| 14.9.54
|
Brownnish-black on pale buff. Design consisting of lozenges or perhaps → triangles ← filled with trefoils, the vacant spaces being filled with waved parall |
|
| 2005.3.34
|
exterior: lines, bands and → triangles ← in added red. interior also has a section of added red
|
|
| 2007.4.180
|
series of black → triangles ←; inside painted black
|
|
| 26.12.7
|
rim. The body is decorated on with three bands: (1) vertical lines in red; (2) → triangles ← filled in with cross-hatching alternating with small loops, each made |
|
| 26.2.33
|
f slip. Outside, on edge of rim blobs; on body bands. Inside, on flat rim solid → triangles ← and dots bordered by narrow bands of diluted black, on body key patter |
|
| 26.2.43
|
nt; lower frieze preserves shoulder, back, and antler of one goat to left, with → triangles ← and dot rosettes as filling ornament.
|
|
| 26.2.79
|
p of rim black; exterior of rim slipped creamy white; from top: frieze of black → triangles ← above large broken maeander band between rows of black dots; neck glaz |
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| 30.11.4
|
lines inside, black bands, dots around shallow foot. Base is flat and has four → triangles ← with hatching, four leaves in a cruciform shape attached to a central |
|
| 33.4.1
|
cal bars (which go up onto the rim and three handles); zigzag; dotted lozenges; → triangles ← separated by hanging loops or dot rosettes. Red used for thin bands d |
|
| 45.10.24.4
|
3 stripes of black glaze. Two small patterned → triangles ← and curved black shapes; potentially the beginning of a depiction.
|
|
| 45.6.62-63
|
e, from top to bottom are concentric yellow, white, orange, black circles, with → triangles ← between and pendant pairs of white spots. Below are pairs of red and w |
|
| 47.6.1
|
The Gorgon Medusa, in both shoulder panels. Area under handles is black. |
|
| E.23.44
|
f the crown has been threaded for a string for wearing. The eyebrows are large → triangles ←, above the sacred eyes which are joined. The nose is snout-like in be |
|
| E.62.14
|
Decoration in mauve pigment, consisting of two curved lines below five → triangles ← that originate from the edge of the fragment.
|
|
| E.62.27
|
ss in bronze, probably early Christian usage. The cross consists of 4 inverted → triangles ← pointing to a similar centre. The top point, two side points and the |
|
| E.62.60
|
h and in three concentric semi-circular shapes, then three groups of four solid → triangles ←; all in a purple/brown paint.
|
|
| REDMG:1935.87.31B
|
Lid: on the rim of the knob, black silhouetted → triangles ← pointing outwards; below teh knob, black rays; four circles, the secon |
|
| REDMG:1951.138.1
|
ecorated with two women's heads, profile to left, between palmettes enclosed in → triangles ←. Each woman wears a spiked stephane and a sakkos on her hair, as well |
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| REDMG:1951.152
|
red in black glaze; circumscribed palmette frieze on shoulder, with intervening → triangles ← above and below (where two are outlined but not filled in); main body |
|
| REDMG:1951.159.1
|
h basket (both are identical) is decorated with a cross-square with intervening → triangles ← (top) and alternating bands of zigzags, and white and black lines, as |
|
| REDMG:1958.23.1
|
r on the body accentuated with appliqué. Geometric motifs consist of zigzags, → triangles ←, and two horizontal lines around the centre of the body and two more a |
|
| TEMP.2022.5.14
|
On the bottom there are numerous lines that appear to make up a series of → triangles ← within one another.
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