26.12.10
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ral similar to those painted in the Krokotos-White Heron Workshop, but there is → no ← reason to suppose it was painted in that workshop'
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45.10.1
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of the plain style: cf. Scottsdale, Cutler Collection (RVAp 11/206a). Although → no ← other epichyses have been attributed to this group/artist, the group seems to |
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50.4.16
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op as 14.9.109, according to D.W.J. Gill. Sparkes and Talcott, in Agora 12, 140 → no ←. 17, suggest that this piece is probably from the same workshop that made dee |
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L.2011.1.37
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For the sacred mo→ no ←gram in the central discus see to Catalogue of the lamps in British Museum, vo |
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L.2011.1.41
|
parisons with the shoulder decoration in Catalogue of British Museum, vol. III, → no ← Q1770 MLA, pl.21, fig. 34.
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L.2011.1.42
|
For the shoulder decoration comparisons in the Catalogue of the British Museum, → no ← Q1765
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L.2011.1.43
|
e central discus, see the Catalogue of British Museum, vol. III, group I(c)iii, → no ← Q1759. For the quatrefoil pattern on the shoulder, compare to Q1768, Ennabli |
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L.2011.1.44
|
For the shoulder decoration see the Catalogue of British Museum, vol. III, → no ← Q1771, pl. 21, fig. 34, with a shoulder-frame hearts (Ennabli M6)
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L.2011.1.48
|
e the Catalogue of British Museum, vol. II, group I(b)x (Followers of Neptune), → no ← Q886 type B
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REDMG:1951.142.1
|
have been found but the ornament on this vase relates it to the works of the mi→ no ←r painters and workshops associated with the Iliupersis Painter and other pain |
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