11.10.3
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Complete and intact. There are tiny air bubbles over the surface, as well as small areas of brownish deposit. Detailed markings on face and hands are slightly worn away. The left eyebrow, left eye, nose and mouth however, are all still clearly visible. Material on the resting surface has flaked away in areas. Originally painted red all over.
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13.10.36
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Face badly worn, only upper body remains.
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14.9.119
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Poor, cracked in two places, along right side of the hair line continuing across face and horizontally upwards, into head.
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22.3.30
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Single fragment, chipped on the exterior in three places, largest chip 2cm; white pigment on figure's neck slightly worn, chip to right of figure, discolouring on face. Interior soiled and chipped.
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22.3.36
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Fragmentary with numerous chips across the edges of the exterior and interior of the artefact, the face of the object and its handle. Countless, small chunks of paint are missing from both the outer and inner faces of the artefact.
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23.11.31I
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Chipped in many places, but the remains indicate where the helmet, face, and spear once were.
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23.11.31J
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Fragmented around the edges with the shield in good condition. Fragmented and incomplete spear, helmet, face, and legs.
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23.11.31K
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Slightly fragmented, but still in good condition (e.g. face visible), despite chipped-off spear; thin legs visible from beneath shield. Colour whitish-grey.
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25.8.7
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Complete but not intact. Can see the join on the inside of the figurine. Lots
of flaking on the surface of the figurine, and evidence of white deposit around the face and feet, as well as down the side of the left leg.
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29.11.11
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Incomplete. The sides of the mask have broken away, and the slip is covered in patches of grey/brown deposit. Detail of the face are still evident, but the nose shows areas of wear on the tip. The inside is a pinkish colour, with little evidence of deposit, though the surface feels rough to touch.
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34.10.17
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Complete. The white slip has worn away in places, and there is a smooth grey deposit evident in patches. Also, the munsell colour shows through. The features of the face are still fairly clear, but the eyes seem worn. The surface all over feels smooth, but the base of the neck is slightly uneven and a bit chipped.
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34.10.18
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Complete and intact. The surface is uneven all over, and the red glaze has been rubbed away in areas of prominance; for example, knees, stomach, chest and features of the face. There are indentations and air bubbles around the chest area, and on the back of the figurine. Here, there are also lots of scratches on the surface.
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34.10.19
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Complete and intact. The surface of the woman is incredibly smooth, the features of the face nearly worn away. There is a large scratch on the woman's right shoulder. As well as patches of white slip that is still evident, there is a smoky covering to the head, chest and knees. The base is very uneven.
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34.10.20
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Intact and complete. The figure is almost entirely covered by a grey deposit, which makes the surface feel rough. Small detail still remains, on the face, the nose, mouth and one eye. The right foot is also detailed.
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34.10.26
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Intact but not complete. Detail of the hair remains very clear, but the features on the face are less so. The eyes have been worn almost completely away, and the nose has a chip in one side. At the top of the forhead, just where the hair begins, is a hole. The top and back are uneven and show small holes on the surface. There is a small amount of dirty deposit at the base of the neck, and inside the hollow of the head.
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34.8.14
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Intact and complete. Much of the glaze remains but in areas where it has rubbed of the green pigment is also missing. The painted detail remains in good condition, the face detail however was not painted and has greatly worn away. It would also seem that the left arm has worn down since the pigment is missing and the arm seems stunted cvompared to its companion. There are several obvious cracks around the feet.
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45.6.72
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Design on face has been much rubbed off. Incomplete and repaired with eight segments missing. Handle and body repaired.
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47.2.27
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Lower part of body broken off. Right side of face damaged, although features on left preserved.
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47.2.34
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Similar in shape and attitude to 47.2.32 and 47.2.33. Intact, although in the worst condition of this group. Nose chipped, right hand ear worn. Concretion on face, back and right hand side.
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50.5.3
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Mouth and upper part of neck modern and intact handle. Most of the black has faded to a light brown color. The neck and mouth has been rebuilt by modern material. The surface appears in fairly good condition, except for some deep scratches around the neck. Left swan scratched face, right swan intact face. There are other small scratches on the surface and bit of flaking and chipping, especially around the edge of the foot.
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67.7.1
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Incomplete. The figure has broken in half and been glued back together, however, at the back, there is a chip missing still. The grey colour is interspersed with deposit of a dark brown colour, which is even more prominant on the back. The features of the face have almost all worn away, except for the nose. Around the front and sides of the base are white and dark grey deposits.
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74.7.5
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Complete. Has been glued back together from two pieces. Is entirely covered by dark deposit, possibly from the action of fire. Thought to be from a burnt grave. There is a lot of flaking, revealing white. The features of the face are distinguishable, but are worn in places. The back is much lighter in colour, but still covered in brown/green deposit and feels rough to the touch.
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79.1.3
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Intact, lug is missing outer face, tip of nozzle is slightly chipped. Glaze worn off in front half of the lamp and on the moulded ring. Small amounts of white deposit, blackening around the tip of the nozzle.
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E.23.17
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A large amount of skin coloured paint has chipped of, particularly around the bottom and edges of the object. The paint on the chest is quite well preserved. There is a large fragment missing from the right shoulder which also removes part of the lower right hand side of the pace. The nose and eye work has been removed or fallen off. A large amount of black paint has chipped of the top of the object. There is also a hole in top of the head and a large crack originating on the lefthand side of 'hair' and ending near the base of the face.
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E.62.22
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The gaps between some teeth have become adhered by deposits. Others have warped out of shape. There is black discolouration, perhpas due to damp, on one face of the comb. A part has broken from the side but is due to be repaired.
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E.63.4
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Intact and complete. Much of the glaze and colour has rubbed away particularly on the right side of the front. There is also some dark miscolouration at the top of the head-dress. Compared to it's partner the details of the face are much more vague.
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L.2011.1.25
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Chipped and scored all over especially on one face, covered in brown sediment and possibly made out of (granite?)
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REDMG:1935.87.35
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Incomplete. Only head remains, no body. Lots of detail on both face and head, but both are marred by whitish deposit. Detail at tip of the head has broken off.
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REDMG:1951.140.1
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The black surface, slightly iridescent, is slightly chipped at the back. The red surfaces are eroded, especially on the woman's face, and stained, especially on the upper surface of the rim, the laurel wreath, and some of the figural scene.
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REDMG:1953.25.88
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Deposits lie on surface and in hollows beneath shawl. Facial features slightly worn on lower part of face. Material is very soft and crumbly. Some small surface cracks.
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REDMG:1953.25.89
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Surface smooth and worn. Chip to right side of face. Right arm lost and lower of left.
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REDMG:1953.25.95
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Section missing from side at face level. Deposits on front and more on reverse side. Facial features worn.
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REDMG:1958.39.1
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Part of splayed base missing, some concretion on back. Face worn, eyes depicted with paint now lost. Nose damaged, ears protrude although now worn.
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REDMG:1958.61.1
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Handle, some damage to woman's face and some wear to bronze in the centre of the handle.
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T.2012.11.28
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Fragmentary and mildly chipped across its face and the edges, with small parts of paint having been rubbed off over time.
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