| 2008.2.1.63
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tting on the floor and appears to be eating or drinking from a cup or bowl. The → fourth ← figure from the left is playing a flute, on the right to this figure ther |
|
| 2009.10.2.267
|
he right, with Hephaestus standing over them and casting a net over them, and a → fourth ← figure (?) reclining in the left corner.
Number 57
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|
| 2016.5.1
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Double incisions-black quaterings on the base and lower part of the body. Every → fourth ←-fifth quatering superimposed red. Every → fourth ← quatering incised zig-zag. |
|
| 25.8.3
|
pale buf. Some plaster filling. Tongues on shoulder, every second red, every → fourth ← yellowish-buff, orig. white (cf. ball aryballos 39.9.5). Just below tong |
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| 38.4.2
|
first band, two within the second band, two or three below the second band. The → fourth ← band does not overlap the base, which is slightly concave in shape, and h |
|
| 38.4.6A
|
x rings on it. Going from the knob to the rim of base; inbetween the third and → fourth ← ring there is a pattern. This pattern seems to be lots of small 'y' shap |
|
| 51.1.2
|
s have spears with teardroped terminations (three terminations are visible, the → fourth ← is on a missing area) and wear helmets with coverings for the cheeks (onl |
|
| 65.6.1
|
ars a meander pattern between two pairs of brown lines (above and below). Every → fourth ← meander the pattern is interrupted by a saltive cross with a dot on each |
|
| REDMG:1926.99.54
|
standing profile to right, towards a third figure, standing profile to left. A → fourth ← female figure sits profile to left, in front of the chariot. All four fi |
|
| REDMG:1935.87.31B
|
les pointing outwards; below teh knob, black rays; four circles, the second and → fourth ← red; round the edge below the animal zone a black band between two black |
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