Ure Museum Database



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There are 14 objects for which Condition contains → painted
11.10.3 Complete and intact. There are tiny air bubbles over the surface, as well as small areas of brownish deposit. Detailed markings on face and hands are slightly worn away. The left eyebrow, left eye, nose and mouth however, are all still clearly visible. Material on the resting surface has flaked away in areas. Originally painted red all over.
2007.4.5 Fragment, painted lines still visible. Fragment is slightly worn.
26.12.15 Repaired from many fragments and joins have been painted. Design on the outer surface remains clear and the glaze is still shiny.
26.2.28 Painted bands on underside are wearing away considerably compared to the topside which has retained most of its colour apart from some white but it is now a little dull. Surfaces are all still smooth with no significant damage.
34.8.14 Intact and complete. Much of the glaze remains but in areas where it has rubbed of the green pigment is also missing. The painted detail remains in good condition, the face detail however was not painted and has greatly worn away. It would also seem that the left arm has worn down since the pigment is missing and the arm seems stunted cvompared to its companion. There are several obvious cracks around the feet.
50.10.1 Complete but the neck and the body have been mended from a number of joining fragments. Some repainting. Deposits inside. Large part of the painted decoration fired brownish-reddish. Worn on many parts. Small chips and scraches on the body and a chip on the resting surface.
51.7.2 Lid: Comprised of 6 of more pieces, rejoined, with plaster filling (painted red) on the side of the body. Surface worn, with scratches and pitting on the exterior decoration and glaze nearly chipped off on the interior. Pyxis intact and nearly complete, but missing a chip on the rim. Surface severely worn with most of glaze chipped off. Some white deposits on the resting surface of the lid.
E.62.49 Intact but not complete. The top right quater of the painted scene is gone. The wood is not particularly degraded and the actual remaining inscription is well preserved and quite clear.
E.65.16 Intact and complete, the glaze has gone abd there is no more painted detail. There are areas of white deposit all over the artefact.
E.65.17 Intact and complete, There is very little detail remaining, so it may have been painted on. The glaze has rubbed off and there is a white deposit on the amulet on both sides.
REDMG:1935.87.27 Intact except one chip in rim. Some deposits inside but outside remains painted and glossed.
REDMG:1958.117.1 18 rejoined fragments comprising 90% of the original object, with some painted plaster sections, now chipped. Sheen on surface has eroded, especially on the inside of one handle; scratched elsewhere.
REDMG:1964.1159.1 Horse is broken in several places. Difficult to tell if tail has been broken or whether it ever existed. One front and one back leg missing. Head of horse also absent. Painted bands badly worn. White deposits on back of horse.
T.2012.II.27 Fragmentary with mild chippings around the edge and on several areas of the painted parts of the pot, though overall is well kept.
The Ure Museum is part of
The University of Reading, Whiteknights, PO Box 217, Reading, RG6 6AH