Ure Museum Database



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There are 589 objects for which Decoration contains → head
13.10.37 Red wash and some added clay. A dot on the left hand side of the head may be an earring or ear, one on the neck part of a neacklace.
14.9.115 Head and shoulders of figurine of a boy with cloak over both shoulders.
14.9.117 Female wears ceremonial dress suggesting she may be a priestess, of long chiton, necklace with central drop bead and diadem or kalathos on her head. Incision around head and neck.
14.9.118 Dressed in long chiton, wearing necklace, earrings and a veil covering her head. Stumplike arms and her lack of feet suggest she may have formed part of a ring of dancers originally on a plinth.
14.9.119 Wreath around head. No evidence of painted decoration or metal attachments. She may have been smiling, although there is considerable erosion of the facial features. Ring-shaped decoration covers her ears.
14.9.72 Fragment with no finished edges. Exterior: animal procession consisting grazing goats (only head, part of one antler and one foreleg of one and one hind leg of second ramaining)to right; dashes, quatrefoil, and hooked swastikas as filling ornament; below, black band and part of lower frieze - antlers of goat to left; dashes as filling ornament; at right, possibly more antlers.
14.9.73 Pale slip; interior: black, with added red band lined in white; exterior: animal frieze decoration consisting of two goats grazing to left (one hind leg with added red of one and head with antlers, neck with added red, and forelegs of second remaining); crosses, stars, and pinwheel rosette as filling ornament; below, black band above band in added red.
14.9.77 exterior: black-figure decoration consisting of swan confronting siren (only traces swan's head, neck, breast and right wing outstretched, to right; siren's face and neck in added white and breast in added red, to left); the chests of the creatures overlap each other.
14.9.82 Head and part of body of woman and siren, both facing left. Shapeless rosettes in field. Red for hair, breast and base of wing of siren and large spot of breast of woman. On top of the rim there are two uneven rows of black dots. The interior is black with a red band along the bottom half of the fragment.
14.9.84 Interior: reserved band below junction of bowl and lip; below, glazed black; exterior: lip glazed with thin reserved line at join with bowl; below, black figure decoration consisting of horseback riders (only head including mane and reins, neck and breast with added red, shoulder and upper forelegs of one horse and tail of second remaining), to right; at far right, possibly incised pinwheel rosette as filling ornament;
14.9.90 Female figure, clad in himation, with head turned to left. Has arms outstretched, as though holding hands in a circle. Vine with leaves in the field.
19.53.86 Head of female with her head tilted to the left. Hair in a sakkos with ringlets dropping in front of her ears to the sides of her face.
2002.10.2.1 Head and shoulders of an elderly man facing left
2005.3.12 Three dots, band and head of a figure in a head-dress(?) in black
2005.5.99 Woman's head in added white
2005.9.10 Obv: Head of Athena, helmeted, three upright olive leaves on helmet; Rev: Owl, facing right, olive branch on left.
2005.9.12 Obv: Head of Apollo-Helios, hair suggestive of rays; Rev: Rose with a bud on shoot to right, vine-spray with grapes to left.
2005.9.5 Egyptian relief of Egyptian commander at head of troops presenting offerings to the Prince of Punt (Ethiopia) on the shores of the Red Sea.
2005.9.7 Obv: Head of Athena, helmeted, three upright olive leaves on helmet; Rev: Owl, facing right, olive branch and crescent moon on left
2005.9.8 Obv: Head of Athena, helmeted, three upright olive leaves on helmet; Rev: Owl, facing right, olive branch on left.
2005.9.9 Obv: Head of Athena, helmeted, three upright olive leaves on helmet; Rev: Owl, frontal with wings folded
2006.12.126 Head shape with features entirely worn away apart from crown/hair engraved at top.
2006.6.1 Coin of Alexander the Great, Obv: Head of youthful Heracles, wearing a lion-scalp headdress. Rev: Zeus seated on a throne to left, with eagle perched on right hand and sceptre in upraised left hand. Kantharos (or amphora?) under throne.
2007.1.10.14 Naked man holding a club talking to a wall with a bearded head??
2007.1.10.17 Hercules capturing Cerberus, lions head to the left
2007.1.10.35 Centaur facing to the left with woman riding on its back holding a scarf above her head
2007.1.10.38 A profile of head of a man with curly hair and beard in front of a profile of a head of a woman both looking right, to the right is some Greek letters
2007.1.10.43 The head and shoulders of a bearded man wearing a cloak and holding a stick in his left hand
2007.1.10.45 Portrait of head and shoulders of man with lion skin on his head and around his shoulders
2007.1.10.46 Portrait in profile facing left of man with lion's skin on his head.
2007.1.10.47 Portrait in profile of man facing right, with lion's skin on his head
2007.1.10.48 Exceptionally raised portrait of man facing slightly towards the right, with lion's skin on his head
2007.1.10.49 Portrait of profile of man facing to the right, with lion's skin on his head. (Possibly Hercules).
2007.1.10.50 Portrait in profile of man facing right, with lion's skin on his head
2007.1.10.52 Portrait in profile of man facing to the right, slightly raised, with lion's skin on his head.
2007.1.10.53 Portrait in profile of man facing to the left, wearing head dress.
2007.1.10.54 Portrait in profile of man facing right, with lion's skin on his head.
2007.1.10.55 Portrait in profile of man facing left, with lion's skin on his head.
2007.1.10.56 Portrait in profile of man facing right, with lion's skin on his head.
2007.1.10.57 Portrait in profile of man facing right, with lion's skin on his head.
2007.1.10.58 Portrait in profile of man facing right, with lion's skin on his head
2007.1.10.59 Portrait in profile of man facing right, baring his arms, his left hand is holding part of the loin's skin draped from his head. His right hand is holding a club.
2007.10.1.18 Man fighting large dog (with head between man's legs)with tree in background. Cast number 82
2007.10.1.23 Three figures, one naked, two clothed and with head dresses. animals in the background.
2007.10.1.29 Naked bearded man kneeling down on left knee facing the left of the image and touching head with right hand. Cloths hanging down from his left arm. Tiny winged boy behind him. Cast number 93.
2007.10.2.1 Displays the head of a man with hair, profile facing left
2007.10.2.100 Bearded male head in profile facing right. He is wearing a helmet and to his left is a small naked female figure.
2007.10.2.101 Head in profile facing right.
2007.10.2.106 Head of a bearded male in profile facing left. He is wearing a hat.
2007.10.2.121 Woman's head. Profile looking right.
2007.10.2.122 Topless man sitting down and holding his head with his right hand.In the background are visible the shades of some trees.
2007.10.2.125 Woman's bust. Profile facing left. The woman is wearing a veil over her head.
2007.10.2.126 Male nude. Profile facing left. The man is sitting down and resting his head on his right hand. He his carrying a sward. On the left side there is an inscription in Greek letters.
2007.10.2.127 Woman's bust. Frontal view. The woman is wearing a veil over her head and a necklace. On the right of the figure there is a "cornucopia"
2007.10.2.136 Young man's head. Profile facing right.
2007.10.2.142 Male/female bust, profile facing left, wearing a veil covering most of head and mouth and just above nose.
2007.10.2.143 Female head, profile facing right, elaborate hair stye, possibly with a hair band containing a jewel, near the head is an ear of corn or grain.
2007.10.2.148 Male head, profile facing right, bearded, wearing a hat.
2007.10.2.153 Three figures. A man, naked, is sitting on the floor. Behind him a woman (naked as well?) is sitting on a chair touching his shoulders with one hand and carrying something in the other. Above the man's head a winged-child is pouring water from a vase.
2007.10.2.157 "Trinacria". Symbol of Sicily representing the head of a Medusa-like woman with three legs in a running position.
2007.10.2.158 Young male standing in profile. He wears only a cape and carries a stick in one hand and a woman's head in the other. At his feet there is a sort of small container open.
2007.10.2.160 Marriage scene. The young wife, wearing a veil over her head, gives her hand to a young man standing in front of her. An older woman, her mother, is accompanying her.
2007.10.2.163 Woman's head. Profile facing left. Elaborated hairstyle.
2007.10.2.164 A type of feline, head forward face, body in profile
2007.10.2.167 Bottom half of a female head, in profile facing left.
2007.10.2.179 Male head, profile facing right with an unusual hair style
2007.10.2.182 Female head facing foward, very rounded cheeks, short hair style which flicks up by the ears.
2007.10.2.186 Head of a man with a band on his hair. Profile facing right.
2007.10.2.19 Head and shoulders of a young man facing to the right, with small spear and shield to his left
2007.10.2.192 Frontal view of a male's face.He has two small wings on his head; therefore he probably is Hermes.
2007.10.2.204 A woman with an elaborate head piece, holding a flag (?)
2007.10.2.21 Bearded head mounted on a stick ?
2007.10.2.218 Head of female in profile facing to the right. Hair tied up. Possibly wearing ear-rings. Face turned downwards, possibly representing modesty.
2007.10.2.224 Bust of figure facing to the right wearing what appears to be a 'Phrygian Cap' or possibly a helmet. Clothing suggests that the figure might be female (possibly Athena if the head dress is in fact a helmet). Not enough of hair-style visible to conclusively decide gender.
2007.10.2.234 Head of woman profile facing left. She has her hair covered by headscarf.
2007.10.2.236 A powerfully built male figure kneeling with one arm (right) raised, his hand making a fist. The other arm is lowered and appears to bound (possibly) behind his back. His head is bowed. The figure appears to have a small winged figure upon his back. It is not clear if he is carrying the second figure or if there is some sort of struggle in process.
2007.10.2.237 A group of figures. The centre of the cast is a male figure who appears to be dressed in armour (helmet, shield, and cuirass). He appears to be standing on the deck of a ship. The figure is presenting or showing the head of a bull to a second figure (female) who appears to standing on the quay of a harbour. On the far right of the cast (behind the central male figure) is a second soldier. The scene possibly portrays an encounter between Theseus and Ariadne after the killing of the Minotaur.
2007.10.2.24 Portrait in profile of a bearded man wearing a head dress facing right
2007.10.2.243 Depiction of a slender figure (almost certainly female) with right arm raised and hand possibly reaching towards the back of the head or hair. Behind the figure is what appears to be a 'Capricornus'. Both figures are facing to the right.
2007.10.2.245 A bearded, muscular, and semi-naked seated figure. His clothing is possibly an animal skin (paws seem to be apparent). He appears to be resting as his right arm rests on his knee and his right hand supports his bowed head. He is also holding an unidentified object in his right hand which also rests against his leg. His other hand appears to be holding a further (unidentified) object which rests across his lap. A club rests against his left thigh in the foreground of the scene. There is either a bull or cow depicted by the figure's right leg at the bottom-left of the scene. The figure shown is almost certainly Herakles, possibly resting after one his labours (herding the cattle of Geryon?).
2007.10.2.246 Profile of a male with curly hair facing to the left. There is a laurel wreath upon his head.
2007.10.2.249 The large profile of a bearded male face. Much of the top and back of the head is cut-off by the edge of the cast. To the left of the face is what appears to be a pole with a snake coiled around it.
2007.10.2.251 A sphinx is depicted with wings spread. She is scratching her head or neck with her hind left paw.
2007.10.2.252 The bust of what appears to be a woman in rear 3/4 aspect with her head turned back and to the right so that her face is presented in profile.
2007.10.2.253 Two figures are depicted. The figure to the left of the scene is a seated semi-naked female. Her dress or cloak lays across her lap and is gathered up in her left hand. Her head is bowed slightly. In the centre of the foreground is a semi-circle which crosses the female figure's left ankle or calf. It is unclear what this might represent. The second figure (to the right) is a smaller winged male facing to the left and the larger figure. He appears to be carrying a bow and stands under a tree. The two figures are almost certainly Aphrodite and Eros.
2007.10.2.26 Profile portrait of a man with a head dress facing right
2007.10.2.268 A male head, with lots of curly, wild hair covering the face. In the top right there is what appears to be a pointed ear or a horn, it could possibly be the god Pan or a faun.
2007.10.2.270 Eros standing and leaning his head against a staff.
2007.10.2.294 A young winged figure seated on the ground (probably Eros). The figure's body is facing to the left while the head is turned back looking to the right. The figure is possibly looking at a stand to its right which has a complete set of armour placed upon it.
2007.10.2.304 A male figure wearing a skin (possibly a lion skin) struggles with a bull. The bull's head is lowered perhaps indicating that it is charging. Behind the bull, to the right of the cast, there is what appears to be a statue (possibly of female form) with two faces in profile, one facing left and the other right. The animal skin (if it is lion) perhaps identifies the male as Herakles. The scene might be a representation of one of Herakles tasks (yoking of the bulls).
2007.10.2.305 A male figure stands over another figure, prostrate on the ground. The standing figure (probably male) is dressed in a cloak and tunic and holds a blade or scythe in his right hand. The standing figure appears to be holding the decapitated head of the second figure in his left hand. Behind the figure prostrate on the ground is an ox whose front legs are raised from the ground. To the right of the cast a tree or bush is depicted with a large bird (possibly a peacock) perched on one of its branches. At the centre of the cast there is what appears to be a standard or post with two serpents coiled about it. The serpent's heads face each other at the top of the post.
2007.10.2.308 A large ox or bull is represented to the left and centre of the scene taking up most of the space within the cast. The beast's head is turned as if it is looking towards the viewer. To the right a figure (probably male) is seated beneath a tree holding a staff. At the figure's feet there appears to be a second (much smaller) creature.
2007.10.2.311 A large female figure reclines in the centre of the scene. She is dressed in robes and is wearing either a helmet or a cap (Phyrigian cap?). Her left arm is resting on a disembodied (bearded male) head and her left hand holds a staff which rests against her upper-arm or shoulder. Beneath the large female figure and to the left of the male head are two shapes which possibly represent boats or ships. These shapes might indicate that the portion of the scene below the female figure is in fact a river or the sea. In turn this might suggest that the disembodied head is emerging from the water (possibly identifying it as a river god). To the left of the scene a very small figure appears to be presenting the large female figure with something, possibly a basket or urn. A slightly larger figure, leaning on a stick, looks on from beneath a tree. Above the very small figures head are two animals (presumably intended to appear to be further off in the background). One at least of these animals is certainly a horse. To the right of the large female figure's head there is a representation of a stag. At the top of the scene in a central position are three shapes. It is unclear exactly what these are (possibly huts or houses of some description?).
2007.10.2.322 Man holding a goat by the head, he is possibly a shepherd. There is a tree in the background.
2007.10.2.343 A naked soldier wearing a helmet raised on his head so his face is visible and he is carrying a shield and a spear. He is reaching for a statue of a woman in armour, possibly Athena.
2007.10.2.35 Portrait head in relief of bearded man with long wavy hair and crown
2007.10.2.354 A woman sitting on an elaborate chair, possibly a throne. There are two heads 'decorating' the backrest of the chair, and the woman's head is surrounded by stars.
2007.10.2.355 A profile of a young man facing right, with a band around his head.
2007.10.2.357 A sea monster with the torso and head of a woman and many legs, possibly in the form of snakes, with wild beasts emerging from her body. She's carrying an oar like a weapon. There's a person tangled in her tentacle-like legs. She could be a representation of Scylla.
2007.10.2.38 Head and shoulders of a man with two faces, one facing left the other right, bearded
2007.10.2.48 Profile portrait of Hercules with lion skin on head facing right
2007.10.2.496 Semi naked man, his head facing to his right (our left), leaning on what is possibly a harp on his left hand side. A smaller figure is situated at his right, a possible statue possibly wearing a helmet and holding a spear in its right hand.
2007.10.2.5 Displays a full body profile of a man standing wearing only briefs, holding a stick over his left shoulder and holding a head of an animal on his right hand
2007.10.2.505 Smiling face of a young figure, with pointed ears, with a curly head of hair.
2007.10.2.54 Male head in profile facing right.
2007.10.2.55 Bearded male head facing forward. Below the head appears to be two flaming torches. Four cherubs (?) frame the hair, with the top two looking like they're putting a crown on the head. There is an inscription, in Greek, on either side of the head.
2007.10.2.59 Male (?) head in profile facing right. He has a wreath of leaves in his hair.
2007.10.2.61 6 figures - 5 standing and 1 seated. The seated male appears to be crying with his head in his hands. 3 women stand to his left while another naked man and a warrior stand to his right.
2007.10.2.62 Naked male figure, probably a child. He looks to be holding something in his hand above his head.
2007.10.2.78 Male beardless head facing front.
2007.10.2.81 Female bust facing right. She is holding a male head up to her face. Presumably she has cut it off.
2007.10.2.86 Male head facing forward. He has a pointed crown (possibly the sun god Helios).
2007.10.2.9 Stag with an arrow through its head
2007.7.1A-S Rim (A-D) has tongues on the top, a design with dots and traigular shapes on the sides, with palmettes below; Side A (H-K) shows a symposion, with a bearded man (Dionysos?) and possibly the hoof of a satyr; Side B (L-N) shows a battle. A, B, C: Rim with tongues, side design and palmettes below; D: Rim with tongues and side design, no palmettes below; E: Fragment from just below the rim with the palmette design; F: Fragment from below the rim, all black with part of a palmette on the lower left; G: Black on both sides; H: Head and shoulders of a bearded man(Dionysos?) with the circle and triangular motif running vertically on the right; I: Arm and torso of the bearded man on the upper part, on the lower part there is another object which could be his couch; J: Left half is black, right half contains an unclear section of the symposion scene; K: Drapery, most likely from the symposion scene, with a drinking horn in the lower right corner and possibly the hoof of a satyr; L: Top half of the battle scene, with a nude man holding a spear, and probably a tree running vertically along the left side. The scene is bounded by the circle and triangle design; M: Lower half of L, with the lower body of the nude man, drapery on the left side; N: Leg of the nude man, with the lower part of the tree running vertically on the left; O-P: Plain black; Q: Black, with part of the circle and triangle design; R: Black, with part of a design on the top; S: Base, tongue design
2007.9.1.1 Displaying the head and shoulders of a human figure with fairly long hair and wearing a headband, profile facing right.
2007.9.1.10 Displaying the head and shoulders of a woman who has her hair tied back and is wearing a necklace and earrings, profile facing right.
2007.9.1.11 Displaying the head of Jupiter Ammon, profile facing right.
2007.9.1.110 Displays a modern style lion on its hind legs (although only the top half is visible) holding a cross with a large crown above its head. Surrounded by a simple lined border.
2007.9.1.13 Displaying the front view of the head of a bearded man.
2007.9.1.15 Displaying the front view of a very small head of a bearded man.
2007.9.1.16 Displaying the head of a young man, profile facing right.
2007.9.1.17 Displaying the front view of the head and shoulders of a yound man wearing a wreath.
2007.9.1.2 Displaying the head of a human figure with long hair and wearing a headband, profile facing right.
2007.9.1.20 Displaying the head of a bearded man wearing a helmet, profile facing left.
2007.9.1.23 Displaying the head and shoulders of a man (left) and a woman (right) facing each other.
2007.9.1.24 Displaying the head of an older, bearded man, profile facing left.
2007.9.1.27 Displays a coin showing the head and shoulders of a young man wearing a wreath, profile facing right, with unrecognisable writing around the outside.
2007.9.1.28 Displays the head of a woman with long hair, profile facing left.
2007.9.1.3 Displaying the head of a man, profile facing left.
2007.9.1.4 Displaying the head of a man, profile facing right.
2007.9.1.47 Displays a young naked man kneeling with his head bowed, facing left, and holding on to a post.
2007.9.1.5 Displaying the head of a man with a beard, profile facing left.
2007.9.1.6 Displaying the head of a man with curly hair and a beard, profile facing right.
2007.9.1.7 Displaying the head and shoulders of a man with curly hair and a beard, profile facing right.
2007.9.1.84 Displays the poorly defined figure of a horse with its head bowed.
2007.9.1.9 Displaying the head of a man with a beard, possibly wearing a wreath, profile facing right.
2007.9.1.92 Displays a human figure, facing left, seated on a sphere with their head bowed and holding a staff in their right hand.
2007.9.2.12 Displays a young woman with her head covered, apparently airborne without wings, and holding a cross in her left hand, whilst a cherub in the lower right corner leans on his trumpet. (Box Index = A happy soul flying to the sky). Tray 5, Layer 1, Gem 12
2007.9.2.14 Displays the head of a young man, profile facing left, surrounded by writing. Box 5, Layer 1, Gem 14
2007.9.2.15 Displays the head of a young man, profile facing left. (Box Index = The Knight Thorwaldsen). Tray 5, Layer 1, Gem 15
2007.9.2.16 Displays the figure of a naked woman, her head turned away to the right, trying to cover herself with a piece of cloth. (Box Index = Venus).
2007.9.2.18 Displays a winged man who is holding onto a mostly naked woman who is reclining on the ground and whose arms are held up around his head. Similar to the statue of Cupid and Psyche by Canova. (Box Index = Amore, e Psiche / Love and Psyche).
2007.9.2.19 Displays a seated woman, bent over, her head resting on her right hand. A bird with a long beak is visible in the background. (Box Index = Goddess of Friendship crying for the dead friend).
2007.9.2.21 Displays a woman, standing up, head facing right, with her hands on her hips. (Box Index = Ballerina).
2007.9.2.22 Displays the head of a man, possibly Hermes, profile facing right, wearing a winged hat. (Box Index = Head of Perseus).
2007.9.2.24 Displays the head and shoulders of a man, profile facing left. (Box Index = Head of Napolean).
2007.9.2.26 Displays the head of a woman with an elaborate, bound-up hairstyle, profile facing right. (Box Index = Head of "Beneficenza" in the deposit of St. Maria Cristina in Vienna).
2007.9.2.27 Displays the head of a man, possibly Hermes, wearing a hat, profile facing left. (Box Index = Head of Paris).
2007.9.2.29 Displays a half naked woman, her right arm held up, obscuring most of her head, holding a small jug in the same hand, and a cup in the left. (Box Index = Head of Hebe).
2007.9.2.3 Displays a winged woman in flight, her head bowed, and carrying two naked children in her arms who appear to be asleep. (Box Index = Personification of Night). Tray 5, layer 1, Gem 3
2007.9.2.30 Displays the head of a woman, her hair tied up, and wearing a small crown. (Box Index = Head of Hebe).
2007.9.2.31 Displays a woman, her back to us and her head looking right, standing next to a small pillar and holding a lyre in her left hand. (Box Index = A Muse).
2007.9.2.33 Displays the head of a man with curly hair, profile facing left. (Box Index = Head of Palamedes).
2007.9.2.35 Displays the head of a man, profile facing left. (Box Index = The Marquis of Canova).
2007.9.2.5 Displays four human figures. From left to right: a man with his head bowed and a hammer raised in his right hand, whilst holding a spear or an arrow in his left; a seated woman, her head turned away to the right, holding an arrow in her right hand, pointed down into a bowl she is holding in her left; a cherub, holding a long pole, his left arm outstretched and looking upwards at the figure behind him; a naked man wearing a helmet and holding a bundle of cloth and an arrow, and looking down at the cherub. (Box Index = Vulcan, Venus, Cupid, and Mars).Tray 5, Layer 1, gem 5
2007.9.3.1 Displays the head of a mostly bald and bearded man, profile facing right.
2007.9.3.101 Head of winged female in profile facing right.
2007.9.3.105 Head of bearded male figure in profile facing left. He wears a crown.
2007.9.3.106 Head of male figure in profile facing right. He has a wreath of leaves in his long hair.
2007.9.3.107 Male head in profile facing right.
2007.9.3.108 Male head in profile facing right.
2007.9.3.109 Child's head in profile facing right. He's wearing a bulla (a charm worn around the neck to protect the child in their youth).
2007.9.3.111 Male head in profile facing right. He has a wreath of leaves in his hair.
2007.9.3.112 Male head in profile facing right.
2007.9.3.113 Male head in profile facing right. The cast is missing the neck of the man.
2007.9.3.114 Female head in profile facing right. She has her hair in a bun, implying that she is a respectable woman.
2007.9.3.115 Male head facing forward.
2007.9.3.116 Head of male youth in profile facing right.
2007.9.3.118 Male head in profile facing right. The cast is missing the neck of the man.
2007.9.3.12 Displays a horned cow, front legs raised on a rock, head bowed and looking back behind it, two calves stand underneath.
2007.9.3.121 Male head in profile facing right. He appears to be wearing a hat.
2007.9.3.122 Male head facing forward.
2007.9.3.123 Male head in profile facing right. He has a wreath around his head.
2007.9.3.125 Male head in profile facing right. He has a wreath around his head.
2007.9.3.126 Female head in profile facing right. Her hair is tied up.
2007.9.3.128 Male head in profile facing right. His long hair is tied up.
2007.9.3.129 Male head in profile facing right. He has a wreath in his hair.
2007.9.3.13 Displays a horned cow, it's head bowed and looking behind it, suckling it's young.
2007.9.3.130 A lion with his head lowered.
2007.9.3.131 Male head in profile facing right. He is bearded and wears a cloak. Probably uniform of the army.
2007.9.3.132 Male head in profile facing left. He is bearded and wears a cloak. Probably uniform of the army.
2007.9.3.135 Male head in profile facing right. He has a wreath tied round his head. Possibly Augustus.
2007.9.3.136 Male head in profile facing right.
2007.9.3.137 Male head in profile facing right. Probably Augustus.
2007.9.3.138 Male head in profile facing right.
2007.9.3.139 Male head in profile facing right.
2007.9.3.140 Female head in profile facing right. Her hair is tied back.
2007.9.3.141 Female head in profile facing left. Her hair is tied back.
2007.9.3.142 Female head in profile facing left. Her hair is tied back.
2007.9.3.143 Male head in profile facing left.
2007.9.3.144 Female head in profile facing right.
2007.9.3.145 Female head in profile facing right. Her hair is tied up.
2007.9.3.146 Female head in profile facing right.
2007.9.3.147 Female head in profile facing left. Her hair is worn loose.
2007.9.3.149 Male head in profile facing right.
2007.9.3.15 Displays the head of a bald bearded man, facing left, with the face of a boar appearing out of the back of his head.
2007.9.3.150 Male head in profile facing left. He is a mature man with a beard.
2007.9.3.151 Male head in profile facing left. He looks to have a lion's skin on his head. Possibly Hercules.
2007.9.3.152 Bust of a mature male in profile facing right. He has a wreath round his head.
2007.9.3.154 Male head in profile facing right. He is a mature, bearded man.
2007.9.3.155 Male head in profile facing left.
2007.9.3.156 Male head in profile facing left.
2007.9.3.158 Male head in profile facing left.
2007.9.3.160 Head of a bearded male in profile facing left.
2007.9.3.2 Displays a three-quater view of the head of a man, who has a beard and is wearing a wreath, facing right.
2007.9.3.29 Female head wearing a helmet, in profile to the left. Possibly Athena.
2007.9.3.3 Displays a seated man, head bowed slightly, holding a dagger in his right hand.
2007.9.3.35 Elderly man's head in profile facing right. He has curly hair and a beard.
2007.9.3.43 Female bust facing forward with the head tilted slightly to the right.
2007.9.3.51 Male head facing forward with long curly hair and no beard.
2007.9.3.56 Female head in profile, facing right. Her head is covered and complex hairstyle indicates she's a women of the upper class.
2007.9.3.62 Elderly male head facing forward. Face shown in great detail.
2007.9.3.63 Male head in profile to the right, with a band tied around his head. Underneath is the word 'STRATO'.
2007.9.3.70 Male head in profile facing left. Doesn't appear to look very young but is beardless.
2007.9.3.71 Female head in profile facing left. Her hair is tied up.
2007.9.3.72 Male head in profile facing right. He has curly hair.
2007.9.3.73 Male head in profile facing right. He has curly hair and a beard.
2007.9.3.74 Male head in profile facing left.
2007.9.3.75 Head of a Gorgon.
2007.9.3.76 Male bust in profile facing right. He has a wreath of leaves on his head.
2007.9.3.77 Male head in profile facing right. He has a wreath of leaves in his hair.
2007.9.3.78 Male head in profile facing left. He has curly hair and a beard. He has some sort of covering on his head.
2007.9.3.79 Male head in profile facing right. He is beardless.
2007.9.3.8 Displays the head of a woman with hair that is plaited and tied up, profile facing right.
2007.9.3.81 Male head in profile facing left.
2007.9.3.82 Male head in profile facing left. There looks to be a band tied around his head.
2007.9.3.83 Male head in profile facing right. He is beardless but wrinkly.
2007.9.3.85 Male head in profile facing right.
2007.9.3.86 Male head in profile facing left.
2007.9.3.87 Female head in profile facing right. Her hair is tied up with plaits.
2007.9.3.9 Displays the head of a woman, her hair tied in a bun, below which is the image of what may be a bird.
2007.9.3.92 Head of a mature bearded male in profile facing right.
2007.9.3.93 Head of a male youth in profile facing right.
2007.9.3.94 Head of bearded male in profile facing right.
2007.9.3.95 Head of male figure facing right.
2007.9.3.97 Head of male youth in profile facing left.
2007.9.3.98 Head of Cleopatra in profile facing right.
2007.9.3.99 Head of male in profile looking left. He has some sort of head-dress on.
2008.2.1.1 Female head in 3/4 profile facing left.
2008.2.1.10 Head ofZeus in profile facing right.
2008.2.1.105 Profile bust of a Female wearing head wear, with an ornate hair style and head band.
2008.2.1.11 Male figure standing with a bird by his feet. He holds something above his head in one hand.
2008.2.1.110 Left side profile of a younger male, he is wearing a head shawl and a head band.
2008.2.1.15 Head in profile facing right.
2008.2.1.16 Female head in profile facing left. Looks to be a lyre at the bottom of the cast.
2008.2.1.22 Female head in profile facing left.
2008.2.1.24 Male head in profile facing right.
2008.2.1.25 Male head in profile facing left. He has a wreath in his hair.
2008.2.1.26 Bearded male head in 3/4 profile facing right.
2008.2.1.27 Male head in profile facing right. Looks to have a lions skin on his head, so possibly Hercules.
2008.2.1.33 Female figure with back to the 'viewer' her head is turned to look over her right shoulder. The figure appears to be undressing as she is lifting her dress up towards her head, exposing her bottom.
2008.2.1.34 Naked female figure facing to the right her right arm raised above her head. The figure is leaning on a column and looking at a small winged boy who is seemingly presenting the standing figure with a wreath.
2008.2.1.38 Semi-naked female figure kneeling on a plinth and facing away from the 'viewer'. The figure is struggling with two snakes,and her head is thrown back perhaps indicating pain. There is a third snake at her feet to the left of the scene, and a vase with flowers in it at her feet to the right.
2008.2.1.42 Two small winged and naked male figures. They appear to be fighting. One figure is on its knees on the ground an arm raised to protect its head, which the other figure (to the left) is striking.
2008.2.1.44 The profile of a young woman, from the waist up. She has a band around her head and her hair is tied up. She appears to be looking at a small bouquet of flowers which she holds in her left hand.
2008.2.1.45 The bust of a female figure front on with her head turned slightly to the right. Her hair is tied up and there appears to be a band around her head. The figure appears to winged.
2008.2.1.53 Short haired woman holding and gazing at the head of a bearded male, possibly a drama mask.
2008.2.1.58 A male figure standing on one leg, possibly dancing. His arms are outstretched, over his right arm there is an animal skin and in his left hand he is holding an elaborate staff. His head is thrown back against his left shoulder.
2008.2.1.62 A bull from the left side, appears to be standing on a long staff. The bull seems to have something tied around its chest, possibly vine leaves. It's head is bowed and it's front right leg is raised from the ground.
2008.2.1.63 There are seven figures depicted, one the far right there appears to be a winged figure possible Eros. The male figure on the right next to the winged figure is sitting naked on a donkey, he is holding his right arm in the air above his head possibly in celebration. On the far left there is a male and a female figure possibly dancing, the female figure is holding what appears to be a cup. The third figure on the left is sitting on the floor and appears to be eating or drinking from a cup or bowl. The fourth figure from the left is playing a flute, on the right to this figure there is a woman holding a cup up in the air in her right hand and in her left hand she is holding a staff. They appear to be engaging in a celebration, possibly a drunken procession. The naked male figure riding the donkey is possibly identified as Dionysus.
2008.2.1.64 A semi-naked female figure stands before a branch, upon which is a disembodied male head. At the foot of the branch is a helmet and a shield. The figure appears to be making some sort of offering from a bowl like object.
2008.2.1.66 Bust of a male figure facing to the right. Over the figure's right shoulder is a shield with an image of a Medusa upon it. A spear is visible over the figure's left shoulder. Upon the figure's head is a helmet decorated with a griffin.
2008.2.1.70 A Medusa's head
2008.2.1.71 Nude male figure leans on a stone column topped with a bores head, cloak wrapped round shoulders and coiled round right arm. Dog stands next to figure.
2008.2.1.75 The image depicts two male figures fighting. the figure on the right stands nude with sword raised with his left hand he is pulling the head of the second figure back. The second figure is facing away from the first figure, on his left knee. In his left hand is a shield. His right hand is held back over his head. He appears to be trying to break the hold the right-hand figure is trying to hold.
2008.2.1.76 Profile of an older male bearded male figure. Appears to have his head tied with a band.
2008.2.1.78 Profile of a older male figure. The figure is bearded with a band tied round his head
2008.2.1.8 Male head in profile facing right. Ram's horn in head indicates this is Apollo Karneois, the ram god.
2008.2.1.9 Head of a bearded male in profile facing left.
2008.2.1.93 Profile of a young male looking right with short curly hair and a band around his head that is tied in the back. The top of his robes can be seen at the base of the neck.
2008.2.1.94 Profile of a woman facing to the right. She is wearing fabric covering her head and just a small part of her hair is visible at her forehead. Her robes are visible on her shoulders.
2008.2.1.98 Profile view of a bearded elderly man with curly hair wearing fabric covering most of his head. His robes are visible at his shoulders.
2009.10.2.106 Figure leaning on a harp, in the background another very small figure stands on a podium holding a sceptre, with star above head. Number 38.
2009.10.2.194 A naked soldier with shield and helmet is holding what might be a bunch of grapes over the head of Eros who is attempting to cease them. A deer tugs at the soldier's shield from behind. Number 66
2009.10.2.199 Left profile view of a woman and man, she is wearing a head adornment and he a headband. Number 71.
2009.10.2.216 Figure of aphrodite crouching facing left, holding a cloth above her head with a pot in front of her. Number 6
2009.10.2.25 Portrait of Sarapis with modius on his head.) Number 25
2009.10.2.251 Hare inside a large ring centrally, figure in a four-horse chariot above, helmeted head on the left with an inscription, shiled on the right and a ? grasshpopper at the bottom Number 41
2009.10.2.264 Central figure of nude Aphrodite holding an arrow in her right hand and holding a winged Eros' hand in her left, a shield with a face leaning against her left leg and armour on the floor. Winged Eros holding a bow on the right, and kneeling nude Hephaestus on the left with a hammer held above his head and an anvil in front of him. Number 54
2009.10.2.266 Nude standing Aphrodite holding a torch and another object, with a satyr on the right holding an object, and Eros with a bow and a seated Hephaestus on the left holding a hammer above his head with an anvil in front of him. Number 56
2009.10.2.27 Front view of a gem cast showing the pantheistic head has the ram's horns of Jupiter Ammon, the modius headdress of Serapis, and the rays of Sol Invictus. Number 27
2009.10.2.277 Armed Athena wearing an aegis and helmet, holding a spear in her right hand and a shield emblazoned with Medusa's head in her left. Number 67
2009.10.2.278 Two male heads facing each other in profile, with a star above each head. Number 68
2009.10.2.28 Front view of a gem cast showing the pantheistic head has the ram's horns of Jupiter Ammon, the modius headdress of Serapis, and the rays of Sol Invictus. Number 28
2009.10.2.288 Profile head and upper back of Herakles with drapery and a spear over his left shoulder. Number 44
2009.10.2.29 Front view of a gem cast showing the pantheistic head has the ram's horns of Jupiter Ammon, the modius headdress of Serapis, and the rays of Sol Invictus. Number 29.
2009.10.2.30 Front view of a gem cast showing the pantheistic head has the ram's horns of Jupiter Ammon, the modius headdress of Serapis, and the rays of Sol Invictus. Number 30
2009.10.2.309 Scene showing Herakles sitting on the skin of the nemean lion and holding it's head. His club stands nearby.
2009.10.2.31 Front view of a gem cast showing the pantheistic head has the ram's horns of Jupiter Ammon, the modius headdress of Serapis, and the rays of Sol Invictus. In background very faint merperson or fish holding trident with tail and two letters L and Z. Number 31
2009.10.2.310 A scene showing Herakles facing left. In his right hand he carries his club and the head of the nemean lion. The lion's skin is draped over his back
2009.10.2.323 A scene showing a man, possibly the titan Crius, facing left. He is holding a ram's head.
2009.10.2.33 Portrait of Jupiter Serapis pictured above an eagle, with two winged children on either side, on ladders placing wreaths into a pot placed on his head. Number 33
2009.10.2.346 The image shows the left side of a man making a statue, which has a head and a torso. There is a sheep looking on from the left and a horse looking on from the right. Number 2
2009.10.2.349 Kapaneus kneeling with his face upturned and a shield on his left arm, an object at his feet and possibly an inscription to the left of his head. Number 5
2009.10.2.35 Double Portrait of a head has the ram's horns of Jupiter Ammon, and the rays of Sol Invictus and a goddess (?). Number 35.
2009.10.2.351 Male warrior, holding a shield, with snakes on it, possibly Medusa's head (?) wears cloak and helmet, also holds a spear
2009.10.2.359 A lion, with two heads; one is a goats head coming out of its back, Chimera it has a snake tail
2009.10.2.360 Lion, lying down with two heads, one is a goat's head, Chimera (?) has a snake tail number 16
2009.10.2.361 Standing lion with two heads, one is a goat's head, Chimaera it also has a snake tail number 17
2009.10.2.369 Male figure wearing a cloak and helmet, holding a bow and arrow. He stands near a pillar with a bird on it and a snake wrapped around it. A dog stands at his feet and there is a star above his head. Number 25
2009.10.2.379 Male figure wearing a hat leaning over a sphinx. He is holding the head of the sphinx with his right hand, with a knife in his left hand held at the sphinx' head. Number 35
2009.10.2.389 Profile head and upper back of a young male. Number 45
2009.10.2.403 Profile head and frontal chest of a young male figure looking to the right, with shoulder-length hair and drapery across his left shoulder. Number 59
2009.10.2.404 Right-facing profile head and left shoulder of a female (?) wearing a round earing. Number 60
2009.10.2.405 Right-facing profile head and frontal shoulders of a young man with shoulder length hair and drapery across his left shoulder. Number 61
2009.10.2.57 Jupiter with an eagle on his left side. Holding an object above his head. Number 57.
2009.10.2.60 Figure of a naked man with ram's head, holding a sceptre in his left hand and grain in his right hand. Number 60
2009.10.2.70 Facial view of a man looking to his right, with curly hair and a head dress. Number - 2
2009.10.2.72 Profile view of the right side of a woman, she has curly hair and is wearing a head garland. A part of her clothing is shown. Number - 4
2009.10.2.75 Left side profile view of a woman with curly hair wearing a head garland and a part of her dress is showing. Gem cast Number - 7
2009.10.2.76 Left profile view of a man with curly hair wearing a head band. Number - 8
2009.10.2.77 Right profile view of a man with long curly hair and head garland, and a harp to his left. Number - 9
2009.10.2.78 Right side view of a man with curly hair and wearing a head garland. His torso is partially naked. Number - 10
2009.10.2.79 Right profile view of a man with curly hair and wearing a head garland. You can see the top part of his clothes. Number - 11
2009.10.2.80 Right profile view of a man with curly hair and wearing a head garland. Number - 12
2009.8.115 Profile of a man with wavy hair and a wreath. Head is above a scale and beside it are two ears of wheat. Inscription on the right side. Cast number: 59
2009.8.116 Profile of a man. Head is on a pole with two cornucopiae on both sides. At the bottom next to the pole are two dolphins. Cast number: 60
2009.8.167 A woman sitting on a throne, probably a goddess, with stars above her head. Cast number: 21
2009.8.168 A woman with a spear riding on an eagle, stars are above her head. Eagle is probably Zeus. Cast number: 22
2009.8.169 A woman with a torch sitting on an eagle, holding a head (?) in her other hand. Eagle probably Zeus. Cast number: 23
2009.8.194 Profile of Athena Promachos wearing a helmet and the aegis with the head of the gorgon medusa, looking right. Cast number: 48
2009.8.195 Profile of Athena wearing a Corinthian helmet and the aegis with the head of the gorgo Medusa, looking left. Inscription on her left side. Cast number: 49
2009.8.196 Profile of Athena wearing a helmet and the aegis with the head of the gorgon Medusa. Cast number: 50
2009.8.197 Profile of Athena wearing a helmet and the aegis with the head of the gorgon Medusa, looking right. Cast number: 51
2009.8.198 Profile of Athena wearing a helmet and the aegis with the head of the gorgo Medusa. Cast number: 52
2009.8.203 Athena wearing a helmet and holding her shield on which is the head of the gorgo Medusa. Cast number: 57
2009.8.210 Profile of a man with a wreath in his hair. Close to his head a star. Inscription on his left side. Cast number: 1
2009.8.211 Profile of a man with a wreath in his hair and a star next to his head, looking right. The top of his cloak can be seen. Cast number: 2
2009.8.212 Profile of a man with a wreath in his hair and a star in front of his head, looking right. The top of his cloak, probably a paludamentum. Cast number: 3
2009.8.220 On the left side, an eagle sitting on the head of a cow, holding a twig in his hand. Probably referring to Jupiter. On the right side, profile of a man with a wreath in his wavy hair, looking right. Cast number: 11
2009.8.24 A dancing woman with a bare chest. Cloak or dress around her waist. Holding a timbrel in her hands above her head. There is also an inscription. Cast number: 34
2009.8.26 A woman standing on a pole or tree. One hand placed on the pole bending her head. There is an inscription. Cast number: 39
2009.8.270 A creature with the head of a goat with a human face, wings and the back of a lion. A figurine standing behind it. Maybe a sphinx. Cast number: 1
2009.8.275 A cow and a naked woman with a crown, holding a vessel, sitting on a flower, are in a barque which has a lion's head on the left end and a ram's head on the right end. Cast number: 6
2009.8.28 A dancing woman with a bare chest. A ribbon or scarf flying above her head. There is an inscription. Cast number: 28
2009.8.35 A man with a beard standing on a globe and holding another above his head. There is a lion's fur around his waist. Probably Hercules carrying the earth for Atlas. Cast number: s3
2009.8.37 A muscular man holding something in one hand. The other arm is outstretched above his head. Probably an athlete. There is also an inscription on the bottom. Cast number: 69
2009.8.5 Profile of a man wearing a head and a cloak, looking right. Cast number: BB.11
2009.8.6 Profile of a man wearing a head and a cloak, looking left. Cast number: BB.16
2009.8.63 A man with a beard and wavy hair kneeling in front of an altar, holding a snake. Behind him, stading a young woman. On the other side of the altar, a tree with a ram head. On a pole is a mask. Inscription on the bottom. Cast number: 116
2009.8.7 Profile of a man wearing a head and a cloak, looking right. Cast number: Pio VI
2009.8.71 Athena with a helmet, the aegis with the Gorgo Medusa head and a shield. Cast number: 15
2009.8.74 Hercules. A young man with wavy hair and a lion's fur on his head. Cast number: 18
2009.8.91 A sphinx. Some kind of creature above its head. A bell on its left side. Cast number: 35
2009.9.10 A woman with a hooded head wearing some kind of flower crown or a feather, looking right. Cast number: 24
2009.9.122 A naked winged child holding a stick in his hand, riding on a lion which is playing with a goat's head. Cast number: 56
2009.9.149 A naked man with wings wearnig a robe, holding grapes in one hand and a basket of fruit on his head with the other hand. Cast number: 83
2009.9.151 A naked winged child playing with a human head with wild hair and an open mouth, probably a theater mask. Cast number: 85
2009.9.159 Procession of four naked winged children and one wearing a dress. The one on the left side is trying to sit down on a daybed, the one behind him is carrying a torch, they are both looking over their shoulders to the last two children. The third child is accompanied with a child wearing a dress, they are standing very close together. The last child is carrying a basket with fruits over his head. Cast number: 93
2009.9.166 Profile of a young man wearing a helmet with a griffin and holding a shield with the head of the gorgon Medusa,looking right. Behind his shoulder the top of a spear or lance can be seen. Maybe referring to Perseus. Cast number: 1
2009.9.168 A naked young man wearing a cloak around his shoulders, holding a sword in one hand and in the other a human head, behind his back. Maybe Perseus. Cast number: 3
2009.9.169 A naked young man with a cloak and club (?) in his right hand, with the other he touches the shield which lays on a pile of arms. On the shield is the head of the gorgo Medusa. Maybe Perseus. Cast number: 4
2009.9.170 A young naked man holding a cloak in the right hand and with the other he touches a shield lying on a rock with the head of the gorgon Medusa. On his right side, there is a pile of arms. Maybe Perseus. Cast number: 5
2009.9.171 A naked young man with a cloak around his shoulders, holding a sword in his left hand and a human head in the other. Next to his feet, a shield. Cast number: 6
2009.9.172 A naked man wearing a cloak, holding a club or sword in his right hand and a human head in his left. Cast number: 7
2009.9.173 A naked man wearing a cloak, holding a sword or club in the left hand and a human head in the right. Cast number: 8
2009.9.174 A young woman leaning on a rock, touching a young man's face. The young man is touching her arm and putting one hand behind his back in which he is holding a human head. Maybe referring to Perseus and Andromeda. Cast number: 9
2009.9.175 A man leaning against a pole wearing a cloak and holding up what looks like a human head. Maybe Perseus. Cast number: 10
2009.9.178 A head of Medusa.
2009.9.180 Portrait of the head of Medusa.
2009.9.190 A naked man sitting on his cloak, next to his head is a boar's head, to his feet a dog. Maybe referring to Meleager and the Calydonian Hunt. Cast number: 25
2009.9.191 A two face head. The one looking to the right is a human face, the other is the head of a boar. Refering to Meleager and the Calydonian Hunt. Cast number: 26
2009.9.192 A young naked man wearing a cloak, putting one hand behind his back, the other resting on a boar's head on a pole. On his right side, there is a dog. Referring to Meleager and the Calydonian Hunt. Cast number: 27
2009.9.194 A naked man wearing a cloak around his shoulders, standing next to a horse which has a little figure on his head. Cast number: 29
2009.9.20 A woman sitting on a flower chair holding a scepter and point her hand to her mouth. Opposite her an animal, looking like a lion on standing on its hind legs, streching its front legs out to the woman. They are both in a skiff which has a ram's head on its left end. Cast number: 34
2009.9.21 There is a box with a snake on it on the bottom, on the box a globe with Greek letters, and coming out of the ball a dog's head, looking right. Inscriptions around and on the globe. Cast number: 35
2009.9.225 A bearded man sitting on a stool, drinking with an eagle holding a turtle over his head. Cast number: 65
2009.9.226 Profiles of two men with curly hair and a beard, hooded head, looking left. Cast number: 66
2009.9.23 A figure with a jackal's or dog's head wearing a robe, holding a twig in his left hand and a caduceus in his right hand, looking left. Cast number: 37
2009.9.233 Head of a man with a beard and wavy hair on a rostrum. Cast number: 73
2009.9.24 A woman wearing a dress, holding a spear and a cornucopia on the left side. A woman in the middle holding two vessels. A human figure with a dog's or jackal's head on the right side, holding a twig. Cast number: 38
2009.9.27 A human figure with a lions head surrounded by some kind of halo, looking right. Maybe Sekhmet. Cast number: 41
2009.9.277 Profile of a man with wavy hair and a lions fur on his head, looking right. The top of his cloak can be seen. Probably Alexander the Great. Cast number: 15
2009.9.28 A monster with a lion's head, a man's chest and two serpent tails wearing an aureole, looking right. Cast number: 42
2009.9.29 A monster with a rooster's head, a man's torso and instead of feet it has two serpents, holding a weapon and a spear. On the right side a star, on the left side another weapon, looks like a dagger. Inscription at the bottom. Cast number: 43
2009.9.30 A man with a rooster's head, holding a basket in one hand, on the other hand the fingers look like feathers. Beside him lays a head of a bearded man. The monster is standing on a box on which are Greek letters. Cast number: 44
2009.9.31 A monster with an eagle's head, a man's chest and two serpents instead of legs, holding a shield and a scepter. There is a star and a half moon on its right side. There is also a star underneath it. Cast number: 45
2009.9.32 A monster with an eagle's head, a man's chest and two serpents instead of legs, holding a spear and a shield with Greek letters on it. The serpents are surrounding the monster. There are inscriptions on the left and right side as well as underneath the creature. Cast number: 46
2009.9.37 A ball or a globe from which two grow two serpent heads. On the head on the left side stands a man turning to the monster in the middle, on the head on the right side stands a woman also facing the monster. The monster in the middle has a male human body but two dog's heads, one facing the woman, the other the man. The scenery is enclosed by a serpent biting in its own tail. There are letters on the serpent heads. Cast number: 51
2009.9.38 Monkey like figure with a long penis between its legs, holding up both arms with fingers that look like feathers. A bird maybe even a hawk sitting on its head. There are stars above each hand and a twig above the head. Cast number: 52
2009.9.39 On the right side an ibis, in the middle a monster with a lion's head and a serpent's body (Chnoubis) and on the left side a bird. Cast number: 53
2009.9.40 A monster with a lion's head and a serpent's body sitting on a box with inscriptions. There is also an inscription on the left and right side of the monster. Cast number: 54
2009.9.42 A monster with a female human head and the body of a spider, holding a cobra in each hand. Cast number: 56
2009.9.46 A creature with a bird's head, a man's chest and the body of a serpent holding a spear or stick. Inscriptions surrounding the monster. Cast number: 60
2009.9.49 An ibis holding a caduceus and having a human figure sitting on its head which is holding a cornucopia (?). Cast number: 63
2009.9.5 A woman sitting on a chair, looking right. A feather on her head, probably Ma'at. Cast number: 19
2009.9.50 Two cranes looking for food. One is bending its head down, the other is clapping its wings. Cast number: 64
2009.9.53 A lioness in the middle, maybe representing Sekhmet. On her right side a man's head with a beard, on her left side, some kind of figure. Cast number: 67
2009.9.57 A creature with a human head and a lion's body with wings, probably a sphinx, wearing the deshret-crown. Cast number: 71
2009.9.59 A creature with an animal head, maybe a cat, and a male human body, kneeling down, holding a vessel in its left hand. Cast number: 73
2009.9.73 A child's head, frontal. Cast number: 6
2009.9.93 A winged child holding a twig standing next to a falcon/hawk. On the right side another winged naked child, standing next to a bird which bended its head. Cast number: 26
22.3.26 The edge of the rim bears short, thick black lines. The interior of the plate is decorated with two rows of white lotus leaves (heraldic), separated by a reserved, thin line. Next, there is, a black, thick line, followed by a wave pattern around a reserved line that contours the central scene of a female head,in profile, facing left with a head dress (kalyptra) showing white details and her hair in a bun. Above her head, there are two ivy leaves and behind her is a tendril and small, fan-shaped palmette. In front of her there is a circular motif divided in four parts. The exterior is black apart from the edge of the rim , which is reserved and the lowest part of the body snd short stem. The foot (interior and exterior) is also black, with the exception of the reserved resting surface. The concave area is reserved, but bears a large, black round motif on the centre.
22.3.43 Mouth is black and neck has long black tongues. On front is a female head, wearing a sakkos, or scarf bound around her hair. Her head is flanked by tendrils. Barely visible white paint for radiated stephane and necklace. Bow and ribbons from bun at back of head are black. Ring foot is black, which is unevenly carried on to base.
22.9.1 Black lines decorate the body in geometric patterns. Front, from bottom to top: vertical rays, two horizontal bands, 7 vertical rays; two horizontal bands; 6 vertical zigzags; 2 horizontal bands; 12 or 13 short rays; one horizontal band (across maximum width, where 'arms' are extended); necklace consisting of horizontal band with pendant (disk with line extending from bottom). Head decoration is limited to wavy hair (5 vertical zigzags all around), 7 rays on the polos, 3 horizontal bands on the coil; and two eyes, on either side of the 'nose'. Otherwise reserved.
22.9.8 Horse and rider - man (?monkey). Solid. Clay pinkish, decorated in black stripes, both vertical and horizontal on horse. Man has a band round waist, arms and back. The top of his head is black.
25.8.4 On top of mouth is a daisy pattern and there is one band on the side. In upper animal zone, ram facing lion (?) with head turned back. In lower, hare between two dogs. Centred circles in field. Bottom daisy pattern round small sunk centre. Zones separated by thin parallel bands.
26.12.8 Handle has black glaze on the outside. Shoulder: broad band at base of neck. Between two dolphins a crossed rosette with white dots round edge. White also for line at back of head of dolphins. Body: two panthers facing, necks red. Three shapeless blobs in field. Below main zone, thick black band onto top of foot. Resting surface of foot reserved.
26.2.18 In the top zone, oblique palmette, wild goat to right with head turned back (only tip of beard preserved), added red on black and haunch, reserved line on belly, in field dot rosette, crossed dumb-bell ornament, dotted double spiral; black zone with bands white-red-white superimposed; rays (tip of one preserved). Inside black with a reserved band a little below rim and two groups of bands, white-red-white, roughly on a level with the top and bottom of the broad black band outside.
26.2.20 white slip; interior: black with added red band lined in white; exterior: black-figure decoration consisting of lion with added red on neck and belly (head, legs, and part of tail missing) to left; pinwheel rosette, dots, and dashes as filling ornament.
26.2.30 Outside, a band below the rim, three lower down, faded black on greyish-buff clay. Inside, on a thin pale slip, large dots on the flat rim, a broad black band with thinner bands of red (and white?) superimposed, and what might be the top of a horse's head to left, showing the beginning of the eye on the extreme left, the ear in the centre, and the main impinging on the framing broad band.
26.2.4 On top of mouth frieze of dots between narrow black bands; dots on edge; horizontal strokes between narrow black bands down outside of handle; ring hole painted black; around ring hole, wide and narrow black bands with incision lines; around edge, black-figure decoration;consisting of horse riders (only incision marks of horse's head and traces of black remaining) to left;
26.2.41 pale slip; exterior: black band on ridge at neck join; below, animal frieze consisting of deer (head, forlegs, and rump missing) to left; four petalled rosette and dots as filling ornament; at right, decorative motif consisting of two vertical wavy lines (or tail of bull?); below, two lines.
26.2.43 yellowish slip; exterior: part of two animal friezes consisting of grazing goats, separated by band with aded red line; of upper frieze head, ear, antler and one foreleg of one goat and one hind leg of second remain, to right; part of dot rosette and lozenges as filling ornament; lower frieze preserves shoulder, back, and antler of one goat to left, with triangles and dot rosettes as filling ornament.
26.2.76 exterior: frieze of vertical tongues painted in black and in added red; below, black-figure decoration consisting of Herakles (top of head remaining) to left;
26.2.83 pale slip; interior: black-figure decoration consisting of part of Gorgoneion's head and hair with added red; exterior: from outside, parts of frieze of short verticals; black band; two narrow dilute bands; broad black band with added red and white bands on top; three dilute bands; dot frieze;
26.2.97 exterior: on shoulder, trace of tendril decoration; below junction of shoulder and body, triple dot band between pairs of narrow black bands; below, black-figure decoration consisting of horse (top of head with ear and mane with added red remaining) to right.
26.7.10 Woman in cloak, playing tympanum(beathing rympareum(?)). Head missing. Clay brownish-pink. White slip. Hollow, and oval hole in back.
26.7.2 The interior of the vessel is streaky black (uneven) except for the tondo (reddish brown), that depicts a (shadow of a) man, in a short chiton, facing right and advancing. He is holding a (thorny) club with his right hand and his himation with the left one (using it as a shield?), while his sword is visible at his right side. Exterior: The lip bears a thin, black line. The surface of the body is reserved (up to the point where the scene ends) but bears decoration in black. The scene is repeated on both sides; the myth of Heracles and the Bull. Herakles has captured the Bull from the head. Hanging in the background (above them) there are Herakles' club, cloak and quiver. The scene is flanked (left and right) by fan-shaped palmettes (voluted at the bottom with long, narrow divisions). The lower part of the handles' external surface is black and under either of them there is an ivy leaf (heart-shaped). Below the scene, there is a streaky black line and, after a reserved, thin band, the vessel is (streaky) black up to the end of the foot, whose side surface is reserved, though. The base is reserved but bears a red thin band at the center of the resting surface. No incisions or added colour have been used.
27.6.75 Fragment, showing the very top of a man's head. Has a thin stripe around the edge and the main picture is curved inwards, both suggesting that the fragment is part of a plate or similar item. Some writing is visible around the inside of the stripe. The other side is also black, with lots of small chips
28.6.5 On top, the helmeted head of Athena Parthenos in relief, very worn. Body grooved around the relief. Handle grooved and rises above body. Piece is black glazed throughout, including base. Surface pitted with a good deal of flaking of the glaze.
30.4.2 On top of mouth thin fields between two groups of circles; side, row of small dots between bands. Three horizontal lines on handles. Bearded goat to left, head erect, added red on neck and stomach. Field rosettes mainly cruciform with diagonal incisions crossing at centre. Below goat, three bands around base with a gap before four more circles meeting at centre of base. Partly white style, where a large area remains free of design.
34.10.13 On front of body is the head of an Amazon facing right. Hair black and wearing head scarf with black dots. Foot ring is reserved. Base is ruddled and the outer circle slopes into the central circle which is convex.
34.10.20 Squatting youth; entirely hollow. Right leg drawn up, hand on knee, left leg bent round in front, left hand on ground. Clay deep orange. Trace of pink on body, red at back of head.
34.10.23 Figure is decorated on the front and the back of the head with a white slip, previously coloured.
34.10.26 Female head with low polos over four horizontal plaits with three vertical plaits. Traces of white paint, and of red on hair. Clay brownish-beige.
34.10.27 Round flat hat on back of head. Flesh and part of hair red, undergarment blue. Traces of red on base and red and black on support.
35.5.10 Inside black with a reserved line at rim. Outside, head and shoulder of boy with his himation pulled up over the back of his head; on the wall tablets hanging vertically; behind his head part of a fillet hanging up. No relief contour; hair contour reserved; brown lines for marking on tablets; surface an unusually deep red.
35.5.23-26 Inside black with no reserved line at the rim; 27b, meander border. Outside, 17a, ivy leaf springing from handle base, foot, and lower part of himation; 28, corner of drapery, fillet hanging on wall; 29, head of male wrapped in himation, halter hanging on wal; 30, part of body of male tightly wrapped in himation. No relief contour; brown for bottom edge of himation on 27a.
35.5.27-29 (27) Interior, remnants of black background, geometric border at the bottom. Exterior, clothes of a human, possibly male to the left, with signs of another human beside the person to the right. (28) Interior is reserved, with a line around the rim. Exterior, head and shoulder of youth; tablets hanging on wall, strings in added red; also a head of another youth. (29) Interior black, with signs of a border in red at the bottom left. Exterior, pattern of swirls and leaves iin red - covers entire fragment.
35.5.34A-Q (a) fragment, three joins. Decoration on both sides. Band of geometric pattern above which is person's foot and bottom of leg standing to the right, wearing a hymation. On the opposite side: floral pattern to the left of bottom half of a person and to the right of this person the hand and lower body of another. (b) curved, palmette on other side black. (c) large roughened patch to the top right where possibly a handle was attached, floral pattern around this. (d) small fragment, on one side band of geometric pattern, on the opposite side floral pattern. (e) large piece, three fragments joined. Bearded man in the centre facing to the right, left arm raised and holding a long stick, right arm tucked into hymation. To the right of the man, the arm of another person and to the left a floral pattern, inside black. (f) Very similar to fragment a. three pieces joined together. On one side in centre bottom half of a person, feet and lower legs facing left and wearing a hymation, to the right floral pattern. Opposite side, band with geometric pattern. (g) On one side to left part of a hymation, to right an arm. Opposite side band with geometric pattern. (h) On one side the feet and legs of a person standing on a platform with the bottom of a stick he/she is possibly holding to the left, in the right hand corner the edge of a geometric pattern. On the opposite side the feet of someone facing to the left wearing a hymation dropping behind them, to the right of them a floral pattern. (i) Small piece of two fragments joined together. Chest of a male with right arm extending, his hymation drapped over his right arm. (j) Head of a male facing left with hymation over his shoulder and part of large palmette to his right. (k) Small frgment, part of hymation. (l) Small fragment part of hymation (m) Small fragment part of hymation. (n,o,p) small fragments with no detail.
35.5.4-5 Inside, 8, meander border, part of head and shoulder of a woman wearing saccos, chiton (a very small part of the neck border alone remains), and himation; 9, bottom of himation with one foot. Outside, surface destroyed, leaving only a tiny piece of tendril. Relief contour for foot; relief lines for ear, saccos, folds, and ankle; thinned brown glaze for bottom edge of himation and line of dots ornamenting saccos.
35.5.6-7 10, head and shoulders of boy to left; 11, part of face, chest, arm, and himation of seated boy turning to left. Relief contour for nose of 10; relief lines for inner markings; hair contour reserved.
38.4.1 Black glaze except for added white decoration: (A) a bearded man running profile to the rightright but with his head turned back, cloak over his arm; (B) a man standing profile to the right, wearing a himation and holding a wreath. Wavy lines and spray of leaves on each side of figures.
38.4.9 Blackglaze except for white decoration and reserved base of the foot. A: grotesque bearded god with large head reclining on ground; bird perched on right hand, budding stick as sceptre in left. B. Hermes wearing petasos and short chiton leaning on stick; caduccus in field behind him. Retrograde inscription; letters shown look like W,H,I,O...
39.8.2 Picture inside is of a bearded satyr, with his left hand on his side and his 4th and 5th figures bent under. He is stooping and reaching forward with his right hand. His long ear reaches well above the top of his bald head.
39.8.4 Inside, framed by reserved line, part of male head with fillet tied in bow over forehead, hair contour reserved, curls: black relief dots on black ground, fillet red.
39.9.1 Short narrow neck of jug is glazed black. Handle begins at top of neck and carries on to top of the body. The part of the jug joining the neck and the body, has a palmette design on it, in a circle. This circle is broken for the black part of the handle. There is a large palmatee decoration underneath the handle, where it ends on the body of the jug. Body of jug has red-figures on it. Starting from right-hand side of the handle, going from left to right: First figure looks like a women in traditional Greek clothing, kneeling down. She is facing right. The figure to the right of her looks like a naked man with wings. He is standing on one leg and facing right. He is reaching one of his arms out. Underneath that arm there appears to be a duck. To the right-hand side of the duck, there is a man sitting on a stool. He is in traditional Greek cloting and is holding a large box. This figure is also facing right.Underneath the box there seems to be another object, but it is unclear. Perhaps it is a head? Or perhaps it is where the black glaze has been rubbed away, to reveal a patch which looks like decoration on the jug. He has a winged man kneeling in front of him. This man is facing left, towards the sitting figure. The next figure looks like a women in traditional Greek clothing, kneeling down. She appears to be holding something in her hand, perhaps a mirror. She is facing right. Inbetween her and the next figure there is a bird, facing right. The next figure looks like another women in traditional Greek clothing. She is standing on one leg, with her right arm reaching out. She is facing left. Behind her is a 'T' shaped object, perhaps a stool?. Rim of the base is a red/terracotta colour. underside of base is slightly concaved, with many black rings inside. There is a black dot in the centre of the bottom of the base.
45.10.10 The interior of the vessel is black apart from the lowest part of o, whose lower part bears a reserved but glazed line. Exterior: a) On the right side, there is the upper part of a seated woman (part below her waist is missing). She is draped and wears a stephane (fillet) on her head. On the left side there is a floral motif whose stem is a wavy line that expands to the left. b) There is the back side of another seated draped female figure. c) The front side of the previous female figure. She is holding an alabastron with both her hands. d) On the lower left part there is the largest part of a voluted palmette with petal shaped divisions, connected with a tendril. The area next to the spring of the one part of the handle is reserved. e) On the bottom right there is the rest of the previous palmette, also connected with a tendril. f) On the bottom right there is the upper part of a palmette and on the upper left there is part of a tendril's volute. The area on the left of teh one spring of the handle is reserved, but glazed (plaster on top). g) Uneven black surface. h) A small part of the volute of the tendril of f and the stalk of a flower. i) Part of an inverted palmette, connceted with (part of ) a tendril, with (occasional) leaves on its sides. j) Small line, part of a tendril. k) Part of a tendril's volute. l) A figure's projected forearm and hand (figure's depicted on n?). m) On the right side, there is the stalk and part of the stem of a flower and a line that seems to be part of a tendril. There is also the spring of a handle. n) Part (head missing, neck and shoulder are scraped off, area below the knees missing) of a draped standing figure that has the left hand around the waist. o) The lowest part of a figure's drapery. p) Base. Inside tondo: seated woman with septre and standing woman holding out box. Exterior: part of floral ornament under handle. Outer and inner side of footring black, resting surface and underside reserved except for central black dot surrounded by three concentric bands. Moulded circle c.1.0 wide houses thickest, central black band.
45.10.22 a: The upper surface of the rim is reserved, although glazed. However, the side surfaces (internal and external) are black (apart from a reserved area that would not have been visible if the handle was not missing). The neck is also black on the inside, however, there is a perpetual motif of palmettes on the external surface. These are double palmettes (5 narrow divisions upwards and 5 similar ones downwards) that look as if chained together by a horizontal row of small rings and each such palmette is separated from the other by a vertical line with wider endings, while thin, curved lines (above and below) frame each palmette. The sides of the handle bear a black band each and there is also a thin line underneath them that contours the end of the neck. On the carination that divides the neck from the shoulder there is a thin line with added red colour. The shoulder bears a motif of tongues, divided by vertical lines, while a line underneath contours them. The motif does not appear under the surface of the handle. At some point underneath this pattern there is the beginning of another motif (black with 3 dots of added red and scale-like incisions). The interior of the rest of the vessel is reserved, since it is an amphora. b: It bears exactly the same motif as the previous neck bit. c: From the branch of a three-peaked floral motif there emerge two curved lines that are downwards and upwards, each forming an ellipsoid-shaped frame from whose lower (in the case of the curved line that goes downwards) or upper (in the case of the other line) endings form one floral motif each. The left one is a voluted palmette with 5 petal shaped divisions and the right one is a three-pointed flower, similar to the central floral motif, but bigger. Although the upper part of this pattern is not preserved apart from the starting point of the motives, it is certain that this would have been the heraldic motif depicted. Underneath this area there is a thin, black line and below that, a pattern of guilloche ( branches with tear dropped endings interwoven together) with a row of dots, framed (above and below) by two pairs of concentric lines. Towards the end of the fragment (which is also towards the end of the vessel) there is a radial-shaped motif, two lines and the rest of the surface is black. d: It is a part of the body's area that bears the guilloche pattern and the radial-shaped motif underneath, but one third of it is not preserved. e: On the left there is the upper part of probably a palmette (two endings of petal-shaped divisions). Next to that there is the depiction of a draped lower body part. The drapery is formed by the incisions on a black surface. There are diagonal incisions and wavy endings to denote the folds of an himation, as well as the lower termination of the chiton, which is suggested by two almost horizontal incisions, a wavy line and another horizontal incision. the drawing is detailed and clear. f: The part between the surface above the knees and a bit below the calf of a male figure that wears a short chiton (incised, wavy folds are visible above the knee), as well as grieves with out curving terminations (Hermes?) of added red colour, now fadded away. On his left there is the upper part of a palmette and on his left there is a diagonal line, with rows of dots on either side (characteristic of Dionysus). Very clear drawing. g: Half of the three-peaked flower, a bit of a black line and two petal-shaped motives. On the side, there is part of the dotted branch and what appears to be part of a figure's drapery (upper right body part ?), with some incisions used to render details. h: Between the lower body part of two figures there is part of the dotted branch. What is preserved from the right figure is incised lines and circles on a black surface. The left figure's drapery (peplos and himation ?) is preserved (below the waist), consisting of incised diagonal and wavy lines to denote the folds. i: A central male figure's (Dionysus) body from shoulder to legs is visible and surrounded by a dotted branch. He is standing between two figures. The male figure (there is part of beard with added red) on the left holds part of the branch with his palm (upper body without the head is preserved). The only visible part of the draped figure on the right is part of the legs. Incisions are used to render details. j: Apollo playing his lyre (kithara). The head (in profile, facing right), right hand and part of the god's front side of the body is visible, as well as the largest part of the lyre. Part of a dotted branch exists in the background. Incisions have been used to render the chords of the lyre as well as for the eye, contour of hair, ear and contour of the god's body, while a taenia (fillet) on his head is in added black colour. k: Only part of a thin, black line is preserved. l: two broad black bands that overlap at some point. Incisions and the ending of a dotted branch (part of draped figure?). H & J on display in symposium
45.10.30 exterior: the red surface is decorated in the upper part with a black band, then there is a key decoration running left, under the key there is a thin, horizontal, black line, below that there is the head of an Amazon in profile facing left, wearing helmet. The head of the Amazon is painted in white.
45.10.7A-B Lid: The top surface bears part of a central medallion (dots contoured by double, semi-spherical line), encircled by a black line, a red band, a broader black band and a red line. There is also an ivy spray between the last red line and a similar one. At the rim there is a rather careless tongue pattern, with inner dots (identical to the one of the central medallion, only frammed by thin, black lines). Sides: There is the representation of women pursued by the winged Eros. The naked Eros is flying and his himation with white spots on its top is falling over his forearm. At the level of his face there is an inscription, with white colour KALOS and underneath, KALH, above a bent fillet with thin, short, white lines emerging from its endings. The first of the women is headed right, having extended her right? hand towards Eros and holding and raising slightly her drapery (in order to run faster). Her head is missing, but she is probably looking backwards, to see the advancing Eros. The scene is reproduced again: Anoher Eros pursues another woman, who is running towards an altar? (rectangular, altar-shaped constuction, higher than the figures with a decoration of a large cross and dots in between). Among them there is again the inscribed KALOS, KALH. Many fragments have not survived, however this woman's head is not missing. She is looking backwards and wears a diadema, made of white lines. At the other side of the altar? there is another woman approaching it, having escaped the first Eros, but looking back to see him. She wears a white diadema and the same inscription is between her and the Eros. The scene is framed by two red, concentric lines (above and below the figures). The bottom surface is left reserved. Body: There is decoration of laurel stems and berries around the outer surface with details made of added white. This motif is framed (above and below with red, thick lines). The interior of both pieces is black. The feet have a black band on the side (ca 2 cm below their joining part to the body) and the rest of the surface is left reserved, apart from a black line at the rim. Half way up the inside surface of the feet there is a thin, black band. The base's central part is decorated with a broad black, circular band between thin black lines.
45.6.72 Mouth is red on top and black down neck until a moulded ridge when there are rays down to black square blocks on shoulder. Band of vine leaves. Handle is black and below it is a palmette complex with tendrils either side joining to two more palmette designs. On front, is head and shoulders of a woman facing left, wearing tight-fitting black cap, with hair emerging in two curls at top. Serrated leaf and rosettes in field.
47.2.28 Traces of black paint on chest, left arm and back of head, faint stripe on body.
47.2.29 Red tinge to body, suggesting originally covered in red wash. Black horizontal stripes across body and above left arm. Vertical black stripes on lower body. Black on back of head.
47.2.30 Facial features prominent. Traces of red wash on face and body, red stripe down centre. Black on head, bands and stripes on clothes.
47.2.35 Standing female figure. Wheelmade body, moulded head. Woman in veil. Holding at breast level an object now broken off. Traces of black on head and eyes, red on face and clothes. Clay orange.
47.6.2A-B Lid: Straight sides and a moulded rim at the top and bottom, both red. The plastic ring at the top of the lid black. The top is decorated with a depiction of a male figure, perhaps Dionysus (Ure) or Pan (Boardman) with horns springing from his head. He wears an animal skin (brownish dots) over his shoulders, with a hoof dangling. He seems to be stepping or sitting on another animal skin. In raised left hand he holds an indeterminate instrument (Ure: handleless fork; Boardman: syrinx) and he rests his right hand, brought before his body, on an oar-shaped object (trumpet; Ure: winnowing fan; Boardman: 'lagobolon'). To his left is the forepart of a pig (or dog?), and to his right, a basket with three corn stalks. There is also a red, thin line at the joining point of the plastic ring and the lid. The decoration of the side surface of the lid is a motif of vertical, hanging, wavy tongues, between reddish brown bands. There is also one inverted heart-shaped motif at some point between the tongues. Body: There is a red line at the rim and another one at half the way up the body, both on the inside and the outside. On the interior there are two, concentric, reddish-brown circles. Exterior: There is also a red line at the bottom of the body, while the disk-shaped ring is reddish-brown. Wide rim at base. Underside is reserved and central section flat.
47.7.3 Outer rim has round pattern. Beneath each handle, palmette with side tendrils. A: Woman's head in hankerchief with hair out the back. B: Woman's head uncovered. Around foot is a broad black band then a reserved zone with a thin black band in the middle. Base is black and depressed in centre.
49.4.1 The mouth is black inside and out with a reserved rim. The back of the handle is also black. The neck and underside of the handle are ruddled, as is the shoulder which has black dots and radial-shaped motif. There is a white band at the upper body surface with a yellow meander pattern, between yellow lines. The main design is that of a flying Nike facing right with a mirror in her left hand and a globular object in her right. She wears a kalyptra (head dress) and she is draped. Additionally, thinned glaze and black paint has been used for detail. Below the scene there is a similar meander pattern on a white band. The rest of the vessel is black.
49.4.2 Woman with a fan and a ball, seated in a naiskos; kalathos on either side. The inner side of the rim bears a broad band (in the middle of the surface). The top surface bears traces of carelessly applied red colour. The edge is also black and its side surface bears a reserved line and a black line underneath, from which seem to be hanging short, vertical lines. The upper part of the neck is reserved, but bears a black band on its lower part. The rest of the neck is decorated with black colour, on top of which there is a tongue pattern in yellow (faded away) that contours the vessel (long, pointed on the bottom tongues). Below, there is a reserved line. Side A: The main scene depicts a female figure seated in a naiskos (monument with pediment, from whose upper part emerge palmettes and tendrils, epistylion, an ionic column on either side an top of a stylobates or crepis, the latter represented with a perpetual pattern of voluted motives and dots in between, framed by white lines, thin, black bands and white bands), on a diphros okladias. The woman is facing left, she is wearing a peplos, holding a fan with her right hand and a round object with the left one, below which there is a row of dots. She also wears a kalyptra and has her hair in a bun, from which emerge two wavy lines with round terminations. Behind her, at the level of her head, there is a window (square object with the middle part riddled). The naiskos is flanked by a kalathos on either side, decorated with black and yellow horizontal lines, tendrils and branches, as well as yellow tongues and yellow meander pattern. There is a row of yellow dots below each kalathos and a rosette on top. Below the row of dots underneath the left kalathos there is another rosette, whereas underneath the row of dots below the right kalathos there is a phiale. The details are executed with added yellow. The handles are black. The reverse is decorated with floral motifs: the area underneath the vertical handle is black, with an H-shaped black motif divided in two by a vertical line, on a round, brown background. The surface below the vertical handle depicts two fan-shaped palmettes, from which emerge elaborate, voluted floral patterns that expand to the surface below the horizontal handles. The lower part of the body is contoured by a wavy-like pattern on a brown background. The area below is black, although streaky on some areas, while the lowest part of the body is reserved but glazed. The foot is black, with a reserved resting surface.
49.8.2 It has a central knob handle with moulded ridges that bears a red spoked wheel and a red band with a reserved rim. Additionally, it has a black and red down moulded handle with two bads at the bottom. Both sides depict a female head with ornate head dress, made of whitish thin bands and dots, shorter and thinner yellow ones, as well as of ovaloid or curving mottifs. A lock falls over, accross the neck. A spiral pattern is used to fill the surface between the end of the kalyptra (hair dress) and the beginning of another motif; a palmette, used as decoration on either side, while a floral pattern fills the space between the chin and the other side of the palmette. One of the heads wears a neclace made of yellow beads, while her earing is painted over the hair with big round spots. Between the two heads there are palmettes (fan-shaped ornament composed of narrow divisions) with added yellow for few details. Around the bottom of the rim there is a wave pattern to the left. The underside is completely reserved.
49.8.8 Inside and outside of mouth and handle is black as is neck and back of body. At base of neck is a key / meander design between two moulded ridges and only appears on the front. On the body, metope bearing the figure decoration. On the top of the metope. black tongues.Main design is in a panel showing a Quadriga moving to the left. Horses' heads turned towards different directions. One to the left, other three run their heads to the centre facng each other. On the quadriga, hoplites in profile either side both facing right, holding shields and spears and wearing helmets. One of the shields is decorated with a feline picked out in white, only the back part of which can be seen. Behind the quadriga, a hoplite in profile to the right. He is holding his spear and seems ready to attack. He has a shield decorated with three dots with added white, he wears a short chiton, a cuirass and a Corinthian helmet. In front of the chariot, hoplite in profile, moving to the left, having his head turned backwards. He is wearing cuirass, short chiton, a helmet. He is holding his shield and two spears. Added red-purple on reins of horses and headbands and tunic of warriors, as well as contours of the shields. Added white on lion of the shield and decoration of the shield of the second hoplite which is not clear, the edge of the sword of the first hoplite, the dots on the shiled and a band on the body of the last hoplite. Red band at base of panel running all around the vase's body and foot is black on top, but reserved on side. Resting surface reserved.
50.10.4 The mouth is black inside and out with a reserved rim. The neck and underside of handle are also reserved, while the top of the handle is black. The shoulder is decorated with short lines and four palmettes (of which one is upside down) linked with tendrils. The back of the body is black and the front bears the representation of a draped woman in an unnaturalistic posture. She is facing right with her head and chest turned back to her left. She is holding a case (kiste? with drawers?) in her right hand and extends out her left (the gesture is as if holding a phiale). There is reserved line under her feet and the woman looks as if she stepps on it. Additionally, the foot's upper surface is black. There is also a small, concave section at the centre of the base.
50.12.23 'Psi' figurine, representing human figure with small head and upraised arms. Thin red-brown lines separated from eachother by a few millimetres are aranged horizontally across the figurine.
50.4.22 Wide mouth, with downturned molded rim (grooved), tapering to a neck that gradually widens to form the head of a ram, whose horns curl around his ears. Horizontal strap handle joins neck just below rim and loops around to rejoin the body just behind the ram's horns (on the underside of its neck).
50.5.5 The interior is black, as is the exterior, except for a band of waves under the rim, the figural decoration in the body zone, and wide reserved bands around the handle zone. Both sides portray a female head facing left. Side A: Laurel wreath encircling head; groups of three white dots in the field and on the back of the head; beaded necklace. Single thick leaves rise from the base on either side of the head. Side B: Plain band encircling head; groups of three white dots in the field and on the back of the head; two beaded necklaces. Single thick leaves (of different sizes) rise from the base on either side of the head. Disk in lower left field. White for hair ornaments and on the upper necklace on side B. Beneath each handle is a palmette beneath circles surrounding dots.
51.4.1 The top surface of the rim is reserved (but glazed), however, the side one bears a black meander pattern. Neck: at the left side there is the front part of a horse (head and two feet) and the right leg (thigh to toe) of the horse-rider, with incisions for detail (denoting also the bridle) and added white. At the other end there are two men, one behind the other. The fragment's termination is at the level of their knees. The first one (right end) has extended his arms, as if being a charioteer. Besides, the back part of the chariot can be seen over his white chiton. The stephane on his hair is executed with red. The black, male figure at the same level behind him makes a gesture as if holding something (invisible). He is wearing a short chiton and he is probably on the chariot too. Interior: There is a red, thin band at the rim and the rest of the surface is black.
51.4.10 Offset rim and interior is glazed black but streaky allowing red to show through. The two handles are also black on the top and reserved underneath. Beneath each handle is an ivy leaf on a long curling stalk. The main design on both sides is flanked by eyes, which have red centres and white incised bands around them, superimposed onto black. Side A is a seated youth in profile to the rightin chiton and himation (?. Added white on stool and red on chimation and fillet on his head. Side B is a tree (?) with detail added in red-purple . No substantial foot, but a reserved, flat base.
51.4.2 The top surface of the rim is reserved (but glossed), however the side bears a black meander pattern. The scene consists of two chariots, the left one with three horses (below their knees the piece is missing) and the right one with four (only two of the heads remain). The left hand side charioteer is not visible, however it is obvious that he was holding and stretching the bridle. The upper part of the chariot is also visible. The second charioteer wears white chiton and red stephane (fillet) on the head and his chariot is visible. Each figure has incisions around its edges, as well as for the depiction of details. Some parts of the horse bodies are emphasized by added red colour. Body: The surface is black. The interior of the neck and body is also black, apart from a red band at the top of the rim.
51.4.9 The rim is black, both on the inside and on the outside. The back of the handle is also black, but the underside is reserved. The neck is reserved, but glazed apart from a thick purple band on its lower part. On the sloping junction of the neck with the shoulder, black tongues. Both interrupted at the joining point of the handle to the neck. The shoulder is covered with a guilloche (pattern of interwoven fillets) with teardropped terminations. In the middle of two upper and two lower black lines there are two rows of black dots that begin on the edge of the second left figure of the main scene and stop at the edge of the last person. In the centre of the scene, a male figure in profile to the right with as short mantle, a quiver on his back (Herakles) is attacking a kneeling Amazon. With his left hand, he is gradding her from the air and with the right he is holding a sword, with which he is ready to kill her. The Amazon, in profile to the left, is wearing a helmet, holding a very long spear with her arm and her shiled with the left. From his waist, her sword is hanging. This scene is flanked by two other battle scenes. On the left side, an Amazon is attacking a Greek. He is wearing a cuirass, helmet, he is hloding his spear and his shield and he is shown ready to fall down. Tha Amazon has atteacked him with her spear. She is wearing a helmet and a short chiton. On the right, an Amazon and a Greek are shown in profile running towards the left, projecting their spears. The Amazon is wearing a ahsort chiton and a helmet. She is holding her shield, covering large part of her body. A frontal head of a lion decorates the shield. A sword hanging from her waist. The male warrior wears a short chiton and has a shield and a helmet. The Amazons have long hair and wear helmets with longer and bigger crests. Incisions and added red are used for details. Added red: parts of the chitons of the warriors anad the Amazons, hair of the warrior in the middle, fillets on Amazon's heads and the frame of the shield of the running Amazon. Below the scene, there are two lines (not evenly formed at all in their length) and a band of added red. Below that, the vessel is black, with two concentric circles on the surface of the foot. The resting surface is reserved.
51.7.11 The interior and rim are black, except for two reserved bands on the interior, at the top and bottom of the lip. Just under the rim is a laurel wreath, facing to the right. A palmette fills the space beneath each black handle; a series of dots mark each handle zone. The scene on each side is bordered by two tendrils that emerge from the ground, in most cases flanked by two smaller tendrils; at the centre of each large tendril is a volute, from which spring two demi-palmettes. Side A: Wreathed, draped Apollo stands in 3/4-view to the right, holding a laurel branch in his right hand and a phiale and fillet in his upraised left hand. He faces a white-haired, bearded Papposilen, who stands in profile to the left. The Papposilen wears a taenia on his head, an animal skin (nebris) over a shaggy-white body suit, and slippers. He holds a mirror in his upraised left hand and a lyre and a fillet in his lowered left hand. Above him is bust of a goddess, probably Hera (or Leto, or Cyllene?), with her face in profile to the right, enclosed within a window, outlined in white. She wears a high crown and jewellry and holds a sceptre in front of her left shoulder. There are ivy leaves in the field. Side B: Two standing, draped youths, facing each other and wearing wreaths. The left figure has a 'V' drape on his chest and his left hand is barely visible; the right hand of the right figure emerges from his himation; he holds a branch out to his companion. Beneath the scenes is a band of right-facing waves. The lower body and foot are black, except for a reserved band on a groove at the top of the vertical surface of the foot, and the reserved underside.
51.7.13 The mouth is black at the top of the interior and the lip is reserved; the handles are black as is the body where they are attached, and the foot, except for the underside. The neck is decorated with a six-leaf palmette on each side. On the shoulder, beneath two reserved bands, are tongues that suggest the effect of ribbing. A white fillet has been painted over the 'ribbing' on both sides. Two thick, black lines (carelessly rendered) encircle the shoulder. A large palmette fills the space beneath each handle. A female head, shown in profile to the left, is shown on each side. Each women wear a kekryphylon or kalyptra and has her hair tied in a knot. Strands of added white (ribbons?) emerge from the hair. There are also thin lines (carelessly rendered) beneath the main scenes. Beneath the main scenes the vessel is black, except for the reserved stem and underside. The stem and the resting surface have been treated with a darker red wash. Red sections are streaky and dull, and some of the 'black' became red through misfiring.
51.7.5 Interior reserved; black glaze on mouth and upper half of neck, as well as upper half of handle; lower part of neck decorated with tongues that suggest ribbing; shoulder decorated (except under handle) with an egg-and-dot frieze between two black lines; reserved space at lower part of handle and handle attachment (interior) suggest that the mouth and neck were dipped. Body decorated with a frieze consisting of 7 clusters of three white dots at the top of a figural scene (arranged in upside down triangle shapes): a female figure, standing in 3/4-view to the left, in a relaxed posture with her left leg crossing her right, and her left elbow resting on a pillar (the curvy element in added white suggests that this is meant to represent natural rock). She wears a hairband and kekrphylon on her head, triple-dot earrings, two or three necklaces (two strands of white beads beneath a black line), two white bracelets on each wrist; a belted sleeveless chiton, and white slippers. She holds, in her upraised right hand, a mirror surrounded by white dots, and, in her left hand, a phiale that is surrounded by white beads, as well as a beaded sash. A large palmette, with a white dot on the heart and white dots on each volute, fills the space beneath the handle. From each volute emerges tendrils and floral decoration that frame the image of the woman. A 6-petal rosette fills the space to the right of the woman; to her left are a window and a dotted circle (cog-wheel?) in the upper left field, and an olive branch in the lower left field. On the body, beneath the figural scene, are a single reserved band and a thicker black band. The foot is reserved on the top element, and glazed black on the ridge and lower element; the underside and resting surface are reserved.
52.3.4 Interior: black spots on lip; alternating black and reserved bands on interior (restored), surrounding a tondo decorated with sphinx, profile to the right. Exterior: Rim decorated with a band of zigzags, slanted to the right; body decorated with an animal frieze, above two thick black bands; exterior of handles and foot glazed black (restored). The animal frieze shows (from under the preserved handle): a water bird, left wing outspread, profile to the right; billy-goats (4) grazing profile to left, alternating with panthers (3), profile to the right, each with left forepaw raised and head frontal; spots of varying sizes in the field.
53.8.3 Lip and interior glazed black, except a ram protome, profile to right, at the centre of a reserved tondo, outlined with an orange band. Exterior: lotus petals on the rim, interrupted only by the glazed handles and lugs, above a a thin glazed band at the carination (mostly orange-red), an invertedanimal frieze on the body or bowl, above a pair of thin bands above a thick band; bands decorating the foot on exterior and interior vertical surfaces; underside decorated with concentric circles (black between two lighter orange circles, enclosed by two darker orange circles). The animal frieze shows (from just above the black handle): a panther advancing to the right, head frontal, licking the horns of a grazing deer, profile to the left, between two pinecones, with a dotted line above his back; a panther advancing to the left, head turned frontal, a dotted lozenge, a lion advancing to the right, tongue licking the horns of a deer grazing profile to the left, with a row of chevrons above; a dotted lozenge. Below each creature is a dotted bull's eye (comprised of central dot, surrounded by a band, surrounded by a circle of dots). Additional ornaments, including dots and chevrons, in the field.
53.8.4 Molded, downturned rim with a flange (for lid); incurved horizontal round handles; deep body with nearly vertical sides that are slightly concave above the handles and convex below, curving sharply at the bottom into a broad, short stem, on top of a molded disc foot, recessed underneath in two degrees. Black gloss with red figure decoration. Side A: a female head profile to left, with small dotted circles in the upper field on either side; side B: palmette. Interior: a reserved band within the rim. Exterior: a band of vertical bars under the rim (with applied red wash); a reserved band around each handle attachment (also with red wash); a stemless ivy beneath each handle; narrow reserved band beneath figural scene; reserved band on the upper part of the foot; underside of foot is reserved and stained with red wash.
54.8.1 Inside has a ribbed texture and is reserved apart from thin bands around rim with vertical bars overlapping the rim. Single ribbon handle which is unevenly bent, has horizontal lines down back and is reserved underneath. Procession of seven mourning women, in profile all facing right, framed by wavy lines, with two bands above and below and three vertical lines at right and left of panel. In front of the sevnth woman there ae three loop patterns, with dots. The women are wearing long garments, have long hair and ftech one arm over their head, as a mourning gesture. Face drawn in outline. No use of incision for any details. Below 'SSSS' pattern, then horizontal lines. Moulded ridge and groove below around foot. Base is flat and reserved.
56.8.4 Black inside and out except for an egg-and-dot band framed by two black lines at the front of the base of the neck, the figural design, and the reserved underside. Body: A satyr seated between two similar palmettes (the left one larger; each is comprised of a flower in the middle of two volutes framed by a short half-heart-shaped pattern on either side). The satyr is seated in 3/4-view to the left on a rocky mass that is spotted (perhaps it is covered with an animal skin). He looks profile to the left and he wears a taenia or band on his head, as well as a long, beaded necklace over his left shoulder and across his chest. He holds a phiale (its rim is marked with yellowish dots) in his left hand and a fillet in his right hand. The fillet is purple. The taenia, necklace, and rim of the phiale are coloured white with yellow wash. On the back a drip of (probably accidental) white paint.
65.6.2 Head and shoulders of a Neolithic deity. Square head and oblong arms. The top part has three holes bored through down either side and two partly bored holes near the top representing eyes and three partly bored holes representing the mouth in a horizontal line above 'neck'. Single partially bored hole on neck and one just above the break. Bored hole at the end of each arm. The other side is flatter than the side with the visible holes. Very smooth and highly polished object, creamy-yellow colour with naturally formed pattern.
67.6.3 Standing woman, left arm akimbo, holding palm leaf far in right hand. Wearing head dress and robes. Possibly portrayed as pregnant (?).
71.12.3 Ornamental head around with are six horseshoe panels.
73.6.4 On the outside surface is a figure zone, on the left edge of which appears to be the edge of a square. To the right of this is the lower half of what appears to be a swastika and below, a dot rosette. A vertical palmette is figured in the middle of the surface, to the right of which is the tail end of a bird, the head and neck missing. Below all of this, is a curved black line, and then the edge of what could be a circle. The inside is covered in black gloss.
73.9.4 Figure of a dog or goat (head missing), stands under missing handle, bordered with spots. Behind the dog's tail, we can see the edge of a palmette. The figure of the dog stands on a black band, below this, there is the edge of a black circle. Rosette and palmette decoration.
73.9.6 A small fragment with possible figure of bird (front part and head missing) and above this, a circle design with a dot in the centre. The back of the fragment is covered in black glaze.
77.5.1.1-17 The interior is reserved (although covered with plaster on most of the fragments), apart from the upper parts of 13, 14 and 15, that are black (unevenly applied). 1) On the left, there is part of a naked male figure (thighs to toe), facing right and next to him there is the lowest part of another similar figure facing right. Below them, there is part of a black band. 2) There is part of the right part of the previous figure (chest to toe). On the right side of the fragment, there is a figure's forearms (projected to the left, the right hand holding a round object) and part of the right knee. 3) Part of a naked male figure, leaning to the left. Details with incisions and added red. 4) Part of a lions's paws and below it part of a broad, black band. 5) A male figure's thighs and part of a bird? (executed with incisions and added red). 6) The right part of the previous bird? and the right tibia of a male figure , facing left. 7) The thighs of a male figure facing right. On the left side of the fragment there is part of a black and red motif? 8) The upper part (chest to thighs) of a naked male figure, facing right. 9) Part of a male figure's thighs, facing right. 10) The previous figures lower part of legs and part of a black band. 11) The biggest part of a bird, executed with black, added red and incisions. 12) On the left, there is the rest of the previous bird. Next there is the lower part of a lion, executed with black, addeed red and incisions. Behind the lion, there is the lower part of another male figure (chest to feet), facing left and behind him there is part of a bird. 13) The upper part of a satyr (head to thighs), facing right. His hair and beard have been rendered in added red. 14) The lower part of the satyr, chasing a maenad on the right (her right leg is only visible). The details of her drapery are in red and her tibia is white. 15) The left left of the running maenad. On the right, another satyr chasing a maenad (lower part of the figures is visible). 16) Part of a broad, black band. 17. Bit of plaster.
78.12.11 Moulded boarder on the shoulder, two rings around the discus one of which is raised, within is a peacock displaying tail with head turned to its left, perhaps standing on a branch. Pale buff wash.
78.12.12 Moulded rings around the edge of the discus, in the centre stands an eagle with outstretched wings and head turned to his left. Single volutes on both sides of the nozzle. Red wash inside and out.
78.12.19 Shoulder is decorated with a moulded pattern of a vine, on the discus is a standing figure orientated with head towards the nozzle, holding a hydra in right hand and to the left is an amphora. Above the figures head, on the decline of the discus is a pattern of rays. Pale yellow wash.
80.7.1 Interior glazed black, except a reserved band around the bottom of the bowl. Lip, lugs and exterior of handles also glazed black. Exterior: a band of lotus leaves on the rim, and a figural frieze on the body, with black bands above and below it; another black band just above the foot; the exterior and interior sides of the foot ring are black, while the resting surface is reserved; the underside is reserved, except for a black dot with black and red circles (one each) around it. The figural frieze shows: two confronting sirens, in profile, on either side of an inverse lotus bud; a water bird, profile to the left, turning its head profile to the right, back over its bod; two confronting panthers, both turning their heads to the front, on either side of an inverse lotus bud; another water bird, similar to the first except its beak touches its back. A 6-pointed star decorates the field beneath each creature.
83.10.1 Standing female figure in cloak, with halo-shaped hat (or hair style). Rectangular hole in back. Hollow. Right leg bent, right arm across breast. White slip on clothes and face, pink on head, and shoulders of garment.
83.11.10 Female head. Head tilted to right on long neck. Hair curled back over narrow stephane, from middle parting. Earrings. Traces of white on flesh.
83.11.6 Female head from figurine, burnt. Wearing stephane. Hair centrally parted, curled back at sides.
83.11.7 Front part of female head from figurine. Hair waved on top, ringlet down side on right side. Earrings. Clay dark orange, coarse, and bown in patterns.
83.11.8 Head of female figurine, veiled, archaic features. Clay bright yellow-orange. Veil closely drawn in at sides.
83.11.9 Female head, raised and tilted over to right, on long neck. Hair waved from middle parting and gathered into bun at back.
84.8.1 30 fragments, largely side B, small part of side A, handle and rim fragments. Side B three youths. a) The top surface of the rim is black and so is the interior, apart from a reserved area at the end of the rim that bears a thin, black line. The neck is decorated with a vague representation of a brach with laurel leaves. The joining point of neck and body that is preserved bears part of a black, thick line. b) The interior and top surface of the rim is black, with the exception of a reserved band on the end of the rim (interior) that bears a thin, black line. c) The handle is black, except for the surface that would not have been visible if it was attached on the vessel, which is reserved (but glazed). Around the spring of the handle there is a motif between two thin lines that resembles the ionic cyma (egg-and-dot). The rest of the vessel is black, both on the outside and the inside. d) The handle is black, apart from the surface that would not have been visible, where there are two dots. Around the spring of the handle there is part of the ionic-cyma motif. e) There is part of the ionic cyma motif that the handle bears around its spring and the rest of the surface is black (interior and exterior), apart from part of a small chess-shaped motif, framed by a line above and two below. f) It is black apart from an area that bears a small part of the motif that contours the springs of the handles, a small, diagonal, reserved band (exterior) and a reserved band (interior). g) The surface is black (interior and exterior) except for three thin lines that are reserved. h) The interior is black. Exterior: Above a double-meander pattern, placed on a reserved band and between two lines, there are two heraldic lion paws, even though the details have fadded away. i) The interior is black. Exterior: The lower part of the drapery and the foot of a figure, surrounded by black colour. j) Black interior. Exterior: The lower part of a vertical, reserved thin band is standing on a broad, reserved band that bears between two black lines part of a pattern that consists of a meander and a cross on its right. The cross is contoured by a reserved area (around its sides), while its is executed on a black background. k) The interior bears a thin, reserved band. Exterior: The back part of a male figure's head and shoulder, as well as part of the drapery. l) Black interior. Exterior: The male figure's shoulder and part of his draped body. On his right there is the outer part of the motif that contours the springs of the handles. m) Part of the male figure's leg, knee and tibia, which is projected, as if he is ready to take a step. On the left top side there is part of a vertical, thin, reserved band (upper part of a walking-stick). n) Black interior. Exterior: The lowest part of the figure's drapery and a vague representation of his feet ? He appears to be standing on a pattern that consists of a chess-like motif close to two, double-meander ones, framed by two lines above and one below. o) Black interior. Exterior: The lower part of the figure's walking-stick that seems to stand on the double-meander pattern. On the left of the walking-stick, there is part of the back side of another draped figure (male), with the same careless rendering of the feet. p) Black interior. Exterior: Part of the walking-stick and drapery of the second figure. q) Black interior. Exterior: Small part of the second figure's drapery. r) Black interior. Exterior: Small part of the second figure's drapery. s) Small part of the second figure's drapery. t) Black interior. Exterior: Part of the lower termination of the second figure's drapery as well as his right foot? On the left, part of his walking-stick. He seems to be standing on part of the double-meander pattern. u) Black interior. Exterior: Part of the pattern that consists of the chess-like motif, next to part of a double-meander one, on top of which there is the lowest part of a figure's foot? (clumsily rendered). v) Black interior. Exterior: The lower part of the drapery and right foot of another similar figure that satnds on the double-meander pattern. w) Black interior. Exterior: Part of the figure's drapery. x) Black interior. Exterior: Part of the figure's drapery. y) Black interior. Exterior: Part of the figure's drapery. z) Black interior. Exterior: Part of a male figure's arm and hand. aa, ab and ac) Part of the rim and neck. The exterior bears a broad black band and the interior bears a reserved area between two black bands. ad) There is a reserved line on the interior, while the exterior is black, apart from a reserved spot of unclear shape and another, similar one that bears a thin, black line.
87.2.1 Horse decorated with white slip on pale orange, with dark red (for black?) stripes on chest, legs, mane, tail, and harness. Head and mouth of the horse shows representation of bridle, with thin horizontal bands down the neck representing the mane. There are two horizontal bands around the main torso of the horse. Horizontal bands also decorate the legs, chest and tail of the horse figurine. Front legs are slightly projected forward, as are the rear legs backwards. The legs are straight and disproportionately long compared to the head and torso.
91.12.6 Coin of Heiro II of Syracuse. OW. Head of Queen Philistis. RW. Quadriga driven by Nike.
92.1A-K (a) Bull and lion, facing; (b) Pegasus; (c) Archer: holding bow and spear/arrow(?) with tall helmet, kneeling; (d) stag; (e) Female head: wearing winged helmet; (f) Lion head, small; (g-k) non-identifiable shapes, stamps.
E.23.18 Head only (more rounded than E23.17 and heavier) and part of the headdress. Brown pigment on face, black and white pigment for eyes. It is unclwear what kind of decoration there was on the headdress, however both the carved and painted facial features are very distinct.
E.23.2 Funerary stele with vulture wings surrounding the solar disk, common during the time period. Below the wings is the text of the stele, surviving intact. Two men are depicted adoring the god Re-Horakhty, whose presence is indicated not only by the uraeus and sun disk but also his name inscribed in the text. It has been suggested that the dress of the figures indicates that they are Nubians; this is confirmed by the oddity of their personal names. The sky is depicted above the winged disk, each end being supported by the symbol of the west (on the left, only the top of the feather survives) and the east (on the right, more or less complete). A signature, possibly belonging to Flinders Petrie has been found above the head of the right hand figure. There is only one viable interpretation possible, when one combines the depictions with the details found within the text. The stele depicts the man Serep and his son Tkr-Irt-Hrw, not as has been assumed Serep with his Ka. A personal Ka has no need of the title m33 khrw, which is a title of the deceased, thus two deceased are depicted. There is no question that Serep is a man as he is depicted in male dress and has the male symbol after his name. There is enough evidence to show that the stele was once painted. Red pigment on the sun disk of the god is the most apparent, though a similar (if not the same) is found in several of the hieroglyphics and on the deceased as well as faint traces on the column to the right. A yellow stain remains in the first two columns, which could be remains of the paint used to fill in the columns. The combination of colours matches well with the red pigment found in the glyphs.
E.23.44 Glazed blue amulet in the shape of a head wearing a crown. The head is vaguely reminiscent of that of the dwarf god Bes. The top of the crown has been threaded for a string for wearing. The eyebrows are large triangles, above the sacred eyes which are joined. The nose is snout-like in between two puffed out cheeks. The mouth is thin lipped and small verticle lines indicate a beard.
E.23.53 Originally green in colour although little remains. The shabti is decorated in black pigment the details being a hieroglyph inscription up/down the legs, a crook, a basket (both denoting work and being'held' by the figure) and some kind of head decoration.
E.62.18 Stone scarab, the beetle attatched to a flat base. The thorax consists of parallel straight lines, the upper body is flat, and the 'head' consists of parallelagram like shape a ceratted edge to represent the mouth.
E.62.2 Sculptor's trial piece. White limestone, the sculptor is trying different ways of drawing hair. The bottom of the fragmet has a human head with one way of drawing hair, one braid at the from with several straight lines representing the rest of the hair alon with a band accross the top of the hair. Other methods include small squares, undulating lines and straight parrallel lines made up of small chips into the surphace.
E.62.21 Ellisoid offering plate or tray with raised lip, pinkish in colour with appearance of dulled granite. Five models of food offerings on tray (e.g. ox head, bread, vegetables). Channels for drink offerings in T-shape, in one third of tray. These trays were placed the tomb to offer food for the deceased.
E.62.33 For grinding malachite, gelena and other cosmetics. Double-bird design; each head has hole for missing inaly eye. Spiked decoration between heads. Hole for threading in top centre.
E.62.4 A small limestone tablet with the image of a monkey holding its young. It is square in shape although this appears to because the adult monkey's head has been removed. There is a hole in the centre at the top of the artefact presumably so it could be hung up. The adult monkey is bending it's knees to reduce its height which also gives the idea of closeness between the two creatures. The underside of the artefact has the same image only in reverse and with less detail. There is red pigment remaining on both sides around the feet particularly.
E.62.47 Raised relief of the head of the goddess Hat-Hor (Cow-eared). Convex surface darker than concave, perhaps a red wash.
E.62.51 Head of a cobra, dark wood, some traces of dark red and black pigments. Very little decoration remains, only small remnants of the original pigment.
E.62.53 One of four hawks from corners of a sarcophagus. Disk on head is missing. The minat (counterpoise) hangs at back of collar. Painted all over in dark red pigment; traces of white pigment on face and breast.
E.63.7 Light blue figure of Sakhmet (lion-headed goddess, wife of Ptah). Behind the head is a hole for threading. The figure has the left arm folded over the stomach and is apparently wearing a skirt.
E.63.9 Light green pendant. The image is the goddess of Hathor, goddess of music and dance. Here she is depicted in the form of a highly stylized cow. At the top of the pendant is a loop for threading. The pendant is flat and has the cow-head engraved in the centre with an arch of concentric lines above the head Below the head on either side are parallel vertical lines divided by one horizontal line on both sides.
E.65.17 Amulet shaped like the Ibis bird. The details are unclear but it is apparent that the neck cranes down so that the head sits on the body. The hole for threading is attatched to the neck. The whole bird sits on a flat base.
L.2005.7.11 Obv: Female head (Arethusa?) wearing olive wreath, surrounded by 4 dolphins. Rev: Quadriga, Flying Nike crowning horses, above; lion, below
L.2005.7.13 Obv: Bearded male head (Zeus?), hair bound with taenia. Rev: Square labyrinth.
L.2005.7.14 Obv: Head of Athena Parthenos wearing a triple-crested helmet, within a border of dots. Rev: Owl standing atop amphora on its side, all within olive wreath. Monograms on either side of owl and ear of corn below (series viii).
L.2005.7.16 Obv.: Head of Athena wearing crested helmet and round earring. Rev.: Owl, oliver spray behind, within incuse square.
L.2005.7.3 Obv: Head of Hera, wearing stephane adorned with flowers. Rev: Wingless thunderbolt, within wreath.
L.2005.7.6 Obv: Female head, wearing pendant earring and necklace, hair tied back and up; four dolphins. Rev: Quadriga (four-horse chariot), Nike flying above to crown charioteer; dolphin below.
L.2005.7.7 Obv: Head of Persian satrap (probably Tissaphernes). Rev: Lyre.
L.2005.7.8 Obv: Head of Athena, wearing an un-crested Corinthian helmet over a leather cap. Rev: Pegasus prancing to left.
L.2005.7.9 Obv: Head of Athena wearing a crested helmet, front adorned with three upright olive leaves. Rev: Owl with olive sprays, 2 leaves and 1 berry each
L.2011.1.48 In the central discus one reclining figure recumbent on its right side; right leg bent, left leg outstretched. Behind the legs a fish tail. At the back of the figure a drapery, like a semi-circular frame around the head. (possibly a Nereid riding a sea-bull?). On the edge parallel lines in low-relief. On the underneath inscription and a small half-moon shaped stamp.
L.2011.1.53 Red glaze. Two figures in low-relief: on the right a human figure with legs outturned, on the left a human face (mask) with a sort of base or plate on the head; above the plate two legs of an incomplete human figure. On the sides of this composition two vertical patterns, composed by short horizontal signs with below a six-ends star.
L.2013.10.7 Obv: head facing right Rev: figure seated
L.2014.8.5 Obverse: Head of Maximian facing right Reverse: Emperor receiving Victory from Jupiter
L.2016.3.25 Obverse: Portrait head to the right, reverse: Quiver, with another object below (?)
L.2016.3.26 Obverse: Portrait head to the right, probably Artemis with long curly hair and laurel wreath. Reverse: cow/bull, Greek inscription
L.2016.3.28 Obverse: Portrait head of Zeus to the right, bearded and wearing a diadem, reverse: thunderbolt with two letters around the centre.
L.2016.3.29 Obverse: Probably a portrait head, reverse: ?
L.2016.3.30 Obverse: Portrait head of bearded Heracles to the right, reverse: bow and club with Greek letters below
REDMG:1935.87.23 Handles all black. Mouth has wide rim, inside is all black but streaky. Reserved band under rim. Design is similar both sides and shows a woman's head facing left with ornate head dress and jewellry on in white and yellow added paint. Under handles on body is a red block between white lines with dots down originally. Stem is long and has a moulded band around centre. Foot has three steps all black (faded to red). Base is also stepped inside but reserved.
REDMG:1935.87.25 Black except for the figural design, with friezes above and below it; reserved but ruddled resting surface. A. Horizontal friezes on neck and below figural scene, consist of two vertical bars alternating with circles, reserved bands above and below. Scene: nude satyr, standing profile to right, with his left foot raised on a rock, faces a draped woman, seated 3/4-view to right, with her head turned profile to left. He raises his right hand towards her, and rests his left arm on his knee. She holds a mirror in her upraised left hand. Five ivy leaves in field between them. B. Horizontal friezes on neck and below figural scene consist of chevrons to left, between reserved bands. Scene: Two draped youths in conversation, face each other on either side of a stele. Yellow and white details: white fillet on satyr, bracelets and necklace on woman, and spots on the mirroron Red wash on reserved areas suggests imitation of Attic red figure. A pair of incised lines run horizontally across side A, and another line runs horizontally across side B; further incised lines around the upper body of the woman indicate that these might be an artist’s guidelines.
REDMG:1935.87.32 There is a broad, black band at the interior of the rim. On the top of the rim there are black tongues, apart from the surface of the handles, decorated with palmettes. Waves are used to decorate the edge of the rim, while the handles bear small palmettes on their sides and the rest is painted black, as is the body between. Both neck panels have ivy and dots joined by vine. Both sides of the body show a female head, facing left and wearing a decorated cap with a spiked stephane over it. There is a small window (rectangular motif with black vertical line), top right on both sides. Side A, however, has a strigil with wavy endings above the head, top left. Side B has a knot of hair emerging through the apex of the cap. On both sides there are volute-shaped motives at the end of the cap and below the woman's chin. Side A: The woman wears a black earing (a circle and hanging dots) and a neclace of black beads. A hair with a heart-shaped ending falls vertically over her neck. On the other hand, the woman on side B wears a similar but yellow earing and a neclace made of yellow beads. Both women are framed by two vertical red bands, decorated with two similar motives of a vertical row of dots between thin lines. These columnar patterns seem to support a horizontal red band over the head, ornated with tongues between thin lines (one above and two below). However, the surface under the heads is not identical for both sides. Side A has a red band with dots between lines and side B has two parallel lines and the wave pattern. Both the scenes are partly ruddled and added yellow is used to render the details. Miltos apparently was applied last.The lower half of foot is ruddled.
REDMG:1935.87.35 White on face, red on head.
REDMG:1935.87.4 Mouth is black just inside rim but interior walls are reserved. The handle is black all over as is back of neck and back of body. On neck at the front is a wave pattern which forms the horizontal part of a reserved outline to the picture. Within this box is a woman with flowing robes, facing to the right holding a wreath in her right hand and a plate / tray in her left. Tendril pattern to her right at bottom of picture and a rosette in the field. Added white to bracelets, head dress and rosette. Foot was originally black outside with reserved resting surface and flat base.
REDMG:1935.87.7 Mouth is blacked just inside rim, leaving interior walls reserved. Handle, back of neck, and back of body are all black. Wave pattern on neck forms upper part of a reserved frame around a figural scene. This scene depicts a horned youth, running to right but facing profile to left, with cloak over his left arm, carrying a tray in his right hand. Tendrils each side of him emerge from the base and four rosettes and one fillet are in the field. Added white and yellow on horns, rosettes, tray and head dress. Foot is black on outside and the base is reserved.
REDMG:1947.13.1 Black mouth inside and out, otherwise reserved inside. Below the rim, on the lip, is a white laurel wreath, to right. On neck, between black handles, a 9-leaf palmette, with a black dot for heart and black dot on either side of central petal; black ridge between two black lines; frieze of vertical bars beneath each handle; beneath each handle a large palmette above a pair of volutes, from which emerge vegetal ornament. A: Attenuated ovolo frieze between two black lines; white ribbing (painted); two reserved bands; floral frieze with white head, to left, at centre, emerging from a calyx from which emerge also tendrils, berries, volutes, and blossoms; reserved frieze; scene. B: Continuous maeander to right, between two pairs of lines; black ribbing (painted) between two black lines; flanked by vegetal ornament, from which emerges quarter palmettes and volutes, a female head, profile to left, wearing white stephane, and white sakkos, from which emerges curly black hair, at front and black; white drop earring on an inverted triangle. Below the body zone, around the entire vase, is a decorative band consisting of dotted cross squares (1) alternating with stopt maeanders to left (3) between two reserved bands; black below. Scene, A: A woman, standing in 3/4-view to the right, with head profile to right, hair emerging from the back, a sleeveless, belted chiton, a himation draped over her left arm, a pair of white slippers, holds a palmette fan, with white detail, in her upraised left hand, and a branch (similar to a thyrsos) in her left hand, at a diagonal. She also wears a white stephane and a sakkos with black and white detail, from the back of which emerges a tuft of hair, a white beaded necklace between two thin chains (rendered by black lines), and white snake bracelets on each arm. She faces a naiskos enclosure, decorated in gilded white, with thin Corinthian columns and a black pediment, on a podium decorated with a simple continuous maeander to right, between a two pairs of white lines. Enclosed within the naiskos is a warrior, rendered in white with yellow details, seated in 3/4-view to the left, on a himation, with his legs crossed, and his left elbow resting on the back of his seat. He holds a crested helmet in 3/4-view to the right, at which he stares, and a diagonal spear in his left hand. On the ground below him is a small shield. To the right is a nude youth, standing in a reclining pose, 3/4-view to the left, wearing a white fillet in his hair, and white slippers. He holds a himation, bundled up around his left arm, and an opened box as well as a dotted, fringed sash, in his right hand. A thin rectangular element, perhaps a dagger, emerges from the opened box. A (heart shaped) ivy leaf hangs in the field above him. White dotted lines indicate the groundline between all figures. Details on the shoulder rays and, ornaments in the field, and all figural scenes are rendered in added white, sometimes 'gilded' with yellow wash.
REDMG:1951.134.1 Black interior and handle; beneath each handle a palmette, flanked by tendrils; on each side a wave band, to right, above a woman's head, profile to left, surrounded by tendrils. Banded decoration below is comprised of a reserved band just below the figural scene, a pair of red bands above the foot, a red band on the upper surface of the foot, and reserved area at the centre of the underside. The common use of red stain to effect a red (ruddled) surface on reserved areas is highlighted in this example by the almost complete loss of black glaze towards the foot, where the ruddled intervening bands strongly contrast with the buff/reserved (formerly black glazed) areas.
REDMG:1951.137.1 Inset circle of knob decorated with a cross with chevrons in the angles. Bars on rim of knob. Black stem, reserved band at attachment to lid, which is decorated with a figural scene. Bird (partridge or pigeon) standing profile to right, towards a female head (Aphrodite), profile to left, wearing dotted spiked stephane, sakkos, and a pony tail, as well as white hoop earrings and a dotted necklace. Two dotted four-petal rosettes in field behind her. Scene flanked by two sets of tendrils from which emerge lotus buds, on either side of a palmette from the top of which emerges a lotus bud. Added colour (yellow on white) for details of bird, stephane, jewelry, and flowers. Flange on edge and underside of lid are reserved.
REDMG:1951.138.1 Black band around upper part of knob, around rounded part of knob, and around middle of stem, as well as bottom of stem. Lid decorated with two women's heads, profile to left, between palmettes enclosed in triangles. Each woman wears a spiked stephane and a sakkos on her hair, as well as beaded earrings and necklaces and head. Added colour (yellow on white) for details of headdresses and jewelery. Reserved areas reddened.
REDMG:1951.140.1 Upper surface of rim reserved, black ridge, and outer edge of lip decorated with a wave pattern to right; black below lip, on neck and on handles except forward handle attachments (on horizontal handles) decorated with rays; reserved patches beneath horizontal handles. Lower part of neck decorated at front with a short laurel wreath, to left, between two narrow reserved bands. Beneath the figural scene is a groundline comprised of a frieze of alternating maeanders (three) and saltire squares (one). Narrow reserved line at join with base, bottom edge of base, and underside. The figural scene is framed between a tendril, above the left handle, and a larger vegetal ornament, from which emerges a lotus bud. A Youth stands in 3/4-view to the right. He is nude, except for drapery slung over his bent right arm and held in his lowered left hand, and a white taenia on his head. He also holds a staff in his slightly upraised right hand. At centre is a bird (crane), seated in a perirhanterion (basin), supported by a fluted, tapered column, with a dotted capital, on a two-stepped base. The steps are decorated with small black spots and thin diagonal lines that suggest a marbled appearance. On the other side of the perirhanterion stands a woman, in 3/4-view to the left, with her weight on her right leg and her left leg relaxed. She wears a belted, sleeveless chiton, double bracelets on each wrist, a beaded necklace, and a spiked stephane, as well as a short pony tail. She extends her right hand to the bird and holds a box, decorated on the sides with black spots and lines, and three white spots on top, in her slightly upraised right hand. Above the bird is a rectangular frame (sometimes called a window but perhaps a votive plaque); above the box is a cogwheel. Most of the reserved areas are darkened with red wash, and the jewelry and other details in added white.
REDMG:1951.141 Black on interior except for a reserved band just below the lip. Black on exterior, except for a frieze of tongues underneath the rim on both sides, but not above handles; figural scenes on body. A: Partridge profile to the left; tendrils in lower left field; circle and tendrils in upper right field. B: Satyr head, profile to left; tendrils in lower left and right fields; quarter palmette in upper left field; single palm leaf in upper right field. Although female heads are more popular in such contexts, the large red element in place of the ear is probably a horn and indicates that this is a representation of a satyr. The decoration in the lower left field of the B side indicates the addition of a second layer of black glaze, in a manner than changes the image (from a large tendril to a small tendril below an L-shaped element.
REDMG:1951.142.1 Black except for body scene (ruddled), and reserved resting surface and underside. Scene depicts a female figure, profile to left, between tendrils from which emerge flower buds; a bull’s eye in the lower left field. The woman wears a veil over her head and across her shoulders; some curly hair emerges from the edge of the veil.
REDMG:1951.143.1 Shoulder decorated with yellow ivy wreath from which dangles an actor's mask at centre: white face to left with yellowish-brown hair, head and features. On either side, a pair of purple-red fillets with white dots and white strings at the bottom, inside long yellow dotted branches. White line around shoulder, above vertical ribbing. Otherwise black glazed except for reserved areas in uneven band around join of at bottom of ribbing, foot and underside.
REDMG:1951.150.1 Black except for decorative bands and figural scene on either side, and reserved band at lowest part of foot, as well as reserved underside. Neck decorated on either side with a laurel band, between two reserved bands. Beneath figural scenes are decorative bands, comprised of stopt maeanders (3) alternating with saltire squares (1). A: A female figure, juggling 8 eggs and advancing profile to right, faces a youth, advancing in 3/4-view to the right, but turning his head profile to the left. The woman, wearing a sakkos, tear-drop earring, beaded necklace, belted, sleeveless chiton, and two bracelets on each arm. The youth, nude except for a wreath around his head and a chlamys slung over his left arm, holds a large palm frond in his left hand and a phiale, at waist level, in his right hand. Above the phiale are 7 eggs (slightly smaller than those juggled by the woman). Bull’s eye (above) and tendril (below) in field between them. B: Two draped youths, face each other in conversation; between them a window (above) and a stele (below); the figure on the right supports himself on a staff that he holds in his right hand. Added white and goldish-yellow on side A, for jewelry, balls, phiale, wreath, and vegetation. The saltire square have short lines in place of dots. The right-most saltire square on A is replaced with a box of vertical lines.
REDMG:1951.153.1 Decorated with geometric designs in medium brown paint: stripes in two directions on the head; two horizontal bands around neck, above vertical bands; scalloped designs on chest of bird; wings delineated with two bands on either side, filled with s-pattern; horizontal bands on neck; bands on either side of an ‘x’ behind the handle; top of tail filled with tall zigzags. Reddened inside mouth and around the neck
REDMG:1951.157.1 Entirely black except for reserved line around edge of rim, ‘ribbed’ zone (comprised of five vertical lines in panel) at front of neck, and figural scene on the front of the body, and reserved underside at front half of lekythos (similarly the front half of the interior is reserved). Scene: double tendril, with a blossom emerging from the larger tendril; female head, profile to left; rosette in upper right field; small tendril in lower left field. The female wears her hair in a sakkos, tied at the back, from which emerges a tuft of curly hair around the ear. The reserved areas are ruddled, except on the underside. Some of the glaze beneath the handle has fired red.
REDMG:1951.159.1 On neck, between black handles, an enclosed palmette (11 petals on A and 9 petals on B; with two concentric arcs for heart on A, black dot for heart on B), black dot on either side of central petal, and black dot in the upper corners; black ridge below black line; frieze of vertical bars below each handle attachment; beneath each handle two superimposed palmettes, with a pair of volutes between, from which emerge tendrils, sprouting quarter palmettes. A: egg-and-dot frieze, between two black lines; white ribbing (painted); two reserved bands; floral frieze on shoulder (four volutes from which emerge flowers, tendrils and secondary volutes) emerging from the lower right; two reserved bands; scene. B: Continuous maeander to right, between two black lines; black ribbing (painted) between two pairs of black lines; a female head, profile to left, wearing a sakkos, from which emerges curly black hair, at front and back. Below the body zone, around the entire vase, is a decorative band consisting of dotted broken stopt maeanders to left (pattern doesn’t match up on side B, to the left) between two reserved bands; black below. Scene, A: A naiskos comprised of two Corinthian columns supporting a tapered epistyle and black pediment, on top of a podium (white maeander on a brown background, between alternating black and white horizontal bands). Two white female figures stand within the naiskos. The figure at left, standing in 3/4-view to the right, wears a himation over her left arm and hips, over a peplos (decorated with two vertical purple bands on the chest). Her hair is bound in a sakkos from which emerges hair at front and back; her jewelry includes a beaded necklace and two bracelets on each wrist. She holds a fan in her raised left hand as well as a wreath in her lowered right hand. She faces another woman (probably the deceased) who is seated in 3/4-view to the left on a stool (diphros) and rests her feet on a footrest (hypopodion). She wears a short sleeved chiton and a purple himation that she holds above her right shoulder in an unveiling gesture (anakalypteria). Her hair too is bound in a sakkos, from which emerges hair at the back; she wears two necklaces, one beaded, and two bracelets on each arm. A small ornament (or pures) hovers in the field between the two women. On either side of the naiskos is a kalathos (basket), below a rosette (red with added yellow and white), above a pair of white balls interspersed with clusters of three white dots, and above a double line of white dots. Each basket (both are identical) is decorated with a cross-square with intervening triangles (top) and alternating bands of zigzags, and white and black lines, as well as a band of vertical bars.
REDMG:1951.161.1 Black interior, except for two reserved bands, at the top and bottom of the everted lip. Under the rim is a laurel wreath, to left, between two reserved bands. Beneath the figural scenes and surrounding the lower part of the vase, is a decorative band, comprised of stopt maeanders (3) alternating with saltire squares (1), between two reserved bands. The handle zones are reserved, and ray bands decorate each handle attachment; beneath each handle is a palmette, between two tendrils. Reserved bands decorate the base, on the groove at the top, and on the bottom; the underside is reserved. A: A woman and a youth advance in 3/4-view to the right. She wears a stephane, a kekryphylon with ribbons, a beaded earring and beaded necklace, double braceless, a sleeveless, belted chiton, and slippers. She holds a tympanon (drum) in her upraised right hand and a kantharos, in her upraised left hand, which she lifts from a tray held by the youth, in his right hand. There are three white dots on top of the tray. He is nude except for a yellowed fillet, a thick white necklace, and a robe draped over his right hand. He turns his head profile to the left, to face the woman, and also holds a fillet in his outstretched left hand. There is a grape cluster in the upper right field. Added colour (white with yellow) is used for the jewelry and slippers. B: Two robed youths in conversation, stand profile towards each other, each with his weight on his left leg. Both are enveloped in their himatia except for their right hands; the left-most figure holds a staff in his advanced right hand, while the other figure gestures to him, with his upturned right hand. There is a bull’s eye in the field between them.
REDMG:1953.25.101 Hollow figure showing head and shoulders of bearded male figure, head tilted to one side. Possibly a satyr(?). Coarse material with small stone inclusions.
REDMG:1953.25.102 Recumbent lion, with head turned to the right. Pale orange clay, with inclusions; surface has traces of white slip.
REDMG:1953.25.23 Mouth black outside; reserved neck; black on exterior of handle; band of black vertical bars above band of black rays on shoulder. Body (at front, only): black line; two rows of black dots alternating with white dots; two black lines; figural scene. Body, below: black band, black line, broad black band, black line, black to foot and on top of foot; black band on lower part of concave element; otherwise reserved. Figural scene depicts a male figure wrestling a bull. The figures are flanked by trees with black and white fruits and thin vines. The hero’s clothes hang on the left tree and his quiver hangs above him. While this scene might depict either Herakles with the Cretan bull or Theseus with the (same) bull of Marathon, the incisions on the head covering (slightly stippled) suggest that this is a schematic rendering of Herakles’ lion-scalp helmet. Added white is used for the rendering of details such as fruit on trees, as well as the forepart of the bull, and his tail, while incision is used to indicate the drapery, quiver, and musculature of the hero, as well as his head covering. On attribution, cf. CVA Cambridge 1, pls. 22, 21.
REDMG:1953.25.32 Interior and handles black, as are the lower part of the body, stem, and upper surface of foot. Reserved band around rim, interrupted on either side by handles. Reserved vertical band in each handle zone; on each side a female head, profile to the left, between two white vertical bands, each crowned by a circle near the top of the band; red diagonal surface of foot; reserved underside including resting surface. Each female wears a stephane and a sakkos from which emerges a bundle of hair, also tied with a white ribbon; earring comprised of triangular element (missing from side B) beneath hoop; beaded necklace The figure on side B has a fleur-de-lys in the lower left field. The surface is ruddled on both heads and the exterior of the foot; added yellow, in places ‘gilded’ with yellow, for details of hair ornament, jewelry, and fleur-de-lys.
REDMG:1953.25.83 Small female head wearing a fillet. The hair is made of riveted plaits tapering to a flat, wide ponytail. All facial details in proportion (including a rather large nose).
REDMG:1953.25.85 Top is flat and squared off. Groove below rim then the rim is diagonal, rounded ridge at base. Large flat section with design sculpted on top of it so it is in relief. Scene is of a griffin, a winged creature with bird head and lion-like paws. The ribs are clearly visible as are the lines in the wings. Front left paw is raised above a stick with snakes (?) curled around or a decorative branch (?). Below is a higher moulded ridge with raised egg and dot pattern beneath, before another moulded ridge. Bottom is flat but has diagonal scratches carved in - perhaps to help this section adhere to whatever it was originally part of. Many inclusions in material.
REDMG:1953.25.88 Head of woman with shawl coming up toa high point over her head. Hair is piled on her head; melon coiffeure with diadem.
REDMG:1953.25.95 Female mask, with suspension hole. Wearing a head dress. Slightly archaic features.
REDMG:1953.25.96 Head of a female with hair tied up into a bundle at the back of her head and appearing to wear a head dress of some sort. Traces of red paint on hair at back of head and on head dress. Long, smooth neck and face with flesh coloured clay.
REDMG:1953.25.97 Head of a male from a figurine. Designed on front and back; front showing neck and face and some hair. On top of head is a flat band from ear to ear. Back shows hair pattern and back of neck. Reserved on both sides.
REDMG:1953.25.98 Small male head with curly thick hair, a large beard, and a large moustache, as well as a furrowed brow. The shape of the head suggests that it was once attatched at the back to a wall or other verticle structure, although that back of the head does have a concave structure to it. Coarse, dark red fabric.
REDMG:1958.61.1 Handle of a bronze oinochoe, decorated at the upper end with a woman's head, hair tied back, in the round and at the lower end a face of satyr, in relief.
REDMG:1964.1154.1 The interior and the rim are coated with a black glaze. On the exterior of the lip, a band of vertical bars, interrupted in each handle zone, where the surface is reserved. Each handle is glazed black on the exterior; under each handle is a palmette with 13 leaves (14 on right side), outlined, with a dotted hemicircle at its heart. Each palmette is flanked by a tendril from which emerges a lotus blossom. On each side a female head, profile to left: stephanai with 6 white spikes, grape-cluster earring, beaded necklace; kekryphylon. The woman on A has a Roman nose; on B has a ski-jump nose.
REDMG:2004.95.1 Interior of mouth black; lip reserved; exterior of mouth black, as is handle (repainted); vertical bars at the bottom of the neck; lotus-dot chain on the shoulder; Dionysos riding on a mule, between two satyrs, one holding a maenad. Below the figural scene is a black band, a reserved band, and then a black zone extending to the foot, which is black on the top, reserved on the convex surface and the underside. Figural scene: A nude satyr (in a crouching pose) runs profile to the right, holding a maenad on his shoulder; the maenad, who turns her head profile to the left, stretches her arms to either side and holds a rhyton in her slightly upraised left hand. She wears a kekryphylon (red), necklace (incised) and himation. Dionysos, seated on a mule, rides profile to the right; the god, wearing a red and blck ivy wreath and a himation decorated with red dots, holds a red keras (horn of plenty) from which emerge ivy tendrils that serve as a backdrop for the entire scene. Leading the mule (through use of a white rein, of which a ghost remains) is another nude satyr, running profile to the right, while he turns his head profile to the left. Other details include red on the beards and tails of satyrs and a red fringe for the foremost satyr. Incision is used extensively for anatomy and drapery. An unusual effect is created through the use of incision for the forearm of the leading satyr, which he lays across his torso, which is not incised save for two small circles to indicate his nipples.
TEMP.2002.9.16 Cast of a sculpted female head, from the 5 c, which demonstrates elaborate hair designs. Hair is painted red and face is white. Female is wearing round earrings and has a head band on that goes over the top and round the back of her hair. The hair is wavy down the back and curly at the front. The hair is long and reaches at least to the shoulder.
TEMP.2002.9.2 Larger piece (1) is made of three fragments and shows the top of the front panel with a pattern of horizontal palmettes with dots in field above a scene of a woman, with head covered, facing a youth wearing a long tunic and holding a long stick (?). The vertical panel pattern on the left hand side is of two dots, staggered and joined by a line. Detail picked out in watery glaze and black. The inside surface of both pieces is almost ribbed and the glaze is streaky. The smaller piece (2) has remains of a thick handle with a palmette pattern below it. The design on the front has the same horizontal and vertical panels as the other piece but has an old (bearded) man facing left also in long tunic. Both pieces bend upwards to what would have been the mouth and there is a possibility this would have been trefoil shaped.
TEMP.2003.2.1 Fragment with the head and torso of a figure, white marking on the figure's head. Quite deep incisions to outline the figure.
TEMP.2003.6.17 The interior of the vessel is black apart from the lowest part of o, whose lower part bears a reserved but glazed line. Exterior: a) On the right side, there is the upper part of a seated woman (part below her waist is missing). She is draped and wears a stephane (fillet) on her head. On the left side there is a floral motif whose stem is a wavy line that expands to the left. b) There is the back side of another seated draped female figure. c) The front side of the previous female figure. She is holding an alabastron with both her hands. d) On the lower left part there is the largest part of a voluted palmette with petal shaped divisions, connected with a tendril. The area next to the spring of the one part of the handle is reserved. e) On the bottom right there is the rest of the previous palmette, also connected with a tendril. f) On the bottom right there is the upper part of a palmette and on the upper left there is part of a tendril's volute. The area on the left of teh one spring of the handle is reserved, but glazed (plaster on top). g) Uneven black surface. h) A small part of the volute of the tendril of f and the stalk of a flower. i) Part of an inverted palmette, connceted with (part of ) a tendril, with (occasional) leaves on its sides. j) Small line, part of a tendril. k) Part of a tendril's volute. l) A figure's projected forearm and hand (figure's depicted on n?). m) On the right side, there is the stalk and part of the stem of a flower and a line that seems to be part of a tendril. n) Part (head missing, neck and shoulder are scraped off, area below the knees missing) of a draped standing figure that has the left hand around the waist. o) The lowest part of a figure's drapery.
TEMP.2003.6.23 a) The upper part (head to chest) of a draped youth, with a fillet on his head (faded), facing left. b) Another youth (part of his face is missing). He is wearing a himation on his arm and waist and his right hand is extended to the left. c) The rest of the previous figure's face and below, the biggest part of a lyre. The rest of the fragments are black, with the exception of part of a thin line on e.
TEMP.2003.6.6 The interior is black, but there is a reserved band on the fragments that come from the vessel's rim (a, b, c, d), which also bear a reserved band on the upper internal side of the rim. a) The black colour appears streaky (it varies from reddish brown to brown) on the rim (interior and exterior), as well as on the handle. The colour of the decoration appears brown and reddish brown on some areas. There is a broad band that bears two palmettes (one on either side of the double handle), while the surface between the two springs is reserved. On the left side of the fragment there is the right part of a motif (front legs of horses?). Below, there is part of a black line. b) The rim is black. Below, there is the upper part of a charioteer, riding a chariot with four horses (part of them is preserved). Details of the horses have been rendered with incisions. c) The rim is black, however the black colour is uneven and leaves part of the right edge of the fragment's rim reserved. Underneath a thin, reserved line, there is a palmette and next to it part of the line that contoured the spring of the handle. d) The rim is black. Below, there is a female figure's head and in front of her (at the level of her face) there is part of a curving branch, with dots on either side (part of wreath?). e) Part of a palmette, a black line and a black band. f) There is a dot in the middle of the resting surface, contoured by a circle. There is also part of a wide, band, between thin lines, above which, there is a graffito? in the shape of X.
TEMP.2003.7.29 Small figurine, plain red clay, unpainted. Rounded head, with a small circular piece of clay used for the left eye. There are two small stumps for arms, and no sign of clothes.
TEMP.2003.7.30 Small figurine, features not at all defined. Figure is very simple, small rounded shapes for head and arms. Both the back and front are relatively flat and smooth - the front is the side which has the base sticking out further than the back. There are indications that something was painted on it - black line by the right arm, on the front at the bottom, and on the back on the lower half of the body - here there are three vertical lines, the middle line being the longest. There are four black blobs on the square base.
TEMP.2003.7.31 Small figurine, possibly an animal, because the nose/mouth is pointed like a snout. Has two small holes for the eyes, and three holes above them. The neck is thinner than the head, and the arms are clearly defined, although are broken. The figure is of a red colour, with remants of black paint on the head and lower back.
TEMP.2003.7.32 Small figurine, possibly an animal. Pinkish colour, with remnants of black paint on the back, on the left arm and on the main body. Appears to be scratching head with the right arm, and the feet are distinguishable from the legs because they are at an angle.
TEMP.2003.7.47 Obverse: head of Augustus Caesar, facing right, wearing a laurel wreath. Reverse: a man riding a horse and holding a sword.
TEMP.2003.7.49 Obverse: Head of Julius Caesar, facing right, inscribed (behind head) 'Julius'. Reverse: the bare head of Augustus, facing right, inscribed (around head) 'Caesar. Divi. F.'
TEMP.2003.7.53A-B a) Animal head (perhaps a bull); b) wave pattern above lines arranged in a triangle
TEMP.2003.7.64 Fragment from the neck of a closed shape, with a flat, thick rim (1.4cm). Flat, top of rim seems to have been painted white. The side of the rim has a pattern around it. The pattern has a thin, black line parting small 'U' shapes. The top half of the pattern has 'U' shapes in it, which have tiny, verticle, red lines inside them. The bottom half is the same, however the 'U' shapes are up-side-down. The neck and small piece of the body, on the fragment, is glazed black and appears to have once had white paint on it. The fragment has a small piece of the pot's body on either side of the neck. One of the sides of the fragment of the body has the top of two figures on it. The right hand side figure is the top of a head but its features are unclear. The left-hand-side figure appears to be a women, with her left arm raised. The underside of fragment is terracotta colour. The inside of rim is glazed black and the inside of the pot appears to have been left terracotta.
TEMP.2003.8.64 Head of a woman in relief. Plaque is square in shape. On either side of the woman's hair at the top are two wings. Long flowing hair on either side of her face. Features are carved and she is wearing something around her neck. Small hole in the centre at the top.
TEMP.2005.8.1 Decoration in relief: On lower part of wall is a frieze including two tall birds (cranes?), the first in 3/4-view to left with wings outspread and head turned to the right, the second advancing profile to the left. They are enclosed in a rectangle outlined with relief dots. Below a row of relief dots, on lower part of body, is a floral frieze, consisting of inverted lotus buds, tendrils, and rising acanthus leaves.
TEMP.2007.3.51 Obverse: head of Roma, no text, very ornate; Reverse: Dioscuri riding a horse, second horse and rider behind, stars above and below horse there is barley;
TEMP.2007.3.52 Obverse: head of Apollo; Reverse: Numa before an altar about to sacrefice a goat
TEMP.2007.3.53 Obverse: head of Mercury; Reverse: Ulysses and his dog
TEMP.2007.3.57 Obverse: head of Saturn Reverse: Venus in biga
TEMP.2007.3.58 Obverse: very ornately decorated male head with a roman helmet Reverse: owl
TEMP.2007.3.59 Obverse: head with cloth headress and moustache Reverse: male in toga with people behind, at an altar?
TEMP.2007.3.60 Obverse: head of Faustina Senior Reverse: Augusta holding corn and sceptre
TEMP.2007.3.61 Obverse: head of Hadrian wearing laurel Reverse: Janus standing holding cloak and spear
TEMP.2007.3.62 Obverse: Head of Hadrian with thorned crown Reverse: Moneta standing holding scales
TEMP.2007.3.65 Obverse: Head of Titus with laurel Reverse: Image of Felicitas standing
TEMP.2007.3.66 Obverse: Head of Trajan with laurels Reverse: A figure seated behind a trophy
TEMP.2007.3.68 Obverse: Head of Nero with laurels Reverse: Wreath around S.C
TEMP.2007.3.69 Obverse: head of Nerva with laurels Reverse: clasped hands
TEMP.2007.3.70 Obverse: Head of M.Aurelius with laurels Reverse: Victory captive at feet of another
TEMP.2007.3.71 Obverse: Head of Commodus with laurel as sole emperor Reverse: Liberty with HLDE cap
TEMP.2007.3.72 Obverse: Head of Commodus with thorned crown Reverse: Female figure standing holding corn and Cornucopiae
TEMP.2007.3.73 Obverse: head of a young boy (Caracalla) with laurel DRPD Reverse: Caracalla standing dressed as a soldier holding an orb and a spear
TEMP.2007.3.75 Obverse: Head of Severus with laurel Reverse: Roma seated
TEMP.2007.3.77 Obverse: Head of Diocletian Reverse: Moeta standing
TEMP.2007.3.78 Obverse: Head of Antoninus with laurel Reverse: 2 oval shields
TEMP.2007.3.79 obverse: Head of Severus with laurel reverse: Emperor on horseback
TEMP.2007.3.80 obverse: Head of Constantine reverse: A building or an ornament
TEMP.2007.3.81 Obverse: Head of Roma Reverse: Dioscuri riding, stars above Roma, below horses ear of barley
TEMP.2007.3.83a-f eagle on a and winged woman on b female head surrounded by dolphins on c and chariot on d male head surrounded by dolphins on e and charriot on f
TEMP.2007.3.84a-f a- winged female kneeling b-pegasus c-soldier's head d-torch e-pegasus f-cross with unidentified shapes in
TEMP.2007.3.85a-f a-figure b-pattern c-female head d-owl e-male head f-laurels
TEMP.2007.3.86a-f a-old male head b-athlete/soldier c- male head surrounded by dolphins d- chariot and winged human above e-female face f-chariot and winged human above
The Ure Museum is part of
The University of Reading, Whiteknights, PO Box 217, Reading, RG6 6AH