| 14.9.78
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exterior: black-figure decoration consisting of part of possibly deer or boar (only hind leg remaining), to left; at right, painted streaky black handle zone; below, one narrow band above a wider black and a band in added red;
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| 2008.9.19
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Exterior: 5 parallel horizontal lines of differing thicknesses are overpainted accross one corner of the fragment. The bottom three are narrower and overpained in brownish-grey, above these is a pinkish-red wider line and above this another greyish-brown line.
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| 2008.9.24
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Interior: greyish-black wash, top of rim overpainted in same greyish-black colour. Exterior: Greyish black wash, interspersed by 2 horizontal bands of unfinished terracotta, the lower band wider than the upper. The lower band has 7 smaller dots overpainted within it.
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| 26.7.5
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On top of mouth are four equal width bands and on the side are dots. Horizontal bands appear on the handle. Daisy pattern on shoulder. Three warriors marching right in snowstorm; spears sloping forwards. Shields divided vertically by three incised lines; some added red paint. Below, three narrow bands, three wider and small inverted base. Large area left plain in the 'white style'.
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| 34.8.12
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The vase is black, both on the inside and the outside, with the exception of few, red lines. A sloping rim allows the lid to sit over the aperture. There is a reserved line on topside of the body, a red, carved circle and a groove around. There are also two, concentric carvings, one in the middle of the body's upper surface and the other one at its side. At the level where the body is divided in two areas there is a reserved line, while another one is apparent at the point where the body is narrower, above the point where it connects with the stem. The latter is divided in two areas by two, plastic, thin, red rings. Below, there are vertical ridges, one third the way down, wider towards the upper surface of the foot, whose larger part they cover with their moulded, tongue-shaped terminations. There is also a carved circle, surrounding these terminations. The foot is grooved and reserved in places. The surface underneath is irregularly painted black, with the central part reserved.
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| 37.11.6
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Black glaze except resting surface. Red paint applied. Black dot at the centre surrounded by two black concentric bands. Distance 0,4. The external is wider. Stamped inside with four small palmettes set crosswise.
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| 45.10.22
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a: The upper surface of the rim is reserved, although glazed. However, the side surfaces (internal and external) are black (apart from a reserved area that would not have been visible if the handle was not missing). The neck is also black on the inside, however, there is a perpetual motif of palmettes on the external surface. These are double palmettes (5 narrow divisions upwards and 5 similar ones downwards) that look as if chained together by a horizontal row of small rings and each such palmette is separated from the other by a vertical line with wider endings, while thin, curved lines (above and below) frame each palmette. The sides of the handle bear a black band each and there is also a thin line underneath them that contours the end of the neck. On the carination that divides the neck from the shoulder there is a thin line with added red colour. The shoulder bears a motif of tongues, divided by vertical lines, while a line underneath contours them. The motif does not appear under the surface of the handle. At some point underneath this pattern there is the beginning of another motif (black with 3 dots of added red and scale-like incisions). The interior of the rest of the vessel is reserved, since it is an amphora. b: It bears exactly the same motif as the previous neck bit. c: From the branch of a three-peaked floral motif there emerge two curved lines that are downwards and upwards, each forming an ellipsoid-shaped frame from whose lower (in the case of the curved line that goes downwards) or upper (in the case of the other line) endings form one floral motif each. The left one is a voluted palmette with 5 petal shaped divisions and the right one is a three-pointed flower, similar to the central floral motif, but bigger. Although the upper part of this pattern is not preserved apart from the starting point of the motives, it is certain that this would have been the heraldic motif depicted. Underneath this area there is a thin, black line and below that, a pattern of guilloche ( branches with tear dropped endings interwoven together) with a row of dots, framed (above and below) by two pairs of concentric lines. Towards the end of the fragment (which is also towards the end of the vessel) there is a radial-shaped motif, two lines and the rest of the surface is black. d: It is a part of the body's area that bears the guilloche pattern and the radial-shaped motif underneath, but one third of it is not preserved. e: On the left there is the upper part of probably a palmette (two endings of petal-shaped divisions). Next to that there is the depiction of a draped lower body part. The drapery is formed by the incisions on a black surface. There are diagonal incisions and wavy endings to denote the folds of an himation, as well as the lower termination of the chiton, which is suggested by two almost horizontal incisions, a wavy line and another horizontal incision. the drawing is detailed and clear. f: The part between the surface above the knees and a bit below the calf of a male figure that wears a short chiton (incised, wavy folds are visible above the knee), as well as grieves with out curving terminations (Hermes?) of added red colour, now fadded away. On his left there is the upper part of a palmette and on his left there is a diagonal line, with rows of dots on either side (characteristic of Dionysus). Very clear drawing. g: Half of the three-peaked flower, a bit of a black line and two petal-shaped motives. On the side, there is part of the dotted branch and what appears to be part of a figure's drapery (upper right body part ?), with some incisions used to render details. h: Between the lower body part of two figures there is part of the dotted branch. What is preserved from the right figure is incised lines and circles on a black surface. The left figure's drapery (peplos and himation ?) is preserved (below the waist), consisting of incised diagonal and wavy lines to denote the folds. i: A central male figure's (Dionysus) body from shoulder to legs is visible and surrounded by a dotted branch. He is standing between two figures. The male figure (there is part of beard with added red) on the left holds part of the branch with his palm (upper body without the head is preserved). The only visible part of the draped figure on the right is part of the legs. Incisions are used to render details. j: Apollo playing his lyre (kithara). The head (in profile, facing right), right hand and part of the god's front side of the body is visible, as well as the largest part of the lyre. Part of a dotted branch exists in the background. Incisions have been used to render the chords of the lyre as well as for the eye, contour of hair, ear and contour of the god's body, while a taenia (fillet) on his head is in added black colour. k: Only part of a thin, black line is preserved. l: two broad black bands that overlap at some point. Incisions and the ending of a dotted branch (part of draped figure?). H & J on display in symposium
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| 50.12.30
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Interior largely unpainted with thin black painted line directly on rim and below it a wider band. Exterior has a small motif that appears to join the rim slightly to the left with a single line and becomes a small circle and then from the base of the circle a line becomes a series of tight curves alternating with tiny dots.
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| 50.4.12
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Silvery black gloss except underside, which is reserved, reddened, and decorated with a central black dot and two concentric black bands. The external is wider and painted without precision. Red paint of the resting surface slightly flaked off at small parts.
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| E.26.39A-B
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Two bracelets, one slightly larger and wider than the other. Probably for child as they are very small. Very light weight and delicate. Both a creamy white colour and smooth on surfaces.
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| REDMG:1964.1653.1
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Thin neck and wide body with thin stem and base. Traces of an uneven black colouration around shoulder. Moulded rings around base. Although broken, base seen to be wider than stem. Black, circular discolouration on base and on shoulder.
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| TEMP.2003.7.46
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Light brown clay. Small mouth with flared lip. Long slender neck wider at top than bottom turning into pear shaped body with shorter foot and flat base.
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