shoulder bears decoration of voluted palmettes with narrow divisions and tendrils, widely spread to fill the space. The upper part of the body bears a meander pattern between two pairs of brown lines (above and below). Every fourth meander the pattern is interrupted by a saltive cross with a dot on each one of the triangular surfaces around it. The meander pattern continues as far as the scene below it is depicted. Main scene: A young man, wearing underwear? is seated on his himation, at the left side of a two-stepped tomb or pedimental funerary monument (grave-stele). At the right of the scene, a woman wearing a black and red peplos is bringing offerings. There is a brown line below them and the rest of the vessel is black, with the exception of two exteremely thin lines that are reserved at the joining point of the foot to the body and the side surface of the foot that is red, although the slip has not been evenly applied on the whole of the surface. Lastly, the resting surface is reserved.
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| 69.7.1
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The inside of the mouth is black and the aperture is marked by a thin, black line. The lip is decorated with black tongues, with intervening white dots. There is also a zig-zag band on the vertical surface of the rim. The neck is black. The back of the handle is decorated with a voluted palmette (incised) with tongues (black and reddish) on the top. From the ankle, just below the neck, emerge alternating black and red tongues (contoured with black lines). The foot itself is entirely covered in a thonged sandal that ties at the front with a ring-shaped knot. The sandal is indicated with relief straps that are painted in reddish-brown colour. The edge of the sole (crepis) is decorated with two rows of black dots. The base is reserved.
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| 73.10.1
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The top of the knob is covered with brown paint, apart from the central part.The knob is decorated with three parallel brown bands ; reserved at join with lid; 9 rays radiating from the edge of the knob.Two thin concentric brown lines, red-brownish bands framing a band of double dots. Black line at the edge of the lid fired brown. The edge of the rim is painted black, fired to brown. The underside is reserved.
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| 73.6.1
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Fragment appears to be showing two characters, though only their legs and part of the robes they are wearing are visible; it could be part of a story being told. Beneath the feet of the characters are two circular lines which, probably part of a pattern. On the left side of the fragment are several lines with dots around the outside of them which could be a visual representation of grape vines. Around both the vines and next to one of the characters are several larger black dots that could be larger fruits. The right side of the fragment appears to portray another pattern consisting of several wavy lines, though this one is harder to fully make out than the others.
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| 73.9.16
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One side is covered in a plain black glaze. Reverse side is decorated with three lines of black glaze.
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| 73.9.30
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Several lines on the outside forming a pattern, likely part of a clearer image on the original object it comes from.
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| 73.9.8
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The rim, leading to a band on the ouside is black, as is the entire inside of the fragment. Below the band on the outside is a horizontal 'S' shape pattern with small dots above and below it. To the left of this is a big black blob, which is slightly raised to suggest a handle ? Below the 'S' shape are four parallel lines, below which is a thin brownish band, a gap, and then what looks like the edge of a black circle. The second fragment has no rim and also shows a black blob which looks like it should be the base of a second handle. The inside of the fragment is againentirely black. On the outside of this fragment, there is no 'S' shape pattern or parallel lines, but there is a brownish band, below which is the edge of what seems to be a black circle, the same as fragment 'a'.
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| 78.7.1
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Two handles on opposite sides at top. Inside black with convex centre. Around rim are incised pendants on side A and two parallel lines with row of white dots above and below on side B. Below pendants is a pair of incised lines, a row of red dots, a grape vine with pendant grapes, leaves and tendrils. At base are three uneven circular shapes above reserved band. Black band around rim of foot. Base reserved and raised. Glaze partly faded.
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| 79.1.16
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Two bands of laurel leavess with berries on either shoulder between the handle and nozzle, discus decorated in raised moulded relief of a fourteen petal warped rosette. Two very small circles are placed at the body end of the nozzle, on either ridge of its top. Moulded line along the crest of the handle with two small lines either side of it at the front of the handle. The back side of the body, under the handle are three lines; the central is straight and terminates at the base with a bud either side, the other two terminate in volutes. Red wash all over.
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| 79.1.18
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Around outer edge of discus is a band of raised dots within two rings. The inner area of the discus is decorated with eight individual circles with concentric circles within each. There is a ring around the filling hole. The ring base also has two lines extending from it along the longest axis of the lamp. Pale buff wash.
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| 83.11.1
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Torso of seated female figurine, and legs to just below knees. Right arm (articulated). Blobs representing (?) jewlery arranged in a saltine cross over front of body, and horizontal row at waist. Tow incised lines on left thigh. Clay orange pink.
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| 83.2.5
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Short horn shaped piece of terracotta in a pale yellow clay. On one side are several brown/red coloured lines, likely part of a larger pattern originally from the item the horn was broken off from. They appear to have been worn away over time.
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| 83.9.34
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One side of this fragment is all glazed black and has three flowers on it. It also has two rounded lines, with up-side-down 'U' shapes inside them. The other side of this fragment also has a black glaze and seems to have a rim coming out of it, which could have been part of a base of a pot.
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| 84.8.1
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30 fragments, largely side B, small part of side A, handle and rim fragments. Side B three youths. a) The top surface of the rim is black and so is the interior, apart from a reserved area at the end of the rim that bears a thin, black line. The neck is decorated with a vague representation of a brach with laurel leaves. The joining point of neck and body that is preserved bears part of a black, thick line. b) The interior and top surface of the rim is black, with the exception of a reserved band on the end of the rim (interior) that bears a thin, black line. c) The handle is black, except for the surface that would not have been visible if it was attached on the vessel, which is reserved (but glazed). Around the spring of the handle there is a motif between two thin lines that resembles the ionic cyma (egg-and-dot). The rest of the vessel is black, both on the outside and the inside. d) The handle is black, apart from the surface that would not have been visible, where there are two dots. Around the spring of the handle there is part of the ionic-cyma motif. e) There is part of the ionic cyma motif that the handle bears around its spring and the rest of the surface is black (interior and exterior), apart from part of a small chess-shaped motif, framed by a line above and two below. f) It is black apart from an area that bears a small part of the motif that contours the springs of the handles, a small, diagonal, reserved band (exterior) and a reserved band (interior). g) The surface is black (interior and exterior) except for three thin lines that are reserved. h) The interior is black. Exterior: Above a double-meander pattern, placed on a reserved band and between two lines, there are two heraldic lion paws, even though the details have fadded away. i) The interior is black. Exterior: The lower part of the drapery and the foot of a figure, surrounded by black colour. j) Black interior. Exterior: The lower part of a vertical, reserved thin band is standing on a broad, reserved band that bears between two black lines part of a pattern that consists of a meander and a cross on its right. The cross is contoured by a reserved area (around its sides), while its is executed on a black background. k) The interior bears a thin, reserved band. Exterior: The back part of a male figure's head and shoulder, as well as part of the drapery. l) Black interior. Exterior: The male figure's shoulder and part of his draped body. On his right there is the outer part of the motif that contours the springs of the handles. m) Part of the male figure's leg, knee and tibia, which is projected, as if he is ready to take a step. On the left top side there is part of a vertical, thin, reserved band (upper part of a walking-stick). n) Black interior. Exterior: The lowest part of the figure's drapery and a vague representation of his feet ? He appears to be standing on a pattern that consists of a chess-like motif close to two, double-meander ones, framed by two lines above and one below. o) Black interior. Exterior: The lower part of the figure's walking-stick that seems to stand on the double-meander pattern. On the left of the walking-stick, there is part of the back side of another draped figure (male), with the same careless rendering of the feet. p) Black interior. Exterior: Part of the walking-stick and drapery of the second figure. q) Black interior. Exterior: Small part of the second figure's drapery. r) Black interior. Exterior: Small part of the second figure's drapery. s) Small part of the second figure's drapery. t) Black interior. Exterior: Part of the lower termination of the second figure's drapery as well as his right foot? On the left, part of his walking-stick. He seems to be standing on part of the double-meander pattern. u) Black interior. Exterior: Part of the pattern that consists of the chess-like motif, next to part of a double-meander one, on top of which there is the lowest part of a figure's foot? (clumsily rendered). v) Black interior. Exterior: The lower part of the drapery and right foot of another similar figure that satnds on the double-meander pattern. w) Black interior. Exterior: Part of the figure's drapery. x) Black interior. Exterior: Part of the figure's drapery. y) Black interior. Exterior: Part of the figure's drapery. z) Black interior. Exterior: Part of a male figure's arm and hand. aa, ab and ac) Part of the rim and neck. The exterior bears a broad black band and the interior bears a reserved area between two black bands. ad) There is a reserved line on the interior, while the exterior is black, apart from a reserved spot of unclear shape and another, similar one that bears a thin, black line.
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| 85.3.1
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All around the neck (except where the handles would have been attached) is a band of chained together, inverted teardrop shapes and dots within two black lines. Main decoration on body consists of two bordered figural scenes; Side A: Dionysus on donkey led by boy; Side B: Hephaistos (Dionysos, according to Mannack) on donkey led by boy. Both scenes are bordered by two lines of vertical dots between three vertical black lines at the sides, and a series of alternating thick and thin vertical black lines above. At the bottom of the body is a band of upward pointing rays.
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| E.23.12
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Rectangular palette with frame of incised lines, three along each edge.
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| E.23.3
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Model of Nile boat, with six rowers with six oars and a steersman standing and steering with paddle. Another figure standing in front of steersman, by mast, and a final figure sitting behind the rowers. Figures are painted with brown pigment for skin, black pigment for hair. There is a faint red pigment on the 'deck', going from top to bottom and then several horizontal lines. It is unlikely that all of the figures are originally from this boat. The number 886 (988) is visable on the boat, which likely the tomb number.
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| E.23.4
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Inscribed band marking line of shoulder, three uneven lines around middle possibly created by string. Darker areas on the body denote a possible pattern/picture that has now warn away. Below this are four circular, grey patches with darker centres.
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| E.23.44
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Glazed blue amulet in the shape of a head wearing a crown. The head is vaguely reminiscent of that of the dwarf god Bes. The top of the crown has been threaded for a string for wearing. The eyebrows are large triangles, above the sacred eyes which are joined. The nose is snout-like in between two puffed out cheeks. The mouth is thin lipped and small verticle lines indicate a beard.
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| E.23.59
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String of beads made up of three lines of green cylinders and buff disks, these meet up with a short line of brown beads and then split up into three seperate strings again. There are 14 groups of three lines.
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| E.62.12
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Blue scarab on a flat base, which has vertical lines down the top of the beetle from its throat, and patterned legs. The wings are detached, both with spanned wing decorations. Base is plain. There are 6 small holes on the points of the compass, with 2 at East and at West by the side of the scarab, and three holes on each of the wings. These are at the corners of the joining part to the body of the scarab and one at each end of the wing spans.
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| E.62.14
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Decoration in mauve pigment, consisting of two curved lines below five triangles that originate from the edge of the fragment.
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| E.62.17
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The thorax is made of parallel straight lines. There appears to be a small amount of gold pigment between the beetle and the base, there is no other discernible pigment.
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| E.62.18
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Stone scarab, the beetle attatched to a flat base. The thorax consists of parallel straight lines, the upper body is flat, and the 'head' consists of parallelagram like shape a ceratted edge to represent the mouth.
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| E.62.2
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Sculptor's trial piece. White limestone, the sculptor is trying different ways of drawing hair. The bottom of the fragmet has a human head with one way of drawing hair, one braid at the from with several straight lines representing the rest of the hair alon with a band accross the top of the hair. Other methods include small squares, undulating lines and straight parrallel lines made up of small chips into the surphace.
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| E.62.22
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Horizontal incised lines (two or three) at the start of each set of teeth.
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| E.62.44
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At base of shoulders and top of body are incised diagonal bars between bands. Five panels go around the body and are separated by incised chevrons between bands. Two panels show designs of leaves - possibly palm leaves. Two other panels show a collection of pictures which appear to consist of three leaves or feathers, an ear of corn perhaps and other agricultural objects (?). The fifth panel shows similar things to the last two described with the addition of a triangle with horizontal incised lines through it. None of the panels is next to a similar one. There is a flat ridge at the base. Painted to almost have a wood effect.
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| E.62.48
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Vertical lines of hieroglyphic inscription in black ink. Vertical lines of red pigment used to separate sections of text.
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| E.62.60
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Undulating lines around the mouth and in three concentric semi-circular shapes, then three groups of four solid triangles; all in a purple/brown paint.
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| E.62.8
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Incised band two thirds of the way down toward centre of inside. At centre are two pairs of two incised lines with a single circle and a sunken dot incised in centre.
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| E.63.13C
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Blue glaze fragment, once the lip of a flat dish or bowl. The top of the bowl was apparently decorated with two sculpted concentric lines, one following the lip of the bowl one just below. The interior is flat.
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| E.63.13D
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Blue glaze fragment, part of the lip of a flat dish or bowl. On the exterior two concentric ridges encircle the lip. On the interior a series of darker blue lines run parallel to the exterior ridges.
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| E.63.2
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Sacred eye of the god Horus, originally blue. There is a hole drilled horizontally through the middle of the piece to allow threading. The details are carved into the piece, the top is a line of slightly diagonal lines, below this is a small flat line below this the detail of the actual eye which is common to all sacred eye amulets.
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| E.63.28
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Red colour wash (?) is present on the on the upper body. Several concentric purple lines decorate this area. lower body is left bare.
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| E.63.9
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Light green pendant. The image is the goddess of Hathor, goddess of music and dance. Here she is depicted in the form of a highly stylized cow. At the top of the pendant is a loop for threading. The pendant is flat and has the cow-head engraved in the centre with an arch of concentric lines above the head Below the head on either side are parallel vertical lines divided by one horizontal line on both sides.
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| E.65.8
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Leather sandals, with pointed toes. Criss-cross patterns of perforations on soles. Plaited leather cord from toe to sides (to enable wear). Curved lines on the underside indicate which sandle was left/right.
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| L.2011.1.24
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Three parallel lines incised across one of the faces
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| L.2011.1.35
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Polished,with two sets of three incised lines on the top; ridge near the top.
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| L.2011.1.4
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Patterning around the edge, with short parallel incised lines between two incised lines.
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| L.2011.1.48
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In the central discus one reclining figure recumbent on its right side; right leg bent, left leg outstretched. Behind the legs a fish tail. At the back of the figure a drapery, like a semi-circular frame around the head. (possibly a Nereid riding a sea-bull?). On the edge parallel lines in low-relief. On the underneath inscription and a small half-moon shaped stamp.
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| L.2011.1.49
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Three grooves creating two mouldings in the lower part; five incised lines on the flat tip of the knob. In the underneath concentric mouldings.
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| L.2011.1.51
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Pattern on the handle(short horizontal lines on the edge, one on the left, two on the right); moulded ring at the junction between rim and neck, with a pattern (short vertical incised lines) above and below.
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| L.2011.1.54
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On one side 4 incised lines
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| L.2016.3.15
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Carved, continuous lines on black exterior. Two different parts of the parallel running lines; they intersect diagonal at centre of the fragment.
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| L.2016.3.9
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Black glaze on interior and exterior. A band of incised lines surrounds the inner centre of the bowl.
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| REDMG:1926.99.50
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Black band on inside of mouth; three black bands on rim; exterior off lip decorated with a series of dots; handle decorated with vertical bars on either side. Daisy petals extend from the neck (each petal is decorated with a white dot), below which are two lines, a warrior frieze, two lines, and a black band . The three warriors, lightly incised, each stand profile to the right, and are indicated by two lines (extending from the top right and bottom left) for the spears, and two more lines (extending below) for the legs; each carries a large round shield decorated with incised circles.
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| REDMG:1926.99.54
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Mouth black interior and exterior; reserved neck; black on exterior of handle; band of black vertical bars above white band decorated black rays on shoulder, extending to carination. Body, top: white band decorated with two rows of black dots joined by a thin black zigzag (at front, only), above two black lines; figural scene (front only); white band; black band between two black lines; black to foot and on top of foot; otherwise reserved. Figural scene is of a chariot behind which stand three draped female figures (two women, standing profile to right, towards a third figure, standing profile to left. A fourth female figure sits profile to left, in front of the chariot. All four figures are draped, wreathed (with red bands), and have white faces.
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| REDMG:1926.99.60
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Body: white with two yellow lines near the top and bottom; black on lower part of body and upper part of foot, which is reserved underside
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| REDMG:1935.87.1
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Black glaze except for reserved band at join with foot and underside, including resting surface. At the front of the body, the shoulder is decorated with an incised ovolo grieze between two incised lines; this frieze is accentuated with white inscribing the eggs and white dots between the eggs. Beneath is another pair of incised lines between two rows of white dots. The body is decorated with a red band from which emerges, above and below, (ivy) sprays, in added white gilded with yellow; two clusters of grapes (again white gilded with yellow) hang from this band. Some clusters of three red dots on lower part of body.
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| REDMG:1935.87.12
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The interior is decorated with two broad black bands. The lip is red and from top to bottom the pattern consists of three red bands with dots on them, a black band, two more dotted red bands, a red band, three dotted red lines, black, red, and black bands. Foot-ring black on both sides; resting surface reserved. Underside reserved with three concentric black rings and black centre.
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| REDMG:1935.87.17
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(a) Pyxis: unpainted inside. From top to bottom, bands, tongue pattern repeated, bands (red and black of varying widths: two broad red bands within a group of four thin black lines; lower, a black band), red foot; concave base. (b) Lid: central knob with bands and bands on neck. Shoulder pattern is tongues with alternating red and black coloured centres. Bands on edge of lid.
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| REDMG:1935.87.18A
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Small patches of black remaining on body. On shoulder, radiating single incised lines.
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| REDMG:1935.87.19
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Traces of four (?) bands on mouth and three lines on handle. Tongues on shoulder with two bands below. Main design (starting from below handle going left to right) a human (?) figure on a horse facing right, a lion biting the foot of a warrior who is defending himself with shield, a large creature (possibly a panther), and a man. These pictures are all incised. Dots and rosettes incised with asterisks in field. Five bands around base.
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| REDMG:1935.87.22
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Tongues emerging from mouth between two bands. Dots around the rim and tongues again on shoulder. Zigzag with two dots on handles. Main design is five warrior figures facing left, carrying large shields. Each shield is bisected with incised vertical parallel lines and coloured one half red and the other half yellow. The outer ring of the shield is brown, and the helmets which the warriors appear to be wearing are yellow. The base has two bands around tongues with two bands the other side.
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| REDMG:1935.87.23
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Handles all black. Mouth has wide rim, inside is all black but streaky. Reserved band under rim. Design is similar both sides and shows a woman's head facing left with ornate head dress and jewellry on in white and yellow added paint. Under handles on body is a red block between white lines with dots down originally. Stem is long and has a moulded band around centre. Foot has three steps all black (faded to red). Base is also stepped inside but reserved.
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| REDMG:1935.87.25
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Black except for the figural design, with friezes above and below it; reserved but ruddled resting surface. A. Horizontal friezes on neck and below figural scene, consist of two vertical bars alternating with circles, reserved bands above and below. Scene: nude satyr, standing profile to right, with his left foot raised on a rock, faces a draped woman, seated 3/4-view to right, with her head turned profile to left. He raises his right hand towards her, and rests his left arm on his knee. She holds a mirror in her upraised left hand. Five ivy leaves in field between them. B. Horizontal friezes on neck and below figural scene consist of chevrons to left, between reserved bands. Scene: Two draped youths in conversation, face each other on either side of a stele. Yellow and white details: white fillet on satyr, bracelets and necklace on woman, and spots on the mirroron Red wash on reserved areas suggests imitation of Attic red figure. A pair of incised lines run horizontally across side A, and another line runs horizontally across side B; further incised lines around the upper body of the woman indicate that these might be an artists guidelines.
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| REDMG:1935.87.31A
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Red rim; two handles, coloured black. In the handle zone pomegranate pattern in three rows, the middle row red; below, one red line between two black; a broad black band with a pair of superimposed red lines at top and bottom; one red line an done black immediately above foot. Foot-ring black outside, two black rings on resting surface; inside of foot-ring red; on the bottom a central dot and pair of small thin rings, near the circumference a broad ring, all black. The edge of the flange supporting the lid, red. Handles black. Inside of bowl originally black with traces of one pair of red circles.
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| REDMG:1935.87.31B
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Lid: on the rim of the knob, black silhouetted triangles pointing outwards; below teh knob, black rays; four circles, the second and fourth red; round the edge below the animal zone a black band between two black lines; on the vertical rim a red band, and again a black band between lines. In the animal zone, on one side a palmette-lotus complex, flanked by a pair of sirens; on the other a siren flanked by a panther on the left and a lion on the right. Small incised circles on the body of teh panther, incisions on the lion. Field ornaments include rings of dots with or without a circle at the centre, scattered dots, amorphous and cruciform rosettes with incisions crossing at centre, rosettes with incisions forming small arcs facing away from the center. Some remains of added red on neck, breast, and tail of sphinxes, heart of palmette and petals of lotus. Inside of lid reserved.
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| REDMG:1935.87.32
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There is a broad, black band at the interior of the rim. On the top of the rim there are black tongues, apart from the surface of the handles, decorated with palmettes. Waves are used to decorate the edge of the rim, while the handles bear small palmettes on their sides and the rest is painted black, as is the body between. Both neck panels have ivy and dots joined by vine. Both sides of the body show a female head, facing left and wearing a decorated cap with a spiked stephane over it. There is a small window (rectangular motif with black vertical line), top right on both sides. Side A, however, has a strigil with wavy endings above the head, top left. Side B has a knot of hair emerging through the apex of the cap. On both sides there are volute-shaped motives at the end of the cap and below the woman's chin. Side A: The woman wears a black earing (a circle and hanging dots) and a neclace of black beads. A hair with a heart-shaped ending falls vertically over her neck. On the other hand, the woman on side B wears a similar but yellow earing and a neclace made of yellow beads. Both women are framed by two vertical red bands, decorated with two similar motives of a vertical row of dots between thin lines. These columnar patterns seem to support a horizontal red band over the head, ornated with tongues between thin lines (one above and two below). However, the surface under the heads is not identical for both sides. Side A has a red band with dots between lines and side B has two parallel lines and the wave pattern. Both the scenes are partly ruddled and added yellow is used to render the details. Miltos apparently was applied last.The lower half of foot is ruddled.
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| REDMG:1947.13.1
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Black mouth inside and out, otherwise reserved inside. Below the rim, on the lip, is a white laurel wreath, to right. On neck, between black handles, a 9-leaf palmette, with a black dot for heart and black dot on either side of central petal; black ridge between two black lines; frieze of vertical bars beneath each handle; beneath each handle a large palmette above a pair of volutes, from which emerge vegetal ornament. A: Attenuated ovolo frieze between two black lines; white ribbing (painted); two reserved bands; floral frieze with white head, to left, at centre, emerging from a calyx from which emerge also tendrils, berries, volutes, and blossoms; reserved frieze; scene. B: Continuous maeander to right, between two pairs of lines; black ribbing (painted) between two black lines; flanked by vegetal ornament, from which emerges quarter palmettes and volutes, a female head, profile to left, wearing white stephane, and white sakkos, from which emerges curly black hair, at front and black; white drop earring on an inverted triangle. Below the body zone, around the entire vase, is a decorative band consisting of dotted cross squares (1) alternating with stopt maeanders to left (3) between two reserved bands; black below.
Scene, A: A woman, standing in 3/4-view to the right, with head profile to right, hair emerging from the back, a sleeveless, belted chiton, a himation draped over her left arm, a pair of white slippers, holds a palmette fan, with white detail, in her upraised left hand, and a branch (similar to a thyrsos) in her left hand, at a diagonal. She also wears a white stephane and a sakkos with black and white detail, from the back of which emerges a tuft of hair, a white beaded necklace between two thin chains (rendered by black lines), and white snake bracelets on each arm. She faces a naiskos enclosure, decorated in gilded white, with thin Corinthian columns and a black pediment, on a podium decorated with a simple continuous maeander to right, between a two pairs of white lines. Enclosed within the naiskos is a warrior, rendered in white with yellow details, seated in 3/4-view to the left, on a himation, with his legs crossed, and his left elbow resting on the back of his seat. He holds a crested helmet in 3/4-view to the right, at which he stares, and a diagonal spear in his left hand. On the ground below him is a small shield. To the right is a nude youth, standing in a reclining pose, 3/4-view to the left, wearing a white fillet in his hair, and white slippers. He holds a himation, bundled up around his left arm, and an opened box as well as a dotted, fringed sash, in his right hand. A thin rectangular element, perhaps a dagger, emerges from the opened box. A (heart shaped) ivy leaf hangs in the field above him.
White dotted lines indicate the groundline between all figures.
Details on the shoulder rays and, ornaments in the field, and all figural scenes are rendered in added white, sometimes 'gilded' with yellow wash.
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| REDMG:1950.25.1
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Black interior to bottom of rim. Laurel wreath, to right, on neck, above a row of widely spaced dots. Body decorated with egg-and-dot frieze, between reserved bands, which stops short of the handle on either side; figural zone except beneath handle (palmette with floral blossom at centre, three vertical lines at heart, vegetal ornament and flowing tendrils on either side); inverted waves, to right. Exterior surface of foot is ruddled on the upper part. Reserved resting surface and underside except for black circle at centre, surrounded by broad ruddled band, and black on inner foot ring.
The figural scene shows a female figure, dressed in a belted, sleeveless chiton, reclining on her front, profile to right, reaching towards a phiale held by Eros, who advances profile to left, crouched and holding a wreath in his lowered right hand and a phiale in his upraised left hand. Both wear their hair identically: spike stephanai, sakkoi, and pony tails. Behind Eros a bird, profile to the right, on a perirrhanterion (pedestal basin). Added white, gilded with yellow, on floral and vegetal ornament, headdresses, wings, and basin.
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| REDMG:1951.113.3
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Black glazed except for reserved areas: lower part of body, reserved (interrupted by a black line); upper part of foot, and underside (resting surface glazed black except for a reserved band). Back decorated with a (white) wavy ivy garland beneath handle; front decorated with two incised lines, egg-and-dot frieze on which eggs are surrounded by incised lines; another pair of incised lines; waves to right, garland from which hang alternating fronds and bunches of grapes, with longer sprays at sides; on a pair of dotted groundlines stands a bird (wren?), profile to left, between two flowers.
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| REDMG:1951.130.1
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Black band on interior, reaching to ca. 1.0 cm. below the lip; black neck and handle. Shoulder: reserved tongues, alternatively red and black at centre, on a black band (tongues extend partly over the upper ridge, on the right side). Body: komos comprised of eight nude male dancers with purple hair and incisions delineating hair, eyes, muscular and other bodily details; under handle, black column krater (decorated with two incised lines on shoulder, purple band and incised rays band between incised lines on body); in field between dancers, seven rosettes with single or double incised central circle and incised petals. Below, broad black band between two black lines; black rays emerge from base. Foot black on exterior, otherwise reserved.
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| REDMG:1951.135.1-2
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Pyxis: Black band on lip and at top of handles, black rays (between handles) on shoulder; broad black band between lines, carelessly applied, at widest part; narrower black band below. Lid: Black on vertical part of knob and concentric band on lid, around knob.
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| REDMG:1951.140.1
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Upper surface of rim reserved, black ridge, and outer edge of lip decorated with a wave pattern to right; black below lip, on neck and on handles except forward handle attachments (on horizontal handles) decorated with rays; reserved patches beneath horizontal handles. Lower part of neck decorated at front with a short laurel wreath, to left, between two narrow reserved bands. Beneath the figural scene is a groundline comprised of a frieze of alternating maeanders (three) and saltire squares (one). Narrow reserved line at join with base, bottom edge of base, and underside. The figural scene is framed between a tendril, above the left handle, and a larger vegetal ornament, from which emerges a lotus bud. A Youth stands in 3/4-view to the right. He is nude, except for drapery slung over his bent right arm and held in his lowered left hand, and a white taenia on his head. He also holds a staff in his slightly upraised right hand. At centre is a bird (crane), seated in a perirhanterion (basin), supported by a fluted, tapered column, with a dotted capital, on a two-stepped base. The steps are decorated with small black spots and thin diagonal lines that suggest a marbled appearance. On the other side of the perirhanterion stands a woman, in 3/4-view to the left, with her weight on her right leg and her left leg relaxed. She wears a belted, sleeveless chiton, double bracelets on each wrist, a beaded necklace, and a spiked stephane, as well as a short pony tail. She extends her right hand to the bird and holds a box, decorated on the sides with black spots and lines, and three white spots on top, in her slightly upraised right hand. Above the bird is a rectangular frame (sometimes called a window but perhaps a votive plaque); above the box is a cogwheel. Most of the reserved areas are darkened with red wash, and the jewelry and other details in added white.
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| REDMG:1951.145
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Large black dot in centre of inset top, surrounded by concentric bands/lines: one black band, one black line, one red band, one black line; frieze of alternating/interlocking 'L' shapes; two black lines and then the red flange. Walls decorated with red band between two pairs of black bands, with intervening black lines. Red rim. Interior reserved, except for (accidental) red smear just beyond rim.
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| REDMG:1951.148
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Black interior, handles, neck and body except for decoration in panels (black figure in neck panels; red figure in body panels). Upper surface of rim decorated with ivy spray, with 3-dot clusters between ivy leaves; palmettes on tops of handles; ivy spray on lip, with palmettes at tops of handles; wave pattern to right on overhanging lip. Neck panels decorated with double ivy spray, on which 8-dot clusters alternate with leaves. Body panels bordered by rays (above), double rows of dots between black lines (sides), and band of stopt meander (4) alternating with dotted cross-in-square (1) (below). A: Youth wearing hairband, short-sleeved, belted chiton, and mid-calf boots, stands in 3/4-view to the right; he holds a pair of spears upright in his right hand and a wreath in his left hand, held slightly ahead of him; a chlamys is draped over his bent left arm. A warrior is seated 3/4-view to left, on a curvilinear seat (stones?). He is dressed identically to the youth, although with a plumed conical helmet. He holds a large phiale in his outstretched right hand, and his pair of spears in his upraised left hand. Behind him stands a woman in 3/4-view to the left. She wears a belted, sleeveless chiton, a kekryphylon (hair), pearl earrings, a beaded necklace, two bracelets on each wrist, and holds a fillet in her outstretched right hand and a situla in her lowered left hand. In the field above the figures are a four-petal rosette between two boucrania. B: Three draped youths in conversation, the middle one, standing profile to left, leans on a staff with his outstretched right hand; the other two youths face him. Halteres in upper left field and and bulls-eye in upper right field.
Much of the interior and side B are misfired orange.
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| REDMG:1951.150.1
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Black except for decorative bands and figural scene on either side, and reserved band at lowest part of foot, as well as reserved underside. Neck decorated on either side with a laurel band, between two reserved bands. Beneath figural scenes are decorative bands, comprised of stopt maeanders (3) alternating with saltire squares (1).
A: A female figure, juggling 8 eggs and advancing profile to right, faces a youth, advancing in 3/4-view to the right, but turning his head profile to the left. The woman, wearing a sakkos, tear-drop earring, beaded necklace, belted, sleeveless chiton, and two bracelets on each arm. The youth, nude except for a wreath around his head and a chlamys slung over his left arm, holds a large palm frond in his left hand and a phiale, at waist level, in his right hand. Above the phiale are 7 eggs (slightly smaller than those juggled by the woman). Bulls eye (above) and tendril (below) in field between them. B: Two draped youths, face each other in conversation; between them a window (above) and a stele (below); the figure on the right supports himself on a staff that he holds in his right hand.
Added white and goldish-yellow on side A, for jewelry, balls, phiale, wreath, and vegetation. The saltire square have short lines in place of dots. The right-most saltire square on A is replaced with a box of vertical lines.
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| REDMG:1951.151.1
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Black glaze all over, except for red rim, two superimposed decorative friezes at the base of the neck (ribbing between two black lines, egg-and-dots between two black lines, yellow dots below); figural frieze between tendrils; beneath handle one palmette sits atop a second palmette enclosed in tendrils that terminate above in volutes from which emerge further tendrils, ending in volutes, that sprout yet another set of tendrils; egg frieze between two reserved bands encircles the entire body and serves as a groundline for the figures; reserved underside.
The scene depicts a youth, nude except for two bands in his hair and a chlamys draped over his bent left arm, advancing (dancing?) in 3/4-view to the right, following two maenads, all advancing in 3/4-view to the right, although the last two maenads turn their heads profile to the left. All three maenads wear two bands in their hair (the last, however, appears as a single thick band), beaded necklaces, belted, sleeveless chitons, and snake bracelets on their left arms (the first maenad has a similar bracelet on her right arm). The youth and the first two maenads hold thyrsoi in their left hands. The third maenad holds a wreath in her lowered left hand.
All red surfaces are ruddled, except for the underside, including resting surface. Some added white and yellow highlight details on heads, jewelery and thyrsoi.
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| REDMG:1951.152
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Rim and neck covered in black glaze; circumscribed palmette frieze on shoulder, with intervening triangles above and below (where two are outlined but not filled in); main body (white ground) decorated with net pattern between narrow reddish-black lines; the upper black band is decorated with white dots. Black glazed on lower part of body and foot, except for reserved underside, including resting surface.
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| REDMG:1951.156.1
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Mouth black inside and out, with a reserved lip; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body, top: black line at top of body. Body (at front, only): three rows of black dots between four black lines; black lines above and below figural scene; below, simple maeander to right, above a black line. Body, below: two black lines, thick black band, two thinner black bands, black to foot. Figural scene depicts a goddess mounting a quadriga, profile to right. Behind the horses are a seated (?) female figure, also profile to right, and a standing male (?) figure, from whom emerge, to either side, dotted branches; in front of the horses is a lyre player, seated profile to the left. All figures are heavily draped.
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| REDMG:1951.157.1
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Entirely black except for reserved line around edge of rim, ribbed zone (comprised of five vertical lines in panel) at front of neck, and figural scene on the front of the body, and reserved underside at front half of lekythos (similarly the front half of the interior is reserved).
Scene: double tendril, with a blossom emerging from the larger tendril; female head, profile to left; rosette in upper right field; small tendril in lower left field. The female wears her hair in a sakkos, tied at the back, from which emerges a tuft of curly hair around the ear. The reserved areas are ruddled, except on the underside. Some of the glaze beneath the handle has fired red.
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| REDMG:1951.159.1
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On neck, between black handles, an enclosed palmette (11 petals on A and 9 petals on B; with two concentric arcs for heart on A, black dot for heart on B), black dot on either side of central petal, and black dot in the upper corners; black ridge below black line; frieze of vertical bars below each handle attachment; beneath each handle two superimposed palmettes, with a pair of volutes between, from which emerge tendrils, sprouting quarter palmettes. A: egg-and-dot frieze, between two black lines; white ribbing (painted); two reserved bands; floral frieze on shoulder (four volutes from which emerge flowers, tendrils and secondary volutes) emerging from the lower right; two reserved bands; scene. B: Continuous maeander to right, between two black lines; black ribbing (painted) between two pairs of black lines; a female head, profile to left, wearing a sakkos, from which emerges curly black hair, at front and back. Below the body zone, around the entire vase, is a decorative band consisting of dotted broken stopt maeanders to left (pattern doesnt match up on side B, to the left) between two reserved bands; black below.
Scene, A: A naiskos comprised of two Corinthian columns supporting a tapered epistyle and black pediment, on top of a podium (white maeander on a brown background, between alternating black and white horizontal bands). Two white female figures stand within the naiskos. The figure at left, standing in 3/4-view to the right, wears a himation over her left arm and hips, over a peplos (decorated with two vertical purple bands on the chest). Her hair is bound in a sakkos from which emerges hair at front and back; her jewelry includes a beaded necklace and two bracelets on each wrist. She holds a fan in her raised left hand as well as a wreath in her lowered right hand. She faces another woman (probably the deceased) who is seated in 3/4-view to the left on a stool (diphros) and rests her feet on a footrest (hypopodion). She wears a short sleeved chiton and a purple himation that she holds above her right shoulder in an unveiling gesture (anakalypteria). Her hair too is bound in a sakkos, from which emerges hair at the back; she wears two necklaces, one beaded, and two bracelets on each arm. A small ornament (or pures) hovers in the field between the two women. On either side of the naiskos is a kalathos (basket), below a rosette (red with added yellow and white), above a pair of white balls interspersed with clusters of three white dots, and above a double line of white dots. Each basket (both are identical) is decorated with a cross-square with intervening triangles (top) and alternating bands of zigzags, and white and black lines, as well as a band of vertical bars.
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| REDMG:1951.1714
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Reserved lines
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| REDMG:1953.25.13
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Black glaze, inside and out. On shoulder, below handle, five close-set red bands between two pairs of thin white lines. Two-thirds down body bands of alternating colour (white, red, white, red, white); trace of red line at top of foot; reserved foot and underside.
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| REDMG:1953.25.14
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Black glaze but reserved band just above foot and reserved underside; red bands on lip, above and below moulded ridge; incised pairs of vertical lines radiating across shoulder; two white lines, each above a red band, at lower part of shoulder; red bands on lower third of body and exterior surface of foot.
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| REDMG:1953.25.15
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Black glaze all over; red band between two white lines on shoulder; red band at middle of body; lack-gloss over entire surface; two red bands around body.
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| REDMG:1953.25.20
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Black glazed (but fired red in places) except for reserved underside including resting surface. Shoulder: six narrow red bands between two pairs of narrow white bands. On widest part of body, two red bands between white lines, with an intervening white line. Broad red band on exterior of foot.
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| REDMG:1953.25.22
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Mouth black inside and out, with a reserved lip; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body, top: black line. Body (at front, only): black line; two rows of black dots alternating with white dots; two black lines; figural scene. Body, below: two black lines, black band, black line, black to foot and on top of foot; black on torus; otherwise reserved. Figural scene depicts a charioteer, dressed in a white tunic, driving a quadriga profile to right; the horses raise their forelegs as they pass a white meta (post). Another figure, possibly Athena, with helmet and spear, runs alongside the horses, so that (s)he is obscured by them.
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| REDMG:1953.25.23
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Mouth black outside; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body (at front, only): black line; two rows of black dots alternating with white dots; two black lines; figural scene. Body, below: black band, black line, broad black band, black line, black to foot and on top of foot; black band on lower part of concave element; otherwise reserved. Figural scene depicts a male figure wrestling a bull. The figures are flanked by trees with black and white fruits and thin vines. The heros clothes hang on the left tree and his quiver hangs above him. While this scene might depict either Herakles with the Cretan bull or Theseus with the (same) bull of Marathon, the incisions on the head covering (slightly stippled) suggest that this is a schematic rendering of Herakles lion-scalp helmet. Added white is used for the rendering of details such as fruit on trees, as well as the forepart of the bull, and his tail, while incision is used to indicate the drapery, quiver, and musculature of the hero, as well as his head covering. On attribution, cf. CVA Cambridge 1, pls. 22, 21.
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| REDMG:1953.25.25
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Reserved neck; band of black vertical bars above a band of black rays on shoulder, extending to carination. Body: maeander to right (only at front), between two pairs of black lines; figural scene (front only); black band; black to foot and on top of foot, and top half of vertical surface of foot; otherwise reserved. Figural scene is of four seated figures, seemingly two women profile to right, the second playing a lyre, face a man reclining in 3/4-view to left on a kline (couch), with another female figure, profile to left, at his right. Dotted branches extend from the male figure (perhaps Dionysos) on either side. Added white for female flesh (faces) and fruit; incisions for drapery and fillets.
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| REDMG:1953.25.27
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Handle black on exterior. Shoulder: inner band of black tongues and an outer circle of rays, black alternating with white. Black body and upper part of foot; two red lines, one at top of body and one 2/3 down the body.
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| REDMG:1953.25.28
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Handle black on exterior. Shoulder: inner band of black diagonal lines and an outer band of longer black diagonal lines. Body: reserved band decorated at front with a pair of black lines above a simple maeander to right; broad black band; reserved band decorated at front with a band of black sloping zs between two black lines; black on lower part of body and upper part of foot; otherwise reserved.
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| REDMG:1953.25.29
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Handle black on exterior. Shoulder: inner band of black vertical bars and an outer band of black diagonal lines. Body and upper part of foot black; otherwise reserved.
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| REDMG:1953.25.3
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Each handle is dipped, so that it is black only at the outer part. Interior: black with three red bands, one on the floor, one ca. 1.5 cm below the rim, and one on the rim. Exterior: two red lines; band of vertical bars, black band between two black lines, red band, black band between two black lines, red band around foot. Red band on resting surface; black band and thinned black circle near on underside.
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| REDMG:1953.25.35
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Black glaze on mouth and upper part of neck (dipped); handle zone surrounded by black band; 8 black tongues on neck, reserved shoulder except for two neck tongues that extend down to the body on either side of the handle, black band at height of lower handle attachment. The remainder of the body is covered with a net pattern of fine, irregular black lines and tiny white dots where lines cross. Broad black band (thin glaze) around bottom of body and top of foot; resting surface and underside reserved. Glaze is misfired red on one side.
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| REDMG:1953.25.48
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Black glaze, with red lip, two red lines between two white lines at shoulder; red line on lower part of body; red band on outside of foot. Underside reserved; trace of black on the resting surface.
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| REDMG:1953.25.50
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Black glaze, fired red in places. Red band on lower part of lip; traces of white palmette, with tendrils, on shoulder; red line between two white lines at shoulder; red band just below middle of body. Underside reserved.
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| REDMG:1953.25.53
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Black glaze except reserved underside; eight incised bands horizontal lines around body.
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| REDMG:1953.25.59
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Black glaze fired red in places; ghost of a palmette from the bottom of which emerge two volutes, in added white on shoulder at front; red band between two white lines on shoulder, just below handle attachment; red band on widest part of body; underside reserved except some black glaze overlapping from the sides.
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| REDMG:1953.25.66
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Reserved except for black glaze on the handle top(s) (dipped), two black lines on shoulder, a narrow black band above a broader black band just above the foot, and a black band on the exterior of the foot.
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| REDMG:1953.25.69-70
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Inset top of knob, decorated with black band inscribed with Maltese cross, outlined with added white, simple black lines at centre; black dots between angles; reserved stem; black tongues around base of neck. Remainder of lid with black with superposed colour: white scallops; white dots; white diagonals outlined with red; white band; white dots. Black wave band around lip. Black interior except for reserved inside of lip.
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| REDMG:1953.25.85
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Top is flat and squared off. Groove below rim then the rim is diagonal, rounded ridge at base. Large flat section with design sculpted on top of it so it is in relief. Scene is of a griffin, a winged creature with bird head and lion-like paws. The ribs are clearly visible as are the lines in the wings. Front left paw is raised above a stick with snakes (?) curled around or a decorative branch (?). Below is a higher moulded ridge with raised egg and dot pattern beneath, before another moulded ridge. Bottom is flat but has diagonal scratches carved in - perhaps to help this section adhere to whatever it was originally part of. Many inclusions in material.
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| REDMG:1958.112.1
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Black band on the inside of the mouth; reserved on rim; black exterior of mouth; reserved neck; black exterior of handle; shoulder decorated with two friezes of vertical lines. Body ( from top to bottom): simple maeander between two black lines, black neck frieze between two black bands, band of vertical lines between two black lines black line; two black bands; black zone reaches to foot, which is decorated with a black band above a black line; foot reserved on underside and interior.
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| REDMG:1958.23.1
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Incised geometric decor on the body accentuated with appliqué. Geometric motifs consist of zigzags, triangles, and two horizontal lines around the centre of the body and two more around the base of the neck.
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| REDMG:1958.33.1
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Rim painted black. three horizontal lines around the upper body, one zigzag line around centre of the neck and single wide band around the base of the neck. Two narrow black horizontal bands around the upper body. Four sets of seven narrow black conentric circles and one wide red circle around the body. Horizontal and vertical bars on the outer handle.
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| REDMG:1964.1610.1
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Four raised lines run along the frontal ridge of the lamp from the filing hole down to the wick hole. Surface is reserved.
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| REDMG:1964.1611.1
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Three concentric bands of dots on the shoulder, two moulded lines on the crest of the handle. Covered in red wash.
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| REDMG:1964.1614.1
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Thin moulded line starting on either side of the handle and following the crest of the shoulder along to the nozzle where they both deviate towards the wick hole converging and terminate in a point, either side is a volute pattern. Crest of handle has two decorative lines. Red-orange wash all over.
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| REDMG:1964.1615.1
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Moulded decoration around the shoulder from outside in; a depressed ring, three bands of raised dots, (all three disturbed by the handle, one disturbed by the nozzle) a raised moulding of sets of three lines radiating in a band, a moulded ring surrounding the discus. Handle has two lines on its crest extending to the base. The base has lines delineating the base, but also has two small circular indentations along the handle nozzle axis. Dark red wash all over.
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| REDMG:1964.1631
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Black glaze, on which are superimposed two pairs of purple-red lines, one around the bottom of the handle-zone, and the other on the grooves at the junction of body and foot.
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| REDMG:1964.1674
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Reserved except for a band of vertical bars, between two lines, on the body.
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| REDMG:1964.1695.1
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Sharply curving. Exterior surface appears to have been brown on one half. Thin incised lines go aroung the other half. Clay is greenish. The interior surface is darker with deposits.
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| REDMG:1964.1714
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Reserved lines
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| REDMG:1964.1719.1
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Cylindrical shape - the lower half of an alabastron. Heavy object. Patterning appears to be naturally formed into lines, giving different colours and texture. Rounded base means the object does not stand.
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| REDMG:1997.209.4
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Mouth black on inside, with reserved lip, black exterior; outer part of handle black but otherwise reserved; shoulder reserved with band of dots above a band of rays reaching to the carination. Body: band of fat palmettes, decorated with slender white lines arcing over the the palmettes, and incisions, alternating with long lotus petals, above a 'cable'; black band; reserved band; black zone in lowest part of body and upper part of foot; lower part of foot and underside reserved.
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| REDMG:2004.98.1
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Black on interior and exterior of mouth; reserved upper lip; restored neck; handle black on exterior; shoulder: band of vertical bars above black rays pointing toward the carination. Body: double lotus-palmette frieze, bilaterally arranged, on either side of a 'chain' (row of dotted circles inscribing incised circles. Incisions also used for palmettes; attenuated white lines (side leaves of lotuses) arc over the palmettes. Below the main zone is a thin black band, a thick black band, and a black zone that extends to the top of the foot. The foot is also decorated with a black line at the lowest part of the vertical edge of the foot, and is reserved on the underside and resting surface.
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| T.2012.11.28
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Two large lines upon the outer part, one at the top, the other at the bottom, that spread across its face and form a sort of box. Within the box appears to be a painting of grape vine with a series of heart-shaped leaves forming a pattern, as well as several patterns of what seem to be four lots of grapes. There are no decorations on the inside of the fragment.
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| TEMP.2002.7.1
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Bowl with two handles, the rim has a black band around the top which goes both inside and outside the bowl. Below this on the inside, is a very thick black band that stops to leave an empty circle in the centre of the bowl. The handles begin about an inch below the rim on the outside of the bowl, but curve up and out to finish roughly on level with the rim. They are painted with black glaze only on the underside. Above the base of the handles there is a subtle ridge, below which there are three lines of pattern, which look like petals. Below these, there is a thin black band, a small space, and then a thick black band which goes down to the ridge of the foot. The foot itself appears to consist of two flattish disks, the lower with a black band round it. On the bottom of the foot, there is another black band part way in, and then a smaller one with a black dot in the middle.
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| TEMP.2002.9.27
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Almost flat but with no finished edges. Underside reserved and topside has a red zigzag pattern with transverse bars between lines. There are three rows of zigzag on this fragment.
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| TEMP.2003.6.12
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The internal surface of all the fragments is black. External: a) The rim is black, however,it appears red on an area. The back of the handle is black (the inner surface is reserved), but the area between the two parts of the handle creates a horizontal, reserved band. Below that, there is part of a black band and part of a reserved area. b) the rim is black. Below, on the left, there is part of a wavy? vertical black band, while on the right there are two small, black spots, parts of a motif. c) There is part of the black band that decorates the rim. d) There is a black band on a reserved area and part of a motif that resembles a ribbon? below which spring thin lines.
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| TEMP.2003.6.14
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The two fragments bear part of the same decoration, apart from the parts of two lines in added red on top of a (which is preserved higher than b). There is a large black area below which there are two lines in added red. Underneath, there is the upper part of a radial-shaped motif on a reserved, but glazed, surface.
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| TEMP.2003.6.24
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Fragment of pot, including slight buldge where handle begins. Exterior, black lines on white background. At the right edge of the top there is a triangluar bit of black that looks like it originally belonged to a square surrounded on both verticle sides by twin sets of thin brown verticle lines. Less than 1 from the top there are two brown lines that follow the curve of the jug horizontally spaced .3 apart. Under these lines on the left is a large2.5 hieght figure eight pattern made up of three lines that swirl around to create the eight, with little v's on the outside of the eight pointed away from where the figure eight lines cross. On the right side, two bworn/black lines curve around where the handle would have begun. The handle section is all black, although chipped. Under the figure eight is a .6 thick black lines running horizontally around the pot, broken by a thin pink line a little below the middle. there are two other thin pink lines equidistant from this first one, one above and one below it by about .4, the top pink line being right above the top of the black line. Underneith the bottom pink line is a segment of a different pattern. Interior is black over pink and white, which is worn away enough in many parts to see the pink and white colors. two thin and faded white lines form bands near the top.
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| TEMP.2003.6.25
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Fragment of the middle segment of a plate(?) chalice(?) with the stem that would have held it up broken off. Exterior, white, interior black with two slightly faded relatively thin white lines that would have made a circle, with a white blob (part of an X?) and a red dot on and in between the lines of the possible X within the circles.
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| TEMP.2003.6.26
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Fragment of the bottom part of the cup of a chalice(?)or bowl(?). Exterior white with one small red/brown section of a pattern at the highest point and one thick almost 1 red/brown line abour half way from the top. Interior is black/brown with a pair(?) of thin faded white lines .5 from the top edge, below that a repeating pattern of black teardrops, and below that a pattern of white sploches interspliced with red dots.
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| TEMP.2003.6.27
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Exterior white with small chips. Interior black with a pair of white lines at one edge and a small white half circle from the exterior line to the edge. Parallel to these white lines towards the opposite edge is a incised line.
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| TEMP.2003.6.3
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(a) The handle is black, but the piece of the body that is preserved is a reserved, but glazed surface with very thin, parallel lines. (b) Black apart from a tiny area on the top, which is reserved, but glazed and bears small parts of parallel, thin lines and a reserved, thin line just above the foot. The bottom part of the foot is also reserved, so is the resting surface.
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| TEMP.2003.6.6
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The interior is black, but there is a reserved band on the fragments that come from the vessel's rim (a, b, c, d), which also bear a reserved band on the upper internal side of the rim. a) The black colour appears streaky (it varies from reddish brown to brown) on the rim (interior and exterior), as well as on the handle. The colour of the decoration appears brown and reddish brown on some areas. There is a broad band that bears two palmettes (one on either side of the double handle), while the surface between the two springs is reserved. On the left side of the fragment there is the right part of a motif (front legs of horses?). Below, there is part of a black line. b) The rim is black. Below, there is the upper part of a charioteer, riding a chariot with four horses (part of them is preserved). Details of the horses have been rendered with incisions. c) The rim is black, however the black colour is uneven and leaves part of the right edge of the fragment's rim reserved. Underneath a thin, reserved line, there is a palmette and next to it part of the line that contoured the spring of the handle. d) The rim is black. Below, there is a female figure's head and in front of her (at the level of her face) there is part of a curving branch, with dots on either side (part of wreath?). e) Part of a palmette, a black line and a black band. f) There is a dot in the middle of the resting surface, contoured by a circle. There is also part of a wide, band, between thin lines, above which, there is a graffito? in the shape of X.
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| TEMP.2003.6.9
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Rim section of a bowl. Exterior white with a band consisting of twin brown lines with alternating black and white rectangles interior along the top .3. There are two small blueish sploches marring the otherwise well preserved surface. Interior is black over white. The white shows through in a line along the edge for about .2 and then there is a brown line, and under this the rest of the background is black. Near the top of this black section is a set of white lines with white dots set in between them at regular intervals. Under this pattern is another thin white line. Under this is on part of a triangle pattern consising of a white outlined triangle with a white line forming a second triangle within the first and a red dot at the center of the triangle.
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| TEMP.2003.7.2
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Interior white with a pattern of brown waves set in between sets of two thin yellow lines which begin .2 below the rim. There is a small bit of brown that seems to be part of some other pattern at the bottom of the fragment. Interior is brown/black with remnants of a white fan or floral pattern, which is heavily worn. A good deal of the interior is worn down to the original terracotta.
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| TEMP.2003.7.3
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Exterior white with brown patterns. Following one edge abour 1.0 down is a set of faded brown lines. Between the edge and these brown lines on one side are five brown lines perpendicular to the two lines, while on the other is a single parallel brown line with 5 short perpendicular lines crossing. Below the two brown lines is a brown blob that looks like it may have once been a horses leg, but is nothing in particular now. Interior is brown.
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| TEMP.2003.7.30
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Small figurine, features not at all defined. Figure is very simple, small rounded shapes for head and arms. Both the back and front are relatively flat and smooth - the front is the side which has the base sticking out further than the back. There are indications that something was painted on it - black line by the right arm, on the front at the bottom, and on the back on the lower half of the body - here there are three vertical lines, the middle line being the longest. There are four black blobs on the square base.
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| TEMP.2003.7.53A-B
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a) Animal head (perhaps a bull); b) wave pattern above lines arranged in a triangle
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| TEMP.2003.7.6
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On the exterior is a light brown line, followed by a cream line, and another brown one, followed by a lighter brown one and brown dots on a cream background. Then another light brown line and more cream until a dark brown circular shape (unclear because the fragment ends here). On the other side the background is dark brown, almost black, with white lines, almost like petals, with light brown dots in them.
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| TEMP.2003.7.64
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Fragment from the neck of a closed shape, with a flat, thick rim (1.4cm). Flat, top of rim seems to have been painted white. The side of the rim has a pattern around it. The pattern has a thin, black line parting small 'U' shapes. The top half of the pattern has 'U' shapes in it, which have tiny, verticle, red lines inside them. The bottom half is the same, however the 'U' shapes are up-side-down. The neck and small piece of the body, on the fragment, is glazed black and appears to have once had white paint on it. The fragment has a small piece of the pot's body on either side of the neck. One of the sides of the fragment of the body has the top of two figures on it. The right hand side figure is the top of a head but its features are unclear. The left-hand-side figure appears to be a women, with her left arm raised. The underside of fragment is terracotta colour. The inside of rim is glazed black and the inside of the pot appears to have been left terracotta.
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| TEMP.2003.7.7
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Fragment from the central part of a bowl. Interior brown, with three pairs of white lines beginning about 1.5 from the top, 3.0 from the top, and 4.0 from the top. Under the second set of lines, are three white tear drop shapes that used to surround the center. Exterior white with pattern of alternating red and yellow/brown lines .2 to .8 apart.
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| TEMP.2003.7.78
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Fragment, glazed black on both sides. On the outside half way down are two very thin, parallel, slightly faded, white lines. On the inside are two thin, parallel, brown lines along one edge.
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| TEMP.2003.8.1
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(a)Part of the rim of an open jug of some sort. The inside segment of the rim is painted black, with numerous small bits having been chipped off. Moving outwards, the rim consists of the inside of the pot wall, which then splays out in a flat top rim, and then falls down again in a second wall that is left dangling from the outer rim. So, moving from the inside outwards on the underside, there is a valley of about 1.0 wide and 1.5 deep until the top of the second rim (which is peaked) is reached. The outward facing side of this downward pointed rim consists of alternating lines of black dots and thin black lines which run around the entire outer diameter of the rim. There are two rows of dots and two lines, alternating which each other, all of which are heavily worn. The top part of the rim, which would be facing upwards if the pot were complete, is about 2.2 wide and flat, marked with black raised lines that repeat about every .3 and which start at the outer edge and are 1.7 long, and painted black. These lines are heavily worn. There are also two significant chips in the top of this rim, each about 2 long.
(b)Another part of the same rim to the same vessel. The same dot and line pattern runs around the outer diameter. On top the lines which are thicker at the end pointing into the pot are repeated, a palmette decorates the larger flat area of the handle region.
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| TEMP.2003.8.11
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Black glaze in the left corner some fine black lines on a red background possibly part of a himation.
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| TEMP.2003.8.15
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Three fine black lines
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| TEMP.2003.8.6
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Black drapery lines.
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| TEMP.2003.8.65
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Within a frame, a man's bust facing right. The man has a large nose, is veiled and wears a robe over his shoulders. The frame is decorated with incised horizontal lines on either side of the man, small flowers in each corner, a curtian above, and a circle in the centre.
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| TEMP.2003.8.7
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Fine black drapery lines.
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| TEMP.2003.8.8
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Floral pattern. Black band followed by reserved band followed by black band followed by a row of small dots above which are larger ones between which are fine elongated semi-circular lines.
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| TEMP.2003.8.9
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Fine black lines.
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| TEMP.2014.9.19
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No decoration, no incised lines or stamps. Grey residue on the interior. Section missing from lip. Evidence of use of a pottery wheel in making.
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| TEMP.2022.5.13
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On one side are several diagonal lines forming a sort of pattern.
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| TEMP.2022.5.14
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On the bottom there are numerous lines that appear to make up a series of triangles within one another.
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| TEMP.2022.6.2
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the body is decorated with four thin black lines and two thick dark red lines: at the base of the neck are painted vertical dark red lines (25): the neck is decorated with two thin black lines and one thick dark red line: the handle has eight thin red lines.
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| temp.2022.6.2
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the body is decorated with four thin black lines and two thick dark red lines; at the base of the neck are painted vertical dark red lines (25); the neck is decorated with two thin black lines and one thick dark red line; the handle has eight thin red lines
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